JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES

Vol. I, No. 1, July 1937

Sign and Symbol (I, pp. 1-11)
Jacques Maritain; Mary Morris
The Early History of Man in a Cycle of Paintings by Piero di Cosimo (I, pp. 12-30)
Erwin Panofsky
The Rood of Bromholm (I, pp. 31-45)
Francis Wormald
Alkestis in Modern Dress (I, pp. 46-60)
E. M. Butler
A Marsilio Ficino Manuscript Written in Bruges in 1475, and the Alum Monopoly of
the Popes (I, pp. 61-62)
F. Saxl
Donatello’s Judith: A Symbol of ‘Sanctimonia’ (I, pp. 62-63)
Edgar Wind
An Emblem by Holbein for Erasmus and More (I, pp. 63-66)
George Clutton
AEnigma Termini (I, pp. 66-69)
Edgar Wind
A Classical Quotation in Michael Angelo’s “Sacrifice of Noah” (I, p. 69)
E. Gombrich
Platonic Justice, Designed by Raphael (I, pp. 69-70)
Edgar Wind
The Maenad under the Cross. Comments on an Observation by Reynolds (I, pp. 70-
71)
Edgar Wind
Some Examples of the Role of the Maenad in Florentine Art of the Later Fifteenth
and Early Sixteenth Centuries (I, pp. 71-73)
F. Antal
The Power of the Name? (I, p. 73)
F. Saxl
A German Sancho Panza (I, pp. 74-77)
W. F. Mainland
The Pseudonym of Spinoza’s Publisher (I, pp. 77-78)
Charles Singer
An Emendation of Pope by Lessing (I, pp. 78-79)
Edgar Wind
An Unknown Letter of Nicolas Poussin (I, pp. 79-82)
Richard Salomon
Vol. I, No. 2, October 1937
Rhetoric and Politics in Italian Humanism (I, pp. 83-102)
Delio Cantimori; Frances A. Yates
Italian Teachers in Elizabethan England (I, pp. 103-116)
Frances A. Yates
The Hypnerotomachia Poliphili in 17th Century France (I, pp. 117-137)
Anthony Blunt
In Defence of Composite Portraits (I, pp. 138-142)
Edgar Wind
Albrecht von Brandenburg as St. Erasmus (I, pp. 142-162)
Edgar Wind
Machiavelli in an Unknown Contemporary Dialogue (I, pp. 163-166)
Felix Gilbert
Elizabethan Manuscript Translations of Machiavelli’s Prince (I, pp. 166-169)
Napoleone Orsini
A Scene from the Hypnerotomachia in a Painting by Garofalo (I, pp. 169-171)
F. Saxl
Patience and Chance: The Story of a Political Emblem (I, pp. 171-177)
Rudolph Wittkower
Some Musical Representations of the Temperaments (1) Democritus and Heraclitus:
A Duet in Major and Minor; (2) The Melancholicus in Instrumental Music (I, pp. 177-
180)
Alfred Einstein
The Christian Democritus (I, pp. 180-182)
Edgar Wind
A Heathenish Fountain in St. Wolfgang (I, pp. 182-183)
F. Saxl
The Saint as Monster (I, p. 183)
Edgar Wind
Physiognomical Experiments by Michelangelo and His Pupils (I, pp. 183-184)
Rudolph Wittkower
Verrio’s ‘Terribilita’ (I, pp. 184-185)
Edgar Wind
Vol. I, No. 3, January 1938
Anonymous Gods (I, pp. 187-196)
E. Bikerman
The ‘Romano-Campanian’ Coinage: An Old Problem from a New Angle (I, pp. 197-
203)
Harold Mattingly
Relics of Pagan Antiquity in Mediaeval Settings (I, pp. 204-220)
W. S. Heckscher
Josephus the Physician: A Mediaeval Legend of the Destruction of Jerusalem (I, pp.
221-242)
Hans Lewy
The Criminal-God (I, pp. 243-245)
Edgar Wind
The Crucifixion of Haman (I, pp. 245-248)
Edgar Wind
The Criminal-King in a 19th Century Novel (I, pp. 248-249)
Anthony Blunt
A Portrait of Constance of Sicily (I, pp. 249-251)
S. H. Steinberg
Imaginary Journeys from Palestine to France (I, pp. 251-253)
Hans Lewy
Miraculous Birds (1) ‘Physiologus’ in Beatus Manuscripts; (2) ‘Roc’: An Eastern
Prodigy in a Dutch Engraving (I, pp. 253-257)
Rudolph Wittkower
The Isle of the Amazons: A Marvel of Travellers (I, pp. 257-259)
Albrecht Rosenthal
Two Notes on the Cult of Ruins: (1) Ruins and Echoes; (2) Utopian Ruins (I, pp. 259-
260)
Edgar Wind
A Symbol of Platonic Love in a Portrait Bust by Donatello (I, pp. 260-261)
Rudolph Wittkower
Homo Platonis (I, p. 261)
Edgar Wind
Vol. I, No. 4, April 1938
The Master of Animals (I, pp. 263-265)
Roger Hinks
The Story of Joseph on a Coptic Tapestry (I, pp. 266-268)
Ernst Kitzinger
The Six Days of Creation in a Twelfth Century Manuscript (I, pp. 269-275)
Adelheid Heimann
The Crucifix and the Balance (I, pp. 276-280)
Francis Wormald
Mary in the Burning Bush: Nicolas Froment’s Triptych at Aix-en-Provence (I, pp.
281-286)
E. Harris
Two Early Representations of Lutheranism in France (I, pp. 287-291)
George Clutton
Meditation in Solitude (I, pp. 292-294)
Ursula Hoff
“Was This the Face...?” (I, pp. 295-297)
W. S. Heckscher
Youth, Innocence and Death: Some Notes on a Medallion on the Certosa of Pavia (I,
pp. 298-303)
Jean Seznec
Nugae circa Veritatem: Notes on Anton Francesco Doni (I, pp. 304-312)
Gertrud Bing
Chance, Time and Virtue (I, pp. 313-321)
Rudolf Wittkower
Charity: The Case History of a Pattern (I, pp. 322-330)
Edgar Wind
Goethe’s ‘Zueignung’ and Benivieni’s ‘Amore’ (I, pp. 331-339)
Ernst Gombrich
Poussin’s ‘Flight into Egypt’ (I, pp. 340-343)
Charles Mitchell
Poussin’s Notes on Painting (I, pp. 344-351)
Anthony Blunt
Vol. II, No. 1, July 1938
The Arts in the Latin Kingdom of Jerusalem (II, pp. 1-21)
T. S. R. Boase
The Poetical Sermon of a Mediaeval Jurist: Placentinus and His ‘Sermo de Legibus’
(II, pp. 22-41)
Hermann Kantorowicz
Trinitas Creator Mundi (II, pp. 42-52)
Adelheid Heimann
Blake’s ‘Ancient of Days’: The Symbolism of the Compasses (II, pp. 53-63)
Anthony Blunt
A Mediaeval Formula in Kant (II, p. 64)
Edgar Wind
Blake’s ‘Glad Day’ (II, pp. 65-68)
Anthony Blunt
A Simile in Christine de Pisan for Christ’s Conception (II, pp. 68-69)
William Wells
Mary in the Burning Bush (II, pp. 69-70)
Arthur Watson
The Seal of St. Nectan (II, pp. 70-71)
F. Wormald
A Portable Altar in the British Museum (II, pp. 71-72)
S. H. Steinberg
The Literary Sources of the ‘Finiguerra Planets’ (II, pp. 72-74)
F. Saxl
‘Apollo and the Swans’ on the Tomb of St. Sebaldus (II, p. 75)
Jean Seznec
The Four Elements in Raphael’s ‘Stanza della Segnatura’ (II, pp. 75-79)
Edgar Wind
A Note on Michelangelo’s Pieta in St. Peter’s (II, p. 80)
Rudolph Wittkower
‘Adamas Mourned by the Nymphs’ in Schedel’s ‘Liber Antiquitatum’ (II, pp. 80-81)
Alice Wolf
‘Good Counsel’: An Adaptation from Ripa (II, pp. 81-82)
Lothar Freund
‘Grammatica’: From Martianus Capella to Hogarth (II, pp. 82-84)
Rudolph Wittkower
Vol. II, No. 2, October 1938
Translation from the Ancients in Seventeenth-Century France (II, pp. 85-104)
R. W. Ladborough
King Charles II’s Own Fashion: An Episode in Anglo-French Relations 1666-1670
(II, pp. 105-115)
Esmond S. de Beer
The Revolution of History Painting (II, pp. 116-127)
Edgar Wind
Stuart and Revett: Their Literary and Architectural Careers (II, pp. 128-146)
Lesley Lawrence
Piranesi’s “Parere su L’Architettura” (II, pp. 147-158)
Rudolf Wittkower
Monuments to ‘Genius’ in German Classicism (II, pp. 159-163)
Alfred Neumeyer
Hoffmannsthal’s “Elektra”. A Graeco-Freudian Myth (II, pp. 164-175)
E. M. Butler
Wieland’s and Gluck’s Versions of the “Alkestis” (II, pp. 176-177)
Robert Muller-Hartmann
God and Prince in Bach’s Cantatas (II, pp. 178-182)
Anthony Blunt
“Borrowed Attitudes” in Reynolds and Hogarth (II, pp. 182-185)
Edgar Wind
Shaftesbury as a Patron of Art (II, pp. 185-188)
Edgar Wind
Domenico Guidi and French Classicism (II, pp. 188-190)
Rudolph Wittkower
Vol. II, No. 3, January 1939
The Miraculous Cross in Titian’s “Vendramin Family” (II, pp. 191-193)
Philip Pouncey
Transformations of Minerva in Renaissance Imagery (II, pp. 194-205)
Rudolf Wittkower
‘Hercules’ and ‘Orpheus’: Two Mock-Heroic Designs by Durer (II, pp. 206-218)
Edgar Wind
Cornelio Vitelli in France and England (II, pp. 219-226)
Roberto Weiss
Giordano Bruno’s Conflict with Oxford (II, pp. 227-242)
Frances A. Yates
Shakespeare and the Astrology of His Time (II, pp. 243-259)
Moriz Sondheim
An Echo of the “Paragone” in Shakespeare (II, pp. 260-262)
Anthony Blunt
Giordano Bruno between Tragedy and Comedy (II, p. 262)
Edgar Wind
Machiavelli and Guicciardini (II, pp. 263-266)
Felix Gilbert
‘Termaximus’: A Humanist Jest (II, pp. 266-268)
George Clutton
Durer’s “Mannerbad”: A Dionysian Mystery (II, pp. 269-271)
Edgar Wind
The Triclinium in Religious Art (II, pp. 271-276)
Anthony Blunt
Vol. II, No. 4, April 1939
A Lecture on Serpent Ritual (II, pp. 277-292)
A. Warburg; W. F. Mainland
Eagle and Serpent. A Study in the Migration of Symbols (II, pp. 293-325)
Rudolf Wittkower
The Tree of Life in Jewish Iconography (II, pp. 326-345)
Zofja Ameisenowa; W. F. Mainland
Pagan Sacrifice in the Italian Renaissance (II, pp. 346-367)
F. Saxl
The Orphic Blessing (II, pp. 368-374)
E. Bikerman
Two Toponymic Puzzles (II, pp. 375-381)
George Hill
Prognosis and Diagnosis: A Comparison of Ancient and Modern Medicine (II, pp.
382-398)
Walter Pagel
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Vol. III, No. 1/2 (Apr. 1939 - Jul. 1940); Vol. III, No. 3/4 (Oct. 1939 - Jan. 1940);
Vol. IV, No. 1/2 (Oct. 1940 - Jan. 1941); Vol. IV, No. 3/4 (Apr. 1941 - Jul. 1942);
Vol. V (1942); Vol. VI (1943); Vol. VII (1944); Vol. VIII (1945); Vol. IX (1946);
Vol. X (1947).
 
Vol. III, No. 1/2, April 1939 - July 1940
Allegory in Baroque Music (III, pp. 1-21)
Manfred Bukofzer
The Popular Theatre of the Rederijkers in the Work of Jan Steen and His
Contemporaries (III, pp. 22-48)
Albert Heppner
Two Drawings of the Fetes at Binche for Charles V and Philip (II) 1549 (III, pp. 49-
55)
Albert Van de Put
The Authorship of the Drawings of Binche (III, pp. 55-57)
A. E. Popham
El Greco’s “Dream of Philip II”: An Allegory of the Holy League (III, pp. 58-69)
Anthony Blunt
The Battle Scene without a Hero. Aniello Falcone and His Patrons (III, pp. 70-87)
F. Saxl
A Counter-Project to Bernini’s “Piazza di San Pietro” (III, pp. 88-106)
Rudolf Wittkower
A Seventeenth Century Carmelite Legend Based on Tacitus (III, pp. 107-118)
T. S. R. Boase
Rembrandt’s “Synagogue” and Some Problems of Nomenclature (III, pp. 119-126)
Ludwig Munz
Julian the Apostate at Hampton Court (III, pp. 127-137)
Edgar Wind
Titian’s Allegory of “Religion Succoured by Spain”: (1) The Change in Symbolism
(III, pp. 138-140)
Rudolf Wittkower
Titian’s Allegory of “Religion Succoured by Spain”: (2) The Condition of the Picture
(III, pp. 140-141)
Neil MacLaren
A Self-Portrait of Greco (III, pp. 141-142)
Edgar Wind
A Poussin-Castiglione Problem: Classicism and the Picturesque in 17th-Century
Rome (III, pp. 142-147)
Anthony Blunt
Drawings of St Peter’s on a Pilgrim’s Staff in the Museo Sacro (III, pp. 147-153)
Paul A. Underwood
Dante Alighieri Alchymicus Amoris (III, pp. 153-155)
C. S. Gutkind
A Portrait of Isabella of Castille on Coins (III, p. 155)
Helen Rosenau
A Symbolic Portrait of Descartes (III, p. 156)
Roger Hinks
The Monarch’s Crown of Thorns: (1) The Wreath of Thorns in “Paradise Regained”
(III, pp. 156-160)
Allan H. Gilbert
The Monarch’s Crown of Thorns: (2) Heine on Louis Philippe (III, pp. 160-161)
Edgar Wind
Two Unknown Letters of Charles Burney (III, pp. 161-164)
Robert Muller-Hartmann
Vol. III, No. 3/4, October 1939 - January 1940
The Este Portrait by Roger van der Weyden (III, pp. 165-180)
Ernst Kantorowicz
The Religious Policy of Giordano Bruno (III, pp. 181-207)
Frances A. Yates
Louis Machon’s “Apologie Pour Machiavelle”: 1643 and 1668 (III, pp. 208-227)
K. T. Butler
“Veritas Filia Temporis”: Hadrianus Junius and Geoffrey Whitney (III, pp. 228-240)
Donald Gordon
An Illustration by Holbein of the Legend of Herkinbald (III, pp. 241-243)
Campbell Dodgson
A “Memento Mori” among Early Italian Prints (III, pp. 243-248)
Horst W. Janson
The Title of Campanella’s “City of the Sun” (III, pp. 248-251)
Paolo Treves
The Latin Element in the English Currency System (III, pp. 251-254)
Gerhard Schmidt
The Duke of Wellington’s Funeral Car (III, pp. 254-259)
Leopold Ettlinger
Vol. IV, No. 1/2, October 1940 - January 1941
Alberti’s Approach to Antiquity in Architecture (IV, pp. 1-18)
Rudolf Wittkower
The Classical Inscription in Renaissance Art and Politics: Bartholomaeus Fontius:
Liber monumentorum Romanae urbis et aliorum locorum (IV, pp. 19-46)
F. Saxl
Two Roman Reliefs in Renaissance Disguise (IV, pp. 47-66)
Phyllis L. Williams
The First Facade of the Cathedral of Florence (IV, pp. 67-79)
Martin Weinberger
The Synagogue and Protestant Church Architecture (IV, pp. 80-84)
Helen Rosenau
Jean Fouquet: A Study of His Style (IV, pp. 85-102)
Otto Pacht
The Myth of Philemon and Baucis in Art (IV, pp. 103-113)
Wolfgang Stechow
The Subject of Botticelli’s “Derelitta” (IV, pp. 114-117)
Edgar Wind
Vol. IV, No. 3/4, April 1941 - July 1942
The Creation of the Rococo (IV, pp. 119-123)
Fiske Kimball
The Sources of David’s Horaces (IV, pp. 124-138)
Edgar Wind
Napoleon as “Roi Thaumaturge” (IV, pp. 139-141)
Walter Friedlaender
Flaubert and India (IV, pp. 142-150)
Jean Seznec
Gericault’s Paintings of the Insane (IV, pp. 151-163)
Margaret Miller
Courbet and Popular Imagery: An Essay on Realism and Naiveté (IV, pp. 164-191)
Meyer Schapiro
Vol. V, 1942
Introduction to an “Iconography of Mediaeval Architecture” (V, pp. 1-33)
Richard Krautheimer
The Mosaic of the Great Palace in Constantinople (V, pp. 34-43)
Gerard Brett
Eastern Elements in English Ecclesiastical Music (V, pp. 44-55)
Egon Wellesz
Ivories and Litanies (V, pp. 56-81)
Ernst Kantorowicz
A Spiritual Encyclopaedia of the Later Middle Ages (V, pp. 82-142)
F. Saxl
The Apocalypse Block-Books and Their Manuscript Models (V, pp. 143-158)
Gertrud Bing
Marvels of the East. A Study in the History of Monsters (V, pp. 159-197)
Rudolf Wittkower
The Beginnings of Political Thought in Florence. A Study in Mediaeval
Historiography (V, pp. 198-227)
Nicolai Rubinstein
The Peace of the Ara Pacis (V, pp. 228-231)
Arnaldo Momigliano
Terms of Architectural Planning in the Middle Ages (V, pp. 232-237)
Nikolaus Pevsner
Mediaeval Romances in Renaissance Tapestries (V, pp. 237-245)
Betty Kurth
Vol. VI, 1943
The Ruthwell Cross (VI, pp. 1-19)
F. Saxl
Alliance of England and Sicily in the Second Half of the 12th Century (VI, pp. 20-32)
Evelyn Jamison
John of Salisbury and Pseudo-Plutarch (VI, pp. 33-39)
H. Liebeschutz
The Cycle of Images in the Palaces and Castles of Henry III (VI, pp. 40-50)
Tancred Borenius
A Giottesque Episode in English Mediaeval Art (VI, pp. 51-70)
Otto Pacht
The Fitzwarin Psalter and Its Allies (VI, pp. 71-79)
Francis Wormald
The Inter-Action of English and Low Country Sculpture in the 16th Century: With a
Note on the Works of Joseph Hollemans of Burton-upon-Trent (VI, pp. 80-88)
K. A. Esdaile
Nicholas Hilliard and Mannerist Art Theory (VI, pp. 89-100)
John Pope-Hennessy
The Emblematic Conceit in Giordano Bruno’s De Gli Eroici Furori and in the
Elizabethan Sonnet Sequences (VI, pp. 101-121)
Frances A. Yates
The Imagery of Ben Jonson’s The Masque of Blacknesse and The Masque of Beautie
(VI, pp. 122-141)
D. J. Gordon
Some Church Designs by John Webb (VI, pp. 142-150)
Margaret Whinney
A Classical Aspect of Hogarth’s Theory of Art (VI, pp. 151-153)
J. T. A. Burke
Pseudo-Palladian Elements in English Neo-Classical Architecture (VI, pp. 154-164)
Rudolf Wittkower
Eighteenth Century Elysiums: The Role of “Association” in the Landscape Movement
(VI, pp. 165-189)
H. F. Clark
Blake’s Pictorial Imagination (VI, pp. 190-212)
Anthony Blunt
Ecclesia and an Angel on the Andrew Auckland Cross (VI, pp. 213-214)
Betty Kurth
“The Quakers’ Meeting” (VI, pp. 214-216)
F. Saxl
An Italian in Restoration England (VI, pp. 216-220)
F. A. Yates
Federico Zuccari and John Wood of Bath (VI, pp. 220-222)
R. Wittkower
The Lion Filled with Lilies. A Reminiscence of Leonardo in Hogarth (VI, pp. 222-
223)
E. Wind
Reynolds and Pope on Composite Beauty (VI, p. 223)
E. Wind
A Lost Article on David by Reynolds (VI, pp. 223-224)
E. Wind
Harlequin between Tragedy and Comedy (VI, pp. 224-225)
E. Wind
“Milking the Bull and the He-Goat” (VI, p. 225)
E. Wind
Blake’s “Brazen Serpent” (VI, pp. 225-227)
A. Blunt
Vol. VII, 1944
Mediaeval Art and America (VII, pp. 1-6)
C. R. Morey
Architects and Builders in Mexico: 1521-1550 (VII, pp. 7-19)
George Kubler
Benjamin West’s “Death of General Wolfe” and the Popular History Piece (VII, pp.
20-33)
Charles Mitchell
John La Farge and the South Sea Idyll (VII, pp. 34-39)
Henry La Farge
Photography and the Development of Kinetic Visualization (VII, pp. 40-45)
Beaumont Newhall
Frank Lloyd Wright and the ‘Academic Tradition’ of the Early Eighteen-Nineties
(VII, pp. 46-63)
Henry-Russell Hitchcock
The Hall of the Great Council of Florence (VII, pp. 65-81)
J. Wilde
Right and Left in Raphael’s Cartoons (VII, pp. 82-94)
A. Paul Oppe
Veritas and Justitia Triumphant (VII, pp. 95-101)
Guy de Tervarent
Principles of Palladio’s Architecture (VII, pp. 102-122)
Rudolf Wittkower
Paolo Sarpi’s “History of the Council of Trent” (VII, pp. 123-143)
Frances A. Yates
William Harvey: Some Neglected Aspects of Medical History (VII, pp. 144-153)
Walter Pagel
The Heroic and the Ideal Landscape in the Work of Nicolas Poussin (VII, pp. 154-
168)
Anthony Blunt
Vol. VIII, 1945
Two Models for the “Heures de Rohan” (VIII, pp. 1-6)
J. Porcher
Botticelli’s Mythologies: A Study in the Neoplatonic Symbolism of His Circle (VIII,
pp. 7-60)
E. H. Gombrich
Melancholia in the Sonnets of Lorenzo De’ Medici (VIII, pp. 61-67)
Andre Chastel
Principles of Palladio’s Architecture: II (VIII, pp. 68-106)
Rudolf Wittkower
Hymenaei: Ben Jonson’s Masque of Union (VIII, pp. 107-145)
D. J. Gordon
Two Bavarian “Gnadenbilder” and Their Records in Art (VIII, pp. 146-151)
Campbell Dodgson
The “Crucifixion of St. Peter”: Caravaggio and Reni (VIII, pp. 152-160)
Walter Friedlaender
The Drawings of Giovanni Benedetto Castiglione (VIII, pp. 161-174)
Anthony Blunt
Flaubert and the Graphic Arts (VIII, pp. 175-190)
Jean Seznec
French Sixteenth Century Genre Paintings (VIII, pp. 191-195)
Jean Adhemar
Massacre and Persecution Pictures in Sixteenth Century France (VIII, pp. 195-199)
Jean Ehrmann
A Musical Symbol of Death (VIII, pp. 199-203)
Robert Muller-Hartmann
Vol. IX, 1946
An “Antique” Reworking of an Antique Head (IX, pp. 1-9)
Ranuccio Bianchi Bandinelli
Mediaeval Biographies of Ovid (IX, pp. 10-59)
Fausto Ghisalberti
The Origin of the Word “Humanist” (IX, pp. 60-73)
Augusto Campana
Febris: A Poetic Myth Created by Poliziano (IX, pp. 74-95)
Alessandro Perosa; Peter Murray; Mrs. Peter Murray
The Architecture of Brunelleschi and the Origins of Perspective Theory in the
Fifteenth Century (IX, pp. 96-121)
Giulio Carlo Argan; Nesca A. Robb
“Policy”: Or the Language of Elizabethan Machiavellianism (IX, pp. 122-134)
Napoleone Orsini
The Pagan Origins of the Three-Headed Representation of the Christian Trinity (IX,
pp. 135-151)
R. Pettazzoni
Friedrich Creuzer and Greek Historiography (IX, pp. 152-163)
Arnaldo Momigliano
Vol. X, 1947
Fritz Saxl: January 8th, 1890-March 22nd, 1948 (X, unpaginated, 2 pp.)
Ingres and the Antique (X, pp. 1-13)
Agnes Mongan
Virgil’s Fourth Eclogue (X, pp. 14-19)
Harold Mattingly
The Reconstruction of a Polyptych by Michele Giambono (X, pp. 20-26)
Evelyn Sandberg-Vavala
Queen Elizabeth as Astraea (X, pp. 27-82)
Frances A. Yates
Illustrations of Shakespeare’s Plays in the Seventeenth and Eighteenth Centuries (X,
pp. 83-108)
T. S. R. Boase
Voltaire and Fragonard: Notes on a Legend (X, pp. 109-113)
Jean Seznec
A Title-Page in Blake’s Illustrated Genesis Manuscript (X, pp. 114-122)
Piloo Nanavutty
Lord Lindsay’s History of Christian Art (X, pp. 123-131)
John Steegman
Van Gogh and Literature (X, pp. 132-147)
Carl Nordenfalk
Saligia (X, pp. 148-150)
Arthur Watson
The Borders of Filarete’s Bronze Doors to St. Peter’s (X, pp. 150-153)
Helen Roeder
A Humanist Invective against an Unnamed English Poet (X, pp. 153-155)
R. Weiss
The Frontispiece to Sigismondo Fanti’s Triompho di Fortuna (X, pp. 155-159)
Robert Eisler
Penny, West, and the ‘Death of Wolfe’ (X, pp. 159-162)
Edgar Wind
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Vol. XI (1948); Vol. XII (1949); Vol. XIII, No. 1/2 (1950); Vol. XIII, No. 3/4
(1950); Vol. XIV, No. 1/2 (1951); Vol. XIV, No. 3/4 (1951); Vol. XV, No. 1/2
(1952); Vol. XV, No. 3/4 (1952); Vol. XVI, No. 1/2 (1953); Vol. XVI, No. 3/4
(1953); Vol. XVII, No. 1/2 (1954); Vol. XVII, No. 3/4 (1954); Vol. XVIII, No. 1/2
(1955); Vol. XVIII, No. 3/4 (1955); Vol. XIX, No. 1/2 (1956); Vol. XIX, No. 3/4
(1956); Vol. XX, No. 1/2 (1957); Vol. XX, No. 3/4 (1957).
 
