2010-2011

C A T A L O G
Contents FADE IN: YOUR DIGITAL FILMMAKING FUTURE
About DFA 3 The ongoing digital evolution in the
Mission Statement 4 entertainment industry has dramatically
changed the course of filmmaking by reducing
Letter from President 5
the cost of production. The independent
Digital Filmmaking Programs 8 - 10 filmmaker can now write, shoot, and edit a film
Digital Filmmaking Courses and Workshops 11 - 14 digitally without relinquishing hands-on control.
Post-Production/Editing Training 18 - 19 This welcome development in the filmmaking
Animation and Motion Graphics Courses 20 - 21 process absolutely necessitates that the
Why Study at DFA? 22 - 24
student master the craft of visual storytelling
and the many technical skills required to fully
What Students Say 25
realize his or her creative vision and become an
Class Schedule and Tuition 26 - 27 essential member of any production. In short:
Admissions Policy 28 - 31 the technology has arrived - the skilled people
Information for International Students 32 have. Until now...
Digital Film Academy Facility 33 Digital Film Academy, also known
in the industry as DFA, provides
Financial Services 34 - 35
the training and skills that are vital
Refund Policy 36 for the independent filmmaker.
Quarter Credits 37 By offering hands-on digital
Academic Policy 38 - 43 filmmaking instruction taught by
Meet the Faculty 44- 47 experienced industry professionals
Board of Managers 48
in a progressive, challenging, and
supportive small class environment,
Student Conduct 49
with unlimited lab time, DFA
Holidays 50 uniquely provides the student with
Location, Directions and Map 51 the creative learning environment
needed to become a truly
Digital Film Academy Administrators: independent filmmaker.
Patrick J. DiRenna, President and Director of Admissions and Operations
Elena Primost, Vice President and Director of Academic Affairs Upon acceptance into DFA’s Digital Filmmaking
courses, you will shoot and finish your own
Scheduling & Processing:
short narrative or documentary, from concept
Polina Bittau
to script to screen. The crafts of screenwriting,
Technical Manager (Production, Equipment): producing, camera work, sound engineering,
Jason Hoffman and lighting techniques are covered in-
Technical Manager (Post-Production, Computer): depth, in addition to communicating your
Alisher Mirzoev vision by directing the actor and directing
the camera. You will learn the art of digital
630 Ninth Ave., Suite 901
New York, NY 10036 editing by completing full post-production on
Phone: 212-333-4013 or 1(800) 608-6717 your project through visual and sound editing
Fax: 212-333-2238 and dvd authoring. When you complete the
Email: info@digitalfilmacademy.com course of your choice, you will receive not
Web: www.digitalfilmacademy.com only a certificate, but also a real calling card
Catalog schedule: The catalog is updated and printed at least once at the start of each new academic year in January. for the industry: a DVD of your own film.
Digital Film Academy
Page 4 MISSION STATEMENT
DFA’s mission is to provide state-of-the-industry digital film and
media education and training.
To achieve this mission, DFA operates by following these objectives:
• Provide quality higher education and advanced training to prepare students for
career entry or advancement in their chosen occupations.
• Offer professional certificate programs to U.S. citizens and international students
within the context of a well-designed framework of digital media arts and design.
• Offer programs including both theoretical and practical components, as
appropriate, to prepare graduates to advance in their chosen careers.
• Prepare students with the educational foundation for advanced study.
• Provide an educational environment that imparts the attitudes and skills that
enable students to continue learning throughout their lives and career.
• Continue to update and improve curricula of existing programs and courses to
reflect changes and improvements in technology and the industry to properly
prepare students for careers in the digital media industry. “Nothing happens until something moves” – Albert Einstein
• Provide post-graduate support of students’ professional projects and career
efforts.
Digital Film Academy
LETTER FROM PRESIDENT Page 5
While shooting my first film TRAIN OF ILLUSION in 1991 I became painfully aware of the fact
that I was at the mercy of others who did not share a love for or care about my film. I realized
immediately that I was kidding myself with the title INDEPENDENT Filmmaker.
Something had to change… and it did. As technology advanced and reliance on film lessened
for the independent, Digital Film Academy started to take shape. And on Sept. 10, 2001, in
the historic Film Center building in New York City, the idea was born - Digital Film Academy!
By March 2004, Digital Film Academy became the first and only State-Licensed Vocational
Digital Film School with unlimited lab time and a one-year continued production membership
for graduates. This access allows DFA grads to immediately start working in this growing
industry without having to invest thousands of dollars in equipment that will be obsolete before
it's paid off. All DFA hardware is state of the industry and software is always current, another
great advantage for our Grads and Members. 90
Ask yourself this - will you impress your potential client by scheduling a meeting in Starbuck's
or a park bench? Or by creating a first impression at our 3000 S.F. Times Square facility with
separate Edit Suite as well as fifteen station edit lab, shooting studio and meeting facilities?
Every other film school in creation denies graduate students access to equipment and facilities.
Just when you need it the most, when you have the ability to do something, you have no way to
make it happen. That has always bothered me and it does not happen here.
Great quotes
“Nothing is more powerful than an idea whose time has come.” – Victor Hugo
“The harder I work the luckier I get.” – Samuel Goldwyn
“Art is the lie that tells us the truth” – Pablo Picasso
"Forgiveness is the fragrance that the violet sheds on the heel that has crushed it." – Mark Twain
Patrick DiRenna
President and Director of Admissions and Operations
Digital Film Academy Digital Film Academy
Page 6 Page 7

DIGITAL FILMMAKING PROGRAMS,

COURSES, AND WORKSHOPS
PROGRAMS
One Year Digital Filmmaking
Advanced Digital Filmmaking

WORKSHOPS
Introduction to Digital Filmmaking
– Twelve Week Digital Filmmaking
– Four Week Digital Filmmaking
– Two Week Digital Filmmaking
Music Video Production
Script Supervisor

ADDITIONAL COURSES
Acting for Film and Television
DV Camera & Lighting
Advanced Digital Cinematography
Editing (Final Cut Pro)
Advanced Editing (Final Cut Pro)
Sound Editing I (Pro Tools)
Sound Editing II (Pro Tools)
Motion Graphics and Visual Effects (Adobe After Effects)
Introduction to 3D Animation (Maya)

Program: a series of courses that when completed successfully will lead to a professional certificate.
Workshop: a course or class held over a shorter length of time, in an intensive study.
Course: a series of lessons or lectures dealing with a subject; may include multiple subjects that are closely
related.
Digital Film Academy Digital Film Academy
Page 8 DIGITAL FILMMAKING PROGRAMS DIGITAL FILMMAKING PROGRAMS Page 9

