This document lists the titles, instrumentation, and years of composition for numerous works by the composer Analogie V between 1960 and 1970. Some of the major works included are String Quartet No. 2 from 1961, Aion from 1961 for orchestra, Khoom from 1962 for voice, string quartet and percussion, and Konx-Om-Pax from 1969 for choir and orchestra. The list provides an overview of Analogie V's diverse musical output during this time period which included works for voices, instruments, and chamber and orchestral ensembles.
This document lists the titles, instrumentation, and years of composition for numerous works by the composer Analogie V between 1960 and 1970. Some of the major works included are String Quartet No. 2 from 1961, Aion from 1961 for orchestra, Khoom from 1962 for voice, string quartet and percussion, and Konx-Om-Pax from 1969 for choir and orchestra. The list provides an overview of Analogie V's diverse musical output during this time period which included works for voices, instruments, and chamber and orchestral ensembles.
This document lists the titles, instrumentation, and years of composition for numerous works by the composer Analogie V between 1960 and 1970. Some of the major works included are String Quartet No. 2 from 1961, Aion from 1961 for orchestra, Khoom from 1962 for voice, string quartet and percussion, and Konx-Om-Pax from 1969 for choir and orchestra. The list provides an overview of Analogie V's diverse musical output during this time period which included works for voices, instruments, and chamber and orchestral ensembles.
Wo-Ma (for bass voice) - 1960; Hurqualia "A Different Realm" (for large orchestra, with amplified instruments) - 1960*; String Quartet No. 2 - 1961*; Aion "Four Episodes in one Day of Brahma" (for orchestra) - 1961*; Taiagaru "Five Invocations" (for soprano voice) - 1962; Lilitu (for female voice solo) - 1962; Riti "Ritual March" (version for Achilles, for four percussionists) - 1962; (version for Alexander, for tuba, double bass, contrabassoon, electric organ & percussion) - 1962; (version for Carl the Great, for cello and 2 percussionists) - 1967; Khoom "Seven episodes of an unwritten tale of love and death in a distant land" (for soprano voice, horn, string
quartet & percussion) - 1962*;
20 Canti del Capricorno (for soprano) - 196272*; String Quartet No. 3 - 1963*;Duo (for violin and cello) - 1965*; (version for violin and double bass) - 1977; Anahit "Lyric Poem on the name of Venus" (for violin and 18 instruments) - 1965*; Anagamin "The one who is faced with a choice between going back and refusing to" (for 11 strings) - 1965; Ko-Lho (for flute and clarinet) - 1966*; Elegia per Ty (for viola and cello) - 1958/66*; Ohoi "The Creative Principles" (for 16 strings) - 1966; Uaxuctum "The Legend of the Maya City which destroyed itself for religious reasons" (for 4 vocal soloists, ondes
martenot solo, mixed choir and orchestra) - 1966*;
Ko-Tha "Three Dances of Shiva" (for guitar) - 1967; (version for double bass) - 1972; (version for six-string cello) - 1978*; Manto I, II, III (for viola and female voice) - 1967; Ckckc (for soprano voice and mandolin) - 1967; Natura renovatur (for 11 strings) - 1967; Tkrdg (for 6-voice male choir, electric guitar and percussion) - 1968; Okanagon "Okanagon is like a rite, or if you will, like grasping the heartbeat of the Earth" (for harp, tamtam &
double bass) - 1968*;
Konx-Om-Pax "Three aspects of sound: as the first motion of the immovable, as creative force, as the syllable
'om'" (for mixed choir, and orchestra) - 1969*;
Il est grand temps (for voice) - 1970; Mme si je voyais (for voice) - 1970;
Three Latin Prayers (for voice) - 1970*;
Hymnos (for large orchestra) - 1963*; Chukrum (for string orchestra) - 1963*; Xnoybis "The ability of energy to ascend to the spirit" (for violin) - 1964*; String Quartet No. 4 - 1964*; Yliam (for female choir) - 1964;