Professional Documents
Culture Documents
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ACCESS ro roots & IDEAS
THIS M«»fclH W « I L » by TOM TOMORROW
GOOD EVENING " I ' M TED FOR YEARS, AAANY OF YoU •Wc. FBBPLE OF MY RACE
KOPPEL-- HAVE NcmCEO 5cW\ErriiN6' MUST LIVE IN A SYMBldT-
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KOPPEl'5 A^yl/y?/ MUCH SPECUtAfiON. IS IT SURVIVE! I HAVE BEEN A»4
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NO MIRRORS )N HIS HOME? YOUR RACE, AND AFTER
MANY YEAJ?S,T: HAVE DE-
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OF MY PEOPLE M E ON THE»K heh >itfA-l5fHAT MOST fERRlBLE NIGItT-
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H A R M U i S f o T r i E riOCT-
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P»IU>50PHy, 5CIENCE ANO
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FAAAIN^, WAR AND DI^EA^E
DM VOL^R P t A N f n
THE GLOBAL CoNNtCTiON
As if in pain, the helicopter's jet turbine
engine screeched sharply, groaned o^:."?, '•.'i'.'
INSIDE NuLTiMEDiA GRANDMA
For my great-grandmother, the matriarch of
a large family, personal storytelling was an
effective and accessible tool for
died. Now, silhouetted against
the Himalayas, the quiet heli- cultural transmission. As the
copter began to spiral slowSy SNAKE TALK oldest daughter of her oldest
toward the ground. The pas- daughter's oldest daughter, I
Compare and contrast; History of People History of Man. Man Invents
sengers, a group of United Na- have tried to combine the
the Wheel. People Invent the Wheel. Man's Search for Meaning. People's
tions doctors, looked around records of my great-grand-
Search for Meaning. The troubie with Man is not just that he's a man,
furtively as the pilot, his jaw mother's oral storytelling with
but that there's only one of him. One tail, clear-eyed, well-hung, jut-jawed
clenched, maneuvered the par- new tools, such as interactive
male striding through the ages toward a goal both logical and grand. The
alyzed bird dowo in tight video, now that the family has
History of People sounds messy and casuai and it was.
circles. dispersed to various cities,
Maybe inspiration means something that helps you breathe, something become increasingly secular,
After a silent eternity, the pilot that gives you room to breathe in deep. —p. 76 and turned its media-savvy at-
brought the craft down just
tention to television and com-
outside of Biratnagar in the
puters. ~p. S4
remote terrain of Nepal.
time to time. Buttons was receiving political action, sway public opinion and guide policy-making. I think that is a power that a great
—p. I l l
WVHOLE EARTHI No. 71 Summer 1991
^<t^^)''»'^°
ffil-*B^*V^^
ELECTRONIC DEMOCRACY
, ^,«,4f-'*
MYTHS AND
DREAMS
Copyright © 1991 by POINT. All rights reserved. Subscription circulation: 24,545. Newsstand circulation: 15,375. POSTMASTER: Send address changes to Whole farth Review,
P O. Box 38. Sausalito, CA 94966.
LAND AND PLACE 39 Environmental Vacations 115 The Guide To The U.S. Organic
• Willing Workers On Organic Farms Foods Production Act Of 1990
75 Declaration O n Soil Ivan lllich 75 BackHome !I6 Second Nature • Antique Flowers:
94 Making Sense John Townsend 79 In Praise Of Nature Perennials • The Gourd
• Wetland Creation And Preservation I!7 The Pacific Horticulture Book Of
82 Amazonia Western Gardening • Growing Native
83 Cornucopia 131 Fighting Toxics • When Nature Heals
• Saving Our Ancient Forests • Weeds: Controls Without Poisons
. :=.< 102 The Great Good Place 132 Earthpost • Better Trout Habitat
•Y t .t%
^:^r
*},-,
• The Lincoln Highway • Green Brigades Ecologists Paper
• ^ -
103 City Of Quartz
WOMEN'S WISDOM
76 Snake Talk Anne Herbert
80 Botanical Preservation Corps Meets Ecuadorian Shaman Woman 51 Altered Loves
Robert Montgomery 90 Reusable Cloth Menstrual Pads
84 The Sabbath O f Women Lara Owen 91 The Menstrual Health Foundation
90 H o w To Make A Cloth Maxi-Pad Sue Smith-Heavenrich 92 Blood Magic • The Wise Wound
SOFT TECH 39 Sports 'N Spokes 110 Structures • What It Feels Like
43 The Cooper And His Trade • Tiles To Be A Building
108 The Fuel-Efficient Sudanese For A Beautiful Home • Making And 11 i Universal Patterns
Cookstove George Wirt Playing Musical Instruments • Spectacular Vernacular
114 Farm Tools For Efficiency 109 Negawatts/Water Efficiency 127 Music Animation Machine
Richard Nllsen For Your Home • Rising Sun Sampler
LEARNING 31 CMim
93 Wonderful Life • A Synopsis And
111 Acupuncture For Pets Classification Of Living Organisms
Jeanne Miriam Breen 118 The Playroom • Kid Pix 133 Backscatter
\ &.£. Artificial Life Survey • MacRecorder 134 Corrections
Steven Levy 119 Amazing Models! 135 Post Host-ies
!20 The Kid's Guide To Social Action 136 Masthead • Gossip
" Activity Resources Company 137 Point Foundation Report: 1990
COVERS 121 HowTo Make Big Money Mowing Small 139 1990 Provisional Income Statement
Lawns • Parenting From The Heart 140 Just Asking • Back Issues
Brad Hamann is a Brooklyn-based freelance
141 Unclassifieds
Illustrator and a subscriber since Issue 20 of
143 Subscribe!
CoEvolution Quarterly, vray back in the winter
of 1978. He says, "Frankly, it's helped me get CANCER 144 Reader Services • How To Order
From Whole Earth Access
through permanent residence in NYC a number
128 Cancer And Hope • Coping With 145 Keep Whole Earth Alive!
of times." Look for further examples of his
Chemotherapy • Triumph • Thank You
work in the Electronic Democracy section of
® Beauty And Cancer
this issue, or go back to "Garbage In Mind"
129 Vitamins Against Cancer
in our last issue.
• Winning The Chemo Battle
Tom Erikson (back cover) specializes in photo- • My ABC Book Of Cancer
graphing performers at work; he has frequent 130 Childhood Cancer Bibliography
exhibitions in bohemian San Francisco cafes
and bars. —Jonathan Evelegh
HE FOLLOWING ARTICLES are about power -~
bow to gain it, influence it, and exercise it in
a modern democratic society. Big government,
big business, big politics already know how to
A popular government without use telecommunication technologies to amplify
popular information, or the their effectiveness. The cost of access to these-
means of acquiring it, is but a technologies is no longer an insurmountable
prologue to a farce or a tragedy, barrier to citizens, but the arcane knowledge of
jjLperbaps both. Knowledge how to use these tools to provide leverage for
will forever govern ignorance, community organizing activities remains an
and a people who mean to be obstacle. The purpose of this article, and those
their own governors must arm that follow it, is to help demystify electronic
themselves with the power mail, computer bulletin-board systems, com-
which knowledge gives. puter conferencing, and other tools that can
Hames Madison help citizens gain some of the communication
and persuasion power that has heretofore been
limited to large institutions. —HR
W
commands through the telecommunication Electronic Mail
network to a remote service such as a com-
puterized bulletin board system (BBS), HEN YOU SIGN UP for an elec-
electronic mail service, or conferencing tronic mail service, what 5rou get when
system. Very inexpensive (or even free) you pay your entrance fee and/or fill out
forms of telecommunication software, your registration is a user identification
known as "shareware," are available; this (often called a "usemame" or "userid"), a
inexpensive or free software is often re- password, an account, and an electronic
markably useful, especially for getting mailbox. The password is a combination of
started. For less than $100, very sophisti- letters, numbers, and punctuation marks
cated commercial telecommunication soft- known only to you and to the service pro-
ware is available. vider. Your username is known to every
When you have your hardware and software other person who has access to the ser-
working, you need to know the telephone vice, and is the "address" that others use
numbers of services that can connect you to contact you; conversely, when you want
with other people. The cheapest way to " I think that Benjamin to contact others, you look in an online
start is by using local BBSs, most of which directory and send e-mail to the appro-
are free. You can look in the classified ad- Franklin would have priate username. My usemame on MCI
vertising section of any controUed-circuIa- Mail, for example, is "hrheingold." So
tion computer newspaper and find lists of been the first owner when you create a message on MCI Mail,
dozens, if not hundreds, of such "boards." and want to send it to me, you type "h-
Almost every BBS has an online hst of of a microcomputer. I rheingold" on the subject line. My pass-
other BBSs. You can perfect your online word is a nonsense word that you wouldn't
think that the Declara- guess unless I told you. Because you are
skills, meet people, gain information, at
very little cost. If you want to send elec- the only person who knows your password,
tion of Independence you are the only person who uses your ac-
tronic mail to a large number of people in
a larger geographical area, you will need a count, so you are responsible for paying
would have been writ-
subscription to MCI Mail, CompuServe, the charges that accrue due to the number
PeaceNet, EcoNet, the WELL, or other ten on a word processor. of messages or the amount of online time
computer conferencing or e-mail (elec- used by that account.
tronic mail) systems that interconnect with And ! think that Tom
other networks. Because my electronic When you want to check your e-mail or
home, the WELL, has connections with Paine would have made send e-mail, you use your telecommunica-
Internet systems, as well as MCI and Com- tion software to dial the number provided
puServe, I can reach and be reached by Common Sense avail- by the service. When your modem con-
millions of people worldwide. Costs for nects with one of the service's modems,
able on an electronic you see a "prompt" on your computer
each of these systems vary (see the access
information at the end of this article). screen that asks you to enter your user-
bulletin board." name. After you type your username on
The missing element is support. Once you your computer keyboard, you are prompted
have your technology working and your to enter your password. The service's com-
service subscription, you need to figure puter checks your username against the
out how to use it effectively. Fortunately, password, and if they match, you are per-
every system worth its salt offers online mitted to send and receive electronic mail.
support and telephone numbers for access If there is mail waiting for you, a message
to people who can talk you through the usually appears on your screen.
procedures. Indeed, figuring out how to An electronic mailbox is a portion of the
use telecommunication technology by service's computer memory that is dedi-
questioning knowledgeable people is one cated to your use. If somebody sends you
of the best uses of telecommunication e-mail, their message will be stored there
technology (see the article about Com- until you read it. If you check your e-mail
puMentor on page 14). a few minutes after the message is sent to
Until you spend some time exploring these you, it is available. If you check your e-mail
new communication media, terms can be a few weeks or months after it is sent to
confusing. The following sections explain you, it is available. When you read your e-
how electronic mail, BBSs, and conferenc- mail, you can print it on your desktop
ing systems work, and briefly outline the printer, store it in the service's longterm
advantages to using these media. storage (which is different from your e-
mailbox), store it as a computer file on
your desktop computer, and/or reply. ••
A BULLETIN-BOARD SYSTEM is
a large (or small) computer, with one or
more modems and telephone lines con-
Electronic Bulletin-
Board Systems
and the "town" can consist of a small city,
a state, or an entire country. The topic-
oriented structure of a BBS system, the
capability of "branching" discussions
when they begin to drift from the original
nected to it, and software that allows peo- topic, the capability of using both public
ple with computers and modems to call and private messages to build communities,
and leave messages. As with electronic the capability of "downloading" software
(including software to run your own BBS
mail services, you can send and receive
— a self-propagating characteristic of this
e-mail on almost every BBS system. Unlike
medium), the fact that communication style
services that are devoted strictly to deliver-
rather than physical appearance counts,
ing e-mail, a BBS is literally an electronic
A
Computer Conferencing conferencing system that includes a broad
base of members with a wide variety of ex-
, COMPUTER CONFERENCING pertise is a "living database" in which
system is a more capable and powerful ver- everyone can serve as a librarian and con-
sion of a BBS, but the principles are very sultant for everyone else.
similar. The central computer for a con-
The combination of time- and distance-
ferencing system is more powerful, and the
independence, many-to-many capabilities,
software it uses more sophisticated, than
and topic orientation makes computer con-
the kind used by most BBS systems, and it
ferencing attractive as a medium for con-
is usually capable of communicating with
ducting ongoing or time-limited "electronic
several (or several hundred) telephone lines
meetings" (see the article on page 18
at the same time. The central computer
about an international health-care organ-
stores, structures, and displays public
ization that has been using computer con-
discourse and handles private electronic
ferencing for this purpose since 1983).
mail among gr-oups of people that number
Meetings are the bane of most organizations
from a few hundred to several hundred
— think of the time and effort required to
thousand. The WELL, for example, has
get a group of people in the same place at
about 5,000 members, and there are usually
RBBS-PC M E S S A G E S Y S T E M I
C 0 M M U M I C A T I O N S -— -— UTILITIES — — ELSEWHERE —
PERSONAL MAIL SYSTEM COMMANDS
[Ejnter a Message [ A j n s w e r Q u e s t i o n s [ H j e l p [D|cors Subsystem
[K]ill a Message [Bjuiletins [Jjoin Conferences [F]lies Subsystem
[P]ersonai Mail [C] oiranenc [V]iew Conferences [G]oodbye
[R]ead Messages [I]nitiai Welcome [Xjpert^ on/off [Qjuit to other
The Complete Electronic
[S]can Messages [Olperator Page [?]List Funccions Subsystems
[Tjopic of Msgs [UJtiiities Sub-
i u l i e t i n Board Starter Kit
[W]ho e l s e is an
Charles Bowen ond
system
David Peyton, 1989; 436 pp.
[@]Library
Downloads $ 3 9 . 9 S ($42.45 postpaid) from Ban-
J tam Books/Direct Sales, 414 E. Golf Road,
Des Piaines, IL 60016; 800/223-6834
By now, we know this old boy quite weil. The sljiadard menu, the one saved on your disk (or Whole Earth Access)
as MENU2, is used on RBBS-PC installations throughout the world.
interested. If your board is devoted to a ized publication. Many small communities feature be delayed until he or she has
specific hobby or profession, perhaps a still don't know about BBSes and the crea- seen it do its stuff. You'll probably have a
mogazine covering the same subject might tion of one in the area might be judged better chance of selling this story to a
print a notice. Even though BBSes have newsworthy by a local newspaper. If you general-readership newspaper if you are
been around for a while, they are a new believe your board is the first for your using the board for some purpose that's
concept to many people, especially non- town, contact an editor at your local news- easy for readers to grasp. In other words,
computerists. As a result, these same mag- paper to report what you have and what look for the editor to say " n o thanks" if
azines might even be interested in writing it does. Be patient; it may take some ex- you say your system is devoted exclusively
a feature story about your system if you planation about the nature of computer to the Pascal progamming language or
sell the editors on the idea that this is communications. Invite a reporter over to some other topic that's easily judged
something unique for their readers. see the board in operation and suggest to be of limited interest.
that the decision on whether to write a
And you might not have to go to a special-
Information
Technologies a n d
Social Transformation Push o? S«chfto(ogy
« AM teastbta innovations
John Maya's essay on infotech trends « Umits oH technotogy
and the physical limits that constrain
them, and Anne Branscomb's on property
rights in information, are two of the best
overviews available on these important
subjects. Also includes fine chapters on
infotech in the home, the future of social
hierarchies, and computers in business.
—Robert f-lorvitz
• • RftD prowMS
• RAD m«nag«m«nt
That you o r I can o w n a fact or an Idea, • Public receptivity • Emb»d(Jail bss«
• Regulation and lagisletiox * Natural aequancing
• Standards
The f l o w of onnovcffions i
that a message of any kind belongs to a The researcher couid not own the facts
person or a corporation or a government, and ideas that she or he strung together
is (for reasons already cited from Colin for your use, and neither can you, even
Cherry's work) rather a peculiar notion to if you use them as your own.
begin with. The person from whom you a
got the message did not lose it; ony right
It is a characteristic of our evolving
you acquire by receiving it is at best shared
civilization that we are developing an in-
with the sender, the carrier, and often a
creasing respect for the individuality and
good many other nosy people who ore
privacy of every human being in addition
privy to it. Even if you paid to get the
i n f o r m a t i o n Technologies message (if, for example, it was a piece o f .
to a recognition of proprietary rights in
a n d Social Transformation real estate and other material possessions.
research you hired someone to do), or if
Therefore, it follows logically that we will
Bruce R. Guiie, Editor. 1985; 173 pp. someone paid to get it to you (a friend
also evolve a body of law to protect infor-
$ 1 4 . 9 5 ($17.95 postpaid) from National who sent you a cable, a company that sent
mation about ourselves as well as informa-
Academy Press, 2101 Constitution Avenue you a commercial), it was the assembly or
tion concerning our corporate enterprises
NW/P. O. Box 285, Washington, DC delivery service, not the information con-
and public institutions.
20055; 202/334-3313 tained in the message, that was paid for.
Accofding to Daniel Ben-Horin, founder of CompuMentor, "Nonprofits do the I had recently spent more than four years
as ad director of Media Alliance of San
work that keeps society going. They take care of problems and aspirations that Francisco, where I had started a technical
assistance facility called Computer Alli-
can't be reduced to profit-making equations, everything from the arts to taking ance. Computer Alliance offered training
to nonprofit groups and individuals who
care of the homeless." Nonprofits usually are underfunded and understaffed, traveled to Fort Mason in San Francisco for
instruction. From various conversations
however, and most nonprofit workers are so busy doing their community work with nonprofit organizations, as well as
my own experience as a fledgling com-
that they rarely have time to learn how to use computers to enhance their puterist, I knew how easy it is to take a
great class and then forget a crucial part
effectiveness. - of the lesson on the drive home.
My own learning had really commenced
Five years ago, I watched the seed of a solution to both these problems germinate when my next-door neighbor expressed a
willingness to help me whenever I needed
on the WELL when Ben-Horin started the nonprofits conference. Today, Compu- him. And I needed him frequently. Now,
here on the WELL was a whole community
Mentor is branching out into a nationwide network. On the WELL, you can find of helpful electronic next-door neighbors.
Of course, few nonprofit organizations are
out how to take advantage of this resource by typing g non at the Ok prompt.
on line with their personal computers.
Was there a way to connect the online
Daniel Ben-Horin can be reached via electronic mail at dbh@well.sf.ca.us; Com-
computer guides with the nonprofit or-
ganizations that needed guidance? I sent
puMentor can be reached via telephone at 415/512-7784, via fax at 415/512-9629,
a flier ("Do you need computer help?") to
30 nonprofit organizations, 18 of which
or via "snailmail" at 89 Stillman Street, San Francisco, CA 94107. A version of
responded, "You betcha and how." Then,
on the WELL, I started asking folks if they
this article appeared in the San Jose Mercury News. —Howard Rheingold
wanted to adopt a nonprofit organization.
A dozen folks said they were willing to
visit nonprofit organizations as computer
had to set up a waiting list. We've devel- Girls enjoy using com-
oped a "phone bank" that serves as an ad- puters at the Boys and
junct to on-site visits and helps dissolve Girls Club of the Penin-
sula, where mentor Ed so proud of her because she no longer
the waiting list. has any fear.''
Williams showed them
What kind of nonprofit organizations use how much fim using California Rural Legal Assistance in Sacra-
CompuMentor and what do they use us for? computers can be. mento needed to transfer data from an old-
style CP/M system to a new Mac. The group
had no success until a CompuMentor vol-
unteer stepped in. The mentor turned the
What kind of non-
I U S T A B O U T e , . ^ . o ^ . u . t , ,„ . W . c . . „ . . • „ „ o n . , » . p . , o „ „
I program o r service. !t couid be a schooi program, o r a housing effort,
J o r job-related, o r environmental — something homegrown w i t h a spe-
cial twist. These programs w o r k , and they couid w o r k elsewhere. The
SouRCis OF problem is that their creators have no incentive t o e x p o r t them, and
wouldn't k n o w how even if they had. So many good community-action
COMHUNITY-AcriOII ideas stay shuttered up; eventually, they wither away.
But recently some collectors (mostiy ical references that lie beyond standard
organizations) have seen the value of psychology journals and databases.
assembling these programs under one • Finally, they can open you up to the
by Bin Berkowitz - , - roof. They have started clearinghouses range of community models already in
and marketplaces for new community place, releasing new creativity and en-
ideas. ergy for addressing local concerns. It can
Bill Berkowitz is a professional community
How can these sources serve your be revitalizing to learn what others have
psychologist. He is the author of Local
needs? Here are some possibilities: accomplished, particularly since many
Heroes (Lexington Books, 1987), Com-
of the actors here are nonprofessionals.
munity Dreams (Impact Publishing Co., * They can help you find a program or
1984), and Community impact (Schenk- service idea in a given field that you can Two more brief points:
man Publishing Co., 1982), a textbook implement or modify back home, or
* it's best to telephone for up-to-date
on community organization. bring to the attention of others.
information.
