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di conoscere qualuomo io mi fossi, qual sorte si avessero le
opere mie, spezzialmente quelle di cui la memoria ed il povero
nome avesse finito a voi tramandato la fama6 [


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di amore, ondegli fummi cortese: n pu ridirsi quanto lanimo gli godesse nel sentire del venir mio la cagione: ch da
un lato ammir la giovanile mia fidanza, pens dallaltro non
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Francesco Petrarca, Rime, . 9.

Francesco Petrarca, Rime, . 10.

30

come singolare favore mi preg che volessi a lui intitolarlo13

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a confronto15 [

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Ivana Skenderovi
Sommario

Le teorie della verit possono essere applicate sullanalisi letteraria, in questo caso su Posteritati, epistola scritta da
Francesco Petrarca. Si tratta di una autobiografia idealizata, nlla quale si possono verificare gli elementi storiografici,
dividere dagli elementi della finzione. Lobbiettivo principale
dellautore era scrivere unautobiografia corrispondente allimmagine dei poeti latini. In questo contesto molti elementi della
verit vengono trascurati o inseriti nel testo dell opera in un
modo pienamente artistico. Finalmente, lopera pu essere riguradata nel contesto delle teorie della verit.
Parole chiave: la verit, la finzione, la storiografia, lautobiografia idealizzata, le teorie della verit

,
,
:
. , , 1. Petrarca, Francesco. Rime. Firenze: G. Barbra editore,
. , 1886.
2. , . . :

, 2011.
. - 3. , . ,
. . , ,
, 2009, . 459.
, - 4. Lejeune, Philippe. Il patto autobiografico. Il Mulino:
.
Bologna, 1986.
, . ,
:
, ,
. , - 1. , . . . : , , ,
, 2009.
, 2. , . .
: ,
1990.
.
3. Petrarca, Francesco. Rime. Milano: Fabbri editori, 2006.

 821.112.2.09-31 . ; 82.09

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(magische
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Bowers, Maggie Ann.Magic(al) Realism. (New York: Routledge. Taylor & Francis e-Library, 2005), . 9.
6

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. (magisch , , ,
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10

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Lois Parkinson Zamora andB. Wendy Faris (eds), Magical Realism: Theory, History, Community. (Durham, NC and London: Duke University Press,
1995).

40

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, . 4748.

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, 22.

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23.
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, . 51.
.: [ , ]: David E. Wellbery, Judith Ryan, Hans Ulric & co, Eine neue Geschichte der deutschen
Literatur. (Berlin: Berlin University Press, 2007), . 1071.
22
K. E. , . , . (: , 2004), . 201.
23
, . 205.
20
21

43

...
:

Maja Stefanovi

1. . . , , :
, 2009.
2. , , : August
Cesarec, 1983.
Gnters Roman Die Blechtrommel ist ein typisches 3. Bowers, Maggie Ann. Magic(al) Realism, New York:
Beispiel des magischen Realismus in der deutschen Literatur.
Routledge. Taylor & Francis e-Library, 2005.
Der Roman wurde aus zahlreichen Perspektiven gedeutet. 4. David E. Wellbery, Judith Ryan, Hans Ulric & co, Eine
Diese Deutungen fhrten zum eindeutigen Schluss, dass
neue Geschichte der deutschen Literatur, Berlin: Berlin
der Roman einen Geisteszustand und das Wesen einer
University Press, 2007.
furchterrengenden Zeit in Hitlerdeutschland zeigt. Jedoch, 5. . . , . , , :
die Untersuchung der Beziehung zwischen Wirklichkeit
, 2004.
und Fiktion in dem genannten Roman ist kein hufiges 6. , . :
Thema. Das Essay behandelt das Problem der literarischen
, 1986.
Whrheit und Fiktion im Konzept des magischen Realismus. 7. , ,
Die Komplexitt dieser Beziehung wird gerade am Beispiel
: , 2006.
Grass Roman dargestellt. Auerdem befasst sich das 8. , , : Essay mit dem Ursprung und Entwicklung des magischen
, 2011.
Realismus. Es werden verschiedene Auffassungen der 9. Lois Parkinson Zamora and B. Wendy Faris (eds),
literarischen Wahrheit erwhnt, beginnend mit den antiken
Magical Realism: Theory, History, Community, Durham,
Begrnder solcher theoretischen belegungen Platon und
NC and London: Duke University Press, 1995.
Aristoteles. Die Arbeit gibt einen komparativen berblick 10. . , ber die grundlegenden theoretischen Annahmen der
, Philologia Mediana: verschiedenenWahrheitsmodelle.
, : Schlsselwrter: Wahrheit, Fiktion, Platon, Aristoteles,
, 2010.
magischer Realismus, Gnter Grass
11. , , : , 2007.
12. , , :
:
, 1959.
13. , .
1. , I. : . , : , 2010.
. , 1982.
2. , II. : . . , 1982.
Fiktion und Wirklichkeit im magischen Realismus. Gnter
Grass Die Blechtrommel
Zusammenfassung

 821.09:111.83 ; 7.01:2-185.5

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12
13

50

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9.

