GENERAL INDEX

large-scale presentation, 294

modulating subordinate theme, 398
tonal spectrum, expanded, 421, 458, 664
before-the-beginning, 135, 459, 551 (see
also slow introduction; thematic
introduction)
Berry, Wallace, 145
binary form. See rounded binary; small
binary
binary minuet form, 629, 631
binary vs. ternary, 198
bottom-up analytical approach, 289
boundary process, 86, 156, 31516, 382
bravura theme, 688, 690
bridge, 308
brilliant style, 315, 317, 690
B section, minuet, 609, 621
development-like, 62122, 628, 631
B section, small ternary, 19597, 199, 205,
210, 223, 294, 337, 342, 575, 578,
593, 628
absence of, in small binary, 240, 252
vs. B section, minuet, 621
eliminated, in interior theme, 567, 581
in second part, small binary, 23940,
242, 24648, 25051
cadence (see also cadential function; rhetorical strength; syntactical strength)
vs. codetta, 153
deleted in recapitulation main theme,
478, 48687
distribution of, in compound period,
174, 18485
as formal landmark, 271
of limited scope, 15556, 294, 323, 394,
582
and tight-knit/loose continuum, 204
cadence type, 5, 56, 80, 90, 108
cadential arrival, 5859
cadential closure, lack of, 36, 102, 107, 109,
155, 168, 199, 204, 211, 22425, 277,
279, 296, 334, 363, 431, 558, 578, 644,
653, 655, 658, 663, 69091
cadential (function), 3536, 59, 61, 73,
101, 106 (see also antecedent + cadential; continuationcadential)
beginning with, 293, 390, 39293, 404

as entire second part, small binary, 240

as entire subordinate theme, 392
expanded, 138, 140, 354, 374, 406, 530,
676, 681, 688, 695
expanded, in consequent, 75, 85, 17173
expanded, in recapitulated subordinate
theme, 479, 496, 625
extended, 354, 364, 406, 530, 685
after internal half cadence, 354, 377,
37980, 404
vs. postcadential, 615
in second part, small binary, 240
in sentence, 55
cadential idea, 34, 36, 47, 56, 79, 85
cadential phrase, 101, 106, 108, 212, 223,
240, 246, 249, 251, 270, 327, 374,
380, 445, 539, 614 (see also cadential
function)
cadential progression, 1, 34, 14, 24, 59,
179, 211 (see also abandoned cadential progression; deceptive cadential
progression; expanded cadential
progression)
vs. cadence type, 5
vs. cadential function, 59
in codetta, 135, 149, 151
in consequent, 78
vs. sequential progression, 334
cadential six-four, 9, 24, 58, 375, 398, 678
cadential strength (weight), 80, 90, 18485,
617, 627
cadenza, 674, 67778, 695
character. See aesthetic effect
characteristic material, 3839, 56, 308
circle-of-fifths progression. See sequential
progression, descending fifth
circularity, formal, 521, 538, 585, 589, 695
closing down, 39, 60
closing ritornello, 67273, 67778, 695
closing section, 13334, 145, 182, 320, 329,
356, 499, 558, 584, 643, 660, 676, 681,
695 (see also codetta; false closing
section)
in A section, minuet, 615
in A section, small ternary, 208
in A section, minuet, 62425
vs. closing theme, 389
in coda, 520, 522, 537, 53940

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