Helvetica is a 2007 documentary by Gary Hustwit about the popular Helvetica typeface. While praising Helvetica's prevalence, the film also notes how its overuse has backfired. The film aims to educate common people with little design or visual communication knowledge on how typefaces can convey additional meaning beyond just text. It seeks to introduce viewers to the nuances of visual communication, demonstrating how what we see can communicate ideas and emotions in a subliminal way, which is the main focus of the filmmaker's course on the topic.
Helvetica is a 2007 documentary by Gary Hustwit about the popular Helvetica typeface. While praising Helvetica's prevalence, the film also notes how its overuse has backfired. The film aims to educate common people with little design or visual communication knowledge on how typefaces can convey additional meaning beyond just text. It seeks to introduce viewers to the nuances of visual communication, demonstrating how what we see can communicate ideas and emotions in a subliminal way, which is the main focus of the filmmaker's course on the topic.
Helvetica is a 2007 documentary by Gary Hustwit about the popular Helvetica typeface. While praising Helvetica's prevalence, the film also notes how its overuse has backfired. The film aims to educate common people with little design or visual communication knowledge on how typefaces can convey additional meaning beyond just text. It seeks to introduce viewers to the nuances of visual communication, demonstrating how what we see can communicate ideas and emotions in a subliminal way, which is the main focus of the filmmaker's course on the topic.
Helvetica, a documentary about the typeface of the same name, is filmed by
Gary Hustwit in 2007. I feel the film is informational, it poses the greatness of this font, yet it doesn’t avoid how its prevalence has backfired. The film mainly aims at common people who are not designers and even have little knowledge about fonts, graphic design or visual communication.
The film is actually about visual communication. What we visually perceive
indeed have their own voices, which is capable of addressing ideas and emotions. This particular way of communication is ubiquitous, it speaks in a “subliminal” manner which is unaware of most people. Typefaces, as one of the designers remarked, are “colors” of the text, it cast additional meaning to the words beside the semantic content (though Helvetica is seen as “neutral”, some think such lack of meaning would bore their sh*t out). To introduce the nuances in visual communication is what the film intends, this is also the main focus of our course.