| 2635p FO—APYT Close-up HOAAODSU TOM FmOBRVATL A System for Generating Origami Pieces with Small Number of Folds Het Tsuruta Naoya CUENPE Temi BLISS LS24A Hojyo Takashi errr S7 ORR MAMSABIY NY ys ie Information about the 7th Origami Tanteidan Nagoya Convention Tokyo-SeoulayNyyYsyLikK—-b Tokyo-Seoul Convention Report ae =Sa NATAL (JOAS) D Fike ‘The Purpose of Japan Origami Academie Society BR 2mC 8H a 3 Japan Origami Academic So 3. AROMA. JOAS & SOB 1. KB HV ROBMAREH MORRO, LSI, Z ADH VRLPKE ODAO BEE AWE TS. 2. BRONCOS WRE 2. HOMO HUMANE ERMORR, | UF «PR, BOPUA, AHR, EL - BTN, TMMRONR, Te RRS T ALORS ERAT S. 3. KAORI MOBRE 2, HVRONSOBMAOD LES, HORRTEROEAS 1, HURTS HORMCERS ERTS. iabm es Chapter 1: Name and Purpose Article 1: Name 1. This society is to be called Nihon Origami Gakkai in Japanese, 2. This society isto be called Japan Origami Academic Society in English. 3, The abbreviated name of this society is JOAS. Article 2: Purpose 1 The purpose of JOAS is to promote studies of origami, diffusion of origami, and both domestic and international association of all origami-lovers, 2.The studies of origami mentioned above includes designing, designing techniques, criticism, mathematical studies, educational studies, history, bibliography, studies of the intellectual property rights, studies of industrial and commercial design, and so on. 3. The diffusion of origami mentioned above includes widening appreciation of origami, expansion of the community of origami-lovers. scouting and rearing the origami talent, and gy = Q iF HOWRAS svsors ror rowoine aa se =a BOS aioe way 48 PMCS Line inosine Line Indestins etd paper Fold paper valet runs oe ferwarae bookends -O~« => GS =_ RET slewt Bons BexeCeS RAtL umpanerover Palo! 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BUSEELS 24A Small Castle 248 ARSE Hojyo Tekasht ee | ee P.20 UAE -Pabh¥rSU— Grigami Photo Gallery PAB bE comments Hao tah P4 2 Exploring into Modular Models DaIEIAK - HUDIESIE- BAFOVA Fish Globe, Bird Cage, Fish Masu Box Ps SOMERS ace ‘Origami Odds and Ends —— INAERDR Hibiscus P14 Tokyo-Seoul IUAYYayLm—b ‘Tokyo-Seoul Convention Report ON-b 529, FLY F 4 ROY PIG He BOA DS Ea From the Bookshelves of the JOAS Library menos [ORD SOARES Origami Masterpiece Collection in the Work pis Sree aReS Meguro Toshiyuki A.Long Excursus on Crease Lines REBROOTI ID Tips for Challenging Crease-Patterned Models P35 X—)\—I24)L9—OBER Paper Folders on File BAEA BOPCST WEE Obituary: Takagi Satoshi PT $OMORD Origami and Its Neighbors P32 BOTE Orisuzi I-Creases") P33 SRP Origami-Zanmai (This Origami and That) P36 DEIN Rabbit car 7 BMS RIYA yay eS Information about the 7th Origami Tanteidan Nagoya ConventionDoo A 3 Fish Globe 4 Wagon 129 5 2001 VAFOBAWETOERAY ADU RCT EVERIO TID BINTE ROTI MIMSBDEEATL ic» BtRAKIC, "fish globe, ts, BR HREOTETH SARORE iT EATEETS oT A RHSVST fpKs St Bird Cage4 ZOR—Vis, BARC. 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So when we were both invited as the "Yohino Issei Fund invited guests” for this year’s Tanteidan convention, | felt very honored and also excited to see Roman again | arrived the Monday before the convention, and Mr. Yamaguel picked me up from the airport and we spent three days in Shizuoka where he hzas his family home, He and his wife were very hospitable, and even took me sightseeing to Mount Fuji and the surrounding area. On Thursday we left for Tokyo. I had been to the gallery at Origami House once before and couldn't wait to see the gallery again, Currently there are many Joisel models on display, each one just as incredible as the next. The gallery is also home to a multitude of other extraordinary designs, too ‘many to mention. Satoshi Kamiya and Kyohei Katsuta work full-time at the gallery, and it was a pleasure to meet them. The Tanteidan convention started on Saturday morning. Due to the disastrous tsunami that struck Japan earlier in the year, the usual location for the convention was unavailable due to planned power-outages. So this year, the convention was held in a different location, which meant it was smaller than previous conventions and fewer onvention Report Quentin Trollip people could attend (about 250 to 300), ‘The display area was also apparently smaller, but still very impressive! The display by the foreigners included some new bird designs by Roman that are simpler in design but uses genial color- changes very effectively. Robert had some of his new hex-pleated models, like his Fantastic Brown Widow and a brand new frog design. Apparently he had to go to the extremes and come up with a hex-pleated frog so other people couldn't come up with the (exact) same design! Jason displayed his awesome Nazgul (it will be diagrammed in the upcoming JOAS magazine). I showed some of my closed-back animal experiments, and Brian Chan had his brilliant new Kendo-warrior and some new inseets, He also showed a foldable steel sword blade designed and made by him with some interesting locking mechanisms. Sitting in the auditorium room awaiting the opening ceremony, I fet like being in the audience at the Oscars. There were so