In Brisson's (2015) article, she compares two pieces of choral music - Lydia Adams' Mi'kmaq Honour Song and Stephen Hatfield's Nukapianguaq - in order to examine how they represent Indigenous cultures. Adams' piece is found to exoticize Mi'kmaq culture through the use of tones and sounds that have no connection to traditional Mi'kmaq music. In contrast, Hatfield's piece is more acceptable as it sources actual chants from Inuit culture and uses sounds common to that culture. The analysis demonstrates that without proper research and cultural knowledge, attempts at diversity in music can unintentionally offend by promoting stereotypes rather than education.
In Brisson's (2015) article, she compares two pieces of choral music - Lydia Adams' Mi'kmaq Honour Song and Stephen Hatfield's Nukapianguaq - in order to examine how they represent Indigenous cultures. Adams' piece is found to exoticize Mi'kmaq culture through the use of tones and sounds that have no connection to traditional Mi'kmaq music. In contrast, Hatfield's piece is more acceptable as it sources actual chants from Inuit culture and uses sounds common to that culture. The analysis demonstrates that without proper research and cultural knowledge, attempts at diversity in music can unintentionally offend by promoting stereotypes rather than education.
In Brisson's (2015) article, she compares two pieces of choral music - Lydia Adams' Mi'kmaq Honour Song and Stephen Hatfield's Nukapianguaq - in order to examine how they represent Indigenous cultures. Adams' piece is found to exoticize Mi'kmaq culture through the use of tones and sounds that have no connection to traditional Mi'kmaq music. In contrast, Hatfield's piece is more acceptable as it sources actual chants from Inuit culture and uses sounds common to that culture. The analysis demonstrates that without proper research and cultural knowledge, attempts at diversity in music can unintentionally offend by promoting stereotypes rather than education.
Exoticism in multicultural choral repertoire: A comparison of Lydia
Adams Mikmaq Honour Song and Stephen Hatfields Nukapianguaq Canadian Music Educator / Musicien Educateur Au Canada, 56(4): 30-34. In Brissons (2015) article, she discusses the need for multiculturalism in classrooms with the examples of two pieces: Lydia Adams Mikmaq Honour Song and Chris Hatfields Nukapianguaq. Adams Mikmaq Honour Song is the first piece Brisson (2015) brings up in her article and she states that the primary reason [it] is problematic is that several aspects of Adams arrangement mark the piece as an exoticized representation of Mikmaq culture The tonal cluster has no connection to Mikmaq traditional musical practices and is used to give the piece a vague aura of ancient spirituality and ritual. The wind and animal sounds, on the other hand, recall stereotypical and romanticized images of Indigenous peoples as noble savages, living in an uncorrupted and pre-civilized state of harmony with nature. On the other hand, Hatfields Nukapianguaq is more acceptable since he gives sources for the chants used and uses sounds that are common to the Inuit culture. The examination of these two pieces show that without proper research and knowledge, an ill-informed attempt at being diverse could result in offending people instead of educating them. My best friend and I taught preschool music together at a church twice a week from September 2014 to June 2015. Starting in January, we decided for our curriculum we wanted to do a different country each week to expose our students to different styles of music. From there we decided that we wanted to make our students feel like they were making the decisions in our classroom, so we planned twenty-five weeks of lessons before the term. This allowed the students to run up to our globe and pick a country, which would be the country for the week. Together, we did tons of research to make sure our material was well informed but appropriate for preschool students. It was rewarding to put in the extra effort for our lessons. I believe to correctly teach a subject, you must be aware of the history behind it.