Vol. XI, 1948
The Zodiacal Miniature of the Tres Riches Heures of the Duke of Berry: Its Sources
and Meaning (XI, pp. 1-34)
Harry Bober
St. Zacharias the Prophet and Martyr: A Study in Charms and Incantations (XI, pp.
35-67)
A. A. Barb
The Evolution of the Caritas Figure in the Thirteenth and Fourteenth Centuries (XI,
pp. 68-86)
R. Freyhan
A Stained Glass Atelier of the Thirteenth Century: A Study of Windows in the
Cathedrals of Bourges, Chartres and Poitiers (XI, pp. 87-111)
Louis Grodecki; Mary Weedon
Allegory and Romance on a Mediaeval French Marriage Casket (XI, pp. 112-142)
David J. A. Ross
Gothic: Origin and Diffusion of the Term; The Idea of Style in Architecture (XI, pp.
143-162)
E. S. de Beer
Icones Symbolicae: The Visual Image in Neo-Platonic Thought (XI, pp. 163-192)
E. H. Gombrich
Vol. XII, 1949
French Influences on the Origins of English Gothic Architecture (XII, pp. 1-15)
Jean Bony
The Decorative Character of Westminster Abbey (XII, pp. 16-20)
Geoffrey Webb
Animal-Headed Gods, Evangelists, Saints and Righteous Men (XII, pp. 21-45)
Zofia Ameisenowa
The Construction of Certain Seals and Characters in the Work of Agrippa of
Nettesheim (XII, pp. 46-57)
Karl Anton Nowotny
Developments in Renaissance Perspective: I (XII, pp. 58-79)
John White
Who Is Jan van Eyck’s “Tymotheos”? (XII, pp. 80-90)
Erwin Panofsky
Rabelais, the Last of the French Erasmians (XII, pp. 91-100)
Raymond Lebegue
Bernardo Rucellai and the Orti Oricellari: A Study on the Origin of Modern Political
Thought (XII, pp. 101-131)
Felix Gilbert
The Life of Polydore Vergil of Urbino (XII, pp. 132-151)
Denys Hay
Poet and Architect: The Intellectual Setting of the Quarrel between Ben Jonson and
Inigo Jones (XII, pp. 152-178)
D. J. Gordon
Archbishop Abbot’s Tomb at Guildford: A Problem in Early Caroline Iconography
(XII, pp. 179-188)
Joseph Burke
Notes on Petrarch, John of Salisbury and the Institutio Traiani (XII, pp. 189-190)
Arnaldo Momigliano; H. Liebeschutz
Petrarch Minutiae (XII, pp. 190-191)
R. Weiss
Emendation to Francesco da Fiano’s Invective (XII, pp. 191-192)
Erwin Panofsky
An Unpublished Letter of Ulrich von Hutten (XII, pp. 192-196)
Richard G. Salomon
A Note on Magic Squares in the Philosophy of Agrippa of Nettesheim (XII, pp. 196-
199)
I. R. F. Calder
Antoine Caron’s Massacre Paintings (XII, pp. 199-200)
Jean Adhemar
The So-Called ‘Portrait of Mansard and Claude Perrault’ by Philippe de Champaigne
(XII, pp. 200-202)
Helene J. Adhemar
Vol. XIII, No. 1/2, 1950
The Coronation of the Virgin on a Capital from Reading Abbey (XIII, pp. 1-12)
George Zarnecki
Early Italian Nature Studies and the Early Calendar Landscape (XIII, pp. 13-47)
Otto Pacht
The Early Publications of the Temples at Paestum (XIII, pp. 48-64)
S. Lang
European Vision and the South Pacific (XIII, pp. 65-100)
Bernard Smith
The American and Nature (XIII, pp. 101-149)
Hans Huth
Vol. XIII, No. 3/4, 1950
Gonzaga Symbols in the Palazzo del Te (XIII, pp. 151-188)
Frederick Hartt
The Sala dei Venti in the Palazzo del Te (XIII, pp. 189-201)
E. H. Gombrich
Holbein, Torrigiano and Some Portraits of Dean Colet: A Study of Holbein’s Work in
Relation to Sculpture (XIII, pp. 202-236)
F. Grossmann
The Twelve Pictures “Ordered by Velasquez” and the Trial of Valguarnera (XIII, pp.
237-284)
Jane Costello
Ancient History and the Antiquarian (XIII, pp. 285-315)
Arnaldo Momigliano
The Eagle-Stone (XIII, pp. 316-318)
A. A. Barb
The Vulture Epistle (XIII, pp. 318-322)
A. A. Barb
The Pictorial Source of Ripa’s “Historia” (XIII, pp. 322-323)
L. D. Ettlinger
A Seventeenth-Century Typological Cycle of Paintings in the Armenian Cathedral at
Julfa (XIII, pp. 323-327)
T. S. R. Boase
The Grave of Euripides in Robert Browning (XIII, pp. 327-328)
J. H. Croon
Vol. XIV, No. 1/2, 1951
The Lateran Fresco of Boniface VIII (XIV, pp. 1-6)
Charles Mitchell
The First Edition of Lucian of Samosata (XIV, pp. 7-20)
E. P. Goldschmidt
New Light on Humanism in England during the Fifteenth Century (XIV, pp. 21-33)
R. Weiss
“Nebulae in Pariete”; Notes on Erasmus’ Eulogy on Durer (XIV, pp. 34-41)
Erwin Panofsky
Developments in Renaissance Perspective: II (XIV, pp. 42-69)
John White
The Belvedere as a Classical Villa (XIV, pp. 70-91)
James S. Ackerman
Transformations of Dante’s Ugolino (XIV, pp. 92-117)
Frances A. Yates
An Italian Poet at the Court of Henry VII (XIV, pp. 118-119)
Francis Wormald
Hypnerotomachiana (XIV, pp. 119-125)
E. H. Gombrich
An Illustration of the Ugolino Episode by Pierino da Vinci (XIV, pp. 125-127)
J. Wilde
Titian’s Allegory of ‘Religion’ (XIV, pp. 127-132)
E. Tietze-Conrat
Antoine Caron’s Paintings for Triumphal Arches (XIV, pp. 132-134)
Frances A. Yates
A Note on Thomas Gainsborough and Adriaen de Vries (XIV, p. 134)
Graham Sawyer
Petrarch Minutiae: Correction (XIV, p. 135)
R. Weiss
Vol. XIV, No. 3/4, 1951
Petrarch and the Textual Tradition of Livy (XIV, pp. 137-208)
G. Billanovich
The Genesis of the Teatro Olimpico (XIV, pp. 209-220)
Licisco Magagnato
‘Gli Amori de’ Carracci’: Four Forgotten Paintings by Agostino Carracci (XIV, pp.
221-233)
Otto Kurz
Seventeenth-Century English Literature on Painting (XIV, pp. 234-258)
Luigi Salerno
Racine and Chauveau (XIV, pp. 259-274)
Raymond Picard
Despot and Despotism: Vicissitudes of a Political Term (XIV, pp. 275-302)
R. Koebner
A Leonardo Drawing and the Medici Diomedes Gem (XIV, pp. 303-304)
Bettina H. Polak
Notes on ‘Hercules at the Crossroads’ (XIV, pp. 305-309)
E. Tietze-Conrat
Vol. XV, No. 1/2, 1952
State Festivals in Egypt and Mesopotamia (XV, pp. 1-12)
H. Frankfort
Minos of Crete (XV, pp. 13-19)
John Forsdyke
The Image of the Delian Apollo and Apolline Ethics (XV, pp. 20-32)
R. Pfeiffer
The Dating of the Column of Marcus Aurelius (XV, pp. 33-47)
John Morris
An Illustrated Evangelistary of the Ada School and Its Model (XV, pp. 48-66)
Wilhelm Koehler
Nectanebus in His Palace: A Problem of Alexander Iconography (XV, pp. 67-87)
D. J. A. Ross
Revivals of Roman Law (XV, pp. 88-98)
H. F. Jolowicz
The Hero with Two Swords (XV, pp. 99-100)
Martin Robertson
Vol. XV, No. 3/4, 1952
The Motif of Radiance in Rembrandt’s Biblical Drawings (XV, pp. 101-121)
H.-M. Rotermund
English Painting and France in the Eighteenth Century (XV, pp. 122-135)
Ellis K. Waterhouse
Italian Models of Hogarth’s Picture Stories (XV, pp. 136-168)
Hilde Kurz
The Moral Purpose of Hogarth’s Art (XV, pp. 169-197)
F. Antal
The Horse of Marcus Aurelius: A Controversy between Diderot and Falconet (XV,
pp. 198-228)
H. Dieckmann; J. Seznec
Diderot and Le Genie du Christianisme (XV, pp. 229-241)
Jean Seznec
Blake’s Vision of Slavery (XV, pp. 242-252)
David V. Erdman
An English Copy of a Carracci Altarpiece (XV, pp. 253-254)
T. S. R. Boase
A Classical ‘Rake’s Progress’ (XV, pp. 254-256)
E. H. Gombrich
An Unpublished Notice of Diderot on Falconet (XV, pp. 257-258)
H. Dieckmann
Blake and Emblem Literature (XV, pp. 258-261)
Piloo Nanavutty
Vol. XVI, 1/2, 1953
The Castle of Gaillon in 1509-10 (XVI, pp. 1-12)
Roberto Weiss
St. Francis and the Birds of the Apocalypse (XVI, pp. 13-23)
F. D. Klingender
Jewish Antecedents of Christian Art (XVI, pp. 24-44)
Cecil Roth
A Newly Discovered Manuscript of Opicinus de Canistris: A Preliminary Report
(XVI, pp. 45-57)
Richard G. Salomon
Notes on Some Early Giotto Sources (XVI, pp. 58-80)
Peter Murray
The Modus Tenendi Parliamentum (XVI, pp. 81-99)
V. H. Galbraith
Orpheus the Theologian and Renaissance Platonists (XVI, pp. 100-120)
D. P. Walker
The Conflict of Ideals in Mutianus Rufus: A Study in the Religious Philosophy of
Northern Humanism (XVI, pp. 121-143)
Lewis W. Spitz
Heliodorus’ Aethiopica in Art (XVI, pp. 144-152)
Wolfgang Stechow
Job and Christ: The Development of a Devotional Image (XVI, pp. 153-158)
G. Von der Osten
Two Mysterious Busts at the Porta Nolana in Naples (XVI, pp. 158-159)
E. Tietze-Conrat
A Lost Painting in Henry III’s Palace at Westminster (XVI, p. 160)
D. J. A. Ross
A Note on the “First” Edition of the Latin Translation of Some of Lucian of
Samosata’s Dialogues (XVI, pp. 161-162)
Jose Ruysschaert
The Illusion of Postel’s Feminism (XVI, pp. 162-170)
M. A. Screech
Vol. XVI, No. 3/4, 1953
Huius Nympha Loci: A Pseudo-Classical Inscription and a Drawing by Durer (XVI,
pp. 171-177)
Otto Kurz
Petrarch and the Story of the Choice of Hercules (XVI, pp. 178-192)
Theodor E. Mommsen
Diva Matrix: A Faked Gnostic Intaglio in the Possession of P. P. Rubens and the
Iconology of a Symbol (XVI, pp. 193-238)
A. A. Barb
Pollaiuolo’s Tomb of Pope Sixtus IV (XVI, pp. 239-274)
L. D. Ettlinger
Brunelleschi and ‘Proportion in Perspective’ (XVI, pp. 275-291)
R. Wittkower
The Perspective of Piero della Francesca’s ‘Flagellation’ (XVI, pp. 292-302)
R. Wittkower; B. A. R. Carter
Eclecticism and the Carracci: Further Reflections on the Validity of a Label (XVI, pp.
303-341)
Denis Mahon
Portraits “a l’antique” on French Mediaeval Gems and Seals (XVI, pp. 342-350)
H. Wentzel; Charles Mitchell
The Castle of Gaillon in 1509-10 (Additional Note) (XVI, p. 351)
Roberto Weiss
Vol. XVII, No. 1/2, 1954
The ‘Harvester’ Vase of Hagia Triada (XVII, pp. 1-9)
John Forsdyke
Personification as a Mode of Greek Thought (XVII, pp. 10-21)
T. B. L. Webster
An Unsolved Problem of Historical Forgery: The Scriptores Historiae Augustae
(XVII, pp. 22-46)
Arnaldo Momigliano
The Crab and the fly: A Study in Animal Symbolism (XVII, pp. 47-86)
W. Deonna
Irish High Crosses (XVII, pp. 87-97)
Robin Flower
Alexander the Great in Mediaeval Theology (XVII, pp. 98-114)
George Cary
The Art of Ramon Lull: An Approach to It through Lull’s Theory of the Elements
(XVII, pp. 115-173)
Frances A. Yates
An Unrecorded Follower of Piero della Francesca (XVII, pp. 174-181)
D. J. A. Ross
Fire-Altars of the Sassanian Period at Balkh (XVII, pp. 182-183)
A. D. H. Bivar
Remarks on the “Adoratio” under Diocletian (XVII, pp. 184-189)
H. Stern
Vol. XVII, No. 3/4, 1954
In Memoriam: Henri Frankfort. Director of the Warburg Institute 1st May 1949 - 16th
July 1954 (1 p.)
The Wilton Diptych (XVII, pp. 191-203)
Francis Wormald
The Prisca Theologia in France (XVII, pp. 204-259)
D. P. Walker
Cephalus and Procris: Transformations of an Ovidian Myth (XVII, pp. 260-287)
Irving Lavin
The Programme of the SS. Annunziata in Florence (XVII, pp. 288-300)
S. Lang
Michelangelo on Effort and Rapidity in Art (XVII, pp. 301-310)
Robert J. Clements
Aretino: Artistic Adviser to Francis I (XVII, pp. 311-318)
J. Adhemar
The Decoration of the New Palace of Westminster, 1841-1863 (XVII, pp. 319-358)
T. S. R. Boase
A Horatian Ode and Its Descendants (XVII, pp. 359-365)
John Sparrow
Cephalus and Procris: Underground Transformations (XVII, pp. 366-372)
Irving Lavin
Cosi fan Tutte (Procris Included) (XVII, pp. 372-374)
E. H. Gombrich
The Religious Views of Abraham Ortelius (XVII, pp. 374-377)
Rene Boumans
A Book from the Gonzaga Library at Mantua (XVII, pp. 377-380)
D. E. Rhodes
A Renaissance Work Copied by Wedgwood (XVII, pp. 380-381)
Jennifer Montagu
Burlington, Adam and Gandon (XVII, pp. 381-382)
Maurice Craig
A Note on James Barry and Edmund Burke (XVII, pp. 382-384)
R. R. Wark
John Runciman’s ‘Lear in the Storm’ (XVII, pp. 385-387)
W. M. Merchant
Vol. XVIII, No. 1/2, 1955
The Vine Columns of Old St. Peter’s in Carolingian Canon Tables (XVIII, pp. 1-15)
Elisabeth Rosenbaum
Apollonio di Giovanni: A Florentine Cassone Workshop Seen through the Eyes of a
Humanist Poet (XVIII, pp. 16-34)
E. H. Gombrich
A Group of Florentine Drawings for an Altar (XVIII, pp. 35-53)
Otto Kurz
Michelangelo’s Designs for the Medici Tombs (XVIII, pp. 54-66)
Johannes Wilde
Images of the Human Hand as Amulets in Spain (XVIII, pp. 67-89)
W. L. Hildburgh
Milton and the Conjectura Cabbalistica (XVIII, pp. 90-113)
R. J. Zwi Werblowsky
A Lost Fresco of Niccolo dell’ Abbate at Bologna in Honour of Julius III (XVIII, pp.
114-122)
Sylvie Beguin
William Talman (XVIII, pp. 123-139)
M. D. Whinney
An Illustration of the Five Senses in Mediaeval Art (XVIII, pp. 140-141)
F. Mutherich
Identification and Translation of a Letter of Guarino Guarini of Verona (XVIII, pp.
142-143)
Patricia Hochschild
Vol. XVIII, No. 3/4, 1955
An Oxford College and the Gothic Revival (XVIII, pp. 145-188)
T. S. R. Boase
The Original Plan of the Divine Comedy (XVIII, pp. 189-210)
Hiram Peri
Joachism and the English Apocalypse (XVIII, pp. 211-244)
R. Freyhan
The “Third Reich”: A Fifteenth-Century Polemic against Joachism, and Its
Background (XVIII, pp. 245-295)
Ruth Kestenberg-Gladstein
Poussin’s Drawings for Marino and the New Classicism: I. Ovid’s Metamorphoses
(XVIII, pp. 296-317)
Jane Costello
The Drawing of an Angel in MS. 28, St. John’s College, Oxford (XVIII, pp. 318-319)
Barbara Raw
Some Van Eyckian Illuminations from Italy (XVIII, pp. 319-321)
Roberto Weiss
Vol. XIX, No. 1/2, 1956
The Role of Amulets in Mesopotamian Ritual Texts (XIX, pp. 1-39)
Beatrice L. Goff
Mensa Sacra: The Round Table and the Holy Grail (XIX, pp. 40-67)
A. A. Barb
The Illustrations of St. Anselm’s Prayers and Meditations (XIX, pp. 68-83)
Otto Pacht
Cavallini and the Lost Frescoes in S. Paolo (XIX, pp. 84-95)
John White
‘Combat between Carnival and Lent’ by Pieter Bruegel the Elder: An Allegorical
Picture of the Sixteenth Century (XIX, pp. 96-109)
C. G. Stridbeck
Shaftesbury’s Last Commission (XIX, pp. 110-116)
J. E. Sweetman
Coleridge’s Ancient Mariner and Cook’s Second Voyage (XIX, pp. 117-154)
Bernard Smith
Virtutum et Viciorum Adumbracio (XIX, pp. 155-156)
L. D. Ettlinger
John Evelyn at Tivoli (XIX, pp. 157-158)
David R. Coffin
The Country House Poem of the Seventeenth Century (XIX, pp. 159-174)
G. R. Hibbard
Poggio Bracciolini and Johannes Hus: A Hoax Hard to Kill (XIX, pp. 174-177)
Richard G. Salomon
Vol. XIX, No. 3/4, 1956
Cyriac of Ancona and the Temple of Hadrian at Cyzicus (XIX, pp. 179-191)
Bernard Ashmole
The Alhambra Palace of the Eleventh Century (XIX, pp. 192-258)
Frederick P. Bargebuhr
Novels in Ebony (XIX, pp. 259-268)
Th. H. Lunsingh Scheurleer
Flaxman and the Eighteenth Century. A Commemorative Lecture (XIX, pp. 269-282)
Margaret Whinney
English Artists and the Val d’Aosta (XIX, pp. 283-293)
T. S. R. Boase
The Hearse-Cloth of Henry VII Belonging to the University of Cambridge (XIX, pp.
294-298)
Hugh Tait
The Changes in the Iconography and Composition of Veronese’s Allegory of the
Battle of Lepanto in the Doge’s Palace (XIX, pp. 298-302)
Staale Sinding-Larsen
A Further Note on Niccolo dell’Abbate’s “Geroglifico” at Bologna in Honour of
Julius III (XIX, pp. 302-303)
Sylvie Beguin
Vol. XX, No. 1/2, 1957
Europa (XX, pp. 1-3)
Martin Robertson
Elizabethan Chivalry: The Romance of the Accession Day Tilts (XX, pp. 4-25)
Frances A. Yates
Ut Rhetorica Pictura: A Study in Quattrocento Theory of Painting (XX, pp. 26-44)
John R. Spencer
The Theories of Mabillon and Montfaucon on French Sculpture of the Twelfth
Century (XX, pp. 45-58)
Jacques Vanuxem
Johannes Schefferus and Swedish Antiquity (XX, pp. 59-74)
Allan Ellenius
Robert Wood and the Problem of Troy in the Eighteenth Century (XX, pp. 75-105)
T. J. B. Spencer
Diderot and ‘The Justice of Trajan’ (XX, pp. 106-111)
Jean Seznec
Notes on Some Astronomical, Astrological and Mathematical Manuscripts of the
Bibliotheque Nationale, Paris (XX, pp. 112-172)
Lynn Thorndike
A Classical Topos in the Introduction to Alberti’s Della Pittura (XX, p. 173)
E. H. Gombrich
Vespasiano da Bisticci and Gray (XX, pp. 174-176)
A. de la Mare
An Early Tudor Programme for Plays and Other Demonstrations against the Pope
(XX, pp. 176-179)
Sydney Anglo
“Spotted to Be Known” (XX, pp. 179-180)
D. Coulman
Constable and the ‘Massacres de Scio’ by Delacroix (XX, pp. 180-185)
Michel Florisoone
Note on a Forged Date (XX, p. 185)
D. P. Walker
A Note on Bruegel’s ‘Combat between Carnival and Lent’ (XX, p. 186)
Charles de Tolnay
Vol. XX, No. 3/4, 1957
Florentine Political Assumptions in the Period of Savonarola and Soderini (XX, pp.
187-214)
Felix Gilbert
Jean Louis Guez de Balzac’s le Prince: A Revaluation (XX, pp. 215-247)
Pierre Watter
The Rose-Window (XX, pp. 248-297)
Helen J. Dow
Tiepolo’s Treatment of Classical Story at Villa Valmarana: A Study in Eighteenth-
Century Iconography and Aesthetics (XX, pp. 298-317)
Michael Levey
The Sea of Time and Space (XX, pp. 318-337)
Kathleen Raine
John Constable, 1810-1816: A Chronological Study (XX, pp. 338-357)
Michael Kitson
Observations on the Iconography of the Wound in Christ’s Side, with Special
Reference to Its Position (XX, pp. 358-362)
Vladimir Gurewich
Two Byzantine Scholars and Their Reception in Italy (XX, pp. 363-370)
A. Keller
The Interpolated Text of the Vitruvian Epitome (XX, pp. 370-372)
K. W. Gransden
A Song from Campion’s Lord’s Masque (XX, pp. 373-375)
Frederick W. Sternfeld
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Vol. XXI, No. 1/2 (1958); Vol. XXI, No. 3/4 (1958); Vol. XXII, No. 1/2 (1959); Vol.
XXII, No. 3/4 (1959); Vol. XXIII, No. 1/2 (1960); Vol. XXIII, No. 3/4 (1960); Vol.
XXIV, No. 1/2 (1961); Vol. XXIV, No. 3/4 (1961); Vol. XXV, No. 1/2 (1962); Vol.
XXV, No. 3/4 (1962); Vol. XXVI, No. 1/2 (1963); Vol. XXVI, No. 3/4 (1963); Vol.
XXVII (1964); Vol. XXVIII (1965); Vol. XXIX (1966); Vol. XXX (1967).
 