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Kristijan Olah
Theological view on the problem of metaphysical truth in
modern literature
Summary

In this paper we analyze the problem of truth in modern

literature, from the aspect of its temporal and in the direction
of nothingness immersed perspective.
Key words: truth, metaphysics, art, salvation, ethics,
aesthetics, theurgy, textuality, modern literature

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. 133137.

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. 459, . 36, http://polja.rs/polja459/459-7.pdf
4
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, : , , , , 2009,
. 459, . 37, http://polja.rs/polja459/459-7.pdf
Paul de Man, Autobiography as De-facement, MLN, 94, 5, Comparative Literature, str. 919930, Baltimore: The Johns Hopkins University Press, 1979.
, : , . ( : , 1990), . 44.

55

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, . 47.
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, . (: , 1996), . 10.
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, , , . 55, . 3 (2007), . 623.
, , . ( : -, 1991),
. 176.

57

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, , , . 51, . 3 (2003), . 668.
. , . (: , 2010), . 14.
, . ( : ), 2011, . 11.
, , , : http://www.hrvatskiplus.org

58

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Milena Maleevi
Egzistencija by Pavle Uginov: between fiction and facts
Summary
This paper focuses on the relationship between fiction
and facts in the work of Ugrinov Pavle. Given the documentary and autobiographical nature of Egzistencija, the
paper repeatedly question the existing theory of truth, in
order to determine the relevance of some of them when it

. , . (: , 2010), . 6.
, , , . 51, . 3 (2003), . 668.
28
, , . ( : -, 1991),
. 220.
26
27

59

: ...

comes to this layered Ugrinovs achievement. Taking into 5. , , : ,

account the poststructuralist notion of autofiction, which
1996.
is even more pronounced gap between truth and literary 6. , ,
work, the interpretation of Egzistencija is more complicated.
, Starting from the characteristics of autobiographical fiction
, , ,
as a whole, the research moved toward border possibilities
, 2009, . 459.
of interpreting of Egzistencija, in which, no matter how fac- 7. . , , : tual reality had, however, focus on a specific artistic truth as
, 2009.
revelation. Hence the as the focus of the analysis imposed
by those segments that precisely incarnate this kind of truth,
to the very end of the text presented the conclusions of in :
terpretation.
Key words: fiction, factography, Egzistencija, truth, auto- 1. , biography, autofiction
, ,
2007, . 55, . 3.
2. , , :
, :
http://www.hrvatskiplus.org
1. , : 3. . , , :
, , ,
, 2010.
, 2009, . 459.
4. , 2. , : ,
, ,
, 2003, . 51, . 3.
: 5. Paul de Man, Autobiography as De-facement, MLN,
, 1990.
94, 5, Comparative Literature, str. 919930, Baltimore:
3. , , : The Johns Hopkins University Press, 1979.
, 2011.
6. , ,
4. , , , , , ,
, , 2009, . 459.
: -, 1991.

 : 821.163.41.09-31 .

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, . (: , 1994), . 268.

65

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Jelena Babi

7. , , , 22 (2010), .
Historiographical and fictional elements in The Use of Man
2538.
by Aleksandar Tisma
8. ,
Summary
, , . 52 (1982),
. 1841.
The relation of literature to the truth in this paper is con- 9. , , sidered in The Use of Man by Aleksandar Tisma, with the
, Txt., . 9/10 (2005), . 3844.
special emphasis on the document used as a narrative heart 10. , , of the novel. Viewed in the context of models that promote
, the presence of the truth in the artwork, The Use of Man
, , . 459 (2009), . 4454.
proves to be incentive for defense against the new centurys 11. , . (: ,
poetical challenges that advocate relativization of the truth
2011).
in the literature. The document will be viewed through its
relation to the reality, wide aspects of the truth, as well as its
relation to the art as a whole, acquiring in that way the signi :
ficance different from the one it has as a historical evidence.
Key words: truth, fiction, diary, documentary, The Use 1. , . (: of Man
, 2002).
2. , . (: , 1976).
3. , . (
:
: , 1996).
4. ,
1. , . (:
: ,
, 1994).
Txt., . 3/4 (2003), . 6381.
2. , , 5. , ,
. ( : , 1996).
, . 85 (1990), . 196202.
3. , . ( : - 6. : ,
, 1983).
, ,
4. , , : . ( : , 2005).
, .
( : , 1990).
:
5. , , 1. , , , .
,
(: , 1979).
36/2 (2006), . 435446.
6. , . ( :
, 2011).

 821.111.09-3 ; 821.111(73).09-3

(I)

: 1980. , .1 , ,
. .
, .2
1970- ,
.3
,
, , . (. Gothic studies) , . ,
.
- 2012. .
.
2
Gary K. Wolfe, History and Criticism, in: Neil Barron (ed.), Fantasy and Horror, Scarecrow Press, Lanham,
1999, p. 453.
3
David Punter, The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Longman,
1980. , ,
: , .

67

,
:
,
,

,
, .
, , ,

(. penny dreadfuls, shilling shockers).4
,
( )
,
,
. , ,
.



, .
, : (1765),
(1818, 1831),
(The Progress of Romance, 1785) (On the Supernatural
in Poetry, 1826).

,
( ),

(Edmund
Burke, A Philosophical Enquiry into the Origin of Our
Ideas of the Sublime and Beautiful, 1757).

