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MIDI CONTROL UNIT

The high-tech music-making gear that
most of us can afford gets ever more
powerful. However, you may have a
struggle accessing some of the fabulous
features, because of limited or difficult user
interfaces. The Philip Rees C16 MIDI
Control Unit could help you get to grips
with the hidden potential of your equipment.

Sixteen sliders
The C16 gives you no less than sixteen
slider controls, with respectable 60mm
travel. The sliders may be assigned to a
wide variety of MIDI control functions.
The assignments are held as one hundred
target presets, built-in to the C16. As the
C16 is a preset device you avoid the brainache of having to program it yourself, and
you can quickly get stuck in to using it
creatively. The large number of target
presets means that is ready, out of the box,
to do most of the jobs that you are likely to
want it to do.
It is very easy to
recall one of the
target presets.
First, you look up
its number.
Then, you hold
down the
TARGET SELECT
pushbutton,
while you move
sliders 4 and 5
until the two-digit seven-segment LED
display shows the correct target number.
You can use the sliders on the C16 to
control volume, pan, effects sends, and
many other parameters of many popular
electronic musical devices (old and new).
The C16 is preprogrammed with the MIDI
Control Change, MIDI Parameter and MIDI
System Exclusive codes for manipulating
the sound on a wide range of popular
synths, sound modules, sound cards and
software.

A complete list of target numbers and

slider assignments, current at the time of
going to press, may be found on the chart
on the next page (overleaf or opposite).

so the information is retained when power

is removed from the C16. This feature
means that, when used in conjunction with
a computer, the C16 could become a fully
programmable MIDI control unit. It also
means that, in the future, new profiles may
be provided for existing users, for example,
via our website.

The versatile C16 can act as a hardware

front panel for a synthesiser or as a
compact MIDI mixer.

Sequencer

A sixteen-position
rotary switch is
provided; it is
usually used for
selecting the MIDI
channel, or
sometimes the
device number.

Master MIDI keyboard

MIDI out
MIDI in

MIDI in
MIDI out

C16

MIDI out
MIDI in

TARGET MIDI equipment

In a typical MIDI setup, you might place the

C16 between the MIDI OUT of your master
keyboard and the MIDI IN of your sequencer (hardware or computer). In this
way, your sequencer can record the
movements of the sliders. This feature
gives the user easy access to expressive
effects such as trendy filter sweeps.
The C16 automatically merges the MIDI
data from the keyboard with that generated
by moving the sliders. This means that you
don't have to swap around MIDI cables,
and you don't require an external merge
unit. The diagram below indicates where
you might place C16 in a simpler setup,
without a sequencer.
Master MIDI keyboard

MIDI out
MIDI in

MIDI out

C16

MIDI in

TARGET MIDI equipment

Downloadable target profiles

There is also the option of user-programming two target settings (target numbers
98 and 99), each consisting of sixteen
sliders. You can transfer the settings for
these thirty-two sliders to the C16 via
System Exclusive messages. These
settings are held in non volatile-memory,

Target number 7 is
called Quick Mixer,
it provides easy
access to volume, pan, reverb send, chorus
send, variation effect send, balance and
expression across sixteen MIDI channels
simultaneously. The channel numbers
correspond to the slider numbers. When this
target is selected, the sixteen-position rotary
control is used to change functions, so you
can simply and rapidly switch between them.

Send All button

There is a SEND ALL pushbutton, which

updates the target device with all the slider
positions - you should use this with care! A
lamp in the display window flashes to clearly
indicate when MIDI data is transmitted by
the C16. The lamp flashes for data being
transferred from the MIDI in port, as well as
that generated as a result of movement on
the front panel controls of C16 itself.
Space is provided on the hardy polyester
front panel to name the slider assignments;
a permanent overhead projector pen is a
suitable marker.
The unit is compact at 210mm x 135mm x
55mm, so it doesn't take up too much
space on a crowded work-surface. It has
one MIDI IN and one MIDI OUT port.
The C16 features a built-in power supply
and is supplied with a detachable mains
lead (ac power cord).

Phil Rees Music Tech +44 (0)1903 691160 www.philrees.co.uk



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CC
CC

MIDI
MIDI
MIDI
MIDI
MIDI
MIDI
MIDI
MIDI

CH
CH
CH
CH
CH
CH
CH
CH

RELEASE
RELEASE
RELEASE
RELEASE
LFO2 DP
VCF DEP
----Q PRI
Q SEC

------------DEV
DEV
DEV
DEV

ID
ID
ID
ID

SUSTAIN
SUSTAIN
SUSTAIN
SUSTAIN
ENV1 SU
ENV2 SU
SUSTAIN
SUSTAIN
SUSTAIN
SUSTAIN
SUSTAIN
VCO2 WV
ENV2 SU
VCO2 WV
ENV2 SU

RELEASE
RELEASE
RELEASE
RELEASE
ENV1 RL
ENV2 RL
RELEASE
RELEASE
RELEASE
RELEASE
RELEASE
MIXER
ENV2 RL
MIXER
ENV2 RL

DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV

ID
ID
ID
ID
ID
ID
ID
ID
ID
ID
ID
ID
ID
ID
ID

OP2 SUS OP2 KEY

OP4 SUS OP4 KEY
FITLER
RESON
AMP T4
AMP T5
FILT L3
FILT L4
ENV2 L1 ENV2 L2
ENV4 L1 ENV4 L2
ENV6 L1 ENV6 L2
LFO SPD LFO DEL
PMD2
AMD2

