Knjizevno Delo Bore Stankovica I Vranje PDF

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26. 05. 2009.


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eisanu@ei.sanu.ac.rs

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LVI I (1)
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, 2007, 93, 136-137 ( ); ,
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2003, 145.
2
: , , , 1998, 304-305.
3

Novica Petkovi, Prvi moderan srpski roman, u: Borisav Stankovi, Neista krv, BIGZ,
Beograd 1990, 5.

Sophka (
, , 1932), .

52

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, , Dejvid Noris, Balkanski mit:


pitanja identiteta i modernosti, Geopoetika 2002, 151-163. [Dejvid Norris, In the Wake of the
Balkan myth: Qestions of Identity and Modernity, MacMillan, Basingstoke, 1999]
5
, , : , /
, , . I, , 1970, 64 ( 1956);
, , : , /
, , . I, , 1970, 39-50 (
1952).
6
Edvard W. Said, Orientalism, Penguin Books, London 2003 (First published by Routledge &
Kegan Paul Ltd 1978).
7
: . , . ., 314-315.

53

LVI I (1)
:
,8
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1996. 2001. (. . ,
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1900. .
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10
Mrk - ka, m. (ar.) 1. naslada, uivanje 2. strast, udnja, elja, volja za neim. Merklija, m.
(ar.-tur.) onaj koji voli uivanje i provod, koji zna i ume da uiva i da se provodi. Abdulah kalji
Turcizmi u srpskohrvatskom jeziku, Svjetlost, Sarajevo 1989, 458-459 (esto izdanje).
11
Svdh - ha, m. (ar.) ljubav, ljubavna enja, ljubavni zanos. Sevdlija, m. (ar.-tur.) onaj koji
je zaljubljen i uopte sklon ljubavnom zanosu. A. kalji, n. d., 561-562.

12

Riard Denkins, Etnicitet u novom kljuu: argumenti i ispitivanja, Biblioteka XX vek,


Beograd 2001, 97, 127, 285. [Richard Jenkins, Rethinking Ethnicity: Arguments and
Explorations, SAGE Publications, London 1997]
13
R. Denkins, n. d., 91, 291.

54

. , ...
( 1967, 1976. 23. ,
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, 1964.
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. , . ., 116.

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LVI I (1)
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268, 17. 2002, , . 4).
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Bkrija - e, m. (ar.), onaj koji rado pije i lumpuje, mangup, lola. A. kalji, n. d., 133.
, .
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LVI I (1)
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25

E. W. Said, n. d.

26

Milica Bakic-Hayden, Robert M. Hayden, Orientalist Variations on the Theme Balkans:


Symbolic Geography in Recent Yugoslav Cultural Politics, Slavic Review, Vol. 51/1, 1992, 1-15;
Milica Bakic-Hayden, Nesting Orientalisms: The Case of Former Yugoslavia, Slavic Review,
Vol. 54/4, 1995, 917-931; Stef Jansen, Svakodnevni orijentalizam: Doivljaj Balkana / Evrope
u Beogradu i Zagrebu, Filozofija i drutvo, Vol. XVIII, Beograd 2001, 33-71; Stef Jansen, Whos
Afraid of White Socks? Towards a critical understanding of post-Yugoslav urban self-perceptions,
Ethnologia Balkanica 9, 2005, 151-167; Stef Jansen, Antinacionalizam: etnografija otpora u
Beogradu i Zagrebu, Biblioteka XX vek, Beograd 2005; Marko ivkovi, Neto izmeu:
simbolika geografija Srbije, Filozofija i drutvo, Vol. XVIII, Beograd 2001, 73-110.
27
M. Baki-Hayden, R. M. Hayden, Orientalist Variations on the Theme Balkans..., 4.

58

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. M. ivkovi, n. d., 100.
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, 1981. , ( ,
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, 1981, 593), .
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LVI I (1)
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, , , . XLII, .1-4, 1933, 192.


Drt, m. (pers.) jad, briga, tuga, bol. Drtlija, m. (pers.-tur.) onaj koji je jadan, brian, tuan. A.
kalji, n. d., 213.
34
, , , . XLII, . 5-8, 1933, 457.
33

35
36

Maria Todorova, Imagining the Balkans, Oxford University Press, New York, Oxford 1997, 14.
, . ., 54-55.