,
. ,
(, , ), , , ,
,
.
, , , , ;
,
. ,
, , . .
,
.
;

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,
,

Gary K. Wolfe, ibid, p. 453.

Edmund Burke, On the Sublime and Beautiful, in: The Works of the Right Hon. Edmund Burke, vol. 1, Holdsworth and Ball, London, 1834, p. 38.

4
5

68

, ,
.
, (.
)
: , ,
, , , , ,
, , , ,
, , ,
(Rudolf Otto, 18691937).
( ) .

.
, ,

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: augustum ,
semnn .6
mysterium tremendum ( ; : ).
,
,
.
, ,

, ,
, .7
,
8

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:
;
, , ,

,
.9 , , , ,
.10


18.
19. ,
(Matthew
Gregory Lewis, The Monk, 1796). , ,
. . :

Rudolf Otto, Sveto, Svijetlost, Sarajevo, 1983, str. 80.

Otto, isto, str. 36.
8
Anna and John Aikin, On the Pleasure Derived From Objects of Terror, 1773.
9
Anna and John Aikin, On the Pleasure Derived From Objects of Terror; with Sir Bertrand, A Fragment, Miscellaneous Pieces in Prose, London, 1773,
p. 125.
10
J. Aikin and A. L. Aikin, On Romances, An Imitation, . : E. J. Clery, The Rise of Supernatural Fiction 17621800, Cambridge University
Press, Cambridge, 1995, p. 81.
6

69

1797.
,
: , , , ,
.
.11
, ,
, , . . . ,
, ,
. ,
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,

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19.
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, .
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).
19.
,
(,
, , , ),

.


(1917).13 ,
,
. ,
,
.

E. J. Clery, ibid, p. 148.

Samuel Coleridge, Review of The Monk, Critical Review, 2nd. series, No. 19 (1797), p. 197. . : Michael Gamer, Romanticism And The
Gothic: Genre, Reception, and Canon Formation, Cambridge University Press, Cambridge, 2004, p. 77.
13
Dorothy Scarborough, The Supernatural in Modern English Fiction, G. P. Putnams Sons, New York, 1917.
11
12

70

, , , , ,

.
,


.14
, , :
(1921).15 , , , ,
, .
, (. 1820. ), ,
.
.
, , : ,

. , , : (1927)
, ,16
, :
. . , ( 14

17

18

15
16

, - , ), ,
, , .
, ,

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: .17
,
, ,
, .

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,

, . . . ,
, . .
. :
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. , .
,
(
) .
(1927).18 , , , ,
,
(), -

Jason Colavito, Introduction in: Jason Colavito (ed), A Hideous Bit of Morbidity; An Anthology of Horror Criticism from the Enlightenment to
World War I, McFarland & Company, Inc., Publishers Jefferson and London, 2008, p. 6.
Edith Birkhead, The Tale of Terror: A Study of the Gothic Romance, E. P. Dutton and Company, New York, 1921.
Eino Railo, The Haunted Castle; A Study of the Elements of English Romanticism, E. P. Dutton and Company, New York, 1927.
Montague Summers, The Gothic Quest; A History of the Gothic Novel, The Fortune Press, London, 1938.
H. P. Lovecraft, Supernatural Horror in Literature, 1927 ( : 1939).

71

,
. , :
, .
, ,
(
). , ,
, , ,
.
, ,
,
.
,
(1952)19 .20 (
)21
(.
. .
).
(1957)22

,
. ,

, .
, ,
, , 20.
.
. : ,
.
, 20. , (
),
,
.
, (Stephen King)
, ,
.
,

.

:
.

Peter Penzoldt, The Supernatural in Fiction, Peter Nevill, London, 1952.

, , . (1919) . . . , (nem. unheimliche, eng.
uncanny).
21
Gary K. Wolfe, ibid, p. 464.
22
Devendra Varma, The Gothic Flame, Being a History of the Gothic Novel in England: Its Origins, Efflorescence, Disintegration & Residuary Influence,
Arthur Barker, London, 1957.

19
20

72

(1976), 23 (. female gothic),

.
, ,
, . , ,
(1979)
,24
(Charlotte Bront, Jane Eyre, 1847),
. -

( 700 )

/ , .
, . ,
, , , ,
, ,

.

Ellen Moers, Literary Women, Garden City, N. Y., Doubleday, 1976.

Sandra Gilbert and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, Yale University
Press, 1979.

23
24

 821.111.09 . ; 82.09:141.72

:
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: I was influenced, of course, as a poet, by the skill with
which she managed to transform the material of poetry into
the prose form of the novel5. ,

,
.
,
. ,
, , , :
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;
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6
,

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. , , PLAVI JAHA GROUP, , 2009,. 87.

. : , : , , , 2003, .
293
3
. : , , , : http://www.openbook.ba/izraz/no12/12_
zdenko_lesic.htm
4

5
John Lehmann Virginia Woolf , Thames and Hudson, London, 1975, page 39.
6
. , . , . 93
1
2

75

...