Vol. XXI, No. 1/2, 1958
The Orpheus in the Synagogue of Dura-Europos (XXI, pp. 1-6)
H. Stern
St. Julian of Toledo in the Middle Ages (XXI, pp. 7-26)
J. N. Hillgarth
The Gosforth Cross (XXI, pp. 27-43)
Knut Berg
The Myth of Prometheus: Its Survival and Metamorphoses up to the Eighteenth
Century (XXI, pp. 44-62)
Olga Raggio
Prophecy and History: Lichtenberger’s Forecasts of Events to Come (From the
Fifteenth to the Twentieth Century); Their Reception and Diffusion (XXI, pp. 63-85)
D. Kurze
The Popular Celebration of the Accession Day of Queen Elizabeth I (XXI, pp. 86-
103)
Roy C. Strong
The Pope-Burning Processions of 1679, 1680 and 1681 (XXI, pp. 104-118)
Sheila Williams
The Astral Body in Renaissance Medicine (XXI, pp. 119-133)
D. P. Walker
Una and the Clergy: The Ass Symbol in The Faerie Queene (XXI, pp. 134-137)
John M. Steadman
Vol. XXI, No. 3/4, 1958
The Dying God (XXI, pp. 141-151)
Henri Frankfort
Heresy in a Theocratic State (XXI, pp. 152-165)
Henri Frankfort
The Archetype in Analytical Psychology and the History of Religion (XXI, pp. 166-
178)
Henri Frankfort; Gertrud Bing
Political Ideas in Sienese Art: The Frescoes by Ambrogio Lorenzetti and Taddeo di
Bartolo in the Palazzo Pubblico (XXI, pp. 179-207)
Nicolai Rubinstein
Riccobaldo of Ferrara, Boccaccio and Domenico di Bandino (XXI, pp. 208-226)
Teresa Hankey
The Owl’s Ivy and the Poet’s Bays. An Enquiry into Poetic Garlands (XXI, pp. 227-
255)
J. B. Trapp
The Palazzo Barberini: The Contributions of Maderno, Bernini and Pietro da Cortona
(XXI, pp. 256-287)
Anthony Blunt
An Italian Niello Casket of the Fifteenth Century (XXI, pp. 288-295)
Mordechai Narkiss
The Croyland Quatrefoil and Polychronicon (XXI, pp. 295-296)
W. F. Bolton
Giovanni Ambrogio Preda in Rome (XXI, p. 297)
Roberto Weiss
Vol. XXII, No. 1/2, 1959
An Early Chinese Swan-Maiden Story (XXII, pp. 1-5)
Arthur Waley
The History and Form of the Seven-Branched Candlestick of the Hasmonean Kings
(XXII, pp. 6-16)
Heinrich Strauss
“Opus Quinque Dierum”: Durer’s ‘Christ among the Doctors’ and Its Sources (XXII,
pp. 17-34)
Jan Bialostocki
Raphael’s ‘Incendio del Borgo’ (XXII, pp. 35-59)
Kurt Badt
Festivals for the Garter Embassy at the Court of Henri III (XXII, pp. 60-70)
Roy C. Strong
The Chateau of Montceaux-en-Brie (XXII, pp. 71-87)
Rosalys Coope
Heroic Virtue and the Divine Image in Paradise Lost (XXII, pp. 88-105)
John M. Steadman
Some Emblematic Sources of Goya (XXII, pp. 106-131)
George Levitine
Aspects of Mozart’s Heroines (XXII, pp. 132-156)
Michael Levey
Notes on Some Less Familiar British Astronomical and Astrological Manuscripts
(XXII, pp. 157-171)
Lynn Thorndike
The Repentance of Judas in Piero della Francesca’s ‘Flagellation of Christ’ (XXII, p.
172)
E. H. Gombrich
Vol. XXII, No. 3/4, 1959
Theories of Categories in Early Mediaeval Chinese Alchemy (XXII, pp. 173-210)
Ho Ping-Yu; Joseph Needham
A New Manuscript of the Latin Fuerre de Gadres and the Text of Roman d’Alexandre
Branch II (XXII, pp. 211-253)
D. J. A. Ross
The Reliefs on the Facade of the Duomo at Orvieto (XXII, pp. 254-302)
John White
George Herbert and Caritas (XXII, pp. 303-331)
Rosemond Tuve
Shipwrecks in English Romantic Painting (XXII, pp. 332-346)
T. S. R. Boase
Haydon versus Shee (XXII, pp. 347-358)
Quentin Bell
Federigo Zuccaro’s Visit to England in 1575 (XXII, pp. 359-360)
Roy C. Strong
The Longthorpe Murals (XXII, pp. 361-362)
R. M. Ogilvie
The Seven-Year-Old Theseus (XXII, p. 362)
E. Tietze-Conrat
Salutati’s Epigrams for the Palazzo Vecchio at Florence (XXII, pp. 363-365)
Teresa Hankey
Boissard’s Costume-Book and Two Portraits (XXII, pp. 365-366)
Frances A. Yates
Seth or Anubis? (XXII, pp. 367-371)
J. Gwyn Griffiths; A. A. Barb
The Orpheus in the Synagogue of Dura-Europos: A Correction (XXII, pp. 372-373)
Erwin R. Goodenough; H. Stern
Sources of Inigo Jones’s Masquing Designs (XXII, pp. 373-374)
E. E. Veevers
Vol. XXIII, No. 1/2, 1960
Ramon Lull and John Scotus Erigena (XXIII, pp. 1-44)
Frances A. Yates
The Earlier Work of Giovanni Bellini (XXIII, pp. 45-59)
Giles Robertson
The Picture of Nobody: An Iconographical Study (XXIII, pp. 60-104)
Gerta Calmann
An Historical Study of the Portraits of Sir John Suckling (XXIII, pp. 105-126)
Thomas Clayton
Time and Eternity: Paradox and Structure in Paradise Lost (XXIII, pp. 127-138)
Rosalie L. Colie
The Hampton Court Trianon Designs of William and John Talman (XXIII, pp. 139-
149)
John Harris
Cezanne and Poussin (XXIII, pp. 150-174)
Theodore Reff
Sense or Nonsense in Scientific Jargon (XXIII, pp. 175-176)
O. Neugebauer
Jordaens’ ‘Night Vision’ (XXIII, pp. 177-178)
Erwin Bielefeld
Vol. XXIII, No. 3/4, 1960
An Illuminated English Psalter of the Early Thirteenth Century (XXIII, pp. 179-189)
Meyer Schapiro
Ekphrasis and Aesthetic Attitudes in Vasari’s Lives (XXIII, pp. 190-215)
Svetlana Leontief Alpers
“L’Eglise du Dome” (XXIII, pp. 216-224)
A. J. Braham
Rigaud’s Portrait Group at Ottawa: A Key to the Artist’s Personal Life (XXIII, pp.
225-238)
George Van Derveer Gallenkamp
Pygmalion and the Philosophes: The Animated Statue in Eighteenth-Century France
(XXIII, pp. 239-255)
J. L. Carr
Francesco Guardi as Vedutista and Some of His Patrons (XXIII, pp. 256-276)
Francis Haskell
John Graham Lough: A Transitional Sculptor (XXIII, pp. 277-290)
T. S. R. Boase
Botticelli and Nineteenth-Century England (XXIII, pp. 291-306)
Michael Levey
Note on the Glazier Psalter (XXIII, pp. 307-308)
Francis Wormald
A Note on the Symbolism of Some Sculptures of the Ducal Palace, Venice (XXIII,
pp. 308-309)
B. Rackham
Vasari’s Lives and Cicero’s Brutus (XXIII, pp. 309-311)
E. H. Gombrich
Edward VI and the Pope (XXIII, pp. 311-313)
Roy C. Strong
Vol. XXIV, No. 1/2, 1961
The Rocks on the Parthenon Frieze (XXIV, pp. 1-44)
Philipp Fehl
Logical and Mathematical Symbolism in the Platonic Scholia (XXIV, pp. 45-58)
Robert S. Brumbaugh
The Taj Mahal in the Context of East and West: A Study in the Comparative Method
(XXIV, pp. 59-88)
R. A. Jairazbhoy
A Mediaeval Mystery Cult in Bosnia and Herzegovina (XXIV, pp. 89-107)
Marian Wenzel
Cain’s Jaw-Bone (XXIV, pp. 108-114)
George Henderson
Observations on Caravaggio’s ‘Repentant Magdalen’ (XXIV, pp. 114-115)
Ilaria Toesca
The Monk and the Soldier in Plate 58 of Goya’s Caprichos (XXIV, pp. 115-120)
Nigel Glendinning
A New View of Goya’s Tauromaquia (XXIV, pp. 120-127)
Nigel Glendinning
A Note on the So-Called ‘Fidei Simulacrum’ (XXIV, p. 128)
R. Weiss
Vol. XXIV, No. 3/4, 1961
The Chigi Chapel in S. Maria del Popolo (XXIV, pp. 129-160)
John Shearman
The Chigi Chapel in S. Maria della Pace (XXIV, pp. 161-185)
Michael Hirst
The Humanist Portrait of Cosimo de’ Medici, Pater Patriae (XXIV, pp. 186-221)
Alison M. Brown
The Survival of the Kithara and the Evolution of the English Cittern: A Study in
Morphology (XXIV, pp. 222-229)
Emanuel Winternitz
A Chronological Census of Renaissance Editions and Translations of Galen (XXIV,
pp. 230-305)
Richard J. Durling
Renaissance and Golden Age (XXIV, pp. 306-309)
E. H. Gombrich
The ‘Institution of the Eucharist’ by Charles Le Brun (XXIV, pp. 309-312)
Jennifer Montagu
The Greek Codices of Palla Strozzi and Guarino Veronese (XXIV, pp. 313-321)
Aubrey Diller
A Note on Raphael’s Sibyls in S. Maria della Pace (XXIV, pp. 322-323)
L. D. Ettlinger
Poussin’s ‘Triumph of Neptune and Amphitrite’: A Re-Identification (XXIV, pp. 323-
327)
Frank H. Sommer
Pirro Ligorio’s Illustrations to Aesop’s Fables (XXIV, pp. 327-331)
Erna Mandowsky
Vol. XXV, No. 1/2, 1962
Jeremiah and His Girdle (XXV, pp. 1-8)
Adelheid Heimann
The Promethean Commonplace (XXV, pp. 9-17)
R. Johnson
An Anglo-Saxon Bible Fragment of the Late Eighth Century. Royal 1 E. VI (XXV,
pp. 18-34)
Patrick McGurk
Pinturicchio and the Revival of Antiquity (XXV, pp. 35-55)
J. Schulz
Sebastiano Serlio and Venetian Painting (XXV, pp. 56-64)
Cecil Gould
Political and Religious Cartoons of the Thirty Years’ War (XXV, pp. 65-86)
W. A. Coupe
Dryden’s Dialogue on Drama (XXV, pp. 87-112)
Dean T. Mace
Beroaldus on Francia (XXV, pp. 113-115)
Michael Baxandall; E. H. Gombrich
Ennius and Basinio of Parma (XXV, pp. 116-118)
Jessie Poesch
A Late Twelfth-Century Artist’s Pattern-Sheet (XXV, pp. 119-128)
D. J. A. Ross
A Saint Identified in a Lee Picture (XXV, pp. 129-130)
F. Wormald
Jordaens’ ‘Night Vision’: A Rejoinder (XXV, pp. 131-134)
Julius S. Held
Sources of Two Paintings by Joseph Wright of Derby (XXV, pp. 135-136)
Robert Rosenblum
Aftermath to Opicinus de Canistris (XXV, pp. 137-146)
Richard G. Salomon
Nature and the Antique in B. R. Haydon’s ‘Assassination of Dentatus’ (XXV, pp.
147-157)
Frederick Cummings
Correction: The Six Days of Creation in a Twelfth Century Manuscript (XXV, p. 158)
Adelheid Heimann
Vol. XXV, No. 3/4, 1962
An Eleventh-Century Ivory Pectoral Cross (XXV, pp. 159-171)
Richard H. Randall, Jr.
Late-Antique Influences in Some English Mediaeval Illustrations of Genesis (XXV,
pp. 172-198)
George Henderson
Numerical Composition in The Faerie Queene (XXV, pp. 199-239)
Alastair Fowler
Some Principles of Elizabethan Stage Costume (XXV, pp. 240-257)
Hal H. Smith
The Dance and the Masques of Ben Jonson (XXV, pp. 258-277)
John C. Meagher
The Abbe de Cordemoy and the Graeco-Gothic Ideal: A Prelude to Romantic
Classicism (XXV, pp. 278-320)
R. D. Middleton
Notes on Cyriac of Ancona and Some of His Friends (XXV, pp. 321-323)
F. Babinger
A Note on Nicolas Froment’s ‘Burning-Bush Triptych’ (XXV, pp. 323-325)
Charles I. Minott
Maria in Sole and the Virgin of the Rosary (XXV, pp. 326-330)
S. Ringbom
Some Eighteenth-Century Restorations of Myron’s ‘Discobolos’ (XXV, pp. 330-334)
Seymour Howard
The ‘Bonus Eventus’ Relief in the British Museum (XXV, pp. 335-337)
Otto Kurz
Vol. XXVI, No. 1/2, 1963
Olympias and the Serpent: The Interpretation of a Baalbek Mosaic and the Date of the
Illustrated Pseudo-Callisthenes (XXVI, pp. 1-21)
D. J. A. Ross
A Life of St. Edward the Confessor in Early Fourteenth-Century Stained Glass at
Fecamp, in Normandy (XXVI, pp. 22-37)
Madeline Harrison
Erasmus, Humanism, and the Christian Cabala (XXVI, pp. 38-52)
Werner L. Gundersheimer
The London Pageants for the Reception of Katharine of Aragon: November 1501
(XXVI, pp. 53-89)
Sydney Anglo
The Abbe de Cordemoy and the Graeco-Gothic Ideal (XXVI, pp. 90-123)
R. D. Middleton
‘Backgrounds, Introduction of Architecture and Landscape’: A Lecture by J. M. W.
Turner (XXVI, pp. 124-147)
Jerrold Ziff
Macklin and Bowyer (XXVI, pp. 148-177)
T. S. R. Boase
Constantiniana (XXVI, pp. 178-192)
C. Ligota
Julian of Toledo in the Liber Floridus (XXVI, pp. 192-196)
J. N. Hillgarth
An Interpretation of Mantegna’s ‘Parnassus’ (XXVI, pp. 196-198)
E. H. Gombrich
Sidney’s Experiment in Pastoral: The Lady of May (XXVI, pp. 198-203)
S. K. Orgel
Vol. XXVI, No. 3/4, 1963
Some Pre-Dynastic Egyptian Figurines: Problems of Authenticity (XXVI, pp. 205-
222)
Peter J. Ucko; H. W. M. Hodges
The Indian Iconography of the Decans and Horas (XXVI, pp. 223-254)
David Pingree
An Illustration in an Anglo-Saxon Psalter in Paris (XXVI, pp. 255-263)
Robert M. Harris
Notes on the Virtues and Vices (XXVI, pp. 264-303)
Rosemond Tuve
A Dialogue on Art from the Court of Leonello d’Este: Angelo Decembrio’s De Politia
Litteraria Pars LXVIII (XXVI, pp. 304-326)
Michael Baxandall
Logos in The Temple: George Herbert and the Shape of Content (XXVI, pp. 327-342)
R. L. Colie
Three Astrological Predictions (XXVI, pp. 343-347)
Lynn Thorndike
Reynard the Fox and the Smithfield Decretals (XXVI, pp. 347-354)
Kenneth Varty
The Fabric of Herbert’s Temple (XXVI, pp. 354-358)
George Watson
Rubens and the Wound in Christ’s Side. A Postscript (XXVI, p. 358)
Vladimir Gurewich
Poussin’s ‘Neptune and Amphitrite’ at Philadelphia: A Re-Identification Rejected
(XXVI, pp. 359-360)
Michael Levey
An Eighteenth-Century Carved Piece with Medical Associations (XXVI, pp. 361-363)
Robert Renehan
Goya and Arriaza’s Profecia del Pirineo (XXVI, pp. 363-366)
Nigel Glendinning
B. R. Haydon and His School (XXVI, pp. 367-380)
Frederick Cummings
Vol. XXVII, 1964
In Memoriam Gertrud Bing 1892-1964 (XXVII, unpaginated, 2 pp.)
Three Elusive Amulets (XXVII, pp. 1-22)
A. A. Barb
The Evesham Psalter (XXVII, pp. 23-41)
D. H. Turner
Notes on the Virtues and Vices (XXVII, pp. 42-72)
Rosemond Tuve
The Bible and Eternity: John Wyclif’s Dilemma (XXVII, pp. 73-89)
Beryl Smalley
Bartholomaeus Facius on Painting: A Fifteenth-Century Manuscript of the De Viris
Illustribus (XXVII, pp. 90-107)
Michael Baxandall
The Language of Humanism and the Language of Sculpture: Bertoldo as Illustrator of
the Apologi of Bartolomeo Scala (XXVII, pp. 108-136)
Alison M. Brown; Alessandro Parronchi
The Origin of an Archaeological Plan of Rome by Alessandro Strozzi (XXVII, pp.
137-163)
Gustina Scaglia
Nicolas Audebert and the Villa D’Este (XXVII, pp. 164-190)
R. W. Lightbown
Pirro Ligorio on the Nobility of the Arts (XXVII, pp. 191-210)
David R. Coffin
The Theology of Marlowe’s The Jew of Malta (XXVII, pp. 211-240)
G. K. Hunter
Eternity and the Afterlife (XXVII, pp. 241-250)
D. P. Walker
Musical Humanism, the Doctrine of Rhythmus, and the Saint Cecilia Odes of Dryden
(XXVII, pp. 251-292)
D. T. Mace
Moment and Movement in Art (XXVII, pp. 293-306)
E. H. Gombrich
The Stevensweert Kantharos: Its Metrology and Eastern Connexions (XXVII, pp.
307-311)
A. D. H. Bivar
Some Unpublished Astrological Illustrations from Central and Eastern Europe
(XXVII, pp. 311-312)
K. Fischer
The Iconography of the Deposition without St. John (XXVII, pp. 312-317)
Paulina Ratkowska
Two Pieces of Fifteenth-Century Political Iconography (XXVII, pp. 317-320)
P. S. Lewis
A Hitherto Unpublished Letter on Benozzo Gozzoli’s Frescoes in the Palazzo Medici-
Riccardi (XXVII, pp. 321-322)
Andreas Grote
Philip II’s Impresa and Spenser’s Souldan (XXVII, pp. 322-324)
Rene Graziani
The Xenophon Translation Attributed to Queen Elizabeth I (XXVII, pp. 324-326)
L. Bradner
Robert Fludd’s Theory of Geomancy and His Experiences at Avignon in the Winter
of 1601 to 1602 (XXVII, pp. 327-335)
C. H. Josten
Francisco Pacheco’s Apotheosis of Hercules (XXVII, pp. 335-337)
G. Kunoth
A Caritas Romana by Murillo (XXVII, pp. 337-339)
Enriqueta Harris
John Langhorne and Turner’s ‘Fallacies of Hope’ (XXVII, pp. 340-342)
Jerrold Ziff
Photogenic Drawings (XXVII, pp. 342-343)
R. B. Beckett
Vol. XXVIII, 1965
Logical and Mathematical Symbolism in the Plato Scholia, II. A Thousand Years of
Diffusion and Redesign (XXVIII, pp. 1-13)
Robert S. Brumbaugh
A Twelfth-Century Defence of the Fourth Figure of the Syllogism (XXVIII, pp. 14-
28)
A. I. Sabra
Byzantinism and Romantic Hellenism (XXVIII, pp. 29-43)
Cyril Mango
Gregory the Great, the Destroyer of Pagan Idols. The History of a Medieval Legend
concerning the Decline of Ancient Art and Literature (XXVIII, pp. 44-65)
Tilmann Buddensieg
A Castilian Tradition of Bible Illustration. The Romanesque Bible from San Millan
(XXVIII, pp. 66-85)
John W. Williams
A Twelfth-Century Manuscript from Winchcombe and Its Illustrations. Dublin,
Trinity College, MS. 53 (XXVIII, pp. 86-109)
Adelheid Heimann
The Iconography of the Four Panels by the Master of Saint Giles (XXVIII, pp. 110-
144)
William M. Hinkle
Henry VI of England and the Dual Monarchy: Aspects of Royal Political Propaganda,
1422-1432 (XXVIII, pp. 145-162)
J. W. McKenna
The Medals of Pope Julius II (1503-1513) (XXVIII, pp. 163-182)
Roberto Weiss
Guarino, Pisanello and Manuel Chrysoloras (XXVIII, pp. 183-204)
Michael Baxandall
Eros and Anteros or Reciprocal Love in Ancient and Renaissance Art (XXVIII, pp.
205-208)
Guy de Tervarent
Bibles Francaises Apres le Concile de Trente (1546) (XXVIII, pp. 209-222)
Eugenie Droz
An Unknown Chapter in the Life of John Dee (XXVIII, pp. 223-257)
C. H. Josten
A Rembrandt Problem: Haman or Uriah? (XXVIII, pp. 258-273)
Madlyn Kahr
The Medal against Time: A Study of Pope’s Epistle To Mr Addison (XXVIII, pp.
274-298)
Howard Erskine-Hill
A. M. Warburg (XXVIII, pp. 299-313)
G. Bing
Empedocles’s Fiery Fish (XXVIII, pp. 314-315)
J. Longrigg
The Hero with Two Swords: A Postscript (XXVIII, pp. 316-317)
Martin Robertson
A Serbo-Byzantine Betrothal Ring (XXVIII, pp. 317-319)
F. M. Heichelheim; H. A. Hickl-Szabo
The Breviary of Saint Louis: The Development of a Legendary Miracle (XXVIII, pp.
319-323)
L. S. Crist
The Salamander in Van der Goes’ Garden of Eden (XXVIII, pp. 323-326)
Robert A. Koch
The Solitary Bird in Van der Goes’ Garden of Eden (XXVIII, pp. 326-329)
Herbert Leon Kessler
Some Seventeenth-Century Miniatures from the University of Cracow (XXVIII, pp.
329-331)
Ewa Chojecka
De Lineamentis: L. B. Alberti’s Use of a Technical Term (XXVIII, pp. 331-335)
S. Lang
Excerpts from the Codex Huygens Published in London in 1720 (XXVIII, pp. 336-
338)
Carlo Pedretti
Poussin’s Marine Venus at Philadelphia: A Re-Identification Accepted (XXVIII, pp.
338-343)
Charles Dempsey
The Woman of Sestos: A Plinian Theme in the Renaissance (XXVIII, pp. 343-348)
Susan Woodford
Vol. XXIX, 1966
Antaura. The Mermaid and the Devil’s Grandmother: A Lecture (XXIX, pp. 1-23)
A. A. Barb
The Debate on Primitivism in Ancient Rhetoric (XXIX, pp. 24-38)
E. H. Gombrich
Three Illustrations from the Bury St. Edmunds Psalter and Their Prototypes. Notes on
the Iconography of Some Anglo-Saxon Drawings (XXIX, pp. 39-59)
Adelheid Heimann
The Bury Bible (Cambridge, Corpus Christi College, MS. 2) (XXIX, pp. 60-81)
C. M. Kauffmann
A Logos Creator at Chartres and Its Copy (XXIX, pp. 82-100)
Jan van der Meulen
The Salvation of the Heathen: The Exploration of a Theme in Piers Plowman (XXIX,
pp. 101-116)
G. H. Russell
The Mulier Amicta Sole and Her Attendants. An Episode in Late Medieval Finnish
Art (XXIX, pp. 117-134)
Anthony Cutler
Cardinal Giordano Orsini (d. 1438) as a Prince of the Church and a Patron of the Arts.
A Contemporary Panegyric and Two Descriptions of the Lost Frescoes in Monte
Giordano (XXIX, pp. 135-159)
W. A. Simpson
Correggio’s Amori di Giove (XXIX, pp. 160-192)
Egon Verheyen
Titian’s Old Testament Cycle (XXIX, pp. 193-205)
Madlyn Kahr
Graces, Muses, and Arts: The Urns of Henry II and Francis I (XXIX, pp. 206-218)
Victoria L. Goldberg
The Classical Perception of Nature in Poussin’s Earlier Works (XXIX, pp. 219-249)
Charles Dempsey
Puget’s Gallic Hercules (XXIX, pp. 250-263)
Theodore Reff
Moral Intention in the Fables of La Fontaine (XXIX, pp. 264-281)
Margaret M. McGowan
Dryden and Vossius: A Reconsideration (XXIX, pp. 282-295)
H. Neville Davies
A Reply to Mr. H. Neville Davies’s ‘Dryden and Vossius: A Reconsideration’
(XXIX, pp. 296-310)
D. T. Mace
Plagiaries-by-Memory of the Rake’s Progress and the Genesis of Hogarth’s Second
Picture Story (XXIX, pp. 311-348)
David Kunzle
Biblical Illustration in Nineteenth-Century English Art (XXIX, pp. 349-367)
T. S. R. Boase
On the Origin of the Word ‘Expressionism’ (XXIX, pp. 368-385)
Donald E. Gordon
Art in ‘The Epoch of the Great Spiritual’: Occult Elements in the Early Theory of
Abstract Painting (XXIX, pp. 386-418)
Sixten Ringbom
The Illustration of Codex Ebnerianus (XXIX, pp. 419-424)
Cecelia Meredith
Giovanni Contarini, a Venetian at Oxford: 1392-1399 (XXIX, pp. 424-432)
Anthony Luttrell
Notes on the Astrological Predictions for A. D. 1430/1431 in MS. Harley 3731
(XXIX, pp. 432-433)
O. Neugebauer
An Emblematic Portrait by Dosso (XXIX, pp. 433-436)
Felton Gibbons
Poussin and Aesop (XXIX, pp. 436-437)
A. F. Blunt
The Textual Sources of Poussin’s Marine Venus in Philadelphia (XXIX, pp. 438-442)
Charles Dempsey
Vol. XXX, 1967
Otto Fein 1906-1966 (XXX, unpaginated, 1 p.)
Women in Charge: The Function of Alternatives in Early Greek Tradition and the
Ancient Idea of Matriarchy (XXX, pp. 1-35)
Simon Pembroke
Seventy-Eight Vitruvius Manuscripts (XXX, pp. 36-70)
Carol Herselle Krinsky
Studies in English Manuscript Illumination, Part I: Stylistic Sequence and Stylistic
Overlap in Thirteenth-Century English Manuscripts (XXX, pp. 71-104)
George Henderson
Studies in English Manuscript Illumination, Part II: The English Apocalypse: I (XXX,
pp. 104-137)
George Henderson
Simone Martini’s The Holy Family (XXX, pp. 138-149)
Don Denny
Four Tapestries after Hieronymus Bosch (XXX, pp. 150-162)
Otto Kurz
Pontormo’s Cosimo il Vecchio, a New Dating (XXX, pp. 163-175)
John Sparrow
Henry IV, the Gallic Hercules (XXX, pp. 176-197)
Corrado Vivanti
The Musical Theory and Philosophy of Robert Fludd (XXX, pp. 198-227)
Peter J. Ammann
Kepler’s Celestial Music (XXX, pp. 228-250)
D. P. Walker
A Volume of Mughal Drawings and Miniatures (XXX, pp. 251-271)
Otto Kurz
Manner and Meaning in Some Rubens Mythologies (XXX, pp. 272-295)
Svetlana L. Alpers
Bishop Godwin’s ‘Lunatique Language’ (XXX, pp. 296-316)
H. Neville Davies
Hogarth, Fielding, and the Dating of the March to Finchley (XXX, pp. 317-326)
W. B. Coley
Ossian in Painting (XXX, pp. 327-356)
Henry Okun
Turner: An Early Experiment with Colour Theory (XXX, pp. 357-366)
Gerald E. Finley
The Sources of True Taste. Benjamin West’s Instructions to a Young Painter for His
Studies in Italy (XXX, pp. 367-382)
Franziska Forster-Hahn
Alexander Historiatus a Supplement (XXX, pp. 383-388)
D. J. A. Ross
John VII’s Adoration of the Cross in S. Maria Antiqua (XXX, pp. 388-390)
Per Jonas Nordhagen
The Archer, the Eagle and the Lamb (XXX, pp. 391-394)
Barbara C. Raw
Boethius and an Illustration to the Bible Historiale (XXX, pp. 394-398)
M. W. Evans
An Unpublished Detail of the Iconography of the Passion in Le Chastel Perilleux
(XXX, pp. 398-401)
Marie Brisson
A ‘Biface’ Medal of Henry II? (XXX, pp. 401-403)
W. McAllister Johnson
The Earliest Description of Bosch’s Garden of Delight (XXX, pp. 403-406)
E. H. Gombrich
On Some Celestial Maps and Globes of the Sixteenth Century (XXX, pp. 406-409)
Jacob Hess
A Note on the Arithmological Stanza: The Faerie Queene, II. ix. 22 (XXX, pp. 410-
414)
R. M. Cummings
Velazquez and Charles I. Antique Busts and Modern Paintings from Spain for the
Royal Collection (XXX, pp. 414-420)
Enriqueta Harris
Euanthes Redivivus: Rubens’s Prometheus Bound (XXX, pp. 420-425)
Charles Dempsey
The Endymion Myth and Poussin’s Detroit Painting (XXX, pp. 426-431)
Judith Colton
Salvator Rosa’s Justice Appearing to the Peasants (XXX, pp. 431-434)
Richard W. Wallace
An Anatomical Drawing by Alexander Cozens (XXX, pp. 434-438)
Arthur S. Marks
Pouilly’s Plagiarism (XXX, pp. 438-444)
George H. Nadel
Pope’s Neighbours: An Early Landscape Garden at Richmond (XXX, pp. 444-446)
A. J. Sambrook
Back to top .
 