One Year Digital Filmmaking

The One Year Digital Filmmaking Program combines SAMPLE PROGRAM OUTLINE
Advanced Digital Filmmaking
practical, hands-on training with the critical theory and Quarter I
• Film History Now that you have mastered the foundation elements of SAMPLE PROGRAM OUTLINE
foundation that enables beginning level film students to • Edit Theory (Art of Editing) digital filmmaking, it is time to take your skills to the next Quarter I
develop into professional filmmakers. Students learn • Screenwriting level - a professional, production level. Students learn • DV Cinemotography II
the technical and artistic elements of film and media • DV Cinemotography • Sound Recording II
• Directing the latest advanced techniques and industry software
production, with an emphasis on storytelling. This pro- • Screenwriting II
• Sound Recording including cine-style shooting with a DSLR and 35mm • Visual Storytelling & Shot Design
gram is for students who are serious about pursuing • Film Continuity adapter and film lenses. Who knew hi-definition digital • Business of Filmmaking
a career in the digital film and media industry. It offers Quarter II Quarter II
• Producing video can look so good? Students who want to perfect
the most opportunities to write, direct, produce, shoot, • Directing II
• Video Editing their directing techniques will enjoy working with actors • Production Management
and edit. Students learn to produce standard and high- • Documentary Theory & Practice in class and practicing rehearsal echniques, directing the • Elective
definition digital work and complete quality film projects • New Media Technologies • Applied Project II
in addition to camera and directing exercises through- • Applied Project I (Short Film) actor and directing the camera. Filmmakers complete
• New Media Technologies II
Quarter III their own film projects from conception to screening. Quarter III
out the program.
• Video Editing II • Video Editing Master Class
Tuition (academic year): $17,420 • Sound Editing and Design Tuition (academic year): $16,750 • Applied Project Post II
Registration $100 • Elective Registration $100 • Sound Design or Elective
Books and Materials Fee: $365 • Applied Post Production Books and Materials Fee: $600 • Career Development
• Portfolio Review Total: $17,450 • Portfolio Presentation
Total: $17,885 • Career Development
• Students receive a Professional Certificate in Advanced Digital Filmmaking.
• Students receive a One Year Professional Certificate in Digital Filmmaking. • 20 - 25 hours per week (instruction + hands-on labs). Mon - Thurs: 10:30 a.m. -
4:30/5:00 p.m.
• 20 - 24 hours per week (instruction + labs). Mon - Thurs: 10:30 a.m. - 4:30/5:00 p.m
• Prerequisite: Twelve Week Digital Filmmaking, or equivalent experience.
Digital Film Academy Digital Film Academy
Page 10 DIGITAL FILMMAKING WORKSHOPS DIGITAL FILMMAKING WORKSHOPS Page 11

Introduction to Digital Filmmaking - 4 Week Intensive

Developed especially for students who have a limited time to study filmmaking in New
York City, but are looking for a comprehensive, hands-on course, the Four-Week Digital
Filmmaking course teaches each student the fundamentals of digital filmmaking. This
Introduction to Digital Filmmaking - 12 Week Part-Time
course is an intensive version of our popular 12-Week Digital Filmmaking workshop.
Interested in film production but unable to enroll in a full-time program? Learn the technical
Learn the art of visual storytelling along with the technical aspects of digital filmmaking
and artistic elements of filmmaking on a part-time schedule with the Sixteen Week or Twelve
by DFA’S best instructors, who are working professionals in the industry. Students write,
Week Digital Filmmaking workshops. Each student writes, produces, directs, shoots and
produce, direct, shoot and edit a short digital film with their classmates using state-of-
edits his or her own 5 to 10 minute DV film.
the-industry equipment and software.
The Twelve Week Digital Filmmaking course is a hands-on, introductory course on digital film
Subjects include: Screenwriting, Producing, Directing, DV Camera and Lighting, Sound
production. This course provides each student with the skills necessary to write, produce,
Recording, Video Editing, and DVD authoring.
direct, edit and web-publish their own DV film. Students will learn the foundation elements
Students go through each phase of pre-production, production and post-production and
of digital filmmaking in a practical, hands-on environment and test their skills by producing
rotate crew positions on their classmates’ projects. This is an excellent program to test
and directing their own short film, documentary, or music video project. Students work as a
out your short or feature-length screenplay or build your skills and portfolio.
film crew on their classmates’ projects, gaining additional training and understanding of the
• Students receive a Certificate in Four Week key crew positions. Other DFA students and alumni are also available for crew assistance.
Digital Filmmaking.
• Students receive a Professional Certificate
• Full Time: Mon - Fri 10:30 a.m. - 4:30 p.m. in Digital Filmmaking.
Tuition: $2,895
• Unlimited Lab Time! • One Quarter (12 weeks): 9 hours instruction Registration $100
per week (plus lab time for Digital Film Books and Materials Fee: $165
• Class size is limited to 10 students
Project) Total: $3,160
Tuition: $2,795 • Extra two weeks of unlimited lab time!
Registration $100 • Mon, Wed, Fri 6:00 p.m. - 9:00 p.m. +
Books and Materials Fee: $165
unlimited lab time.
Total: $3,060
Digital Film Academy Digital Film Academy
Page 12
DIGITAL FILMMAKING WORKSHOPS DIGITAL FILMMAKING WORKSHOPS Page 13

Music Video Production

This intense, hands-on five-day workshop teaches
students how to create a music video from concept to
completion by immersing students into the aesthetic
and technical aspects of music video production.
The workshop covers essential elements of music video
production including: an overview of the music video
industry, finding and working with musical artists and
executives, creating a vision and style for a music video,
producing (planning and executing), directing the artist,
basic digital camera operation and lighting, post-production (editing and visual effects).
Under the guidance of an experienced music video Director/Producer, students will
conceive, produce, direct, and shoot a music video as a group for an up and coming musical
Introduction to Digital Filmmaking - 2 Week Crash Course
artist or band. Students will then learn the post-production process and edit their own
Learn the basics of digital film and video production in this intense, hands-on two-week
version of the music video. The class culminates with a class screening of students’ work.
workshop!
Typical Schedule:
The 2-week Digital Filmmaking workshop is the first two weeks of the 4-week workshop and
includes training in screenwriting, directing, DV Camera and lighting, producing and sound Day 1: Producing, Directing, Camera & Lighting
recording. Students practice their skills through hands on lab projects and assignments. Day 2: Producing, Directing, Camera & Lighting
Instructors are always available for consultation, and as always all DFA students get the full
Day 3: Music Video Shoot
support of all DFA staff and facilities.
Day 4: Post-Production (Editing)
Week 1: Screenwriting, Directing, DV Camera and Lighting
Day 5: Post-Production (Editing & Visual Effects), Class Screening
Week 2: Producing, Camera and Lighting, Sound Recording, Directing, Film Project Shoot
PLUS 1 extra week of facility lab time for practicing new skills. This workshop is designed for people with little or no experience in music video production,
however it is recommended that students have some prior digital camera, lighting and
This is a beginner level workshop editing experience to gain the most out of the workshop. If you have no prior experience
Tuition: $1,895 and are interested in taking additional classes prior to the workshop, please contact an
• Students receive a Certificate in Two Week
Registration $100 Admissions Representative or Director at 212-333-4013 to find out more about available
Digital Film Production.
Books and Materials Fee: $115 classes and opportunities.
• Full Time -Mon - Fri 10:30 a.m. - 4:30 p.m
Total: $2,110 • Students receive a Certificate in Music Video Tuition: $950
• Class Size is Limited to 10 students Production Registration $50
Books and Materials Fee: $50
• 5 days: Fri, Sat, Fri, Sat, Sun: 10:00 a.m. –
Total: $1,050
5:00 p.m.
 Digital Film Academy
Page 14 DIGITAL FILMMAKING WORKSHOPS & COURSES
Script Supervisor Workshop
This intense, professionally-based two-day workshop is designed
to teach the necessary skills for a career as a script supervisor.
Through lecture, in-class exercises, assignments and visuals,
students learn the proper techniques from a veteran Script
Supervisor, including what to watch for, how and why to make
continuity notes, how to handle the paperwork and how to work
effectively with the Director and crew.
Topics covered: Preparing and breaking down scripts, calculating
page-count, blocking & screen direction, maintaining continuity
of actors’ actions, wardrobe, make-up and props, cueing dialogue for actors, script lining for
coverage, script notes for the editor, timing scenes, production reports, shot descriptions and
eye lines, assigning scene and take number, finding work as a script supervisor, set etiquette.
• Students receive a Certificate in Script Tuition: $350
Supervisor Workshop Registration $25
• 2 Days: Sat, Sun 10:00 a.m. - 5:00 p.m. Books and Materials Fee: $25
Total: $400
Acting for Film and Television
These 10 week courses are designed to train the actor to identify
emotional moments and create physical/emotional action for
film and television.
Beginning
This first acting class teaches the actor how to break down
a script or side and create the emotional moments that are
there. Then the actor learns how to give physical action to these
moments to create a powerful performance.
Intermediate
The second course takes this concept further by teaching the actor how to create character
history to raise the stakes. This course will also include techniques specifically for the
camera. Includes advance work on emotionally based physical action.
Advanced
Now that you can break down the script and character clearly as well as turn on physical
action, you will now learn advanced camera techniques and how to work with directors. This
course will include auditioning, casting and shooting a short film with a director.
Tuition: $900
• 10 Sessions: Tues 6:00 p.m. - 9:00 p.m. Registration $50
Books and Materials Fee: $75
Contact us at 212-333-4013 for dates!
Total: $1,025
Digital Film Academy
DIGITAL FILMMAKING COURSES Page 15
DV Camera & Lighting
Learn the fundamentals of shooting digital video while learning
effective lighting techniques. Become familiar with SD and HD
video formats along with camera functions and formats using
the Panasonic DVX-100 and HVX- 200 cameras. Through
lectures, demonstrations, and hands-on exercises, students
discover how exposure, light, and composition affect the quality
of an image. Students test their skills by functioning as a film
camera crew in a simulated production.
Topics covered include: cinematographer’s role, composition, aesthetics, digital cinematography
techniques, formats, interpreting the script and creating a shot list, continuity, lighting, camera
operation, working with a crew, interview and location lighting.
This is a beginner level course designed for aspiring directors of photography, camera
operators,videographers, and filmmakers. Tuition: $675
• 6 Sessions: Mon, Wed, Fri 6:00 p.m. - 9:00 p.m. Registration $25
Books and Materials Fee: $60
Total: $760
Advanced Digital Cinematography
Digital video is rapidly becoming the preferred format for commercial, film, television, and music
video productions. Through lectures, demonstrations, and hands-on exercises, students learn
how to shoot “cine-style” in HD using an HD DSLR and a
35mm adapter and lenses, blending traditional filmmaking
techniques with digital cinematography.
Students will learn about visual perception, optics, depth-
of-field, exposure meters, dynamic range and the zone
system, formats, frame rates, shutter speeds and angles,
camera menus, HD workflow, camera assistant, waveform
monitors, color temperature, green screen shooting, and location lighting. Also discussed is
the role of the cinematographer, proper set eitquette, script interpretation, scene coverage,
and camera movement.
This class is for filmmakers with digital cinematography experience who want to improve, refine
and strengthen their techniques in digital cinematography.
• 14 Sessions: 10:30 a.m. - 1:00 p.m Tuition: $1,275
Registration $50
2:00 p.m. - 4:30 p.m. Books and Materials Fee: $25
Contact us at 12-333-4013 for dates. Total: $1,350
Digital Film Academy Digital Film Academy
Page 16 DIGITAL FILMMAKING COURSES DIGITAL FILMMAKING COURSES Page 17