. ,
(Helene Cixous) - :
It is a little ominous that Morgan [E. M. Forster] wont
, , review it. It makes me suspect that there is a shrill feminine
, , - tone in it which my intimate friends will dislike.()
. I forecast, then, that I shall get no criticism, except of the
7 evasive jocular kind that the press will be kind and talk of its
charm, and sprightliness; also I shall be attacked for a feminist
8.
and hinted at for a sapphist; I shall get a good many letters
- from young women.10
, , . - ,
. . ,
.
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9.
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, .
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, , : http://www.openbook.ba/izraz/no12/12_zdenko_lesic.htm)
8
. : , , , : http://www.openbook.ba/izraz/no12/12_zdenko_lesic.
htm
9
. , . , . 89.
10
Joel Rich, About A Room of Ones Own: Liberation, Feminism, and Androgyny, Dostupno na: http://greatliteraryworks.blogspot.com/2008/09/aboutroom-of-ones-own-liberation.html
11
. , . , . 118
12
, , , , 1991, . 95
7

76

...

, , ,
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, .14
,
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.

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. 15.

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,
, - .
.
: What she minded most, perhaps, was
, what she considered male advantages, and especially advant . . - ages in education. () Also, she resented, the way in which
man, as she thought, patronized women, especially women
who were attending to create works of art or succeeded in what
were one considered manly professions. Assurdenly, Virginia
13.
did not wish to be a man, or to be treated as a man: she wished
to be treated as an equal just possibly as a superior16.
,


.
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. , , PLAVI JAHA GROUP, , 2009, . 62
. , . , . 42
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To combine new words with old words is fatal to the constitution of the sentence. () Our business is to see what we
can do with the old English language as it is. How can we
combine the old words in new orders so that they survive, so
that they create beauty, so that they tell the truth?18

. , 19 ,
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Virginia Woolf, Words, Dostupno na: http://atthisnow.blogspot.com/2009/06/craftsmanship-virginia-woolf.html
19
: Virginia Woolf, Words, Dostupno na: http://atthisnow.blogspot.com/2009/06/craftsmanship-virginia-woolf.html
17
18

78

...
:

Kristina Petrovi

1. , , , 1956.
2. Recollections of Virginia Woolf, (Edited by Joan Russel
Noble), Penguin books, Harmodsworth, 1972.
3. , , , , 1991.
4. Nicolas Marsh, Analyzing texts: Virginia Woolf, The
Novels, St. Martins Press. Inc. New York, 1998.
In this paper, we have tried to give an opinion on the
feminist aspect of the essay A room of ones own by analyz- 5. , ,
, 2003.
ing some ideas Virginia Woolf presented in her work. By all
means, this book has not been taken without reason for one of
the works that most loudly express ideas of womens struggle
:
for independence and emancipation. Virginia Woolf has repeatedly condemned the English system of education, busi- 1. Arnold Benett, in: The Scope of Woolf s Feminism in A
Room of Ones Own, Dostupno na: http://www.123helpme.
ness and private behavior towards women who are deprived
com/preview.asp?id=23143 [20.1.2012]
of changing anything about their status in society. Apart from
this aspect, Virginia Woolf anticipates the entire current of 2. Joel Rich, About A Room of Ones Own: Liberation, Feminism, and Androgyny, Dostupno na: http://greatliterfeminist struggle of the sixties by defining female speech and
aryworks.blogspot.com/2008/09/about-room-of-onesfemale sentence. Talking about female writing as a type of
own-liberation.html [20.1.2012]
primeval speech, she sharply criticizes the artificiality of modern literature which tends to, while yearning for innovation, 3. Virginia Woolf, The Modernism Lab at Yale University,
Dostupno na: http://modernism.research.yale.edu/
dwell in one-sided reasoning and superficiality. In that way
index.php [8.2.2012]
the writer completes her essay on women and literature, her
considerations ranging from the position of women in society 4. Virginia Woolf, Words, Dostupno na: http://atthisnow.
blogspot.com/2009/06/craftsmanship-virginia-woolf.
to an in-depth elaboration on contemporary literature and the
html [11.2.2012]
way it develops, giving a special place to the voice that is only
5. Dr. Isam M. Shihada, A Feminist Perspective of Virginia
hinted at and which is the female writing.
Woolf s Selected Novels: Mrs. Dalloway and To the
Key words: woman, literature, education, feminism, feLighthouse, Dostupno na: http://www.alaqsa.edu.ps/ar/
male writing
aqsa_magazine/files/44.pdf [20.1.2012]
6. , ,
:
, : http://www.openbook.ba/
izraz/no12/12_zdenko_lesic.htm [25.1. 2012]
1. , , PLAVI JAHA
GROUP, , 2009.
A room of ones own: feminist writing or literary
criticism? (A room of ones own by Virginia Wolf seen in
the context of feminist struggle)
Summary

 821.111(73).09-31 . ;
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:
1. , : , : , 1989.
2. , : , : , 1969.

