The opening sequence of Annabelle establishes the film's main prop of a possessed doll named Annabelle. Three people meet with a priest to discuss the doll, which is shown through medium close-ups wearing a red and white dress to symbolize danger and innocence. Shots slowly zoom into the doll and cut back to characters looking at it through eye line match. Throughout the sequence, low lighting, creepy sounds, and slow pacing are used to build tension and set the horror genre.
The opening sequence of Annabelle establishes the film's main prop of a possessed doll named Annabelle. Three people meet with a priest to discuss the doll, which is shown through medium close-ups wearing a red and white dress to symbolize danger and innocence. Shots slowly zoom into the doll and cut back to characters looking at it through eye line match. Throughout the sequence, low lighting, creepy sounds, and slow pacing are used to build tension and set the horror genre.
The opening sequence of Annabelle establishes the film's main prop of a possessed doll named Annabelle. Three people meet with a priest to discuss the doll, which is shown through medium close-ups wearing a red and white dress to symbolize danger and innocence. Shots slowly zoom into the doll and cut back to characters looking at it through eye line match. Throughout the sequence, low lighting, creepy sounds, and slow pacing are used to build tension and set the horror genre.
The opening sequence of Annabelle establishes the film's main prop of a possessed doll named Annabelle. Three people meet with a priest to discuss the doll, which is shown through medium close-ups wearing a red and white dress to symbolize danger and innocence. Shots slowly zoom into the doll and cut back to characters looking at it through eye line match. Throughout the sequence, low lighting, creepy sounds, and slow pacing are used to build tension and set the horror genre.
The opening sequence of Annabelle has a linear narrative
structure, is when the story is in a chronological order from the beginning to the end. The main prop for this film is the doll that is possessed by a woman called an Annabelle, which is the title for this movie. Three minutes in to the film, there are 3 people talking to the priest about the doll (Annabelle). Whilst they are talking it shows us the doll with a background music, to build up tension.The doll is wearing a white and red coloured dress which is very old and dirty, the colour red symbolises danger and blood and the colour red symbolises innocence and purity , which is part of the codes and conventions of a horror movie. This shows us how the director has thought of what kind of doll they should use. At the beginning, when they are talking to the priest a medium close up is used to show their facial expressions. Then it slowly zooms into the doll to show the audience how the doll looks like. It then cuts back to the girl talking but with a close up, eye line match is used to show that she was looking at the doll. A pan is used when they are at a church this is done to show the location and the people. Throughout the opening sequence lots of panning is used to keep it flowing.Throughout the whole sequence low lighting is used to create a creepy atmosphere as the genre is horror. The main prop that is used throughout the whole film is the doll Annabelle; they have made sure that this doll fits the genre by making it look scary. The location is in a very quite area in a
new house which shows us that something bad could happen.
Throughout the whole sequence a variety of different horror sound effects are used which builds up tension for the audience. Multiple sound effects are used when the doll is shown this is done to show the doll is the main prop. The sound creates a mysterious, scary, suspicious sound to grab the audiences attention. In terms of editing, the overall sequence is quite slow paced, the director has done this to make show the it grabs the audiences attention and builds up their attention. Furthermore eye line match was used a lot when they characters look back at the doll.