Ren Klyce is a sound designer who believes the best compliment for sound work in films is when it goes unnoticed, as sound is meant to subtly support the image. Klyce explains that creating effective cinematic sound requires an understanding of human hearing, sound wave behavior, and sound technology. Born in Japan but raised in California, Klyce studied electronic music and became interested in using computers for sound design. He has since designed sound for many major films and has been nominated for five Academy Awards for his work.
Ren Klyce is a sound designer who believes the best compliment for sound work in films is when it goes unnoticed, as sound is meant to subtly support the image. Klyce explains that creating effective cinematic sound requires an understanding of human hearing, sound wave behavior, and sound technology. Born in Japan but raised in California, Klyce studied electronic music and became interested in using computers for sound design. He has since designed sound for many major films and has been nominated for five Academy Awards for his work.
Ren Klyce is a sound designer who believes the best compliment for sound work in films is when it goes unnoticed, as sound is meant to subtly support the image. Klyce explains that creating effective cinematic sound requires an understanding of human hearing, sound wave behavior, and sound technology. Born in Japan but raised in California, Klyce studied electronic music and became interested in using computers for sound design. He has since designed sound for many major films and has been nominated for five Academy Awards for his work.
mixers, and editors is when no one actually notices the work. Sound designer Ren Klyce brings a professionals view to cinematic sound as a subtle, supporting character to the image, and the reasons why it is so often misunderstood and underappreciated. Our work is not just about the aesthetics of understanding how sound and dialogue enhance a film creatively, but it requires an understanding of human audiology, the behavior of sound waves, and the use of a great deal of technology. Ren Klyce Born in Kyoto Japan, Ren Klyce grew up in Mill Valley, California. He studied Electronic Music at UC Santa Cruz, 1983, Klyce enrolled in the summer workshop at the Center for Computer Research in Music and Acoustics. Becoming increasingly interested in computer music and the worlds that could be created with them. He went on to design sound for films such as Boxtrolls, Seven, Oblivion, and Inside Out. He has been nominated for five Academy Awards most recently for the films The Social Network and The Girl with the Dragon Tattoo.