, : . : , 2002, . 447.
: , . 403

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3. Davidson H. R. Ellis: Gods and Myths od Northern

:
Europe, Hermondsworth, England: Penguin Books Ltd,
1977.
1. Anders, Charlie Jane, The Walled City Where Sunlight
4. , : , Couldnt Reach, <http://io9.com/5512888/the-walled: city-where-sunlight-couldnt-reach
, 2003.
5. , : ,
, : y, 2007.
Nastasja Pisarev
6. Frye, Northrop: Anatomija kritike. Zagreb: Naprijed,
1979.
Mystification of Technology and the Reality of Mirage in
7. , ; , : .
William Gibsons novel Idoru and Neil Gaimans novel
: y, ,2004.
American Gods
8. , : , y,
Summary
2004.
9. , . : .
This paper deals with different perceptions and shapes
: ,1972.
of reality in William Gibsons novel Idoru and Neil Gai10. , : mans novel American Gods. Main intention is to unravel
. : IIV, 1993, mechanisms of poetization and mystification of techno. 263310.
logy in literature, methods of shaping of personal identity
11. Tabbi Joseph, Wutz Michael (ur.): Reading Matters. in cyber space, and the understanding of virtual reality and
London, Ithaca: Cornell University Press, 1997.
new technologies in fiction. One of the two most promin12. , : - ent models shown here is Gibsons way of correlating vir, : , 1989.
tual reality with fictional narrative reality. The other one is
13. , . : , Gaimans mystification of technology, similar to narrative
. : , 1979.
methods of mythology.
Keywords: Idoru, William Gibson, American Gods, Neil
Gaiman, virtuality, cyberpunk, literature, technology, internet, avatar, cyber space, mythology.

 821.163.41.09 .

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Dragana Litriin Duni
Do we have Bart or what about the critique? (Newspaper
critical essays of Petar Dzadzic)
Summary

This thesis presents literary criticism essays of Petar Dzadzic, being one of the most important critic in the second
half of the twentieth century. The evaluation is based on the
newspaper critical essays of Petar Dzadzic which he had
devoted himself to over the period of several decades, socalled ongoing critique from day to day.
Key words: Petar Dzadzic, literary criticism, newspaper
critical essays, so-called ongoing critique from day to day.

, . 332.

 821.111(73).09-31 . . ; 316.7

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: Judith Williamson, Consuming Passions: The Dynamics of Popular Culture. (London: Marion Boyars Publishers, 1988)
9
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10
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, . ation of the authors intention has occurred. Consequently,

- the character of a helpless girl trapped by a pedofile gave
, - way to a teenage seductress. The Media, such as newspapers
. , and film, have given a false interpretation of Lolitas nature
who later became a worldwide symbol of popular culture,
still exploited nowadays.
16. ,
Key words: popular culture, literature, Lolita, media,
, , seductress, wrong interpretation, cultural symbol.
. ,
.
:

1. , , , , .
, 2002.
, , , , .17 ,
:
, .
1. Fiske, ohn, Understanding Popular Culture, Routledge,
New York, 2010.
Jelena Dostani
2. Williamson, Judith, Consuming Passions: The Dynamics
of Popular Culture, Marion Boyars Publishers, London,
Lolita and popular culture
1988.
Summary
3. Nafisi, Azar, Reading Lolita in Tehran, Random House,
USA, 2004.
The aim of this paper is to present the complex process 4. Vickers, Graham, Chasing Lolita: How popular culture
in which popular culture and literature impact each other
corrupted Nabokovs little girl all over again, Chicago
simulataneously. The analysis of the elements and functions
review Press, Chicago, Illinois, USA, 2008.
of popular culture presented here is based on the analytical
study Understanding Popular Culture by John Fiske. Fast
food, womens magazines and romantic Hollywood films
:
have shaped the character of Lolita as well as the entire
consumer society at its onset. Elements of popular culture 1. Appel, Alfred, Lolita and the Fabulous Forties and
helped Nabokov in giving a vivid description of a typical girl
Fifties: Lolita in American Conference, Noj/:
of that era. Nevertheless, in Lolitas case, a serious modificNabokov Online Journal, 3, 2009.
: Alfred Appel, Lolita and the Fabulous Forties and Fifites: Lolita in American Conference, Noj/: Nabokov Online Journal. 3, 2009
: Graham Vickers, Chasing Lolita: How popular culture corrupted Nabokovs little girl all over again. (Chicago, Illinois, USA: Chicago
Review Press, 2008)

16
17

 821.163.41.09-31 .

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arka Svirev
Confessions of strangeness r Boba Blagojevis poetic
transgression
Summary
The essay discusses the transgression as a poetic topos
of Boba Blagojevis work. The transgression is reflected
in many plans in her novels Skerletna luda and Putnica. It
models the discourse of fantastic, narrative strategy and
genre boundaries. Moreover, the phenomenon of transgression is the anchor place of Boba Blagojevis cogitation of
identity (existential, gender, creative), otherness, language,
indigenization, ideological and cultural repressions, cat-

. , . (: , 2005), . 2223.
, . 492493.
14
.
15
. , , . , , . . . (- : - , 2002), . 391.
12
13

106

egories of memory/oblivion, phantoms of history etc, which

she transposes in her work.
Key words: Boba Blagojevi, poetics, transgression,
Otherness

- ...
:

1. , ,
, , , 1984, .
6670.
2. , , , ,
:
, , , , ,
1. , , , 2002, . 381384.
, , - 3. , , , ,
, , 2002.
, 2005.
4. , , ,
, ,
, ,
, , 2002, .
390391.

