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  • Reading List #3 Designs On A Good Show

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    This document provides a reading list on the topic of exhibition design and museum funding sources. It includes 15 references to articles from publications like the Washington Post, Museum News, and Art in America. The readings cover a range of issues such as blockbuster exhibitions, exhibition catalogues, funding from public, corporate and private sources, and the power of government funding on museums. They also discuss intentional blockbusters and using exhibitions for cultural diplomacy. The majority of the references can be found as PDFs on the course website or through Lexis Nexis.

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    This document provides a reading list on the topic of exhibition design and museum funding sources. It includes 15 references to articles from publications like the Washington Post, Museum News, and Art in America. The readings cover a range of issues such as blockbuster exhibitions, exhibition catalogues, funding from public, corporate and private sources, and the power of government funding on museums. They also discuss intentional blockbusters and using exhibitions for cultural diplomacy. The majority of the references can be found as PDFs on the course website or through Lexis Nexis.

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    28 views2 pages

    Reading List #3 Designs On A Good Show

    Uploaded by

    f412ul_iv
    This document provides a reading list on the topic of exhibition design and museum funding sources. It includes 15 references to articles from publications like the Washington Post, Museum News, and Art in America. The readings cover a range of issues such as blockbuster exhibitions, exhibition catalogues, funding from public, corporate and private sources, and the power of government funding on museums. They also discuss intentional blockbusters and using exhibitions for cultural diplomacy. The majority of the references can be found as PDFs on the course website or through Lexis Nexis.

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    Reading list #3

    Designs on a Good Show


    Stuart Silver, Almost Everyone Loves a Winner: A Designer Looks at the Blockbuster Era, Museum News
    61(November/December 1982): 25-35. (PDF on course website)
    David Dernie, Introduction, Exhibition Design, 2006, 6-20 (plus pages referenced in text). (PDF on course website)
    Blake Gopnik, Struck by Lighting: A Murky Choice for Museums, Washington Post October 14, 2001: G-1, 4. (look up
    on Lexis Nexis)
    Blake Gopnik, Read All About It, Washington Post December 9, 2001: G-1,6. (look up on Lexis Nexis)
    The Exhibition Catalogue

    Bruce Cole Catalogues of Abuse, Museum News 72 (July/August 1993): 48-49. (PDF on course website)

    Funding The Sources (Public/Government, Corporate, Private) and Their Effects


    Bob Thompson, History for $ale, Washington Post Magazine (January 20, 2002): 14-22, 25-29. (look up on Lexis-Nexis)
    Patricia Failing, Following the Money, Art News 99 (January 2000): 150-153. (PDF on course website)
    Special Section: Museum Blockbuster, Art in America 74 (June 1986):
    28-34 (Brian Wallis, The Art of Big Business) (PDF on course website)
    ____________________________________________________________________________________
    Funding The Power of the Government Purse
    Mark Schuster, Who Should Pay (for the Arts and Culture)? Who Should Decide? And What Difference Should It
    Make?, in Unsettling Sensation : Arts-Policy Lessons from the Brooklyn Museum of Art Controversy, ed. Lawrence
    Rothfield, New Brunswick London, 2001, 72-89. (PDF on course website)
    John K. Urice, Rethinking the Assunptions, Reassessing the Outcomes: Reflections on Public Arts Support, in Culture
    and Democracy: Social and Ethical Issues in Public Support for the Arts and Humanities, ed. Andrew Buchwalter, 1992, pp.
    89-100. (.PDF on course website)
    Kevin A. Mulcahy, The Public Interest in Public Culture, in Culture and Democracy: Social and Ethical Issues in Public
    Support for the Arts and Humanities, ed. Andrew Buchwalter, 1992, pp. 67-87. (.PDF on course website)
    The Intentional Blockbuster

    Brian Wallis, Selling Nations: International Exhibitions and Cultural Diplomacy, in Museum Culture: Histories,
    Discourses, Spectacles, ed. Daniel J. Shearman and Irit Rogoff, Minneapolis, 1994: 265-281. (PDF on course website)

    Lee Rosenbaum, Blockbusters, Inc., Art in America 85 (June 1997): 45-53. (PDF on course website)

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