Screenplay – Once upon a time in Miami Beach

Thomas Davini

A bald, neo-nazi looking guy, with tattoos on his neck, is lifting weight at the local
gym. He is working his biceps, doing slow, mechanical movements, going up and
down with the exact same speed. He is putting a lot of effort into it, while sweat runs
downs his extremely white skin. The dumbbell is huge, but he is a big guy.

All together, a ripped, porn star looking Latino, with a ponytail, is punching the bag.
The scars on his eyebrows can tell he is a professional boxer. Also it’s easy to notice
because of the fast movements and strong jabs. The man is focused and his upper
cuts are producing a loud noise that echoes trough the whole gym.

A third person at the scene is a really tall and strong African American, wearing
basketball clothes. In fact, he looks a lot like a professional basketball player. This
tough guy is doing abdominals while holding a weight to his chest. Lots of
repetitions. A pretty hard core train that looks like it serves a purpose.

Suddenly and simultaneously, the bald white guy drops the dumbbell on his foot and
looks up. The Latino boxer stops hitting the bag to watch what’s going on and the
basketball player let the weight fall down and also look towards it. They turn their
heads to the same direction as if they were hypnotized, but mad.

The camera shows a skinny blonde man, wearing the tightest Lycra pants and a tiny
tank top with a rainbow on it, passing by as if he was walking on a runway for a
fashion show.

The three initially “macho” characters leave what they were doing behind and
instinctively follow the skinny blonde to wherever he’s going, walking just like him,
as a runaway top model on crack.