Ca
Darks
re
Cua
THEBROTHERS
JOHNSON?
Lightnin’ Lieks? while Louis! mestmeriz-
ing, slapping bass style won him the
nickname “Thunder Thumbs.”
‘The duo was mentored by musicicon
Quiney Jones, who produced thetr first
four albums, which yielded the
hits IM Be Goodto You, Strawberry
Letter 23, Stomp!, Get The Funk Out
‘Ma Face and Ain't We Puaskin’
Now. Tho brothers even appeared
‘on the Oct. 5, 1978 cover of Jit
magazine,
‘A new generation is being ex-
posed to their enduring music
every morning on the Steve Har-
‘vey Morning Show when Harvey
airs a relationship segment call-
ed, Strawberry Letter, with their
lassie love song playing at the
beginning. Other tunes they've
done have also been re-introduced
to the masses over the years,
Jones remade I'l Be Good to
You with Ray Charles and Chaka
1 utr Gore Lin "ohtson anéhisbah- Khan in 1989 on his Bact onthe
er. bassistLouis"Thunder Tubs” Johrson.arestowninthe Block album. Louis played bass
laip'70s as members ofthe funkduo The Brothers JOMNS9N. 6. tne song. On the same all
PM aan
music In the late 70s was never
'more funky than when played by sil~
lings George and Louis Johnson, better
‘known as The Brothers Johnson,
Goorge’s velvety voice and rapid gui-
tar playing earned him the nickname
[a
Jones also remade their 1976 instrumen-
tal Tomorrow(A Better You, A Better Me).
‘That remake was the debut song for
Tevin Campbell
‘The Brothers Johnson last album
together, Kickin’, was released in 1988,
‘So, where are they now’?
Both George, 65, and Louis, 58, haveretired from the musie industry, They pull in
hefty checks three to four times o year for the
catelog of songs that they wrote for themselves
d their work for others.
“Quiney protected us from jump street finan-
cially. When you're situated, you don't have to do
anything,” said George, the father of two who
lives in Los Angeles. “We're basi- pm George,
cally set forthe restof our ives.” who vesintor
a father of three who. AESes. 0%
Louis, «father of three who (ger a
makes his bome in Minneapolis, ow enjoying
added, He could have robbed The an extended
vecationin
Holland, are
ly fair, He told us about the busi- oth retived
Brothors Johnson, but he was total
ness and managed us, He taught
us how to manage ourselves:
Louis later co-wrote and play
‘ec1 m the following Michael Jac
n songs: Working Day
Nigit, Offthe Wall, She's Out of My
Life, I Can’t Help It, Wanna Be
Seartin’ Somethie’, The Girlls Min
Billie Jean, P,¥.L.,and The Lady In
My Life. He also co-wrote and
played on the songs: Silly Love
Songs (Paul MeCartney), We Are
‘The World (USA for Afrien) and 1
Keep Forgettin’ (Michael McDonald), to name a few other
catalog,
“L knew the time limit on your suecess in this business. So I wanted to be a total
musician and play with everybody and their momma!” said Louis, who also makes
guitars and basses and has instruetional tapes on how to play,
Both brothers got their start playing with Billy Preston and performed on his
assie Will Jt Go Round In Cireles.
‘They are pleased that their work has stood the test of time
“A lot ofour music went down as classic hits,” said George
‘any of our songs and the music will hold up even today. When people sample it,
‘sa tribute to us.” 0
‘You canlisten to