Free Speech For The Dumb

Words and Music by Kelvin Morris, Roy Wainwright, Garry Moloney and Anthony Roberts
Thne down 1Ylsteps:

@=c. (2)=E (2)=F' (6)=G' @=B (j)=cl Fast Rock

Intro

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14

lt's Electric
Words and Music by Sean Harris and Brian Tatler
B5
E5 E5(t)'llC2)

Thne down 112 step:

®=E~ ®=G~
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@=D~ <D=E~ Moderate fast Rock Intro N.C. Gt r. I

= 182

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.
by Zomba Enterprises Used by Permission

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Inc. for the U.S.A. and Canada)

Ii:> 1980 Zomba Music Publishers Ltd. (All rights administered

All Rights Reserved

(end Rhy. Fig. 2A) 85

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from_

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make_

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Fis
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Gtr. I

it

in

rock

'n'

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show._

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..,

,
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23

w/Rhy. Fig. 1 (4 times) F'5 A5 B5 F'5 A5 B5

E..
lee trie. _
Yeah,_

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Yeah!_

Additional Lyrics

2. I stop on red, but leave on amber, Danger paves my way. I'm gonna make it, my friend, Gonna make it today. Gonna get this dust from my heels; Down the highway I go. Gonna get this star from my brow, Make it in a rock 'n' roll show. (To Chorus)

24

Sabbra Cadabra
Words and Music by Frank lommi, William Ward, Terence Butler and John Osbourne
Tune down one whole step:

@=D Q)=F
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1111 11I 11
DS FS CS
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Intra II

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© Copyright 1974 Westminster Music Ltd., London, England TRO - Essex Music International, Inc., New York, controls all publication rights for the U.S.A. and Canada International Copyright Secured All Rights Reserved Including Public Performance For Profit Used by Permission

25

(Gtr. I cont. on lower staff) (end Riff A)

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27

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~"'"'1'"

l. Feel 2.3. Feel i Gtrs. I & II

so good, I so hap - py since

feel so met that

fine. girl.

Love that lit - tIe When we're mak - ing

la - dy, love it's

at - ways some- thing

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mind.c; world.i, She gives Feels me so lov - in' good to ev - 'ry know that night and she's all day. mine.

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28

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Nev - er Gon - na

gon - na leave her, love that wom - an

nev - er till the

go end

way. time.

(Gtr. I cont. on lower staff)

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29

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(1st 4 bars only)

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30

To Coda

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2.
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33

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37

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P.M .. --~

P.M. --~

II

Gtr. I

-.J

!
P.M.

:
::: v

!~
::: v ::: v

::: v

::: v

::: v

:::

::: v

57

Ern
I

II

....---.....
yeah, __ yeah. *Gtr.I1I
/-

~
)

II

Of

•
::

11

==

11

11

==

11

11

==

11

V H

11

==

11

V H

11

==

11

V H

==
11

11

V H

P.M. --~ ::

P.M. --~

P.M. --~

P.M.'--~

P.M. --~

--

==

--

P.M. --~

--

P.M.__ ~ Gtr. II

==
11

11

W
::
112 F..-j'j

--

II

,
::

*w/slide

1i

<s P

11

11

= -:s P

::

\._I P

P P

iv~ ~
~

~ i

112

._~

!
II

Outro wlRhy. Fig. 2 (1st 6 bars only) wlRhy. Fig. 3 (3 times) 05

E5

05

••
Gtr.III There I

•~
go, yeah.

II

~-

-(~"f- 'F'
-

..

'f'__
._,

~
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f
._

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--

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i. ~\" +r

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E5 II

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Here I

.
go,

05

-......,..
yeah.

