Aaron Copland was an American composer born in 1900 in New York City who did not come from a musical family but studied music in France. He was known for being one of the first composers to incorporate jazz into classical music and for writing music for orchestra, band, choir, piano, chamber ensembles, opera, and film. He won an Academy Award for his movie soundtrack for The Heiress in 1949. He died in 1990 in North Tarrytown, New York.
Aaron Copland was an American composer born in 1900 in New York City who did not come from a musical family but studied music in France. He was known for being one of the first composers to incorporate jazz into classical music and for writing music for orchestra, band, choir, piano, chamber ensembles, opera, and film. He won an Academy Award for his movie soundtrack for The Heiress in 1949. He died in 1990 in North Tarrytown, New York.
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Aaron Copland was an American composer born in 1900 in New York City who did not come from a musical family but studied music in France. He was known for being one of the first composers to incorporate jazz into classical music and for writing music for orchestra, band, choir, piano, chamber ensembles, opera, and film. He won an Academy Award for his movie soundtrack for The Heiress in 1949. He died in 1990 in North Tarrytown, New York.
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as PPTX, PDF, TXT or read online from Scribd
Facts He did not come from a musical family He was one of the first composers to incorporate jazz into his music He won an Academy Award for his movie soundtrack for The Heiress in 1949 He studied music in France with Nadia Boulanger This time in History 1900: Picasso is painting 1921: First radio broadcast of a baseball game 1941: Americans are drawn into World War II when Japanese bomb Pearl Harbor 1951: Color T.V. is first introduced into American homes Copland wrote music for: Orchestra, band, and choir Piano Chamber ensembles Opera Theater/Film (Movies!) “Fanfare for the Common Man” Instruments? Tempo? Dynamics? Anything about this piece that makes it unique? “Hoedown” from Rodeo Instruments? Tempo? Dynamics? Anything about this piece that makes it unique?