Vol. XXXI (1968); Vol. XXXII (1969); Vol. XXXIII (1970); Vol. XXXIV (1971);
Vol. XXXV (1972); Vol. XXXVI (1973); Vol. XXXVII (1974); Vol. XXXVIII
(1975); Vol. XXXIX (1976); Vol. XL (1977).
 
Vol. XXXI, 1968
Symbolism in the Plato Scholia (XXXI, pp. 1-11)
Robert S. Brumbaugh
Thabit Ibn Qurra on Euclid’s Parallels Postulate (XXXI, pp. 12-32)
A. I. Sabra
Some Early Medieval Figure Sculpture from North-East Turkey (XXXI, pp. 33-72)
David Winfield
The Capital Frieze and Pilasters of the Portail Royal, Chartres (XXXI, pp. 73-102)
Adelheid Heimann
Studies in English Manuscript Illumination, Part III: The English Apocalypse; II
(XXXI, pp. 103-147)
George Henderson
Virtues and Vices in the Chapter House Vestibule in Salisbury (XXXI, pp. 148-158)
Rosalie B. Green
Piers Plowman and Local Iconography (XXXI, pp. 159-169)
R. E. Kaske
A Mid-Fifteenth-Century English Illuminating Shop and Its Customers (XXXI, pp.
170-196)
Kathleen L. Scott
The Signatures and Original Foliation of Leonardo da Vinci’s Libro F (XXXI, pp.
197-217)
Carlo Pedretti
Leonardo’s Architectural Designs and the Sforza Mausoleum (XXXI, pp. 218-233)
S. Lang
The Term Emblema in Alciati (XXXI, pp. 234-250)
Hessel Miedema
Mercurius Ver: The Sources of Botticelli’s Primavera (XXXI, pp. 251-273)
Charles Dempsey
Le Theme de la Madeleine penitente au XVIIeme siecle en France (XXXI, pp. 274-
306)
Francoise Bardon
The Painted Enigma and French Seventeenth-Century Art (XXXI, pp. 307-335)
Jennifer Montagu
William Hogarth and Antoine Parent (XXXI, pp. 336-382)
J. Dobai
Delacroix’s Imagery in the Palais Bourbon Library (XXXI, pp. 383-403)
G. L. Hersey
The Architectural Setting of Jane Austen’s Novels (XXXI, pp. 404-422)
Nikolaus Pevsner
The Yale (XXXI, pp. 423-428)
Wilma George
An Allegorical Portrait of Emperor Sigismund by Mariano Taccola of Siena (XXXI,
pp. 428-434)
Gustina Scaglia
On the Iconography of the Nymph of the Fountain by Lucas Cranach the Elder
(XXXI, pp. 434-437)
Michael Liebmann
Marvell’s Stork: The Natural History of an Emblem (XXXI, pp. 437-438)
Kitty Datta
New Light on Bernini’s Neptune and Triton (XXXI, pp. 438-440)
William Collier
Quaestiones disputatae: Poussin’s Venus at Philadelphia (XXXI, pp. 440-444)
Frank H. Sommer
Harrison, Jonson and Dekker: The Magnificent Entertainment for King James (1604)
(XXXI, pp. 445-448)
David M. Bergeron
Two Eighteenth-Century Frontispieces (XXXI, pp. 448-449)
H. A. Hammelmann
Vol. XXXII, 1969
Simplicius’s Proof of Euclid’s Parallels Postulate (XXXII, pp. 1-24)
A. I. Sabra
Observations on the Historiated Lintel of the Holy Sepulchre, Jerusalem (XXXII, pp.
25-40)
Alan Borg
A Tanner Manuscript in the Bodleian Library and Some Notes on English Painting of
the Late Twelfth Century (XXXII, pp. 41-54)
L. M. Ayres
The Tympanum of the Portal of Saint-Anne at Notre Dame de Paris and the
Iconography of the Division of the Powers in the Early Middle Ages (XXXII, pp. 55-
72)
Walter Cahn
Arnold Geilhoven: An Early Disciple of Petrarch in the Low Countries (XXXII, pp.
73-108)
Nicholas Mann
Alberti’s Colour Theory: A Medieval Bottle without Renaissance Wine (XXXII, pp.
109-134)
Samuel Y. Edgerton, Jr.
The Crucifixion of St. Peter: A Fifteenth-Century Topographical Problem (XXXII,
pp. 135-161)
J. M. Huskinson
Bosch’s “Garden of Earthly Delights”: A Progress Report (XXXII, pp. 162-170)
E. H. Gombrich
Giovanni Pico’s Book of Job (XXXII, pp. 171-199)
Chaim Wirszubski
Erasmus and the Visual Arts (XXXII, pp. 200-227)
Erwin Panofsky
Oriental Art and the Orient in Late Renaissance and Baroque Italy (XXXII, pp. 228-
279)
R. W. Lightbown
The Angelic Consolation of St. Francis of Assisi in Post-Tridentine Italian Painting
(XXXII, pp. 280-306)
Pamela Askew
John Toland and the Newtonian Ideology (XXXII, pp. 307-331)
Margaret Candee Jacob
The Early Career of Alexander Runciman and His Relations with Sir James Clerk of
Penicuik (XXXII, pp. 332-343)
Susan Booth
Constable’s Sky Sketches (XXXII, pp. 344-365)
Louis Hawes
Antolini’s Foro Bonaparte in Milan (XXXII, pp. 366-385)
Carroll William Westfall
Papal Patronage in the Early Twelfth Century: Notes on the Iconography of
Cosmatesque Pavements (XXXII, pp. 386-390)
Dorothy Glass
Filippino Lippi’s Wounded Centaur, p. 390
Hugh Lloyd-Jones
The Taddei Tondo: A Frightened Jesus? (XXXII, pp. 391-393)
Malcolm Easton
Mantegna and Francisque Pellegrin, p. 394
W. McAllister Johnson
A Note on Marcantonio’s Death of Dido (XXXII, pp. 394-396)
David H. Thomas
The Source of Titian’s Bacchus and Ariadne (XXXII, pp. 396-397)
Angus Easson
From the Alessandro Morente to the Alexandre Richelieu. The Portraiture of
Alexander the Great in Seventeenth-Century Italy and France (XXXII, pp. 398-405)
Erkinger Schwarzenberg
A Neglected Classical Phase of Turner’s Art: His Vignettes to Rogers’s Italy (XXXII,
pp. 405-410)
Adele M. Holcomb
The Lost Opportunity of the Royal Academy: An Assessment of Its Position in the
Nineteenth Century (XXXII, pp. 410-420)
H. C. Morgan
A Corrected Plan of Delacroix’s Ceiling in the Library of the Palais Bourbon (XXXII,
pp. 420-421)
Lee Johnson
Vol. XXXIII, 1970
Representations of the Temple of Jerusalem before 1500 (XXXIII, pp. 1-19)
Carol Herselle Krinsky
Notes on Some Didactic Illustrations in the Margins of a Twelfth-Century Psalter
(XXXIII, pp. 20-40)
Karl-August Wirth
The Beasts from Job in the Liber Floridus Manuscripts (XXXIII, pp. 41-51)
Jessie Poesch
The Two Caves of Love in the Tristan by Thomas (XXXIII, pp. 52-69)
L. Polak
The Reconstruction of Nicola Pisano’s Perugia Fountain (XXXIII, pp. 70-83)
John White
The Mosaics of Pietro Cavallini in Santa Maria in Trastevere (XXXIII, pp. 84-106)
Paul Hetherington
The Compagnia de’ Magi (XXXIII, pp. 107-161)
Rab Hatfield
Cosimo de’ Medici’s Patronage of Architecture and the Theory of Magnificence
(XXXIII, pp. 162-170)
A. D. Fraser Jenkins
Hieronymus Bosch in Some Literary Contexts (XXXIII, pp. 171-199)
Helmut Heidenreich
Henry the Younger of Brunswick-Wolfenbuttel. Wild Man and Werwolf in Religious
Polemics 1538-1544 (XXXIII, pp. 200-234)
F. J. Stopp
The Meaning of Veronese’s Paintings in the Church of San Sebastiano in Venice
(XXXIII, pp. 235-247)
Madlyn Kahr
The Iconography of Silence and Chapman’s Hercules (XXXIII, pp. 248-263)
Raymond B. Waddington
Francis Bacon, Natalis Comes and the Mythological Tradition (XXXIII, pp. 264-291)
Barbara Carman Garner
Rembrandt’s ‘Polish Rider’ and the Prodigal Son (XXXIII, pp. 292-303)
Colin Campbell
Blind Cupid (XXXIII, pp. 304-305)
C. D. Gilbert
An ‘Ascent of Alexander’ (XXXIII, pp. 305-307)
Chiara Settis Frugoni
William of Sens and the Double Columns at Sens and Canterbury (XXXIII, pp. 307-
313)
Kenneth W. Severens
An Iconographic Note on Raphael’s Galatea (XXXIII, pp. 313-315)
Duncan T. Kinkead
Tintoretto and the Roman de la Rose (XXXIII, pp. 315-317)
Carla Lord
An Iconographical Puzzle: Spenser’s Cupid at Faerie Queene, VII, viii (XXXIII, pp.
317-321)
R. M. Cummings
Sidney’s Personal Imprese (XXXIII, pp. 321-324)
Katherine Duncan-Jones
Daniel’s Delia and the Imprese of Bishop Paolo Giovio: Some Iconological
Influences (XXXIII, pp. 325-328)
Joseph Kau
Salvator Rosa’s Engraving for Carlo de’ Rossi and His Satire, Invidia (XXXIII, pp.
328-330)
Nancy Rash Fabbri
William III and Sir Godfrey Kneller (XXXIII, pp. 330-336)
J. D. Stewart
Rhodes: Sir William to Sir Walter. Notes to Save Sir Walter Scott the Trouble of
Looking out Information about Rhodes. W. Gell, 1832 (XXXIII, pp. 336-343)
Edith Clay
The Subject of Millais’s Christ in the House of His Parents (XXXIII, pp. 343-345)
Edward Morris
An Unpublished Petition Exemplifying the Oneness of the Community of Nineteenth-
Century French Artists (XXXIII, pp. 345-353)
Albert Boime
Vol. XXXIV, 1971
Observations on a Number of Liuthar Manuscripts (XXXIV, pp. 1-11)
Katherine B. Powell
The Sculpture Programme of the Porte des Comtes Master at Saint-Sernin in Toulouse
(XXXIV, pp. 12-39)
Thomas W. Lyman
The Iconography of a Romanesque Chalice from Trzemeszno (XXXIV, pp. 40-64)
Piotr Skubiszewski
The Tomb of Saint Louis (XXXIV, pp. 65-82)
Georgia Sommers Wright
Illustrations Direct and Oblique in the Margins of an Alexander Romance at Oxford
(XXXIV, pp. 83-95)
S. K. Davenport
Alberti and FILARETH. A Study in Their Sources (XXXIV, pp. 96-114)
John Onians
‘Il Concetto dell’Anima’ in Leonardo’s Early Skull Studies (XXXIV, pp. 115-134)
Martin Kemp
Citarea ‘su una impresa di bronconi’ (XXXIV, pp. 135-177)
Salvatore Settis
Works of Art from Rome for Henry VIII. A Study of Anglo-Papal Relations as
Reflected in Papal Gifts to the English King (XXXIV, pp. 178-203)
Margaret Mitchell
Plus Ultra, Non plus Ultra, and the Columnar Device of Emperor Charles V (XXXIV,
pp. 204-228)
Earl Rosenthal
Johannes Molanus on Provocative Paintings. De Historia Sanctarum Imaginum et
Picturarum, Book II, Chapter 42 (XXXIV, pp. 229-245)
David Freedberg
Erasmus in France in the Later Sixteenth Century (XXXIV, pp. 246-261)
Margaret Mann Phillips
Bound Theory and Blind Practice: Pietro Testa’s Notes on Painting and the Liceo
della Pittura (XXXIV, pp. 262-296)
Elizabeth Cropper
The Illustration of Sir Walter Scott: Nineteenth-Century Enthusiasm and Adaptation
(XXXIV, pp. 297-317)
Catherine Gordon
Stitchery in Classical and Renaissance Art (XXXIV, pp. 318-320)
Elizabeth Birbari
The Wound in Christ’s Side (XXXIV, pp. 320-321)
A. A. Barb
Moses Shown the Promised Land (XXXIV, pp. 321-324)
Adelheid Heimann
The Heraldry of Hector and Its Antiquity (XXXIV, pp. 325-326)
R. A. Dwyer
Botticelli’s Three Graces (XXXIV, pp. 326-330)
Charles Dempsey
Boccaccio’s Ninfale Fiesolano in Early Florentine Cassone Painting (XXXIV, pp.
331-333)
Paul F. Watson
The Poison-Woodcut by the ‘Petrarch-Master’ (XXXIV, pp. 333-335)
A. A. Barb
Erasmus and the Iconography of Pieter Aertsen’s Christ in the House of Martha and
Mary in the Boymans-van Beuningen Museum (XXXIV, pp. 335-336)
P. K. F. Moxey
The Celestial Cartography of Giovanni Antonio Vanosino da Varese (XXXIV, pp.
336-337)
Deborah Jean Warner
Appearances of the Red Cross Knight in Book Two of Spenser’s Faerie Queene
(XXXIV, pp. 338-350)
Robin Kirkpatrick
Spenser’s Fourth Grace (XXXIV, pp. 350-355)
Gerald Snare
The Natural Course of Light Inverted: An Impresa in Chapman’s Bussy D’Ambois
(XXXIV, pp. 356-360)
Albert R. Braunmuller
An Early Painting by Frans Pourbus the Younger: Dit Was Ghemaeckt int Jaer 1508
van My Fransken Povrbvs als ick ovt Was 10 Jaer (XXXIV, pp. 360-362)
Egon Verheyen
Rubens and Optics: Some Fresh Evidence (XXXIV, pp. 362-366)
Michael Jaffe
Exhortatio ad Virtutem: A Series of Paintings in the Barberini Palace (XXXIV, pp.
366-372)
Jennifer Montagu
Blake’s Newton (XXXIV, pp. 372-377)
John Gage
Constable and Wordsworth: The Ecological Moment of Romantic Art (XXXIV, pp.
377-386)
Karl Kroeber
Turner and Scott (XXXIV, pp. 386-397)
Adele M. Holcomb
John Gibson’s Satan (XXXIV, pp. 397-399)
Edward Morris
Correction: The Beasts from Job in the Liber Floridus Manuscripts, p. 399
Jessie Poesch
Vol. XXXV, 1972
The Lintel Fragment Representing Eve from Saint-Lazare, Autun (XXXV, pp. 1-30)
O. K. Werckmeister
A Note on Jacobus (XXXV, pp. 31-80)
Christopher Hohler
Artists, Suppliers and Clerks: The Human Factors in the Art Patronage of King Henry
III (XXXV, pp. 81-107)
R. Kent Lancaster
Antichrist and the Iconography of Dante’s Geryon (XXXV, pp. 108-122)
John Block Friedman
Christian Hebraism and the Ramsey Abbey Psalter (XXXV, pp. 123-134)
Lucy Freeman Sandler
Some Similarities between Queen Mary’s Psalter and the Northern Passion (XXXV,
pp. 135-144)
O. S. Pickering
The Pictorial Programme of the Sala della Pace: A New Interpretation (XXXV, pp.
145-162)
Uta Feldges-Henning
Books and Their Owners in Venice 1345-1480 (XXXV, pp. 163-186)
Susan Connell
The Fire Next Time (XXXV, pp. 187-199)
Bo Lindberg
Dissection and Divinity in Leonardo’s Late Anatomies (XXXV, pp. 200-225)
Martin Kemp
Veronese and Daniele Barbaro: The Decoration of Villa Maser (XXXV, pp. 226-246)
Richard Cocke
The ‘Rainbow Portrait’ of Queen Elizabeth I and Its Religious Symbolism (XXXV,
pp. 247-259)