E5

•
There I

r-

• :,_~~,~~/
.....
~~~ c- -

go,_

II ,..

§-~

.~.

/~

"'~-m'
",--.-..--...

,-_

m'

'm'p~"
_\

t.l

--

.;.

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(cont. in notation)
(1)15fr.

C5 Gte.II )

05

fJ)

fJ )
~

..--Il

rit.

)
+-,

;1""'\.
woh,

r--J---,

)
_._r"\.

wlslide

"
(Gte. III)
Il

woh. A.H. ---------------------,

There
(15ma)

I_

go. (Gtr. III out)

...

"-----------:..I_

"

w/wah

..

....

..

rit.

A.H. ---------------------,

'w

'W

_/-

.-

....

:::

..

A.H.pitches:0 Gtr.I
Il I
r--'I

F'
I

"......,

_..

..,
P.M. rit. H

_r:::"l
'-'"
H

~
st.

• w

'

.w

,;;:
'W

'w

'w

~w

-:::;

st.

~r

E5

w/fdbk. ad lib

I (Spokent)

Gtr. II Il ~~~-~,-_~.

I'm

gone.

)rH~D.-

r-.
-p.'--

-.fL <,

r.-.

•
H

-.
r-.
_u _u

,ft'

, •• r

.......

II

Gtr.I

..,
u

60

Die, Die My Darling

Words and Music by Glenn Danzig

Tune down 112 step:

®=E~ ®=O~ 0)=A~ <6>=B~ @=D~ <D=E~

I
134

B5

II
134

F#5

Em

Ii Ii
D5 C#5
5&. 134 134

4&.

23

B5

Moderately fast Rock

J = 180

Rhy. Fig.lA (Gtr. II)

)r------,)
.,
>-

f>*Gtr. III

.,

>-

.,

>-

ntro

Fdbk.- - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - -(8va) (Hi-hat)

t
.\

"1

t
f •• \

mp
Fdbk.---------------------------------

T
K

,
~

(Vocal:) Yeah.
II

Rhy. Fig.l (Gtr. I)

f
.t.
K

11 >-

11 >-

..

..

..

..

*With one of gtr.'s vol. knobs set to zero, flick toggle switch to "on" position in rhythm indicated (throughout). Pick only when necessary to sustain notes.

J
II

.,
"1

-------------------------,
~ ~

>-

.,

>-

.,

>-

.,

>-

05 e Fill 1

F#5

(end Rhy. Fig. lA) (endFilll)

"1

"1

"1

"1

--------------------~~--,
,.

(end Rhy. Fig. l) II

..

..

..
..

..

..

..

:::
International

~
v

~
v

~
v

:::

.~

:::

:::

.. ..

61

Copyright C 1984 Evilive Music Copyright Secured All Rights Reserved Used by Permission

Chorus *w/Rhy. Figs. 1 & lA (both 2 times) **wlFilll (7 times)

, IlIi:"r
Fls

BS

GS

F
die,

fif
die, __ BS

F
my

F
dar

(3+
ling._

Die,

F
Don't

F
ut

F
ter

F
a

·Play all gtr. parts w/slight variations ad lib when repeated or recalled (throughout): **w/random Idbk. 4th & Sth times (lst Chorus only) -··Sing w/slight variations ad lib on repeats (throughout).

, I,

rtt
sin

<=--

n?r
word.

gle __

F
Die,

r
die,

fJ'f
die, __

F
my

F
dar

ca
ling. __

GS

Fls

, I,

*
Em

F
{
1. Just 2.3. Just

F
shut shut

F
your your

IP
pret pret

,J
ty ty eyes. mouth. __ }

4
2nd & 3rd times Gtr. I substitute Rhy. Fill 2

,
tJ

Gtr. II e

II
I I'll be see
I

r
you __

I a

BS

)r----r"J -J....,----,J

JJJ

.p.~ ---------------------------------------

ing

gain. ___

,
..,

Gtr. I

II

!
let ring ::

..

.. ____ .. .. ..

..f-

<:»

.-----------------------------~

·Play only lowest note of chord when P.M. is indicated (throughout).

Rhy. Fill 2 (Gtr. I)

II

..,

..

........

.........

.. ..

.. .__..,,"

.:.::_;
sl.

_.,. '-.._.../ sl.

-.___.,
sl.

--'" '"
sl.

.;

..,.

sl.

'" sl.

62

To Coda Em
G5 Rhy. FiliI )
p.~

--------

)JJJ~

)
...
I

JJJ
I"

------------------------------------

..
~
-.J

)
I

JJJ

(end Rhy. FiliI)

Yeah, I'll

be

see - ing

you_

::-

semiharm.

.. -i!
sl.

- -1 ..

<:»

'--'
sl.

,,,,-,- ,,,
p.~.

let ring - - - - ~

--------------------------------~

sl.

sl.

..

::!
v

-.,

..

::!
v

1st time wlFi1l2 2nd time wlFlIll (1st bar only) 2nd time Gtrs, I & II substitute Rhy. Fills 1 & IA

Verse wlFilll

(12 times)

)
:>

85
p.~

I in __

)r--'--'TJ-r-J --'J ) J J J ~ - ... ------..

I

-.J

I" hell.

--

...

) J J J ) J JJ
J

@opca E

,
-.J

Rhy. Fig. 2 __j

~ ~

.. .. .. .. ..
..
*FiII2 (Otr. III)

..
--..-

.. ..
..

..

:>

..

.. ..

"'-

..

--".

.. ..

*Flick toggle switch as before.

Rhy. FilllA

(Otr. I)

..

--:
P'~ ..
::!

~
-----.j

-: : :
~
::! ::!

::!

::!

::!

63

GS

05

cis

wlRhy. Fig. 2 (5 times) 85 Rhy. Fig.2A )

,~
..,
jI_

r
{ So

don't Don't

cry
cry

to to

--:: ::

,..-..

oh oh ba ba

.. ~~ --------------------------

n )J
in

JJ
__.
ob
-

me,_ me,_

by. by.

Your

fu - ture's

an

(end Rhy. Fig.2)

It

:
::
v

:~ : '-'"
::
v

#~
-">

..
::
v v v

.
v

:: GS

::

1"

(end Rhy. Fig. 2A)

. _________

JJJ
J

, 'lAp

r
long

04seen it

05

box.

F
Don't

F
cry

btl
to

-~,..-..~
me,_

r
oh

F
cry

C'S

f"
by.

ba

f #1

w/Rhy. Fig. 2A (4 times) 85

F
,..--...,

r E2J
a

Ip
85

r {j?fon.

GS

--~.--.,

You should have

com - in'

F
Don't

CJI
to

me,_

,'(p
, #1

05

r
oh

cis

D
ba

f"
by. 05

I*

EJ r
Had to know

EJ I
it was 85

~
in

r pGi)your cards.

GS

*
~

F
Don't

F
cry

btl
to

~,..-..~

r
oh GS

Cis
("""""':,

D
ba

f"
by.

I~

r
05

~~~
zone_

!f

E
for

!t
a

me,_

Dead - end

I,

r
F
And

p~~ 'F"
girl.

dead - end 85

*
on

Don't

F
cry

~~p btl
to me,__

cis

F
oh GS

...............

f"
by.

ba

, .#

!f

r
now oh

FF
your life

(3+
drains.L,

IP

F
that

pCDf
floor.

*
r

F
Don't

F
cry

btl
to

_~r-..

me,_

f I(p r
05

1.

cis
r .....

2.

D
ba

r
by.

.-._

OS

:11

r
oh

Cis
.....

D
ba

r
by.

