MARVEL COMICS PROUDLY PRESENTS... MIRACLEMAN BOOK FOUR: THE GOLDEN AGE STORY — NEIL GAIMAN ART - MARK BUCKINGHAM Cee 21a cea Se OSL) A cl NS ce a a Pe ern va ota NTRS tn tr aio NRL C ROT ester Ma ee an ann er Om EEL! oer st MC eC CCR Ee an ea CoM Ome saa CCNA T uy eet eee Ra etn CARN ent Ra eee en eras aad EO ee Leen tht Une Let CR RR a Ue aes al ct CLC a cr AO Lae Sista Cee RON ete tees Ua et CR at eae Ten enn ee ce one oth em no orc ea een eet Ur hte ar ae ey a ee ao oa Ree sR Caan agement CR en aca eee a eee eer) STC a Oak CtC a Re oO ea ota Ory Car aCe eee eee ee rR Can rd Se eee am te eR Ce eek kee any Be a Caras eer eS Nee eas NRA OC aac od eon Rm Ne eee ann acerca Ta ae eee ee ed er Cae ea et een rn a eae Oa ee Te CO eae MIRACLEMAN CREATED By MICK ANGLO. DESIGN — JAY BOWEN + SVP PRINT, SALES & MARKETING ~ DAVID GABRIEL Coe ere ee ee CeO ee er Pee ene oO eee Nae ee eee a eee een ee ee eee ee nay are trademarks of Marvel Characters Inc. No similarity between any ofthe names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental WWW.MARVEL.COM— a 7 I SPOKE TO A FRIEND OF MINE LAST MONTH ABOUT HAPPY ENDINGS, SHE WAS WRITING A BOOK, AND WANTED. TO KNOW WHAT THE HAPPIEST ENDING T.COULE WAS.‘ANITA AND I ARRIVED IN LONDON ‘THIS MORNING. We SPENT THE MORNING WALKING THE WEST BASE OF OLYMPUS, GAPING LIKE RUBES. MIRACLE WOMAN ~ WE TRIED TO IDENTIFY THE STATWARY--THE CLASSICAL MASTERPIECES TAKEN FROM GALLERIES, THE REPRO- DUGTIONS) THE ORIGINALS CREATED FOR THE PYRAMID By ARTISTS, SHE WAS FAR MORE SUCCESSFUL ‘YOU'VE GOT THE FINE ART DEGREE,” SHE POINTED “BUT YOU'VE GOT THE GUIDEBOOK,” T TOLD HER, “ANYWAY, THAT WAS THEN. NOW I'M JUST A\ HUMBLE WIND- MILLER.” I. BOUGHT TWO ICE CREAMS, ONE WITH CHOCOLATE FLAKE IN, ONE WITHOUT. WE ATE THEM IN SILENCE, STARING UPWARDS.THERE'S A PRE-CARNIVAL AFTERNOON SPENT THE FULL FIVE TENSION IN THE AIR THAT I RECOGNISE DAYS OF MOURNIN FROM LOS ANGELES: THE TRUE THE KILLING FIELI MOURNING IS OVER, THE CELEBRATION HAS NOT YET BEGUN, I WANDERED i WITHOUT EATING, DRINKING ONLY WATER FROM THE CANISTERS (ON My BACK. PBRLE OO NOT Wace I SLEPT ON A BED OF ASHES OR ON GRASS, WHEREVER T FOUND MYSELF AT NIGHTFALL, AND DREAMED DARK DREAMS OF THE DEAD. IT WAS HOT, DURING THE Day. FROM TIME TO TIME AFTER A WHILE I BEGAN TOW T WOULD SEE ANOTHER AALLAGINATE: THE STARK, MOURNE, EVEN WHEN NOWMINOls HALLUCINATION Our Parris CROSSED OPA PROPHET IN A DESERT, We Would NOT TALK, AND IT SEEMED THE BONES Wek TALKING TO ME, WITH A MUMMIFIED WOMAN, HER EVES STILL OPEN IN HEAT-FLASHED TERROR. “HE BURNED ME WITH His BYES,” SHE KEPT SAYING. “THE DRAGON CAME AND HE: BURNED Me WITH His EVES.”