SCEPTrE
= independently organized TED event
Lifelong - Lifewide Learning
Harvey Brough
Sarah Campbell
8th March 2011, University of Surrey
6pm Tea & Coffee 6.30pm—9.30pm TEDx Event
Griffiths Lecture Theatre and Foyer, Teaching Block
Ideas worth spreadingProgramme
18.00
PART 1
18.30
18.40
18.50
19.10
19.30
19.40
20.15
PART 2
20.20
20.40
21.00
21.00
21.20
21.30
Tea and coffee on arrival
Griffiths Lecture Theatre
Welcome and introduction
Professor Norman Jackson,
University of Surrey
TED Video — Changing Educational Paradigms
Sir Ken Robinson
Confessions ofa lifelong, lifewide leamer
Professor John Cowan, Napier University Edinburgh
Becoming me
Sarah Campbell,
Psychology postgraduate student, University of Surrey
Kai Jenson
Musician
Talk time — Cheese and wine reception
Lecture Theatre Foyer
Griffiths Lecture Theatre
What has lifelong-lifewide learning got to do with being a scientist?
Professor Jim Al-Khalili,
University of Surrey
TED Video — New experiments in self-teaching
Sugata Mitra
Creating through our lifewide experience
Harvey Brough musician and composer
Vote of thanks
Kai Jenson will performhis song that is inspired by the idea of
lifelong-lifewide learning -
Will the tuna fish turn into salmon?
Finish
Ideas worth spreadingOur lifelong-lifewide journey of personal development
There are few things
more interesting ot
Inspiring than
someone sharing
ay their life story and
through that story
coming to learn how
they came to be the
person they are, It isa privilege to witness how:
the pathways that people have taken through
their life emerges from the experiences that
make up the'r life
We have both lifelong (the journey) and
lifewide (the multiple and varied places and
situations we occupy) dimensions to our life
While our lifelong journay is the synthesis of
our life it is the lifewide dimension that we
experience every day of our lives and provides
the stepping stone to our future, Thase two
dimensions connect our thoughts and feelings.
our relationships, decisions and actions, and ali
that we achiave through space and time.
It is the idee of ‘litewideness* and its
educational value while studants are studying
in higher education, that SCEPTrE’s balieves is
worth spreading through the TED way of
disseminating ideas
Lifewideness is a simple idea. It recognises that
most people, no matter what their age ot
circumstances, simultaneously inhabit @ number
of different spaces - like work or education,
running a home, being a member of a family,
being involved in a dub or society, travelling
and taking holidays and looking after their own
wellbeing mentally, physically and spiritually
We live out our lives in these different spaces
and we have the freedom to chooe which
spaces we want to occupy. In these spaces we
make decisions about what to be involved in
we meet and interact with different people,
have different sorts of relationships, adopt
different roles and identities, and think, behave
and communicate in different ways. In these
different spaces we encounter different sorts of
challences and problems, seize or miss
opportunities, and aspire to live and achieve
our ambitions. It is in these spaces that we
create the meaning that is our lives.
"Between stimulus and response thare is a
space. In the space lies our freedom and
power to choose our response. In thosa choices
lie our growth and our happiness."
Stephen Covey The 8th Habit trom
Effectiveness to Greatness, 2004 pa
Lifewide education explicitly recognises that
people lean and develop through their
Iifemide experiences. It both promotes and
values these forms of leatning and personal
development. By reframing our perception of
what counts as leaming and perional
development in highat education, and
developing the means to recognize end value
the leaning and development gained in a
leatnar's lifewide experi ences, universities could
enable learners to develop a deeper
appreciation of how, whet, when and why they
are learning in the different parts of their lives
Heightened seltawareness is likely to help
them become mote effective at leatning
through their own experiences and this should
be an assential outcome of any educational
system that prepares people for the challenges
of a complex, uncertain and ever changing
world.