many of my origami idols present, all under one roof! There was Dr. Lang, Mr. Yamaguehi-san, Mr. Nishikawa-san, Mr. Maekawa-san, Mr. Kawahata-san, Mr, Kawasaki- san, Mr, Takashi-san and also some of the newer generation masters, like ‘Tomohiro Tachi, Kamiya Satoshi, Brian Chan, Jason Ku, Roman Diaz, Kyohei Katsuta, Miyuki Kawamura, Naoto Horiguchi and many others, I also met other foreigners. Saturday night was the reception party: delicious Italian food, beer and wine, We all won presents playing Bingo, but some presents were better than others, Elsa won a Canon digital photo printer, Robert won a water ‘gun, Afterwards a few of us wanted to keep the celebrations going and ended up in a Denny’s. As in the American franchise Denny's. The problem is that most of the Japanese places are a bit small and also crowded, so fiting many ee 10 8 21 of us into the same restaurant or bar was always a challenge. So Denny's it was, While there, Karen Ball drew a frog with an umbrella on her napkin, and it quickly became the theme for an impromptu design challenge. It was really entertaining to see Jason and Satoshi speed-designing, but the verdict is still out as to who actually won the challenge... where was Brian Chan, by the way? At the end of the day we had to say goodbye to some old friends and also some newly-made friends, making hopeful promises to get together again sometime sooner rather than later. Monday moming we visited a beautiful den and the cicadas’ screeching was deafening. What a huge sound for such a small creature! We also saw some beautiful Koi-fish and Roman immediately identified them as the “scaled version’. Monday evening we went for the best sushi I have ever had. One of the chefs is one of Robert's test-folders and has some models on display in the restaurant, like a wall-hung Cuckoo Clock and a Roosevelt Elk (which is diagrammed in ODS 2), Sadly, this was our lastnight of sushi, shochu, sake and kirin beer. They will be greatly missed, ‘On Tuesday we all took the 2 hour flight over to Seoul from the fairly new Haneda airport.“Seoul-Korean Convention Report t, 2011, | was invited as the special guest of the 2nd Korean Origami Association convention, in Seoul, Korea. I have never been to Korea, and had heard and seen signs of some very high-level origami coming out of Korea, so naturally, I leaped at the chance. The Korean convention was scheduled the weekend after the JOAS convention, which made it convenient to attend both, and so I was part of substantial delegation of foreign folders who went to both conventions. Our group included several people from OrigamiUSA; the two guests from the JOAS convention, Quentin Trollip (Canada) and Roman Diaz (Uniguay); and several folks from JOAS, with Mr. Yamaguchi taking the role of semi-official leader of the foreign delegation. (Mr. Yamaguchi had acted a iermediary in arranging my own invitation to Korea, so let me take this opportunity to thank him for making these arrangements, for organizing the foreigners in Seoul, and for hosting me at his house in Tokyo the week before.) We arrived a few days before the convention, spending the first day by visiting several paper stores in Seoul The second day was a day-long tour organized by the KOA hosts, visit trade museum devoted to the traditional q a chance to form a small sheet of hanji Which we kept as souvenirs, and the Hanok Paper Village, a historic town of Korean paper, hanji, where we all Robert J. Lang ld buildings and interesting shops. We also visited a traditional paper-making operation, where they pulled sheets by hand using the multiple-dip process The main event of the trip was, of course, the convention itself. The Korean convention is small, but growing; they said the altendance was roughly double the previous year, and appeared to be about 100 people or so. There were 4 or 5 classes taught in parallel at any given time, I gave a plenary lecture on the topic of design, ‘which was simultaneously translated as I gave it, and also taught a class (which was also translated) There was also a good-sized exhibition, which had several tables of display, some from the visitors, most from the local Koreans. The Korean folding was at a very high level, and contained a mix of folding of others’ designs and original works. Dragons were an especially popular subject. There were several beautiful works by Seo Won Seon, known as redpaper (see http://www flickr. com/photos origamist), including a majestic eagle (photo) and a series of detailed cranes in various stages of landing, Jang Yong Tk, another folder, had a great many designs, include the obligatory dragon, but also numerous human-made objects: several telescopes, umbrella and boots, and a clever cigarette lighter sagen 120 5 2011 One of the things I enjoy about attending foreign conventions is getting to know the people: in some ways, people are the same all over, but they all have their distinct culture. { found the Koreans to be very warm, outgoing, demonstrative, and friendly. I felt like I’d made several instant friends, and look forward to a future return.