- WIN THE WORLD was TRYING TO GET / T-SHIRTS, HERE TODAY, MAN. WHERE'S. l— Cj THE KIDDIN’ T-SHIRTS? I BIN WAITIN’ HERE FOR HOURS; MAN. CARNIVAL YOU CAN DRIVE DOWN TO CENTRAL STORAGE AND DLL siT IN THE SUN. WELL, YOU'RE HERE’ NOW, ANY ROAD. OPEN HER UP, vean? wel, es) THEY'RE BEAUTIFUL. 7 YEAH, WELL, DLL WE GOING TO CLEAN tip.) \/ TELL You WHAT. YOu (OH BOY, WE GOING TO CAN START UNPACKING CLEAN UP. (| \ THEM AND 722 Gras A ‘A CAN OF LAGER,11 ‘1 ASK IDA AGAIN WHY WE CAN'T. ‘CARNIVAL IN BRISTOL. SHE TELLS ME, AND I DON'T HEAR HER BECAUSE A SIX-FOOT-TWO NAKED BLACK WOMAN WITH A PENIS, WEARING A LEOPARD-SKIN CAPE AND NOTHING ELSE, HAS JUST WALKED PAST. IDA TELLS ME IT's I SAy, SURE, BUT I MEAN, DID YOU SEE THAT? I MEAN, DID RUDE TO STARE, YOU SEE HER® SHE WAS...SHE WAS..BEAUTIFULL “6 WHY WE AREN'T CARNIVALLING. IN BRISTOL,” SAYS IDA.1 COME i ~ YOU WEAR eke Prom \ | (SLACK AROUND ABM Osaka, T / aka Have) | ( Stl OH 20, THEE 7 Se SS MATIN / 4] aa Ls WwiTH you.) ~ Coste? lr -y| 8ITS STRANGE. WHEN USED TO PLAN THIS TRIP IT WAS ALWavs ‘AS A FAMILY. | (OU LIKE THEM A. ( THEY'RE REALLY CRUEL. TAM ME, JACK, GLEN, EVEN Mist. IT'S JUST ME. Ti2 HONOURED By THE MOURNING YOUR ADMIRATION. CAME EASY. WHICH IS YOUR = FAVOURITE? IT'S THE CELEBRATION TM SCARED OF. THANK YOU, TM HONOURED. WH, IN / APPRECIATION | OF your GIFT, PLEASE, LET ME } ALSO SINE yOu / SOMETHING, 4 ‘ou gor any) Moret j YOU LOOK FINE, TACKS. 510P SHOWIN’ irs LOVELY. 1 YEAH, SOMEWHERE. ALSO 3) HANG O} c HONOURED, / eeMY FAST, WE INT |ONES HAD BELONGED TO, HO! THEY HAD DIED, BUT I DIDN'T DARE. ra - MAT A DISTANCE, N PRIVATE GRIEF. AND THEN THE IN ONES A\ THOUSANDS OF THEY CARRIED FLOW. THEY WALKED ACRO: B SHADOW OF OLYMPUS By AND BEGAN TO CRY.= We GO OVER AND TALK IDA THG6 My i ARM, POINTS 70 ve AN HISTOR Or WEAR UNIFORMS, THEY'VE APPOINTED THEMSELVES UNOFFICIAL MARSHALS OF THE CARNIVAL, GIVING. STRANGERS DIRECTIONS, TELLING THE TIME. PUT ON is HAT. IDA TAKES OUR PHOTO- GRAPH TOGETHER, i : A. a YY sie { See oeWHEN THE MUSIC BEGAN, T LEFT THE PLACE OF DEATH AND TOOK THE SLIDEWALK INTO NOTING HILL, HIGHLIGHTS OF THE CARNIVAL WERE ALREADY RUNNING ON THE BILLGOARDS... “AND THEN, CARNIVAL ZONE, THE SLIDEWAY (ON THE EDGE OF THE STOPPED, AND I BEGAN TO WALK. age oe ir a I WAS EDGING THROUGH THE CROWD WHEN T SAW THEM, FAR ABOVE, SPARKLING AND GLITTERING LIKE... .LIKE CHILOREN. |S SHE ONE OF THEM? T-SQUINT AT THE SKY, BUT CANNOT TELL. ‘KNOW SHE'LL