SCEPTE, in collaboration with scholars,
researchers, teachers, students and
professionals from fields other than educetion,
has tried to develop and apply the ideas of
lifewide learning, lifewide development and
lifewide education and we are finalising a book
which consclidates this work, We felt that it
would be both a fitting way to end our five
year project and help disseminate our ideas
further, to use the wonderful TED approach
and we ate grateful to TED for granting us our
TED licence
We are very fortunate to have found four
people who are willing to turn our abstract
ideas into real life stories and we hope that
their stories will inspire others to appreciate
even more the rich potential of the
‘opportunities they have across their lives for
making a difference to themselves and te
others,
Professor Norman Jackson
Director SCEPTrE
Surrey Centre tor Excellence in Professional
Training and Education
About TED www. ted.com
TED began in 1984 a a California-based
conference devoted to the converging fields of
Technology, Entertainment and Design (hence
its name). Over the years, the scope has
broadened and the ambition level constantly
raised. We now seek to bring together the
world's leading thinkers and doers, no matter
what field of endeavour they are working in.
Ideas worth spreadingAll knowledge is connected and TED hos
become the place where you can discover
leading edge thinking in numerous fields, and
how this relates to your own life and work
For many attendees, the result is: delicious,
unexpected connections; axtraordinaly
insights; powerful inspiration. If you haven't
visited the TED website please try to find the
time to do so. It is wonderful source of
wisdom and inspiration
TED*
TEDx is a programme of local, selforgenized
events that bring people together to share
ideas worth spreading. At a TEDx event,
TEDTalks videos and live speakers combine to
spark deep dicussion and connection. These
local, selforganized evants are branded TEDX,
where independently organized vent
TEDx events are selforganized but they
conform to a dasign that is established by TED.
Speakers must perform for no more than 18
Trinutas. The programme is streamed live and
it must be filmed and the film record
daposited on a dedicate website that is then
accessible to anyone who has internet access
Each programma must also contain two videos
from the TED portfolio.
Speaker biographies
John Cowan wes born in Glasgow and was
educated during the
Second World Wat, in
six different Scottish
schools. sa child he
suffered from poor
eyesight He hed
wanted to become a
lawyer, or rather an
advocate but that called for 4 years of study,
and he was advised that his eyes would not
lest for more then 3 yeers. So he opted
instead to study dvil engineering, motivated
by the prospect of dasigning ané building
useful things. After a successful career as a
structural engineering designer he entered
academia in1964 cs 9 teacher and researcher
in structural engineering.
In 1982 he became the first Professor of
Enginaering Education in the UK, at Heriot-
Watt Univenity, Edinburgh, where his
educationally-orientad research and
davelopment concentrated on student-centred
learning and the learning experience. On
moving to the Open University in Scotland as
Director in 1987 he encouraged innovative
curriculum development and campaigned
rationally for rigor ous formative evaluation in
higher education
His passion for and professional intarast in
student-centred learning now spans over 45
years. During that tme he has placed an ever
increasing emphasis on preparing students to
exarcise stewardship over their lifewide
davelopmant while at University, and in
lifalong learning thereafter. The practice of
personal development planning in these
develooments is a central featura of enabling
learners to take responsibility for and exercise
stewardship over their own reflective and self
assessed development,
He continuas te shere his wisdom with higher
education teachers at Edinburgh Napier
University and his collegial spirit is well
known. In describing himself he says, “It’s best
just to think of me a an active parttime
teacher nowadays, with personal history te
draw on and a willingness to share with some
colleagues, if they want to innovate in areat
where I have some experience.”
During the la:t 2 years John has worked
closely with the Surtey Cantra for Excellence in
Professional Training and Education to help
develoo and apply the concept of lifewide
learning, development and education
John has inspired many higher education
teachess. In reviewing this book ‘Becoming an
Innovative Teacher Frofessor John Biggs
wrote™..2 delightiul and unusual reflective
Journey the whole book is driven ty a cycle
‘of questions, examples, strategies and
generalizations from the examples. In all, if is
the dearest example of practise-whatyou-
preach that | have seen."
This sums John up vary well!