 821.111.09 . . . ;
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John Ronald Reuel Tolkien, The Monsters and the Critics and Other Essays. (London: HarperCollinsPublishers, 2006), p. 121.
Ibid, p. 121.
: , . (: , 2005).
, . 7.
: , , http://www.pefj.kg.c.rs/preuzimnje/Mterijli_z_nstvu/Grozdn_Olujic_Poetik_bjke.
pdf.
10
John Ronald Reuel Tolkien, The Monsters and the Critics and Other Essays. (London: HarperCollinsPublishers, 2006), p. 121.
5

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Zoran Kolundi
Tolkiens fiction creation as a model
of the postmodern fairy tale
Summary
This extract comes from a paper The Prose of John Ronald
Reuel Tolkien as a Model of a Postmodern Fairy Story, which
deals with the fiction of John Ronald Reuel Tolkien with the
intention of pointing out two aspects of its reading. The first
is aimed at the elements which place Tolkiens fiction in the
realm of fantasy literature, as a form which originated from
fairy stories and myths. The term fairy story is also treated as

, , , . (: , 1982),
. 14.
, . 14.
John Ronald Reuel Tolkien, The Monsters and the Critics and Other Essays. (London: HarperCollinsPublishers, 2006), p. 125.
, . ., . 28.
Edgar Allan , The Philosophy of Composition, http://www.bartleby.com/109/11.html.

111

...

the literary form whose definition continues to remain open

:
for new supplementations, as well as the interdependence
between the fairy story and the myth. The purpose of the 1. , , aforementioned is to present Tolkiens fiction as the com ,
bination of elements which build up a story about Farie,
. ( : , 2008).
as it was named by the author. Farie is the name of a Sec- 2. , , ondary, artistic World, and through its historical phases, the
, paper analyses the motifs and messages that Tolkien tries to
. (: , 2004).
communicate to his reader. In that way, the paper strives to 3. , ,
establish the connections between traditional fairy stories
, . (and their artistic form in Tolkiens body of work.
: , 2004).
The second aspect of reading Tolkiens fiction is related 4. , , to postmodern and postmodernist literature. Here the pa , per intends to point out the foundations it is laid on and the
. (: , 2004).
connection of these elements to the authors work. Having
in mind that one of the postulates of postmodern literature
is going to extremes of representing the artistic reality as
:
the only truly real, superordinated to objective, perceptible
reality, the paper analyses the connection of Tolkiens fiction 1. John Ronald Reuel Tolkien, The Monsters and the Critics
with the postmodernism. The analysis of both aspect represand Other Essays. (London: HarperCollinsPublishers,
ents an incentive to view Tolkiens body of work as a model
2006).
of postmodernist fairy story.
2. , ( Keywords: Tolkien, Fairy Story, Myth, Secondary World,
. (: Postmodernism
, 2005).
3. , , http://www.pefj.
kg.c.rs/preuzimnje/Mterijli_z_nstvu/Grozd :
n_Olujic_Poetik_bjke.pdf.
:
4. , , , ,
1. John Ronald Reuel Tolkien, The Silmarillion, edited by
. (: , 1982).
Christopher Tolkien. (London: HarperCollinsPublish- 5. Edgar Allan , The Philosophy of Composition, http://
ers, 1999).
www.bartleby.com/109/11.html.
2. John Ronald Reuel Tolkien, The Hobbit. (London: HarperCollinsPublishers, 1993).
3. John Ronald Reuel Tolkien, The Lord of the Rings. (Lon :
don: HarperCollinsPublishers, 2001).
1. , ( ), ,
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Husein Abdulahi Bulhan, Frantz Fanon And the Psychology of Oppression, (New York, London: Plenum Press, 1985), 15164

5
6

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,
.
,
,
.
:
1. Abdulahi Bulhan, Husein, Frantz Fanon And the Psychology of Oppression, (New York, London: Plenum
Press, 1985).
2. Frantz Fanon, Black Skin, White Masks, (Finland: Pluto
Press, 1986).
3. Hiddlerstone, Jane, Understanding Postcolonialism,
(Stockfield Hall, Accumen 2009).
4. Mievi Nenad Govor Drugoga, (Beograd: Mladost,
Mala edicija ideja, 1989).
5. Robert Jang, Postkolonijalizam: sasvim kratak uvod,
(Beograd: Slubeni glasnik, 2013).
6. d Rienkur, Amori, Duh Indije, (Beograd: Prosveta,
1987).
7. Loomba, Ania, Colonialism, Postcolonialism, (London,
New York: Routledge, 2005).

Frantz Fanon, Black Skin, White Masks, (Finland, Pluto Press, 1986), , 8390.
Jane Hiddlerstone, Understanding Postcolonialism, (Stockfield: Accumen, 2009), , 7481.

7
8

127

Sanja Lazarevi Radak

Three Models Of Anti-Colonialism: Violence, Nonviolence and Discourse Analysis
Summary
Contemporary postcolonial studies often hush real
source and origin of this critical theory. Thus, I have tried to
light the pillars on which postcolonialism as the equivalent
of anti-colonialism occurs. Mohandas Gandhi and Frantz

: ...

Fanon, are considered pioneers of the anti-colonial movement. Basically, post-colonialism remain concepts on which
is based the practical struggle against imperialism.
Although postcolonialism leaves an impression of passive discourse analysis, in the age of globalization, it manages
to encapsulate the struggle against destructive acculturation
experiences as consequences of colonialism. In the same
time it is able point out contemporary relations of inequallity.

 821.112.2(436).09-34 .