Rene Graziani
Claude and Architecture (XXXV, pp. 260-283)
I. G. Kennedy
The Iconography of the Marble Gallery at Frederiksborg Palace (XXXV, pp. 284-
293)
Meir Stein
Leibniz and Language (XXXV, pp. 294-307)
D. P. Walker
‘Medusa’ or the Physiognomy of the Earth: Humbert de Superville’s Cosmological
Aesthetics (XXXV, pp. 308-338)
Barbara Stafford
The Italian Tour of William Hilton R. A. in 1825 (XXXV, pp. 339-358)
Marcia R. Pointon
J. M. W. Turner and Sir Walter Scott: Iconography of a Tour (XXXV, pp. 359-385)
Gerald E. Finley
Cain’s Murder-Weapon and Samson’s Jawbone of an Ass (XXXV, pp. 386-389)
A. A. Barb
The Holy Sepulchre Lintel (XXXV, pp. 389-390)
Alan Borg
Sforzinda, Filarete and Filelfo (XXXV, pp. 391-397)
S. Lang
The Rucellai Family and Its Loggia (XXXV, pp. 397-401)
F. W. Kent
Butler’s Character of Hudibras and Contemporary Graphic Satire (XXXV, pp. 401-
404)
Laurel Brodsley
Vol. XXXVI, 1973
The Meaning of Horace’s Ut Pictura Poesis (XXXVI, pp. 1-34)
Wesley Trimpi
Ovid’s Tomb: The Growth of a Legend from Eusebius to Laurence Sterne,
Chateaubriand and George Richmond (XXXV, pp. 35-76)
J. B. Trapp
The Crucifix of Fernando and Sancha and Its Relationship to North French
Manuscripts (XXXVI, pp. 77-91)
Marlene Park
Carpentry and Design in Duccio’s Workshop: The London and Boston Triptychs
(XXXVI, pp. 92-105)
John White
Some Remarks on Mamluk Playing Cards (XXXVI, pp. 106-128)
Michael Dummett; Kamal Abu-Deeb
Federigo da Montefeltro’s Patronage of the Arts, 1468-1482 (XXXVI, pp. 129-144)
Cecil H. Clough
The Travels of Bernardo Michelozzi and Bonsignore Bonsignori in the Levant (1497-
98) (XXXVI, pp. 145-197)
Eve Borsook
The Invention of the Columnar Device of Emperor Charles V at the Court of
Burgundy in Flanders in 1516 (XXXVI, pp. 198-230)
Earl E. Rosenthal
English Ruins and English History: The Dissolution and the Sense of the Past
(XXXVI, pp. 231-255)
Margaret Aston
Spenser’s Amoretti VIII and Platonic Commentaries on Petrarch (XXXVI, pp. 256-
276)
Jon A. Quitslund
The Orchestra of Sir John Davies and the Image of the Dance (XXXVI, pp. 277-304)
Sarah Thesiger
The Iconography of Poussin’s Painting Representing Diana and Endymion (XXXVI,
pp. 305-318)
Francis H. Dowley
Carlo Fontana’s Project for a Church in Honour of the ‘Ecclesia Triumphans’ in the
Colosseum, Rome (XXXVI, pp. 319-337)
Hellmut Hager
Falsificazioni Epigrafiche di Girolamo Asquini (XXXVI, pp. 338-354)
Maria Pia Billanovich
The Bird Carista (XXXVI, pp. 355-357)
Salome Zajadacz-Hastenrath
A Medieval Definition of Scientific Experiment in the Hebrew Picatrix (XXXVI, pp.
358-359)
M. Plessner
Horatian Reminiscences in Two Twelfth-Century Art Critics (XXXVI, pp. 359-360)
John Gage
Towards a Literary Source for the Scenes of the Passion in Queen Mary’s Psalter
(XXXVI, pp. 361-365)
Marion Roberts
Chaucer’s Attitude towards Astrology (XXXVI, pp. 365-366)
Frank D. Gilliard
The Iconography of the Frescoes in the Oratorio di S. Giovanni at Urbino (XXXVI,
pp. 367-373)
Penelope A. Dunford
Mantegna’s St. Sebastians: Stabilitas in a Pagan World (XXXVI, pp. 373-377)
Joan G. Caldwell
Tarsie: Design and Designers (XXXVI, pp. 377-382)
M. J. Thornton
Marcantonio Michiel’s Collection (XXXVI, pp. 382-385)
Jennifer Fletcher
A ‘New Route’ in 1822 Turner’s Colour and Optics (XXXVI, pp. 385-390)
Gerald E. Finley
Turner’s Illustrations to Napoleon (XXXVI, pp. 390-396)
Gerald E. Finley
Some Commercial Aspects of the Boydell Shakespeare Gallery (XXXVI, pp. 396-
401)
Winifred H. Friedman
Vol. XXXVII, 1974
The Klosterneuburg Altar of Nicholas of Verdun: Art, Theology and Politics
(XXXVII, pp. 1-32)
Helmut Buschhausen
Scrutamini Scripturas: Joachimist Themes and Figurae in the Early Religious Writing
of Arnold of Vilanova (XXXVII, pp. 33-56)
Harold Lee
The Stefaneschi Altarpiece: A Reconsideration (XXXVII, pp. 57-103)
Julian Gardner
The Nevill Hours and the School of Herman Scheerre (XXXVII, pp. 104-130)
Gereth M. Spriggs
Fifteenth-Century Dutch Bible Illustration and the Historia Scholastica (XXXVII, pp.
131-144)
Sandra Hindman
Francesco Giorgio’s Commentary on Giovanni Pico’s Kabbalistic Theses (XXXVII,
pp. 145-156)
Chaim Wirszubski
The Ponte in S. Maria Novella: The Problem of the Rood Screen in Italy (XXXVII,
pp. 157-173)
Marcia B. Hall
Henry Peacham and the Art of Drawing (XXXVII, pp. 174-190)
F. J. Levy
Rubens’s Arch of the Mint (XXXVII, pp. 191-217)
Elizabeth McGrath
The Devotion of the Forty Hours and Roman Baroque Illusions (XXXVII, pp. 218-
248)
Mark S. Weil
Virtue’s Wintry Reward: Pietro Testa’s Etchings of the Seasons (XXXVII, pp. 249-
279)
Elizabeth Cropper
Carlo Fontana and the Jesuit Sanctuary at Loyola (XXXVII, pp. 280-289)
Hellmut Hager
Shaftesbury’s Illustrations of Characteristics (XXXVII, pp. 290-312)
Felix Paknadel
English Realism: George Eliot and the Pre-Raphaelites (XXXVII, pp. 313-329)
John Murdoch
The Exaltation of David (XXXVII, pp. 330-333)
Hugo Buchthal
Two Panels on the Ruthwell Cross (XXXVII, pp. 333-336)
D. R. Howlett
Iconographical Notes towards a Definition of the Medieval Fool (XXXVII, pp. 336-
342)
D. J. Gifford
The Letters Genuine and Spurious of Giovanni Rucellai (XXXVII, pp. 342-349)
F. W. Kent
Battista Guarini and a Book at Oxford (XXXVII, pp. 349-353)
Dennis E. Rhodes
The Good Friday Liturgy and Hans Memling’s Antwerp Triptych (XXXVII, pp. 353-
356)
Maurice B. McNamee
An Antique Prototype for Michelangelo’s Fall of Man (XXXVII, pp. 356-358)
Avraham Ronen
Vesta and the Martyrdom of St. Lawrence in the Sixteenth Century (XXXVII, pp.
358-362)
Robert W. Gaston
The Placement of the Equestrian Statue of Marcus Aurelius in the Middle Ages
(XXXVII, pp. 362-367)
Philipp Fehl
Young Milton and the Telescope (XXXVII, pp. 368-373)
Lubomir Konecny
The Medici in Elizabethan and Jacobean Drama (XXXVII, pp. 373-378)
T. S. R. Boase
King Charles II’s Own Fashion: The Theatrical Origins of the English Vest (XXXVII,
pp. 378-382)
Diana De Marly
Vol. XXXVIII, 1975
Three Manuscripts for Lucchese Canons of S. Frediano in Rome (XXXVIII, pp. 1-52)
Edward B. Garrison
The Miniature Cycle in the Sandomierz Pantheon and the Medieval Iconography of
Alexander’s Indian Campaign (XXXVIII, pp. 53-71)
Krystyna Secomska
Some Cardinals’ Seals of the Thirteenth Century (XXXVIII, pp. 72-96)
Julian Gardner
English Misericords of the Thirteenth and Fourteenth Centuries and Their
Relationship to Manuscript Illuminations (XXXVIII, pp. 97-108)
Christa Grossinger
Lettura storica degli affreschi della ‘Camera degli sposi’ di A. Mantegna (XXXVIII,
pp. 109-135)
Rodolfo Signorini
The Florentine Entrata of Leo X, 1515 (XXXVIII, pp. 136-154)
John Shearman
Joseph Scaliger’s Edition of Catullus (1577) and the Traditions of Textual Criticism
in the Renaissance (XXXVIII, pp. 155-181)
Anthony T. Grafton
A Netherlandish History by Joachim Wtewael (XXXVIII, pp. 182-217)
Elizabeth McGrath
On the Date and Function of Some Allegorical Sketches by Rubens (XXXVIII, pp.
218-233)
Julius S. Held
Chapman’s Ovids Banquet of Sence: Its Sources and Theme (XXXVIII, pp. 234-257)
Louise Vinge
The Perspective of Shadows: The History of the Theory of Shadow Projection
(XXXVIII, pp. 258-287)
Thomas Da Costa Kaufmann
‘Pintura’: Background and Sketch of a Spanish Seventeenth-Century Court Genre
(XXXVIII, pp. 288-313)
Gareth Alban Davies
English Church Monuments to Women Who Died in Childbed between 1780 and
1835 (XXXVIII, pp. 314-332)
N. B. Penny
Jacopo Sansovino’s Madonna in Sant’Agostino: An Antique Source Rediscovered
(XXXVIII, pp. 333-338)
Mary D. Garrard
A Connoisseur’s Shopping-List, 1647 (XXXVIII, pp. 339-341)
J. P. Ferris
An Unusual Binding Design after Durer’s Melencolia I (XXXVIII, pp. 341-342)
William Hauptman
Vol. XXXIX, 1976
An Early Fourteenth-Century English Breviary at Longleat (XXXIX, pp. 1-20)
Lucy Freeman Sandler
The Housing Problems of Cardinal Francesco Gonzaga (XXXIX, pp. 21-58)
D. S. Chambers
A Confraternity of the Holy Ghost and a Series of Paintings of the Life of the Virgin
in London and Munich (XXXIX, pp. 59-68)
Stella Mary Newton
Magic and Radical Reformation in Agrippa of Nettesheim (XXXIX, pp. 69-103)
Paola Zambelli
Reuchlin’s De Verbo Mirifico and the Magic Debate of the Late Fifteenth Century
(XXXIX, pp. 104-138)
Charles Zika
The Voynich ‘Roger Bacon’ Cipher Manuscript: Deciphered Maps of Stars (XXXIX,
pp. 139-150)
Robert S. Brumbaugh
Arma Virumque... Nicolo dell’Abate’s Aeneid gabinetto for Scandiano (XXXIX, pp.
151-170)
Erika Langmuir
A Quaker-Kabbalist Controversy: George Fox’s Reaction to Francis Mercury van
Helmont (XXXIX, pp. 171-189)
Allison Coudert
The Decorations for Archduke Leopold William’s State Entry into Antwerp (XXXIX,
pp. 190-198)
Hans Vlieghe
The Stylistic Term ‘Plateresque’ (XXXIX, pp. 199-230)
J. B. Bury
The Legend of the Three Hermes and Abu Ma’shar’s Kitab al-Uluf in the Latin
Middle Ages (XXXIX, pp. 231-234)
Charles S. F. Burnett
Bonaventura Berlinghieri’s Palmettes (XXXIX, pp. 234-236)
Ernst H. Gombrich
An Unpublished Bodleian Miniature: The Entombment in the Holy Sepulchre
(XXXIX, pp. 236-237)
Barbara G. Lane
Bartolomeo Scala’s Dealings with Booksellers, Scribes and Illuminators, 1459-63: (1)
Bartolomeo Scala (XXXIX, pp. 237-239)
A. M. Brown
Bartolomeo Scala’s Dealings with Booksellers, Scribes and Illuminators, 1459-63: (2)
The Book Trade (XXXIX, pp. 239-245)
A. C. de la Mare
A Drawing for Santa Maria presso San Satiro (XXXIX, pp. 246-253)
R. V. Schofield
Of Beggars: Lucas van Leyden and Sebastian Brant (XXXIX, pp. 253-257)
Lawrence A. Silver
Architecture in Vasari’s ‘Massacre of the Huguenots’ (XXXIX, pp. 258-261)
E. Howe
On the Iconography of a Carving in King’s College Chapel, Cambridge, p. 262
Jennifer Fellows
The Iconography of Spenser’s Occasion (XXXIX, pp. 263-266)
John Manning; Alastair Fowler
Henry Fuseli’s ‘Queen Katherine’s Vision’ and Macklin’s Poets’ Gallery: A New
Critique (XXXIX, pp. 266-268)
Marcia Allentuck
The Origin and the Concept of ‘Classique’ in French Art Criticism (XXXIX, pp. 268-
275)
J. J. L. Whiteley
Delacroix Emblematicus, His Unknown Studies after Bonasone (XXXIX, pp. 275-
280)
Sara Lichtenstein
Vol. XL, 1977
John of Salisbury’s Manuscripts of Frontinus and of Gellius (XL, pp. 1-26)
Janet Martin
Saint Mark’s Trophies: Legend, Superstition, and Archaeology in Renaissance Venice
(XL, pp. 27-49)
Marilyn Perry
The Brancacci Chapel: Studies in Its Iconography and History (XL, pp. 50-98)
Anthony Molho
Sant’Andrea at Mantua and Gonzaga Patronage 1460-1472 (XL, pp. 99-127)
D. S. Chambers
Leonardo and the Visual Pyramid (XL, pp. 128-149)
Martin Kemp
On the Scholarship of Politian and Its Context (XL, pp. 150-188)
A. Grafton
Lefevre d’Etaples, Symphorien Champier, and the Secret Names of God (XL, pp.
189-211)
Brian P. Copenhaver
Extraits des Glosae super Platonem de Guillaume de Conches dans un manuscrit de
Londres (XL, pp. 212-222)
Edouard Jeauneau
The Coryciana and the Nymph Corycia (XL, pp. 223-239)
Phyllis Pray Bober
Andrea Palladio, Polybius and Julius Caesar (XL, pp. 240-255)
J. R. Hale
Descartes’s Dreams (XL, pp. 256-273)
Alice Browne
Herod’s Demon-Crown (XL, pp. 274-276)
Miriam Skey
John of Salisbury’s Policraticus in Thirteenth-Century England: The Evidence of Ms
Cambridge Corpus Christi College 469 (XL, pp. 276-282)
Amnon Linder
New Light on the Circulation of the A-Text of Seneca’s Tragedies (XL, pp. 283-290)
R. H. Rouse; A. C. de la Mare
The Throne and the Seven-Branched Candlestick: Pico della Mirandola’s Hebrew
Source (XL, pp. 290-292)
Moshe Idel
Two Notes on Diego da Sagredo (XL, pp. 292-300)
Nigel Llewellyn
The Authorship of the Recueil d’Arras (XL, pp. 301-313)
Lorne Campbell
Inigo Jones: An Allegory Recovered, p. 314
Stephen Orgel
Rubens’s Infant-Cornucopia (XL, pp. 315-318)
Elizabeth McGrath
A Sixteenth-Century Illustrated Treatise on Comets (XL, pp. 318-322)
Jean-Michel Massing
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Vol. XLI (1978); Vol. XLII (1979); Vol. XLIII (1980); Vol. XLIV (1981); Vol.
XLV (1982); Vol. XLVI (1983); Vol. XLVII (1984); Vol. XLVIII (1985); Vol.
XLIX (1986); Vol. L (1987).
 