POST-PRODUCTION COURSES
Motion Graphics and Visual Effects
(After Effects)

Introduction to 3D Animation (Maya)

Editing (Final Cut Pro)

Advanced Editing (Final Cut Pro)

Sound Editing I (Pro Tools)

DVD Authoring & Compressing

Sound Editing II (Pro Tools)

Digital Film Academy Digital Film Academy
Page 18
POST-PRODUCTION COURSES POST-PRODUCTION COURSES Page 19

Editing (Final Cut Pro)

Learn how to edit with Final Cut Pro 7 in this
hands-on evening part-time course. Topics
Advanced Editing
include basic setup, adjusting and customiz- (Final Cut Pro)
ing preferences and settings, capturing video
Take your editing skills to the next level with
and audio, various editing and trimming tech-
this advanced editing course that focuses
niques, ripple, roll, slip and slide tools, color
on advanced techniques and theory. Learn
correction, audio editing and audio creation,
finishing and final output. about editing HD video, setting up and cali-
brating a monitor, color correction, where
This course is designed for those who want
to make a cut, custimization, workflow and
to learn to edit professional quality video us-
set-up, compositing, travel mattes, nesting,
ing Final Cut Pro HD. Students receive an
titles, adjusting sound and sound mixing,
additional 2 weeks of editing lab time after
course completion to practice skills and de- compressing and DVD authoring.
velop a reel. Students are encouraged to bring in a short
Little to no Final Cut Pro training is digital project or a scene from a longerpro-
required for this course. ject for evaluation and critique.
• 6 Sessions in the evening (Mon., Wed, Fri.) • 8 Sessions during the day (3 hours each
from 6:00 p.m. - 9:00 p.m. session) + 2 weeks unlimited lab time
Tuition: $675 Tuition: $900
Registration $25 Registration $50
Books and Materials Fee: $30 Books and Materials Fee: $25
Total: $730 Total: $975
• Several starting dates available. Contact us at 212-333-4013 for dates!
DVD Authoring and Streaming: This workshop will cover the basics of DVD
authoring and preparing media for streaming, using Apple DVD Studio Pro. Topics will
include: MPEG-2 encoding, differences in media, compatibility issues, creating menus,
burning DVDs, compressing media for streaming, and creative approaches. Prerequisite:
A working knowledge of Apple Final Cut Pro and Mac OS. 1 session (3 hours):
Tuition: $125 Registration: $25 Total: $150
Audio Editing with Pro Tools
Pro Tools software is the industry leader in digital audio, providing audio editing tools, and
other innovative features that allow you to view, organize, and execute edits quickly and easily.
From soundtrack and music production to multimedia and post-production applications,
Pro Tools offers audio engineers the complete digital package. The industry leader in digital
audio, Pro Tools features 24-bit integrated digital recording, editing, processing, and mixing
tools for high-end audio applications.
Use Pro Tools software for recording Foley, sound effects, voice overs, and dialog
replacement. Choose from a wide range of instrument and effects plug-ins for sound design
and creative music composition. Take advantage of a host of single-key edit commands to
execute, organize, hear, and view your edits easily and non destructively. Pro Tools’ tight
integration of digital video lets your perform all your recording, editing, and sound design
tasks with near sample accuracy against picture.
Sound Editing I (Pro Tools)
In this introductory course, students will learn the basics of audio post production using
Pro Tools. Topics include: how to prepare a file for post production, the Pro Tools interface,
basic audio editing and sound manipulation, and basic mixing.
• 6 Sessions during the day (3 hours each) Tuition: $750
Registration $25
• 2 weeks editing lab time
Books and Materials Fee: $25
Sound Editing II (Pro Tools) Total: $800
In this intermediate Pro Tools course, students get more in-depth in post-production sound
and will learn how to edit sound for film, video and television. Students will develop their skills
and receive practical, hands-on training by working on a short digital film project. Topics
include: customizing Pro Tools, session management, editing techniques,using automation.
mixing - In-depth, plug-in usage, completing a session and creating a final mixdown.
• 8 Sessions during the day (3 hours each) Tuition: $750
Registration $25
• 2 weeks editing lab time
Books and Materials Fee: $25
Total: $800
Digital Film Academy Digital Film Academy
Page 20 ANIMATION AND MOTION GRAPHICS COURSES ANIMATION AND MOTION GRAPHICS COURSES Page 21

Motion Graphics and Visual Effects (After Effects)

Since Bill Cosby first used Adobe After Effects Cinelook to give the Cosby show a more
filmic feel, Adobe After Effects has become a standard fixture of the entertainment
Introduction to 3D Animation (Maya) industry.