This article originally appeared in The ® They can give you names and addresses
® Costs of the more expensive services
Community Psychologist, 1990 (Vol. of program originators you can con-
can be shared, or some local source
23, no. 3). —Howard Rheingold tact to ask questions and get more
(e.g., your iocai government) may
detailed information.
already subscribe, or may be persuaded
• They can supply you with bibliograph- to do so.
Lawrence B. Brilliant is one of the original Hog Farmers, a co-founder of the After a silent eternity, the pilot brought the
craft down just outside of Biratnagar in the
WELL, and the founder of Seva, an international service organization that came remote terrain of Nepal.
"What's wrong?" a passenger asked.
about after the successful eradication of smallpox. He went to India as the Hog
"Nothing much," the pilot replied, "but
Farm's "Doctor Larry" in 1970, and stayed on in the Himalayan ashram of his we'll need to file a spare-parts order:
'Engine. One.'"
teacher, Neem Karoli Baba, who deputed him to work for the World Health Under almost any other circumstances, a
crippled aircraft sitting on the ground in
Organization's smallpox campaign. After a decade in India, he became a pro- one of the most remote places on earth
would rust long before a replacement en-
fessor at the University of Michigan, where he first learned about the computer gine could be located, airlifted in, and
installed. But thanks to the then-new tech-
conferencing described in this article. He and his wife and the other founders of nology of computer conferencing, a world-
wide "spare-parts order" was filled swiftly,
Seva then decided to focus their efforts on blindness in India and Nepal, where and the chopper flew out of Nepal only
days later.
he now spends most of his time, building eye hospitals and health institutes; he
Here is how computer conferencing res-
recently pitched in on Wavy Gravy's Berkeley political campaign {WER #70),
cued that helicopter and the UN project:
The helicopter was on loan from Evergreen
and he is currently assisting his brother with his color-business-card company. Helicopter Company in McMinville, Or-
egon. The only "spare" jet engine was in
Brilliant Color. Seva (a Sanskrit word meaning "service to humanity") head- France, at Allouette Helicopter Company.
Four additional organizations were involved
quarters are now in San Rafael, California. This article originally appeared in in orchestrating the "spare-parts order":
the United Nations office in New York, the
Byfe, December 1985. —HR government of Nepal, the World Health
Organization regional office in New Delhi,
and a Michigan-based international charity,
•^-'-^tt*. the Seva Foundation, which was funding
s«^--\-^&;,'5*\..,f*!?^>^^;-.
the project.
»^SW,^ft:
illustration by Brad Hamann.n»>rm&.j,_,r--.1(*i^^^.^ . f . , ' ' * ^ 4 i- Using a computer conferencing system to
which several companies in the aerospace
industry subscribe, an "electronic forum"
was quickly convened. Despite the dif-
Brock N. Meeks is a Washington, DC-based investigative journalist. When he's Using PeaceNet as its prime distribution
channel, this alternative press corps, cob-
not chasing down stories stateside he reports from assorted war zones for the bled together from the peace movement's
own "thousand points of light," worked
San Francisco Chronicle's foreign service bureau. He is currently working on a tirelessly to provide a different perspective
on the war.
book about the geopolitical exploitation of the world's refugee community. —HR
PeaceNet is just one of the networks that
operates under the auspices of the Institute
for Global Communications (IGC). And
during the war PeaceNet acted as a corner
of the global commons where information
illustration by Brad Hamann is stripped clean of censorship. IGC itself
is a conglomeration of networks and or-
ganizations, a fabric woven from electronic
data-exchange networks — the information-
Lisa Carison is the Janey Appieseed of computer conferencing. I realized how In the summer of 1989, the Santa Monica
City Council was presented with the first
ubiquitous she is when I visited a town in Japan, an hour's flight from Tokyo, proposal from residents who participate in
the network. The citizens dubbed their
logged onto the English-language section of the local conferencing system, and proposal SHWASHLOCK, an acronym for a
program to provide early-morning showers,
found Lisa there. She works for Metasystems Design Group, which has set up laundromat tokens, and lockers to home-
less residents, along with a job bank.'
conferencing systems all over the world. One of Metasystems' clients, the City
The development of this proposal has eli-
cited intense interest among city officials,
of Santa Monica, set up an "electronic city hall," and Lisa pointed me toward
the chamber of commerce, and neighbor-
hood associations. The PEN Action Group's
this article.
proposal addresses what a Santa Monica
Chamber of Commerce survey deemed
Michele Wittig is past chair of the People's Electronic Network Action Croup, "the city's number-one problem."
For those interested in the uses of telecon-
co-chairs the SHWASHLOCK project, and chairs the Santa Monica Commission
ferencing, the Action Group provides a case
study of community organizing. Unlike
on the Status of Women. She teaches graduate research methods and statistics electronic conferencing among employees
in government agencies, universities, or
in psychology at California State University, Northridge. —HR companies, or among hobbyists who join
commercial bulletin boards to gain access
I
principle of broadening the base of citi- for Community Organizing
zens who can influence city hall decisions.
Putting that principle into practice has
been difficult. .ntrigued by the possibility of increasing
citizen participation in civic life, the city
The PEOPLE'S electronic network (a nick- launched PEN in February, 1989, by distri-
name which appeals to graying political buting free user accounts to residents who
activists who settled here in the sixties) register with the city. These accounts can
constitutes a kind of test of the forms of be used from one's home or work terminal,
participation that city staff and elected of- or from one of dozens of public terminals
Planning
IDEA-»- (Study —*. Organize
Design.) Staff
Direetory of
National Helplines
Here, via toll-free 800 numbers, is direct
access to more than three hundred social, 0.S taxpayer M . . - - „ . ^ . C
economic, health, and environmental or-
ganizations and agencies that provide
assistance to people in need of support ^ : ^ ^ & ^ ^ "
and advice. Each listing includes hours,
types of assistance, and additional re-
sources offered. At first I thought six "^ ""' ^" " "' " l' . .Resource
. . . c e center ttotr^3
ttoU^3,^6^
-
HatioualA^^tre^entatlon) ^„
bucks was a bit steep, but I checked a
general directory of 800 numbers and '^''^^*I?EMoUedAgen«-
couldn't find many of the sen/ices in- "^ .ntseeifandic
dexed in Helplines. —Sarah Satterlee telephone Biuipn^eni see
Directory of National
Helplines ton. sent «® \ ^ ' 7facial
S a l Surgery
s""^*"'
(A Guide to Toil-Free Public Service ,^ Valley Authority Cr^
Numbers, 1990-1991) »j,rional sudden Irf^"' ^ ^ MD) ^-^^^esuoos or. Tennessee Vaiiey ^^
Consumers Index, 1990; 72 pp.
• • ' ^ •
$ 6 postpaid from The Pierian Press, Box , -„ BTZ. **'^
1808, Ann Arbor, M l 48106; 800/678-2435 Sudden 1°"" pampW"*
" ' ' " ' o ^ i h syndrome lr^5^^3,.SipS
\ •.-„»inn. (
Media Analysis
Techniques
• Media Research
Techniques
The average American household has at
least one television on for seven hours a
day, receives pounds of magazines, is
bombarded by advertising and propa-
ganda from billboards, flyers, radio, and Media Analysis Techniques
junk mail, but you have to be a communi- Arthur Asa Berger, 1982; 160 pp.
cations major in college to learn how to
$ 1 2 . 9 5 ($14.45 postpaid)
conduct your own media research and
analysis. Arthur Berger's amusing and Media Research Techniques
readable entry-level college texts show Arthur Asa Berger, 1991; 148 pp.
how to learn, and teach ways to sepa- $ 1 4 ($15.50 postpaid)
rate the info from the bullpuckey.
Both from Sage Publications, P. O. Box
—tfoward Rheingold 5084, Newbury Park, CA 91359;
805/499-0721
A number of advertisements for cosmetics
and fashion are analyzed in this chapter in
order to further our understanding of how for Oanskins, and finally one for Calvin guage and graphics function as signifiers
they generate " m e a n i n g " and what they Klein separates. Attention is paid to the that are derived from codes we all learn.
reflect about society. First we deal with language used in the advertisements and It is also suggested that advertisements
advertisements for a cleanser and moistur- to the way graphics are employed to gen- work by "striking" responsive chords in
izer, and a treatment for the entire body, erate belieh and attitudes. Semiological us, and not just by giving us information.
after which we examine an advertisement techniques are employed to show how lan- —Media Analysis Techniques
CASim
Macintosh users frustrated by the lack
of any good program that runs a range
of cellular automata ICAsj, like Rudy
Rucker's CA Lab does on DOS, will be b^A
thrilled to hear of CASim. For the unini-
tiated, CAs are mathematical constructs
where "cells" on an imaginary grid are
filled up or left blank in an impending •^ ^ ^ •
S5»- ^ .
tick of the clock, depending on the state
of the cells surrounding them. As the
clock ticks continue, patterns can emerge,
sometimes complex and fascinating
ones. Not by accident is the best-known
CA called The Game of Life.
by Frank Odasz, IG SKY TELEGRAPH (BST) was created by grants from the US
System Operator West Foundation of Montana and the M.J. Murdock Char-
itable Trust. Its object is to train rural teachere in knowledge-
access skills and to serve as a cooperative for individuals
and organizations who could benefit from the advantages
of online telecommunications. BST went online January 1,
1988, Western Montana College received a grant from the
Intermountain Community Information and Library Ser-
vices Program to create a two-credit online course entitled
"Computer Literacy on the IBM" as a means of providing
microcomputer skills training at the students' location and
choice of time. Larry Hyslop, Western's Microcomputer
Center Director, developed and taught the class. Anyone,
anywhere, anjrtime, can take this course, provided access
to a microcomputer, modem and phone line.
Word gets around fast in the world of computer-mediated communications, Jody Webster, Director of the Women's
Center of Dillon, has been using BST to
especially where the indefatigable Dave Hughes is involved. A couple of years teach the 12 Montana Women's Center di-
rectors how to share information more ef-
ago, he started telling stories on the WELL about his efforts to help a couple of fectively. Last year, Jody received funding
for homebound women to receive micro-
idealists in Montana, Frank and Reggie Odasz, to set up a network of electronic computer training by using loaner com-
puters and modems to receive instruction
bulletin-board systems that could bring the benefits of computer-mediated com- from their homes or places of work. Sue
Roden, of Lima, MT, was able to build her
munications to rural areas. A year ago, when Linda Garcia of the U.S. Congress computer skills from the Gas 'n Snacks
truckstop between fillups. When she got
Office of Technology Assessment told me that the OTA was going to do an as- stuck on Lesson 2, a trucker named Windy
looked over her shoulder and got her going
sessment of the communication needs of rural America, I told her to find out again. Sue hopes to use telecommunica-
tions to work in Lima as a bookkeeper for
about Big Sky Telegraph. When I started looking for examples of electronic someone in Dillon, 45 miles away.
Barb Burke, of Missoula Women for Eco-
democracy, I fired up my trusty modem and logged onto Big Sky to see for
nomic Development, recently received
funding to use telecommunications to
myself. I left an electronic message for the system operator, and this article
deliver computer training to apprentice-
style learning groups of women in Dillon,
was the result of our online encounter. —HR
Glendive and Miles City. Not interested in
college credit, these groups intend to work
together to gain mastery of the skills that
will open entrepreneurial opportunities
for them.
Two years ago, Ralph Neslen of the Colum-
k^m
statewide coolitien, pressing for passage
of the Right to Know bili.
Mike Godwin is the staff counsel for the Electronic Frontier Foundation (EFF). The WELL was a key community from the
beginning. The way communities normal-
EFF was established to help civilize the electronic frontier; to make it truly use- ly shape their responses to outside events
is for neighbors to chat — perhaps even
ful and beneficial to everyone, not just an elite; and to do this In a way that is In gossip — over the fence. This kind of in-
formal exchange of information led to two
keeping with our society's highest traditions of the free and open flow of infor- crystallizing events behind EFF's formation.
The first was an online WELL conference
mation and communication. For information about EFF, e-mail mnemonic@eff.org; on "hacking" sponsored hy Harper's mag-
azine. One result of that conference was
write EFF, 155 2nd Street, Cambridge, MA 02141; or call 617/864-0665. —HR that WELL user and Grateful Dead lyricist
John Perry Barlow met and befriended a
couple of hackers who went by the cyber-
punkish noms-de-hack "Acid Phreak" and
"Phiber Optik." Although they "knew"
each other electronically, Barlow's face-to-
face meeting with Acid and Optik was a
revelation: "Acid and Optik, as material
Computer Ethics time and money expended on original enormous publicity and led directly to im-
research and development. O n the other proved security arrangements for the whole
Despite being a textbook, Computer hand, intellectual property owners might of the Prestel system. Gold and Schifreen
Ethics is surprisingly readable. I'd thought try to stake too large a claim for their in- were therefore extremely indignant at
from the title that this book would rehash novations in order to squelch new ideas being treated as criminals — and this illus-
the usual subject matter of computer- and to get a jump ahead of their competi- trates once again the discrepancy between
ethics panels — whether it's ever appro- tors. This could strengthen the hand of what the law considers to be criminal be-
priate to "enter"someone else's computer established large firms over small entre- haviour and how hackers perceive them-
without authorization, whether viruses preneurial firms, who have been the tradi- selves. Although Gold and Schifreen were
and worms are the equivalent of vandal- tional innovators of the industry. The ques- convicted under the Forgery Act and fined
ism or sabotage, and so on. Forester and tion is whether the developmental work a total of £ 2 , 3 5 0 , an appeal saw the
Morrison go much further, exploring the put in justifies the influence innovators charges quashed. It was argued that since
whole domain of computer-ethics topics. may gain over both users and competitors. the hackers caused no damage and did
I was pleased to see that the authors There is a clear need to strike a balance not defraud anyone, then they could not
approach such questions as whether a between the interests of these three groups, be held guilty of an offence.
software manufacturer has an ethical as we tread the fine line between piracy
obligation to its customers to provide a and progress. Computer Ethics
e Tom Forester and Perry Morrison,
working (and safe) product, or whether
a computer researcher can ethically ac- 1990; 193 pp.
The mass media has tended to sensation-
cept an SDI grant for a project she doesn't alize hacking, whilst soundly condemning $ 1 9 . 9 5 ($22.95 postpaid) from MIT
believe will ever work. The book is a it. But there are other points of view: for Press, 55 Hayward Street, Cambridge,
good attempt to deal with the emerging example, in many instances the breaching M A 02142; 800/356-0343
field of computer ethics comprehensively, of systems can provide more effective se- (or Whole Earth
curity in future, so that other (presumably Access)
and its discussions are punctuated with
some memorable (and sometimes fright- less well-intentioned) hackers are prevented
ening) anecdotes. —Mike Godwin from causing real harm. A good illustra-
• tion of this was the penetration of British
Telecom's electronic mail system in 1984
Without adequate legal protection, gen- by Steven Gold and Robert Schifreen,
uinely innovatory individuals and com- which resulted in a rude message being
panies might wonder whether the meagre left in none other than the Duke of Edin-
rewards for their efforts really justify the burgh's account! This incident attracted
physics, and color photographs. pig's or cow's bladder can usually be ob-
- . • •' V • • - » • - v"
—J, Baldwin
tained from an abattoir — otherwise you '. ''' J^
can use one of the alternative playing • ^ ic
jp--- ., » , -
• heads mentioned earlier in this chapter on ' "^ ..t • -
The rommelpot belongs to that distinctive membranophones. Before it can be mount-
ed, the skin must first be soaked in water. •_ • Til -1 ' A ^ ' -;
family of drums known as friction drums.
The membrane is not vibrated by striking Make sure that the skin is a little larger
it, but rother by means of friction — being than the diameter of the pot to be used.
Well, I suppose you can have a beautiful
home without tile, but after reading this
book, you won't want to. The color photos
The Cooper are what'll get you; they're of dream-
a n d His Trade tiles in every style and color imaginable,
used with skill and obvious glee in every
This book shows how it was before the room of the house. The book concludes
55-gallon drum. Barrelmaking tools and with a competent, courage-enhancing
technique, barrelmakers, their culture, tile-it-yourself section, just to make sure
guilds and ultimate fate, are all attended you don't escape. There's no mer^tion of
from an historian's point of view. The making your own tiles, but in case your
writing is a tad dry, but the photos and a inspiration isn't matched by your budget,
bit of assiduous reading will give you a remember that the ceramics class at your
pretty good idea of why and how things local JC can be used to advantage.
have cf)anged. Whether the changes —J. Baldwin
have been for the better is up to you; at
least you 'II have more than sentiment
to judge by. —J. Baldwin
WENDY PONIGER
THINK ONE OF THE WONDERFUL THINGS ABOUT A
INTERVIEWED BY myth is that it mediates between the abstract and your own
ADAM PHILLIPS memory of how you felt when your father died. It combines
ILLUSTRATED BY the point of a philosophical dogma or abstract idea with the
KRISTEN THROOP vividness of one's own dream and the detail that goes between
the two of them. It takes your experience with all the detail
that makes you care — what was he drinking, what
kind of wine was it, what kind of dress was she wear-
Trained as a dancer under Georse Balanchine and Martha
ing, what was the embroidery like — and then says,
Graham, Wendy Doniger went on to complete two doctorates
' 'By the way, this is enormously general.'' It allows
in Sansl<rit and Indian Studies (from Han/ard and Oxford), and
you to hold in suspension together your commitment
is now Mircea Eliade Professor of the History of Religions at the
to a really personal experience and your commitment to
University of Chicago. Her writings range from translations of
a philosophical idea, which is "everybody dies," or
Sanskrit poems and Hindu myths to books about hallucinogenic
mushrooms, phallic worship, evil, karma, women, dreams,
"an awful lot of people died in WWI." I think that is a
folklore, horses, and myths, including Dreams, Illusion, and
power that a great myth has.
Other Realities (WER #57, p. 727).
In a Hindu story, Markandeya is a human being, trying
Adam Phillips is an independent radio producer with special to find things out; he has a personality and you get to
interests in Jewish subjects, mythology, sacred music, and know him. He's a saint and he has his own little world
geometry. He conducted this interview for the documentary like our worlds. One day he accidentally falls out of the
"The Dream Within: Wendy Doniger and Hindu Myth," com- mouth of Vishnu and discovers that he was inside the
missioned for the William Benton Broadcast Project of the body of the god all the time. He has this great cosmic
University of Chicago. -Sarah Satterlee vision of the entire universe, of Vishnu's sleeping there
and of him being part of Vishnu's dream, which is other. Am I dreaming that I'm awake, or am I awake
again this vision of all the crosses in Flanders fields, and worried that I am dreaming? So, too, when you
or of the enormousness of the universe, and he can't switch registers from the telescope to the microscope,
sustain that; no one can live like that. at any point one world will call the other into question.
You say "It's an illusion that I'm seeing god," or else
So Markandeya goes back inside the mouth of Vishnu,
you say, "It's an illusion that I'm living my life and
back inside the body of Vishnu, and forgets — has to
then ordering pizza.''
forget — the cosmic vision of how tiny his life is and he
becomes caught up in it. That's what god wants. God There is no way ultimately of deciding which is the
does not want him to maintain this true vision; he truth. Some say that there's no firm ground to stand on.
wants him to live his life, I say that there are two firm grounds to stand on and
that you can choose which one to stand on at any time.
I used to find it very difficult as an adolescent to think
I don't find it unsettling; I find it doubly sustaining.
about the stars and about how small the planet Earth
was, and the galaxy, and all that. You couldn't do that I think stories are much more primary than theories. It
for long. Because you really cared about whether you always bothers me when people use the word myth to
were going to have pizza that night and whether you describe a dogma -- usually, of course, a false dogma —
were going to have pepperoni or Italian sausage. And because the one thing that myth is not is a theory. A
at the same time you knew that there were all these myth is a narrative which invites you to construct a
galaxies. That's what that myth is about. It's true, of theory to explain it or derive a moral from it (cultures
course, that we are inside the body of god and that always do moralize their myths). But the myth itself
all these little things don't really matter, but that's is pre-moral, pre-theoretical.
a truth that we can't live with.