BE 1 HERE SOMEWHERE, MIST. 12THE OLD. - DREAMS HAVE LEFT Us, 7 irs TIME TO AWAKEN. a THE GODS ARE EMBRACING | THE ONCE GODFORSAKEN. DARKNESS IS DEAD, AND THEIR LOVE IS SO LYRICAL! PRAISE 10 THE MIRACLE. YESTERDAY, SADNESS AND LONELINESS WAITED. FOOLS! DREAMS OF GLORY "ARE ALL VINDICATE. THEN ALL DELIGHT Wa: IRONIC, SATIRICAL GLORY THE MIRACLE, LOOK AT US ALL, WE'RE EMBRACING THE ALIEN, NOW ARE WE REVELLING, WOW BACCHANALIAN, RUTTING AND ROMPING THROUGH REVELS SATYRICAL: LOVING THE MIRACLE. 100K AT US DANCING, IN FRILLS AND IN LITTER, HEALED ARE THE LONELY ONES, HEALED THE BITTER; JOY AND ELATION FILL EACH PORE AND SPIRACLE: SING OF THE MIRACLE. WE'RE GOING \ (10 MaKe Love.) \ wou.g vou ike 75 ) \ IOI us? you LOOK KIND OF LONELY. TM suRE. BUT I APPRECIATE THE OFFER, is)A "y A) : mi yp — YaaOF CouRSE 1m) ENJOYING MYSELF. WHAT ARE THEY | | CELEBRATING? | (/ HMM, ARE YOU ANGRY AT ODN MOTHER? OR AT GAC. A FOR LEAVING?IT's a HEY! LET HER © A SPACE THERE WERE A LOT OF | SPACE- THROUGHI\TS A MANE HERE? |) THEM 70 BEGIN WITH, BUT MAN? "REAL SPACEMAN). «CMON. THEY HAVE A SORT OF HIGH MORTALITY. “IT'S A REALLY. (GOOD THING TO SEE ONE, ITS MEANT 70 6E LUCKY, THEY CAN TELL YOU THINGS. WHAT'S A 7 WELL, THEY'RE | SORT OF PSyCHO- PHARMACEUTICAL ee ae guESTON WE ARE FAR MW DAUGHTER, ates) /, woRe rae SWEET SUN DEAD. 1 WANT 70 KNOW-- )/ FROM THE SHORES OF My WHAT HAPPENS WHEN /| LOVE, AND IT PEELED OUT YOu DIE?“ | AND I MIGHT TOLICH THAI a EVERYONE'S ALL ENVOYE FROM THE FUTURE TOO. OLD FRIENDS, wore. * wiss vou 7] DREAMED THEY ASKED. YOU STILL SxoOVE WITH When THING: PEOPLE SAY THEY CAN TELL YOU HIDGEN | THINGS. PREDICT THINGS, MAYBE, MEAN UKESTHE DELPHIC ORACLE? | sometimes // ( MORE LIKE A DELPHIC FORTUNE COOKIE. YOU'LL see. '/YOU. YES I MEAN, ay ‘ARE THERE... ~ LWISH T / y BLINDLY TRYING 70 Be THAT) / ARE THERE SPIES COULD BE WON PART OF THE CARPET, ITis THAT ) | ANYWHERE? [6 ANY- Se aint ee a —y /,_ HB BESTRIDES TNE HAD THREE (/ THE IDEA THAT EVERY- DREAMS, ABOUT SURGERY, { | ONE HAS THEIR RECENTLY. 0, PARAPHASIA By |\ Peercexen MeTaPHoR, AND PALE WITH GRIEF, IF YOU fal BD | oF Suny WHEN Witt GET OFF-PLANET? 00 RIGHT? RACE, I MEAN? WHAT THE HELL DOES THAT an Lae a 20u" BATES? A QUESTION WILL AE EVER WHEN YOU GOT COME BACK? ANYTHING TO 8 To asc ui AB ite ne (MISTER | SPACEMANY WHAT'S THE ‘SECRET OF THE UNI VERSE? IM HAPPY, THAT'S THe SECRET? ) 77 WHAT WAS CUT OPEN? SOMETIMES | LWERE...OLD FRIENDS | FROM THE FUTURE. BUT I WANT A LOT OF DREAM THAD THE FUTURE TOO, TDONE OR WiLL 4 WE §) ee TWILL REMEMBER