Used in practically every feature film in the last 5 years, MAYA has pulled away from
other 3D packages to become the definitive 3D software. Its interface, flexibility and raw
power have made it the number one choice among large as well as small productions.
Students will learn how to model a digital character, rig it for 3d animation, create an
animation and render a final product. The class is designed to foster an environment of
creativity as well as learning techincal skill. The lessons taught in this course will create a
solid basis for which students will be able to use in any 3D project they choose to take on.
Entry Requirements: Students should be familiar with basic graphics applications like
Windows, Mac OS, Photoshop and Illustrator. Experience in any 2D or 3D animation
programs a plus.
Considered the “photoshop” of video, Adobe After Effects is employed in everything from
commercials to music videos to feature films, Adobe’s continued interest in upgrading
its products to fit current needs ensures Adobe After Effects continued stability and
longevity.
In addition to learning the standard transform tools and import/export procedures,
students will be shown new techniques like parenting, overlay modes, 3-d animation,
matting and bluescreening - creating an environment of artistic creativity as well as
technical training.
Entry Requirements: Students should be familiar with basic computer applications like
Windows, Mac OS. Experience in Photoshop, Illustrator, or Final Cut Pro a plus.

• Students receive a Certificate in • Students receive a Certificate in

Introduction to 3D Animation. Tuition: $1,200 Motion Graphics and Effects Tuition: $1,200
Registration $50 Registration $50
• 12 Sessions once a week (3 hours • 12 Sessions once a week (3 hours
Books and Materials Fee: $25 Books and Materials Fee: $25
each) or 9 Sessions once a week (4 Total: $1,275 each) or 9 Sessions once a week
Total: $1,275
hours each) (4 hours each)

• 2 weeks unlimited lab time. • 2 weeks unlimited lab time.

Digital Film Academy Digital Film Academy
Page 22
WHY STUDY AT DFA? WHY STUDY AT DFA? Page 23
Why Study at DFA?
Only DFA Specializing in Digital Media - 21st Century Technology
Get the best has unlimited use DFA is the only film school in New York that specializes in 100% digital media education.
digital filmmaking of equipment and Why is that important? Because unlike other film schools, DFA puts all of its resources
training at DFA! edit lab time during and focus into digital film and media programs. If you are interested in digital film or media
courses training, Digital Film Academy is the place to be.

Unlimited Lab Time

Only DFA has unlimited use of equipment and edit/computer labs during courses. How else
Only DFA students can a person become proficient at a technical skill? This is the key to your success and it’s
receive a One-Year in your hands... so use it!
Production Membership
Additional Edit Lab Time after Course Completion
after course completion!
When you enroll in a Digital Film Academy Filmmaking Program or Digital Media Course,
you will receive two to four weeks of additional edit lab time after course completion to finish
working on any class projects and to develop your reel. The additional edit lab time during
and after your course equals more practice, better proficiency and skill development.
What will you do with One-Year Production Membership for Graduates
your unlimited access? DFA graduates receive a One-Year Production Membership after completing a digital
filmmaking program. What does this mean? Continued access to DFA equipment and the
facility at discount student prices. The Membership has been used by alumni to continue
their training, shoot their next projects, and begin earning money as independent filmmakers!
With the Membership, DFA graduates have a full production company at their fingertips!
Only DFA Students For more information on the Membership, visit DFA online at www.digitalfilmacademy.com
have a full and click on “Membership.”
service production
Instructors are Professionals
company
DFA instructors are educators and working professionals in the film, television, video and
at their fingertips! media industry. Instructors provide valuable feedback about the industry and getting
employed!

DFA does not DFA gives you

charge extra fees for the tools to become
equipment! skilled!
Digital Film Academy
Page 24
DIGITAL FILM ACADEMY FACILITY
Why Study at DFA?
Hands-On Programs and Courses to Achieve Your Goals
Whether you are interested in taking a short digital media course to find out if film or
digital media is the career choice for you, or a full-time program to gain the necessary
skills to begin working in the industry, or whether you need to create a portfolio to apply
for a Master’s program at university, DFA has a program to fit your goals, schedule and
budget. What’s more, DFA’s programs are immersive and hands-on. Students have ample
opportunities to work with equipment and to advance their skills by completing digital film
projects.
DFA is Serious About Your Training
As a DFA graduate of a Digital Filmmaking program or workshop, you have the option of
re-taking one class or subject. This is one of the many ways DFA supports your training if
you experience difficulty grasping a subject or missed a class. DFA can schedule you to
audit a class or subject at no extra fee within a future course date.
Continued Support for Graduate’s Career Goals
In addition to the One Year Production Membership, DFA supports students’ career goals
by providing students with more opportunities for growth after course completion. DFA
graduates receive opportunities to enhance their skills on other DFA student films and
projects after graduation! In this creative and technical industry, hands-on training is key.
Small Class Sizes
DFA limits class sizes to between 10 and 15 students. Most classes average between 6 to
12 students. This means you will have more hands-on time with equipment and more one-
on-one time with your instructor.
Location, Location, Location
DFA is conveniently located just one block from the world famous Times Square entertain-
ment district in New York City. It is the crossroad of the entertainment industry and the best
place to learn digital filmmaking and media!
Digital Film Academy
WHAT STUDENTS SAY Page 25
What Students Say!
“Best money I ever spent. Since taking the course I’ve shot my first feature and the
second is on the way!” - Cleve Lamison
“DFA stands out from other film schools due to its intimacy and the attitude of those who
work there. There is always someone willing to help you which helps build a close and ever
growing community. DFA also helped me gain a number of work experience positions both
during and after my studies, helping to build a stronger resume and ultimately a path into
the industry.” - Richard Lovering
“At DFA I found great teachers, unlimited lab time and a very friendly and cozy
environment... And all in the heart of NYC! Strongly suggested!” - Anastasia Cipolla
“I took the course, now I have my own company” - Marsha Thomas Jones
“Unlimited lab time makes all the difference! My project won best dramatic short in the
Houston Festival!” - Frederic Colier
“The best training instructors and atmosphere…” - Erkan Kusku
“Very, very good. Everything was explained to the fullest” - Michael Ellenbogen
“It was very good, I could get the feeling what is it to be a director.” - Marcio Santos
”The most professional training facility in the city, and believe me I looked!” - Linda Burdick
“Very hands on. We learned everything” - Fei Chan
“Great instructors, they took the time to help me block my toughest scene” - Jason Tagg
“DFA keeps it promise!” - Ozlem Sahan
“I had a chance to work with a filmmaker from Bogotá (Colombia) on a short. He studied
filmmaking in his home country Colombia for 5 years. He then studied at the Digital Film
Academy. I learned film from him in one day what I thought would take me a lifetime to
do. He made me appreciate how good DFA really is. He said - what he thought he knew
wouldn’t be enough for him to become a filmmaker if he didn’t come to DFA.” - Jean
Miche
“I took the sixteen week digital filmmaking course, we met three times a week (mon,wed
and fri from 6 to 9) and the course tuition was $4,000 - there is no better value for
money than this course. You will get out of the DFA as much as you put into it. If you
want to learn, you will learn. I must say, I went into this program with relatively low
expectations...” - Ryan Cushing
Digital Film Academy Digital Film Academy
Page 26 Page 27

Digital Film Academy Course Schedule 2010-2011

2010 2011
PROGRAMS Tuition Sept Oct Nov Dec Jan Feb Mar April May June July Aug Sept Oct
One Year Digital Filmmaking $17,420 4th 10th 4th 11th 10th