Take the story of Eden: we are told that there is a garden
You never really know which of the lives validates the and a tree and a serpent and a man and a woman who
That is why science is not adequate. At the most meta- a long time ago, other children have read this book for
physical level, scientific stories are narratives. You don't years, and I read it when I was a child myself,'' you
really say why things happen. You just say they do hap^ say, "You're not alone in this." It's no longer a dream,
pen. Nowadays, for instance, you have someone who's but becomes a myth.
seriously brain-damaged and the doctors tell you if we That's what makes a story a myth; a group of people
plug them into these machines they will live for a long acknowledge that it has meaning for all of them. There
time, but they can't tell you whether you should do it is a great comfort in that — it changes you by making
or not. The more scientific we get the more we need you think you are not crazy and alone, that these are
theologians to figure out what to do about our narra- scary things but that you are not the only one who
tives. The more that becomes possible, the more we ever thought of them. You see it in support groups,
have to make decisions about what we want. people feeling better about whatever is driving them
A story is a narrative that says something happens ~ crazy just by being in a room with other people who
not all stories are myths but all myths are stories. Myths are driven crazy by the same thing. One of the basic,
are a particular kind of story, not just a one-person precious things that a myth does is to join your fan-
story, but a story which many people understand and tasy into a group,
share and use to define themselves as the people who A dream is like a myth in that it is often a narrative and
have that story. It is our story. A dream, on the other that it uses symbols. There are some of the same imag-
hand, is a very lonely thing. There is nothing in the inative elements in dreams and myths, but their social
world lonelier than a dream. It is the most soiipsistic of function is completely different — even opposite. The
experiences. No one else is with you in your dream. function of a dream is entirely limited to the dreamer
Myth is a way of making a dream shared or public. and the function of a myth must be extended to as
Actualizing one's dream brings one closer We may hove in the other characters in the
to the dream. Interpreting one's dream dream aspects of our egos. Certainly these
distances one from the dream. The mean- characters embody attitudes, sometimes
ing of a dream comes from the dreamer's quite contradictory ones, to the dream
re-experiencing the dream and not from ego's attitudes. And other characters may
what someone else may say about it. make choices or have feelings in the dream.
"The Grateful Dead theme is what folk- $ 1 2 . 9 5 ($14.95 postpaid) from At the feast of departure the ogre said,
lorists call a 'helper' motif," says Trist. Hulogosi Communications, Inc., P. O. Box "The princess sits beside me pale and un-
"The grateful dead man is somebody 1188, Eugene, OR 97440 smiling. I cannot endure her sadness and
(or Whole Earth Access) reproof any longer. N o music has ever
who helps the hero on his journey, his
quest, which will take many forms." moved her. If you can make her forget her
prince pays the debts of a dead man sorrows and dance, I will give you a
The Wafer of Life is a simple story. A and sees to his burial, and all through reward, remarkable man that you are, and
kindly king's illness is felt everywhere in his journey he is aided by the spirit of this shall be your choice of anything in
the realm: crops fail, waterfowl do not that grateful dead man. my kingdom you should desire."
visit the ponds, and so on. The physician
tells of the one possible cure — the Water The story works as a story and resonates The prince said, "If I could perform this
of Life — but adds that "many have gone as a myth. I liked the "misfit power" service, my heart would be glad for her
aspect of it; the selfish brothers ride off sake." Whereupon, he took out the magic
in search and none has come back." hie
and get stuck, and the ugly one with the lute and carefully removed its covering of
who goes in search of the Water of Life
heart of gold has some fabulous adven- jet black otter fur, lined with softest doe
"must show kindliness, courage, presence
tures and comes home with the cure and skin. He unwrapped the finis linen, white
of mind . . . and be willing to take ad-
the girl. It has morality but it isn't moral- as the swan's throat, which covered the
vice." The king's eldest son sets out to strings. Then he played a song of such
find the Water of Life, but his motives istic. You get out of it what you put into
beauty and variety of mood that everyone
are impure and he does not return,- nor it, just like Grateful Dead music.
present, from courtier to scullery maid, felt
does the second son. Then the third son, —David Gans the sap of life course in their veins and
"humped of back and weak of eye," saw, if only for a moment, the lovers of
takes up the quest. Along the way, the Now, in the castle dwelt a beautiful prin- their dreams come forth to join the dance.
Keepers of the Earth out of the sky," they said. " H e is making
too much noise with all of his shouting."
The meat of this set is the fine selection
of Native American stories from the US So Coyote was taken out of the sky. Some-
one else became the moon. Coyote could
and Canada in the main volume, but the
no longer see what everyone on Earth was
soul is in the slim teacher's guide, where
doing, but that hasn't stopped him from
the authors discuss the meaning of sto-
still trying to snoop into everyone else's
ries in Native American cultures and talk business ever since.
about environmental education as ne-
cessarily including feelings and values,
as well as information. —Nancy Schimmel
Keepers of the Earth
Drawing from a Hopi pelroglyph thai (Native American Stories, with
©
represents Mother Earth. Environmental Activities for Children)
How Coyote Was the Moon Michael J. Caduto and Joseph Bruchac,
(Kalispel — Idaho) They placed Coyote up in the sky. He did 1989; 209 pp.
A long time ago there was no moon. The not make the nights too hot and bright. $ 1 9 . 9 5 ($21.95 postpaid)
people got tired of going around at night For a time the people were pleased. Teacher's Guide
in the dork. There had been a moon before,
"Coyote is doing a good job as the $ 9 . 9 5 ($11.95 postpaid) from Fulcrum
but someone stole it. So they gathered Publishing, 350 Indiana Street #350,
moon," they agreed.
together and talked about it. Golden, C O 80401; 800/992-2908
But Coyote, up there in the sky, could see (or Whole Earth Access)
"We need to have a moon," they said.
everything that was happening on Earth.
" W h o will be the moon?"
He could see whenever someone did some-
" I will do it," said Yellow Fox. They placed thing they were not supposed to do and
him in the sky. But he shone so brightly that he just couldn't keep quiet.
he made things hot at night. Thus they had
"Hey," he would shout, so loudly everyone
to take him down.
on Earth could hear him, "that man is
Then the people went to Coyote. "Would stealing meat from the drying racb." He
you like to be the moon? Do you think you would look down over people's shoulders
could do a better job?" as they played games in the moonlight.
"Hey," he would shout, "that person there
" I sure would," Coyote said. Then he
is cheating at the moccasin game."
smiled. He knew that if he became the
moon he could look down and see every- Finally, all the people who wished to do
thing that was happening on Earth. things in secret got together. "Take Coyote
49
Come
Into
^ - ^
Animal
Interview with
Presence
James Hillman
by Jonathan White
and Donna Sandstrom .NIMALS have done so much for us for thousands
of years. They've brought us food, they've brought us dances,
they've brought us wisdom, they've brought us all the tech-
nical skills. Who taught us to make a halibut hook? See, this is
James Hillman is a Junsian analyst and the
the way that people think — "Oh boy, some smart guy named
author of several books, including The Dream
Joe Jones — what a good idea. He invented that little thing,
and the Underworld, A Blue Fire, and Revision-
so that we could catch halibut more quickly. So we call it
ing Psychology. He was interviewed on board
the Joe Jones hook.''
the Crusader, a 65-foot wooden schooner, for
the seminar "Come into Animal Presence-, Ani- But originally, the people who lived with halibut, and whose
mal Images in Dreams and Psychic Ecology" life depended on them, watched them so much that the halibut
Present in Frederick Sound where the boat was taught them how to make the hook. So we owe the halibut for
sailing were humpback whales, salmon, seals the instrument to catch it. And we owe the deer for the way
and porpoise. to hunt it — how to walk stealthily, how to walk downwind.
They taught us all those things. We wouldn't know about
Jonathan White is the founder and director
"downwind" — how would we know anything about that? No
of the Resource Institute (6539 Phinney Avenue
reason to — they taught us.
North, Seattle, WA 98103; 206/784-6762), a
nonprofit, educational organization focusing on Animals come in our dreams, helpers and saviors; as teachers,
Northwest coastal (including the San Juan Islands again. We still are inflated to think we're saving them, but they
and southeastern Alaska) culture and traditions. may be teaching us about saving. What happens to our hearts
Poet Gary Snyder, marine biologist Roger Payne, when we see them wounded or hurt? That's a turning point,
and psychologist Rollo May are among those when the animal is hurt. They teach us something through
who have given seminars aboard the Institute's their woundedness; that they're threatened and endangered
Crusader. Jonathan and Donna collaborated on and wounded. They're beginning to convert the world! The
the interview with Robert BIy in WER #70. animal-rights movement, save-the-extinct-species. World Wild-
-Sarah Satterlee life — all those movements that have sprung up over the last
thirty years — have changed consciousness enormously with
the images of dead elephants and so on. This spotted owl is
Exploring the World ing world. We approached the problem of that I am not saying we can never read in
dream time by asking subjects to make an
of Lucid Dreaming eye movement signal in their lucid dreams,
dreams. I myself hove had dreams in which
I have done so, but these were not lucid
My problem with lucid dreaming: as soon estimate a ten-second interval (by count- dreams in which the writing was being pro-
as I realize I'm dreaming the imagery ing one thousand and one, one thousand duced in response to voluntary intention.)
shimmers iridescent, then disappears and two, etc.), and then make another eye
completely, and I find myself awake. I movement signal. In all coses, we found
hadn't realized this was a common prob- time estimates made in lucid dreams were
lem until I read this book. The authors within a few seconds of estimates made in tvp/cn-'"'
the waking state and likewise quite close
provide techniques for overcoming my
to the actual time between signals. From
n
difficulty, staying in the dream and pro-
this we have concluded that in lucid dreams,
longing it. There are a lot more techniques
estimated dream time is very nearly equal
in this solid how-to book. Stephen La-
to clock time; that is, it takes just as long to
Berge is the scientist who revived dream do something in a dream as it does to
research with his ingenious method for actually do it.
studying lucid dreaming in the lab. With
Howard Rheingold, he's produced a 9
book with the latest scientific findings in There may be physiological constraints on
a readable, useful format. For amateur a lucid dreamer's actions, deriving from
dream researchers, this is a must. the functional limitations of the human Exploring the W o r l d
brain. For example, lucid dreamers ap- of Lucid Dreaming
—Corinne Cullen Hawkins
pear to find reading coherent passages Stephen LaBerge and Howard Rheingoid,
virtually impossible. As the German physi- 1990; 277 pp.
One of the earliest experiments conducted cian Harold von Moers-Messmer reported $ 1 8 . 9 5 ($20.95 postpaid) from Ran-
by my research team tested the traditional in 1938, letters in lucid dreams just won't dom House/Order Dept., 400 Hahn Road,
notion that the experience of dream time hold still. When he tried to focus on words, Westminster, M P 21157; 800/733-3000
is somehow different from time in the wak- the letters turned into hieroglyphics. (Note (or Whole Earth Access)
The Sun searching in vain for an answer as to how violent situation and did not apply the
I could have dealt with the young bullies necessary force and highly focused skill
and the Shadow next door. I was very impressed when 1 that such a situation calls for. W h a t was
• Pathway to Ecstasy saw how the rambunctious bulls were fi- needed to stop the bulls in my dream (and
nally stopped in my dream. As I reflected the teenage bullies next door in my waking
Okay: you've got the knowhow and on the principal characters of this dream, I world) was a type of raw, personal power,
you're ready to explore lucid dreams. began to collect some valuable observa- freely used, highly focused, with full atten-
Here are a couple of books to inspire tions. The first three or four waiters, dressed tion placed on the precise spot where the
you: autobiographical accounts by lucid- all in white, who rushed in and tried to adversary could be hit and stopped, as if
dream pioneers who explore their per- grab the bulls were easily and promptly struck in his Achilles heel. I was stunned
sonal dreamscapes with passion and tossed aside. These young men symbolized and pleased to realize the special signifi-
commitment. Your own journey may be the " M r . Nice G u y " part of my personality. cance of the head waiter, the man who
nothing like theirs — dream reality is They had good intentions (they wore wielded the axe! He v/as the missing piece
white); they put out a lot of energy and to my puzzlet —The Sun and the Shadow
unique to each person — but the way
gave their all, but they were totally in- m
these two explore the interior landscape
will give you clues to finding your effective. They were ineffective because As my experiences in these altered states
own approach. they were too gentle in a potentially of consciousness, lucid dreaming and out-
of-the-body trips (if that is what they are)
In The Surt and the Shadow, Ken Kelzer gathered force, I needed to make sense of
relates a series of his lucid dreams ex-
The Sun and the Shadow them. It no longer seemed to matter to me
Kenneth Kelzer, 1987; 273 pp. whether these worlds are within or with-
ploring and developing his aggressive
side. Dream life/waking life form a whole $ 9 , 9 5 ($12.20 postpaid) from A.R.E., out, whether they are in a physical location
as dreams relate to everyday hassles P. O. Box 595, Virginia Beach, VA 23451 or in a different state of consciousness.
through powerful metaphor. Though con- They are a universal human experience
and, as such, are real. A pattern was
ventional religion would probably not Pathway to icstasy emerging that was crucial to capture and
see this as particularly spiritual, the end Patricia Garfield, 1979, 1989; 253 pp.
share. I thrashed about in my mind for an
result for Kelzer is an experience of
$ 1 2 . 9 5 postpaid from Prentice Hall understandable way to translate these ex-
the Light of God.
Press, 200 Old Tappan Road, Old Tappan, periences. Dreams are so visual, their
Patricia Garfield inhabits a dreamscape NJ 07675; 201/767-5937 translation should be visual, too. Not
(or Whole Earth Access) words, not lists, not charts, but pictorial
more sensual and passionate than Kel-
zer's, but one lust as closely tied to her symbols that would convey the essence
of the experience.
waking life. Through dreams, Garfield
lays open her personal history from child- I devised, at last, the Way of the Dream
hood on, focusing on particularly rich Mandala, a kind of paraphrase, not a
dream images that triggered change in duplication, of the original Tibetan pat-
her waking life. These she incorporated tern upon which it is based. The Dream
into a mandala to help her focus on per- Mandala, personalized with one's own
sonal growth. —Corinne Cullen Hawkins 4'< '„ dream images, becomes a chart for self-
• discovery. It gives a sighting on the self —•
the beautiful, ever-shifting, growing bit of
Was this dream, perhaps, going to supply .r..,.f.!- .llif' life force that is us.
some missing piece to my longstanding
—Pathway to Ecstasy
puzzle? For over three years I had been
" % •
illustration
by Allison
Hershey
T'.
As I listen to the stories on audio- cities, become increasingly secular, tosh computer, linked to a 30-minute
cassette now, seven years after her and turned its media-sawy attention videodisc. The viewer can scroll
death, I realize that she prided her- to television and computers. through a timeline of coUaged family
self on how' 'Americanized'' she had Interactive video also makes it eas- photographs from 1890 to the pres-
become while maintaining a strong ier to represent the idiosyncratic ent on the Macintosh screen. At
sense of Jewish identity. Living be- contents, structures, and rhythms any point, the viewer can click on a
tween two cultures, she created a commonly heard in casual, personal small head shot representing each
sense of self rooted in personal storytelling. Often, these personal generation in order to hear a story
experiences, a strategy common anecdotes do not follow conven- from my great-grandmother, my
among people who leave a home- tional narrative strategies for ' 'good grandmother, my mother, or me, to
land to which they cannot return. stories" which set the scene, in- gain an understanding of how our
Telling stories enabled my great- crease the pace of the action, lead matrilinear family history has been
grandmother to construct and trans- to a conflict, and culminate in reso- constructed and passed down.
mit an evolving cultural framework, lution with a straightforward, easy-
making sense of and adapting to When the piece is shown publicly,
to-identify beginning, middle, and it frequently acts as a catalyst for
the rapid changes in the world end. Limiting ourselves to these
around her. viewers to share their own family
criteria as the makings of a good stories. In response to these reac-
For my great-grandmother, the ma- story closes us off to a range of ex- tions, I am now working on "Share
triarch of a large family, personal perience not easily represented by a Story,'' a companion piece to "We
storytelling was an effective and conventional linear media. Make Memories" that will enable
accessible tool for cultural trans- viewers to scan in family pictures
In order to simulate both my great-
mission. As the oldest daughter of with a flatbed scanner, add stories
grandmother's narrative style and
her oldest daughter's oldest daugh- by digitizing their voices, and in-
the interplay with her audience, I
ter, I have tried to combine the corporate their contributions into
created "We Make Memories," an
records of my great-grandmother's an evolving portrait. Participants
interactive video that uses H)^er-
oral storytelling with new tools, will also be able to hear and view
Card software running on a Macin-
such as interactive video, now that the stories of their cocontributors,
the family has dispersed to various continuing the cycle of cultural
olam, G o d , we can no longer make fire, Family History eage. Part One includes activities for
and we too have forgotten the prayer, researching the origins of names, creat-
and we can no longer find the place, but
Video Project ing family trees, tracing family journeys,
we can tell the story, and that must be / first wrote my great-grandrriother's bi- and collecting heirlooms, recipes, and
sufficient." ography for a class assignment when I family documents. The second part
• was in seventh grade. I certainly would teaches basic video production skills,
[Barbara Myerhoff] came up with the idea have benefited from the research and enabling students to write, produce, di-
of homo narrens — the human as story- interview techniques contained in this rect, shoot, and perform in their own
teller. She felt it was that basic an activity comprehensive ten-week curriculum de- video productions. —Abbe Don
that it defined our humanness. She felt signed for the sixth grade and up.
that when storytelling occurs, two things
Family History Video Profect
The teacher's guide and workbooks pro- Shawn Locke, Brad Lakritz,
happen: there is a revaluing of local com-
vide activities that enable students to and Sima Greenbaum
munity, a taking back of power from the
place their personal experiences in a
media in a sense, and also a revaluing Teacher's Guide $ 1 6 . 5 0 ($19 postpald);
of the elderly because so often they are larger historical context. While the con-
Student Workbooks $ 4 . 5 0 each ($5.20
the ones who carry the stories. They tent emphasizes Jewish traditions, many
postpaid) from Bureau of Jewish Education,
are the storytellers. of the activities can serve as a model for
639 14th Avenue, San Francisco, CA
anyone wishing to trace their family lin- 94118-3599; 415/751-6983
in Context
however, they can see new possibilities,
This quarterly magazine comes close to
experience worlds not previously accessible
paralleling WER's range of topics. Each to them, and encounter role models who
issue has a loose theme ("The Ecology encourage them to take responsibility for
of Media: From Storytelling to Telecom- their own lives. And learning can be made
munications"; "Caring for Families: Nur- more fun, which motivates students to
turing the Root of Culture") and multiple keep learning /low to learn.
perspectives. Articles are commonly in —Wilhelmina C. Savenye
interview format, with a casual and un-
m
doctored air about the material. There's
I think the loss of storytelling is dangerous
a gentleness that WER lacks. It's civil.
to modern culture, because what happens
And about building a new civilization.
is a tremendous shift in values. Without
—Kevin Kelly storytelling, children begin early to value
• information over wisdom. Facts over feel-
One of the many powers of media tech- ing. Mind over heart. They begin to depend in Context
nology is its ability to moke things real and on external sources to inform them, and Robert Gilman, Editor.
relevant to students, who in many educa- they don't realize how much there is inside $ 1 8 / y e a r (4 issues) from Context Insti-
tional settings feel increasingly powerless of themselves to top for their own growth. tute, P. O. Box 11470, Bainbridge Island,
to affect their futures. Through media. —Memo Hecht WA 98110
and monochrome graphics, once This view, in turn, suggests new edi- Our third option is provided by
it is established. torial structures for the content of viewing the computer as an active
multimedia databases. Multimedia element which mediates logical
The human image is not a necessary
representation of an agent. How- design has divided into often- structures for the reader, rather
ever, with our historical database, warring camps. One extreme posi- than presenting them in full com-
the use of character feels natural tion is the subjugation, in the name plexity or crippling their expressive-
and, along with the function of the of understanding, of the new me- ness. Particularly in domains such
Guide as storyteller, suggests a new dium to logical forms and discourse as history and the arts, the com-
model of interactivity. Just as playing rules evolved for print. The other puter may take on the face of the
out a computer game writes a little celebrates the enormous capacity storyteller, the archetypal Guide
story of victory or defeat, so the of the computer for content and figure of m)^h. Cooperating with a
series of connected items generated linkage between all potentially re- partner may prove more satisfying
by the interplay of our Guides' sug- lated items, sometimes to the point than pointing and clicking at elec-
gestions and the user's choices can of license and meaninglessness. tronic books. •
be viewed as a loose narrative.
