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Marketing Campaign of Harry Potter and The Prisoner of Azkaban
Marketing Campaign of Harry Potter and The Prisoner of Azkaban
Film Cultures
Assignment 1
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Film Cultures
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Film Cultures
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Harry Potter and the Prisoner of Azkaban (HPPOA) is the third Harry
Potter (HP) film from the series, which was released and distributed
in 2004 by Warner Bros pictures. It was an extremely successful film
grossing a profit of $796.7 million worldwide from a budget of $130
million, positioning it as number one at the box office of which it
held that position for two weeks. Unfortunately, the film was ranked
the lowest grossing film of the series, although it was also reviewed
as one of the best films within the sequence. HPPOA was the first
film of the sequence to be released in IMAX cinemas, of which critics
plus audiences reviewed it to be the greatest instalment within the
franchise(Gunelius, 2008). HPPOA had an immense marketing
campaign by using various different media platforms to promote it.
Along with having a strong audience, of who were excited to watch
it, setting a solid platform of attention before the films release date.
Through my analysis I aim to identify the target audience whilst
examining all marketing techniques used before and after the film
was released, such as merchandise and trailers. Before finally
analysing and concluding the success of the campaign used and the
impact it had within the media through the way it was marketed.
HPPOA was the third of eight films within the sequence and much
like the rest of the films; it was based on a book. This therefore
made HPPOA a product of pre-ready made media. The third HP book
was, written in 1998 by J.K Rowling and published in 1999 by
Bloomsbury. The book alone sold over 68,000 copies within three
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that the books had, this ultimately enabled a solid foundation for the
film itself, especially in relation to fans. The books will eternally be a
product of the franchise used for marketing and promotion due to
them being the original connections regarding the HP franchise.
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creates and enigma effect towards the audience. This is because the
teaser poster highlights the forthcoming of the newest HP film.
However, despite the fact there is no supporting text used; the
atmosphere of a dark eerie presence is displayed amongst us, which
is something that is yet to be revealed and therefore consequently
enhancing audience interests into the release of HPPAO.
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Following this, the
official HPPOA film
poster was released
revealing much more
detail in comparison to
the teaser poster,
however not enough
for audiences to be
able to make-up the
initial concept of the
film. This film poster is
an effective way to
market the film
because the
presentational rhetoric
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are mentioned on the poster, the verbal rhetoric used is small and
faint.
https://www.youtube.com/watch?v=lAxgztbYDbs
Another influential element of marketing used to promote HPPAO
was the official film trailer, slightly revealing film aspects that still
remained a secret with majority of the storyline. The verbal rhetoric
in the formation of text states something wicked this way comes
followed by a choir singing the exact same words in a song. This
verbal rhetoric foreshadows the events within the film as it marks
the beginning of the dark-side in relation to the HP series. Wyatt
(1994) suggests trailers attempts to draw the attention of the target
audience, serving to spread the word of mouth to others. The trailer
is a prime example of capturing the audience attention and
spreading word of mouth due to the fans being emotionally attached
to the franchise. In terms of the presentational rhetoric The Warner
Bros logo is situated in the bottom right hand corner of the screen
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Lego also expanded on their merchandise for the first two films by
releasing new Lego sets ranging from the Knight Bus to the
Shrieking Shack. This also created an advantage for the promotion
of the film, by once again enhancing and facilitating the films
success.
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The PR marketing
of
HPPOA was a
development of the existing HP
marketing, of which was already established through its mass
saturation release of a huge marketing campaign, generating a lot
of consumer attention. The online buzz that was gained through
viral marketing severely increased brand awareness and film
popularity. This resulted in a large scale of successful sales for the
franchise. Fans like to be included in the media that they consume
(Auter and Davis, 1991). Moreover, fans became consumed in the
HP franchise, essentially taking control to creatively develop
multiple viral campaigns that allow them to express their feelings on
their excitement of the HP franchise and its upcoming events. Fans
have produced fan fiction websites, (www.the-leaky-cauldron.org
and www.mugglenet.com), Facebook pages/groups, blogs and
commitment in aspects of social media, such as continuously being
a trending topic via Twitter. All of this viral marketing helped
promote the film in an efficacious light. This form of promotion
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The vertical integration from Warner Bros for HPPOA was part of a
media conglomerate covering various aspects of the industry to
market the film. The expansion of publicity from AOL Time Warner
used television networks, for example CNN and TBS, as well as
magazine articles to gain access to millions of people to market the
film too. The new opportunities that arose, in terms of publicity and
sales produced with the vertical integration enabled the marketers
of HP to exploit the AOL Time Warners empire through the use of
synergy.
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the meaning of the text that enables them to figure out their
response towards the film (Karppinen, 2012). This ideal of pluralism
is supported by HPPOA through the fans optimistic reaction toward
the film.
In an interview with Johnny Vaughn the star cast spoke about their
characters and how prior to filming they were set writing tasks that
allowed them to explore their individual characters in further depth.
In addition to this, they also spoke about casting, concluding that
the actors replicate their characters and this resulted in the phrase
frighteningly good casting being used continuously throughout the
interview. The impressions of the cast gained from the interview
aided audience responses to forming stronger relationships between
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Following the release of the film, the post-release marketing was yet
another successful campaign that encouraged HPPOAs public
awareness and sales. HPPOA was voted best film of the decade at
the First Light awards along with receiving multiple positive reviews
after its release. On top of this, HPPOA was nominated for multiple
film awards and won a number of these, such as the 2005 BAFTA
audience award, BAFTA childrens award and the BMI film music
award. In addition to this, HPPOA won the Empire special award and
Hollywood film award. By winning major awards, such as those
previously mentioned, it caused HPPOA to be in a phenomenal
position for the expansion of the films publicity whilst
unintentionally assisting the marketers in more promoting for the
campaign.
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Finally, the HPPOA DVD was released in November 2004, initially six
months after the films release date. This aspect of post-release
marketing revamped the public awareness of Harry Potter grossing a
profit of $68.5 million in DVD and video advertising alone.
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Bibliography
N.p., 2015. Web. 29 Mar. 2015.
Bbfc.co.uk,. 'PG | British Board Of Film Classification'. N.p., 2015.
Web. 23 Mar. 2015.
Burton, Graeme. Media And Society: Critical Perspectives. 2nd ed.
Berkshire: Open University Press, 2010. Print.
Child, Ben. 'Children Vote Harry Potter And The Prisoner Of Azkaban
Best Film Of Decade'. the Guardian. N.p., 2011. Web. 29 Mar. 2015.
Docs.lib.purdue.edu,. N.p., 2015. Web. 23 Mar. 2015.
Gunelius, Susan M. Harry Potter. Mxico: Grupo Editorial Patria,
2009. Print.
IMDb,. 'Harry Potter And The Prisoner Of Azkaban (2004) - Parents
Guide'. N.p., 2015. Web. 23 Mar. 2015.
Journal.media-culture.org.au,. 'M/C Journal: "Harry Potter And The
Fan Fiction Phenomenon"'. N.p., 2015. Web. 23 Mar. 2015.
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