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(II)

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Ania Loomba, Colonialism, Postcolonialism, (London, New York: Routledge 2005), . 120128.

129

2.

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6
Franz Kafka, Der Jger Gracchus, S. 79.

131

- , - .
.
,
Vuk Petrovi
, .

Humour in Kafkas Work: The Hunter Gracchus
Summary
, .

The intention of this text, by analyzing Kafkas short
, - story The Hunter Gracchus, is to show that humour is the
. central aesthetic principle of Kafkas text, whose meaningful
consequence is extreme pessimism. Specific devices, like ex , tensiveness, reshape various elements of the text, thus giving
, , them humorous and absurd qualities. Semantic complexity
, also implies parody, as the way of keeping and deforming
. the original meaning of the parodied element. Hyperirony
(. - is the principle that stands in unbreakable connection with
; ), - humour, and that presents mode of multiple dissociation
, , inside the world of the text, and in the act of reading recep . tion.
Key words: humour, humorous, absurd, extensiveness,
, parody, hyperironic, myth, collision, kafkaesque, the aes . - thetic whole.
, , , , .
:
,
- , 1. Kafka, Franz, Gesammelte Werke, (Frankfurt A. M.: S.
Fischer, 1950.)
, - 2. , , j, (: , 1977.)
.

, : :
,
, - 1. , , pro et contra,

, (: , 1985).
. 2. , , , ,
, (: , 1989).

132

3. , , ,
, , (,
1980).
4. , , , ,
, (: , 1974).
5. , , ,
, (: , 1976).
6. , , , , , ( :
, 1988).
7. , , , (: , 1980).
8. , , ,
5, , (: , 1976).

9. , , , , (: , 2004).
10. , , , , ( : , 2011).
11. , , , , (: , 1983).
12. , , , ,
(: , 1983).
13. , , , , (: , 2004).
14. , , I,
, ( : ,
1981).

 821.112(436).09-14 . .

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5 :
(Weltinnenraum).
, a .6
1914. Es winkt zu Fhlung :
Durch alle Wesen reicht der eine Raum:
Weltinnenraum. Die Vgel fliegen still

.
Rainer Maria Rilke, Briefe aus Muzot 1921 bis 1926. (Leipzig: Insel-Verlag, 1937), s. 376.
Hans Georg Gadamer, sthetik und Poetik. (Tbingen: Mohr, 1993), s. 293. , . . .
. Friedrich Otto Bollnow, Rilke. (Stuttgart: W. Kohlhammer, 1956), s. 102, 103.
Kte Hamburger, Die phnomenologische Struktur der Dichtung Rilkes, Rilke in neuer Sicht, (Stuttgart: W. Kohlhammer, 1971), 121.
VIII , : , , ,
( ); ; - , , , ,
; () , , , ,
( ) ,
, , . . : Materialien zu Rainer Maria
Rilkes Duineser Elegien, . 326. (. , . 223).
6
. . Kte Hamburger, Die phnomenologische Struktur der Dichtung Rilkes, S. 132.

3

4

5

2

135

...

durch uns hindurch. O, der ich wachsen will,

ich seh hinaus, und in mir wchst der Baum.
(Rilke 1927, 3: 452)

: Meer
bin ich (2/I: 341) (a )

( :
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( 1964: 110)

(
) 1913. -
Erlebnis I Erlebnis II 8.
: - Wendung (), , 20.
1912. , 1914. ( a je Es
. winkt zu Fhlung):
(Erlebnis II)
Vgel durchflogen ihn grad,

den gemtigten Blumen
:
wiederschauten in ihn

gro wie in Kinder.
7.
(Rilke 1991, 2: 82)

(
(Weltinnenraum) . . ,

, .)

1964: 103
, , , ,

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Rainer Maria Rilke, Briefe aus Muzot 1921 bis 1926, s. 350.
, S. 350. , .
, , . .

7
8

136

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1924. , - - . ,
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,

Wenn aus des Kaufmanns Hand
.
die Waage bergeht

an jenen Engel, der sie in den Himmeln
. ,
stillt und beschwichtigt mit des Raumes Ausgleich
. (Rilke 1991, 2: 182)
, (

. , , ,
, .
)10
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,
11. .
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, . . , 1964. . 20.
. , , . 247.
11
, , (: , 2000), S. 219.
12
: , . (voll Verdienst) , (dichterisch).
(In lieblicher Blue blhet )
(. ,
, : , 1982), . 149.
9

10

137

...

, .
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. :
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,
Wer, wenn ich schriee, hrte mich denn aus der Engel
, Ordnungen? und gesetzt selbst, es nhme

einer mich pltzlich ans Herz: ich verginge von seinem
. strkeren Dasein. Denn das Schne ist nichts
, . als des Schrecklichen Anfang, den wir noch grade ertragen, ,
und wir bewundern es so, weil es gelassen verschmht,
.
uns zu zerstren. Ein jeder Engel ist schrecklich. (I/259)
15.
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. Hans Georg Gadamer, sthetik und Poetik, S. 292.
:
: . ,
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: ,1994. . 34)
15
, , . 246.
16
Rainer Maria Rilke, Briefe aus Muzot 1921 bis 1926, s. 376. . . .
13
14

138

.
.

,
.
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17.
,
VIII . (Gegen-stand -: - ).
, .
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e ? ,
, :
.