YOUR WORDS. IAT IS { QUESTION TH Z~ HAUNTS Mi Xn CD WHAT IS. THE SECRET OF THE BRIGHTNESS OF DREAM? THAT Is THE iat / ARE YOU DON'T FEEL \/AS FUCKING GODS AND \\ ‘MADE THE FUTURE HOLD? | SOMETIMES T DID KNOW. WE DID KNOW, We 1D.7” THis THEN IS You CANT : BLINDLY TRYING TO\| (Fuck WITH HISTORY, Okay. okay: ASK BATES EVER ON MY LADY. Ie YOu WANT. HIM SOMETHING! J ( QUESTION, PLL GIVE aie shea YOUA QUESTION, WHar | GUESTION WOULD HAVE HAPPENED / IF THEY HADN'T 7 MEN? /,, IEE BE LIKE IE THEY HADN'T SET THEMSEWES Up As GODS AND MADE "AND SWEET? TELL ME 2 A ON" THAT; YOU DRUGGED fac cnuen ‘OUT ZOMBIE. THE SPACEMAN, nm ,,) Morten see Wyidy)\ “els Sou LY Beavis oe i THAT'S THE: REST OF TIME AS A CANCER, THAT ONE FEELS WILL ANSWER IT, By SETTER. WHAT THE FUCK I WANT A QUESTION. WHAT WAS GOING ON, FROM THE ELSE DOES ANYONE WATCHING FUTURE AND PEOPLE LOOK ME, IF THEY ASKED... FOR SENSE IN ON IT.Ig THE FEELING THAT THERE TDON'T LOOK FOR SENSE IN HEAVEN, I DON'T REMEMBER / WHAT THE FUCK WAS 4 ‘GOING ON. < Os ACTUALLY THAT, DID. ee) YOU DIDN'T ASK THE KIDDIN’ SPACEMAN ) ANYTHIN’, THEN? PI COULD. FEEL HOW SHE ‘SPEAKS, WHAT DO? TWAT MY JOKE: THE HEAVEN. TUL LOOK INTO) THE DUST FOR QUESTIONS, FOREVER. NO FEAR. 1 MEAN, Sea ltiel ss THERETO ASKE WoW CLOSE AMT To THE TOP OF THE LIST ® HOW LONG AM T GOING TO HAVE TO WA/T UNTIL I GET A NEW BODY? —-<_MY SISTER GOT AN ORACLE FROM A SPACEMAN THAT SHE SAID WAS VITAL, MAN, WHEN THEY WAS DEVELGPIN’ THE FLU CURE... — YEAH? WELL, ‘SHE'S SMARTER THAN MOST OF US. 50, HOW ARE WE DOING? ~ on, AND’ CHECK THIS OUT. A SIGNED PHOTOGRAPH OF | MADONNA. J Lessee. AN ENAMEL BOX, / & PAINTING, TWO / APPLES) A CAKE, A POLISHED CAPYBARA’S SKULL, THREE T-SHIRTS, A LITTLE CHINA FROG, A MIRACLEMAN COMIC AND TWO VIDEOS-"pAgS- PORT TO PIMLICO,” AND SOME REALLY WEIRD FIFTIES CHINESE PORNO) ean, wae vou Went Gee Peres Ste TSC oNe OF THE DICKY DAUNTLESS /) SHIRTS. A Pr: VAN, YOU'VE MET KIDOIN’ oe SHE WAS WIGE. 1 DIDN'T RECOGNISE THE GUY SHE WAS WITH, THOUGH, 20A CHICKEN SATAY, PLEASE. 7 MOTHER® THEYRE 7 YOU Must i a5 Vea eeup, CALLING Me, WE'RE LADY, TO HAVE suc ‘A DAUGHTER. LADY? YOU SHOULD NOT MOURN, MOURNING 15 OVER, NOW IT IS CARNIVAL.LADIES ’N GENTLEMEN BEFORE YOU ASK, I SHO. MAYBE SAY IT'S MY PRIVILEGE TO BE HERE TONIGHT. AND THAT THERE NOTHING ARTIFICIAL ABOUT WHAT YOU ARE GOING TO SEE NOW. HEY! 7) A NOISE FOLKS MAKE WHE! THEY SEE FIREWORKS LIKE ANY OTHER NOISE IN CREATION. HApey CARNIVALLWE'RE IN A NEW AGE, NOW. THE WORLD BEGAN IN BLOOD AND FIRE NINE YEARS AGO, AND THE AGE OF