Professional Documents
Culture Documents
Poem Analysis
Poem Analysis
Submitted to:
Mr. Pablito M. Marasigan, Jr.
A.
early age. She initially took up pre-law subjects in UP but shifted to liberal arts later on,
graduating summa cum laude with an A.B. in philosophy in 1929. She worked with the
Philippine Collegian in UP as a literary editor where she met Celedonio P. Gloria, the man she
married, who was the editor-in-chief at that time. She was a courageous woman and passionate
poet who poured her emotions in words as seen in her Revolt from the Hymen, a controversial
poem during her time which spoke up against marital rape. Her literary career slowly died down
due to her poor health and a tremendous loss with the death of her husband in World War II.
This is the time she began to shift her attention
business to support her three children as a single parent. The flame that drove her into creative
writing was extinguished.
Her poem To The Man I Married talks about Celedonio P. Gloria, her husband who
unfortunately died after an ambush by Japanese soldiers. She was greatly traumatized by this
event. From an idealist who lived a colorful life early on, she became a pragmatist after being
faced with sorrows and realities. To The Man I Married reveals this realistic side of her since it is
unlike other poems that elevate love in a fantastic manner.
B. First Impressions
Our first interpretation about the poem To The Man I Married was different from the
final interpretation that we have, given that we did not know the background of the poet herself
and we were not supported by any research that time. It was also the first time we read the
poem as a group.
In the first stanza, the woman described how dependent she was to the man. In the line
You are my earth and all that earth implies and The gravity that ballasts me in space gave us
a hint that she was somewhat chained to her husband and to leave him will be a great loss
because he is the one who sustains her.
In the second stanza, the woman seemed discontented about her life. Even if her
husband fulfills all her earthly needs, she still desires for someone else.
keening thoughts to another one gave us an initial impression that she was yearning for
another man and that she was not completely happy with her marriage because her heart
wanted somebody else who she can never have. We immediately judged her as a woman who
only seeks for dependence and love from men. For the line You who are earth, O never doubt
that I need you no less because I need the sky! we interpreted the sky as a representation of
the man that she can only dream of and earth was represented by her husband. We thought
that the freedom of the woman to love the man that she wanted was impossible given that she
was already married to another man.
In the third stanza, we thought that the love of the woman for her husband cannot be
compared with the love that she has for her lover. In the last part of the poem, she confirms that
the love that she can give for her husband was only limited and would not last forever.
Furthermore, the form of the poem, To the Man I Married is considered as a dramatic
poem as it consists of the speakers own thoughts or spoken statements which can be evidently
seen in its title. There is no story being told yet it is full of the speakers emotions and feelings of
love.
D. Poetic Analysis
I.
1. First Stanza
You are my earth and and all that earth implies:
In this line, the persona describes her husband, or rather man she married, in a
metaphor that compares him to the earth, which explicitly says that the man is so important to
her that he means the whole world, as in everything, to her.
The gravity that ballasts me in space,
Like gravity which holds everything steady on the ground and prevents all things from
floating away in space, the man for her is someone who ballasts or provides her stability in life.
The air I breathe, the land that stills my cries
For her to compare the man to air is to say that she cannot live without him just like how
she cannot live and breathe without air. She also sees the man as someone who is always there
to land on to for comfort and to calm her during times of sadness.
For food and shelter against devouring days.
In here, she implicitly states her dependence to the man as the provider of her daily
basic needs in life.
You are the earth whose orbit marks my way
And sets my north and south, my east and west.
She describes in this line how the man ,who means everything to her, is the person who
who gives direction or purpose in her life, like a guide she relies on to follow and obey.
You are the final, elemental clay
The driven heart must turn to for its rest.
In the metaphoric description final, elemental clay, she means that the man is both the
first or primary thing and the last piece she needs to complete her life. It is in him where her
restless or beating heart only finds rest, meaning he is supposed to be the only one or thing her
heart, or rather love, belongs to.
In general, the first stanza is a figurative description of the persona about the man to whom she
is married. From a marxist perspective, it can be clearly understood how dependent she is to
the man and how significant he is to her life and to her entirety. The mans image in this stanza
is glorified as someone who provides for, guides, steadies, and gives comfort to the woman, and
without him, she cannot stand on her own.
2. Second Stanza
If in your arms that hold me now so near
I lift my keening thoughts to another one,
In these lines, she states that while she is with her husband, shelifts her thoughts to
something else; therefore, possibly implying that she is thinking of someone else from above,
someone like God.
As trees long rooted to the earth uprear
Their quickening leaves and flowers to the sun,
Upon her keen thinking, she connotes that although the trees rely on the Earth to stand,
they owe their leaves and flowers to the sun who, despite being far away or not directly with
them, provides for what these trees need, just like how she relies on her husband to stand, but
there is someone else far greater, albeit not literally or directly with her, who is providing for her
more than even her Earth, or rather husband, can give.
