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Paul Camilleri Research
Paul Camilleri Research
Figur
e1
In figure one we see the final scene in Raiders of the Lost Ark of Hangar 51
which can also be scene in Indiana Jones Kingdom of the Crystal Skull though
by then CGI was being used. The real hangar is approximately everything
under the red line whilst everything else above the red line is a matte
paintingCouldnt tell could you? In figure 2 we see a scene on a cliff
from Temple of Doom:
In figure 2
we see
the artist
preparing
the matte
painting
for filming
the scene
of the
broken
bridge.
In Figure 3 we have the actual scene. The piece between the red lines is a
Matte Painting, still couldnt see it right? Anyway yes the bottom half of the
cliff is a painting. In fact there are two pairs of legs dangling at the bottom of
the bridge with had to be drawn over multiple times to make them move
around as though the actors were falling. In the red circle we see the
crocodiles which are actually silhouettes placed onto the painting.
The second technique I will be discussing is the art of Miniature Modelling.
This would involve making miniaturized models of real life things. The first
film I will use as a reference is Indiana Jones and afterwards I will show an
example from Star Wars V. The first example is the mine cart chase from
Temple of Doom:
For this scene they built a full miniaturized copy of the set to film the more
dangerous scenes. They custom made a mini camera to fit into the smaller
crevice in the set to be able to follow the miniature cart on the tracks in
order to capture the shots we see now in the film. Without CGI this was,
needless to say an extremely delicate procedure, one wrong move and the
shot would have to be filmed all over again. Next up well see the Star Wars
Miniatures.
In Star Wars they used a miniature model of the Millennium Falcon to film the
sequences is which the iconic ship would be shown flying through space.
They accomplished this by hooking up the Mini-Falcon to a robotic crane
system to control the movements. They filmed at a certain speed so that
when they came to edit, it would look as though the ship is flying very fast.
Here is the mounted Mini-Falcon:
One final example of miniatures also in the Star Wars franchise is the famous
Death Star. The seemingly impenetrable planet/fortress/empire HQ/planet
destroyer was filmed on a miniature fraction of the magnificently terrifying
beast. Observe:
Now youre probably thinking: Thats the Death Star? Disappointed? Yeah I
was tooTo think the most terrifying thing in the film was a model no bigger
than a moderately sized billboard. But that just goes to show how even with
something so simple the team created something so amazing. They again
filmed at a particular speed so it would appear like a ship was racing through
the structure? Remember the reactor core explosion? Yeah thats It over
there, the little new year fire work.
The modern day film and effect I chose to discuss it my current favorite film,
Dracula Untold 2014. Now naturally being filmed in the digital age its
fill of CGI however it is the process that makes this truly amazing. The
effect I chose is Vlad turning into a swarm of bats. Here is step by step
what they did:
First they took a shot of Luke Evans (Vlad) jumping in front of a blue screen.
Next they added the background, light scheme and the beginning of Vlads
initial transformation.
Finally they added the full bat swarm render to create the full effect.
In the end, all these visual effects and fancy expensive equipment and CGI
create the amazing cinematic experiences we see and love on the big
screen. But we mustnt forget that all these amazing innovations
started from nothing more than a few models and big paintings and
without the labors of the past we wouldnt have all these amazing films
to watch and enjoy so much with friends and family.