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The Photograph, Luis Camnitzer, 1981
http://beautifuldecay.com/wp-content/uploads/2013/10/Luis-Camnitzer-The-Photograph.jpg


1:
Mueller-Pohle, Digital Scores I (after Nicphore Nipce), 1995
http://www.muellerpohle.net/typo3temp/pics/3c9f62bb2e.jpg


2:
Transparent DIY Konstructor
http://petapixel.com/assets/uploads/2013/11/transparentcam5.jpg


3:
Transparent Nikon D80
http://fareastgizmos.com/wp-content/uploads/2006/09/nikon09l.jpg


4:
Descriptive Camera () ()
http://www.wickedweb.co.uk/media/13/2813-descriptive-camera.jpg


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http://www.womenareheroes-paris.net/wp-content/uploads/2009/09/audioguidepage2.jpg

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. 1: Mueller-Pohle, Digital Scores I (after Nicphore Nipce), 1995
http://www.muellerpohle.net/typo3temp/pics/3c9f62bb2e.jpg

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Amelunxen, H., Iglhaut, S. & Rotzer, F. () (1996). Photography after Photography.
Memory and Representation in the Digital Age. : Overseas Publishers Association.
20/2/2016 http://www.muellerpohle.net/texts/essays/analogdigitalprojective.html

, . () (1996). 96. : Camera Obscura.


Calum Sutton (2008). Press Release: 28 millimetres: WOMEN at Lazarides gallery.

18/4/2010 http://www.lazinc.com/content//pdf/press-release-jr-28-millimetre-women.pdf

Debord, G. (1986). . : .

Dorresteijn, M. (2012). The Status of the Photographic Image in Post Media Cultural Production.
New Media / Masters Thesis. : University of Amsterdam.
2/3/16 http://michaeldiehard.com/wp-content/uploads/2012/08/martijndorresteijn_MAthesis.pdf

Gadella, R. () (1997). Paris Photo 1997. : I.P.M.


20/2/2016 http://www.muellerpohle.net/texts/essays/ampthephotographicdimension.html

, . (2005).
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, (18-19.03.05).
20/1/2015 http://constructing-public-sphere.blogspot.com/2007/12/blog-post.html

Lister, M. (2007). .
: Wells, L. (). . 301-339. : .

, .-. (1997). . 95-102 ,


27, - 1997.
24/1/2010 http://www.u-topia.gr/system/files/articles/utopia-27-95.pdf

Rancire, J. (2008). . : &


. . 85-100. : .

Richardson, M. (2012). Descriptive camera.


14/1/2016 http://mattrichardson.com/Descriptive-Camera/

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