Brighton Fringe '16 Sound Schedule outlines the key tasks and deadlines for the sound designer for the festival, including obtaining rights for music, meeting with directors to discuss ideas and changes, creating sound effects, compiling playlists, and being available to assist with equipment needs throughout the production period.
Brighton Fringe '16 Sound Schedule outlines the key tasks and deadlines for the sound designer for the festival, including obtaining rights for music, meeting with directors to discuss ideas and changes, creating sound effects, compiling playlists, and being available to assist with equipment needs throughout the production period.
Brighton Fringe '16 Sound Schedule outlines the key tasks and deadlines for the sound designer for the festival, including obtaining rights for music, meeting with directors to discuss ideas and changes, creating sound effects, compiling playlists, and being available to assist with equipment needs throughout the production period.
o Find right one to use o Fill out/let PC know Rights for Chicago o Email Samuel French Watch all pieces o Go through notes & ideas with assistant Find out from PC what equipment venues use Week 1 Meet up with directors o Share ideas o Ask if there are any changes o Let them know deadlines o Plan out what needs to be made Follow up rights work Half term First deadline for music from directors Before end of term all new SFX made Decide what equipment to use (Laptop/USB/CD)
Christmas Break
Term 2
Put together first draft of complete playlists (x2)
Think about other use of music o Waiting area o Flyering o Music on CDs o Live music (i.e. instruments)