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ST
RURAL HABITAT
‘The Delta Region
‘The Indus Plain
Foothills and Plateau
Arid Mountains
Alpine
Nomadic
Cholistan Desert
SOCIAL PATTERNS AND
RURAL HABITAT.
Tribal
Feudal
URBAN VERNACULAR
Townhouses
SWAT MOSQUES
TRADITIONAL DOORS
VERNACULAR TRADITION
RURAL HABITAT
Modern industrialisation in Pakistan has had little impact
beyond a few pockets of urban concentration. Most people
continue to live in rural communities, the patterns of their daily
lives governed by the herding and grazing economies of tribal
people or the backward agricultural practices of feudal
societies. Out of the persistence of these patterns have evolved
forms of rural housing corresponding to the livelihood of the
people, the forms of society, the material resources and cli-
mates of each of the regions of Pakistan.
Analysis reveals a number of climatic variations within each of
the major topographic regions. For instance, the central plain
can be divided into three distinct climatir cones: the humi
coastal and delta; the dry Sind and Southein Punjab; and the
monsoon plain of the central Punjab. Similarly, the mountains
have a narrow humid coastal strip along the Arabian Sea; the
arid Baluchistan plateau; the milder North West Frontier and
Potwar plateau; the moist and wooded northern valleys; and
the drier extreme north, The traditional forms of rural habitat!
in each of these regions reflect the variations in climatic condi-
tions as much as the variations in available materials within
each environment.
The Delta Region
The delta region of the lower Indus has low rainfall but high
humidity, with a steady prevailing sea breeze. The scrub vegeta-
tion in this region consists of low stunted trees and bushes.
These form the basic materials of the two principal forms of
construction. In the more common form for rural domestic
structures, the slender stems of a local juniper shrub are struck
upright into a narrow trench in the ground to form a closely
packed hedge. Successive layers of these stems are added to
make up the wall and are held together by bundles of reeds tied
across the stems at the joints. The result is a wickerwork of a
dark vertical texture criss-crossed by a pattern of horizontal and
diagonal lines of the lighter coloured reed bundles.
The roofs are thatched with a double slope and central ridge,
and the typical house consists of a pair of such roofs over a
room and an adjoining shed facing into a courtyard which isVERNACULAR TRADITION
screened by the same hedge-like construction of closely packed
juniper stems
‘This form of construction provides a light-weight structure with
a Jow thermal capacity, essential in a warm humid climate, and
permits the constant sea breeze to filter in through the walls,
A second form of construction in the same region employs local
timber to make a frame onto which are nailed shorter laths to
form a basket-like construction, usually plastered over with a
mixture of earth and straw. This also produces light-weight,
low-thermal-capacity construction, in which the timber frame
permits multi-storey development. Indeed in larger settlements,
74,72 and 73 Townhouses and
wind-catchers, Thana Thatta presents a
rare combination of urban verticality
with rustic wate and daub surfaces On
every roof is perched a wind-catching de
vice, known focally as a “mungh”
127128
dwellings constructed in this fashion can rise three, four, or
even five storeys. Such congested vertical construction naturally
restricts air movement at the lower levels. This problem is
overcome by ingenious wind-catcher devices which punctuate
the skyline of many a rural and most urban settlements in the
lower Sind.
The typical wind-catcher or mungh is a 3 to 4 feet square funnel
protruding 4 to 6 feet above the roof. Orientated diagonally to
the wind, its two adjacent leeward sides are walled and the two
windward sides are open. The roof of the funnel slopes back
along the diagonal in line with the wind. A trap door at roof
level is operated by a cord and pulley to act as a damper
controlling the flow of air. A system of ducts can carry the air
from the roof down to the lowest floor, producing a gentle
currentof cool air.
The Indus Plain
Beyond the reach of the humid sea breeze, lightweight, airy
structures give way to massive earth walls with small openings.
In the riverine plains, earth is the most abundantly available
building material. Timber, from a variety of Acacia and the
more valuable Sheesham (Indian Rosewood), is a precious com-
modity, reserved for the roof structure. More than any other
factor, it is the earth, the very substance of the alluvial plain,
which determines the forms of its rural architecture. Whether in
the form of sundried bricks, blocks or pisé, it is the plastic
quality of this material that gives the villages of the plain their
characteristic features: as successive generations excavate the
soil to build their sun-dried earth villages upon the debris of
previous generations, a mound gradually rises above the plain,
and upon it surface drains, sometimes lined with burnt bricks,
follow the twisting pattern of narrow streets, carrying the waste
from each house to the pits which fill up into large ponds. Thus
from the broadest silhouette of the village to every detail of its
individual buildings — undulating moulded surfaces, softly
rounded edges and mud plastered textures, exaggerated by
accute shadows under a harsh sun — the forms, colours and
textures of the earth predominate.