Advanced Digital Filmmaking $16,750 4th 10th 11th 10th

WORKSHOPS
Twelve Week Digital Filmmaking $2,895 13th 15th 24th 21st 23rd 18th 19th
Four Week Filmmaking $2,795 15th X X
Music Video Workshop $950 X X X X
Script Supervisor $350 23rd X
Acting for Film and Television $900 X X X
ADDITIONAL COURSES
DV Camera & Lighting $675
Advanced Cinematography $1,275 14th 8th
Introduction to 3D Animation (Maya) $1,200 X 22nd 30th 23rd 29th
*Please contact DFA Admissions at 212-333-4013 or info@digitalfilmacademy.com
Motion Graphics and Visual Effects $1,200 for datescontact
*Please
X and availability for these
DFA Admissions courses,
at
20th which areor
212-333-4013 ongoing and held throughout the
info@digitalfilmacademy.com
21st 21st 27th
calendar
for dates yea
andr.availability for these courses, which are ongoing and held throughout the
Editing (Final Cut Pro) $675 27th calendar year. 10th
Advanced Editing (Final Cut Pro) $900 1st 18th 23rd 29th
Audio Editing I (Pro Tools) $750 26th

AudioEditing II (Pro Tools) $750 29th 21st 23rd

DVD Authoring and Streaming $150 22nd 14th 27th

* Please contact DFA Admissions at 212-333-4013 or visit the “Tuition/Dates” page

on www.digitalfilmacademy.com for start date.
Digital Film Academy Digital Film Academy
Page 28
ADMISSIONS POLICY ADMISSIONS POLICY Page 29

Admissions Standards (cont’d)

• Film Experience
• Student has written, produced, directed, and edited a short digital
film or documentary project three minutes or greater in length (to
be reviewed by Directors of Admission)
• Prior work experience in digital film and media. Letters of recom-
mendation/references to be provided listing areas of experience.

Students who do not meet the proficiency requirements in all specified areas may enroll
in a course in the necessary subject area to satisfy the proficiency requirement prior to
Admissions Standards starting an advanced program or course.
Digital Film Academy Programs and Workshop (not advanced)
• High School diploma or GED Digital Film Academy Advanced Courses
• Basic Proficiency in the subject matterDirector Approval
• Proficiency in the English Language
The following can satisfy basic proficiency requirements:
• Basic Computer Skills
• Prior Film education AND/OR expereince
For enrollment into short-term workshops that are four weeks or shorter: • Film Education
• Proficiency in the English language • Bachelor’s or Master’s or Associates degree in Film, digital media,
• Basic Computer Skills TV, or Video Production
• Professional certificates in film, digital media, TV, or video prodcu-
tion
Digital Film Academy Advanced Program • Film Experience
• High School diploma or GED • Student has written, produced, directed, and edited a short digital
film or documentary project three minutes or greater in length (to
• Proficiency in the English Langugae be reviewed by Directors of Admission)
• Basic Computer skills • Prior work experience in digital film and media. Letters of recom-
• Director Approval mendation/references to be provided listing areas of experience.
• Portfolio Review
• Profiency in the following subjects: Screenwriting, Producing, Directing, Digital Cin- Acceptable documentation for programs requiring high school diploma or GED as an
ematography, Sound Recording, and Final Cut Pro Editing. entrance requirement:
Copy of high school diploma official high school transcript showing graduation date copy
The following can satisfy proficiency requirements:
of General Education Diploma (GED), copy of associate’s, bachelor’s, master’s, or doctor-
• Prior Film education AND/OR expereince ate degree from a regionally accredited college or university or official transcript indicat-
• Film Education ing the same. or students completing high school in a foreign country, who are unable to
• Bachelor’s or Master’s or Associates degree in Film, digital media, produce a copy of their diploma, form BPSS-111 (Sworn Statement of Student’s Gradua-
TV, or Video Production tion from a Foreign High School) completed in English and the student’s native language.
• Professional certificates in film, digital media, TV, or video prodcu- A copy of a fully completed Department of Defense form DD-214 indicating that the appli-
tion cant completed high school prior to or during his/her armed forces service. Official col-
lege transcript indicating the basis of the applicant’s admission into the college program
as being high school graduation.
Digital Film Academy Digital Film Academy
Page 30 ADMISSIONS POLICY ADMISSIONS POLICY Page 31
Admissions Process Class Size
An individual who seeks admission to Digital Film Academy will be interviewed either in per- Classes are limited to 10 to 15 students.
son, via telephone, video conference, or e-mail by a member of the Admissions department.
The purpose of the interview is to discover and discuss the prospective student’s back-
ground, interests, and goals as they relate to programs, workshops, and courses offered at Disclosure
the academy. Prospective students must review this catalog prior to enrollment for accurate
information. The catalog is subject to change.
Additionally, the interview can help identify the most appropriate program, workshop, or
course that is consistent with the student’s background, interests and goals. Prospective
students may also receive information concerning curriculum offerings and support ser- Transfer Credits
vices available to students and graduates.
Students who would like to transfer credits from a college, university or post-secondary
Finally, the preadmission interview can help assess whether a prospective student has a institution and apply credits towards studies within a Digital Film Academy program can
reasonable chance of successfully completing the appropriate program of study. request for a transfer of credit.

Prospective students who are interested in additional information and further discussion Requests must be submitted to the office of Academic Affairs and include for
on Digital Film Academy curriculum and programs may make an appointment to speak with consideration:
the Director of Academic Affairs.
• A satisfactory transcript from a collegiate institution accredited by an agency or
Application and Enrollment association recognized by the U.S. Secretary of Education
An enrollment agreement must be completed and signed by the applicant (and parent or
OR
guardian if applicable) for all programs, workshops, and courses.
• A satisfactory transcript from a non-degree granting institution that is licensed by the
For the Advanced Digital Filmmaking program, an application must be submitted with
State Education Department.
a $50 application fee at the time the application is submitted. International students
applying for a student visa must also submit a $100 international application fee. Transfer credit may be granted for courses taken at another institution only when the
course work involved and the level of the transfer applicant’s achievement in it permit the
A registration fee is due upon signing of the enrollment agreement. Prospective students
are strongly encouraged to visit Digital Film Academy in person or by video conference, student to complete the remaining course work in the program successfully.
which can be set-up through Admissions. A visit is not a requirement for submitting the All credit transfer requests will be
application or enrollment agreement.
evaluated by the office of Academic
Please contact the Director of Admissions or the Admissions Affairs. An interview and portfolio
department to arrange for an interview and tour of the review with a Director may be required
academy. to assure the transferring student
possesses the necessary educational
Orientation
experience and skills to successfully
An orientation program is held for all new students. Students move forward in his or her studies
will be advised of the date and time. Attendance is mandatory
for all new students. and Digital Film Academy and that the
overall educational experience will be at
Student Visa minimum equal in quality to that of the
DFA is fully authorized by the U.S. Federal Government to student taking all of his or her course
process and enroll non immigrant foreign students. work at the member.
Digital Film Academy Digital Film Academy
Page 32 INTERNATIONAL STUDENTS DIGITAL FILM ACADEMY FACILITY Page 33
Available Facility:
WELCOME TO NEW YORK CITY!
• 3000 square feet facility in
Film Center Building near
New York City is the one of the most excit- Times Square!
ing cities on earth. It is the perfect location • Reception area
to study filmmaking and meet people from
• Edit labs Classrooms
all over the world. We welcome students
worldwide into our courses and programs. • Shooting studio
This rich mixture of creative visions ben- • Administrative offices
efits our students and enriches their learn- • Equipment room
ing experience. • Handicapped accessible

Student Visas Computer Lab:

DFA offers the I-20M student visa for students • 15 State-of-the industry
enrolled in full-time programs. Please note that dual-core iMACs
all tuition must be paid in full before we can is- • Final Cut Studio 3
sue you your I-20M form. Once received, you will • Adobe CS4 Suite
then need to be take the I-20M to the US consul- • Autodesk Maya
ate in your home country to receive your student • Digidesign Pro Tools
visa. The DFA staff will help guide you through
• M-AUDIO Box
the steps necessary to receive your student visa.
• Final Draft screenwriting
• EP Scheduling & Budgeting
• Microsoft Office 2008

