Brunelli: Collation of works

Dolan: Improvisatory points of difference across multiple performances of the

same work by the same chamber group
Drago: Idiomatic writing across a number of works and coherent performance
practise
Gonzales: Writing in collaboration with film composers and the stylistic variations
when working with different directors, etc.
Holten-Andersen: Comprehensive discussion regarding the comparison points
between Old Guard and New Guard tango, regarding La Cumparasita (The Little
Parade a famous tango in the original style by Rodriguez) and Piazzollas Otono
Porteno (Autumn in Buenos Aires).
Quinones: Discussion regarding Western crossover into tango music and the
unique styles adopted by musicians in the tango tradition
Koh: The structural analysis, again, of La Cumparasita with score analysis of
Adios Nonino as well as general discussion of jazz influence within Piazzollas
works
Link: In-depth video recording analysis of performance practise within the
Second Quintet many points easy to extrapolate to other music in the same
style with specific discussion of musical gestures
Lucas: Further discussion regarding the jazz influence in tango nuevo
Merrit: The culture of tango nuevo as dance, from the perspective of an other
experiencing the culture
Molazadeh: Indispensible as a discussion regarding the performance practise of
Historie du Tango, with brief discussion regarding etude 1 and contextualising
pieces after the tango nuevo style by separate composers such as Mike Mower.
Nielsen: The symbolism of tango culture within the greater context of Argentine
national identity
Tsai: Deeper score analysis of Floras Game after a discussion regarding the purer
stylistic elements of nuevo tango when contextualised with musicological
analysis of Old Guard tango