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OBOE Elementos Da Tecnicas Movimento em Ingles
OBOE Elementos Da Tecnicas Movimento em Ingles
'Posture: Action involving a continues adjustment of every part of the body with consistency in the
process of variation.' Warren Lamb
In oboe playing posture is very important, in the sense that it should allow your breathing to run
freely and with ease through your instrument, so you can colour and use your breathing in a creative
fashion and the rest of your technique isn't bound by the body. If it obstructs the breathing patterns
you will feel an uncomfortable tenseness which might create injuries.
Posture, in general, shouldn't be fixed, as standing 'statue-like,' creates tension in legs, hips, torso,
arms, fingers, neck and head.
On the other hand you can move too much when exhaling and inhaling. In this case the way you
coordinate the upper part of the body is preventing a natural and easy breathing pattern.
The perfect posture would be one that allows you to breath with ease and a slight continues balance
change of the body. After practise you feel comfortable and relaxed; not cramped with stiff limbs
and a painful back.
Every individual has his or her constant pattern of movement in space, according to Laban
Movement Analysis. It is very important that you play your instrument with your personal posture
and that it feels comfortable to your natural posture qualities. Notice that this doesn't include bad
habits like hanging in your bone structure and collapsing in your posture.
The icosahedron
Parallel triangels
Oboe technique consists of: Posture, breathing technique, finger technique, articulation and
embouchure.
All these technical pillars of oboe playing have their own effort element extremities. It is very
interesting to find and extend these extremities as your technical ability will grow and become
more expressive.
The Motion Factors are associated with four phases of the mover's inner participation and
power's of thinking, sensing, intuiting and feeling as follows:
Kinaesthetic awareness can be developed by practice and analysis of movement. Every person likes
different ways to explore this. You can practice Alexander technique, Laban technique, Tai Chi,
Yoga, Pilatus and many more. Keep in mind that there has to be a conscious study in body
awareness in your practice.
Booklist:
Rudolf von Laban 'Choreutik, Grundlagen der Raum-Harmonielehre des Tanzes'
Vera Maletic 'Dance Dyamics, Effort & Phrasing'
Warren Lamb,
Ronald Meachen 'The Kinaesthetic Approach to piano Technique'
Jean Newlove 'Laban for All'
Bram Balfoort 'Ademen wij vanzelf?'
Bram Balfoort 'Houding, Adem en Keel'
Barry Green 'The Inner Game of Music'
Pedro De Alcantara 'Indirect procedures'