D.S.a/Coda

II

64

wIFiII2
(G5)

85

Coda

* *I(C
-#
)
:>

Gtrs. I & II

)
:>

"f

in__

rF
J
:>

)
:>

:>

)
>-

>-

F
hell.

t_o(Gtr. I cont. in notation)

)
:>

:>

:>

)
>-

>-

>-

pif

P
Die,

f
die,

ep~1
die,__

Freely

,
~

Gtr. II ~
:>

II

1'"\

k. ,.-.,

--'Gtr. III II

die,

die,

die,___

die,

die,

die,

die.___

1\

~
J

.;

Gtr.I II

.;

:>

_"tl

_-o

'Flicktoggleswitchas before (till end).

"......._~

_1!__-

dim.

J-----).

Fdbk.·-------------------~~~~~:::::::::::::::~~~------, II

f--------~

f--

----~

(Spoken:)die. Just

Fdbk. ------------------------------------------------,

II
'""'-0

'-1iim.----------------

--------------------------~~
sl. 'Hammer on allnotes.

r--------------------------r------------------------,_--------------------.-

65

Loverman
Words and Music by
Nick Cave
F5 Tune down 112 step:

Ifafr.
1342

Cm

®=E~

~=A~

<»=G~

I
134

dafr.
G5
134

@=D~ <D=E~
Slow Rock

<6>=B~

J=

68
1st Verse C5 *FmlC
}

,
t.

GmlC
}

.. ..
There's a dey - it no

wait

-in' out - side your door.

...

..
There's er?) (end Rhy. Fig.l) a

.~

U r ••
long

(How Rhy. Fig. 1 (Gtr. I)

much

~ ~
T
_A

mp
clean tone
v

=Notes to right of slashes played by bass only (throughout).

w/Rhy. Fig. 1 (7 times) C5 wIFill1

~ ~III, J=

J @'_.J J J
wait -

d t4 u9}?tE;j
side your door.

FmlC

GmlC

:t

r
Fm/C

p
much

L_j ._
long GmlC

r
er?)

JJ
And he's

dey - il C5

in' out

~ ~Illl

Jj3 JJJ J
buck-in' and bray - in' and pawC5

j
in'

JJ
at the

i~ ____.,
floor. __

(How

:t

r
~

p
much

LJ ._
long GmlC

r
er?)

JJ
And he's

(How

~ ~~II

... : jj .. j,,-,J;,
in' with pain,_

~,

... J J J
,i
in' up the

ii}?rtl
walls.

FmlC

:t

p
much

LJ
long

howl-

crawl

(How

---

r
er?)

JJ
There's a

Filll
1\

(Gtr. II)

t>

--_--

<:»:

clean tone

••

.,-/4·

66

e 1994 MUTE SONGS LTD. All Rights in the United States and canada Administered by WINDSWEPT PACIFIC SONGS All Rights Reserved Used by Permission

wIFill2 CS

~ ~~b

"J
P-

j~J
wait

JJ
in' out

.. ;
side

Fm/C

]
your

J
door.

OmlC

~ ~
much

:t

r·

L_j ._
long

r
er?)

Jj
And he's

de - viI CS

~IZlz
~

J
weak CS

J jv:r J
with e vii

jJ

JjJ
by the

and bro- ken

world.

is ,..-

(How

FmlC

GmlC

L_j4?)
r
(How

~ ~

:t

~ ~~b J

A_)
name.,

..

j W,--,J
and ask

J
in'

~J J
for

_ f:r~
r
(How

Fm/C

L_j ._..
long

r
er?)

JJ
And he's

much

GmlC

~ ~
much

:t

LJ ._
long

r
er?)

Jj
There's a

shout- in' your

more.

CS

~ ~IZll

.. J

FmlC

GmlC

j,-,J J J J J J'J _,
wait

dev - il

in'

out

r·
(How

~
much

side

your

door.

ri __...
long

r
er?)

2J

*Rhy.

f~tr~ II»)
f

Chorus wlRiff A (8 times) Cm dist. tone

n )r--n-

**FS

)r--J-r---J.,....-----,J

(end Rhy. Fig.2) **GS

wlRhy. Fig.2 (7 times) Cm

FSIC

~ ~~I [;.

(_

t J· I f
Since the world

r~.
be - gan, _

Lov - er - man!

tt
GSIC
ah,_

for -

·Play w/slight variations ad lib when recalled (throughout). ··Bass plays C.

Fill 2 (Gtr.
I

II)

,_.

.,_...

..
¥

-,;

.....

,_.g'

·Riff A (Gtr. I)
I

f dist. tone=
trem.pick

wlwah & sustain

..
¥

,.

sa

sa

..

·Play all riffs w/slight variations ad lib (throughout). ··Rock wah pedal back and forth ad lib. Sustainer generates random harmonics.

67

, ,
1\

Cm

~IJIJ

CJ
ev - er, Cm

r-E52r
a

FSIC
I!

G5/C

Cm

FSIC

G5/C

J
~

'"

,.

F
GSIC

r F IE
till the Cm end

r
of

I!

C\

= ~

---...

f
Yeah,

0Ii
take

men, __ FSIC

~IJIJ

e -r :t'Wf
~
that dress.

r
FSIC GSIC

,f
Ooh, 'Cause

time. FSIC GSIC

dI
I!

fr
com - in' I!

C\ I!

-...,

6 r-"'s
yeah.

rF
I'm your

off Cm

I'm

down, FSIC

Cm

P
loy - er - man, Interlude Cm Gtr. II ~

e=-

,-3---,

=Os

~F F I

E r J ~gr r F tr r F er r F
what am what am what am what

,-3---,

'--3----,

GSIC

,-3---,

II

yeah. __

am

(Gtr. II out) **N.c.(FS)

F3"'"i ~

~
am. (Spoken:) I Gtr. I I L

is for

LOVE,

baby.

is

for

ONLY

you

that n

I do.