Housing Available Equipment:

DFA offers housing assistance to students. Our • Panasonic DVX100
Admissions staff is expert at finding the best ac- • Panasonic HVX200
commodations possible within your budget. If
• Canon HDSLR 7D
English is not your first language, DFA staff is here
to help you get settled in your new surroundings. • 35mm Adapter & lenses
• Arri Light Kit
• Lowell Light Kit
• Dolly, Jib and Shoulder Mount

“The best film school in New York.” • Sound Mixer

• Digital Sound Recorder
Village Voice • Boom Mic and Lavalier
• And more!
 Digital Film Academy
Page 34
FINANCIAL SERVICES
Financial Services
For students who show financial hardship or need assistance to pay for their digital media
training, DFA offers several options, outlined in the following pages. DFA does not currently
offer Federal Financial Aid.
Students Loans
DFA students now automatically qualify for education loans as well as many other great ben-
efits from Education Affiliates Credit Union. These loans have lower interest rates than other
student loans (just 3.99%!). This is a great alternative to traditional student financial aid. Get
the training you need without incurring the big debt.
Please contact the Admissions Department and we will get you started on this program. This
financial aid program is for US CITIZENS and RESIDENTS only.
Direct Payment Plan
The direct payment plan is an interest free, short-term plan that allows students to break up
the cost of tuition and fees into manageable monthly payments.
How does it work? Place a 25% deposit and make interest free monthly payments. Period
that’s it! No gimmicks. No catches.
Please contact the Admissions Department to get started on this program. This financial aid
program is for US CITIZENS, RESIDENTS and INTERNATIONAL STUDENTS.
Private Loan
Affordable loans for educational career training can be obtained for those who qualify through
a financial banking/lending institution. The loan can be used to cover tuition, fees and other
expenses and genearlly be amortized for up to 10 or 15 years, creating very low monthly pay-
ments. Check whether extended repayment terms and a deferment option is available.
Requirements may include: verifiable income, high credit rating (680 or higher), possibly a co-
signer with same standards, pay stubs.
Veterans Benefits
DFA’s programs are approved for the training of veterans by the New York State Education
Department. Under the Montgomery GI Bill Educational Assistance (MGIB) Program, a vet-
eran may receive funding from one of the following chapters:
Active Duty Educational Assistance Program (Chapter 30)
VEAP (Chapter 32)
Survivors and Dependents Educational Assistance (Chapter 3z5)
Select Reserve Educational Assistance Program (Chapter 1606)
All veterans eligible for educational benefits can use these benefits at DFA. Those who entered
the military on or after January 1, 1977 are eligible to participate in the Contributory Educa-
tion Assistance Program.
Digital Film Academy
FINANCIAL SERVICES Page 35
Financial Services Continued
New York State Vocational Educational Services for Individuals with Disabilities (VESID)
DFA participates in the training of eligible students through the VESID Program. This pro-
gram is designed to serve persons with disabilities that constitute or result in a substantial
handicap to obtaining and maintaining a gainful occupation. VESID counselors refer qualified
persons to DFA and sponsor them through direct payments to the Academy that cover part
or all of their institutional charges.
Grants
DFA will process any grants or scholarships found by a student or awarded to a student. For
information about educational grants, visit www.fastweb.com. Information can also be found
in publications and books including Peterson’s Scholarships, Grants and Prizes, and The
Scholarship Book.
Educational Expenses
The following fees may apply while studying at Digital Film Academy:
Mandatory:
Tuition Varies; See catalog pp. 8 - 21
Registration Fee $25 - $100
Student Materials Fee (per Quarter or Term) $25 - $100
Course Specific:
Advanced Digital Filmmaking Application Fee $50
Required Books $35 - $300
External Hard Drive (editing & media storage) $100 - $250
Thesis Film Project Expenses (estimate) $50 - $500
Other/General:
Online Application Fee $25
International Student Application Fee $100
ID Replacement fee $10
Stop Payment fee $25
Returned Payment fee $25
Late Payment Plan fee $25
Duplicate Certificates $15
Digital Film Academy Digital Film Academy
Page 36 REFUND POLICY CREDIT HOURS Page 37
Credit Hours
Refund Policy
Quarters
Under New York law, tuition liability is divided by the number of quarters or terms in For Digital Film Academy programs, the Academy follows a system in which the academic
the program, workshop, or course. Total tuition liability is limited to the quarter or year is divided into instructional quarters, with each quarter having between 10 to 11
term during which the student withdrew or was terminated and any previous terms weeks of instruction. An academic year is equal to three quarters.
or quarters completed. In accordance with school policy, the academy will earn tuition
and fees as follows, based on the week in which the student withdraws or is termi-
Credit Hours
nated:
Course work at Digital Film Academy is measured in quarter credits. For all programs, one
For full-time programs, workshops, or courses that are divided into Quarters: credit hour is defined as 50 minutes of instruction in a 60-minute period.
First Quarter Second and Subsequent Quarters

If termination occurs, DFA may retain: One-quarter credit is awarded for each 10 classroom clock hours of lecture, 20 class-
If termination occurs, DFA may retain:
room clock hours of laboratory or studio work, or 30 clock hours for externship. In addi-
Prior to or during 1st week: 0% Prior to/during 1st week: 25% tion to these guidelines, students are expected to put appropriate time to preparation and
During 2nd week : 25% During 2nd week : 50% study outside the classroom.
During 3rd week: 50% During 3rd week: 75%
During 4th week: 75% After week 3: 100% Courses which include both lecture and laboratory type meetings will utilize the appropri-
ate combination of the above guidelines; as will all courses taken for credit, regardless
After 4th week: 100% of length. Studio classes that are led by an instructor are generally 15 clock hours per
credit granted, but may be up to 20 clock hours.
Workshops that are divided into Workshops and short-term
terms of 15 to 18 weeks. courses that are six weeks or less: Additional instructional periods for workshops and courses are also offered. Workshops
or courses that have periods of instruction longer than 14 weeks are divided into Terms
If termination occurs, DFA may retain: If termination occurs, DFA may retain: that are 15 to 18 weeks in length.
Prior to/during 1st week: 0% 0-15% of course complete: 0% For some workshops and courses, one classroom clock hour is defined as 60 minutes
instead 50 minutes of instruction.
During 2nd week : 20% 16-30% complete: 25%
During 3rd week: 35% 31-45% complete: 50%
Credit and Clock Hours Conversion Summary
During 4th week: 50% 46-60% complete: 75%
One quarter credit hour = 10 clock hours
During 5th week: 70% After 60% of the course:
Two quarter credit hours = 20 clock hours
After 5th week: 100% 100%
Three quarter credit hours = 30 clock hours
Digital Film Academy Digital Film Academy
Page 38 ACADEMIC POLICY ACADEMIC POLICY Page 39
Academic Policies
GRADING For all DFA full-time programs, the following outlines the new grading system that is in
effect September 2009.
Student progress is evaluated through the mentoring process and by a system of
faculty reviews.
New Grading System
In most digital filmmaking courses and workshops, the grade will largely be determined
by each student’s attendance, participation, and successful completion of all class Grade Grade Percent Description Points
exercises, particularly the final digital film project.
A 95-100 Outstanding 4.0
Critique and grading on the final project is based on students’ performance in story, A- 90-94 Excellent 3.7
camera direction, actor direction, composition and lighting, sound, editing technique,
B+ 87-89 Very Good 3.3
editing rhythm and pacing, overall impact, and adherence to shooting and editing
schedule.

B 83-86 Good 3.0

The grading system is based on a “Complete” or “Incomplete.”
B- 80-82 Above Average 2.7
C+ 77-79 Satisfactory 2.3
In order to receive a Certificate, students must receive a “Complete.” Interruptions are
only available with a Leave of Absence (“LOA”).

