Professional Documents
Culture Documents
Insights - Cathedrals Ce1
Insights - Cathedrals Ce1
Cathedrals
Painting
the
Past
At
the
center
of
the
small
town
of
Chartres,
a
ninety-minute
train
ride
away
from
Paris,
sits
a
towering
cathedral.
This
edifice,
completed
in
the
thirteenth
century,
has
been
the
center
of
controversy
because
of
a
decision
made
in
2009
to
renovate
it.
This
is
no
simple,
patchwork
maintenance
performed
on
many
old
monuments;
the
cathedrals
once
gloomy
interior
blackened
by
centuries
of
use
is
currently
being
painted
a
sunny,
pale
yellow.
The
paint
job
is
part
of
a
monumental
attempt
to
restore
the
cathedral
to
its
medieval
appearance,
but
the
renovation
has
inspired
a
polemic
response.
The
cathedrals
official
website
announces
that
the
renovation
will
bring
about
a
radical
change
in
our
perspective
of
the
place[my
translation].
Yet,
some
are
skeptical.
Martin
Filler,
writer
for
the
New
York
Review
of
Books,
expressed
his
hope
that
by
some
miracle
this
scandalous
desecration
of
a
cultural
holy
place
can
be
reversed.
When
I
visited
the
cathedral
three
years
ago,
I
stood
in
the
middle
of
the
scandal
and
the
radical
shift
of
perspective.
I
entered
the
cathedral,
halfway
through
renovation
and
split
by
history.
One
half
was
the
color
of
charcoal;
the
other
half
was
full
of
colorbright
whites
and
yellows
gleamed
in
the
intense
light
that
shown
through
the
newly
cleaned
stained
glass
windows.
I
was
stunned
by
the
contrast.
At
first,
it
may
seem
as
though
the
renovation
is
destroying
history;
but
those
who
take
the
time
to
appreciate
the
work
that
has
been
done
come
to
realize
that
it
is
in
fact
uncovering
history.
An
untrained
twentieth-century
eye
can
see
very
little
in
a
cathedral
obscured
by
centuries
of
dust,
but
using
Chartres
as
a
guide,
modern
visitors
can
learn
to
see
cathedrals
as
their
thirteenth-century
counterparts
saw
them.
Medieval
visitors,
looking
at
a
myriad
of
colors
accentuating
stained
glass,
sculpture,
and
architectural
detail,
must
have
seen
much
more
in
a
cathedral
than
we
see
today.
Stained
Glass
The
purpose
of
stained
glass
is
to
tell
stories
and
to
invite
light
into
a
sacred
space.
As
the
years
pass,
the
light
is
dimmed
and
the
stories
are
silenced
by
dust.
Modern
tourists
see
only
muted
tones
of
colored
glass,
yet
medieval
visitors
read
the
stories
of
the
cathedral
walls
represented
in
vibrant
color.
During
the
renovation
of
Chartres
Cathedral,
the
glass
is
being
cleaned
piece
by
piece,
transforming
the
subdued
colored
glass
back
into
lively
stories
and
the
shadowy
cathedral
into
a
place
of
light.
Each
time
we
visit
a
cathedral,
we
should
imagine
it
full
of
light,
and
we
should
look
for
the
stories
that
are
being
told
in
the
glass.
Sculpture
The
sculptures
on
the
exterior
of
cathedrals
have
a
story
to
tell
as
well,
but
these
tales
are
often
lost
over
time.
Where
medieval
visitors
saw
beautiful
representations
of
people,
animals,
and
mystical
creatures,
modern
visitors
see
only
crumbling,
often
unrecognizable
figures.
At
Chartres
Cathedral,
for
example,
you
can
see
sculptures
of
the
twelve
apostles
holding
objects
that
symbolize
how
they
were
martyred.
Yet
time
and
wear
erase
details,
effacing
the
life
of
the
sculptures
and
the
apostles
of
old.
Skilled
masons
at
Chartres
are
renovating
the
sculptures
to
bring
the
figures
back
to
life.
In
places
where
the
sculptures
havent
been
reanimated,
we
are
left
to
our
imaginations
to
envision
what
the
sculpture
once
looked
like.
Architectural
Detail
In
a
cathedral
that
has
not
been
renovated,
the
mlange
of
grey
can
blend
together
and
hide
the
architectural
details.
Where
paint
has
long
since
faded,
visitors
have
the
challenge
of
detecting
the
numerous
architectural
details
in
a
sea
of
gray.
Paint
serves
to
accentuate
the
architecture
of
the
building.
At
Chartres
Cathedral,
painters
have
chosen
yellow
and
white
paint
to
draw
visitors
attention
to
the
vaulting
in
the
ambulatory
around
the
cathedrals
nave.
If
the
renovation
of
Chartres
Cathedral
had
been
stopped
at
that
point
where
I
first
saw
ithalf
black,
half
yellow
it
would
have
given
visitors
the
unique
opportunity
to
close
one
eye
and
imagine
what
todays
gloomy
cathedral
must
have
looked
like
centuries
ago.
Then,
through
the
opposite
eye,
they
would
see
if
their
imagination
came
close.
This
cathedral
would
have
trained
average
travelers
to
discover
the
beauty
of
ancient
architecture,
as
it
did
for
me.
Unfortunately,
the
renovation
will
be
completed
next
year;
the
old
cathedral
will
be
entirely
masked
by
the
new,
and
visitors
will
no
longer
have
the
rare
privilege
of
witnessing
the
cathedrals
dramatic
transformation
in
process.
However,
with
this
renovation
complete,
tourists
can
go
to
Chartres
to
see
an
example
of
what
a
medieval
cathedral
once
looked
like.
And
they
can
use
that
vision
to
help
them
uncover
the
beauty
hidden
in
cathedrals
that
havent
undergone
such
dramatic
renovations.
Next
time
you
visit
Notre
Dame
de
Paris
or
Reims
or
any
other
cathedral,
remember
Chartres.
Allow
your
imagination
to
peel
back
the
layers
of
time
and
see
cathedrals
as
they
were
meant
to
be
seen.
The
answer
will
not
be
right
in
front
of
you,
but
maybe
that
is
exactly
what
will
intrigue
you
and
push
you
to
continue
rediscovering
cathedrals.
Lauren Prochelo
2/27/16 1:32 PM
I
found
myself
wondering
when
the
cathedral
was
actually
built,
so
I
thought
this
would
be
a
useful
tidbit
to
add.
Page 1: [2] Comment [3]
Lauren Prochelo
2/27/16 1:22 PM
I
thought
this
sentence
fit
in
better
when
you
talk
about
sculptures
in
general,
so
I
moved
it
up
to
before
you
address
the
Chartres
Cathedral
specifically.
Page 1: [3] Comment [4]
Lauren Prochelo
2/27/16 1:18 PM
2/27/16 1:21 PM
Where
medieval
visitors
saw
beautiful
representations
of
people,
animals,
and
mystical
creatures,
modern
visitors
see
only
crumbling,
often
unrecognizable
figures.