2520168 Contre for Cultral Resources and Training (CRT) TSTY, SFE Canrie Fon CurruiaL Hesouices AND Home AboutCCRT'® Activities ¥ Audio Visual Production & Publication '¥ Resources ¥ Artiste’ Profiles Useful Links ~ ContactUs Regional Music BP erovese Retort Regoraiune 4, Dances of india = Braratnatyam Dance = kathakak Dance athe Dance = Maniput Dance Cultura tractions om varous regions of the country reflect the ren very of Regional Music of Ind. Fact resin = oftsi Dance has ts own perculr style = kuch pudl Dance vane pene ‘Teal and folk music snot taught nthe same way that Inéan classical mus is taught. Theres ne forma peri of opretcahip where tha student ls sble to devtu tele entire ie to leaning the music the economics of rural Me foes not perme tis sot of ting. The musical pracitioners must sil attend tothe normal duties & hunting, oreltre or whetaver thelr crasen profession = Mahinyattam Dance 2. Music of India a einsaanasscnsscal ose Maslin the vilages is lomt from chishood, the music ls heard and imbibed along with numerous puble actives 1 Rincustn! Cassa Mas that alow the wilgers co practce and hone thelr ts, + Regional Muse ‘The musi Is an indepansable componert of functions such as wedeings, engagements, and bichs. There is 2 {Masia Instruments Pleinora af Sones fo such occasions Thare are aso many songs aasocated wth panting and harvesting. In these Scat the vilogers routinely sg other hopes, feos and asprations. 3, Theatre Forms of Indie 4. Puppet Forms of Incia + Puppet Forms Music instruments are often ferent from those found in clascal musi. though instruments lke the tabla may sometimes be found is more likely ‘hat cucer crus suey as dat, chalak,oF nal ae Used The star and sarod wnlch ate so eammon i she dass gerre are asontIn the fk musi. One sften fas struments auch a6 the klar, der, rabob, an santur Coit aten they are ot called by these names, Bul may be named scearding to helt Toes sles, There ar leo nstrumente whch are uses only mn parcclr fll styles barca rasions These netniment are noumerable ‘The Instruments of classical muse are crafted by artisans whose only Job 6 the fabrication of rusia instruments In contrast the folk instruments are {Commonly crafted by the musidans themselves {es very common to fing folk instruments that have been feteeated of commonly availble materials. Skin, bamboo, esconut shells, nd sot ae but afew ‘commonly avatable materas used te mae musical instruments Rasiya Geet, Uttar Pradesh “he rch traction a singing Rasiya Geet Nourse in Bra} which isthe sacred lane of Lord Krishna's charming lees trom time Inmemenal. Ths rot confine te any parle festival, bute elosely wowen ino the very fai of dally Ue ond doy 0 day chores af ex poole. Rasiya’ wore serie from fhe wordasa (emotion) because riya means that whch Is flea WIEN rasa or emotion. i rfless the personaly of the singer as well asthe nature ct the sone. ankhida, Rajasthan ‘Sung by the peasants of Rajasthan while doing work nthe lls, the peasants sing and speak whi paying akoza and mana. The eral meaning of toe nord Panda's over Lotia, Rajasthan ‘Lota s sung inthe chara month during the festival - ‘Lei Wamen bring ltas (a vessel to fll water) and Kalas (a essa considered to be auspicious to fil water during worsip fled with water rom ponds ane well, They decorate trem with flowers and come her, andavani, Chhattisgarh In Pancavan, tele rom Mahabharta are sung a ullos and one or we epics sre chosen forthe night's performance. The ms ss throvahout tre perermance and win powerful singing a ‘Shakunakhar ~ Mangalgeet, Kumaon soger antinucusly ha Symbole gestures he assumes athe charactrs ofthe calssde ov ar