He was awarded a SCEPTTE Life Achievement
Award in 2010 for the significant contribution
he has made to the profession of higher
education teaching and to
honour his commitment to education that
truly encourages and draws upon students’
lifelong and life-wide learning experiences,
Ideas worth spreadingOBE was bom and grew
up in Baghdad until his
family were forced to
move to Britain when
Saddam Hussein. came
to power. He fell in love
with physics when he
1 was a teenager and has
spent much’ of his life
immersed in sub-atomic
particles, jm cama to study physics at
the University of Surrey graduating with
a 85¢ degree In 1986 and staying on to
pursue a PhD in nuclear reaction theory,
which he obtained in 1989. In that year he
wes awardad a Science and Engineering
Research Council (SERC) postdoctoral
fellowship at University Collage London, He
returned t> Surrey in 1991, first as a
research assistant than lecturer. In 1994, he
‘was awarded an Engineering and Physical
Sciencas Resgarch Council (EPSRC)
Advanced Research Fellowship for five
years, during which time he established
himselt as a leading expert on
mathematical models of exote atomic
nuclei. He has published widaly in his field
In 2004 he was chosen as one of twenty-
one "Faces of UK Science" on permanent
exhibition in London's National Portrait
Galery
E
In the last decade Jim has become a public
figure through his work as a writer and
broadcaster. He frequantly appears on.
telavision and radio and also writes articles
for the British press. He has also published a
number of popular scienca books, which
have so far been translated into 13
languages. In 2094, he co-presented
the Channel 4 documentary The Riddle of
Einstein's Brain but his big break as a
presenter came in 2007 with Atom, a three-
part series on BBC Four about the history of
our understanding of the atom and stomic
physics. This was followed by a special
archive edition of B&C Horizon The Big
Bang. In early 2009, he presented the BEC
Four three part seties Science and
Islam about the leap in scientific
knowledge that took place in the Islamic
world between the sth and 14th
centuries. He has contributed to
programmes ranging from Tomarrow's
World, BBC Four's Mind Games, The South
Bank Show to BBC One's Bang Goes the
Theory. In 2010. he presented a new BEC
Four, three part series called Chemistry: 4
Volatile History, on the history of
chamistry, which was nominated for a
BAFTA Award, as well as a documentary on.
chaos theory called The Secret Life of
Chaos. He is also one of several presanters
on Genius of Britain, five-part series for
Channel 4 shown in 2010, along
with Stephen Hawking, Richard
Dewkins, James Dyson and David
Attenborough. lim was a guest on Radio
Four's Desert Island Dises in February 2010.
In 2007, he became the youngest recipient
of the the Royal Society's Michael Faraday
medal for science communication. He
continues to find time to carry out his
research in nudear physics and in the new
field of quantum biology. Jim has been
invited to bring to life the idea of lifelong —
lifewide learning and personal
development through his own life story as
a scientist and communicator of sciantine
ideas
Sarah Campbell represents the people
that SCEFTE has been
ey ‘working for ~
> our students, What is
Poe ee
excellent example of
ye someone who
of , nN appreciates the
MM opportunities that life
provides to develop harself as a whole
person. Sarah came to Surrey in 2005 as a
mature student having spent several years
since leaving school werking in the music
industry. Sarah knows the Surrey
educational experience very well, she
studied psychology graduating with a first
less honours degree in June 2010, While
she was studying for her degree she
undertook the year long professional
training experience part of which was
spent with SCEPTrE in 2008 During this
time sha undartook an important piace of
reearch aimed at improving our
understanding of ‘immersive experiences’
soon to be published in SCEPTYE's ‘Learning
for a Complex World’ book. This
experiences caused har to reflect on har
own life and in particular her own lifewide
learning experiance as a student, she has
now embarked on 2 PhD in the Psychology
Department at the University of Surrey and
her personal story shows how har lifewide
experiences have shaped her interests and
determined the career pathway she has
chosen
Ideas worth spreadingis one of the UK's most
accomplished musicians
Hworking as = performer,
Jarranger, conductor,
producer and composer
across vast range of
styles and influances
and characterised by
soma wonderful and
memorable
Dah colaborations. His
professional carear has
spanned the musical
filds of jazz, classical, choral, pop, world,
medieval and early music, TV, theatre and
film. Reading his biography is both
exhilarating and exnausting
Harvey Brough