60

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E. W. Said, n. d., 206-207.


, ( ), : , , , .
III, , 1970, 277-278 ( 1918).
39
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, . I, , 1970, 10-19 ( 1929).
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61

LVI I (1)
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44

Stef Jansen, The streets of Beograd: Urban space and protest identities in Serbia, Political
Geography 20/1, 2001, 35-55; S. Jansen, Svakodnevni orijentalizam...; S. Jansen, Whos Afraid of
White Socks?...; S. Jansen, Antinacionalizam... 109-167.

45

S. Jansen, Antinacionalizam... 111, 143-144.


Ibid, 125.
47
Ibid, 131-132, 144.
46

63

LVI I (1)
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Ibid, 109-167.
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50
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. Ranko Bugarski, Nova lica jezika, Biblioteka XX vek, Beograd 2002, 27-28.
51
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, 21, 2005, 222.
49

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52

Ranko Bugarski, Jezik od mira do rata, Sabrana dela, knj. 11, igoja tampa i Biblioteka XX
vek, Beograd 1997, 100 (tree izdanje).
53
. . , . ., 228.
54
: . , ..., 147. . , . .,
228.
55

Ivajlo Diev, Eros identiteta, u: Duan I. Bjeli, Obrad Savi (ur.): Balkan kao metafora:
izmeu globalizacije i fragmentacije, Beogradski krug, Beograd 2003, 279. [Ivaylo Ditchev, The
Eros of Identity, In: Duan I. Bjeli, Obrad Savi (eds.), Balkan as Metaphor, The MIT Press
Cambridge, Masschusetts & London, 235-250]
56
Harmluk, . (.-.) ensko odeljenje u muslimanskoj kui. Stare muslimanske kue imale
su harem ili haremluk, deo za enske lanove zajednice u koje strani mukarci nisu zalazili, i
selamluk, gde su primani gosti mukarci (A. kalji, . ., 315). ,
, ( 1765. ), .
.
.

65

LVI I (1)
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57

. Svetlana Boym, The Future of Nostalgia, Basic Book, New York 200, 67.

58

. I. Diev, n. d., 279-280.



: homas Hylland Eriksen, Ethnicity and nationalism, Pluto Press,
London 2002, 166-167 (second edition).
60
, , , 2008, 603.
59

66

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Whose is this song?



Whose is this song? ( ?),
(Adela Media Ltd., Periscope Productions V, 2003),
(, , ,
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Hidirellez (6. ) ,
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67

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Whose is this song?
63
.
.

62

Marija ukanovi, Kroz tursku narodnu poeziju, Filoloki fakultet, Beograd 1969, 60-61;
Aydin Oy, Une chanson populaire a la fois en turquie et en Yougoslavie,
34, , 181-188.
63
. . , . ., 229.

. ,
, : Pl Kolst, The Narcissism of Minor Differences Theory: Can it Explain
Ethnic Conflict?, Filozofija i drutvo 2, Beograd 2007, 153-171.

68

. , ...

Sanja Zlatanovi

Literary Work of Bora Stankovic and Vranje: Identity


Strategies, Discourse and Practices
Key words:
Bora Stankovic, Vranje, identification, selfidentification, categorization, identity construction, Orientalism, discourse, brand

Vranje is a town located in the southern Serbia. Until 1878 the town was
ruled by the Ottoman Turks. The period after 1878, at the crossroad of the centuries,
was described in the works of a literary writer, Bora Stankovic (1876, Vranje- 1927,
Belgrade). His opus describes many old forms of the town life that were replaced
with the new forms; in effect, as a writer, Stankovic provided an artistic transposition of reality and not the facts. Vranje is a town with rich layers of reality, but the
image of the town, both from the insiders but also the outsiders perspectives, is constantly being associated with only one period of the towns past- the one marked by
Orientalism, its symbols and motives originated in the works of Strankovic, and
whose meanings continue to be replicated even today. This paper discusses various
processes of interaction of inter- and intra- self-determination of the Vranjes identity, as well ad the Orientalistic discourse which characterize the whole process.
Vranjes identity construction is made of contradictory elements (both on the inner
and outer levels), mutually connected and determined.

69

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