Vol. XLI, 1978
The Medieval Legend of the Last Roman Emperor and Its Messianic Origin (XLI, pp.
1-15)
Paul J. Alexander
Medieval Illustrations of Bede’s Life of St. Cuthbert (XLI, pp. 16-49)
Malcolm Baker
The Vision of Thurkill (XLI, pp. 50-64)
Paul Gerhard Schmidt
The Discovery of an Early Man of Sorrows on a Dominican Triptych (XLI, pp. 65-75)
H. W. van Os
Lorenzo Valla’s De Vero Falsoque Bono, Lactantius and Oratorical Scepticism (XLI,
pp. 76-107)
Letizia A. Panizza
Leonardo’s Eye (XLI, pp. 108-146)
James S. Ackerman
Doctor Parma’s Medicinal Macaronic: Poem by Bartolotti, Pictures by Giorgione and
Titian (XLI, pp. 147-191)
William Schupbach
The Historiography of Discovery in the Renaissance: The Sources and Composition
of Polydore Vergil’s De Inventoribus Rerum, I-III (XLI, pp. 192-214)
Brian P. Copenhaver
Cardinal Domenico Grimani’s Legacy of Ancient Art to Venice (XLI, pp. 215-244)
Marilyn Perry
The Painted Decoration of Rubens’s House (XLI, pp. 245-277)
Elizabeth McGrath
The Fonthill Abbey Pictures: Two Additions to the Hazlitt Canon (XLI, pp. 278-296)
Stanley Jones
The Corbels in the Dome of Loarre (XLI, pp. 297-301)
Katherine Watson
Gardens of Virtue in the Middle Ages (XLI, pp. 302-307)
Ellen Kosmer
Bishop Bradwardine on the Artificial Memory (XLI, pp. 307-312)
Beryl Rowland
The Political Significance of Uccello’s Battle of San Romano (XLI, pp. 313-316)
Gordon Griffiths
The Virgin Snail (XLI, p. 316)
Helen S. Ettlinger
A Dog Named Rubino (XLI, pp. 317-320)
Rodolfo Signorini
Hozi... Cadette il Naso a Virgilio (XLI, pp. 320-321)
Rodolfo Signorini
Papal Conclaves and Prophetic Mystery in the Sistine Chapel (XLI, pp. 322-326)
D. S. Chambers
Cupid Disarmed, or Venus Wounded? An Ovidian Source for Michelangelo and
Bronzino (XLI, pp. 327-331)
William Keach
Aspects of Imitation in Cavino’s Medals (XLI, pp. 331-334)
Charles Davis
Bellori, Maratti and the Palazzo Altieri (XLI, pp. 334-340)
Jennifer Montagu
Goya’s Liberal Iconography: Two Images of Jovellanos (XLI, pp. 340-344)
Steven A. Mansbach
Pugin and Ruskin (XLI, pp. 344-350)
Patrick R. M. Conner
Vol. XLII, 1979
Figured Poetry (XLII, pp. 1-15)
Elizabeth Cook
Saturn and the Jews (XLII, pp. 16-27)
Eric Zafran
The Problem of Provincialism: Byzantine Monasteries in Cappadocia and Monks in
South Italy (XLII, pp. 28-46)
Ann Wharton Epstein
The Master of Gargilesse: A French Sculptor of the First Half of the Twelfth Century
(XLII, pp. 47-64)
Adelheid Heimann
An Early Fourteenth-Century English Psalter in the Escorial (XLII, pp. 65-80)
Lucy Freeman Sandler
Pierfrancesco de’ Medici, 1430-1476: A Radical Alternative to Elder Medicean
Supremacy? (XLII, pp. 81-103)
Alison Brown
Cupid and Psyche in Renaissance Painting before Raphael (XLII, pp. 104-121)
Luisa Vertova
Early Medicean Devices (XLII, pp. 122-143)
Francis Ames-Lewis
Jean Lemaire de Belges and Prophecy (XLII, pp. 144-166)
Jennifer Britnell
Rhetoric, Philology and Egyptomania in the 1570s: J. J. Scaliger’s Invective against
M. Guilandinus’s Papyrus (XLII, pp. 167-194)
A. Grafton
George Gilbert Scott and the Martyrs’ Memorial (XLII, pp. 195-206)
Nicola C. Smith
On the Blank Daniel-Cycle in MS Junius II (XLII, pp. 207-213)
Peter J. Lucas
The Seven-Branched Candlestick as a Psalter Illustration (XLII, pp. 213-215)
Pamela Willetts
In the Wake of the Bury Bible: Followers of Master Hugo at Bury St. Edmunds
(XLII, pp. 216-224)
Elizabeth Parker McLachlan
A Note on Pamphilus (XLII, pp. 225-230)
Peter Dronke
The Iconography of the Months at Lentini (XLII, pp. 230-233)
Nancy Rash Fabbri
Aspects of the Iconography of the Devil at the Crucifixion (XLII, pp. 233-235)
C. W. Marx; M. A. Skey
Francesco Filelfo’s Lost Letter De Ideis (XLII, pp. 236-249)
Jill Kraye
Lorenzo de’ Medici’s Acquisition of Poggio a Caiano in 1474 and an Early Reference
to His Architectural Expertise (XLII, pp. 250-257)
F. W. Kent
Antonio Pollaiuolo’s Use of the Antique (XLII, pp. 257-263)
Laurie Fusco
Giulio Romano, Giovanni da Udine and Raphael: Some Influences from the Minor
Arts of Antiquity (XLII, pp. 263-272)
Toby Yuen
Distat Enim Qvae Sydera te Excipiant (XLII, p. 273)
Rodolfo Signorini
Cosmas and Damian in the New Sacristy (XLII, pp. 274-277)
Till Verellen
The Last Will of Daniele Barbaro (XLII, pp. 277-282)
Bruce Boucher
The Author of a Renaissance Commentary on Pliny: Rivius, Trithemius or Aquaeus?
(XLII, pp. 282-286)
Charles G. Nauert
A New Source for John Lyly’s Euphues and His England (XLII, pp. 286-289)
Gareth. J. Roberts
Landscape and the ‘Art Prospective’ in England, 1584-1660 (XLII, pp. 290-293)
James Turner
Vol. XLIII, 1980
Some of the Sources of the Ghayat al-hakim (XLIII, pp. 1-15)
David Pingree
Bernard Silvestris, Natura, and Personification (XLIII, pp. 16-31)
Peter Dronke
The Reconstructed Toledo Speculum Humanae Salvationis: The Italian Connection in
the Early Fourteenth Century (XLIII, pp. 32-51)
Evelyn Silber
The Windmill Psalter: The Historiated Letter E of Psalm One (XLIII, pp. 52-67)
Adelaide Bennett
Leon Battista Alberti’s System of Human Proportions (XLIII, pp. 68-96)
Jane Andrews Aiken
The Influence of Hermias on Marsilio Ficino’s Doctrine of Inspiration (XLIII, pp. 97-
109)
Anne Sheppard
Two Commentaries on the Phaedrus: Ficino’s Indebtedness to Hermias (XLIII, pp.
110-129)
Michael J. B. Allen
Golden Age and Justice in Sixteenth-Century Florentine Political Thought and
Imagery: Observations on Three Pictures by Jacopo Zucchi (XLIII, pp. 130-149)
Thomas Puttfarken
Greek Sculpture and Roman Copies I: Anton Raphael Mengs and the Eighteenth
Century (XLIII, pp. 150-173)
A. D. Potts
An Aspect of the Early Gothic Revival: The Transformation of Medievalist Research,
1770-1800 (XLIII, pp. 174-185)
John Frew
The ‘Spectre’ of Science. The Study of Optical Phenomena and the Romantic
Imagination (XLIII, pp. 186-200)
C. J. Wright
The Growth of Interest in Early Italian Painting in Britain: George Darley and the
Athenaeum, 1834-1846 (XLIII, pp. 201-220)
Robyn Cooper
Eve as Reason in a Tradition of Allegorical Interpretation of the Fall (XLIII, pp. 221-
226)
A. Kent Hieatt
Mechanical Wheels of Fortune, 1100-1547 (XLIII, pp. 227-233)
Alan H. Nelson
Tomaso da Modena, Simone Martini, Hungarians and St. Martin in Fourteenth-
Century Italy (XLIII, pp. 234-238)
Stella Mary Newton
The Book of Wisdom and Lorenzetti’s Fresco in the Palazzo Pubblico at Siena
(XLIII, pp. 239-241)
Chiara Frugoni
Cyriacus of Ancona and the Ottoman Sultan Mehmed II (XLIII, pp. 242-246)
Julian Raby
Giovanni da Tolentino Goes to Rome: A Description of the Antiquities of Rome in
1490 (XLIII, pp. 246-256)
Richard Schofield
A New Look at Melencolia I (XLIII, pp. 257-258)
David Pingree
The Winged Bacchus (Pausanias, Rabelais and Later Emblematists) (XLIII, pp. 259-
262)
M. A. Screech
A Scholion by Hermias to Plato’s Phaedrus and Its Adaptations in Pietro Testa’s
Blinding of Homer and in Politian’s Ambra (XLIII, pp. 262-265)
Elizabeth Cropper
Vol. XLIV, 1981
A Locus Classicus of Colour Theory: The Fortunes of Apelles (XLIV, pp. 1-26)
John Gage
Between the Ghaya and Picatrix. I: The Spanish Version (XLIV, pp. 27-56)
David Pingree
Vincenzo Borghini and Invenzione: The Florentine Apparato of 1565 (XLIV, pp. 57-
75)
R. A. Scorza
El Greco’s Entombment of the Count of Orgaz and Spanish Medieval Tomb Art
(XLIV, pp. 76-89)
Franz Philipp
Dreams and Picture-Writing: Some Examples of This Comparison from the Sixteenth
to the Eighteenth Century (XLIV, pp. 90-100)
Alice Browne
Prolegomena to Friedrich August Wolf (XLIV, pp. 101-129)
Anthony Grafton
Cubism and ‘The Fourth Dimension’ in the Context of the Late Nineteenth-Century
and Early Twentieth-Century Revival of Occult Idealism (XLIV, pp. 130-147)
Tom H. Gibbons
Leviathan, Behemoth and Ziz: A Christian Adaptation (XLIV, pp. 148-156)
Lois Drewer
A Walrus Ivory Pyx and the Visitatio Sepulchri (XLIV, pp. 157-160)
T. A. Heslop
A Note on the Origins of the Third Vatican Mythographer (XLIV, pp. 160-166)
Charles S. F. Burnett
Hermann of Carinthia and the Kitab al-Istamatis: Further Evidence for the
Transmission of Hermetic Magic (XLIV, pp. 167-169)
Charles S. F. Burnett
Two Scholastic Discussions of the Perception of Depth by Shading (XLIV, pp. 170-
175)
Peter Marshall
A Textual Source for Ghiberti’s ‘Creation of Eve’ (XLIV, p. 176)
Helen Ettlinger
Laetentur Caeli: The Council of Florence and the Astronomical Fresco in the Old
Sacristy (XLIV, pp. 176-180)
Patricia Fortini Brown
Acquisitions for Ludovico II Gonzaga’s Library (XLIV, pp. 180-183)
Rodolfo Signorini
A Further Note on the Greek Manuscripts of Palla Strozzi (XLIV, pp. 183-185)
Heather J. Gregory
Hic Terminus Haeret: Du Terme d’Erasme a la devise de Claude Gouffier: la fortune
d’un embleme a la Renaissance (XLIV, pp. 186-192)
Jean Guillaume
‘What Venus Did with Mars’: Battista Fiera and Mantegna’s ‘Parnassus’ (XLIV, pp.
193-198)
Roger Jones
A Presentation Volume for Henry VIII: The Charlecote Park Copy of Erasmus’s
Institutio principis Christiani (XLIV, pp. 199-202)
Cecil H. Clough
A Lost Poem by Michelangelo? (XLIV, pp. 202-206)
Anthony Hughes
Marcantonio Michiel’s Mercury Statue: Astronomical or Astrological? (XLIV, pp.
207-209)
J. C. Eade
The Invention of Gunpowder (XLIV, pp. 209-211)
Scott Schaefer
The Chariot of Venus: A Note on Chapman’s Mythographical Sources (XLIV, pp.
211-213)
Supriya Chaudhuri
The Author of the Codex Huygens (XLIV, pp. 214-220)
Sergio Marinelli
Rubens’s Emblem of the Art of Painting (XLIV, pp. 221-222)
Jeffrey M. Muller
Thomas Hobbes and the ‘Far-Fetched’ (XLIV, pp. 222-232)
Elizabeth J. Cook
Picturing Hobbes’s Politics? The Illustrations to Philosophicall Rudiments (XLIV, pp.
232-237)
M. M. Goldsmith
Donec auferatur luna: The Facade of S. Maria della Pace (XLIV, pp. 238-239)
Peter Burke
The Source of Bunyan’s Mapp of Salvation (XLIV, pp. 240-241)
Gordon Campbell
Ars longa, vita brevis: The Watteau Study and Lord Percy by J. M. W. Turner (XLIV,
pp. 241-247)
Gerald Finley
Vol. XLV, 1982
‘This Story Is Not True.’ Fact and Fiction in Antiquity (XLV, pp. 1-13)
C. R. Ligota
An Illustrated Fragment of Peraldus’s Summa of Vice: Harleian MS 3244 (XLV, pp.
14-68)
Michael Evans
Simone Martini, the Dominicans and the Early Sienese Polyptych (XLV, pp. 69-93)
Joanna Cannon
Below the Angel: An Urbanistic Project in the Rome of Pope Nicholas V (XLV, pp.
94-124)
Charles Burroughs
Giovanni Pico della Mirandola and Jochanan Alemanno (XLV, pp. 125-147)
B. C. Novak
The Liturgical and Commemorative Allusions in Raphael’s Transfiguration and
Failure to Heal (XLV, pp. 148-159)
Catherine King
Annibal Caro as Iconographer: Sources and Method (XLV, pp. 160-181)
Clare Robertson
Early Medieval Wall-Painting in the Church of San Clemente, Rome: The Libertinus
Cycle and Its Date (XLV, pp. 182-185)
John Osborne
An Illustrated Greek Astronomical Manuscript. Commentary of Theon of Alexandria
on the Handy Tables and Scholia and Other Writings of Ptolemy concerning Them
(XLV, pp. 185-192)
David Pingree
Jewish Participation in Royal Funerary Rites: An Early Use of the Representatio in
Aragon (XLV, pp. 192-194)
Elena Lourie
Marsilio Ficino and the Twelve Gods of the Zodiac (XLV, pp. 195-202)
Carol V. Kaske
Botticelli’s ‘Primavera’: che volea s’intendesse (XLV, pp. 202-210)
Paul Holberton
Bosch’s Wanderer and a Poverty Commonplace from Juvenal (XLV, pp. 211-216)
Rene Graziani
Machiavelli and the Interpretation of the Chiron Myth in France (XLV, pp. 217-225)
Heather Ingman
The Geometric Body in Durer’s Engraving Melencolia I (XLV, pp. 226-232)
Terence Lynch
The Court: Castiglione’s Ideal and Tudor Reality; Being a Discussion of Sir Thomas
Wyatt’s Satire Addressed to Sir Francis Bryan (XLV, pp. 232-239)
David Starkey
Bronzino’s Allegory in the National Gallery (XLV, pp. 239-243)
Charles Hope
Marvell and the Twelve Caesars (XLV, pp. 244-248)
R. J. Dingley
La Fontaine Egyptologue (XLV, pp. 248-250)
Jean Seznec
The Baluster Column: A European Motif in Mughal Architecture and Its Meaning
(XLV, pp. 251-262)
Ebba Koch
Transformations of Cervantes’s ‘La Gitanilla’ in Dutch Art (XLV, pp. 263-270)
Ivan Gaskell
An Unpublished Letter on the Theme of Religion from Count Lorenzo Magalotti to
the Honourable Robert Boyle in 1672 (XLV, pp. 271-278)
Anna Maria Crino
Vol. XLVI, 1983
Towards an Iconography of Anglo-Saxon Architecture (XLVI, pp. 1-18)
Richard Gem
The Illustration of Pliny’s Historia naturalis: Manuscripts before 1430 (XLVI, pp. 19-
39)
Lilian Armstrong
Textual Interpretation in Italy, 1350-1450: Seneca’s Letter I to Lucilius (XLVI, pp.
40-62)
Letizia A. Panizza
Giordano Bruno: The Texts in the Library of the Ninth Earl of Northumberland
(XLVI, pp. 63-77)
Hilary Gatti
Protestant versus Prophet: Isaac Casaubon on Hermes Trismegistus (XLVI, pp. 78-93)
Anthony Grafton
The University as Cloister, Garden and Tree of Knowledge. An Iconographic
Invention in the University of Cuzco (XLVI, pp. 94-132)
Francisco Stastny
The Iconography of Stourhead (XLVI, pp. 133-143)
Malcolm Kelsall
British Travellers and Scholars in the Roman Catacombs 1450-1900 (XLVI, pp. 144-
165)
Robert W. Gaston
Walter Pater’s Marius the Epicurean. The Imaginary Portrait as Cultural History
(XLVI, pp. 166-190)
Jules Lubbock
Edvard Munch’s Dramatic Images 1892-1909 (XLVI, pp. 191-206)
Carla Lathe
Giovanni Rucellai: An Epitaph, p. 207
F. W. Kent
Proverbial Wisdom and Social Criticism: Two New Pages from the Walters Art
Gallery’s Proverbes en rimes (XLVI, pp. 208-210)
Jean Michel Massing
‘The Prison of Love’: A Medieval Romance in the French Renaissance and Its
Illustration (B. N. MS fr. 2150) (XLVI, pp. 211-221)
Myra Dickman Orth
Emblems and Devices on a Ceiling in the Chateau of Dampierre-sur-Boutonne
(XLVI, pp. 221-228)
Maria Antonietta de Angelis
‘The Drunken Alcibiades’: Rubens’s Picture of Plato’s Symposium (XLVI, pp. 228-
235)
Elizabeth McGrath
Rembrandt and The Slaughtered Ox (XLVI, pp. 235-239)
Kenneth M. Craig
The Cat and the Cradle (XLVI, pp. 240-242)
Julian Treuherz
Vol. XLVII, 1984
The Grave of Vergil (XLVII, pp. 1-31)
J. B. Trapp
An Anglo-Saxon Portable Altar: Inscription and Iconography (XLVII, pp. 32-51)
Elisabeth Okasha; Jennifer O’Reilly
Alberti’s De Pictura: Its Literary Structure and Purpose (XLVII, pp. 52-71)
D. R. Edward Wright
Fra Giocondo da Verona and His Edition of Vitruvius (XLVII, pp. 72-90)
Lucia A. Ciapponi
The Astrological Vault of the Villa Farnesina Agostino Chigi’s Rising Sign (XLVII,
pp. 91-105)
Mary Quinlan-McGrath
Art and Propaganda in Late Renaissance and Baroque Florence: The Defeat of
Radagasius, King of the Goths (XLVII, pp. 106-118)
Henk Th. van Veen
Marlborough, Art and Diplomacy: The Background to Peter Strudel’s Drawing of
Time Revealing Truth and Confounding Fraudulence (XLVII, pp. 119-135)
P. M. Barber
Basle, Bachofen and the Critique of Modernity in the Second Half of the Nineteenth
Century (XLVII, pp. 136-185)
Lionel Gossman
Some Medieval and Renaissance Citations of Theophrastus (XLVII, pp. 186-190)
R. W. Sharples
Seven Manuscripts Palla Strozzi Gave to the S. Giustina Library (XLVII, pp. 190-
191)
Mark L. Sosower
The Birth Date of Agostino Chigi: Documentary Proof (XLVII, pp. 192-193)
Ingrid. D. Rowland
Some Panegyrics to Agostino Chigi (XLVII, pp. 194-199)
Ingrid D. Rowland
An Unpublished ‘Pronosticatio’ on the Return of Charles VIII to Italy (XLVII, pp.
200-203)
Amnon Linder
The Ominous Play of Children: Thomas More’s Adaptation of an Image from
Antiquity (XLVII, pp. 204-205)
Walter M. Gordon
Pirro Ligorio, the Casino of Pius IV, and Antiques for the Medici: Some New
Documents (XLVII, pp. 205-209)
Robert W. Gaston
An Early Sixteenth-Century Genealogy of Anglo-Saxon Kings (XLVII, pp. 209-216)
C. M. Kauffmann
The Astrological Decoration of the Sala dei Venti in the Palazzo del Te (XLVII, pp.
216-222)
Kristen Lippincott
How Hermes Trismegistus Was Introduced to Renaissance England: The Influences
of Caxton and Ficino’s ‘Argumentum’ on Baldwin and Palfreyman (XLVII, pp. 222-
225)
J. S. Gill
Jean de La Jessee and the Family of Love in France (XLVII, pp. 225-228)
Heather Ingman
Account-Book Covers in Some Vanitas Still-Life Paintings (XLVII, pp. 229-231)
Basil S. Yamey
A Note on the Iconography of a Medal of Lavinia Fontana (XLVII, pp. 232-234)
Jean Owens Schaefer
Milton and the Lives of the Ancients (XLVII, pp. 234-238)
Gordon Campbell
Vol. XLVIII, 1985
The Five Senses in Late Medieval and Renaissance Art (XLVIII, pp. 1-22)
Carl Nordenfalk
Rudolph Agricola’s Reading of Literature (XLVIII, pp. 23-41)
Peter Mack
The Astrological Vault of the Camera di Griselda from Roccabianca (XLVIII, pp. 43-
70)
Kristen Lippincott
Giovanni Battista Benedetti on the Mathematics of Linear Perspective (XLVIII, pp.
71-99)
J. V. Field
From De die natali to De emendatione temporum: The Origins and Setting of
Scaliger’s Chronology (XLVIII, pp. 100-143)
Anthony Grafton
Minimum and Maximum, Finite and Infinite Bruno and the Northumberland Circle
(XLVIII, pp. 144-163)
Hilary Gatti
Goethe and Caricature: From Hogarth to Topffer (XLVIII, pp. 164-188)
David Kunzle
Imagerie populaire et caricature: la graphique politique antinapoleonienne en Russie
et ses antecedents petroviens (XLVIII, pp. 189-221)
Marina Peltzer
Mercury at the Crossroads in Renaissance Emblems (XLVIII, pp. 222-229)
Barbara C. Bowen
Agrippa, Leonardo and the Codex Huygens (XLVIII, pp. 229-234)
Frank Zollner
Don Quixote in Broadsheets of the Seventeenth and Early Eighteenth Centuries
(XLVIII, pp. 234-238)
Johannes Hartau
Hogarth’s Madmen (XLVIII, pp. 238-242)
Jane E. Kromm
Vol. XLIX, 1986
The Twelfth-Century Crusading Window of the Abbey of Saint-Denis: Praeteritorum
Enim Recordatio Futurorum est Exhibitio (XLIX, pp. 1-40)
Elizabeth A. R. Brown; Michael W. Cothren
An Early French Humanist and Sallust: Jean Lebegue and the Iconographical
Programme for the Catiline and Jugurtha (XLIX, pp. 41-65)
Donal Byrne
Piero della Francesca’s Treatment of Edge Distortion (XLIX, pp. 66-90)
J. V. Field
Bramante, Michelangelo and the Sistine Ceiling (XLIX, pp. 91-105)
Charles Robertson
De emendata structura latini sermonis: The Latin Grammar of Thomas Linacre
(XLIX, pp. 106-125)
Kristian Jensen
The Mirabilis Liber: Its Compilation and Influence (XLIX, pp. 126-149)
Jennifer Britnell; Derek Stubbs
The Image and the Moving Eye: Jean Pelerin (Viator) to Guidobaldo del Monte
(XLIX, pp. 150-171)
Thomas Frangenberg
A Cambridge Platonist’s Materialism: Henry More and the Concept of Soul (XLIX,
pp. 172-195)
John Henry
Shakespearean Allusion in English Caricature in the Age of Gillray (XLIX, pp. 196-
210)
Jonathan Bate
John of Damascus, De fide orthodoxa: Translations by Burgundio (1153/54),
Grosseteste (1235/40) and Lefevre d’Etaples (1507) (XLIX, pp. 211-217)
Irena Backus
Alexander the Great in Medieval Hebrew Literature (XLIX, pp. 218-226)
W. Jac. van Bekkum
Van Eyck’s Illuminated Carafe (XLIX, pp. 227-230)
Brian Madigan
Roger Bacon and the Composition of Marsilio Ficino’s De vita longa (De vita, Book
II) (XLIX, pp. 230-233)
John R. Clark
Mantegna’s Unknown Sons: A Rediscovered Epitaph (XLIX, pp. 233-235)
Rodolfo Signorini
The Apollo Belvedere and the Garden of Giuliano della Rovere at SS. Apostoli
(XLIX, pp. 235-238)
Deborah Brown
Durer’s Dreams (XLIX, pp. 238-244)
Jean Michel Massing
A Proposal for the Foundation Date of the Villa Farnesina (XLIX, pp. 245-250)
Mary Quinlan-McGrath
Syphilis and Bronzino’s London Allegory (XLIX, pp. 250-255)
J. F. Conway
The Case for the 1593 Edition of Thomas Combe’s Theater of Fine Devices (XLIX,
pp. 255-257)
Peter M. Daly
Michelangelo’s Lost Sleeping Cupid and Fetti’s Vertumnus and Pomona (XLIX, pp.
257-259)
Ruth Rubinstein
Ronsard’s Odes as a Source for Poussin’s Aurora and Cephalus (XLIX, pp. 259-261)
Philip L. Sohm
Arthur’s Round Table in Hudibras (XLIX, pp. 261-264)
David Carlson
Vol. L, 1987
Foreword to the Fiftieth Volume (L, unpaginated, 1 p.)
C. M. Kauffmann; J. B. Trapp
Panofsky, Suger and St Denis (L, pp. 1-17)
Peter Kidson
Pietro Lorenzetti and the History of the Carmelite Order (L, pp. 18-28)
Joanna Cannon
Classical Themes in the Decoration of the Palazzo Vecchio in Florence (L, pp. 29-43)
Nicolai Rubinstein
Annius of Viterbo and Historical Method (L, pp. 44-56)
Christopher R. Ligota
Ibn al-Hatim on the Talismans of the Lunar Mansions (L, pp. 57-81)
Kristen Lippincott; David Pingree
The Private Chapel of Cardinal Alessandro Farnese in the Cancelleria, Rome (L, pp.
82-112)
Patricia Rubin
The ‘Bellissimo Ingegno’ of Ferdinando Gonzaga (1587-1626), Cardinal and Duke of
Mantua (L, pp. 113-147)
D. S. Chambers
Velazquez and Murillo in Nineteenth-Century Britain. An Approach through Prints
(L, pp. 148-159)
Enriqueta Harris
Lord Ronald Gower, Gustave Dore and the Genesis of the Shakespeare Memorial at
Stratford-on-Avon (L, pp. 160-170)
Philip Ward-Jackson
Concerning Warburg’s ‘Costumi teatrali’ and Angelo Solerti (L, pp. 171-188)
A. M. Meyer
The Earliest Chiromancy in the West (L, pp. 189-195)
Charles S. F. Burnett
A Baronial Bestiary: Heraldic Evidence for the Patronage of MS Bodley 764 (L, pp.
196-200)
Ronald Baxter
The Medallions on the Sistine Ceiling (L, pp. 200-204)
Charles Hope
Ajax and Cassandra: An Antique Cameo and a Drawing by Raphael (L, pp. 204-205)
Ruth Rubinstein
The Venus Belvedere: An Episode in Restoration (L, pp. 205-214)
Arnold Nesselrath
The Illustrations of Lucian’s Imago vitae aulicae (L, pp. 214-219)
Jean Michel Massing
Benedetto Varchi and the Visual Arts (L, pp. 219-224)
Francois Quiviger
An Early Seventeenth-Century Canon of Artistic Excellence: Pierleone Casella’s
Elogia Illustrium Artificum of 1606 (L, pp. 224-232)
E. H. Gombrich
Rubens’s Musathena (L, pp. 233-245)
Elizabeth McGrath
Rembrandt’s Woman Taken in Adultery (L, pp. 245-252)
Michael Podro
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Vol. LI (1988); Vol. LII (1989); Vol. LIII (1990); Vol. LIV (1991); Vol. LV (1992);
Vol. LVI (1993); Vol. LVII (1994); Vol. LVIII (1995); Vol. LIX (1996); Vol. LX
(1997).
 