Media Magic discussed new technology is referred to visualization, neural networks, remote
this mail-order service. Their $30, 60- sensing, artificial life, computer graphics,
Many people are talking and writing minute video, "Virtual Reality," includes artificial intelligence, and other topics
about virtual reality, but few people excellent selections from NASA, the Uni- on the bleeding edge of science, tech-
have the opportunity to see for them- versity of North Carolina, VPL Research, nology, and art. —hioward Rheingold
selves what it is all about. Anyone who and MIT's Media lab. They also offer
asks me how to get a look at this much- Media Magic
books, videos, software, and audiocas-
Catalog free from P. O. Box 507,
settes about fractals, chaos, scientific
Nicasio, CA 94946; 415/662-2426
The Singing Feather were no people. There was this feather, Indian dances. Ben White. Remember
floating on the water. The waters started Ben White?
Most travelers speeding north of Sonoma to recede, causing a whirlpool and this A: Yeah.
County on Highway 101 probably do feather was going around and around
not give much thought to the California J: Wailaki man. Gee, when they come in
and as it was going around, it started
Indians who prospered here long before dancin', feathers drop way down. He was
singing. And as it was singing, it started to
the highway was built or the National old, too. Holler, jump way up in the air
turn itself into man. As he continued to
about that time. My favorite, when you
Park Sen/ice acquired old-growth forests sing, he became true man. The water was
leovin'. You singin', gee, then you all get
or the sixties counterculture moved back drying up and there was mud and he took
together. When they take the feathers off,
to the land. The ubiquitous visitor center this mud and made his people — the Yuki."
that's when the doctor come in there, you
may have a pamphlet about the history -—Leland Fulwilder, Jr.
know. He got to sing til they leave, you
of the area, but for a completely differ-
• know. There's a lot of meaning to the
ent point of view, read this collection of words. " W e leave til we meet again,"
O h , a n ' one White man come up from the
first-person oral histories from 18 elders that's the song.
city, San Francisco. He come up an' he
of the Round Valley Reservation and
had his ole recording stuff, you know. He The Singing Feather
Tribal Community.
come up an' we was under the tree — the
Victoria Patterson, DeAnna Barney, Skip
The editors provide geographical, histor- tree out there, sittin' down. Summertime. Willits, Les Lincoln, Editors. 1990; 103 pp.
ical, and political context for the reader, A n ' he come up. He said, " W e l l , hello,
you two," he said. " I ' m here. I want to $ 1 2 . 5 0 ($14.50 postpaid) from Mendo-
then the elders tell their stories. An occa- cino County Library, 105 N . Main Street,
record your language, record you singing
sional third-person sidebar offers further Ukiah, CA 95482
Indian songs." My Dad tell him, "You bet-
explanation of customs or historical events.
ter get on your way. I'm no Indian." He
Following the editors' lead, I will only said, "The White man come through here ;,£s:NG;.NC3ifAiHfR
add that Round Valley Reservation, "a and broke us of our language, our dances
small, rural farming and logging com- an' our whatnot," he said. "This is what
munity tucked away in the northeastern they done to us. We don't have any an' I
corner of Mendocino County," was es- don't sing Indian songs," he said. " I ' m a
White man, just like you," he told that
tablished by the United States government
White guy. A n ' he packed up all his in-
in 1856, when the people of Pit River,
struments an' left.
Concow Maidu, Little Lake Porno, Nom-
laki, Wailaki, and the original Yuki heri-
tage were brought there by force. They had shells them days an' Indian
—Abbe Don beads on' all that stuff. They make 'em
• themselves, you know. Gee, you ought to
"The world was covered with water. There see Ben White, Wailaki, Rohrbaugh Ranch
The Graywolf Annual lush greenery of the land almost stikes one
hard in the eye. Incongruous, almost weird.
Six: Stories From the —Mahosveta Devi
Rest of the World
This volume of Graywolf made me think Where on earth did you pick me up, Madis?
about what it means to be culturally lit- And who named you Madis, a fair, soft-
erate. Literate beyond the boundaries of sounding name to be sure? O h yes, I re-
America and our many cultures, to the member. It was in that packed cellar where
lands and peoples of the rest of the world. we indulged in a sweet discussion at an
Authors from Africa, Syria, India, the oaken table. It was men's talk. There are
Soviet Union, Iraq, .China, Isbanon, myriad things in this world to be discussed
in such a leisurely way at an oaken table,
Libya, Egypt, and Japan enhance our
over mulled wine and salted almonds.
own experience by sharing theirs. Stories From
Look here, Madis, you're young and this is
—Pat Roberts why you don't have as many things to dis- the Rest of the World
• cuss right now as I do. That's why you Scott Walker, Editor. 1989; 172 pp.
The land north of Kuruda and Hessadi paused to listen to me talk, and that's why
$ 8 . 9 5 ($11.95 postpaid) from Graywolf
villages is uneven, dry and sunbaked. Grass I'm here after all. That brown-eyed man
Press, 2402 University Avenue #203, Saint
does not grow there even after the rains. served in my company. He lost an eye, but Paul, M N 55114; 612/641-0077
There is an occasional cluster of cactus here that doesn't mean he's any worse than the (or Whole Earth Access)
and there, like snakes about to strike but rest of us. It was a German bullet that
frozen still. O r some neem trees. In the knocked it right out of his head. Used to up and just as young and green when he
middle of this barren and arid stretch of be a beautiful brown eye, but it stayed got bock. Went like hotcakes. Young and
land where not even a buffalo grazes lies there in the mud of the River Emajogi. 1 too soft-spoken. The whole company was
a tiny piece of low-lying land, hidden from happened to be standing next to him. At at the wedding party, what was left of it.
the eyes by a slightly raised embankment. the moment, we were discussing a third Their one-room flat was large enough for
It is about one-sixth of an acre of land man's family troubles. He married that us. Now that third man owns a large
and visible only when one stands on the kind of woman. Yes, he was also from our house, but happiness has left him.
raised embankment. It is only then that company. Young and green when he joined —Teet Kallos
Itam Hakim, Hopiit can hear the natural rhythms and tones
colorful imagery makes it a visual and
aesthetic treat too. —Abbe Don
Victor Masayevsa is a Hopi Indian who of Macaya's voice in his native tongue
combines the traditional stories of his and still understand the content. The itam Hakim, Hopiit
culture with innovative uses of new media. visual imagery cuts gracefully from a (We the People, the Hopi)
In this video, produced as a tribute to contemporary setting (Macaya telling Videotape by Victor Masayevsa, Jr., 1984
the Hopi Tri-Centennial (1680-1980), the stories to a group of young boys) to Direct inquiries to Electronic Arts Intermix,
Ross Macaya, one of the last members enactments of the stories shot on loca- 536 Broadway, New York, NY 10012;
of a storytelling clan, tells three stories — tion in beautiful desert scenery to black- 212/966-4605
The Hopi Emergence, The Spanish Con- and-white photographs, taken by White Note: Up till now, the video has been sold
quest, and the Pueblo Revolt of 1680 -• photographers, that date from the turn of to museums and libraries for big bucks (%"
and a Hopi prophecy. The soundtrack is the century. The tape is a successful tool videotape $306 postpaid; VHS $204 post-
paid), if there is enough demond from
in Hopi with an English translation that is for learning more about Hopi culture
individuals, Victor may agree to a home-
offset by several seconds, so the viewer from a Hopi perspective and its lush.
video price.
T
HE ISSUE is not about' 'Where the Spirit
Lives,'' an award-winning and subtly racist
TV movie about the Native experience in
residential schools, written and produced by
white people from their own perspective.
The issue is not about Darlene Barry Quaife's
Bone Bird, a ' 'celebration of Native spiritual-
ity" written by a white woman who says
that "writing from imagination is an incred-
ibly free process." The issue is not about W.P. Kin-
Lenore Keeshig-lbbias, Ojibway story- sella's Miss Hobbema Pageant, a collection of malicious
teller and writer, Uvea in Toronto. and sadistic renderings of stories about Native peo-
This essiy appeared in Through In- ple, written by a white man who maintains, "When
dian E>'es: The Native Experience in I need facts I invent them." The issue is not just a
RooksforChildren, reviewed on p. 62.
white perspective of history, an oversimplification of
—Sarah Satbirlee
Native spirituality and lifeways, or mean-spirited and
racist renderings of our stories. The issue is not cen-
sorship or the shackling of imagination, both naive
and thoughtless responses voiced by many non-Native
writers and storj^ellers, and even a few Native writere
who want to keep up their good relations with the fort.
The issue is culture theft, the theft of voice. It's
about power.
The issue is not unlike the struggle women waged,
not so long ago, to get their voices heard, their stories
published. The issue is not unlike the French Cana-
dians' struggle for their language and their culture.
The Quebecois have a unique voice in North America
because they have fought to ensure that their language
remains intact. Language is a conveyor of culture.
Language carries the ideas by which a nation defines
itself as a people. Language gives voice to a nation's
stories, its mythos.
The question I ask Canadians is: Would you accept
an American definition of Canada and Canadians?
How would it be if Germans were to write Jewish
history? And white Americans writing black history?
Stories are not just entertainment. Our Elders and blackflies and mosquitoes. But my
Stories are power. They reflect the Elder was telling me more. She was
deepest, the most intimate percep- traditional teachers teUing me these stories are meant
tions, relationships and attitudes of for certain ears only — and I don't
a people. Stories show how a peo- want to share the mean non-Native ears.
ple, a culture thinks. Such wonder-
ful offerings are seldom reproduced beauty of Native She was also telling me that story-
by outsiders. tellers have a responsibility for the
culture, the Native stories they tell. So powerful are
Picture this — the outsider (oppres- stories that, in Native cultures, one
sor) crawling into the skin of the way. But appropriation storyteller cannot teU another's
oppressed without asking and before story without permission. Alexander
the skin is even vacated. Now, sup- is not sharing. Wolfe, a Salteaux storyteller, in his
pose the skin is already empty. What introduction to Earth Elder Stories,
happens if it is too big or too small sets this down:' 'Each family handed
for the outsider? And then once in- down its own stories. Other stories,
side, whose eyes are looking out? belonging to other families, could
Cultural insight, cultural not be told, because to do so would
nuance, cultural meta- be to steal." This aspect of Native
phor, cultural symbols, lifeways and values, the copy-
hidden subtext — give right, existed long before the
a book or film the ring Europeans arrived in
of truth. Images coded North America, and it
with our meanings are still applies to the writ-
the very things missing ten word, in fact any
in most "native" writ- story, fiction or non-
ing by non-Native au- fiction, that is put out
thors. These are the very to the public.
things that give stories
their universal appeal, But rather than confront
that allow true empathy and deal with issues of
and shared emotion. appropriation, rather
than recognize the fact
Yet Native images, sto- that we can tell our own
ries, s)Tnbols, and his- stories and that there is
tory are all too often protocol for the acquisi-
used by Canadians and Americans cultural industry is stealing Native tion of stories, and rather than ac-
to sell things ^ cars, tobacco, mov- stories as surely as the missionaries cept responsibility to and for the
ies, books. But why hasn't Basil stole our religion and the politicians stories they tell, many non-Native
Johnston's Indian School Days stole our land and the residential writers and "storytellers" cry cen-
become a bestseller? Why hasn't schools stole our language. As Leslie sorship and decry self-censorship.
Half Breed by Maria Campbell been Marmon Silko writes in Ceremony, Some traditional stories tell how
reprinted? Why, for that matter, has stories ' 'are all we have, you see Trickster attempts to recreate the
Maria Campbell, as one of Can- — all we have to fight off illness actions, the magic of another. Mo-
ada's "celebrated" authors, never and death." tivated more by laziness, incompe-
received a writer's grant?
As a stor)rteller I was advised by tence in providing for his own family
With First Nations people struggling an Elder that there is a season for and his great need to impress these
for justice in Canada's legal system, storytelling — winter. "Blackflies, same friends with his handling of
in land claims, in education, what mosquitoes and other creatures like their magic. Trickster fails. Not only
makes Canadians or anyone else those stories," she cautioned. How are the friends not impressed, but
think Native peoples have equality quaint, I thought at the time. None- the magic always backfires.
in the film industry? In publish- theless, I respected her advice, and Our Elders and traditional teachers
ing? With granting agencies? Or as time went on, I began to under- want to share the beauty of Native
in the arts? stand. If storytellers sit around all culture, the Native way. But appro-
Unconsciously, perhaps, but with summer telling stories, then quite priation is not sharing, and those
devastating results, the Canadian naturally they'll become the feast of who fool themselves also fool the
^feW^SS^gS?S^j>^
public by drawing away from the What makes white Canadians and
real issues and struggles facing Na- Americans think they are privy to
tive peoples. Appropriation exploits the stories of First Nations people,
and commercializes Native cultures, anyway? And why is speaking for
and is harmful to innocent people. ourselves and telling our own stories
so threatening to them? Because
Consider also that when Native
stories are power? They have
and traditional people go out to
the land now, or so
gather medicine (roots
they think; do they
and herbs), they do
now want our stories,
not go out and just
our voices, and our
pick and take. They ask,
spirit, too?
talking to the plants and rocks,
telling of their needs and what is in Residential-schcfol survivors tell
their hearts. They leave a tobacco of children being forced to eat their
offering in place of what they take. own vomit when their stomachs
Native stories deal with the exper- could no longer hold down the
sour porridge. They tell of broken
iences of our humanity, experiences Would-be shamans knuckles from fingers being rapped.
we laugh and cry and sweat for, ex-
periences we learn from. Stories are would rather look to Some even tell of having pins stuck
not just for entertainment. We know through their tongues as punish-
that. The storyteller and writer has an ideal, romanticized ment for speaking their Native
a responsibility — a responsibility language. (Now, that's censorship.)
to the people, a responsibility for "Native" than confront Imagine — white Canadians and
the story and a responsibility to the Americans telling Native stories
art. The art in turn then reflects the reality of what because their governments outlawed
a significant and profound self- Native languages and Native life-
understanding. being Native means ways, and punished those of us
who resisted.
Now tell me, why are Canadians in this society. However, as Metis author Maria
and their American cousins so ob-
sessed with Native stories anyway? Campbell (to whom we Native
Why the urge to "write Indian?" writers affectionately refer as the
Have they run out of stories of their Mother of us all) said on public
own? Or are their renderings nos- radio last fall, ' 'If you want to write
talgia for a simpler, more "at-one- our stories, then be prepared to live
with-nature" stage of human with us." To this I have to add: not
development? just for three months either, and
eighteen months is little better.
Maybe Canadian and American
stories about Native people are Heed the voices of the wilderness.
some form of exorcism. Are they Be there at Big Mountain and Ak-
trjdng to atone for the horrible wesasne. Be there with
reality of Native-white relations? Or the Lubicon, the Innu.
maybe they just know a good story Be there with the Teme-
when they hear one and are willing Augama Anishnabai on
to take it, without permission, just the Red Squirrel Road. The Sau-
like archaeologists used to rob our geen Ojibway. I dare you,
graves for their museums. Well, I say, a mouse dances on
What about the quest for Native my head, and if you want these
spirituality? It is mostly escapist, and Native stories, then fight for them.
people like Darlene Barry Quaife, I dare you.
Lynne Andrews, and other would-
be shamans would rather look to an AAA-im-EEE Y-AAH!
ideal, romanticized "Native" living Clear the way.
in never-never land than confront In a sacred manner I come.
the reality of what being Native The stories are mine!
means in this society. —an Ojibway War Song •
Just Enough
£*
t o M a k e a Story 4 •--,*
This slim volume offers much more than
sources, although there are these —
story- and songbooks; storytellers on
record, book, and film; books about
folklore and fairytales. My favorite re-
•* '^^--ri
source lists are "active heroines" and
"stories in service to peace."
NAPPS of events. You also get the Catalog of they see as satanic or otherwise immoral
Storytellmg Resources. With a Member- content, worried citizens are banning
If you consider yourself a storyteller, you storytellers from performing. . . .
ship PLUS, add to those benefits eight
most likely are a member of NAPPS. If
issues of the Yarnsp'mner newsletter, A group of parents charged that [Martha]
not, avail yourself of their almost limitless
which deals more with the nuts and bolts Stevens' stories — including "Prometheus
resources: with a regular membership
of storytelling, and the annual National and Pandora," "Jack and Mary," and "The
you get Storytelling, a wide-ranging
Directory of Storytelling. NAPPS puts Ring in the Fish" — were satanic because
quarterly covering stories, the traditions
on a national festival every October in they centered on or contained references
from which they come, their uses, the
Jonesborough, Tennessee, and has re- to spirits or magic. —Storytelling
people who tell them, and a calendar
cently launched a National Storytelling
Library and Archives. —Sarah Satterlee HAPPS
(National Association for the Preservation
•
and Perpetuation of Storytelling)
In the Mexican folk tale "Ashes for Sale" a
Membership
gang of robbers panic, run off o cliff, and
presumably perish after they mistakenly $ 2 S / y e a r (includes 4 issues of SforytelUng
think they've seen the devil. Magazine; single copies $4.95)
Membership PLUS
In incidents across the country something
similar is happening to conservative-minded $ 4 0 / y e a r (includes Storytelling, 8 issues
individuals, angry parents, and cautious of Yarnspinner, and National Directory
school officials, and their reactions bode of Storytelling)
ill for storytellers. In their efforts to protect NAPPS, P. O. Box 309, Jonesborough, I N
their children and themselves from what 37659-9983; 615/753-2171
Storytelling: lovers vnill find it unfrogettable. many story structure maps in memory.
Other storytellers might require some
Process a n d Practice —Arthur Asa Berger
sort of memory aid.
•
It's conceivable that there are some as- Storytelling
When the storyteller learns a story, he or
pects of storytelling that aren't dealt with
she maps it in memory. The story map con- (Process and Practice)
in this book, but I find it difficult to think tains aspects of event sequence structure, Norma J. Livo and Sandra A. Rietz,
of any. This labor of love deals with every- number sets, overall top-level structure, 1986; 462 pp.
thing from the functions of storytelling to participation opportunities, and specific $ 2 9 . 5 0 postpaid from Libraries Unlim-
preparing, developing and delivering story content. During the telling, all of ited, P. O. Box 3988, Englewood, CO
stories. It also offers numerous resources these elements are integrated to produce 80155; 800/237-6124
for storytellers, including a wonderful the concrete product — the told story.
21-page reference section dealing with
Some storytellers map stories "naturally."
frogs: frog princes, frogs with human
They do not require the use of physical
qualities, frog brides, leaping frogs,
aids, but simply recognize and remember
worldly frogs, African frog stories, songs
story shape and content after a reading or
about frogs, frogs as frogs, etc. etc. There a telling. The experienced teller, and one
are also sample flyers and suggested who has had extensive exposure to the
syllabi for courses in storytelling. Encyclo- oral literature, will recognize a variety of
paedic in size and textbookish in nature. story shapes readily, because experience
Storytelling is also full of passion. Frog has contributed to the development of
27 GATE Fl 67
by Nancy Schimmel
E
VERYBODYSAreifyou forgetting, if you forget something
read to your kids it will help in a story when you tell it, think
them learn to read. Every- about whether the story really need-
body's right. '&U give your ed that thing or not. The subcon-
children practice in visual- scious is a good editor.
izing the happenings in a Start with folktales. They come out
story, which will make their of the oral tradition, so it's easier to
reading more enjoyable later put them back in. Also, they don't
on. Ifou also give them ex- depend on an author's exact words,
perience with narrative language, so you can tell them much more
which has more description and less freely. Start with something short or
"Pass the butter" than everyday repetitious that you like a lot. Brev-
Nancy Schimmel grew up conversation. But what if you don't ity, repetition and love will help you
in a slorytellsag i&mily like to read aloud? What if you have learn the story — the greatest of
and went pro in 1975 after unpleasant memories of reading these is love.
eight yeaiy as a children's aloud in school because you were
librarian. She has told shy, or dyslexic, or because the books If you're not telling a written story,
traditional and ori^ial you had to read aloud from were tell about something you and your
stoiief, R> adults and chil- just too stupid? Do your kids get kids did together a while ago. They
dren at festivals, schools, will help you with that, too. If you
colleges, Uhi'aries, hos- short-changed? They don't have
pitals, bookstiires, rallies to. Tell a story. get tired of "help," tell them about
and coffee houses. She when they were babies. Kids love to
has uiught storytelling If there is a book you have read hear about themselves (unless they
to adults in the library umpteen times you can probably tell only hear about their mistakes). If
schools At UCLA. UC it, and your kids will help you. Say- you want to get creative without
Berkley, and the Univer- ing words goes much more slowly too much effort, invent or borrow a
siiy of Wsscotjsin. She than reading them silently. So trans- character and tell your family hap-
has made one storytelling lating a written story into a telling penings as though they were happen-
book, one audio tape and story often involves cutting. Too ing to that character. My father used
one vidiK) tape, all avail-
able from Sisters' Choice much description right at the be- to tell me about the three little pigs
ftiess, 1450 6ih Street. ginning can turn listeners off. Leave going to see their grandfather and
Berkeley. CA 94710: out what is not necessary, and try grandmother, but it was my grand-
415/524-5804. moving some description around in mother and grandfather he was talk-
—Sarah Satterlee the story to where it fits best. Leave ing about. The three little pigs got
in only enough 'he saids' and 'she oatmeal in their trough every morn-
saids' so your listeners won't get ing, which is what I got in my cereal
lost, and forget the rest. Speaking of bowl every morning at their house.
