Shri Madhvavijaya Devanagari

ANANDATIRTHA - A CD-ROM PROJECT ON SHRI MADHVACHARYA
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1
SHRIMADHVAJAYA
INTRODUCTION
Shrimadhvavijaya is a biographical account of Acharya Madhva composed by Sri

Narayana Pandithacharya, the son of Sri Thrivikrama Pandithacharya, who was a
contemporary of Acharya Madhva. The generally accepted date for Madhva is 1238 –
1317 AD, while that of Narayana Pandithacharya is 1295 – 1370 AD. It is very likely that
the young Narayana was associated with many of the events covered in detailed
descriptions of Acharya Madhva’s life – specially those which occur in Chapters – 12 to
16 of Shrimadhvavijaya This is evident from the wealth of detail and close observation
that one notices here, in contrast to the earlier sections, where the descriptions are very
brief or accompanied by only poetic embellishments. There is no doubt that the entire
family – Thrivikrama - the father, Shankara – the brother of Thrivikrama and Narayana –
the son, were tremendously impressed by the personality of Acharya Madhva. His
beauty, physical personality, strength, endurance, pleasant and attractive manners,
erudition and all round scholarship etc find repeated mention in the compositions of all
these authors. Narayana Pandithacharya has used nearly 1000 synonyms, describing
Madhva in Shrimadhvavijaya, essentially referring to his vast knowledge and great
intellect. Thus, there is no doubt that Shrimadhvavijaya is a first person account of the
life of Acharya Madhva seen at close quarters, from a gifted author, at least in the latter
portion, while the earlier accounts are based on authentic hearsay from his immediate
disciples.
Writing the biography of a multifaceted and divine personality like Acharya
Madhva would have been a difficult assignment for any one. The requirements of
presenting the extraordinary personality in its different aspects – precocious child born to
very good parents after a long wait and prayers, very early renunciation of the world,
confronting the then powerful Advaita head on, without any compromise on tenets, series
of miraculous doings indicating his divinity, detailed and authentic knowledge about the
ancient scriptures like the Vedas, Upanishaths and Ithihasa including Mahabharatha etc
would need a fine balance between factual presentation coupled with admiration for the
glorious personality, summary of esoteric discussions with opponents, and personal traits,
where the full and marvelous personality is delineated in a word picture. It is not for
nothing that it is believed that Madhva is present himself in the form of
Shrimadhvavijaya and no one, even the other greats of the order ever tried to write
another similar composition on the subject. The composition has secured great respect
and acceptance comparable to the original compositions of Madhva himself from all
succeeding savants of Tatvavada.
It is worth noting the explanation given by Narayana Pandithacharya himself
about the manner of his writing the composition. In Bhavaprakashika written by himself
as a commentary for Shrimadhvavijaya, he says (free translation):
“Mostly what ever has been stated here has been said by more than one source. “I have
seen it with my own eyes” has been said in most cases. Whenever there was a difference
between the accounts given by two sources, I have accepted the one, which was more
strong (reliable). I have not said things here just for poetic embellishments, or to praise
the Guru or to show my own scholarship. Therefore, readers may not doubt the
authenticity of my account here.” It is clear from this, that Narayana Pandithacharya has
composed the account after he has carefully analysed the data available. The very manner
of construction of the composition also indicates this – as the first 9 chapters carry
accounts which are not very detailed in nature with circumstantial details generally not
available. When we notice that the installation of Lord Krishna in Udupi, a major action
of Madhva has been described only in 4 shlokas, it appears that all these had happened
long past at the time Shrimadhvavijaya was composed. In particular, the poet has just
started his account from the immersion of the Idol of Lord Krishna in Madhvasarovara
for washing, without any hint about how the Idol was obtained, for which there are even
now many well substantiated stories attributable to great saints subsequently. All the
