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Insidious Film Analysis, Re Draft
Insidious Film Analysis, Re Draft
Insidious Film Analysis, Re Draft
Title
Genre &
target
audience
Director &
distributors
Main Characters
Lin Shaye
Elise
Rainier
Rose
Byrne
Ty
Simpkins
Dalton
lambert
Patrick
Wilson
Renai
Lambert
Josh
lambert
Cinematography
Click the
links below
to see each
slide
- Camera
shot types
- Camera
shot types
continued
Camera Shot
Types
Close up:
This is effective
because it doesnt show
us the whole scene and
we have to wait to see
what happens next.
Wide Shot:
This is effective
because it lets us see
the subject but its not
extremely visible and
detailed.
Click to go
back to the
cinematography
page.
Cutaway:
This is effective
because it allows us to
see the subjects setting
and allows us to have
the question, What
happens next?
Camera Shot
Types
continued
Click to go
back to the
cinematography
page.
This is effective
because it allows
the audience to see
part of the scene
and give a tense
feeling.
Cut-In:
This is effective
because it makes
you think that
something is going
to happen whereas
it just showing her
body and easing in
to the film.
Camera Angles
Bird's Eye:
This is effective
because were it is
showing it from the top
angle, it creates a
dramatic effect.
Slanted:
This is effective
because it is purposely
tilted, this gives an
interesting and
dramatic effect for the
audience
Click to go
back to the
cinematography
page.
Eye-Level
This is effective because
it shows us it from the
angle as if it was real
life and we could see it.
Camera
Movements
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back to the
cinematography
page.
Fade:
Transitions
This is effective
because the scenes
usually link in with
each other meaning
that it will just look
like one scene because
they fade.
Cut:
This effective
because its dramatic,
its an instant change
from one scene to
another.
To see
the
transition
s, you
need to
watch
the clips.
Click here to
read about the
sound used in
the clip.
Crossfade:
This is effective
because it gradually
moves in to the next
scene giving us a
tense feeling.
Sound
Non-Diegetic
sound
Click here to
go back to
the sound
page
Diegetic
sound
Click here to
read about
Mise-En-Scene
MISE-EN-SCENE
Set and
lighting
Set
The set of insidious is quite dark and gloomy,
it, has quite a tense feeling within in it,
because it the colour scheme is like greyish
colours and quite boring.
It is done as in if the lights are off in the
house so you can only see a little bit of what is
happening, this is effective because it gives
more of a realistic feeling because its set in a
house, and it gives you the feeling as if it was
in your house, and as if you walking around but
there are no lights on, the only light that is
present is the light from the street lights
peeping through the curtains. They create
shadows around the house as if there are
abnormal things there.
Click to go back
to the
Mise-En-Scene
Lighting
The lighting in this film, is dark, this is
effective because it creates a spooky
atmosphere; this fits with the genre of film
because it gives you a sense of fear.
Dull colours are used in order to give you the
sense of something supernatural or bad is going
to happen at some point throughout the film.
Costumes and
make up
Click to go back
to the
Mise-En-Scene
Props
Click to go back
to the
Mise-En-Scene
Acting/Dialogue
Dialogue
In this clip, there is no dialogue, for the first 5
minutes of the film, there is just simple acting,
the only noise there is, is the music.
Acting
In this clip, the only acting seen, is a boy
sleeping, this is at the beginning of the clip.
There is also acting at the very end of the clip, it
is where the mother, is just waking up from being
asleep.
Binary
Oppositio
n&
Gratificati
on Theory.
Binary Opposition
The light is contrasting
good and bad the light
itself is good and the black
background symbolises bad
or evil. The colours warm
white and black contrast
because they are opposites
Gratification Theory
According to the
gratification theory,
teenagers and young adults
would go and see this for
entertainment, and social
interaction.