~.

mp
"clean tone

'W

~
.w

,~

'w
'W

"Effects off CS
_I

""Chords in parentheses implied by bass (throughout). N.C.(FS) (G5)

is

for

loving

VIRTUALLY

everything

that

you

are.

is

for

loving

almost

EVERYTHING

that

you

do.

,
~

.J
P
""Gtr.1I

Gtr. I

r
let ring _ ~
H

I ~
H

J
L.J
let ring

.."

I
'..w

L.J I
------~ sl.

L.,-I
H

..J

'J'

::
H

~
w
v

~
sl.
(G5)

""Clean tone. H """Gtr.1I indicated to left of slashes in TAB. I

._j

-H of my prayers. (end Fill 3)

CS

N.c.(FS)

R Fill 3 I

is

for

RAPE

me.

is

for

MURDER

me.

is

for

ANSWERING

all

1.
w

J
v

J
~
,"-

•
H

,~

'W

.w
H

68

wIFill3 C5

N.c.(F5)

tJ
N Gtr. II
I

is

for

KNOWING

your

loverman's

going

to

be

the

answer

to

all

of

yours.

•
let ring - ~
y

•
let ring - - - - - - - - - - - - - - - ~ let ring

sl.

.-------~

sl.
Chorus w/Rhy. Fig. 2 (8 times) and Riff A (2 times) Cm

F5/C

F5/C

G5/C

i
Loy- er man! _

E; J•
TIll
the

r r ~~ I r
bit - ter end, Cm

Cm

"j'
and

cl

G5/C

rF5/C

• ..........

r~\ r r
while the

ah, __

w/Riff B (6 times) Cm

~I'I, [

r--3----,

r r b r J..-f
2S

F5/C

G5/C

,.
G5/C

G5/C

r r r r r r r r § 9t PI
for - ey - er and ey - er ev - er, ev - er,

rr
amen.

em - pi

res_

burn

down.L,

I'm your

Cm

r r~rCJJ~
F5/C

F5/C

F5/C

G5/C

,--3-,

loy - er - man.

Jr
help me, ba by.

!f'

P
So

Oh,

so

Cm

G5/C

Cm

F5/C

G5/C

r
help me, ba wIFill4 Cm Gtr. II ~ ----------------------

rr
_

b
'Cause

r I[ r
am

'-3----,

~r r r ~r r r ~r r r
am what am what am what

r--3--,

r--3--,

r--3--,

by.

what

~ ~I'I.

~853?r
am. _ I'm your Riff B (Gtr. I) I
_l

JJ
loy - er- man. There's a Fill 4 (Gtr. I)

II

tJ

edist. tone wlwah & sustainer trem.pick

..

(G tr. I out

dist. tone w/wah & sustainer

.d. 0::

69

2nd Verse wlRhy. Fig. 1 (7 times)

C5 J

_'"

t.

dey - il
I

-in' a - long your floor.

*'

FmlC
_}_

GmlC
}
_M_

'~

[__J
long

crawl

1\

(How Gtr. II

much

-¥

**
There's a

er?)

t.J

-rJ ~.

C5 I

.;
dey - il

-crawl

-in' a - long your

-*
floor.

-.......

Fm/C
}

GmlC
}

'~

r
(How

P
much

LJ
long

-P

.. r
er?)

**
With a

1\

.;

-rJ

H C5 I

FmlC

GmlC

.;

*
trem- bling
I

.,-".',
heart.L,

..
-

••

......_;

~'

L_j
long

he's com - in' through your.L,

door. (How much

t.J

.'
C5

--

••
With his

er?)

.,-,,4'

-,j

Fm/C

GmlC

..

'

I.. -

*'-...1*
sex.L,

**
and his

*
jump-ing

.'-...1 •
paw._

strain - ing
1\

r r..._.long
-

(How
I

much

Ooh._ er?)

There's a

t.J

*-

*'-...1*

pp

H
¥

p~

r
P

":

¥,

r P

70

C5
I

Fm/C

..
dev - il

OmlC

"-._.;"
crawl

..
in'

..,;

..
your

..
-

"t! ~ . <:«
floor.L,

r
(How

Ur
long

a - long

much

--

..,;

..

And he's er?)

..

...
v

C5
I

FmlC

OmlC

..
old
I

......

~ •••

'"J..".

.. .. .. .. .. • . ....... ..
and he's blind and he's lame and he's dirt - y and he's poor.

q"'; ..
Give me

and he's stu - pid and he's hun- gry and he's sore

..

••

~ :>
H

7:.J'"
H

••
v

....... ...
~
H

'-'

'"" H
Fm/C I

<»
H

C5
I

OmlC

OJ

..
I

•
more,

•• •
give me more,

..,;

..,;

•
(Whispered:)

r
give me more. (How

P
much

U r ••
long

give me more,

give me more,

.... ,--,,"
v v v

There's a er?)

N.C(C5)
I

..
I

•
dev - il

.-._.;.
crawl

.
in'

"

•
your

a - long

floor.

'"

..

'"
mf
wldist.

..-...
P

p
(dist. off) p

71

Chorus wlRhy. Fig. 2 and Riff A (both 8 times) Cm FSIC

GSIC

Cm

.-

, ,
tJ

.t
Lov-er Cm - man!
FSIC

o· r
e??:IC

GSIC

,;
for -

Ha,

ha._

And Cm

here

stand,
FSIC

ah, __

O5/C

~I\

E;_e F" d
ev - er, Cm a

.....--

--.....,

E e·,
5'
men.
FSIC

"f

rr
'Cause
GSIC

r--3~

IE
am

..--3--0

J
Cm

rrrrrrr
what am what am.