Aft
long day, and feel too tired to sound
interesting, try sitting up straight and
taking a deep breath before you be-
gin. Remember, you don't have to
sound too interesting at that hour.
If your audience goes to sleep, all
the better.
Homesick: My Ovm Story is an engag-
ing memoir of childhood written for
children. Reading it aloud to your
kids may inspire you to meander in-
to some of your own stories and will
provide a fine model for the art of
family telling. For more ideas on
family storytelling, read The Family
Storytelling Handbook (WER #60, p.
116); BIdcfe Sxep & Kisdng Cousins
and Celebration of American Family
In Annie Storks, Doris Brett describes nating to Aunt Elizabeth's kids.
Folklore contain fascinating family
using this technique in a more pur- Grandparents, too, are in a strate-
anecdotes — the former focusing on
poseful way. She recommends telling gic position to tell their grandkids
how they function in family dynam-
a child a stoiy about another child things those kids' parents won't tell
ics, the latter on more folMoric as-
very like himself (or perhaps three on themselves.
pects — to inspire your own tales;
pigp very like him) successfully en- When you tell stories about your
countering a situation the child is and if you want to get into telling
own Me, it can be hard to figure out folktales or telling to larger-than-
afraid of, such as the first day of where each story begins and ends.
nursery school or a trip to the den- family groups, read my book. Just
With kids, you have to cut to the Enough to Make a Story, m
tist. Hearing about someone else chase pretty quickly. If you tell often,
who is scared is comforting in itself. you can build the cast of characters
Also, because the scary thing is hap- (your parents and siblings, childhood Annie Stories: Doris Brett, 1988; 228 pp.
pening to someone else, the story is friends, teachers) gradually, and not $5.95 ($7.95 postpaid) from Workman Pub-
not too scary to listen to and think have to do so much explaining each Ushing, 708 Broadway, New York, NY
about. And the successful ending time before you get to the action.
gives the listener hope. 10003; 800/722-7202.
Take the time to remember the peo- Homesick: Jean Fritz, 1984. $3.25 ($5.75
It takes a great leap of faith for chil- ple and places vividly so the stories postpaid) from Dell Publishing Co./Direct
dren to believe that the world existed will sound fresh. Looking at snap- Sales, 414 E. GoU Road, Des Plaines, IL
before they were bom, but it is pos- shots, if you have them, can help. 60016; 800/223-6834.
sible for you to interest them in tales If you can, tell how the incident The Family Storytelling Handbook: Anne
of your own youth if you choose changed you — your understanding
Pellowski, 1987; 150 pp. $15.95 postpaid
carefully. Tell them about times when of someone, your aspirations, what-
from Macmillan Publishing Co., 100 Front
you were scared or surprised or em- ever. Or say how it seems different
looking back on it than it did at the Street, Riverside, NJ 08075; 800/257-5755.
barrassed or up to no good. My
time. Connect the story to the you Black Sheep & Kissing Cousins: Eliza-
father charmed me with a story
about a time in his childhood when they know. beth Stone, 1989; 256 pp. $7.95 ($9.95
they had a field of watermelons, the postpaid) from Penguin USA/Cash Sales,
You don't need to be an actor to 120 Woodbine Street, Bergenfield, NJ 07621;
bottom dropped out of the water-
make a story sound interesting. You 800/526-0275.
melon market, and they were eating
can play with different voices and
watermelon every day. One day his Celebration of American Family Folklore:
accents if you want to, but you don't
sister Elizabeth had had it. She stood Steven ]. Zeitlin and Amy J. Kotkin, 1982.
up with her plate of watermelon in have to. Think about how you would
$11.95 ($13.95 postpaid) from Random
her hands and whirled around — feel if you were the character you
House/Order Dept., 400 Hahn Road,
watermelon slid everywhere! Aunts are reading or telling about. Use
Westminster, MD 21157; 800/726-0600.
and uncles take note: this story your own voice but put that feeling
These books are dso available from Whole
would have been even more fasci- into it.
Earth Access.
If you are telling at the end of a
Joining In
Audience-participation storytelling is
Sunman NARRATIVE AUDIENCE RESPONSE
ORTELLER'S ACTION
tricky stuff. Interacting with a shy or un- I am going to tell you one of the oldest stories in the
ruly crowd challenges any storyteller,- world. It is based on a Bushman myth from Africa. You
but when it v^rks, it works. In this helpful can help me tell this story. In many places in the world
children and adults join in with song and gesture. Let me
book, 18 very different storytellers present
teach you the refrain in the story, so you can sing it along
stories, tell how they get the audience to with me.
participate, and comment on the exper-
Sunman, Sunman, Bring us your light
ience, letting you inside their minds as
Sunman, Sunman, Chase away the night. Sing the song two times.
they tell. Good stories, too.
Now let's add these gestures. Good. Cross your arms near
Two other books on participation story- your waist and then lift
them up, stretched out.
telling have come out recently,- Joining Repeat the song and
In is clearly the "best buy," as the others gestures two or more
cost about three times as much. But if times.
your library has Twenty Tellable Tales:
Audience Participation for the Beginning story by improvis i g during the next part of all these people too! Creatively gifted
Storyteller (Wilson, 1986), use it as a of the story. students also benefit from this approach.
source of easy stories that you can do They can create on their own levels, giving
I simply adapted the method to meet the
with or without participation. For story- detailed scientific or wildly creative ideas.
needs of audiences in the northeastern
telling in classrooms, Twice Upon a Time
part of the United States where students Joining in
by Judy Sierra and Robert Kaminski (Wil-
in assemblies are not always a real com-
son, 1989) has stories for participation Teresa Miller and Norma Livo,
munity, ready to share time and space as
and creative follow-up activities for kids. 1988; 125 pp.
well as some other audiences might. In
—Nancy Schimmel assemblies of 50-250 students, I tell the $ 1 1 . 9 5 ($15.45 postpaid) from Yellow
• listeners that I will ask them from time to Moon Press, P. O. Box 1316, Cambridge,
I developed the "organic" style from time about the pictures in their mind's eye. MA 02238; 617/628-7894
watching my friend, storyteller Mara When I ask them to create a picture they (or Whole Earth Access)
Copy, teli stories using an African style of can let me know that they have one by
telling in which on audience member might raising their hand. Then, at the time, I
say at any point in the narration, "Story- point to one person, listen to their "pic-
teller, I was present." The teller pauses t u r e " and use whatever they give me,
and says, "And what did you see, my child always validating their response with
[or woman, etc.]?" The listener then tells "You're right!" There is always at least
her or his version and then the teller val- one student who will turn to another, joy-
idates the listener by saying, " A h , for sure, fully giggle and say, " I ' m right!" This may
my child, you were there!" The teller then be the only time that student has been
integrates the listener's vision into the right all day, or even all week! And in front
Children's Own Stories once, but as creation and connection. got the carrot and ate it. After he ate the
Children, one at a time in small groups, carrot, John said, " Y u k ! " and he spit out
77i/s is about storytelling not as perform- the carrot. When the rabbit spit out the
tell stories, true or made up, to a trained
volunteer who accepts them and writes carrot, Raul and John became their own
them down, checking with the child that selves. That's the way we like it, uh-huh!
the story is written the way they want it. —Raul, 3rd grade
The stories go into a notebook for each »
child. No one corrects them. The chil- On taking dictation (working as a COS
dren can read their own stories or each parent volunteer)
other's while in the small group or listen "Sitting down at the typewriter at my
to the teacher. At the end of the year, daughter's school is pure pleasure for me.
each child has a book of his or her own I love Children's O w n Stories. The children
stories to take home, and a copy goes in yak and I type. It gives them a tremendous
the school library if they want it to. power over the language to have an adult
operating a typewriter on command. It's
That's all, except that the children learn as if somebody is handing them the keys
to be their own editors, their stories to a Lamborghini and saying, 'Take this
always get better ewer time, the children baby wherever you want.'
learn about each other's lives, and they
"The whole territory is theirs to explore:
Chlldren's Own Stories feel better about themselves. So let's do talking shrubs, frogs on fly-fishing expedi-
(A Literature-Based Language Arts it in every school. —Nancy Schimmel tions, aliens, couch potatoes, nuclear war.
Program; Grades K-4) • They don't need to be able to spell or
Lynn Landor, 1990; 112 pp. John and Raul found a witch in a creek. punctuate — just to imagine and com-
$ 2 0 ($22 postpaid) from San Francisco The witch's name was Carmen. She cast a municate their ideas to someone. In the
Study Center, P. O. Box 5646, San Fran- spell on John. She turned him into a rabbit. long run, those are the writing skills that
cisco, CA 94101; 415/626-1650 She turned Raul into a carrot. The rabbit really count."
The Boy W h o Would Be A Helicopter out chair cannot compete with being in jail
for "a hundred miles."
This is the kind of book I can read all "Tie him in chairs. He-Man! That kid broke
day. A sharply observant and self-aware our castle!"
The Boy Who Would
teacher presents me with all the fascinat- "Police 9-1-1! Calling He-Man police. Be A Helicopter
ing details of young children's interaction There's a robber here!" (The Uses of Storytelling in the Classroom)
in fantasy play without the noise and re-
" M y blade is broken," Joson whimpers, Vivian Gussin Paley, 1990; 163 pp.
sponsibility of actually being a teacher.
And since I am a storyteller, her work surveying the jumble he has created of $ 1 9 . 9 5 ($21.95 postpaid) from Har-
Alex's building. " I ' m fixing my blades." vard University Press/Customer Service, 79
with writing down the children's stories
Garden Street, Cambridge, M A 02138;
and having the group act them out under "Police 9-1-1. Robber fixing blades on 84.
617/495-2600 (or Whole Earth Access)
the direction of each story's creator brings Do-not-break-this-again-or-you-will-be-in-
me to the roots of my craft. She assumes jail-for-a-hun-dred-miles."
5SC?^*"
this way of learning is available to every " O k a y , " Jason calls out from inside
child — I think her practice of reading the heliport.
two books aloud to the class every day li'r
and reading to individual children on re- How would the time-out chair hove im-
quest may have something to do with proved the scene? Jason's unexplained
destructiveness was incorporated into the
their skill. —Nancy Schimmel
drama, and a sensible solution was found \ ahelicopfe^
• by Alex, who himself frequently benefits
" G e t that k i d ! " Alex screams at Jason. from this sort of dramatic logic. The time-
p«ity
VK^IA^ &".«:"
:J
[ay Allison is one of the country's
foiemost independent radio producers.
He has produced hundreds of radio
you into thinking you're recording must turn over or change the cas- You can't record too much. Tape is
when the tape isn't moving. sette, so you don't break yoxu: flow cheap. Collect and catalog sound ef-
Once in while, during recording, or re-attract attention to the record- fects and ambiences. Save everything,
look to see that the reels are turning. ing gear. But don't take that moment including your notes. Don't erase.
If you have a three-head machine, to inspire a wonderful response.
Remember you can always use your
put it in tape mode occasionally to Sometimes I make a list of questions recorder like a dictating machine,
make sure it's recording properly. If before an interview and half-memo- either for on-location narration or
you have a two-head machine, wind rize it. I don't follow it during the for note-taking. Don't forget to look
your tape back at some point and lis- interview, but keep it handy to check as well as listen. Note specifics about
ten to make siure everything is okay. before the end to pick up anything what you see and feel. Immediately
Omnidirectional, dynamic mics are I forgot. after an interview, make some notes
the best choice for all-purpose inter- about what you remember . . .
Get all the sundry sounds and room what mattered.
viewing and basic sound-gathering. tones, like phones ringing, dogs
Unidirectionals are good for noise barking, clocks ticking, etc. — they Label everything. Pop out the safety
rejection from the sides and rear and can be useful for editing. Leave the tabs in yoin cassettes after you've
for stereo in pairs, but they are sen- machine nmning for stuff that seems recorded, so you can't accidentally
sitive to wind and handling. Powered irrelevant — it might not be. Yes, erase them. Never throw away a
mics (electrets and condensers) have leave the recorder running. If you master. Make safety copies of
good response and high output, but turn it off, they'll say the most per- precious stuff.
they are sensitive to wind, handling, fect thing you ever heard. Don't pack
humidity and dead batteries. Take plenty of extras — spares of
up your stuff until you are gone. Al-
everything, depending on how long
Try recording with headphones. low people the chance to say things
you'll be on location — tape re-
They are almost essential for stereo in conclusion. Ask theni who else
corders, assorted microphones,
recording. And they're always helpful you should talk to. You might want
cables, tape recorder batteries, mi-
for catching wind noise, handling to record them saying their names
crophone batteries, tapes, AC cord/
noise, cable rustle, RF interference, and what they do.
adaptors, extension cords, wind-
P-pops, hums you didn't notice, ner- screens, headphones, lots of plug/
Get a minute or so of ambience
vous scratching, and other hazards jack adaptors, patch cords, mic
— more if it's good sound. Record
like forgetting to turn on the tape stands, shock movmts, Rowi clamp,
from various distances and perspec-
recorder. If for some reason you gooseneck, duct tape, electrical
tives. Experiment. For example, a
must conserve batteries, unplug tape, cleaning and demagnetizing
toilet flush is very different recorded
the headphones. gear, pens, paper, labels . . . •
from five feet away than with the
Make idle conversation when you mic resting on the plumbing.
BackHome
A while back, the once-famous Mother ^pi~ r..J^<^^-^ i
Earth News went slick. With its roots
cut, it soon wilted and died. Sorrte of the
non-slickers from Mother's original crew
have revived the original idea, if not the
name. It's just about what you 'd expect,
but pleasingly minus most of the countri-
fied hype that occasionally sullied past
efforts. The Winter issue includes features
on making toys from cans, how to reload
rifle ammo, and what to realistically ex-
pect if you decide to keep a horse. There's
a bit on choosing an old Chevy pickup,
advice on back-saving woodsplitting BackHome Swiss Army mailbox.
technique, the mandatory recipes, and $16/year (4 issues) from P. O. Box 370,
an article on bonsai. There's a lot more. Mountain Home, NC 28758; 704/696-3838 dog's tie-out stake fastened to a few 1/8"
Interesting ads, too — a good sign. It's plumbing parts so it pivots. After picking
all most reassuring, especially to would- The corkscrew flag on our mailbox isn't up your mail, you reset the counterweighted
be and just-arrived rural folk. I'm glad to just decorative but works as a signal to let end on an extra catch attached to the
see this publishing niche filled once again. you know from a distance that the mail's door. The carrier does the rest when he or
—J. Baldwin been delivered. It's nothing more than a she drops off a delivery the next day.
AMONG OURSELVES
RIVERINE/RIPARIAN HABITAT
-H
I
by Rob Montgomery
McM-iii-s M.iiii.ill.ii.1.1
i n n l h i ' - o l lhi«'-. U s i i i o -
IUMU'I. l i i i d - u s i - .uli
MM f A K V - l ri'\M'*'ll
A\.ilui.i<.''a Qiii'«'ii Sh<'
has K v i i wurkini; w i l h
llll- lllll.lllK.il I'll'-^T
v.iin>ii l'i>rp>. Ill i-nip.!
j^iU- MKI ii-ilislril<ui'
I'liilan^jiTi'il pLiiHs i>!
iiu\!iiiii.il iiiil ••piiiui.i!
\.i!iif
•I frr. "•-.
wj-"^
82
Saving Our moderate fire. Fire rarely kills
all the trees in a grove; a few
Ancient Forests trees of various sizes, species
Push has come to shove in the timber and ages are usually spared. T H E O W L IS
business because the resource has been Similarly, under New Forestry
exhausted. At the same time, scientists practices, several live trees per Thenortherr, A G O O D S I G N
have only recently pieced together how acre remain when an area is spotted o w l ,
an old-growth forest functions as an eco- logged. Most large snags stay
w h i c h depends A n d w h e n the o w l p o p u l a t i o n
system. This book neatly summarizes the and logs are left strewn across
the ground. These practices are u p o n large tracts dwindles, it means something's
politics and the science, and mixes them wrong with the forest. This is why
aimed at leaving a "biological of ancient forest
with activism. The writing communicates the U.S. Forest Service selected
legacy" to shelter wildlife and f o r its survival, is the owl as an indicator of the for-
down to about the junior-high level,
speed the renewal of the forest.
making it an obvious choice for any li- t h r e a t e n e d w i t h est's health, just as miners used
Although New Forestry is still in
brarian. All of which makes this book a the experimental stages, several e x t i n c t i o n . canaries to indicate whether there
quick and painless way for adults to get was enough good air in a mine
national forests — including
up to speed on the fate of our dwindling shaft, we can use the spotted owl to read the health of
the Siskiyou and Willamette in
old-growth forests. —Richard Nilsen the forest.
Oregon — have already decided
to use this approach on tens The owl builds its nest in dead trees and preys on
of thousands of acres. squirrels and other small mammals that eat the fruits of
K\ mycorrihizal f u n g i , spreading their .j
spores. If the owl population falters,
The current price of wood re- it may signal a d r o p in the
flects the cost of extracting a population of those mam-
tree from the ancient forests, mals, meaning that the
not the cost of replacing it by fungi's spores are not
growing a new tree in its place.
P' As an indication of this, the
being dispersed to
young trees that
countries that buy logs from the need t h e m .
Pacific Coast — primarily Japan,
What's more, the ancient
China, and Korea — exhausted ^^* ^-»-7»" • forest is now so badly frag-
their ancient forests long ago.
mented by logging that half the young owls
Saving Our Ancient Forests They now value wood quite
highly and therefore bid much b o r n each year are killed by predators w h e n t h e
Seth Zuckerman, 1990; 116 pp.
higher prices for timber than fledglings leave the nest in search^ of homes of their
$ 5 . 9 5 ($8.95 postpaid) from The own.
Americans do. Port Orford
Wilderness Society, P. O. Box 296, Fed- So when the issue of the spotted owl is
cedar, once favored by Amer-
eralsburg, MD 21632-1296 raised, remember - it's not just the owl but < ^ - \ ) v -
icans for making arrow shafts,
is unavailable in the United the whole forest that's at risk.
New Forestry, brainchild of ancient forest States because it commands
scientist Jerry Franklin and his colleagues, such high prices from Japan-
tries to imitate the state of a forest after a ese builders.
Cornucopia edibles, mushroom spawn, and even colored; ripens during July at Leesburg,
starter cultures for baking and brewing. Florida. Primarily for home gardens and
Some of the most amazing horticulture local markets in the Deep South. Vine hig!
books have their origins when first-time If every reference librarian orders just
yielding; tolerant to Pierce's disease.
authors-to-be ask the question: "How one, maybe Mr. Facciola will recoup his
BROOKS 1972; R 9 M , M31M, N33
come there's no book that will tell me investment (this self-published book was
?" Right Plant, Right Place, created on borrowed capital, not grants
Kent Whealy's work with Seed Savers or the academic dole). For anyone in-
Exchange, and Gardening By Mail all volved with food plants, it is an immense
come to mind. Well, add Stephen Fac- service, a book to own and use. (()«\J/n"''^
ciola to the list. —Richard Nilsen
[Suggested by Greg Williams]'
Facciola once worked in a commercial •
seed house; he wondered why no one
TABLE GRAPES
had ever taken the shelf of reference
AMERICAN These are mostly slipskin
books his job required and collected all
grapes, characterized by pulp that readily
that information into one volume. He
slides out of the skin. They have soft flesh
then spent more than five years finding
and a distinctive, " f o x y " or musty flavor
out why, as he compiled this book. It is
and aroma. Most have moderately vigorous
a record achievement in many ways — vines that are trailing instead of upright,
3,000species and 7,000 food-plant cul- and are resistant to many insects and dis-
tivars are described, including access on eases. Generally more cold hardy than
where to buy each one. Doing that in- Vinifera and French hybrid grapes. Mostly
volved the biggest list of seed catalogs: V. labrusca. . . .