He started his musical life aged six, a
choitboy at Coventry Cathedral, singng
Bach Cantatas and recording Benjamin
Britten compositions by the time he was
thirteen, He studied at the Royal Academy
of Music with Lady Barbirclli and then at
Clare Collage Cambridge where he had
“four fabulous years in which | played, sang,
conducted, nearly got thrown out, tried
doing a little work, and finally scraped
through to gatting a degree’
After University he formed a band - Harvey
and the Wallbangars. ‘I loved being in a
band and | loved performing muste which
appealed fo anybody —we played anywhere
that would have us, from prisons to the
Rayal Variety show (you can imagine where
we got the best reaction). This took up six
years of my fife and it was great’ Harvey
and the Wallbangers recorded four albums
on thair own label and the Jazz CD with
Simon Rattle, still available on EMI
For fifteen years Harvey worked closely with
the Danlaworth family, contributing big
band and string atrengements to their
concerts, also 2s Musical Director of Field of
Blue with Jacqui Dankworth. Over thase
years he had the opportunity to work side
by sida with John Cankworth - an education
in itself, He has also arranged songs for Big
Band and Orchestra for the King of
Thailand, recorded by the Royal
Phitharmonte Orchestra
While still at Cambridge, Harvey sang in,
‘and directed his own consort, whose
members included many singers ‘who are
now well established names - Mark
Padmore, Charles Daniels, Gerald Finley and
Christopher Purves amongst them
Cambridge University Consort of Voices
were invited to give @ concert in King's
Collage Chapel to mark the opening of the
West Road Music Faculty Concert Hall. As
producer. arranger and composer Harvey
has worked with the Brodsky, Duke and
Elysion String Quartets
For ten years Harvey worked extensively in the
pop business with top producers such as Simon
Law, lazzie B. ete - contributing string or brass
atrangemants to singles and albums by Soul Il
Soul, D Influence, Definition of Sound, Terry
Hall and Salad and hundreds of others
Recently he has been working with lerry
Dammers, arranging for his Spatial AKA
Orchestra
From 2005-2009 Harvey was musical director
and producer for Natacha Atlas; they toured
all over the world with their half western, half
aiabic band - The Mazeeka Ensemble who
recorded a highly acclaimed album under
Harvey's leadership. Ana Hina (Harmonia
Mund) had rave reviews all over the world for
the disc and for the ensemble’s live
perform ances,
For many years Harvey co produced the
majority of composer Jocalyn Pook's music for
Film and Tv, inducing major releases -
Merchant of Venice and Eyes Wide Shut, for
which he co-composed the music for the orgy
scone, Thay also collaboratad on a tan-hour
Series for BBC 2 In a Land of Plenty as
Composers and producers. Harvey ha; also
provided many soundtracks to TV programmes
in his own right - his credits include Citizens
(Radic 4), The World About Us (BCD, the
Alexi Sayle series Paris (Channel 4) Wise Up
(Channel 4), The Most Beautiful Dress in the
World (Bookmark BBC2), Hildegard (Omnibus
BBC), Henry Moote (Omnibus 88C1) and The
Glories of Islam (Channel 5). As You Like It
(Radic 3) starting Helena Bonham Carter was
broadcast on Shakespeare's birthdey in 2000
and a five part series - The Bayeux Tapesty
(Radic 4) was broadcast in 2001. Harvey has
also presented several radio series, a guide to
vocal harmony - Doo Bop She Bop (Radio 2)
and Dedications, programmes sbout Requiem
in Blue and about Josquin’s Mille Regret,
His recent theatre work 2s Musical Director
includes: Olivier, National Theatre - St Joan,
War Horse dir. Marianna Elliott £ Torn Mortis
Ideas worth spreadingOld Vic - the Bridge Project - Cherry Orchard
and Tae Winter's Tale, dir. Som Mendes, with
Rebecca Hall, Ethan Hawke, Sinead Cusack and
simon Russell Beale,
For the last 5 years Harvey has had a close
partnership with renowned baroque singar,
Clara Sanabras - initially performing medieval
and early musi, but increasingly as @ duo -
Retrospect performing ancient and modern
music. Their other band Clare and the Real
Lowdown has released two CD's in the last 2
years - Clara and the Real Lowdown (2008) and
Hopetown House (2008) the latter consisting of
Clara's compositions and Harvey's atrangements
and production
It is @ @ composer over the last 10 years that
Harvey has made sense of all these disparate
influences, writing a series of major pieces that
biing together in music things which are often
kept apart jazz and classical - young and old -
professional and non professional - ancient and
modain - plainsong and improvisation - modarn
words and andent texts In this latter erea, he
has hed a close partnership for many years with
the talented olay write Lee Hall (poonface
Steinberg, Billy Elliot, Pitman Painter).