,r
"(

GSIC

I{

r
For -

what

am

Hey.
O5/C

~Illl

rr

r~r

,..-...,r--- 3----,

!f.

~I
my__

rr
Cm

.....-.......
~~

FSIC

e·., ;%'

rr
and I

give me, ba - by,_ Cm

FSIC GSIC

hands

are

tied,

_
FSIC

ah,
GSIC

r
got no Interlude Cmsus2
I~

rr
choice.c, no choice at
N.c.(F5) (05)

6j3
all.
I do.

choice.;

no,

no,_

no,

no._

got

no

--

(Spoken:)

1'/1

say

it

again.

is

for

LOVE,

baby.

is

for

OH

yes,

Fdbk.

,
t.

(l5ma) I Gtr.1

Gtr.n Fdbk. *
-I -

~-

I I I 1J
HPHPHP

(Gtr. lout)

**FiIIS (Gtr.n)

.~.~
___./\
P
clean tone

112

---

•
-_

5i
HPHP

HP

let ring

----------------------------------------------------------------~

--H

~
H P

.r>
"
Substitute 1112 rest for beats 1 & 2 when FillS IS recalled.
(05)

112

Fdbk.pitch:D~ =Gtr, I to left of slashin TAB.

I

HP

PHPHP

PHP

(CS)

(FS)

tJ

is 112

for

VIRTUE,

(Gtr.n)
I

~~.
..........
./

.>:>.
./

so

1 ain't

gonna

hurt

you. 1/2

is
1/2

for

EVEN

if

you

want

me

to.

t.

».

112

---

./

r-:

---'-'
r>.
1/2 n

__/\__./'\

112

112

(end FillS)

1/2 r>:

112

r-;

* -------------~ 112

-r--:

Gtr.1

..

mp wllight

dist. & wah as filter

'Play w/rhythmicvariations ad lib whenrecalled.

72

CS
_l

wlFiIlS N.C.(FS)

(GS)

t.l
R is for RENDER unto

me,

baby.

is

for

that

which

is

MINE.

And

Gtr.I o·
I

..
(dist. & wah off)

......

ft

_
,_

..

..

...'" "''-

ft

,_

(CS)

(CS)

(G5)

I~
_l

~Illl
A is for ANY old how, darlin'. And N is for ANY old time.

"

n·

._

t.l

Chorus w/Rhy. Fig. 2 and Riff A (both 8 times) Cm

~
.v

ft

O_ Oft

FS/C

~I\ r

r r gO~b r
Yeah,_ yeah,

·~r r
GS/C

GS/C

Cm

rr
got the

r -C
mas - ter

.~ J.
be your_

FS/C

b
FS/C

r·......'1.
s
yeah,

GS/C

~
to

Lov - er - man!

yeah.L,

plan,

Cm

~Illl
~

r
off

FS/C

Cm

take

your_

Cm

~Illl
~

r r r 8·
the throne.
C"""I

--------["
FS/C

dress, __

rf524

"f

"f

If- I t j
yeah, and be

r d -! §JOE
it
your

r J~r"\p""'\
man,

GS/C

"f

man.L

hey.L; GS/C

G51C

Cm

l
Ha,

)0
ha.

'1

I
Cm

r
the

FS/C

rr
FS/C r--3---,

Seize

Seize

man-tlc.L;

*
GS/C r--3---,

Cm

~lll1
~

[ r d•

r......
s

FS/C

, D·......
s
Yeah.

GS/C ,--3--,

r--3----,

"1

Ef
'Cause

I(
am

r F ~r r r ~r r r ~r r r I
I am what I am what am. Yes,

r--3---,

Seize that

crown.L,

what

73

Cm
Gtr. II
trem.pick I

(Gtr. II out)

.a:»:

~ I"
~q1f._,1f
I'm your.L
I ~4

N.C.(C5)

•
I

.... ..,
._,

.. ..
There's a

am. Gtr. I &,

loy- er - man.s,

3rd Verse N.C(C5)

I
/'

tJ
dey - il
I tJ

-lay

-- ing by__ your side.

...

--.......

(Fm/C)
)

(Gm/C)
)

..
r
-

. ~

L_j .._.
long

.. ..
There's a

(How

much

er?)

mp

clean tone w/swah w/slide

*Keep pedal open (toe up) till otherwise indicated.

,
•

C5
I

(Fm/C)

(Gm/C)
) )

-dey - il lay

-- ing by_ your side.

..
-

...

L_j .._.
long

1f

..

(How

much

You might er?)

tJ

P ...._

,
tJ

(C5)
I

(Fm/C)

(Gm/C)
}

....

~,

._,
1~

..

.. ..

.. ..
look in his

.,

~
eyes.L,

r
(How
/#.

L_j
'_.-

.. ..
And he

think he's

a - sleep.L

but take a

,
tJ

much

long

er?)

;;-:::::-. .

,.

74

(C5) I

(Fm/C)

(Gm/C)
}

~
wants

* *'-1* *
you, dar

•
to be

•
his

.'V.'
bride.L

'"

r
(How

P
much

LJ ._..
long

f
er?)

.,;

••
a

lin',

Yeah, there's

........... ~ ~

---...

",---

•
....

;.

(Fm/C)
}

(Gm/C)

,
~

(C5)

*
dev - iI

*..._.,,* *
lay

<:» ~
by __ your_

*
side.

r
(How

p
much

ing

long

1\

""'

~,,-....~.

..
..

---'"

LJ
-

f
er?)

-...
-~,

(C5) (Band tacet)

_........... *
I I

.v

*Close wah pedal (toe down).

Chorus w/Rhy. Fig. 2 (12 times) Cm I

F51C

G51C

wlRiff C (11 times) Cm

•
Lov-er-

lr •• ..-

-..,.....-.......-.