Leave of Absence C 73-76 Adequate 2.0

C- 70-72 Below Average 1.7
Leave of Absence (“LOA”) may be granted with a minimum 2-week written notice when
possible for family emergency, illness or work within the industry. D 65-67 Poor 1.0

Certificates: F below 65 Failure 0.0

For all courses, a certificate of completion will be awarded to each student who
successfully completes a program, workshop, or course.
I Incomplete (temporary grade)
New Grading System for full-time Programs W Withdrawn
X Audit
Digital Film Academy has implemented a new grading system

for fulll-time Digital Filmmaking programs, effective September
TR Transfer credit accepted from other
2009.
PC Proficiency credit by exam or portfolio
Students must maintain a cumulative 2.0 GPA to graduate and
receive a Certificate.

Digital Film Academy
Page 40 ACADEMIC POLICY
Grade Point Averages
In the new grading system, cumulative grade point averages are determined by the “grade
point system”; they are computed by dividing the total number of grade points earned by
the total number of credits attempted.
A student’s cumulative grade point average for a program is computed by dividing the
total cumulative grade points by the total graded credits attempted for courses taken.
Grade points are calculated by multiplying the number of credits by the numeric value of
the grade for each course. The sum of the grade points is then divided by the total graded
credits attempted.
Courses elected on a Pass/Fail basis are counted as follows: Pass grades are printed on
the permanent record as a P and do not count in the quarterly or cumulative GPA, but
they do count as credits earned toward program completion. Fail grades, F, do not count
in the quarterly and cumulative GPA and do not count as credits earned toward program
completion.
Digital Film Academy uses a 4.0 scale in assigning grade points. The cumulative grade
point average is calculated by rounding up to the nearest tenth if the last digit is five or
greater. It is rounded down to the nearest tenth of the last digit if less than five. For in-
stance, a grade of “B” in a three-credit course is worth nine points.
Grades of “W” and “I” are calculated in the GPA as a failure. Grades of “TR” and “X” are not
included in GPA calculation.
Academic Probation
Students who receive a “Fail” grade in one course will be placed on academic probation.
In order to remain in a particular workshop or program, students who have been placed
on Academic Probation must earn a grade of 2.0 or better in all subsequent courses.
Students may complete additional coursework assigned by the instructor who gave the
“Fail” grade in order to improve the grade to 1.0 or better and earn credit for the course.
Any student who receives a “Fail” grade for three or more courses will be expelled from
the program.
Digital Film Academy
ACADEMIC POLICY Page 41
APPEALS PROCESS
A student who believes he or she has been improperly graded must first discuss the mat-
ter with the instructor. If the student is not satisfied with the instructor’s explanation, the
student, no later than ten days after his or her discussion with the instructor, may submit
a written appeal to the Director of Academic Affairs, with a copy of the appeal also sent to
the instructor.
Within ten calendar days, the Director consults with the instructor to ensure that the
evaluation of the student’s performance has not been arbitrary or capricious. Should the
Director believe the instructor’s conduct to be arbitrary or capricious and the instructor
declines to revise the grade, the Director, may appoint an appropriate member, or mem-
bers, of the faculty of that subject to evaluate the performance of the student and assign
a grade.
Once a student submits a written appeal, this document and all subsequent actions on
this appeal are recorded in written form for deposit in a department or college file.
COMPLAINT PROCEDURE
Complaints are to be submitted in writing to the Director. All complaints will be addressed
within one week of receipt.
The failure of a student to notify the Director in writing of withdrawal may delay refund of
tuition due pursuant to Section 5002 of the Education Law.
PLACEMENT
Although placement assistance is provided, DFA cannot guarantee a job to any student or
graduate.
Digital Film Academy ACADEMIC POLICY
Page 42
REQUESTING TRANSCRIPTS
Transcript Policies:
• In accordance with the Family Education Rights and Privacy Act of 1974 (FERPA),
records may not be released to a third party without the prior written authorization of
the student.
• You can submit your written request in-person, by mail or fax. You may only
email your request if you have the ability to scan your signature. Send to dfanyc@
digitalfilmacademy.com.
• Transcript will not be sent until all holds or financial obligations to Digital Film Academy
are paid, including fines or fees.
• Only coursework taken at Digital Film Academy is included on the transcript. Copies of
transcripts from other colleges will not be provided.
• Transcripts include Work in Progress for students enrolled in the current semester.
• Transcript requests will be processed in 3-5 days.
All requests must include:
• Your complete name (name you attended school under and any maiden name).
• Your dates of attendance.
• Your Date of Birth.
• The name and address of the official transcript destination.
• Your address and a phone number where you can be reached.
• Number of official copies of transcript being requested.
• Your signature.
Transcript Fees
Official transcripts sent by Digital Film Academy directly to other colleges and universities
or sent directly to potential employers or other education related entities are free of
charge. Official transcripts issued directly to the student are available for a $5.00 fee.
Make requests to: Digital Film Academy, Office of Registration, 630 9th Avenue, Suite
901, New York, NY 10036.
ACADEMIC POLICY Digital Film Academy
Page 43
ATTENDANCE POLICY
Because of the intensive nature of the programs at Digital Film Academy, absenteeism
jeopardizes a student’s ability to successfully complete his or her studies. It is the
student’s responsibility to notify a Digital Film Academy Director and/or instructor and
make up all work missed if a student finds it necessary to be absent, late, or leave early.
Accumulated absenteeism in any one course will affect performance and grades.
Absenteeism can result from absence, being tardy, or leaving class early. Instructors
record tardiness and people leaving early in increments of 10 minutes.
Any student who is absent more than 15 percent of the total number of instructional
hours offered during each marking period of the student’s program, excluding approved
leaves of absence, and who has not maintained satisfactory academic progress, shall be
dismissed or placed on academic probation pending a Disciplinary Review Hearing.
After the Disciplinary Review Hearing, the appropriate course of action will be determined
based on the student’s explanation for his or her absences and the Academy’s records of
student’s overall attendance and participation.
Excessive absenteeism may result in the student having to repeat the course at his or
her own cost. If a student is suspended from a workshop or program, he or she cannot
continue to study with that current class. The student may return for a future program. A
Disciplinary Review Hearing in a future workshop or program can result in expulsion.
Students who are expelled or choose to not continue their studies after a suspension, will
receive refunds in accordance with the policy outlined by the New York State Education
Department, Bureau of Proprietary School Supervision.
Digital Film Academy Digital Film Academy
Page 44 DFA INSTRUCTORS DFA INSTRUCTORS Page 45

DFA Instructors are Educators and

Working Professionals in the Field!

Gary Cooper
BA, Television Production, Brooklyn College
Member of the WGA-East and BMI
Former member of IATSE Local 842 (Animation & Opticals) & IATSE Local 771 (Motion
Picture Film Editors)

James Duff
MFA, Film Directing/Production, University of Southern California
BA, TV Production, Indiana University

Brian Edgar
MFA in Film, Columbia University

Eric Eiser
BFA Illustration, School of Visual Arts
DFA Instructors

Ira Blanchard Michael Furth

MFA, Media Arts Production, City College of New York BFA in Film/Video Production, School of Visual Arts
BA, Cinema, San Francisco State University

Sara Booth
Patrick Gleason
BS, University of Michigan BA, Fordham University
MFA, Writing and Directing, CUNY JD, Setan Hall Law School
Member of the Screen Actors Guild
Valentina Caniglia
Padre Pio (Istituto Tecnico Diploma) Erin Greenwell
Zero’ de Conduite , Naples, Italy. Associated Degree in Cinematography. MFA, CUNY
New York University Film Production, New York. 1997.
BFA, New York University, Tisch School of the Arts
Don Cato
MA, Orson Wells Film School, Cambridge Ken Kotowski
Director, “Be My Oswald” feature film, winner of numerous film festival awards MFA, Media Production/Cinematography, CUNY
BA, Communications/Film Production, William Patterson University
Digital Film Academy Digital Film Academy
Page 46 DFA INSTRUCTORS DFA INSTRUCTORS Page 47

Kenny Mann Nicholas Sigman

M.Sc. in Education K-12 Science, Bank Street College of Education, New York MFA, Film/Television, New York University, Tisch School of the Arts
Postgraduate Diploma in Film and Theater History and Technology, University of Bristol. UK BS, Summa Cum Laude, Broadcasting/Film, Boston University, School of
Communications

Darren Methlie Jeanne Talbot

MFA Film, City College, CUNY MFA, New York University, Tisch School of the Arts.
BA Literature, Purchase College, SUNY Previous Member of I.A.T.S.E.