events right up to Madhva’s two visits to Badarikashrama had taken place long before
and could have been gathered only as anecdotes from his disciples. Chapter 10 seems to
be a reconstruct of some prevalent compositions about the earlier incidents of Madhva’s
visits to the northern part of the country. The eleventh chapter is an exposition of the
philosophical position of the Tatvavada concept of Moksha in poetic language ascribed to
Shesha (based on an incident of bright light which was seen in the sky without the moon
when Madhva was giving his discourse, as explained in Bhavaprakashika). The Chapters
12 to 16 clearly show more details of names, places (mostly in Kerala and South Canara),
and sequence of events which should have been given to the author by his own kith and
kin or became known to him directly by himself. The kind of detailed description of
Madhva’s daily routine given in the 13 th chapter appears to be an eye witness account.
Chapter 16 is clearly one where the poet has considerable detailed information on
incidents of bathing in the sea (described in 14 shlokas), defeating the Gandavata
brothers, going around the Kantheswara temple on the shoulders of a young boy,
defeating Poorvavata, Shivagni etc., renovating Paranthi temple, getting the pond in
Yerki Matha filled up by rain, composing Krishnamrutha maharnava and Karma nirnaya
in Vaidynatheswara and Ujire etc. Only the incidents of establishing the validity of the
Vedas on the banks of the Gomathi river (possibly the one near Dwaraka) and lifting and
carrying the huge boulder near Kalasa seem to be distant to the poet at this time and place
and may have been included here (rather than in the 10 th Chapter, where a number of
such wonderful incidents have been described) for convenience.
While discussing the basis of his accounts of superhuman actions of Acharya
Madhva, the poet has said in Bhavaprakashika:
Out of these (miracles) seen by humans, some were forgotten by the action of Deva
Maya, and even out of those which were not forgotten, we did not come to know all of
them. Even out of what we heard, we have not said some of them as they are to be treated
as divine secrets. The sincerity and integrity of the author is clearly discernable in his
careful approach to the subject. There is authentic evidence available today on many
events described in Shrimadhvavijaya – a few of which are mentioned below:
1. The huge stone boulder (6.1 meters * 3.6 meters * 10.98 meters) carried by Acharya
Madhva near Kalasa is still there with an inscription on it. This has also appeared in a
Gazetteer of the erstwhile state of Mysore dated 1901 AD. The incident is narrated in
the 16 th Chapter – shlokas 7 – 9.
2. The names Nadillaya (Madhyageha Bhatta), Paje (Pajaka Kshethra), Kunjaru
(Vimana giri) etc are those which exist even today. Similarly names such as
Gandavata, Poorvavata, etc still continue to be used in the area.
3. The historical accuracy of some accounts like that of Acharya Madhva meeting the
Muslim king, Ishwara deva etc need authentic verification. The actual period of
Madhva himself had been under considerable doubt, till the Sri Kurmam inscriptions
clearly indicated that Madhva's date is 1238 - 1317 AD. The northern tours of
Madhva appear to be at an early part of his life, as they were distant in time with only
highly salient features being remembered when Shrimadhvavijaya was composed. It
has been opined that Iswara deva is Mahadeva, a Yadava king who ruled Devagiri in
1260 – 1271 AD, while the Muslim king was Jalaluddin Khilji of Delhi (1290 – 1296
AD). It appears unlikely that Madhva’s northern trip was as late in his life as when he
was more than 52 years old. Balban in Agra is dated 1249 – 1266 AD and seems to fit
in better.
4. It is also argued that the identities of Kudipusthur Sankaracharya, Padmatirtha etc
who feature in Shrimadhvavijaya as prominent scholars of Advaita who lost to
Madhva are not clear as pertaining to the head of Advaita Mathas in that period. But
people remember winners and not losers! It is also highly unlikely that the traditional
Matha Guru Paramparas, which extol their past ascetics will highlight defeats and
ignominy of some of them. An example is the famous debate between Sri Vidyaranya
and Sri Akshobhya Tirtha, where Dvaitha won, but which would not be
acknowledged by Advaita, but for the records available in neutral ground –
Vishishtadvaitha.