•
Lov

•
er

lr •. -

-.,.....-.......-

F51C

GSIC

man!

Riff C (Gtr. I)
1\

._----------------------------------------------, sl. sl.

..
p

man!

f dist. tone wlwah & sustainer

trem.pick wlo slide sl. sl.

75

Cm

~IIII E
~

r ~r-- -r-'>s
F51C

051C

,b
I'll

Cm

F
be

~
d

r r ~rman

F51C

~~r~s
ah,

051C

rr
till the

Lov - er Cm

man! F51C GS/C

your

lov - er Cm

~IIII
~

E
end Cm

r
of

d
time,

rEtJ
6
~'

F51C

"1
ah, F51C GS/C

rr
till the

IE

r
Cm

• j

C'>

[J"'
down, ___

,J J

051C

em - pires

bum.L;

"
GS/C

~
for

~llll
~

C; r
ev- er, Cm a

"...--.."

,....--...,

y
051C

Er
I'll

II

I ~II id
Cm

---

,.---...,
~~

F51C

men.

be your

lov - er - man.

r
f

r
I'll 051C

rr
be your

~IIII
~

r r tf

---- f
------ f

F51C

,
Yeah,

6r
I'm your

E-i' I ::d
Cm

trf

-----..

F51C

"1

6r
I'm your

lov - er - man. Cm

lov - er - man. F51C 051C

~IIII
~

r r tf
man. fdbk. (Otr. I)

F51C

051C

6r
I'm

r I r r ~f ------ f
your lov - er - man,

6
I'm

r
your

II

lov - er Dutro *w/random Cm I

r--

• "
-.J
I

lov - er - man, Otr. II

lov - er Otr. II
1

man. **

I'm

---

3 ----,

your

I
~ pi
clean tone wlreverb

trem.pick let ring - - - - ~

Otr. III

'Gtr. I plays lst note of Riff C and allows it to randomly feed back, gradually fading out over next 4~ bars. N.c.(C5)

"w/vol. knob (next 2 bars)

,-3---,

•
mp
I
I"'..

lov -er

- man.

< < <: -< J

I............ 1,....--... 1

I'm

--- your Otr. III

~
I'm

..
your

lov - er - man.

.,.,

J---,

r
v

~-

(Otr. II out)

Lt
v

r
v

~.._

.. .. ..
v v

76

t>

..
I -6-

...

.......

'

.. .. .. .. ......
Yeah, I'm your lov
v

......
Yes,

.. ..

loy - er - man.

er

>

man,

,
~

.. ..
(FS)
(GS)

._
-6-

-I'm your

(CS)

I
!

lov-er-

man, __

'-'

I ij J. ~
loy - er - man, sf. _

J
F

..._.,
loy- er - man, _

I-.J

,r
5

r
5

6
5

r
"

I
4

sf. 4

(FS)

(GS)

(CS)

(FS)

(GS)

I~ r ~~~
loy - er - man, 6

for - ev - er,

men.

F
4 5

&ir

Ir
6

F
4

r rt4
"
"

"
(GS)

I
(CS)

If
-.J

(CS)

~I!I,

r~/ f

E •

I )j J J
-

(FS)

r·

p
much

(Whispered:) Lov- er-man.

Gtr. III I I

Lov- er- man.

(How

long

r--J--,

.,n
"'-

--H p

r
I

II

er?)

~I
rit.
H ....-. p

r."I

*Gtr. I

"Clean

"

/,

::

.x

'..:.J

tone w/wah (pedal open), w/shde

"Gtr. I to left of slashes in TAB.

77

Mercyful Fate
Featuring
II

Evil,.1 "Curse Of The Pharaohs, II IISatanls Fall, II II Into The Coven, II and IIA Corpse Without Soulll

Tune down 112step: @=E~ ®=G~

~=A~ (6)=B~

@=D~ <D=E~

"Satan's Fall" Moderate Rock

Intro
_1

I I
134

BS

.3&.
CS
134

Music by Hank Shermann Lyrics by King Diamond

GS

I
134

Fis

I
13

F#S(lype2)

AS

I
II

AS (lype2)

I
I

DS

I I
13

BS(type2)

FS

134

J = 148
N.C.(ES) (F#S) (ES) (F#S) (05) Rhy Fig I

II

II

Gtr I

~ ::;

'-

s,-

~
P.M. -----~

.. ::; ..
..

.. ..
::;
::::

::; ::; .. .. q~
P.M.

_/

st.

..
.,

dist. tone

P.M. --------------~

P.M.' - - - - - - - - - - - - - - - - ~

...
A

_,)
Full
.I~ ~

.
(ES)

.
J,.-...
~
Full

..
(ES) (F#S)

.
Full

..
8S

(ES)

(F#S)

(F#S)