In this stanza, the woman basically implies that although she sees her husband as
someone essential and very important to her life, there is someone else more important for her,
and that someone is God.
II.
3. Third Stanza
I can not love you with a love
That outcompares the boundless sea,
The first two lines are very literal. Here, she expresses her love as finite or limited. She
uses a metaphorical line, that outcompares the boundless sea, which functions as a
supportive line that tells us that her love can not be greater than a sea which is free and has no
barriers to keep it in place. It simply gives us an understanding of the limits of her love for her
husband.
The authors mood during this stanza was numb, discontented, and gloomy. This stanza
shows how practical and earthly of a woman she is. From her story background, she loves her
husband; but as a woman and a person, she has dreams that she wanted to reach but couldnt
because of the obligation and commitment of being a mother and a wife which describes the
gloomy and discontented mood of the stanza and the finite love for her husband.
4. Fourth Stanza
But I can love you with a love
As finite as the wave that dies
The first two lines describe the womans love as limited as the wave that dies. It means
that the woman can only love her husband to that extent and cannot go beyond that because
nothing on Earth lasts forever and there is no such thing as infinite love..
The main idea of the fourth stanza is eternal love. The stanza compares the womans
love with that of the wave, which represents the love of the woman to her husband. It grows and
then dies, but the love will always be there as long as there is the ocean. The ocean would be
something seemingly vast and infinite but would still, in the end, have its limits; it reflects the
blue of everlasting skies which implies that even if she can only love her husband to a certain
extent (limited), it is eternal for their mortal love is a reflection of the love of God, which is
overflowing and has no limits.
does not change the fact that she greatly loves him and assured that she will love him until the
end of time.
THE SPOUSE
A. Introduction/Background of Author and Poem
Born in the year 1906 on the 4 of July, Luis Guevara Dato is an educator, journalist,
th
Excluding the prescribed courses in American and English literature in his secondary
and tertiary education, Dato did not take any formal education in poetry-writing. Rather, he
learned to write poetry because he enjoyed it as well as when his brother asked him to do his
Filipino Poetry, an anthology of Filipino poetry in English. To do this, he had to go over the
hundreds of poems in the Old Filipiniana Division of the National Library that was located in
Intramuros, Manila. After going over those that were to be considered for his anthology, Dato
had written a poem called Among the Hills, which his brother considered as good enough to
be included in his anthology. Another reason why he wrote poetry was because he was inspired
by the works of others so much that he took his life experiences, especially those concerned
with love and crafted his art. He had several romantic relationships before settling with someone
who went with the moniker Pacita, a woman of remote Chinese descent who he eventually
separated with.
Although it is not explicitly known which woman inspired him, The Spouse is one of the
many products of his craft he made in his many times of falling in and falling out of love.
B. First Impressions
The literary material The Spouse is composed of 4 stanzas. It was quite short, but was
difficult to understand at first reading. It made use of symbols, imagery, and wordplay that were
really hard to recognize. In other words, the poem was deep and it demanded the full attention
and focus of the group. Some lines sound awkward and some words stick out more than the
others. The poem sounds strange as if we were reading it wrong.
In the first stanza, the setting of the woman and her husband was described. While
reading, we immediately noticed that there was an existing problem in the relationship of the
couple. The line Rose in her hand, and moist eyes young with weeping, gave us the hint that
the woman was experiencing something burdensome. We straightaway concluded that her
husband was being unruly to her.
The line in the first stanza She stands upon the threshold of her house, Fragrant with
scent that wakens love from sleeping implied that it was early in the morning when the narrative
started. The next line She looks far down to where her husband plows on the other hand,
implies that she was looking at a distance to her husband working in the fields. Because of this
implication, we believed that the man was a farmer, while the woman was a housewife.
The second stanza is where we noticed something different in the poem. The lines Her
hair disheveled in the night of passion, Her warm limbs humid with the sacred strife indicated
that something happened the night before. We were unsure at first, but after rereading the
poem, we came into the conclusion that the man and woman had sexual intercourse. This
hypothesis was further strengthened by the lines What may she know what man and woman
fashion, Out of the clay of wrath and sorrow, Life? We associated the word life in the last line of
the second stanza as a child resulting after engaging in the sexual activity. Thus, we relate the
clay of wrath as the man; and sorrow as the woman.
In the third stanza, we were already sure that the husband was being impolite and
offensive to her wife. The lines She holds no joy beyond the days tomorrow, She finds no
worlds beyond her arms embrace suggested that the woman was not happy in her
relationship. However, the lines She looks upon the Form behind the furrow, Who is her Mind,
her Motion, Time and Space infers that the woman sees her husband as her whole-being.
The 4th stanza of the poem was the most difficult to interpret. We had some trouble
analyzing the last stanza since it is where the unusual words were used. It confused the group
why the Sphinx was used as the subject and why it was smiling beside the river. We are
uncertain to what this line is referring to and what significance it holds in the dispute between
the man and her wife.