There are some other aspects of Shrimadhvavijaya, which deserve special mention in this
introduction.
i. The characterisation of the revered Guru has been done with exactitude and
consistency throughout, indicating the divine nature of the subject. For instance,
the early incidents of digesting horsegram as a baby still on mother’s milk, eating
thousands of plantains and drinking pots of milk as a young lad and eating all the
food offered by several hosts in Badarinath – as well as keeping a complete fast
with total silence for 48 days in that extremely cold and difficult place, before
going to meet Sri VedaVyasa all indicate Madhva as one who was not an ordinary
person dependent on food. Similarly, Madhva had shown that God is present
every where, even as a toddler of 2 years, by his actions in visiting the temples.
The attachment of his parents to the beautiful child and their sorrow, when he
renounces the world at the young age of 8 years is poignant, but Madhva
maintains his dignity and conviction without hurting them.
ii. The descriptive verses on Madhva are lyrical and heartwarming. The great love of
the poet for the subject shines through brilliantly in these. One gets a word picture
of the great Guru, profound yet simple and accessible to all, all knowing and kind
hearted to devotees, loyal to his childhood friends, with enormous powers, but
choosing to take all his disciples and his own Guru along with him like an
ordinary human being. Madhva was one who acted as he preached always.
iii. The lyrical descriptions of Madhva meeting Veda Vyasa and Narayana which
have come out of the imagination of the poet, appear as if Madhva himself wrote
them – such is the language, fervor and intensity of devotion shown. The ability
of the Poet to use the maximum flexibility of the Sanskrit language, in conveying
2/3 meanings to each set of words in an appropriate manner, while preserving the
musical rhythm of the lines is amazing. Use of Simile and other embellishments
as powerful media of emphasising the essential aspects is resorted to freely and in
some cases the poet touches a chord in our hearts, when he talks of Hanuman
using both hands to carry flowers for worshipping his beloved Rama, while he
carried the Gandhamadana mountain with just one hand!
iv. There is a tradition in Sanskrit that a Mahakavya should have certain features like
a hero who is exemplary, descriptions of towns, ocean, mountains, sun/moonrise,
marriage, travel, war etc. The Sargas should not be too long or short and at the
end of each, the subject matter of the next must be indicated etc.
Shrimadhvavijaya is seen to contain almost all the main requirements of a
Mahakavya.
It is also seen normally that in the case of many other subjects like Samkara etc.,
there is more than one history written long after the person’s demise. They suffer
thus from genuine doubts on authenticity and rely on the most part on traditional
stories preserved by word of mouth. There are also conflicts between the
accounts. Shrimadhvavijaya does not suffer from any of these shortcomings.
Thanks to the commentary written by the author himself, the details are made
clear and unambiguous. The methodology adopted by the author is
unexceptionable. There is a case for further study in fixing many historical
elements mentioned here, but the honesty and integrity of the author shines
through the composition like a beacon light guiding us in the right direction.
Because of the great regard and sanctity that has been attached to this great composition,
which is usually learnt by heart by young students of Tatvavada, the original has been
maintained accurately over the centuries. How ever, the recent publication of the Patha
ascribed to Sri Vedangatirtha, who lived a century or so after Madhva, represents the
purest and possibly the original version if the composition. The same version has been
included in this CD with the approval of Sri Bannanje Govindacharya, the publisher.
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Shri Madhvavijaya Devanagari

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Shri Madhvavijaya Devanagari

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ANANDATIRTHA - A CD-ROM PROJECT ON SHRI MADHVACHARYA

Ïb"Z_"zY"puG"@°# - @°õ>r V"QZrS"pZpY"N"pE"pY"{#

Shrimadhvavijaya is a biographical account of Acharya Madhva composed by Sri

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