OP2 LEV
OP4 LEV
LFO SP
AMP L1
FILT L5
ENV2 L3
ENV4 L3
ENV6 L4
LFO PMD
ATTACK2

OP2 FRQ
OP4 FRQ
LFO DP
AMP L2
FILT L6
ENV2 L4
ENV4 L4
ENV6 L4
LFO AMD
RELEAS2

DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV

ID
ID
ID
ID
ID
ID
ID
ID
ID
ID

/)26+
/)2'(/
/)26+
/)2'(/
(19$7
92/80(

ENV2 AT
ENV1 AT
ENV2 AT
ENV1 AT
ENV2 HL
PAN

ENV2 DEC
ENV1 DC
ENV2 DC
ENV1 DC
ENV2 DC
MOD WH

ENV2 SU
ENV1 SU
ENV2 SU
ENV1 SU
ENV2 SU
PB RNG

ENV2 RL
ENV1 RL
ENV2 RL
ENV2 RL
ENV2 RL
EXPRSS

MIDI
MIDI
MIDI
MIDI
MIDI
MIDI

CH
CH
CH
CH
CH
CH

9'$$/
9')$/
9'$$/
9')$/
9'$$/
9')$/
9'$$/
9')$/
9'$$/
9')'7
9'$$/
9')$/
9'$$/
9')'7
9'$$/
9')$/
9&)5(6
9&$%5.

9'$'7
9')'7
9'$'7
9')'7
9'$'7
9')'7
9'$'7
9')'7
9'$'7
9')%3
9'$'7
9')%3
9'$'7
9')%3
9'$'7
9')%3
9&).%
9&$6/3

VDA1 BP
VDF1 BP
VDA2 BP
VDF2 BP
VDA1 BP
VDF1 BP
VDA2 BP
VDF2 BP
VDA1 BP
VDF1 ST
VDA2 BP
VDF2 ST
VDA1 BP
VDF1 ST
VDA2 BP
VDF2 ST
LFO FRQ
VCA SUS

VDA1 ST
VDF1 ST
VDA2 ST
VDF2 ST
VDA1 ST
VDF1 ST
VDA2 ST
VDF2 ST
VDA1 ST
VDF1 SL
VDA2 ST
VDF2 SL
VDA1 ST
VDF1 SL
VDA2 ST
VDF2 SL
LFO DEL
VCA REL

VDA1 SL
VDF1 SL
VDA2 SL
VDF2 SL
VDA1 SL
VDF1 SL
VDA2 SL
VDF2 SL
VDA1 SL
VDF1 RT
VDA2 SL
VDF2RT
VDA1 SL
VDF1 RT
VDA2 SL
VDF2RT
LFO->PT
VCA SEN

VDA1 RT
VDF1 RT
VDA2 RT
VDF2 RT
VDA1 RT
VDF1 RT
VDA2 RT
VDF2 RT
VDA1 RT
VDF1 RL
VDA2 RT
VDF2 RL
VDA1 RT
VDF1 RL
VDA2 RT
VDF2 RL
LFO->VCF
PORTAM

DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV
DEV

ID
ID
ID
ID
ID
ID
ID
ID
ID
ID
ID
ID
ID
ID
ID
ID
ID
ID

23(1++
23(1++
23(1++
23(1++
23(1++
23(1++
23(1++
23(1++
23(1++
23(1++
23(1++

0,'720
0,'720
0,'720
0,'720
0,'720
0,'720
0,'720
0,'720
0,'720
0,'720
0,'720

HI TOM1
HI TOM1
HI TOM1
HI TOM1
HI TOM1
HI TOM1
HI TOM1
HI TOM1
HI TOM1
HI TOM1
HI TOM1

CYMBAL
CYMBAL
CYMBAL
CYMBAL
CYMBAL
CYMBAL
CYMBAL
CYMBAL
CYMBAL
CYMBAL
CYMBAL

HI TOM2
HI TOM2
HI TOM2
HI TOM2
HI TOM2
HI TOM2
HI TOM2
HI TOM2
HI TOM2
HI TOM2
HI TOM2

RIDE
RIDE
RIDE
RIDE
RIDE
RIDE
RIDE
RIDE
RIDE
RIDE
RIDE

MDI
MDI
MDI
MDI
MDI
MDI
MDI
MDI
MDI
MDI
MDI

CH
CH
CH
CH
CH
CH
CH
CH
CH
CH
CH

(QVXUHV\QWKFDQDFFHSWV\VH[ FRQWUROOHUV

13
30
46
62
78
94
110
126

CC
CC
CC
CC
CC
CC
CC
CC

PR1
PR2
PR3
PR4
PR5
PR6
PR7
PR8

14
31
47
63
79
95
110
127