1,100 from North America, plus 250 from
Green-Skinned/Seeded C&rnue&pia
overseas. In one place there now exists (A Source Book of Edible Plants)
Lake Emerald: {V. simpsonii x) Medium to
basically the contents of all the commer- Stephen Facciola, 1990; 677 pp.
large fruit; skin emerald green to light-
cial seed catalogs, plus sources for heir- golden, fairly tough; flesh soft, sweet, $ 3 5 ($37.75 postpaid) from Kampong
loom vegetables, herbs and spices, fruits, uniquely fragrant, agreeably flavored; Publications, 1970 Sunrise Drive, Vista, Cfi
nuts and berries, edible flowers, wild juice aromatic, sweet, well-flavored, light- 92084; 619/726-0990
USED TO THINK
that my period was a
nuisance, a messy intrusion \
that increased laundry and
caused a host of unpleasant
symptoms including exhaustion
and debilitating pain. Menstruation
interfered with my sex life, with ath-
letic activities, and with my energy Jc\-
el. It caused mood swings, iiritability,
and destructive, unstoppable bitchmess
It cost money — in pads and tampons to
c'bsorb the blood, in ruined clothes, m time
away from work. It was a mean and sneaky -
saboteur that would always come at the
most inconvenient time.
x» Despite this catechism of woe, when my per-
iod came there was always a part of me that
was pleased. It meant I was healthy and fer-
tile and that everything was working properh
There was a sense of pride about bleeding that
I felt strongly with my first period; but in the '•^"^WSSWSTOHW?
The pads: To make a cloth The liners: To make a liner, cut out a
pad, cut out a piece of cotton piece of flannel, and hem or zigzag the
measuring 9 or 10 inches edges so that the finished size mea-
wide by 18 inches long (or sures 28 inches long by 8 inches wide.
20 inches long, if you plan to (Liners for "light days" can measure
wear your belt high up on 14 inches by 8 inches.) Fold the liner
the hips). Holding the cloth in half and then in half again, so that
lengthwise, fold over one it measures 7 inches by 8 inches. Now
edge about 1 inch; then fold fold it in thirds, and stuff it into the
again to near-center (illus- C opening in the cloth pad. •
tration C).
Repeat with the other edge.
The two smooth edges should
overlap slightly (illustration
D|, and the finished pad
should be about 3 inches
wide. Fold the ends over to Sssssss'sswwj'"--^'-'^ J . 1
make loops large enough to
fit your belt, and stitch in
place (illustration E), or sew
on Velcro tabs (illustration F).
F
The Wise Wound tempt artificially to synchronise their sexual the cycle shortened to twenty-nine days.
cycles with the moon-cycle, and he found
When Penelope Shuttle and Peter Red- that they would so synchronise. Then in
grove decided to research menstruation A friend of ours, who is a Greek Cypriot,
1965 he Qsked a young woman with a took his mother on her first visit to Britain
in the 1960s and early 1970s, they dove history of irregular menstrual cycles to
into a diverse assortment of primary to see The Exorcist. He hoped to shock
sleep with the light on during the four- her, but she was completely unmoved. She
sources, including folklore, medical facts, teenth, fifteenth, and sixteenth days of her said that she couldn't understand what all
myths, and religious prohibitions, from cycle: the time when ovulation would be
the fuss was about, since little girls grow-
which they produced an imaginative and expected, in the hope that indirect lighting
ing up in Cyprus always behaved like that!
pioneer study. The Wise Wound, first like the moon's, reflected from walls and
published in 1978. ceilings, would promote ovulation. Indeed,
•
Each person starts his or her life under a
Their understanding of symbols, dreams, mother's rule, expressed by body-language,
language, and feminine energy leads us since it is too early for spoken language,
into the depth of what we've repressed and that the mother's body-language re-
— that the creative rhythm guiding all flects the changes of her menstrual cycle.
cultures originated in the processes of It has been shown that the apparently ran-
women's menstrual cycle, "learnt by dom gestures of a young baby's limbs ore
women and imparted to their male part- such a language expressing responses to
ners, who have taken it for their own, his mother and his environment generally.
It is certain too that the neurological struc-
and forgotten their teachers." In other # ture of every person's body reflects a divi-
words, "the physical experience made
sion between the intellectual powers of the
possible the mental one."
new brain or neocortical structures, and
By abstracting the processes from their the older, limbic brain.
source, we have denied ourselves un- The Wise Wound It is of course this limbic region that we
known riches. It is exciting to imagine, as Penelope Shuttle and Peter Redgrave, suppress with our tranquillisers, whether
research continues in this vein, where we 1978; 335 pp. we administer them to counteract premen-
are heading. —Shana Penn $ 1 2 . 9 5 ($15.45 postpaid) from Bantam strual tension or for any other reason.
• Books/Direct Sales, 414 E. Golf Road, Des And it is this region of older powers that is
Dewan began his work by shining light on Plaines, IL 60016; 800/223-6834 visited each month by Everywoman in the
marine worms in the laboratory in an at- (or Whole Earth Access) so-called "regressions" of her period.
*,•
«™11
WfW^'^' ^^
'z LEFT NEW YORK sooner than I had expected. Only six
'The 'Proper \r' years earlier, I'd felt I had truly arrived, and that I would
\:. never leave. For years there was nothing I did not like about
Use off Land'
the place. I loved the crowds, the smells, the food, the subways,
poses, not a even the sixth-floor walk-up apartment. There was no reason to
suspect that I would ever feel compelled to return to rural life,
technical nor not after I had so purposefully given up life on the farm to search
__ for Life^in the City. T ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ n d l e s s nossibilitv
^i>S*<,
an economic, wliere I coulH" live a | j j g ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ |j^g tempered
by the arts and seasoned with pleasures of foods, society, and
but primarily sophistication unknown to the rural drudge. It was the place I
had long lived in my imagination, and as I walked from top to
a metaphysi- bottom and side to side, going everywhere, seeing everything,
it was no less gritty and glorious underfoot than it had been in
cal question" my fondest daydreams. But this all passed. Despite my studied
—LI Sehumaeher urbanity, my boundless enthusiasm, a vague feeling of discon-
f
What is not so clear from a strict-
ly economic analysis, however, is
that by applying an industrial
model of productivity to agricul-
ture, agribusiness has tended to
y
use farmland as a consumable
commodity, a resource to be min-
ed for its economic potential. This
is borne out by statistics that
show a more or less steady in-
crease in yields over the last four
decades, but fail to indicate that
(according to USDA estimates)
there is now a net loss of five
bushels of topsoil for every bushel
of corn produced in the United
States. Nor do the production and Consumption beyond need is what appears to drift
revenue statistics make it clear
that the energy used to achieve the economy, not response to need, it cannot sustain
these yields has increased almost
sevenfold since 1950, that fer- unless it grows, and cannot grow unless it perpetually
tilizer use has increased more
than eightfold, while yields have consumes more than it needs.
merely doubled. What has been called productivi- II speak of farming, i.e. leasing out, his realm, "the
ty, then, is quite clearly consumption — consump- revenue whereof shall furnish for our affairs in
tion of once-abundant, seemingly cheap, and now hand," in this case war. It was not until the early
diminishing resources. 19th Century that "to farm" commonly meant " t o
cultivate.'' This makes it more or less synonymous
This is not what I meant when I said that our in-
with our imderstanding of another Old English word,
tention was to "farm" a farm — not at all. This is "till." However, in its earliest usage, "till" was not
much more what Thoreau had in mind when he a synonym for ' 'cultivate.'' It meant to strive, exert
said, ' 'The farmer is endeavoring to solve the prob- oneself, to labor after, to get by effort, and by be-
lem of a livelihood by a formula more complicated stowing attention on.
than the problem itself."
There is something of this sense left in the word
' 'Well,'' I can almost hear our realtor asking, ' 'if you when we are told in Genesis that neither plant nor
don't care about the view, if you don't want to de- herb grew on the Earth immediately after its crea-
velop it, and you don't want to 'farm' it, what do tion, "for the Lord God had not caused it to rain
you want to do with a farm?" upon the earth, and there was not a man to till the
According to the Oxford English Dictionary, "farm" ground" (Gen. 2:5), It is also the sense implied Vvhen
is a word with no certain etymology. The earliest we are told later that the newly created man was ex-
sense of the verb form "to farm" is to rent, lease, pelled from the Garden of Eden "to till the ground
or otherwise make payment for use of, or right to, from whence he was taken" (Gen. 3:27). That the
something — frequently but not exclusively land. activity required to complete the creation is the
Thus in The Legend of Good Women Chaucer uses same one man is condemned to perform "by the
"farmer" ("fermour") to mean one who pays an- sweat of his brow" after the Fall strikes us as odd.
other for the right to collect taxes — a truly repre- But the irony is by no means unique to the biblical
hensible occupation. Later, Shakespeare has Richard account of creation and it suggests, in Genesis and
logical and biological understand- Ife cin no more return we cannot. We cannot return the
ing and to attempt to deny that, fire to Prometheus; Pandora's
like all life, we are rooted, ground- to technolosical in- dowry cannot be gathered back
ed in the Earth. Our necessity is into her box. We are what we are,
with the Earth. If by acquiring the socially and technologically, be-
nocence than we can
fire of Prometheus we have man- cause we are who we are, biolog-
aged to place ourselves in a unique ically and spiritually. We can no
relationship to it, we have not return to undifferen* more return to technological in-
thereby placed ourselves outside nocence than we can return to im-
its necessity. We are in it and of tiated consciousness, differentiated consciousness. The
it. To act as if we have chosen only thing we can do is choose.
some other necessity — to act as Tiieonlytliinswecan We are where we are in our rela-
if there is some other — is to tion to society and technology, in
place ourselves in opposition to do is choose. our relation to nature and spirit,
the elemental forces that have because of the choices we make.
shaped us, given us life and, iron- "But choice here," according to
ically, given us the freedoni to Arnold Pacey, "is not the simple
choose, l b choose to imagine that weighing of known options — it
we are free to choose our own ne- involves, rather, different ways of
cessity is to abandon our "com- approaching the unknown. It is a
mon sense" view of the world. decision between different atti-
We live in between the necessity tudes of mind" {The Cultuie of
that binds us to the Earth — a Technology, 28-29). Our choice
necessity at once biological and of technologies commits us to
spiritual — and the freedom that a particular way of being in the
allows us, at its extreme edge, the world; by choosing we become ac-
illusion of choosing a more pala- countable; having chosen there
table necessity. Today it seems is no "back to the Pleistocene,"
that we exercise our freedom most assiduously in there is only responsible action. It is in failing to act
our choice of means, in our use of the gift of Pro- responsibly that we have lost our way in the world,
metheus. But as the way we live becomes more and that man pursues the shadows of his images, that
more dependent on means that are further and fur- our lives have ceased to make sense.
ther removed from our daily routine, and as our at- What is clear from all this is that living a life that
tention to necessity is overwhelmed by secondary makes sense is not a question of where to live, but
concerns, concerns once called luxuiia, we somehow a question of how to live. It is, as Schumacher sug-
forget the responsibility that comes with our choice. gests, a metaphysical question, one that involves our
Having accepted the gift of Prometheus, it now ap- fundamental convictions about our way of being in
pears that we have decided that we will not be held the world. It is, finally, a question of right livelihood.
responsible for its burning, no matter how large a
I have thought a lot about what it means to buy a
fire we build. Having accepted the fire, we have now
farm. If moving back to the country is to be anything
declared our right to it, and to whatever use of it will
more than the exercise of economic and social pri-
serve our chosen "necessity." This we do whether
vilege, if it is to be more than a change of lifestyle,
we farm in a way calculated to reap profits by the
then it must be a move that carries with it an obli-
destruction of farmland, or whether we build nuclear
gation to right livelihood. A country lifestyle admits
power plants to fuel our progress, seemingly obli-
no such obligation — it is obliged only to pay the
vious to the wastes they produce — wastes that can
mortgage. ("Mortgage" is from Old French, mean-
be neither destroyed nor contained, but will endure
ing ' 'dead pledge.'') To buy a farm without attending
further into the future than the history of our spe-
to the question of livelihood is nothing but con-
cies reaches into the past. There is no sense of the
sumption, and it is likely to prove no more produc-
world in such actions. Nor, in our refusal to ack-
tive spiritually than economically. What good would
nowledge the responsibility that comes with our
it do to go back to the country and live a life that
choices, is there any sense of place in it.
was a spiritual liability?
The point is not that we should abandon our tech- Right livelihood means living in a way that makes
nology and "go back to the Pleistocene." Indeed, sense. It means choosing a way of being in the world
fmr
/
mit mJi
!
JJ ample: the lead singer jumps up on one of
the tables near the stage and while he's
doing his thing the bassist (if I remember
correctly) kicks the table right out from
under him. The singer lands on his back
atop of the round metal base of the table
(enough to paralyze — at least temporarily
— the normal human) and then gets up,
without a tear, and gets right back at it.
I mean a hero . . . an absolute drunken
bum of an idiotic hero. I also appreciate
the fact that [the Dwarves] took the price
N o t e s From t h e D u m p of my admission off their pay in order to
$20/year from Terry Ward, P. O. Box Roseanne was on her way to cop some get me into the club; but believe me, that
39, Acworth, NH 03601. crank when she flipped her little Sportster didn't prejudice me into calling the band
Acworth is a little town in southern New on the Cross Island Expressway, tumbled members stupid — I really, truly think
Hampshire, about fifteen miles due north headlong into a concrete road divider they are.
of Keene. As far as I know, it had no and died on the spot probably so high
claim to fame until around 1987, when on methedrine she's still high and never ^ Thanoteros
Terry Ward began publishing Notes From knew what hit her. Roseanne was abso-
• i * h°'P^- O- Box 89143, Atlanta,
The Dump. Terry's approach epitomizes lutely the ultimate example of life in the GA 30312.
the no-frills end of the publishing spec- breakdown lane. a
trum. Every couple of weeks he puts to- Like a lap dog I followed her around. We God is a bartender, not an accountant.
gether six pages of memories, ruminations drove taxi together in New York for three Before, after, and between lives and deaths,
on world affairs, notes on his love life, yeors and I would schedule my work day we gather about God's teakwood bar,
firewood ads and other drifting thoughts. around hers in order to just be able to see and rum and coke in hand, pay our price
Then he runs copies off on his computer her and talk to her — o that dear sweet of admission to this theater of life. We tell
printer, folds and stamps them, and tosses voice and that wonderful smile which the old fart all of our best tales. The more
them in the mailbox — whence they would light up a room — and she was dramatic and vivid we make them (em-
spread across the world, bringing little gifted, endowed with this uncanny ability bellishments and lies are encouraged), the
bits of New Hampshire to the rest of us.
• to play the piano from the blues of Elmore more liberal he is with our tab. Toward
• James to the lilting melodies of Brahms, those who saw fit to live safely and rou-
• o I tell you piano was her forte. tinely, with stories as dull as soup spoons,
• God does tend to write most pissedly.
Hog Callings tionaiist" zine, concerned with getting freedom and dissent have not been
$10/year from Whimsical Productions, the government off the backs of the citi- silenced in this era.
1301 Henry Street, Berkeley, CA 94709. zens (or as they put it: "In the decade •
• The Ostrich has been published, our
Turn we now to Tom Clark . . . who goes
REALLY REALLY TEENSY: The hydrogen principal thesis has been the fraud, cor- after the language poets in "Stalin as
molecule is indeed the smallest of all ruption, lying, sleaze, theft, and other Linguist." This turns out to be the latest
molecules, but if only every third atom criminality of our own government"). report on a battle begun over an article of
in just one cubic inch of hydrogen were They worry about the sinister New World the same name in a 1985 issue of "Poetry
enlarged to the size of an unpopped grain Order, investigate suppressed inventions Flash" (San Francisco), in which Clark's
of popcorn, that popcorn being popped, and ideas, cry out loudly in the face of criticism of the " l a n g u a g e " school brought
the salt which would be required to salt abuse of power by the IRS and other bitter criticism of him in reply, scores of
the popped popcorn would, when diluted agencies, and urge a complete overhaul letters and threats to cancel ads to the
with water only to the average salinity of society. Sometimes their hobbyhorses magazine. In general, Clark's criticism of
of sea water, need a quantity of water the language poets is that they are incom-
are of a different color indeed — for
enough to run Grand Coulee Dam long prehensible, contract the basis of poetry
example, this is one of the few places
enough to generate enough electricity instead of expanding it, and that their
where you can find a stream of articles
to run your vacuum cleaner till the bag criticism has taken priority over their poetry
about the abuse of prison inmates when
plugged up and made enough noise to and is filled v^ith jargon.
really get on your nerves a lot! prisons get privatized.
Sipapu
$8/2 issues (plus 6.5% tax in California)
from Noel Peattie, 23311 County Road 88,
Winters, CA 95694.
If you're still struggling to make sense of
the zine world, you might find Sipapu to
be of help. Noel Peattie bills his newslet-
ter as being "for librarians, collectors,
and others interested in the alternative
press, which includes small and 'under-
ground' presses. Third World, dissent, Great Expeditions
feminist, peace, and all forms of inde- $ 4 from P. O. Box 8000-411, Sumas,
scribable publishing in general." Around WA 98295-8000.
half of the zine is devoted to reviewing
this literature and interviewing those re-
Pakistan International Airlines allows fire-
sponsible,- the other half reflects Noel's
arms on board, but if you have batteries
professional career, with notes from meet- in your hand luggage there may be prob-
ings of the American Library Association, lems! I had to remove the batteries from
the Society for Scholarly Publishing, and my camera and Walkman and put them
more. Slyly witty and with a fine sense with my checked luggage before they
of small-publishing history, Sipapu has would let me board; the reason being that
become an essential in my own search batteries can be used to make bombs! •
to figure out What It's All About. It's
also fine reassurance that voices of
•DEADLY NEON":
A lethal dose of art criticism
EdUors'nele:JoeAugmtaieachesiMart'Orientedglasj-b€miingelassatVClA.aAdwasoneofthelasl$raduatesoftheEgafU
O neon school in New York. In a recent phont colt yte discussed teaching design vs. actual bending, and Joe was emphatic about
o the problems students have had getting past stereotypes and trite images, especially in the classes he formerly taught where
students only designed and didn't bend glass. The accompanying list is part of a handout he gives to students en the first day
o of class. Judging by the number of palm trees, flamingos and cactuses out there, we should have a nice pile of flak mail to pass
on to him.
Uy Joe Augusta Palm t r t t i . ralnbowi, llpi, coal liangcn^
Here's my vefboten list from my nowtr% bicycles, shots, hat% shirts, pipes
class at UCLA. The usual reqnnse M d cigars, dgcrcttts, cameras.
rrotn the students is a blank siaie, Parrots, nitralnsos, all birds, fish,
then "Well, what's left?" crabi^ lobsters, cowi snd horses.
UalcorBS, rabbits, dragon)^
That's where the teaching
camels, whales, fhigs,sh8rlu snd
begins: getting the students to
mict: all cats and dofs.
let go of dieir [veconceptions
C t f l l i t cups, cocktati glssses,
regarding neon, their bag of eyeglasses, I t e l b . c a r ^ hearts.
cliches ihey bring to the class. WlBt botllef. pliia,
I won't let them make it spafbett^ bread, hot dogs.
(whatever it is) bigger, a hamburfcrs, steaming cblckta.
different color, a slight Cycles, irlnDglcs, squares, say
variation, etc.; ihey have to geometric shape comphle or
think for themselves and come tip lacomplcts.
with something tm their own. Stars, shoothii sUrs. moons. pUncIs
and bubbles, sun attd clouds, waves,
I mean, if at the core of your and lightning.
uniqueness as a human being is a Planes, trains, cars and boat&
Neon News cactus, get out of my class! Guitars, electric bass, acoustic bass, trumpets,
Teach tng neon as a design class alone is even
$15/year (4 issues; $19 overseas) worse.
saxophones, and plaooo.
Chairs, beds, tables, desks and light bulbs.
from P.O. Box 668, Volcano, HI 96785; First on', students should take historical classes in design Bams, skyscrapcn, cityscapca, houses sad Greek columns.
808/967-7648. (tfiey don't), then they should learn design with simple items Remember what you see, think and feel can be expressed
they're familiar with: ihey should learn how to use a pencil. in neon. But the medium has pitfalls and traps that can lead to
A spirited and informative journal for They ^ould study the history of neon signs and sculpture: a terminal case of banality. Unfonunately. we carry these
they should study art, and be relatively comfortable making things atxHit in our heads, and they will slop us from fmding
people who work with neon — "bend- art; ihey should have made art in any medium at some time our own voice! ThereftM-e. they are to be avoided at all cost,
ers," as they call themselves. Begun in (see Augusta, page 9) and will be prohibited from this class.
iSe^tg!.-'
'CUCKOO, a San Francisco Bay Area- Interface: hitting a key on a MIDI instrument in 1986 to study Shona marimbas. Bean com-
bassd women's electronic marimba ensem- plays a preselected sound from its pro- poses, sings, and plays keyboards, MIDI/
ble and collective, has garnered rave re- grammed repertoire. The sound played marimbas, drums, and occasional synthe-
views and raving fans. Fascinating contrasts doesn't have to be from a musical instru- sized bass.