anther Numbetess songs are sung on auspicious occasons inthe focthis of Himalaya, Salaakhar ae sung durin raligiousceremenias of baby-shower, chiseoeth, Chhat (2 lust cone on the sath dy fron the bith of © eld) Ganesh poo ete These songs se sung by only laces, without 2p In Shakunakar on each avsicos occasion prayer for good heath end lng ie 6 286. ‘snahuna de Satna de Kah yo Ae Nooko 50 Rangeolo ‘sarhamasa, Kumaon hntplecrndia gov inregienalmusic.pip 1“2520168 Contre for Cultral Resources and Training (CRT) “hs esianal musi tom Kumaon sdeserbing the twelve months af 2n year, each wlth Rs pede qualtes In ane ef the songs the Ghughati dea ‘ymbokze the onset of eho month. & gel inner lows poe Saks tier rot to speak because she dures with the memories oF her mother (9) Sang sne wtasing 220 Mando, Goa Goan regional musics a treasury ofthe tradianal musi of the Indan subcontinent. Mando, the finest creation of Goan song eo slow verse and refrain ompostion esing it love, trageey and bats Foca injstce ard poll restance during Porugvese presence Gos ‘Alva ‘ypcal bald of Bundelinané narrates the hero deeds of Alha and Udal the two wariorbrethers who served Raa Parml of Majba. This Is the most poplar rgional music of Bundsknand whic le popula eecwere in the county a wel ‘Alva stl of tales cf fual chivalry, whlch nave appl to common men. I highlights the hgh snipes of moralty, chivalry ane notity The history of Hor ts evolution and tedton i use ancient, Ie based onthe foe pranks of Radho-Keehna’ Ho ingng ie basically aescleted ‘ra) man Har Hert Machoy . ° " Social ceremonis have, at mes, served asa potent factr fer intermingling of diferent cukures. North Inga has a stong tation of singing Sohae song when m s05 born Tami This hes teen the mudi culture a= form of ‘Soha’ song gained corency In he ras far is nw in some regons of Ustar Pradesh. ‘sna songs unmistaxably set Za he mingling of two CuEUrs. Chakri, Kashmir CChhaet s 2 oup sone which is the most popular frm of Kashmir’ ok must It sung to the accompaniment ofthe moot (earthen pet) rabas, sarang and tumbaknari(an earthen pot with high nec. Laman, Himachal Pradesh _.laman a gup feng stanza and soup of ys ave ely nthe sng conte a ous Itaresing at the gs sgn Songs ae sung especally in Kulu Vay. . Kay sa fok song suna by women, for Uttar Pradesh and adjacent reson, during cay season. nthe third day inthe second haf af the ahaa, ‘women sing Kap songe al trou tne night, whe dancing in 9 seme qavewat ‘ngnaty, ovals were sung in aaise of Gad 0 tea Qowoal was bought fom Persie around thirteenth cantry ane Suts enlistees servees to sored ther essage Amir Khusro (1254-1325) 2 Suf and on innavetarcontsbuted (othe evlution of Qawwali tt 8 made of singing rather than 8 ‘orm eomgostion In performance Qawwallsresents a fascinating, Iterchanging use ofthe sls ana choral medals ‘Tappa, Punjab ‘Toppa is a frm of sem classical vocal music nspres bythe foe Songs of camel ses Inthe Punjab atea. Tapp ih Punjabi and Pashto language, etn rags generally used or the sem tassel forms. Ts characterize by jumpy and flashy tonal movervents with rhythrle and rand notes Powads, Maharashtra Powace lst traction flk art fromm Maharashtra, The word Powaca tse mesns the naraton of a ary nolaus terme". The narratives are mays odes m praae ot an tual hero or an cidnt or aca The cist narator ls known ae te Shahir who lays the Gf ta coep the myhn-The ome iss and controled bythe maln singer Wh Is suppored by others Inchon ‘The cates notable owas was the Aza Knanache Voc (The Kling af Aza Knan) (1659) by Agnldbs which recrced Shiva: encounter with al Kno ‘Taa)is celebrated with great involvement by