General Index

722
abandoned cadence, 129, 132, 14344, 364,
37374, 421, 431, 457
abandoned cadential progression, 14344,
373, 407, 458, 618
ABA. See small ternary
abridged refrain, 644, 655
accompaniment, 87, 134, 197, 279, 312,
31516, 363, 366, 422, 476, 481, 558,
57576, 673, 676, 690
accompanimental overlap, 31516,
326, 382
adjustment, 27980, 475, 478, 48889, 494,
498, 539, 567, 574, 60910, 692
in A section, 198, 201, 215, 217, 226
aesthetic effect, 47, 60, 93, 268, 374, 440,
442, 552, 555, 576, 628, 653,
sentence vs. period, 93, 28687
after-the-end, 135, 151, 519, 538, 584 (see
also postcadential function)
Alberti bass, 31516, 422, 451
alternating variations. See double variations form
alternative main theme, 68586, 693
antecedent, 7374, 76, 79, 107, 246, 325,
658 (see also compound antecedent)
modulating, 90, 245, 325
with perfect authentic cadence, 90
sentential, 8889, 172
antecedent + cadential, 100101, 106, 108,
111, 17576, 248
antecedent + continuation, 100101, 105,
111, 16667, 174, 176, 216, 619
antecedent-consequent functionality, 179,
309, 319, 364, 618, 646, 682
A section, minuet, 609, 613
A section, small ternary, 195, 205, 339,
578, 581, 650
modulating, 205, 21516, 223, 22627,
57576
modulating vs. nonmodulating, 206
nonmodulating, 214

A section, minuet, 60910, 624, 629

A section, small ternary, 19596, 197,
199, 205, 214, 338, 340, 342, 575,
57778
asymmetrical grouping structure, 140, 180,
210, 212, 289, 291, 359
and tight-knit/loose continuum, 205,
267, 309, 311
augmented-sixth chord, 2, 7, 10, 24, 58,
274, 283, 329, 394, 433, 460, 622
authentic cadence, 56, 58, 86, 92, 129, 131,
133, 14143, 179, 309, 318, 339, 364,
42021, 431, 457, 477, 645 (see also
early authentic cadence; imperfect
authentic cadence; perfect authentic
cadence)
authentic cadential progression, 46,
1418
Baroque, 431, 504, 556, 595, 6078, 645,
67273, 682, 692
basic idea, 47, 11213, 329
additional repetition of, 114, 138, 359
boundaries of, 39
vs. cadential idea, 36
as characteristic, 3839
expanded, 126
extended, 137, 219
in hybrids, stated once, 111
in period, 74, 76, 109, 171
as repeated 1-m. motive, 39, 8889, 107,
115, 289, 328
in sentence, 34, 36, 38
sequential restatement, 4446
size of, 38
Beethoven, Ludwig van, 281, 400, 429, 431,
444, 451, 47779, 494, 540, 55556,
56667, 569, 571, 607, 644, 692, 695
coda, dynamic curve of, 541
dominant arrival, 458
false recapitulation, 659, 664