AS

Gtr.III

Full

1111 ~

-F

~~~ +_.+

~ f_

f-J'

~ f:. fI. f-

:""""\

#rt
P

fI.~

#'

fl.r"'\fI.

dist. tone

,.;-

F~Ull F;ll
.0,;;

,.;;

Ft

F;ll

lUll

Full

,;;

P
'v

.....

1112

,/

II

II

Gtrs. I & II

(end Rhy. Fig. 1)

iI

::;

P.M. -----~

P.M .. - - - - - - - - - - - - - - - - ~

::; ..

P.M. - - - - - - - - - - - - - - - - - - - - - - - ~

..
::;

..
::;

::;:

..
.

11

~ >-

P.M. ------~

.
w/Rhy. Fig. 1 (Gtrs. I & II) N.C.(ES) (FtS) (ES) (F#S) 1/2

.
(FtS)

~
v

(Gtr. III) P
I

II

II

,.........,,_ fI. ~

m m .71 m
112 112

(ES)

(05)

#~_f

'-

::::
'v

,;,

;-

m m..
112 112
__ll_

112

..
'v

Copyright

78

(c) 1983, 1987, 1998 Roadster Music, B.V. and Roadblock Music. Inc. (ASCAPl International Copyright Secured All Rights Reserved

(E5)
I\.

(F'5)

(E5)

(FI5)

(E5) (F'5)

B5

A5

Verse wlRhy. Fig. 1 (2 times) (Otrs. I & II) N.C.(E5)(FI5) (ES)(FIS)

, It

tJ Full They're walk- ing by the night, the

p

~-----------------------------------------------------~---~
J

_1L1l

fl. fl. '" fl. fl. '" fl. fl.

fl. fl.

jt. jt. jt. jt. fl.r-;fl. ~

.--,

,-

sf.

(Otr. III out)

..,
Full
/
ow ow ow ow ,w ow ow ow ,w ,w ,w

,----------------------------------------------------------~
4
'w,

P
F.

sf. (E5) (FI5)

(ES) (FIS)

, III

r r r r D-r
fro - zen blue.L; (E5) (F'5)

(GS)

(ES) (FI5)

(E5)

r r rr
(ES) (F15)

(FI5)

rrr r
(G5)

r r r r-r
get (F15)
(ES)

B5

A5

,-I' r ,-I' r r ,-I' o r- --r

N.C.(E5) (F15)

moon has

Long black coats a

shel - ter for the rain, their

load must

through.;

!f

rr

Now bats are leav - ing their trees, they're

E2J
:>

r r r rtft2r
the call.L, C5 G5

(E5)

join - ing

*
:>

ur r r
sa - tan - ic

(F15)

;OJ

r~\ I
:>

Sev-en

hell preach - ers

(ES) (F15)

B5

A5 Rhy.Fig.2 (Otrs. I & II)

B5

(end Rhy. Fig.2)

)J
:>

o ~'f'~\ I r
I"':'..

r 9r~r r r r' 1 '0

:> :>

)
:>

:>

J
child.

)
---...._
:>

r
born C5

pf'f
9(--r
ceed.L,

s::

head- ing

for

the

hall,_

bring - ing

the

blood.,

of

new wlRhy. Fig.2 B5

F4

wlRhy. Fig. 1 (last 2 bars only) N.C.(E5) (F'5) (E5) (F15)

(E5) (FI5)

B5

A5

G5

r'\
ah. Freely FI5 Otr. II ~

IE
Oot

j
to

j
suc

E
if

rr
not it's

Yeah,

rt-.
:>

II tJ

It
Sa - tan's

-=:fall.

r.....
I

-.1.

L._h

, It
tJ

r-.

Otr.I

~_
&_

_:ti •

~-6 •

-"sf. sl.

Lb

79

-~
1\

"Curse of the Pharaohs" Tempo I

(Otr. II out)
N.C. CS/A

os

N.C. H

CS

N.C.

~ \_.I~

~
P.M.

II

~ \_.I ,~
H

P.M. - ---~

P.M. - -- -~

P.M. ----~

P.M. - ---~

P.M. - -- - -- -.. -~

•
_

:::
CS/A

_
CS 8S N.C.

:::
CS N.C. CS/A

N.C.

112

~ ~ ~

l..a..
~ ~
P.M.

:t

:t

~
P.M. :::

l'

:t

:t
P.M. :::

P.M. ----~

P.M. ---~

P.M. ----~ ::

••
v v

"
J

~
P.M.
.> v

_
CS N.C.

_
v v v

I\,
N.C.

::

(cont. in notation) Gtr, II _

11

B':'"
P

~ ~

•
r

P.M. - -- - ~ ::

P.M. -- -- -- --- ~

:t

..
.
N.C. F'S

_....

)Z

N.C.

OS/A

CS

Gtrs, I & II

... ..
V

:t

~
P.M.

let ring - - - - - - - - - - - - - - - - - - - - - - - _.... -~

P.M.- - --~

••
V

:t
.-

P.M.

::

_
N.C. F'S

P . 8S/A N.C .

Play 4 times Otr.II

tr~

AS

*Rhy. Fig. 3 (Gtrs, I & II)

v
P.M. ----------------------------------------------------------------~

=Composite arrangement of both gtrs,

_I------\
1\ ~ ~

Full

ES

otr. III

q~

-,J

..
.

P
Full
./

P.M. .-- --- --- -- -- ~

I------~
C

~ ~~

~~

(Gtrs, I & II)

(end Rhy. Fig. 3)

.;

v~

~~

~~

~~~

P.M.--------------------------------------------------------------------------~

~I

>-

::

::

80

wlRhy. Fig. 3 N.C. (FIS)

N.C. FIs

AS

FIs

8va -------------------------------------

Full ~

Full

Full

Gtr. III

~!-._
Full

1'"

fl-fI-.
Full

~!._

1'"

f'-..fI-.

~!..,
Full

st.

A~
1st Verse w/Rhy. Fig. 3 (1~ times)

}\2:..

AA

st.

ES
N.C. FIs

, II It

f'-.
Way 8va .----------------------------------------------, _/------------------~ out in E - gypt in the val - ley of

-;:::::----~
r

'

..
Full
P

N.C. F'S

AS

kings,

'"
-.J

ILIt

«:». ~

f'-.

fl-r'\f'-.-'

.--

,---.....

sl.

Full _/- --- ---- -- -- -- -- --~,.!_

,.~
FIs I

st.

E5

jilt

-.J

-t
_1

.1l1t

oco (l5maj___ , , __, ,

A~E1---~
Full

(l5m~~_ , __,

..
A.H. pitches:

=.
Full
AH.

where A.H. A.H.

the

(lema)

r
Full
A.H.{--\ P P

bL
p

I
AH.