Vol. LI, 1988
The Letter of Mardochaeus the Jew to Alexander the Great: A Lecture in Memory of
Arnaldo Momigliano (LI, pp. 1-13)
A. C. Dionisotti
Calendar Dates and Ominous Days in Ancient Historiography (LI, pp. 14-42)
A. T. Grafton; N. M. Swerdlow
Maimonides in Muscovy: Medical Texts and Terminology (LI, pp. 43-65)
W. F. Ryan
Joachimist Prophecies in Sebastiano del Piombo’s Borgherini Chapel and Raphael’s
Transfiguration (LI, pp. 66-83)
Josephine Jungic
Jurisconsultus Perfectus: The Lawyer as Renaissance Man (LI, pp. 84-102)
Donald R. Kelley
Cassiano dal Pozzo’s Copy of the Zaccolini Manuscripts (LI, pp. 103-125)
Janis C. Bell
The Reception of the ‘New Philosophy’ in Eighteenth-Century Spain (LI, pp. 126-
140)
Anthony Pagden
Sir Joshua Reynolds and Italian Art and Art Literature. A Study of the Sketchbooks in
the British Museum and in Sir John Soane’s Museum (LI, pp. 141-168)
Giovanna Perini
Remarks on a Magical Inscription (LI, p. 169)
R. W. Daniel; P. J. Sijpesteijn
Ramon Lull and Ecstatic Kabbalah: A Preliminary Observation (LI, pp. 170-174)
Moshe Idel
The Assumption of the Virgin on the Tabernacle of Orsanmichele (LI, pp. 174-180)
Brendan Cassidy
Snow Blindness and Underground Fish-Migration: Two More Notes on Theophrastus
(LI, pp. 181-184)
R. W. Sharples
Piers Plowman and Local Iconography: The Font at Eardisley, Herefordshire (LI, pp.
184-186)
R. E. Kaske
Mnemosyne and Calliope in the ‘Chapel of the Muses’, San Francesco, Rimini (LI,
pp. 186-187)
Catherine King
More on Ibn Al-Hatim (LI, pp. 188-190)
Kristen Lippincott
Did Leonardo Develop a Theory of Curvilinear Perspective?: Together with Some
Remarks on the ‘Angle’ and ‘Distance’ Axioms (LI, pp. 190-196)
James Elkins
The Iconographical Sources of a Composite Manuscript from the Library of Raphael
de Mercatellis (LI, pp. 197-209)
Alain Arnould
Cannibalized Prints and Early Art History: Vasari, Bellori and Freart de Chambray on
Raphael (LI, pp. 210-220)
Jeremy Wood
The Prophet Armed: Machiavelli, Savonarola, and Rosso Fiorentino’s Moses
Defending the Daughters of Jethro (LI, pp. 220-225)
Vivien Gaston
Francesco Xanto Avelli and Petrarch (LI, pp. 225-234)
Alison Holcroft
Homer, Greek Heroes and Hellenism in Giulio Romano’s Hall of Troy (LI, pp. 235-
242)
Bette L. Talvacchia
Some Newly-Discovered Works by Pirro Ligorio (LI, pp. 242-245)
Ginette Vagenheim
Caravaggio’s Calling of St Matthew Reconsidered (LI, pp. 245-250)
Angela Hass
The Meaning of Perseus and Andromeda in the Farnese Gallery and on the Rubens
House (LI, pp. 250-260)
John Beldon Scott
Rembrandt’s Jeremiah (LI, pp. 260-264)
Sanford Budick
Vol. LII, 1989
Indian Planetary Images and the Tradition of Astral Magic (LII, pp. 1-13)
David Pingree
The Battle between Christ and Satan in the Tiberius Psalter (LII, pp. 14-33)
K. M. Openshaw
Action and Report: The Problem of Indirect Narration in the Academic Theory of
Painting (LII, pp. 34-51)
Sixten Ringbom
On the Prehistory of Politian’s Miscellaneorum centuria secunda (LII, pp. 52-70)
Francesco Lo Monaco
The Illustrious Poets in Signorelli’s Frescoes for the Cappella Nuova of Orvieto
Cathedral (LII, pp. 71-84)
Rose Marie San Juan
Vincenzo Borghini and the Impresa (LII, pp. 85-110)
R. A. Scorza
A Treatise by Francesco Bocchi in Praise of Andrea del Sarto (LII, pp. 111-139)
Robert Williams
Some Elizabethan Allegorical Paintings: A Preliminary Enquiry (LII, pp. 140-166)
David Evett
Jonathan Richardson, Lord Somers’s Collection of Drawings, and Early Art-
Historical Writing in England (LII, pp. 167-187)
Carol Gibson-Wood
Private and Public Patronage in Victorian Newcastle (LII, pp. 188-208)
Dianne Sachko Macleod
Aristotle’s Advice to Alexander: Two English Metrical Versions of an Alexandreis
Passage (LII, pp. 209-213)
Telfryn Pritchard
The Nomoi of Gemistos Plethon in the Light of Plato’s Laws (LII, pp. 214-219)
Ruth Webb
An Unknown Letter by Vittorino da Feltre (LII, pp. 219-221)
D. S. Chambers
Leon Battista Alberti’s Inscriptions on the Holy Sepulchre in the Cappella Rucellai,
San Pancrazio, Florence (LII, pp. 221-228)
Christine M. Sperling
When Was Michelangelo Born? (LII, pp. 228-232)
Kristen Lippincott
An Unnoticed Description of Isabella d’Este’s Grotta (LII, pp. 232-235)
S. Kolsky
An Allegory of Renaissance Politics in a Contemporary Italian Engraving: The
Prognostic of 1510 (LII, pp. 236-240)
Mark J. Zucker
St Luke of Bavaria by Engelhard de Pee (LII, pp. 240-245)
Zygmunt Wazbinski
Rubens’s Latin Inscriptions on His Copies after Holbein’s Dance of Death (LII, pp.
245-250)
Kristin Lohse Belkin
Painted Statues, Ben Jonson and Shakespeare (LII, pp. 250-253)
B. J. Sokol
Hannibal’s Dream: A Painting by Jan Miel after an Idea by Emanuele Tesauro (LII,
pp. 253-256)
Friso Lammertse
New Light on the Spanish Ambassador’s Purchases from Charles I’s Collection 1649-
53 (LII, pp. 257-267)
Albert J. Loomie
Hogarth’s Fruitful Invention: Observations on Harlot’s Progress, Plate III (LII, pp.
267-269)
Barry Wind
Vol. LIII, 1990
Astronomical Chronology and Prophecy: Jean-Dominique Cassini’s Discovery of
Josephus’s Great Lunisolar Period of the Patriarchs (LIII, pp. 1-13)
N. M. Swerdlow
Ancient Perspective and Euclid’s Optics (LIII, pp. 14-41)
Richard Tobin
Transfiguratio Domini in the Apse at Mount Sinai and the Symbolism of Light (LIII,
pp. 42-60)
Jerzy Miziolek
The Consolatio Philosophiae of Boethius in Medieval Spain (LIII, pp. 61-70)
Dietrich Briesemeister
A Metrological Investigation (LIII, pp. 71-97)
Peter Kidson
Galvano Fiamma, Azzone Visconti and the Revival of the Classical Theory of
Magnificence (LIII, pp. 98-113)
Louis Green
Measured Appearances: Documentation and Design in Early Perspective Drawing
(LIII, pp. 114-132)
Jehane R. Kuhn
The Sepulchre on the Facade: A Re-Evaluation of Sigismondo Malatesta’s Rebuilding
of San Francesco in Rimini (LIII, pp. 133-143)
Helen S. Ettlinger
Cosimo de’ Medici and the ‘Platonic Academy’ (LIII, pp. 144-162)
James Hankins
The Image of a Fifteenth-Century Court: Secular Frescoes for the Castello di Porta
Giovia, Milan (LIII, pp. 163-184)
Evelyn Samuels Welch
Two Astrological Ceilings Reconsidered: The Sala di Galatea in the Villa Farnesina
and the Sala del Mappamondo at Caprarola (LIII, pp. 185-207)
Kristen Lippincott
An Illustrated Incunable of Pliny’s Natural History in the Biblioteca Palatina, Parma
(LIII, pp. 208-216)
Hermann Walter
Ars Tornandi: Baroque Architecture and the Lathe (LIII, pp. 217-236)
Joseph Connors
Petronius and Neo-Latin Satire: The Reception of the Cena Trimalchionis (LIII, pp.
237-249)
Anthony Grafton
‘Johannes Tertius’: Goethe and Renaissance Latin Poetry (LIII, pp. 250-265)
Peter Godman
Expiatory Monuments by Carlo Marochetti in Dorset and the Isle of Wight (LIII, pp.
266-280)
Philip Ward-Jackson
The Trail for Archimedes’s Tomb (LIII, pp. 281-286)
D. L. Simms
Archimedes’s Tomb and the Artists: A Postscript (LIII, pp. 286-288)
J. B. Trapp
The Name Picatrix: Transcription or Translation? (LIII, pp. 289-296)
J. Thomann
Filarete’s Portrait Signature on the Bronze Doors of St Peter’s and the Dance of
Bathykles and His Assistants (LIII, pp. 296-299)
Catherine King
Pollaiuolo’s Lost Hercules and the Lion Recorded on Maiolica? (LIII, pp. 299-301)
Timothy Wilson
The Procession Portrait of Queen Elizabeth I: A Note on a Tradition (LIII, pp. 301-
307)
David Armitage
Cesare Ripa: New Biographical Evidence (LIII, pp. 307-312)
Chiara Stefani
The Story of Dryope: A Rare Subject from Ovid’s Metamorphoses (LIII, pp. 312-315)
Ursula Sdunnus
Vol. LIV, 1991
The Ysagoge in Theologiam and the Commentaries Attributed to Bernard Silvestris
(LIV, pp. 1-42)
Michael Evans
The Great History of Troy: A Reassessment of the Development of a Secular Theme
in Late Medieval Art (LIV, pp. 43-82)
Scot McKendrick
Hercules and David in the Early Decoration of the Palazzo Vecchio: Manuscript
Evidence (LIV, pp. 83-98)
Maria Monica Donato
The Torlonia Vase: History and Visual Records from the Fifteenth to the Nineteenth
Centuries (LIV, pp. 99-116)
Luca Leoncini
Real Architecture, Imaginary History: The Arsenale Gate as Venetian Mythology
(LIV, pp. 117-126)
Ralph Lieberman
Leonardo da Vinci’s Grotesque Heads and the Breaking of the Physiognomic Mould
(LIV, pp. 127-136)
Michael W. Kwakkelstein
Perspectivist Aristotelianism: Three Case-Studies of Cinquecento Visual Theory
(LIV, pp. 137-158)
Thomas Frangenberg
Alessandro Farnese, Giovanni della Casa and Titian’s Danae in Naples (LIV, pp. 159-
171)
Roberto Zapperi
A Florentine Sketchbook: Architecture, Apparati and the Accademia del Disegno
(LIV, pp. 172-185)
R. A. Scorza
From Imaginary Drama to Dramatized Imagery: The Mappe-Monde Nouvelle
Papistique, 1566-67 (LIV, pp. 186-205)
Dror Wahrman
A Spartan Academic Banquet in Siena (LIV, pp. 206-225)
Francois Quiviger
A Fragment of ‘Liberal Arts’ Embroidery (LIV, pp. 226-230)
Margaret Gibson
The Superiority of Taste (LIV, pp. 230-238)
Charles Burnett
Pietro d’Abano on Giotto (LIV, pp. 238-244)
J. Thomann
Riccobaldo of Ferrara and Giotto: An Update (LIV, p. 244)
A. T. Hankey
The Camera dello Zodiaco of Federico II Gonzaga (LIV, pp. 244-247)
Kristen Lippincott; Rodolfo Signorini
Daniele da Volterra’s Satirical Defence of His Art (LIV, pp. 247-252)
David Jaffe
Archaeologists or Pharisees? Reflections on a Painting by Maarten van Heemskerck
(LIV, pp. 253-256)
E. H. Gombrich
Iungit Amor: Royal Marriage Imagery in France, 1550-1750 (LIV, pp. 256-261)
David Watkin
Milton, Fletcher and the Gunpowder Plot (LIV, pp. 261-268)
David Quint
Disegni for the Tomb of Alexander VII (LIV, pp. 268-273)
Michael Koortbojian
Vol. LV, 1992
The Black Andromeda (LV, pp. 1-18)
Elizabeth McGrath
Medieval Proverb Collections: The West European Tradition (LV, pp. 19-35)
Barry Taylor
The Arabic Beast Fable (LV, pp. 36-50)
Robert Irwin
The Early History of the Tempio Malatestiano (LV, pp. 51-154)
Charles Hope
The Auto da Fe: Ritual and Imagery (LV, pp. 155-168)
Francisco Bethencourt
Agricola’s Use of the Comparison between Writing and the Visual Arts (LV, pp. 169-
179)
Peter Mack
Rosso Fiorentino’s Betrothal of the Virgin: Patronage and Interpretation (LV, pp.
180-199)
David Franklin
Republicanism in the Visual Propaganda of Cosimo I de’ Medici (LV, pp. 200-209)
Henk Th. van Veen
The Concept of Houding in Dutch Art Theory (LV, pp. 210-232)
Paul Taylor
The Theory of the Musical Modes in the Academie Royale de Peinture et de Sculpture
(LV, pp. 233-248)
Jennifer Montagu
The Reasoning Eye: Alexander Pope’s Typographic Vision in the Essay on Man (LV,
pp. 249-262)
Tania Rideout
The Chancellor’s Two Bodies: Note on a Miniature in BNP lat. 4915 (LV, pp. 263-
265)
P. S. Lewis
The Frontispiece to an Illuminated Panegyric of Henry VII: A Note on the Sources
(LV, pp. 266-270)
Paul Gwynne
Domenico Campagnola’s Premonition of Meliboeus (LV, pp. 270-272)
Louis Waldman
Francesco Bocchi on Disegno (LV, pp. 272-277)
Claudia Hattendorff
Cesare Ripa and the Sala Clementina (LV, pp. 277-282)
Christopher L. C. E. Witcombe
Vol. LVI, 1993
Poimandres: The Etymology of the Name and the Origins of the Hermetica (LVI, pp.
1-24)
Peter Kingsley
Medieval Byzantine Magical Amulets and Their Tradition (LVI, pp. 25-62)
Jeffrey Spier
Europa and the Winged Mercury on Two Cassone Panels from the Czartoryski
Collection (LVI, pp. 63-74)
Jerzy Miziolek
The Rhetorical Works of George of Trebizond and their Debt to Cicero (LVI, pp. 75-
84)
C. Joachim Classen
Infanticide in Passover Iconography (LVI, pp. 85-99)
David J. Malkiel
Aristotle as a Source for Leonardo’s Theory of Colour Perspective after 1500 (LVI,
pp. 100-118)
Janis Bell
Tommaso della Porta’s ‘Castles in the Air’ (LVI, pp. 119-167)
Gerda Panofsky
The Geometrical Order of the World: Otto Van Veen’s Physicae et theologicae
conclusiones (LVI, pp. 168-182)
Christoph Geissmar
The Stuart Court Masque and the Theatre of the Greeks (LVI, pp. 183-208)
John Peacock
Egbert van Heemskerck’s Quaker Meetings Revisited (LVI, pp. 209-228)
Harry Mount
The Political Background to Thornhill’s Paintings in St Paul’s Cathedral (LVI, pp.
229-237)
Carol Gibson-Wood
Some Eighteenth-Century ‘Restored’ Boxers (LVI, pp. 238-255)
Seymour Howard
‘Puro senza ornato’: Masaccio, Cristoforo Landino and Leonardo da Vinci (LVI, pp.
256-260)
Hellmut Wohl
Isabella d’Este’s Philostratos (LVI, pp. 260-267)
Michael Koortbojian; Ruth Webb
Wealth, Art, and Display: The Grimani Cameos in Renaissance Venice (LVI, pp. 268-
274)
Marilyn Perry
New Documents concerning the Discovery and Early History of the Nozze
Aldobrandini (LVI, pp. 274-280)
Francesca Cappelletti; Caterina Volpi
An Apocryphal Source in the Me’ or ‘Enayim of Azariah de’ Rossi (LVI, pp. 280-
284)
Joanna Weinberg
Vol. LVII, 1994
From Pythagoras to the Turba philosophorum: Egypt and Pythagorean Tradition
(LVII, pp. 1-13)
Peter Kingsley
The Sun’s Night Journey: A Pharaonic Image in Medieval Ireland (LVII, pp. 14-34)
John Carey
The Iconography of Kingship in the Walter of Milemete Treatise (LVII, pp. 35-47)
Michael Michael
Titian’s Mary Magdalen in the Palazzo Pitti: An Ambiguous Painting and Its Critics
(LVII, pp. 48-59)
Bernard Aikema
Vesalius and Human Diversity in De humani corporis fabrica (LVII, pp. 60-88)
Nancy G. Siraisi
L’Homme-microcosme dans une estampe medico-philosophique du seizieme siecle
(LVII, pp. 89-122)
H. D. Saffrey
An Egyptian Traveller in the Republic of Letters: Josephus Barbatus or Abudacnus
the Copt (LVII, pp. 123-150)
Alastair Hamilton
Personata Stoa: Neostoicism and Senecan Tragedy (LVII, pp. 151-174)
Roland Mayer
Van Dyck’s Last Religious Commission: An Altarpiece for Antwerp Cathedral (LVII,
pp. 175-190)
Frans Baudouin
The Geometry of a Dome: Ludovico David’s Dichiarazione della pittura della capella
del Collegio Clementino di Roma (LVII, pp. 191-208)
Thomas Frangenberg
Horace Walpole and Eighteenth-Century Garden History (LVII, pp. 209-226)
Stephen Bending
Jacob Burckhardt as Architect of a New Art History (LVII, pp. 227-242)
Martina Sitt
Two Thirteenth-Century Manuscripts of Crusader Legal Texts from Saint-Jean d’Acre
(LVII, pp. 243-254)
Peter Edbury; Jaroslav Folda
Matthias Wagener and Traces of Antonite Humanism in Cologne (LVII, pp. 254-263)
Peter Macardle
Antique Candelabra in Frescoes by Bernardino Gatti and a Drawing by Giulio
Romano (LVII, pp. 264-269)
Jacqueline Biscontin
Two Notes on Decorations in the Galerie Francois I at Fontainebleau (LVII, pp. 270-
278)
Sylvie Beguin
The Pythagorean Inscription on Rosa’s London ‘Self-Portrait’ (LVII, pp. 278-283)
Eckhard Leuschner
Vol. LVIII, 1995
The St Albans Psalter: A Reconsideration (LVIII, pp. 1-28)
Kristine E. Haney
Defining the Corpus Aristotelicum: Scholastic Awareness of Aristotelian Spuria in the
High Middle Ages (LVIII, pp. 29-51)
Steven J. Williams
The Villa Farnesina, Time-Telling Conventions and Renaissance Astrological
Practice (LVIII, pp. 53-71)
Mary Quinlan-McGrath
Roman Customs Registers 1470-80: Items of Interest to Historians of Art and
Material Culture (LVIII, pp. 72-87)
Arnold Esch
Botticelli’s Mystic Nativity, Savonarola and the Millennium (LVIII, pp. 89-114)
Rab Hatfield
The Art of Talking about Sculpture: Vasari, Borghini and Bocchi (LVIII, pp. 115-
131)
Thomas Frangenberg
Ioannes Wower of Hamburg, Philologist and Polymath. A Preliminary Sketch of His
Life and Works (LVIII, pp. 132-151)
Luc Deitz
Henry Savile and the Tychonic World-System (LVIII, pp. 152-179)
Robert Goulding
From Greek Proverb to Soap Advert: Washing the Ethiopian (LVIII, pp. 180-201)
Jean Michel Massing
Early Anglo-Norman Receipts for Colours (LVIII, pp. 203-209)
Tony Hunt
The Sitter for Jan van Eyck’s ‘Leal Sovvenir’ (LVIII, pp. 210-215)
Jacques Paviot
Scipio’s Wounds (LVIII, pp. 216-234)
Silvia Tomasi Velli
A Fifteenth-Century Site Report on the Vatican Obelisk (LVIII, pp. 234-248)
Brian Curran; Anthony Grafton
A Renaissance Image of Jupiter Stator (LVIII, pp. 249-252)
Paul Gwynne
Aspects of Collecting in Renaissance Padua: A Bust of Socrates for Niccolo Leonico
Tomeo (LVIII, pp. 252-265)
Jonathan Woolfson; Andrew Gregory
A Garden of Statues and Marbles: The Soderini Collection in the Mausoleum of
Augustus (LVIII, pp. 265-284)
Anna Maria Riccomini
Vol. LIX, 1996
The Knot of the Heavens (LIX, pp. 1-13)
Godefroid de Callatay
Two Astromagical Manuscripts of Alfonso X (LIX, pp. 14-23)
Alejandro Garcia Aviles
Giotto’s Allegories of Justice and the Commune in the Palazzo della Ragione in
Padua: A Reconstruction (LIX, pp. 24-47)
Eva Frojmovic
Aristotle for the Layman: Sense Perception in the Poetry of Ausias March (LIX, pp.
48-60)
Lluis Cabre
The Crucified Monk (LIX, pp. 61-102)
Almuth Seebohm
New Findings about Andrea Mantegna: His Son Ludovico’s Post-Mortem Inventory
(1510) (LIX, pp. 103-118)
Rodolfo Signorini
The Image of Alexander VI and Cesare Borgia in the Sixteenth and Seventeenth
Centuries (LIX, pp. 119-129)
J. N. Hillgarth
Britannia and Melita: Pseudomorphic Sisters (LIX, pp. 130-147)
Derk Kinnane-Roelofsma
The Florentine entrata of Joanna of Austria and Other Entrate Described in a German
Diary (LIX, pp. 148-173)
M. A. Katritzky
Carolus Scribanius’s Observations on Art in Antwerp (LIX, pp. 174-204)
Julius S. Held
The Changing Image of Gustavus Adolphus on German Broadsheets, 1630-3 (LIX,
pp. 205-244)
John Roger Paas
A Private Homage to Galileo. Anton Domenico Gabbiani’s Frescoes in the Pitti
Palace (LIX, pp. 245-273)
Thomas Frangenberg
An ‘Early Christian’ Terracotta Altar (LIX, pp. 274-279)
David Knipp
Elkanah’s Gift: Texts and Meaning in the Bury Bible Miniature (LIX, pp. 279-285)
C. Michael Kauffmann
The Vision of St Anthony on a Thebaid Panel at Christ Church, Oxford (LIX, pp.
286-294)
Christian Heck
Erasmus on William Grocyn and Ps-Dionysius: A Re-Examination (LIX, pp. 294-
303)
J. B. Trapp
The Creation of Adam: A Detail in Mantegna’s Madonna della Vittoria (LIX, pp.
303-304)
Rodolfo Signorini
Some Misdated Letters of Pietro Aretino (LIX, pp. 304-314)
Charles Hope
Henry VIII’s Illuminated ‘Great Bible’ (LIX, pp. 315-324)
Tatiana C. String
The Fortuna of Juan Gines de Sepulveda’s Translations of Aristotle and of Alexander
of Aphrodisias (LIX, pp. 325-332)
Alejandro Coroleu
The Iconography of Velazquez’s Aesop (LIX, pp. 332-337)
Nicholas Tromans
Vol. LX, 1997
Lifting the Veil: Two Typological Diagrams in the Hortus deliciarum (LX, pp. 1-22)
Annette Kruger; Gabriele Runge
Merit and Money: The Procurators of St Mark and Their Commissioni, 1443-1605
(LX, pp. 23-88)
D. S. Chambers
Petrus Christus’s Our Lady of the Dry Tree (LX, pp. 89-110)
Hugo van der Velden
Greek Inscriptions on Two Venetian Renaissance Paintings (LX, pp. 111-129)
Mauro Lucco; Anna Pontani
Jacopo Tintoretto’s Altarpiece of St Agnes at the Madonna dell’Orto in Venice and
the Memorialisation of Cardinal Contarini (LX, pp. 130-163)
Michael Douglas-Scott
The Last Tribute to Isabella of Bourbon at Salamanca (LX, pp. 164-193)
Emilia Montaner
John Evelyn and the Garden of Epicurus (LX, pp. 194-214)
Alastair Small; Carola Small
On Reynolds’s Use of de Piles, Locke, and Hume in His Essays on Rubens and
Gainsborough (LX, pp. 215-229)
Amal Asfour; Paul Williamson
King Avicenna: The Iconographic Consequences of a Mistranslation (LX, pp. 230-
243)
Dag Nikolaus Hasse
Piero della Francesca’s Giants (LX, pp. 243-247)
Paul Taylor; Caroline Van Eck
Youth and Spring in Botticelli’s Primavera (LX, pp. 248-251)
Nicolai Rubinstein
Lorenzo Lotto’s Virgin and Child with St Onophrius and St Ignatius of Antioch (LX,
pp. 251-253)
David Ekserdjian
Savonarolan Prophecy in Leonardo’s Allegory with Wolf and Eagle (LX, pp. 253-
260)
Josephine Jungic
Hans Mielich at Titian’s Studio (LX, pp. 260-261)
Charles Hope
Towards a History of the Library of Antonio Agustin (LX, pp. 261-272)
Marc Mayer
New Light on Two ‘Venuses’ by Correggio (LX, pp. 272-275)
Guido Rebecchini
The Enigma of St Joseph in Poussin’s Holy Family on the Steps (LX, pp. 276-281)
Joseph F. Chorpenning
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Vol. LXI (1998); Vol. LXII (1999); Vol. LXIII (2000); Vol. LXIV (2001); Vol.
LXV (2002); Vol. LXVI (2003); Vol. LXVII (2004)
 