MIRACLES WAS BORN. THE WORLD WAS REFINED IN THAT ; ¢ DARK CRUCIBLE, AND THE LEADEN ‘AGE THROUGH WHICH We FALTERED HAS, BY SOME RARE ALCHEMY, BEEN CHANGED THROUGH FLAME TO OLD,I WONDER HOW HE DOES WHAT HE DOES. PERHAPS HE I6 SELECTIVELY IONITING AIR MOLECULES, PERHAPS, TLL ASK ON THE ONET WHEN 1 GET HOME TONIGHT, L.LOSE TRACK OF TIME IN THE CORUSCATING SPARKS AND LIGHT AND MULTI COLOURED FLAMES, IT OES ON FOREVER; AND THEN IT ENDS,I TURN, WITH REGRET, SADDENED THAT THE MARVELS ARE OVER, FOR TONIGHT. AND THEN T SEE H/M, ON THE SCREEN ABOVE. We ALL SEE HIM, AND THE CARNIVAL IS S/LEWT. ‘STEEL DRUMS ARE HUSHED; CHILDREN CEASE FROM CRYING; NO-ONE SINGS OR ‘TALKS; WE SCARCELY EVEN MOVE, EVERY CARNIVAL IN THE WORLD. 1, THANK YOU ALL FOR YOUR HAPPINE YOUR HAPPINESS MAK ME HAPPY TOO, MY FRIENDS. a, i OVER THE LAST NINE —~I YEARS WE HAVE MADE SOME REMARKABLE STEPS FORWARD IN (ODELLINS THIS, OUR WORLD. TODAY THERE |S SOMETHING NEW. I COULD TELL YOU ITS EFFECT, = I'S A SMALL UNIT THAT LESSENS, HARNESSES AND CONTROLS GRAVITATIONAL ATTRACTION. ( YOu ARE No LONGER FETTERED TO THE ‘GROUND. NOW THE A/A, AND THE iL 2 OCEAN DEPTHS, ARE YOURS AS WELL s IF you LOOK AROUND YOU, YOU WiLL SEE PEOPLE WITH BALLOONS, THEY ARE THERE FOR YOU! IT IS RIGHT THAT THE FIRST USE OF THIS MIRACLE SHOULD BE FOR YOU, SHOULD Bk PP HOLD ON 10 DY _ THE STRING, AND LET IT CARRY YOU AWAY. YOU HAVE NOTHING TO FEAR, YOU HAVE EVERY THING 10 GAIN.WATCH THE SUN FLAME, PAINTING THE I WATCH IT; A HUGE ORANGE BALLOON THAT SEEMS TO FILL HALF THE Sky. IT COMMENCES TO SINK BELOW THE HORIZON AND AS IT DOES, ITS LAST RAYS CATCH THE STRAY CLOUDS, SILVER AND MAUVE AND GREY; TRANSMUTE THEM TO RUBY ‘AND AMETHYST AND GOLD. PUREST, MOST PERFECT, ETERNAL GOLD. CARNIVALRETRIEVAL Gp , > ; +f OSTea ee ee EEL ee eee Be ee MIRACLEMAN: Future Plans, Neit Gaiman Overall, my plans for the series split up into three books, each book consisting of about six episodes. These are THE GOLDEN AGE - A series of short 6, essentially optimistic, dealing with pak tthe ake fer S living in Utopia, in. the Late GOs and Garly 90s of Miracleman’s world, It's the Era of Gods THE SILVER AGE The Era of the Children of God. Round about the turn af the century -— Anew Age af Man. Most of the story is told from Young Miracleman’s viewpoint, as he’s brought back: his Reality is that af a perfect 1950 world, brought face to F th this jalymorphously perverse world of Miracles and magic and Wonders THE DARK AGE BOOK 4 The Golden Age 17) Intros Climbing Story; Retrieval (2 pages) 18) Windmill