He is passionate about working with young
people and with non-professional musicians and
singers - many of his works reflect this passion
and it is marifested in Requiem in Blue the
subject of his contribute to SCEPTE’s TEDe
lifelonglifewide learning event He wrote
Requiem in Blue after winning the first Andrew
Ivilne prize (Arts Council England). The piece is
for two choirs of all ages and his own ensemble,
made up of musicians he has admired and
worked with extensively. Requiem in Bue has
been performed some 30 times all over the UK
and in Europe and was finally released on CD in
2010. Harvey's inspiring story about how this
piece was created epitomises the way a talented
musician can connect and draw inspiration from
the relationships in his life to create a work of
att,
Sar Caro for Sxceerco
Kai Jansen is talented
musician who has
participated in a number of
SCEPTIE's events asa
musician and songwriter in
residence and turned some
of our ideas like living in a
complex world and being
professional into mamorable songs. He began
learning guitar in Singapore and joined three
Chinese brothers in 1965 for a Shadows-style-
group.
“1 first started writing songs with my sister way
back in 1965. Needlass to say the first tunas
‘ware pretty silly, a bitlike the stuff that passes
for ‘pop’ now, axcapt that thay markat & sell
it and we were too embarrassed to bother,
always looking for that original and very sis
tune (with words!)"
After returning to the UK. in late 66 he took
Up classical lessons and played locally around
Hampshire in 2s many folk clubs. From 1969,
he spent 4 years at the City of Leeds College
of Music and played all the folk clubs around
Practiced hour: every day, sang in 2 choirs,
formed a duo with guitar & lute teacher
Roger Child, playing recitals in the Leeds and
Manchester areas and with flautist Elaine
Kershaw, performed in Leads area local wine-
bars for two or three years in the early 70's
Hi career has involved performing in concerts,
clubs, TV, in restaurants and bars,
private homes. In 2002 he performed at the
Rugby Suparleague Grand Final Event at Old
Trafford, Manchester in front of 64,000
people — supporting Samantha Mumba in a
30-minute broadcast on SKY-TV He spent 23
years 25 a street performer in Covent Garden
“Alot of my musical education took place ‘out-
ofhours', and included hearing & seeing and
being influenced by the likes of Pentangle,
Tom Paxton @ Julie Felix, Leeds being
thoroughly musical place in the late-60'siearly
70's | was lucky enough to heat John williams
& Julian Bream togethar, and all the major
classical orchestras of the of the day at the
Leeds Town Hall. Other venues visited
included The Grand Theatre (Spike Milligan &
Wagner's ‘Rheingold’), the Leeds University
Union and Refectory Halls Uohn Mertyn,
Sentana & Bob Matley) and at the local folk,
Clubs the likes of the late-Jake Thackray.
Kai har recorded four albums
Ideas worth spreadingIdeas worth spreading