Vol. LXI, 1998
The Berardenga Antependium and the Passio Ymaginis Office (LXI, pp. 1-16)
Michele Bacci
The Book Collection and Other Possessions of Baldassarre Castiglione (LXI, pp. 17-
52)
Guido Rebecchini
Sacrilege and Redemption in Renaissance Florence: The Case of Antonio Rinaldeschi
(LXI, pp. 53-92)
William J. Connell; Giles Constable
Antoine Morillon, Antiquarian and Medallist (LXI, pp. 93-110)
M. H. Crawford
Ramus Reading: The Commentaries on Cicero’s Consular Orations and Vergil’s
Eclogues and Georgics (LXI, pp. 111-141)
Peter Mack
Individuality and Inwardness in the Literary Character Sketches of the Seventeenth
Century (LXI, pp. 142-157)
Jacques Bos
Giovanni Guerra and the Illustrations to Ripa’s Iconologia (LXI, pp. 158-175)
Stefano Pierguidi
Between Tiger and Unicorn: The Temple of Love (LXI, pp. 176-197)
Axel Stahler
Insanity and the Sublime: Aesthetics and Theories of Mental Illness in Goya’s Yard
with Lunatics and Related Works (LXI, pp. 198-252)
Peter K. Klein
An Emended Joke in Gerald of Wales (LXI, pp. 253-254)
Michael Evans
A Note on the Ancestors of Christ in the Sistine Chapel (LXI, pp. 254-258)
Lisa Pon
Castiglione and Erasmus: Towards a Reconciliation? (LXI, pp. 258-260)
Guido Rebecchini
The Lambe Speaketh... An English Protestant Satire (LXI, pp. 261-267)
Rowena J. Smith
Joris Hoefnagel’s ‘Emblematic’ Signature Reconsidered (LXI, pp. 267-272)
Lubomir Konecny
Veronese, Callet and the Black Boy at the Feast (LXI, pp. 272-276)
Elizabeth McGrath
Vol. LXII, 1999
Ambrogio Lorenzetti’s “Buon Governo” Frescoes: Two Old Questions, Two New
Answers (LXII, pp. 1-28)
Quentin Skinner
The Annotations of Nicolaus Cusanus and Giovanni Andrea Bussi on the “Asclepius”
(LXII, pp. 29-59)
Pasquale Arfé
Figured Riches: The Value of Gold Brocades in Fifteenth-Century Florentine Painting
(LXII, pp. 60-92)
Rembrandt Duits
The Scientific Instruments in Holbein’s “Ambassadors”: A Re-Examination (LXII,
pp. 93-125)
Elly Dekker; Kristen Lippincott
As Good as Gold: The Mobile Earth and Early Modern Economics (LXII, pp. 126-
166)
Eileen Reeves
Lipsius and his Dogs: Humanist Tradition, Iconography and Rubens’s “Four
Philosophers” (LXII, pp. 167-198)
Jan Papy
Isaac Fuller’s “Escape of Charles II”: A Restoration Tragicomedy (LXII, pp. 199-
240)
David H. Solkin
Jean Hardouin: The Antiquary as Pariah (LXII, pp. 241-267)
Anthony Grafton
Aby Warburg: his Aims and Methods. An Anniversary Lecture (LXII, pp. 268-282)
E. H. Gombrich
Baluster-Cornered Box Tombs (LXII, pp. 287-295)
A. D. Harvey
Lorenzo de’ Medici’s Acquisition of the “Sigillo di Nerone” (LXII, pp. 283-286)
Melissa Meriam Bullard; Nicolai Rubinstein
Vol. LXIII, 2000
Who Wrote the “Twelfth Oration” of Themistius? (LXIII, pp. 1-23)
Robert Goulding
Tradition and Innovation: Archbishop Chrodegang (742-66) and the Thirteenth-
Century Family of Churches at Metz (LXIII, pp. 24-58)
Christoph Brachmann
The Aretine Polyptych by Pietro Lorenzetti: Patronage, Iconography and Original
Setting (LXIII, pp. 59-110)
Giovanni Freni
Tommaso Malvito and Neapolitan Tomb Design of the Early Cinquecento (LXIII, pp.
111-130)
Yoni Ascher
Conversations with the Dead: Quevedo and Statius, Annotation and Imitation (LXIII,
pp. 131-168)
Hilaire Kallendorf; Craig Kallendorf
The Horrible Tail-Man and the Anglo-Dutch Wars (LXIII, pp. 169-186)
Elizabeth Staffell
‘In This Time Without Emperors’: The Politics of Ernst Kantorowicz’s “Kaiser
Friedrich der Zweite” Reconsidered (LXIII, pp. 187-242)
Martin A. Ruehl
Berthold of Moosburg’s Hermetic Sources (LXIII, pp. 243-258)
Antonella Sannino
The Chapel of San Girolamo in Santa Maria del Popolo in Rome. New Evidence for
the Discovery of the Domus Aurea (LXIII, pp. 259-270)
Claudia La Malfa
Further Evidence about the Books of Baldassarre Castiglione (LXIII, pp. 271-276)
Guido Rebecchini
The “Paragone” between Word and Image in “Impresa” Literature (LXIII, pp. 277-
286)
Dorigen Caldwell
“The Lambe Speaketh...” An Addendum (LXIII, pp. 287-294)
Malcolm Jones
The Old Woman in Velázquez’s “Kitchen Scene with Christ’s Visit to Martha and
Mary” (LXIII, pp. 295-302)
Marta Cacho Casal
Vol. LXIV, 2001
Franciscan Choir Enclosures and the Function of Double-Sided Altarpieces in Pre-
Tridentine Umbria (LXIV, pp. 1-54)
Donal Cooper
Petrarch’s Laura: The Portraiture of an Imaginary Beloved (LXIV, pp. 55-192)
J. B. Trapp
Richard Trewythian and the Uses of Astrology in Late Medieval England (LXIV, pp.
193-228)
Sophie Page
The Prehistory of Modern Scepticism: Sextus Empiricus in Fifteenth-Century Italy
(LXIV, pp. 229-279)
Gian Mario Cao
Joachim of Fiore and the Images of the Apocalypse according to St John (LXIV, pp.
281-295)
Marjorie Reeves
Isabella d’Este and the Travel Diary of Antonio de Beatis (LXIV, pp. 296-308)
D. S. Chambers
Vol. LXV, 2002
The Eleventh-Century Shift in the Reception of Plato’s Timaeus and Calcidius’s
Commentary (LXV, pp. 1-21)
Anna Somfai
‘Palma dabit Palmam’: Franciscan Themes in a Devotional Manuscript (LXV, pp. 22-
66)
Amy Neff
Ludovico il Moro and his Moors (LXV, pp. 67-94)
Elizabeth McGrath
A Regulated Suasion: The Regulating Lines of Francesco di Giorgio and Philibert de
l’Orme (LXV, pp. 95-131)
Giovanni Galli
The De’ Rossi Collection of Ancient Sculptures, Leo X, and Raphael (LXV, pp. 132-
200)
Kathleen Wren Christian
A New Inventory of the Royal Aragonese Library of Naples (LXV, pp. 201-243)
Santiago López-Ríos
Bartoli, Giambullari and the Prefaces to Vasari’s “Lives” (1550) (LXV, pp. 244-258)
Thomas Frangenberg
Dioscorides in Utopia (LXV, pp. 259-261)
J. B. Trapp
Leo Africanus’s “Descrittione dell’Africa” and its Sixteenth-Century Translations
(LXV, pp. 262-272)
Crofton Black
Characterising the Passions: Michel Anguier’s Challenge to Le Brun’s Theory of
Expression (LXV, pp. 273-282)
Julia K. Dabbs
Vol. LXVI, 2003
A Fresco Portrait of Virgil at Lucignano (LXVI, pp. 1-28)
Luke Houghton

The Laurentian Library and Michelangelo’s Architectural Method (LXVI, pp. 29-62)
David Hemsoll

Vincenzo Borghini’s Collection of Paintings, Drawings and Wax Models: New

Evidence from Manuscript Sources (LXVI, pp. 63-122)
Rick Scorza

Inigo Jones, Capricious Ornament, and Plutarch’s Wise Man (LXVI, pp. 123-42)
L. E. Semler

Cassiano Dal Pozzo, Poussin and the Making and Publication of Leonardo’s Trattato
(LXVI, pp. 143-88)
Donatella Sparti

Playing Games with Otherness: Watteau’s Chinese Cabinet at the Château de La

Muette (LXVI, pp. 189-247)
Katie Scott

The Mosaic of Speech: A Classical Topos in Renaissance Aesthetics (LXVI, pp. 249-
63)
Eric MacPhail

A Note on Leonardi Bruni’s Latin Translation of Plato’s Letters (LXVI, pp. 265-66)
Wlodzimierz Olszaniec

Reassessing the Renaissance of the Palestrina Nile Mosaic (LXVI, pp. 267-71)
Claudia La Malfa

Myth and Astronomy in the Frescoes at Sant’Abbondio in Cremona (LXVI, pp. 273-
88)
Charles Burnett; Marika Leino

Some Aspects of Cardinal Sigismondo Gonzaga’s Collections (LXVI, pp. 289-96)

Guido Rebecchini

The Spilsburys: A Note on Pseudonyms in Late Eighteenth-Century Art Publishing

(LXVI, pp. 297-98)
Sally Humphreys
Vol. LXVII, 2004
The Sainte-Chapelle Lectionaries and the Illustration of the Parables in the Middle
Ages (LXVII, pp. 1-22)
C. M. Kauffmann

Aristotle in Medieval Spain: Writers of the Christian Kingdoms Confronting the

Eternity of the World (LXVII, pp. 23-47)
Ann Giletti

Virtuous and Sinful Uses of Temporal Wealth in the Breviari d’Amor of Matfre
Ermengaud (MS BL Royal 19.C.I) (LXVII, pp. 49-80)
Federico Botana

The Funding of the Façade of Santa Maria Novella (LXVII, pp. 81-127)
Rab Hatfield

Giannozzo Manetti, Alfonso of Aragon and Pompey the Great: a Crusading

Document of 1455 (LXVII, pp. 129-156)
Paul Botley

Piero Pollaiuolo’s Lost Sacramental Altarpiece of the Corpus Domini (LXVII, pp.
157-192)
Stephen J. Milner

Studies in the Renaissance Reception of Ancient Vault Decoration (LXVII, pp. 193-
231)
Hetty E. Joyce

Guercino’s Endymion, Hercules and Artemisia for Alessandro Argoli (LXVII, pp.
233-253)
Miriam Di Penta

On the Date of the Liber Nemroth (LXVII, pp. 255-257)

David Juste

Noah, Daniel and Job: the Three Righteous Men of Ezekiel 14.14 in Medieval Art
(LXVII, pp. 259-267)
Berthold Kress

The Exchange of Models in Florentine Workshops of the Quattrocento: a Sheet from

the ‘Verrocchio Sketchbook’ (LXVII, pp. 269-274)
Linda Pisani

Gigantomachia and the Wheel of Fortune in Works of Giulio Romano, Vincenzo

Cartari and Anton Francesco Doni, and the Authorship of the Asinesca Gloria
(LXVII, pp. 275-284)
Stefano Pierguidi
Michelangelo’s Mistakes in the Generation of Christ (LXVII, pp. 285-294)
Paul Taylor

Boötes on the Farnesina Ceiling (LXVII, pp. 295-300)

Paul Taylor