story, about = man who hae ffair with Micaclewomans Urban Legends story, of the Bates kids swappin asl btec? ar webem ying? ReCP TROL 9) Miracleman 20) Winter’s Retrieval (2 pages) 21) Milton Ke The Prisoner/Spy storys Retr ia pages) is written, and allBe Re ee at aa smd Pees RETRIEVAI pai Re i Wee aera ey (eC oe ues em eds et Re Ed tein a ove eel peered Moen kta e ass etre ede ee we eC peel pene ou Mi PetCo m oi ee Bacal Cet eee ete wena fetes gee ene gee aCe ec) eee eters sel ee ee oie ga cee tt aa aca al oe ek ik Ce ee sect see ime burbling on about artstyles and just do something good and weird anid knockethelr. Ere chia Og ere ete ee enn ee ne Perse et ened sash eke ete en i Rguciec nent Peer Reet feta te etc a eens) ote oa MO Eon ei ATED eer RC uae BR i ec ie Rie eae) renin gele cl os Ee ( Rina) Me ack har te ee ge ne Mca es ee eke ache oan Cita e a ta a eee ee teen ern ke) See Rte ec ee eer ene sede aa Peet Ra nore ee cnr a he tates nel eee eine ies ee tea Pistol eee eae ea a ee ee a Ra ein G ee ara ters eee eee Coee ee ORR Bure eee eed ee eae eee ee Ue erences eae me ee nde na es ce tt ee is cae Ma aCe ae ete eee oie eRe ee ee eel Det B eee toe Me eee bc teat Bel eae oem B oe eka ER een ee ee Ane nel uaa eee hue) regs eac Tee ee eee mee Re erie ces Bd ee eee es ee en ee eee er seen eee aa ee eure man ee a) Meccan as Sey ees Bide roe Psion ase Pica cue eee Rt Bu ec mee ea emo Rate ec ism one eo De ete eee ea eee eee crs And then: it's there: in empty space. A distance away from us the bodies begin, and they ree Bre ieee Rum Rm a Ee ean Ra elles aol og real 35Laat aed Strange monsters on either side of us hanging ih rows and rows, up and down forever: Things like whales, and things like the post office tower, and things like duck-billed Cee Ee ee eee Leese mame) maggots, all frazen in time until a ys says the word and changes its body wardrobe. We ae in re Mae Ae eae cise tool pune ac ce ee oe Eee ona eer cs poe geen as wei follow the ee et Pera ia mn) ee Mss) Cd ee Meo Mod Doble conocer Tiare i bd eee ewe Pi It floats onward through the monsters, until we seevaguely humanoid shapes beginning. Ro eR ee Bea Bolte eu gee Mma Ee acd ee en er rcccee mesh cron an ais (fyou want to edge some of part 3 Into here, be my guest, but | figured! that this was Pee eukog ect ce ala Zed cee eee ed reaches out knot of eee omc ons eee me nmr this, number ten, | think, belay Rescue Remi icy DR Ru Ck relationship to each ather. Mc Rilccceg cecum ed eee ee men fees een ea Preece ideas See te ae