— oi primitive rhythms from their high-tech, ment; through the use of samplers, a MIDI Patti Clemens taught and performed theater
homemade instruments, of powerful female controller can produce sounds like zippers, improv with Second City in Chicago. She's
energy driving traditional "male" drum- heavy breathing, or even different spoken been a lead vocalist in many shows, choirs,
ming — are their stock in trade. words for each note. D'Cuckoo has used and groups in Chicago and the San Fran-
them all. cisco Bay Area.
D'Cuckoo's music is not what you might
think of as "electronic music." It's a varied After much experimentation, they came up Tina Phelps spent over five years studying,
and danceable blend of African, Asian, with the unique electronic MIDI triggers teaching and performing with the San Fran-
pop, and fvink. It's not trendy or pretentious now used. The instruments take two forms: cisco Taiko Dojo, as well as studying clas-
— it's simply the most interesting music I've the MIDI/marimba and the electronic sical piano, flute, trap drums and percus-
ever heard. In fact, I danced for the first time drums, or "turtles." The turtles are most sion. She now plays the turtles, marimbas,
in my life at a D'Cuckoo show. heavily used by Tina Phelps, whose back- and keyboards with D'Cuckoo. Her style of
ground includ« Taiko drumming, which is drumming is the most physical music I've
D'Ciickoo started in 1986 when Patti Clem-
much more intense than typical marimba ever witnessed.
ens, Candice Pacheco, and Tina "Bean"
playing. AH band members use the MIDI/
Blaine, then in San Francisco's Under-
marimbas, though Bean and Patti play them The band recently returned from a tour of
ground Marimba Ensemble, decided to ex-
most consistently. Candice often plays guitar Japan, where they played everything from
pand the musical horizons of the marimba. small clubs to outdoor festivals. After their
and/or synthesizer.
Candice recalls asking Patti, "Wouldn't it return, they went into the studio with Brian
be great if we could have instruments that Candice Pacheco composes and plays syn- Eno, who heard them play at last October's
looked like marimbas, but that could trig- thesized guitar, drums, keyboards, and MI- Cyberthon. He put them together with a
ger all types of sounds?" Soon afterward, Dl/marimbas. She has a strong background couple of the Neville Brothers band mem-
they started searching for instruments. in composing music and in programming bers for a session of "Broken Down African
After investigating commercially available electronic instruments and computers. She Industrial Robot Dance Music" or "Juju
hardware, they decided to build their own. also helped develop the Electronic Music Space Jam." Look for the CD, from Opal
Luckily, Candice met physicist David Reed Department at Sonoma State University, as Records, later this summer.
in 1987. He became interested in their proj- well as helping to develop its current Music There's no other band on the planet I'd
ect, and got Bruce Newcomb, a chemist, to Theory program. rather hear. *
help. David and Bruce helped design the in- Bean Blaine has spent much time traveling
Flash Gordon is a keyboard player, journalist,
struments, and Aisle of Women built them. in Africa, studying music and dance. In- motorcyclist physician, and computer con-
The instruments are called MIDI controllers. spired by marimba groups doing traditional sultant. Check out the D'Cuckoo ad in Un-
MIDI stands for Musical Instrument Device music of Zimbabwe, she returned to the U.S. classilieds. —Howard Sbeingold
Charcoal Bricolage:
The
Fuel-Efficient
Sudanese
Cookstove
by Ge
Structures
Nigel Hawkes, 1990; 240 pp.
$ 3 9 . 9 5 postpaid from Mocmillan Pub-
lishing Co., 100 Front Street, Riverside, NJ
08075; 800/257-5755
(or Whole Earth Access)
:siiiiES
The 270-foot statue of MotKerland {Volga- alone is said to weigh 2 5 0 tons.
g r a d ) is not fixed to its pedestal, its o w n
great weight providing the only support. Motherland's local nickname is
The scarf blowing a w a y behind the neck "Brezhnev's Auntie",
M
decoration into a layer of mud piaster. Slie
Is stai^din^ on u stock of beds.
Universal Patterns
The Golden Mean. Fibonacci Numbers.
Dynamic Rectangles. Spirals. Do you
know what they are? Did you once but
can't remember? Assuming that you care
— and there is plenty of reason to be
interested — here is what must be the
all-time clearest explanation of such
phenomena, and how they inform our
lives. You'd be surprised at how much of
our world is proportioned according to
these principles. The authors relate dif-
ficult abstractions to everyday things,
making them easy to see. A reasonably
intelligent l4~year-old could probably
understand, because the presentation is
comprehensible rather than challenging.
Applied by a suitably attuned teacher,
the book could be (and is currently used
as) the basis for a wonderful course.
Would that all math books were this lucid!
—J. Baldwin
The relationship between the Fibonacci numbers, the Golden Rectangle, and the Golden Spiral. 89
27 GATE FIVE ROAD SAUSALITO, CA 94?65
w
-^l
11'
i Dr
'ii'«
inII ••I 11 yitLS u i i p i P K
!i> M i i m i IKTOWII i''
i \ i - i i i (>!J Jl
Dr. Li has been a veterinarian for twenty-two years and Now Buttons shifts his weight slightly, and Margaret Horst-
has practiced acupuncture for nine. Although acupuncture man gently touches him. "Good boy. Good boy," she says
is part of her ethnic background, she didn't reaUy get in- softly. Buttons looks at her calmly and settles himself
terested in it until an "eccentric" uncle returned from a comfortably on the floor.
visit to China raving about its benefits. At that point, Dr. Shortly before Ms. Horstman arrives with Buttons, Dr.
Li rethought her position. She called a veterinarian who Li is treating Duchess, a ten-year-old spayed female Welsh
did acupuncture and "apprenticed" herself to him for a terrier. Duchess is on the table, wearing a muzzle. There
year, visiting his office every Saturday. Later she did ad- are acupuncture needles in her legs and back, attached
ditional studies in acupuncture, in the United States to an electro-stimulator machine, which enhances the ef-
and Hong Kong. fect of the needles and shortens the amount of time they
"Acupuncture is very important to consider when the pa- are necessary.
tient does not respond to conventional medicine,'' Dr. Li "We're not afraid of Duchess," Dr. Li says. "She's not a
says. ' 'Also it is a wonderful way to relieve pain without mean animal. We put the muzzle on to protect us only
the side effects that drugs can have.'' because we must handle her and she's in pain."
Duchess is on antibiotics for pancreatitis; blood tests show
her pancreas is inflamed. The disease started at the end of
July, when Duchess was vomiting profusely and bleeding.
She is somewhat better now. This is her third acupuncture
treatment.
Duchess stands mournfully but quietly on the table as the
acupuncture takes its course. She does not struggle or try
to get away. Probably she can sense that these humans are
trying to help her.
"The use of Western medicine, combined with acupunc-
ture, enables us to increase our success rate enormously,''
Dr. Li comments. "This is because we use the best of
both worlds."
It has been a coincidence that there have been only dogs
at the clinic for acupuncture this morning. Dr. Li treats
cats with acupuncture as well. ' 'Lots of cats,'' she says.
"I treat them for behavior problems, skin problems, and
kidney disease. Also many other things.''
Acupuncture for animals can be used as a treatment for
traumatic injuries, muscle strains, and various other condi-
tions. It can reduce pain and cause a dramatically increased
feeling of well-being. A course of treatment is usually three
to six sessions. Acute cases should be treated twice a week
Buttons with an acupuncture needle in his forehead. An for several weeks, then at longer intervals.
unceasingflowof life energy is being rerouted through "Dr. Li is a most caring person," Margaret Horstman says,
Buttons, enabling him to walk and run again. describing Dr. Li's care of Buttons. "If not for acupunc-
ture, I would have had to put Buttons to sleep. This way I
can keep him with me. And that's important." a
some basic propagation techniques. It's This ajmiTiunily only exisis in relalion to the Redwood
Forest; it provijc.-i a Dulfer ?one between the RedwtxxJs (or
also a good place to begin a dialogue when; the RtHjwoods were) and the Coastal Strand (rotn
Oregon to San Mateo County attd. briefly, (ttim Pacific Grove
with other enthusiasts. One of the nice to Point Siir, mtwtly below .SttO feel.
things about a newsletter is its recur-
Rainfall here Ls from 75" in the north to 25' at the south end of
rence: where a book may be neglected the I3nge. Teinpcratuits: fluctuate little, with means from a 15
dcg. low i n Winter to 75 deg. high in Summer. Grr>wing
on the shelf, a newsletter will revive season is 10-12 months long. Plattts ran;Iy gnrw over 6* tall
and often detwcly, but also includes sweeping areas of grass.
interest each time it arrives.
Limitatioi^s are wind and poor water retention in rocky soiU.
-Kathleen O'Neill Visit in May or June lor best show.
[Suggested by Sarah Satterlee]
The Pacific Horticulture • 5. Coastal Sage Scrub
Boole of Western Gardening W h e n Gerda Isenberg moved onto part of Ihis community (omns of band on dry, rocky siopes from the
George Waters and Nora Harlow, Mid Coast Ranges to Baja, below the Cltaparr^l and lower
what hod been an old cattle ranch in a than MOIf.
1990; 300 pp. canyon west of the crest behind Palo Alto, Rainfall ranges between 10 and 20* and the glowing season
$ 5 0 ($54 postpaid) from David R. no one, least of all she, had any idea what may run from 8 to 12 months. Temperatures range from a
mean Summer maximum of 90 deg. to Winter minimums of
Godine, Publisher, Inc., 300 Massachusetts would come of it. She had no vast plan, 37 deg. Plants arc generally low but more open than the
just an interest in ferns, which grew into a Chaparral community.
Avenue, Boston, MA 02115; 617/536-0761
(or Whole Earth Access) desire to grow some of the plants she sow Limitations bete are poor water retention and dry Summers.
Sec this community in late April or May.
• in the environment around her.
In general . . . westerly sea breezes in Today, more than thirty years later, the Growing Native
summer are happily the rule in all our 7-acre Verba Buena is the oldest native Louise Lacey, Editor.
regions. Without them, the many long plant nursery in northern California with
days of clear skies would become unbear- an enormous selection of plants (more $ 3 0 / y e a r (6 issues) from P. O. Box 489,
ably hot and dry, and many of the plants Berkeley, CA 94701
than 500 in the upcoming catalog) and a
that now endure this period would un- huge, mature demonstration garden with
doubtedly not survive. Travel brochures for identifying signs.
Perth and Capetown stress the afternoon
sea winds that afford relief on days that To give you an idea of what's available:
have begun with the threat of uncomfort- You can choose from 40 different monkey-
able heat. The fact is that all our Mediter- flowers {Diplacus and Mimulus) (many still
ranean climate areas lie opposite great blooming now), more than 70 varieties of
oceanic summer high-pressure areas and manzanita {Arctostaphylos), almost 60
all have cold ocean currents off their shores, kinds of Ceanothus, nearly 20 native ferns
conditions that create cool winds but al- (and even more exotic ferns — she still
most never bring rain. loves them) and hundreds of shrubs and
The Playroom
First, you double click on the Playroom
picture, and then you see a room full of
stuff. You find out about the stuff by click-
ing on it and watching what happens.
There's a clock and a goldfish bowl and
a baby dinosaur and other things. You
can dial the telephone. I like the letter-
thing. When you click on the book in the
bookshelf in the playroom, you get the
letter-thing. Click on a letter and it shows
you a picture and the name of the thing
in the picture and a voice tells you the
name. So if you click on the letter "a"
you see a picture of an archer and the
word "archer" and a voice says the
word "archer." If you click on D, you get
a dragon. That's in the castle world. You
can go to the farm world and get farm
animals. Or there's a city with cars and The Playroom
buildings. You can figure out the words
when you see them again. Then you can
drag the archers and dragons and put
menus and always find new things to morning, she sees a new drawing on the
them around the castle. You can move
play with. The stamp-pad is neat. I can screen and plays the sounds. We
them around and put as many things as
make my own stamps. If I hold down the showed Kid Pix to her first-grade teacher,
you want in the picture and make up
shift key I can make things bigger My who didn't want to stop. With a scanner
stories about them. When my daddy's
dad showed me how to put my own and a MacRecorder, we are doing home-
friends come over and bring kids we can
voice in the drawings, too, so I can make work projects and a diary. Mamie takes
play with Playroom while the grownups
up picture stories that talk and sound like pictures and I scan them and import them
do grownup things. —Mamie Rheingold
me. There are different pens and pencils into Kid Pix; Mamie records her own voice
and erasers. I like the eraser that goes notes to go along with her photographs.)
The Playroom
BOOM and the eraser that shows you a
Copy-protected. Apple il $ 3 9 . 9 5 ; IBM/
secret picture. And sometimes I make my
Kid Pix
Tandy $ 4 4 . 9 5 ; Macintosh $ 4 9 . 9 5 from Macintosh: $ 4 9 . 9 5 . Requires Mac Plus
Broderbund Software, Inc., P. O. Box own coloring book by printing my draw-
or higher; System 6.0 or higher; 1MB
12947, San Rafael, CA 94913-2947; ings and coloring them with crayons.
memory for monochrome, 2MB for color.
800/521-6263 —Mamie Rheingold From Broderbund Software, Inc., P. O. Box
12947, San Rafael, CA 94913-2947;
(Note from Mamie's dad: We all love
800/521-6263
this software. It's a very well-designed
Kid Pix product; it even has a "Small Kids Mod-
/ like Kid Pix even better than the grown- ule" that makes it impossible for a very
up drawing programs because it has lots young explorer to do naughty things to MacRecorder
of noises and it's fun to experiment with your own files. Mamie plays with it for
The MacRecorder Sound System includes
all the different goodies. It's more fun to hours, and sometimes I sit down and
digitizing hardware (the MacRecorder
play with than Nintendo because I can doodle with it and record a secret
itselfj and software, SoundEdif and hly-
make up my own stuff. I can explore the message when Mamie is asleep. In the
perSound. For maximum fun with Kid Pix,
we digitized our voices and miscellaneous
sounds, and added them to drawings.
When the lure of Lego dims, what's a This Pied Piper of a book presents plans
kid to do? Most of the offerings in so- for eight intriguing, gravity-powered thing-
called model shops require little more ies, to be made from stuff (yogurt cups,
than a similarly unchallenging assembly paperclips) you likely have around the
of pre-molded parts. Consequently, most house. All the projects are of the "rainy
kids these days don't have the slightest afternoon" variety. All come with casually
idea how to really make complicated drawn, but very clear, instructions that
things, or even think about it (which is include a discussion of the physics in-
the important part). In MY day — har- volved (Jr hiigh science project, anyone?).
rumph — you had to fabricate all the What must be one of the all-time great
parts of a model yourself. While doing lessons in general how-to and tool tech- Amazing Models!
so, you learned how to make and, more nique gets you started. Give the book to Peter Holland, 1990; 62 pp.
importantly, how to figure things out. your favorite kid, and try not to meddle
$ 7 . 9 5 postpaid from TAB Books,
A complex model airplane might take too much. (It's in King's English, so you
Inc., Blue Ridge Summit, PA 17294;
months of clever, meticulous craftiness may have to do a bit of translating.)
800/822-8138
(and, just as in the real, adult world, —J. Baldwin (or Whole Earth Access)
about two seconds to crash and burn
Bean Planter
Suppose a vehicle hos a heavy load to
carry. Later, that load is much less. It would
be ideal if the vehicle had high power at
the start, then, as the load was reduced,
used less power.
Some machines and some weight-driven
models do not hove this advantage; they
waste energy when there is not much work
to do. The 'fuel' for this model is partly the
weight of its cargo. It plants butter beans.
As it gets rid of more beans by planting
them in a neat, evenly-spaced row. It be-
comes lighter, so the weight of the remain-
ing beans can still help to drive it along.
The Kid's Guide to Youth Environment Forum in New York City
and passed a petition asking the federal
Social Action government to make a special fund for kids
Kids are a great force for social change, to plant trees. She collected over 1,500
one that is usually untapped. Elementary- signatures from kids around the nation.
and high-school students are aware of Then she flew to Washington, D.C., to de-
environmental and social problems and liver her petition and to lobby senators
care about them passionately. But few in person.
young people know exactly what to do When Audrey returned to Salt Lake City,
about creating solutions. This book show- she and her Jackson friends wrote letters
cases concrete examples of kids who to every senator in Congress, asking for
have influenced policy and solved prob- their support. Although Congress did not
lems in municipalities, counties, and write a special bill for them, they did at- The Kid's Guide
states. It offers step-by-step advice on tach the idea to make money available for to Social Action
how to go about selecting a social prob- kids to the "America the Beautiful Act of
Barbara A . Lewis, 1991; 160 pp.
lem, finding a creative solution, and put- 1990" (technically called the Food, Agri-
culture, Conservation and Trade Act of $ 1 4 . 9 5 ($18.95 postpaid) from Free
ting it into action — writing letters that
1990 - S2830). Spirit Publishing, Inc., 400 1st Avenue
work, making effective telephone calls,
N/Sulte 616, Minneapolis, M N 55401;
creating speeches, conducting surveys, Thanks to the Jackson kids, the bill now 800/735-7323
circulating petitions, writing proposals, states that "youth groups" may apply for
helping with fundraising, arranging media matching grants to plant trees. There will
coverage, assisting political campaigns, kids' 'ho care. They're not rich or unusually
be federal money available for you to
clever. In fact, their school has the lowest
lobbying. The book also offers a rich plant trees in your state.
income per capita (per person) in the Salt
directory of resources — state house
Now, you're probably saying something Lake School District.
contacts, US government offices, contact
like, "Yeah, but those Jackson kids are
groups — with addresses and telephone But one thing they do have is courage.
famous. I'm just a regular kid. I can't do
numbers. —Howard Rheingold They don't give up easily. They believe that
all that." If you're a disbeliever, let me
the future depends on them. They're not
assure you. I'm their teacher, and I'll tattle
afraid to attack things that other people
on them. They sometimes forget assign-
Like many other kids' groups across the say can't be done.
ments. They lose papers. Their bedrooms
nation, the Jacbon kids turned their focus
aren't always clean (not even Heather's). As Heather says, "Big things can happen
to trees. They learned from the University
They're kids just like you, kids with dreams. in small steps."
of Michigan's Forestry Update that a
single tree, in its average 50-year lifetime,
will contribute $62,000 worth of air pollu-
tion control. Dubbing themselves "Leaf It
Activity Resources could do in three dimensions and orders
To Us," the younger kids decided to think of magnitude by clicking together plastic
"Play" is often the best way to learn:
big and applied for two city grants — blocks in lines of ten, planes of one hun-
when I watched my six-year-old daughter
money to use for their project. They got dred, cubes of one thousand.
learn how to multiply 1/3 times 2/6 by
the grants, which totaled $3,600, and Activity Resources Company was started
overlaying strips of colored plastic on
matched that with $720 they collected on by an award-winning mathematics edu-
each other, it was like seeing something
their own. They adopted a park with the
new and exciting and completely self- cator. Fifty-four pages full of "tools for
money and planted 107 trees there, and
evident. The "fraction tiles" are con- discovering mathematics" that your kids
another 80 trees in their yards and near
structed in such a way that the meaning will perceive as neat toys.
the school.
of performing mathematical operations —Howard Rheingold
One day a fifth grader got a heavy idea. on fractions becomes intuitively obvious [Suggested by Ann McCormick]
" W h y don't we find money and make our — the answer is literally right in front of
own grants for kids all over the state to your face. When she saw that I was en- Activity Resources Company
plant trees?" The Jackson kids contacted thusiastic, Mamie showed me what she Catalog f r e e from P. O. Box 4875,
the governor, the state forester, and na- Hay ward, CA 94540; 415/782-1300
tional forestry people. With the help of
Dick Klason, State Forester, they found
some national money for grants for chil-
dren in Utah.
N o t to be outdone by previous Jackson
hotshots, the new kids tackled the legis-
lature again. This time, they pushed
through a law creating $10,000 for grants
for kids in Utah to plant trees. When chil-
1/3 X 1/6- I/IB
dren match the grant money (state and
national) with money they collect and eon- FRACTION TrLES
tribute, they will plant over $27,000 Peggy McLean, Lee Jenkins
worth of trees.