women of Rajasthan Tiss 2 fastvalcekbrated on the third day after the naw moon or amavasya of paacock dance ete One oF the song . " . ‘Aakva Too) hay Re, Burrakatha is a highly drama form of babe, & bottle shapoe erum ‘Singers, lke stage actor, wear mace Up and @ Mahl siysed costume: ambura} is ployee by the main sevformer while recing a story. The ballad Bhakha, Jammy and Kashmir ‘he Baka frm of foe musics poplar a Jammu tepon. Bhaeha is sung by the wilagers when harvesting is done. I is considered Lo be the hnipdlccrindia gov inegenalmusic.pip2520168 Contre for Cultral Resources and Training (CRT) “The base of Shots 200g rote in supertitons. Some communities of Kerala do Bhuta rusk to send ay the evil ghost asp. Thi ual accompanied wth vigorous dancag andthe muse has pling and ware cxaracter Dsskatha isa form of ballad singing preven in Odsne, Daskathia 2 narve dered fom 2 unique musical instrument calle “Kath or ~ Ram Shu songs (ohu geet ae the most estinctve type of folksongs of Assam, bath fr thet Iterary content and for ther musial mode. Bh sort are blessings fr happy pew Year and the dances assocltad With an anclant fetly cul Its BU time when an ooporunty i ter for marageabe ‘Young men and woman to exchenge thelr felngs and evento choose ther partners. The Jyfulnass is refetes song ke ‘kr bor sangot Koo koo ky bale Sana Lamok, Manipur Manipur’ Fils and vally-both ae fond of music an¢ dance, Sara Lamok s surg at th tie of coronation caremony by the Maalba (pris). It may ‘ass be sung to welcome the Kn. Its sung to evoke Ene sprt of Pathangha, the presiding dey. There s 8 beef thet ths song potent WIEN magia! Songs of Lai Ha ba Festival, Manipur The meaning of Lal Marsa isthe fostwal of gods and geddoses, Ii performed forthe Umang-Lal (forest do and neipng Hirao 3 tual ong is sung onthe lst day of Lal araobe festival ) Ougr Hengen, song of creation ‘Salkut Zal (songs of Salkuti, Mizoram iz are tradtonaly known as 8 “sneing tribe’. The regional fk songs of Mzaram constitute the richest hertege of Mans Siku, @ pacts of izoram composed songs in orase of warmors, brave Munters, young men aspang £0 be great Warriors ang “Unters ete, i» (eonge of the Chai Dance), Mizoram As per Mizo custom during tre Chazcvar Kut festival nat only sinang, dance should also conte throughout the festval, Specalecrasen for ‘Singing and Gandng is called "ha 974 songs ore known ei ha (cha Sones) SBasanti/ Basant Geet, Garhwat Sosant or spring season is welcomes in 9 unique manner n Garhwal Lad eile with cere colorful fhwers, On BasentPoncrmi for esigns are mace nnn nee our an eee cts bunds re used to ut mprenors wen concur. Suge ae tea onthe Wee and ak songs se 59. Pat Hora ou 6 nay 1 Geet, Garmwal Young women of mountains have to go In far of forests to get grass fr 18° cattle. They goto the forest carcing and singing in groups. Alongwith enterainmen! empass ladon the importance of bout Inthe Grasiya Geet “Bai Te anwar ham Jnam © he. hojpurt songs portray a vel pletre of common fk. They give expresson tothe Ine-mos:fealings of simple hears. Vilage ls have thelr own nepal of ae, plas an corsets, The atoy of Shula Shes sung even ody — Non Shui gets the meting omar she dosen't know whether Shukre's would be wife wil even ge her rice Water or not. Shukra ceces to remain unmemed. villa Pattu, “Bow Song”, Tamil Naéu Instrument whichis bow Shaped, The songs ravolve acund theological thames and the canquest of good over evils emphasted “Ammanavan are songs sung n orase of Cla monarch Amana sa Wooden ball and the women fol Sng approarate songs whle saying the bal Ths game af Amana stl current mn Tana hnipdlccrindia gov inegenalmusic.pip