C. Poetic Structure/Form
The poem written by Luis Dato is a narrative poetry that has four stanzas, each
containing quatrains (four lines) and a meter of 11,10,11,10. The rhyming scheme of the poem is
ABAB CDCD EFEF AGAG.
D. Poetic Analysis
1. First Stanza
2.
Second Stanza
probably because of what happened that night. The line Her warm limbs humid with the sacred
strife on the other hand, implies that the sexual act was not romantic or intimate. Sacred here
means something that is special, important, worthy of respect, pure, and not a toy or something
to be taken lightly. However, the word sacred was linked to the word strife which connotatively
means struggle or conflict. The use of the word strife suggested that the woman was forced to
do the said act, and that she was in extreme discomfort while doing so. This suggested that the
man was not respecting the right and decision of the woman with regards to this kind of doings.
The full truth about sex is that: It is both sacred and polluted, holy and desecrated. The
sacredness of sex is not based on how we treat it or mistreat it. Its sacredness is based on its
essence, which comes from God. Sex is holy because God created it to be holy.
Also, the first postulate of our group, which was the notion that the woman was being
abused by her husband, was also confirmed in these lines. The designation of the word wrath
to the man means that he was really abusing her wife. Wrath is a very strong word which means
fierce antagonism or deep resentment. For the man to be associated with the word wrath, he
must have done something stern as a consequence of anger. On the other hand, the word
sorrow was designated to represent the woman. Sorrow is an expression of grief, sadness, or
disappointment. As a victim of such abuse, it is expected that the woman would display a state
of unhappiness and distress. In conclusion, the woman was dominated, controlled, and ruled
over by her husband, giving her no chance to express, defend, or even preserve her identity as
the wife.
3.
Third Stanza
She holds no joy beyond the days tomorrow
In the first line of the third stanza, the wife is depicted as someone who is unhappy for
what the future holds with her husband. It signifies that despite being fragrant with scent that
wakens love from sleeping, that manifests how she emits the picture of a wife who is well loved,
the woman is miserable with her marriage with the said spouse.
To summarize the whole stanza, it clearly depicts the domination and subservience of
the man and woman respectively. With a rhyming sequence of AGAG, the third person narrating
the story shows how miserable, manifested in the first two lines, and consumed, demonstrated
the last two lines, the wife is with her husband whom she called the Form of her mind, body,
time and space.
4.
Fourth Stanza
This last stanza concludes the woman being accepting of the indirectly oppressed life
she has with the male spouse. You can see that she loves the man who she shares intimacy in
the night and plows the land in the day. She depicts the standard where women are just to stay
at home and appease the man she adores while the man carries on with his everyday work and
then gets home to his wife to finally finish fulfilling his duties and repeats the cycle. Although she
knows she is capable of doing so much more, she settles with this kind of life for the man where
she finds no worlds beyond her arms embrace, which is her husband.
E. Analysis as a Whole/Conclusion
To encapsulate the whole poem, the title itself, The Spouse, shows how the author, Luis
Dato, portray the character of the husband through the eyes of the wife. Having been introduced
to us with the perspective of what situation the woman is in currently, it shows how the poem
revolves around the husband like how the wife revolves her world around her spouse.
REFERENCES:
Buhay student nurse (2011, August 31). The spouse by Luis Dato [Web log post]. Retrieved February 16,
2016 from https://buhaystudentnurse.wordpress.com/2011/08/31/the-spouse-by-luis-dato/.
Encarnacion, A. (2014, August 10). Expound on the line: There is immortality in mortality. [Web log post].
Retrieved February 16, 2016 from http://azaleadamaris.tumblr.com/post/94338074926/expound-on-theline-there-is-immortality-in.
Pinoylit (n.d.) Angela Manalang Gloria. Retrieved February 16, 2016 from http://pinoylit.webmanila.com/
filipinowriters/amgloria.htm.
Talla, S. (2012, January 6). A deconstructive reading of the spouse [Web log post]. Retrieved February
16, 2016 from http://luisgdato.blogspot.com/2012/01/deconstructive-reading-of-spouse.html.
Talla, S. (2011, June 22). Autobiography [Web log post]. Retrieved February 16, 2016 from http://
luisgdato.blogspot.com/2011/06/blog-post.html?m=1
Talla, S. (2011, August 8). The spouses analysis [Web log post]. Retrieved February 16, 2016 from http://
luisgdato.blogspot.com/2011/08/spouses-analysis.html?m=1
Tariman, P. (2013, July 13). The life and times of Angela Manalang Gloria. Retrieved February 16, 2016
from http://verafiles.org/the-life-and-times-of-angela-manalang-gloria/.
The Major Collections Filipino Writers in English (n.d.) Angela Manalang-Gloria. Retrieved February 16,
2016 from http://rizal.lib.admu.edu.ph/aliww/english_amgloria.html.
.