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,
: ( )
18
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(),

...

(). , .
.
, ,
. , .19
:
1. Rilke, Rainer Maria. Briefe aus Muzot 1921 bis 1926. Hg.
von Ruth Sieber-Rilke und Carl Sieber. Insel-Verlag,
Leipzig, 1937.
2. Rilke, Rainer Maria. Gedichte, Dritter Teil, Neue Gedichte Duineser Elegien Die Sonette an Orpheus Letzte
Gedichte und Fragmentarisches. Insel-Verlag, Leipzig,
1927.
3. Rilke, Rainer Maria. Gedichte und bertragungen. Werke in drei Bnden, Zweiter Band. Insel Verlag, Frankfurt am Main und Leipzig, 1991.
4. , . . . . , ,
1964.
5. , . . . . , , 2011.
:
1. Bollnow, Otto Friedrich. Rilke. W. Kohlhammer, Stuttgart, 1956.
2. Gadamer, Hans Georg. Gesamelte Werke. sthetik und
Poetik. Tom 9. Mohr, Tbingen, 1993.

, , . 247.
Hans Georg Gadamer, sthetik und Poetik, S. 156.
19
, , . 248.
17

18

139

...

3. Hamburger, Kte. Die phnomenologische Struktur und andererseits Gadamers hermeneutischer und Heideder Dichtung Rilkes. In: K. Hamburger (Hg.), Rilke ggers ontologischer Zugang zu dieser Problematik affirmiert.
in neuer Sicht (S. 83158). W. Kohlhammer, Stuttgart, Aufgrund dieser Deutungen zeigt sich Rilkes Engel als Sym1971.
bol der grten Mglichkeit des menschlichen Fhlens
4. , a. . , - (Gadamer), bzw. als Garant des Unsichtbaren, der rational
: 1982.
nicht erklrbar ist. Der rtselhafte Engel wird in Vergleich
5. , . . , , mit Nietzches Zaratustra als wachsendes Potential im Men2000.
schen gebracht (Heidegger). Der Engel ist sowohl mit den
6. Heidegger, Martin. Holzwege. Vittorio Klostermann, anderen rtselhaften Begriffen aus Rilkes Dichtung (das
Frankfurt am Main, 1963.
Offene, der reine Bezug, der Weltinnenraum) berein7. . . , , 1994.
stimmend als auch mit Hlderlins Metapher des dichterischen Wohnens. Mit dieser Prallele zwischen Rilkes Engel
und Hlderlins Metpaher wird aus diesem Text auf HeideVuk Petrovi
ggers Supur geschlussfolgert um den Engel zu verwicklichen, muss der Mensch eine Umkehr oder einen bergang
Rilkes Engel als Metapher der dichterischen Stiftung des
vom undichterischen (im Sinne der wissenschaftlich-techSeins
nischen Beherrschung der Kultur) zum dichterichen Dasein
Zusammenfassung
(die Dichtung ist die Stiftung des Seins) bewirken. Der
Engel ist offen und zugnglich dem dichterischen, whrend
Dieser Text stellt eine Interpretation von Rilkes Engel er fr das undichterische Dasein geschlossen und unzuaus Duinieser Elegien dar, die einerseits die traditionell me- gnglich ist. In diesem Sinne sieht Heidegger das vollendete:
taphysische und theologische Deutung des Engels negiert, bergehen der Wage vom Kaufmann an den Engel.

: , (18781945), je a . 20.
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15. 1945.
1905. ,

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. 19101940 (, )
: (19101911),
(19211922), (1922, 1924),
(1923/1924, 1925/26),
(1927/28), - (1933),
(1939/1940, 1940/41), (1940).
(1930),
(1921), (1924), , ,
; (1943), :
(1931), (1931), ; (1931), (1931), (1931), (1931),
(1931), (1936), ; (1939), (1939),
(1939). (1939), .
(1938).
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142

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1. , . (1924), , . , . 40/41: 792.
2. , M. , : . <http://
www.zenskestudie.edu.yu/pages/zenskestudije/zs_s5/
neda.html.> (14.10.2011.)
3. . (1972). 1, ,
.
4. . (2007). 3,
, .
5. , . (1962), .

, , , , 28,
XXVIII, 12: 9395.
Jovana . Reba
Literary Case Of A Country Teacher
Summary

In this paper, we analyze the life and work of forgotten

Serbian writer for children, Darinka Cosic (18781945).
In the second half of the 20th century was made political
revision of the literary canon, whose consequences are
far-reaching: the largest number of womens work was
handed over to oblivion, and the image of Yugoslav literature received extremely masculine feature. Study of the
life path and works of the female writer is in line with the
modern feminist tendency to expose women forgotten, forbidden and marginalized literary texts. Analysis of novel
Friends, we can conclude that the creation of Darinka Cosic
is in accordance with the literal expectations of contemporary audiences: preschool children and early school age. The
question remains as to how would look today childrens literature if Darinka Cosics texts were included in the Serbian
canon.
Key words: Darinka Cosic, Womens literature, Feminism, Gynocritic, Branimir Cosic, The First World war, Childrens literature

, , je
1887. 1897. .

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1859. ,
je je .
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413-373/92, 2. 1992.
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3332.
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