Joe Tripician
Guy Mor
MFA, Columbia University
BMU, Brooklyn College

Tom Razzano
Bachelors, St. Joseph’s University, PA
Member, Director’s Guild of America •
•
Certified Teacher, NJEA (New Jersey Education Association)

Cleber Redondo
BA, Computer Science, Academy of Fine Arts (Sao Paolo)
Fine Arts Degree, Academy of Fine Arts (Sao Paolo)
MA, Cinema and Film Production, New York University

Manfred Reiff
Member of IATSE #600 (Motion Picture Photographer’s Union)

Al Santana
MFA, Digital Cinema, National University, California
BS Degree in Sociology and Filmmaking, CUNY
Frederick Douglass Creative Arts Center, NY
Black Documentary Collective Member
Independent Feature Project, Member
IATSE Local 600, Motion Picture Photographer’s Union 1981-1999
Digital Film Academy Digital Film Academy
Page 48 BOARD OF MANAGERS STUDENT CONDUCT Page 49

Board of Managers Basic Rules of Student Conduct

The Board of Managers provide executive and operational leadership in accordance to the Students are expected to conduct themselves as mature and law-abiding members of
Digital Film Academy’s mission and objectives. both the academy community and the general community, and to comply with requests
of the administrative authorities of the academy for maintenance of order on academy
Patrick DiRenna premises.
President and Director of Admissions and Operations, Digital Film Academy
President, Digital Film Center, LLC. Behavior which jeopardizes the health or safety of the academy community, or disrupts
the educational activities and supporting services of the academy, is subject to review and
Elena Primost possible penalty in accordance with the procedures and practices of the academy.
Vice President and Director of Academic Affairs The students should be advised that the following general rules of conduct are
Vice President, Digital Film Center, LLC beneficial to everyone, especially the students themselves:
Robert J. Sann • Show respect for other students, instructors and all other people you come into
Co-Founder, Exemplar, LLC contact with at or through Digital Film Academy.
Former Executive Director of We Can, CEO Columbia Communications and Founding Board • Speak quietly to friends and associates when in school. When other classes are
Members of Vanguard Communications, Inc. going on or if students are doing work, loud noise makes it difficult for fellow
students to concentrate on what they are doing.
Patrick F. Gleason, Esq. • Avoid profanity.
Director, Mindcrest Inc.
• Pay attention to your instructor in the classroom. If you have a question while the
Former Managing Director, Kelly Law Registry, New York, New Jersey and Pennsylvania
instructor is lecturing, ask your instructor by raising your hand.
Evan Antonini • Don’t ask a fellow student because side conversations distract other students.
President, EHM Group, LLC • Show respect for the facility. Students should clean up after themselves. Please
Director, Mindcrest Inc. don’t leave bottles, food in classrooms.
• Faculty, administration and staff fraternization with students is not permitted. Any
Licenses and Certifications:
violations may be reported to Director.

Digital Film Academy is licensed by the New York State Education Department, Bureau of Proprietary The following is a list of behaviors that violate the Student Conduct Policy:
School Supervision (BPSS) as a non-degree granting proprietary institution. Digital Film Academy is the
• Dishonesty, including but not limited to cheating, plagiarism, or knowingly supplying
trade name (D/B/A) of Digital Film Center, LLC. Digital Film Center, LLC is a member-managed for-profit New
false information or deceiving the academy administrators, staff, or instructors.
York Limited Liability Company (LLC).
• Unauthorized entry into, or use of, school facilities.
DFA is an approved training provider for the following agencies: Federation Employment and Guidance
• Forgery, falsification, alteration, or misuse of school documents, records, or identifica-
Service, Inc. (FEGS); Consortium for Workers Education (CWE); Individual Training Accounts (ITA, U.S.
tion.
Dept. of Labor); Workforce 1 (City of NY, Dept. of Small Business Services); Bergen County One Stop Ca-
reer Center (New Jersey); State of New Jersey Division of Vocational Services; Yonkers Private Industry
• Interference with the normal operations of the academy (disruption of teaching and
Council; Ocean County PIC and the City of New York Dept. of Labor, Division of Employment Services.
administrative functions).
 Digital Film Academy
Page 51

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Grand St

Medical Center
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Park Nations
E. 14th St
E. 54th St

St. Marks Pl

Israel Eldridge
St St Pier
E. 2nd St

EAST Tudor City Pl

E. 3rd St
E. 4th St
E. 5th St
E. 6th St
E. 7th St
E. 10th St
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E. 70th St

E. 22nd St

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E. 42nd St

C
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E. 48th St

E. 46th St
E. 50th St
E. 52nd St
E. 58th St

E. 56th St
E. 60th St

E. 24th St

E. 20th St
E. 26th St

O Sain
E. 32nd St
E. 34th St
E. 40th St

E. 38th St

E. 36th St

E. 18th St

Second Ave
Stuyvesant t James Place Pea
Second Ave
E. 84rd

Second Ave
86th

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E. 80th

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Fifth Ave Museum of Fifth Ave Empire FlatIron Washington Firefighters West Broadway 5
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W. 71st St

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W. 45th
W. 47th
W. 49th

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W. 59th
W. 75th

W. 53rd

W. 33rd
W. 43rd
W. 61st
W. 79th

W. 77th

W. 55th

W. 37th
W. 39th

W. 35th

W. 27th
W. 57th

W. 51st

W. 29th
W. 41st
W. 93rd
W. 97th

W. 89th

W. 87th

W. 31st
W. 95th

W. 91st

Lincoln Square
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64
93

84
94

92

90

88

86
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72
78

76

73
81
83

67
96
97
99

98
HOLIDAYS AND SCHOOL CLOSING

origin, citizenship status, religion, sex, sexual orientation, age, physical handicap, veteran
Digital Film Academy does not discriminate on the basis of race, color, national or ethnic
December 20 - January 3, 2010
January 1, 2011
November 25-26, 2010
DIGITAL FILM ACADEMY CALENDAR

November 11, 2010

September 6, 2010

September 5, 2011
February 21, 2011
October 11, 2010

January 17, 2011

July 3, 4, 2011
April 22, 2011

Policy on Non-Discrimination
May 30, 2011
Holidays 2010 - 2011

DFA will be closed in observation of the

Labor Day
Columbus Day
Veteran’s Day
Thanksgiving
Christmas and New Years
New Year
Martin Luther King Day
President’s Day
Good Friday
Memorial Day
Independence Day
Labor Day (2011)
following holidays:
Digital Film Academy

or marital status.
Page 50
 Digital Film Academy
Film Center Building
630 Ninth Avenue, Suite 901
New York, NY 10036
Tel: 212-333-4013 Fax: 212-333-2238
Email: info@digitalfilmacademy.com
Web: www.digitalfilmacademy.com

• © 2010 Digital Film Center LLC. All Rights Reserved.