Foothills and Plateau
Even in the foothills and valleys of the mountainous regions,
wherever clay soil is available, it continues to be the dominant
building material. Here windowless high walls, often protected
by copings and eaves, and frequently in juxtaposition with
stone, have a crisp and clean appearance. A new dimension is
added to the visual drama of these modelled clay surfaces when
the village clusters break up into steps and terraces following
the contours of the land.
Occasionally in these foothills and valleys the dwellings are
literally carved into the earth. Two of the areas where such cave
dwellings are found are the Campbellpur (Attock) district on
ARCHITECTURE IN PAKISTAN
74 Cave dwellings in Campbellpur
district are carved into the vertical faces
of loess Cliffs
75 Plan and section, Mohammad
Afsar Cave dwelling, Jallo, Campbellpur
Punjab
76 Plan and section, Cave dwelling of
Margethkhel Tribe-Khurmatan (Origi-
nally from Tira) Darra Adam Khel, Khy-
ber Agency, North West Frontier ProVERNACULAR TRADITION the Potwar plateau and the Tribal Agency areas around | 129
Peshawar,
In the Campbellpur district the caves are carved into the vertic-
al faces of loess cliffs, formed by centuries of water erosion
cutting steep canyons into the thick clay deposits.
A typical cave dwelling consists of one or two rectangular
chambers about 12 feet wide and some 24 feet long A wide
earth platform at one end of the chamber is used to store
bedding, while other ledges, shelves and niches, are carved out
of the walls to hold smaller items, The entrance to the chamber
is often closed by a timber door. The door or mouth of the cave
‘opens onto a level terrace which serves as the family courtyard.
r
"| = —
oa130
Quite often when a family becomes affluent, additional rooms
are built in the open, and as the family moves out, the caves are
converted into storage or animal sheds, or fall into disrepair.
In the Khyber and Darra Adam Khel passes near Peshawar,
similar caves are dug into rolling, soft clay hills. Here a narrow
slit trench is cut into the sloping side of a hill to make a
horizontal passage to the cave mouth, The cave itself is begun
fairly deep into the hill and consists of a single large chamber,
roughly rectangular, about 12 feet across and often more
than 20 feet deep. The ceilings are barely six feet high and a
hearth is invariably located in the middle or to the rear of the
chamber. Above the hearth is a vent shaft which leads to a
well-protected outlet at the crest of the hill. The earth and stone
cover over the vent shaft outlet serves both to conceal it from
view and protect it from rain. A low stone and earth parapet on
the hillside directly above the cave mouth diverts rain water
flowing down the slope, away from the cave entrance. The
trench passage from the cave leads out onto a small level terrace
screened off by a low rough stone wall.
Communities of these cave dwellings are usually found
arranged in a row towards the top of a hill. But many of the
tribes who have traditionally lived in such dwellings are now
abandoning them in favour of the forms of construction more
commonly used in the region
Arid Mountains
In the barren treeless mountains, typical of the North West
Frontier and Baluchistan, stone and earth are the only readily
available building materials. The climate is harsh, reaching
extreme temperatures in both winter and summer. The
architecture of these regions is heavy and massive, with high
walls enclosing courtyards around which are arranged the habit-
able rooms. The only openings to the outside are a single
entrance gate and some tiny portholes whose function is to
permit a rifle to fire at hostile visitors approaching the walls.
‘The walls are constructed of rammed earth or pisé where clay
soil is available, and otherwise of rough stone masonry, with or
without a mud plastered finish. Roofs are invariably flat and in
some regions have projecting caves,
In Baluchistan this basic type varies in certain details. The roofs
of the otherwise similar mud-walled houses have a modest
slope. This is more pronounced in the northern region of
Baluchistan where rain and snow falls are relatively heavy.
Here the earth roofs often have a double pitch, with the central
ridge formed by a rough beam running through the long axis of
the row of two or three rooms, supported by the cross walls and
one or two posts in each room. The rooms themselves are
without any furniture except for a long low earth platform on
which are stacked a supply of colourful woollen rugs and blank-
ets. These rugs and namdahs, woollen felt mats with colourful
designs, cover the earth floor, in the centre of which is placed
an iron stove in the winter. An exposed metal flue runs from the
ARCHITECTURE IN PAKISTAN