Wada ae oe INS Meo ee Premera Sy arc Sen ea Re a eee ny Cee eee Co enctce ii at tees ek te ee ae een ace eo tt ht acca) Ree ene eee eae te eet ee Then we see the meatball —- the mess that was Dicky Dauntless in its delivery boy ea ont See a) ceeds Bice ei Re pele mee as om eee Area Ree ca oes adie c lig seanning for is: living re ee eae een te etsas co eRe R mt Reece ok fern Se ee ee ge Ra oh etn eee Ce ee eit ceca Mb Tees Bile cnet tee lao Perea esl vARETRIEVAL 4 eee ie Me eae CER heey peas 4 Peet ra aCe net Rt aba a ers av lo we're looking at 4 Cm error) eee ae apparently mothing in RB a Bact d Ee a eee ama) nothing in it, again, hooked up to a.screen, ee mem oii pene n ne ne ee eo et etter) ees eee Re eae oe ee ee ea oe Rn geal Chobe Leche since bul Ta. lie Ren Maren sa aC eee aueals cm a age a Ped cae eee re met eter en eee Berle ele a seme mee UBM m abel B elas aoa ice Kis) ia 7 ee Mee nae cL onc nea te e cd CNR ene een ta ee eR atc Deo Meee ed eee en a ene ed er eee rca Dre gem aa oy Eee eed Cee mee Een Doce co cd creates eee as Ro Peace olen ames Tree nec netcc! Paes Te ol aera aay Pa hand. De Re Rune ime eu eM acne ges gg ge aac Cem ee ke eee ma eee inmate sak aet cys hene caer ome Di en Peet cece eon Diodes aloo ee oe shape. I tg Cosa i eee eee memories ctr) eee aed Ee aa ere Felco a eee ime ced Conese ome Ate ee other,Toi ac tats Mie Bote eke Pisce neue ede a eC or Eeae eteeOe Together they swoop and enter a huge chamber, gi Bde Rem Es Sul ae oR Bok etd amend bel Mor mer eM eee poll m ieee Setar Chicas Cree ee aca eee Rene ar ieee eee ee race ee Cee eee mec coca) pensar) Around — them Cee a ea irs ecg eo ed be oui Denes a) Brea Br ale] Sahn eed eae eae ce eee Per Seren ie agh acdc teri fs teed Peeae eget een ie ao) pat Mee aR ad a Meal im ou Bist er a ed ee ee eee eee neg Pee ee Pt a ee Te Ree tg shape'as well Eee noe Me al at ae nama eae nied ia ami Ce es cece eh Dieta a} eee) Sn Mea eats Eee eerie acm Ce! Peerage eet echoes aia AI Col -iah ea AT Poem erans Tere ae Below: WU Nea Msi Readies Oa IRC aa am raee ee Ce ea eee Ei gare ea Bete ee) eu i eee une Tae a eM Roe hoe ees Bbee Pc be ilo Pee ete Ree unetL cer bes eterno ete am feet sender ete ee eee mer eaters gets 7 Ee Bn adc IR ee Best wisiles To Kerg co a)ere ae Lee cae ert eects get eg Veal Cen a ces ee an Ce) ere ar ee gE eer Sa ee ee meee Med ee ee he rer eg cm al eter rege at ch Bete cs ce PsGo ew Dene er eI ak dod~w MIRACLEMAN #] ON SALE MARCH 2%. THE SILVER AGE ee — ia ee 4 eaBOOK FOUR: THE GOLDEN AGE COVER ART Dae ir