cuapTer 17 ee Harmonic Sequences Exercises for Triadic Sequences ASSIGNMENT 17,1 EXERCISE 17.1 Analysis quences S ‘he following examples contain a mixture ofthe four sequence types. Also, all but the A2 (+5/-4) sequence may incorporate first-inversion variants. Bracket the model and copies for each sequence and provide a sequence label. A ol) jy ot ott a odid J fd ho pidoTHE COMPLETE MUSICIAN EXERCISE 17.2 Composition: Continuing Sequences The following sequences begin on tonic. The model and the outer-voice counterpoint of the first chord of the copy are given. Label the sequence type. Continue and lead each sequence to a pre-dominant. Close with an authentic cadence. |. Write bass and soprano firs, filling in the tenor and alto only after you sure that the repetitions replicate the model exactly. Use no accidentals within the sequence; these are entirely diatonic sequences. Da t-s/44)CHAPTER 17 HARMONIC SEQUENCES 2 4 v o oar D. T