Fraction Tiles consist of 44 transparent plastic tilss in seven colors. Students combine the tiles to develop concepts
Another 10-year-old got an even heavier of equivalence, addition, subtraction, division, and multiplication of fractions. Color families of tiles permit
investigations involving 1/16,1/12,1/8,1/6,1/3,1/4, and 1/2, and all work with the tiles is reinforced in a 48-page
idea. " W h y don't we find some money
student workbook. Also included with the set Is a 24-page teacher's guide with answers and a complete
and make grants for kids across the nation commentary on the suggested use of these valuable materials. Grades 2-9.
to plant trees?" Audrey suggested, twirl- AP-1113 Fraction Tlles(TIIes only) $35.95
ing a curl around her finger. A-1115 Manipulative Bk. (32 pages) $5.95
A-1116 Student Book (32 pages) _ $4.95
The children worked with their Senator, A-1117 Teacher Book (24 pages.) „ $4.95
Orrin Hatch, to create a national fund for AP-1206 Fraction Tlla Package (Including tiles and3 books above) $50.95
trees. Audrey attended the United Nations
STATISTICS
• LOT SIZE — 0.12 ACRES
• MOWING TIME — 15 MINUTES
• PAYMENT — $3.00 How t o M a k e Big M o n e y
• HOURLY RATE — $12.00 PER HOUR M o w i n g S m a l l Lawns
Robert A. Welcome, 1983; 138 pp.
COMMENTS
$ 9 . 9 5 ($12.95 postpaid) from Brick
s LEVEL PROPERTY House Publishing Co., P. O. Box 2134,
Parenting From
When you are nursing in a public place How do we know when the time is right
the Heart (such as a bus or restaurant) and you [to wean]? I remember holding my first little
77i/s is a warm, witty, free newsletter that don't want people to realize you are nurs- nursling and telling her that she could
comes wrapped around Motherwear's ing, try to avoid the madonna look where nurse just as long as she wanted and if we
mail-order catalog (wish they'd just go you are tilting your head and looking into had to sneak into the closet the day of her
ahead and charge a subscription fee, your babies eyes. Everybody else will look wedding, we would. Then she grew some
and not waste the extra catalog mail- where you are looking. Instead look straight and our family grew some and somewhere
into people's eyes (they'll tend to smile and in my second pregnancy, I weaned her. It
ings). It's filled with practical "this-really-
look away without even looking down), was clearly the right time for us.
works" stuff from parents out there in the
or continue to converse with your com-
trenches battling temperamental toddlers, I believe that the time is right to wean
panion the same as you would if you
newborn fatigue (mom's & dad's), nurs- when one of the parties involved no longer
weren't nursing.
ing difficulties and other challenges of wants to nurse. Sometimes it's the mother
childbirth. —Paula Saiaz Some unique nursing situations that test who wants to move in a different way or
your skills include nursing while on an wear different clothes or get herself ready
P a r e n t i n g From t h e H e a r t airplane. I usually ask the flight attendent for another baby or another change in
(Motherwear Catalog) to reseat me if I am next to someone who her life. Sometimes it's the child, ready to
F r e e from Motherwear, Box 114, North- will feel uncomfortable with my nursing. A explore her world from a new perspective,
ampton, M A 01061; 413/586-3488 light flannel baby blanket will help baby wlio resists the retreat into that particular
keep warm even in the constant temper- comfort. Either way, when someone's
ature fluctuations of a plane, and can be heart is no longer in it, it is time to
used to cover you while nursing. Also keep begin the process of weaning.
a washrag or diaper tucked in the pocket
in front of you to grab in case of spills
or spits.
An Artificial-Life
Reading Ust
by Steven Levy
Artificial Life
•Siii<
(a)
m ^
(b)
Christopher G. Langton, Editor
1989; 655 pp.
$ 2 6 . 9 5 ($28.95 postpaid)
Artificial Life II
Christopher G. Langton, Editor; 1991
$ 3 2 . 2 5 ($34.25 postpaid)
FIGURE 2 Breeding from a random starting pattern (a), random lines (b), lines of
Both from Addison-Wesley Publishing Co./
mathematical families (c), mirror algorithms (d), letting genes determine the pres- The Advanced Book Program, 350 Bridge
ence or absence of mirrors in various planes of symmetry (e), and "archetypal" body Parkway/Suite 209, Redwood City, CA
form generated by lllind Walrhwaker's artificial embryology (f). 94065; 800/447-2226
s.B«i4ro^_
State of Grace, by Rene Magritte (1959). —Godel, Escher, Bach
OX
Incoming
columns which amplify the arguments in ribo^umal
the original. subunits
Compiele
peptide
(Right) A polyribosome. A single strand of chain
mRNA passes through one ribosome after
another, like one tape passing through sev-
If you stretch a protein straight (a), and eral tape recorders in a row. The result is a
then let it go, it will snap right back into its set of growing proteins in various stages of
natural curled-up form (b), exhibiting its completion: the analogue to a musical canon
characteristic tertiary structure. produced by the staggered tape recorders.
—Metamagical Themas —Godel, Escher, Bach
The Sciences
of the Artificial
Simon is one of the reigning minds on
artificial intelligence. He provides some
concise thinking on the differences be-
tween synthetic and natural systems.
•
There are two related ways in which sim-
ulation can provide new knowledge — one
of them obvious, the other perhaps a bit Genetic Algorithms in Search Optimization
subtle. The obvious point is that even when
we have correct premises, it may be very
and Machine Learning
difficult to discover what they imply. All One of the most underrated mathemat-
correct reasoning is a grand system of ical accomplishments of late has been
tautologies, but only God can make direct the work begun by John E. hiolland on
use of that fact. The rest of us must pains- what is called the genetic algorithm. Put
takingly and faliibly tease out the con- simply, this is a manner by which the
sequences of our assumptions.
povi/ers of nature, specifically evolution,
can be applied to practical problems,
utilizing the power of the computer.
Much of hiolland's pioneering work is
rather technical — the intrepid can tackle
his Adaptation in Natural and Artificial
Systems (out of print) — so the best
starting point is this clearly written
textbook.
Vitamins Winning
Against Cancer the Chemo Battle
There is a lof of confusion about what (if In this moving personal story, the author
anything) dosing with the right vitamins wisely chronicles her experience in the
will do to help you avoid, or combat, context of her family. Her sensitivity to
cancer. This short book presents the best the responses of those around her will
plain-spoken summary I've found of what make this meaningful reading for the can-
the research shows. It gives some prac- cer patient and for those who love her.
tical guidelines for diet and supplemental —Nancy A. Pietrafesa
dosages which are right in line with what •
I 'd distilled out of hours of reading studies
It was 11 p.m., six hours after my first hit.
and reports when I was sick. Best of all,
All of a sudden, VA VA VA VOOMI The
and unlike marry books on this subject, it
chemical takeover: my feet hit the floor, I M y ABC Boole of Cancer
provides a list of major studies on vitamins, bounded into the bathroom, flipped up
nutrition and cancer, and a separate "L is for love, life, laugh. All of which
the seat just in time to explode like a time
bibliography of further readings. everyone should have a chance at,"
bomb into the t o i l e t . . . . I threw up, retched,
vomited, heaved, and retched some more writes Michigan sixth-grader Shannin
—Paul S. Davis
and just couldn't stop. My body felt bloated Chamberlain as she shares in poignant
in every direction, my skin stretched and words and pictures an outlook that is
How to store vitomins both candid and courageous. Diag-
punctured as if I'd thrown up through each
Vitamin A pore in my body. I couldn't stop. Every nosed with rhabdomyosarcoma early
Crystal forms of retinol and retinoic may groin of rice, every sip of water, that hor- in 1989, Shannin created this manuscript
be stored in the cold, away from light, for rendous won-ton taste made me shudder during her first visit to a camp for chil-
several months. Other forms of vitamin A to my soul, and I got sicker and sicker as I dren with cancer. She provides us with
can also be stored in the cold. kneltthere. Finally, staggering up, I reached an inspiring example of wisdom in the
Vitamin C for the green plastic basin that I'd brought face of adversity.
Vitamin C should not be stored In solution home from Sloan-Kettering surgery, to
form because it Is easily destroyed. Crystal take to my room. I glanced at the mirror As the parent of a former leukemia patient
or tablet forms of vitamin C can be stored on my way out and saw a red, puffy face I would recommend this book to anyone
at room temperature, away from light, for with a rash just as if I had the measles. who has a family member, friend or stu-
several months. I staggered back to bed. dent dealing with childhood cancer. This
would be a most helpful book to share
Vitamin E
Alpha-tocopherol can be stored in the Winning the Cliemo Battle with children facing their own illness or
cold, away from light, whereas vitamin E Joyce S. Mitchell, 1991; 221 pp. that of a friend. The publisher has added
acetate and vitamin E succinate can be a supplemental text, a glossary, an ex-
$ 9 . 9 5 postpaid from W. W. Norton &
stored at room temperature or in the cold Co./Order Dept., 800 Keystone Industrial cellent bibliography of books and pam-
for several months. Park, Scranton, PA 18512; 800/233-4830 phlets (many available free or at low
(or Whole Earth Access) cost), and an up-to-date resource list of
Vitamins Against Cancer self-help groups, agencies and further
Kedar N . Prasad, Ph.D., 1989; 96 pp. Beauty and Cancer sources of information.
$ 6 . 9 5 ($8.95 postpaid) from Inner Diane D. Noyes and —Cathy Dezendorf
Traditions, American International Distri- Peggy Mellody, 1988; 163 pp.
bution Corp., 64 Depot Road, Colchester, $ 1 2 . 9 5 ($14.45 postpaid) from Beauty
VT 05446; 800/445-6638 and Cancer Project, 12805 NE 107th Place,
Kirkland, W A 98033; 206/827-6575 S tor
M y ABC Boole of Cancer _Friencfe
Shannin Chamberlain, 1990; 40 pp.
$ 6 > 9 5 ($8 postpaid) from Synergistic
•liJKicK X Ka\/e alo-f"
Press, 3965 Sacramento Street, San Fran-
cisco, CA 94118 (or Whole Earth Access) help me
"filfoo^K this.
for a " w i g prosthesis". It is necessary for
the wond "prosthesis" to be on the pre-
scription and on the sales receipt so the
insurance company knows that this is not
for cosmetic purposes. Many insurance
companies still need to be educated in how KOJ
the loss of a woman's hair interferes with
her social and psychological well being. i-i'O lAJlf).
•
^'M
Fighting Toxics the inevitable result of technological prog-
ress, but discrete and well-recognized
The National Toxics Campaign has put problems that could have been controlled."
its tactics, strategy, and experience all
together into one very useful book. The At least 2,500 people died that night (some
record from two decades of battles is suggest a much higher toll), and evidence
of the continuing tragedy is beginning to
clear — laws alone are not enough.
come to light:
Regulating pollution is like chasing the
horse after it has left the barn. Aim in- • 100,000 people have been permanently
stead for pollution prevention. injured.
• Fifteen percent of the 1,400 families have been seriously affected: Stillbirths
To be effective, this requires citizen action surveyed in the devastated neighborhoods and infant deaths are two to four times
and community involvement. The grass- have psychiatric problems. the national overage.
roots democratic techniques that underlie • People in Bhopal continue to die from
this book's step-by-step information are their exposure at the rate of about one Fighting Toxics
per day. Despite the rhetoric of Union Gary Cohen and John O'Connor, Editors.
every bit as important as ending pollu-
Carbide, it appears that there are long- 1990; 346 pp.
tion. Imagine this task without them and
you begin to appreciate the task ahead of term health effects from exposure to the $ 1 9 . 9 5 ($22.95 postpaid) from island
chemical released at the plant. Press, Box 7, Covelo, CA 95428;
people in places like Japan or Romania.
• Children born to gas-injured mothers 800/828-1302 (or Whole Earth Access)
No one has it easy when it comes to
toxic pollution, but the right tools can
make a big difference. —Richard Nilsen
• When Nature Heals
Part of the solution to the toxics crisis is
Rocky Mountain Arsenal is a former
changing the power relationships between
people, the polluters, and the government. chemical weapons- and pesticide-man-
Too many toxics decisions in the past were ufacturing facility located within sight of
made exclusively by the companies respon- Denver's highrise skyline. For reasons of
sible for the pollution. Then, starting in the safety, the factories were situated in the
early 1970s, government began to reg- center of a 27-square-mile buffer zone.
ulate certain aspects of toxic pollution.
Only rarely have the victims of toxic con- When Nature Heals An abandoned
tamination been involved in decisions af- (The Greening of Rocky Mountain Arsenal) barrocks provides
Wendy Shattil, Bob Rozinski and a convenient perch )!?&«»> laws WWHI«»—
fecting their health and safety. In order to
Chris Madson, 1990; 80 pp. site for a wintering
win protection against toxic hazards, citi- golden eagle.
zens must gain power — through direct $ 1 4 . 9 5 ($16.95 postpaid) from Roberts
organizing as well as legislative change Rinehart Inc., P. O. Box 666, Niwot, CO
^mm^Vlim^SS'.
— to ensure that they are at the bargain- 80544-0666; 303/652-2921
ing table when cleanup decisions are (or Whole Earth _- •'"^, While decontamination work proceeds
being made. Access) on what is one of the most polluted sites
• on the planet, wildlife has slipped back
The 1985 Trade Union Report on Bhopal, into the surrounding open space. This
an international mission to study the causes photo essay documents the species that
and effects of the catastrophic gas leak, have come to stay or to visit while on
stated: " N o n e of the factors that caused migration. Because all of this is happening
or contributed to the Bhopal accident were at a place where human use was dedi-
unique to the Union Carbide plant in Bho- cated to death, it is a striking example of
pal, I n d i a . . . . These conditions were not natural restoration. —Richard Nilsen
Weeds; Control Without Poisons tion. The other seeks to enforce weed con-
trol before the fact of competition and
Charles Walters Jr. is the publisher of agriculture, such as William Albrecht, cosily crop loss without the obscene pres-
Acres U.S.A., one of the oldest voices Philip Callahan, and Andre Voisin, whose ence of toxic chemistry. One system delivers
of the alternative-agriculture movement, work Walters builds on and readily ac- to farmers pauperism, ignorance, depop-
and a keeper of that body of science knowledges. Weeds are teachers, the ulation and barbarism. The other increases
jettisoned by the mainstream after World lessons are about imbalances in soil fer- wealth, intelligence and civilization.
War II, when it was replaced by chemical tility, and the key to their removal involves
fertilizers, pesticides and herbicides. This more than just linear thinking. Included W e e d s (Control Without Poisons)
is much more than just a book about are nontoxic strategies for dealing with Charles Walters Jr., 1991; 320 pp.
weeds. It is written with a point of view one hundred specific weed species. $ 1 7 ($18.70 postpaid) from Acres U.S.A.,
rooted strongly in the soils of the Mid- —Richard Nilsen P. O. Box 9547, Kansas City, M O 64133
west, one that makes no obeisance to •
either coast, and treats with suspicion Two systems of weed control are before
any orthodoxy, whether it is coming from the world. One looks to annihilolion of
the U.S. Department of Agriculture, the
Federal Resent Bank, or the American
species and varieties with killer technology.
The other suggests a natural balance, with
', Vi'EERSI
Medical Association. It is another vestig- energized crops protecting themselves
ial thread of midwestem populism. against uneconomic weed competition.
One accepts a byproduct of instant death,
The book also ser/es as an introduction lingering illness and a cancerous legacy
to many of the pioneers of alternative for the human, animal and plant populo-
131
Better Trout Habitat
Here is an excellent example of making
a specialized body of knowledge acces-
sible to a wider audience — in this case,
trout fishermen. Stream-restoration tech-
niques are still evolving, and this book
demonstrates plenty of them, but it also
takes an important step backward and
argues for good watershed and riparian
habitat management. It's the ounce of
prevention versus the pound of cure —
protect a watershed's integrity and there
won't be so much expensive, piecemeal 7.19 Boulder grouping. Side view of a boulder
repair work to do later on. The book in- group with an attached root wad to provide cover.
cludes 14 case studies of trout-stream
restoration all around the US, busily un-
from the streambed gravel.
doing the damaging effects of grazing,
mining, acid precipitation and the Army The features trout seek when establishing
Corps of Engineers. —Richard Nilsen territory include a good food source, cover
• for protection from predation, and visual
isolation from other trout in the stream.
The most important behavioral trait of Once established, trout routinely defend
trout end salmon is territoriality. The the spaces they use for feeding, resting, Better Trout Habitat
salmonid's territorial urge is so strong that and escape from predation. Within each Christopher J. Hunter, 1990; 275 pp.
the fry of Atlantic salmon and brown trout, trout's territory are one or more dominant $ 2 4 . 9 5 ($27.95 postpaid) from
for instance, move to establish territories stations, called focal points, where on in- Island Press, Box 7, Covelo, CA 95428;
within one to four days after emergence dividual spends the majority of its time. 800/828-1302 {or Whole Earth Access)
Green
farthpost Brigades
{Life and Land from a Global Perspective) Ecologists
David Sassoon, Publisher Paper
$4/subscription (4 issues; minimum order Pawel-Ghjszyriski, Piotr Grzegroczyk,
15 subscriptions). Teacher's guide $ 5 per Piotr Rymarowicz, Andrzej Zwawa, Editors
subscription (4 issues) from Earthpost, 163 Faculty of Chemistry of the Jagiellonian
Amsterdam Avenue/Suite 381, New York, University, Karasia 3/100, 30 060 Krakdw,
NY 10023; 212/465-3404 Poland; telephone 12/336377 ext.234
Payment: send donation to Green Bri-
gades Ecologists Paper c/o Foundation for
Environmental Contact Eastern Europe,
P. O. Box 5627, NL-1007 AP Amsterdam,
the Netherlands
. . . and write to the Krakdw address to
tell them about your donation.
I
General and
about $50,000. In 1990, we broke even on operations (see
Administrative
note 3 below for details). The trend is your friend! Given how
(G&A) Expenses: Amount
grim things looked at midsummer, we're delighted! Every mem-
ber of the staff contributed to our success, making lots of individual $96,257
small and not-so-small improvements. We grew by about 1,700 sub- Rent, maintenance, repairs and rentals 46,410
scribers during the year We sold more back issues, Unclassified ads, Depreciation and amortization . . . . . . 16,200
and books, especially the Ecolog. We even sold an old typesetting Telephone and utilities 10,028
machine. The holiday gift campaign went very well, for which we Office expense: supplies and postage . 18,787
thank those of you who are subscribers (or are clever enough to Taxes, insurance, fees and other . . . . . 14,177
have generous friends who are). Staff members kept a close eye on
Total G&A expenses $201,859
costs, shortening their hours, meeting budget on key editorial costs,
and really pitching in to become more efficient. At the same time, Excess of revenues over expenses $14,228^
we invested in designing our future, as described in the Point Foun-
dation Report (see p. 137).
This fmanclal report is designed for
Notes on the numbers
management purposes. Additional
1. These numbers differ in format and validity from those you've year-end adjustnicnts may be ne-
seen in the past. While incomplete, they do reflect adjustments not cessary, and disclosures required
shown to you in past years (by the time we knew them, ten months by generally accepted accounting
had passed). The WER revenue number (our biggest) is based on the principles have not been made.
copies of WER we actually delivered, not on the cash received, in Accordingly, this Tinancial informa-
1990. Depreciation and other year-end adjustments are also tion should not be relied upon by
reflected. (To see the impact of such adjustments, look at issue 66, those not informed about Point
page 144. The Point Financial Report shows a profit for 1989 of Foundation's financial position.
$37,000; the correct number, after adjustments, was about a
$50,000 loss.) What this standard disclaimer
means is that this is not an audited
2. The apparent profit ("net revenue contributing to G&A expenses")
financial statement; it was prepared
in each area of activity is misleading if you stop there. The total net
primarily for our own use. We
revenues have to cover the overhead ("general and administrative
include it, however, to give our
expenses") of running the organization.
readers a timely idea of our activ-
3. Although it looks like we made $14,000, not all of our revenues ities, volume and general trends.
are available for operations. A one-time $17,000 profit, which re- —Chris Goodson
sulted from fundraising, is set aside in the Whole Earth Institute; this
is the actual WEI profit after related "G&A Expenses" are deducted.
So, on ongoing operations, we ran $3,000 in the red. —KT
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T he Spirit of the Water is
a tweive-foot-high con-
struction of cloth, wood and
papier-mache, mounted on a
standard bacl<pack frame and
carried on a puppeteer's shoul
ders. The piece was built in
1990, one of sixteen large
puppets transported from San
Francisco to Nevada for a "prJ
cession of fools" at the nuclear
test site there. It has since bee
activated at the Da/ Of The
Dead celebration, protests
against the war in Iraq, and
group workshops where pup
pcteers are trained and new
puppets built.