FI
pl5
FI N.C. I

..

- ..
P

(l5ma)
I,

-- ----------

--

AH.

G p

cl
pI5

N.C.

pI5

A5 ;;;--.,

.LIt

-.J
mum - mi - fied phar - aohs pre - tend dead in their sleep, a

II

+I

'-"

(Gtr. III out)

-.J

81

N.C. F'S G'S

AS

8S

cis

8S

yeah ..

Don't

touch,

nev

er

ev-er

steal, __

Rhy. FiIlIA (Gtr. II) -- - - - -- -- --- -- - -- --,

Rhy.Fig.4A

~M.------------------------------~

~M. - - - - - - - - - - - - - - - - - - - - - - - - ~

P.M. - - - - - - - - - - - - - - - - ~

Rhy. filiI (Gtr. I) - - - - - - - - - - - - - - - - - - - - -,

Rhy.Fig.4

v
~M. - - - - - - - - - - - - - - - - - - - - ~ P.M.. - - - - - - - - - - - ~ P.M. P.M. ~M.·-~

cis
II

N.C.
I

Fis
I

N.C.

tI
I I

,
tI
vll

II
you're in for the kill.

II

tJ

-11

un

less

11

11

11

..

- .. ..
i

(end Rhy. Fig. 4A)

r---,
sl. sl .

II

..

.. .. .. .. ..

.. .. ..

sl.

sl.

tI

tJ

v'" ... ...

...

...

... ...

...

... ...

.. .. ... ......
-

(end Rhy. Fig. 4)

:
11

P.M. - -- ~

P.M.---~

~M.- - - ~

~M .. - - - - - - - - - - - ~

::

::

::

82

Chorus

F'S N.C. F'S

AS

CS

8S

CS

8S

AS

ES

F'S

N.C.

rts

AS

~ It
t
Or you been

.".'

r'\

OS

cis

...".

hit

by

the

curse

L,

of

the

~ It
t

*Rhy. Fig. S (Gtrs. I & II)

~i

~\",.I~

i q.
P.M.

-,j~-,j

q.

-,j

=
11

P.M. - - - - - - - ~

P.M.

,
:: v
CS 8S

~~

11

~,

,~

= .,
111

~.~
*

P.M. - - - - - - - ~

P.M.

::
'Composite

::

:: v

.
F'S
AS

::
v

arrangement of both gtrs.

,
:

OS

Cis

ES

AS

F'S

N.C.

CS

8S

AS

ES

1##

ftf
phar

..-....

t fF
(end Rhy. Fig. S)

!f

FFF
Yes, you been

r
hit,

aohs.

I' #) ~ d J d
I

P.M. -- ------~

P.M.

P.M.

F'S N.C. Fis

AS

OS

cis

ES

Dis

II

It

.".'

'.".

'~

,#.~

-----===----~,
;t ~
Hit

ES

t!
and II the

curse.;

is

on

you.

It

Gtr. II

t.

~~
P.M.

=
111

~\",.I~

=
111

.,

.,-,.

sl.
It..., ....

me.

--".

-r sl.
::

111 '"

P.M.

.
1\

::
v

.
sl.

ft v

sl.
I I

II

It

Gtr.I

tJ

~~ i
P.M.

~\",.I4

11

.. .,-,.
v

.-sl. -:

It ....

~",

sl. ::

P.M.

:: v

sl.

...

:: v

sl.

83

II ~.

t>

~,~
F#S Rhy Fig 6A

GS

AS

F#S

BS

AS

ES

F#S

GS

AS

~ ~~~ q'

~ ~"-'~ ~

~ -,J_;w

~ !,,-," ~
v

~~~~q'

~~ .....

.
» It
t>
Rhy. Fig. 6

:::
v

:::

:::
v

=,~~~~~~~
P.M. - - - - ~

q' ~ ~ ~ ~"-'~ ~ ~ ~ ~ -,J.....-,J

P.M. - - - - - ~ P.M. - - - - ~

~ ~ ~ ",,-,"
P.M. - - - ~

~ ~ ~ ~~~
P.M. - - - - ~

q' ~ ~ ~~ .....
P.M. - - - - - ~

- --1. F#S

::

.
;: AS E5 2.

:
v

:::

~
::

.:

B5

Fis

BS
Gtr. III
}

A5

» It
v~
~

(end Rhy Fig 6A)

..

~a

-,J

~.

]1-

1I_

_~

aa

Gtr. II

..

sl.

» It

r
(cont. on lower staff)

sl.

.
II ~

:::
v

:::

(end Rhy. Fig. 6)

t>

v~

..
.

~.

]1-

11_

_~

~~~
P.M.' - - - - - ~

..
.
BS

» It
~

P.M .. - - - - - - ~

:::

.1""\.

Double time feel

Guitar solo

cis

It

G tr. III

...............

ti.,:

..
...............
A

=. H

(end Rhy. Fig. 7)

» It
t>

*Rhy. Fig. 7 (Gtrs. I & II)

.. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. ..
";

11'

11'

lIf~1I

P.M. ------------------------------------------------------~

'Composite arrangement of both gtrs.

84

w/Rhy. Fig. 7 (2'12 times)

cis
II ~
P

BS H

cis
P A.H. (15ma)

..,

-H

__}
1'"'"\

Full

~~~

.. -sl.

Full
L

P A.H._

Full

F:lI

.
P

=-

~
sl.

BS

cis
P

II ~

~ .. I'""\ ..

c-:
P

P u
'--:'\

_._

"""'"
P

_._

._,
P.M. - --~ P

...., .....

(end double time feel) w/Rhy. FiJI 2 BS

w/Rhy. Figs. 6 & 6A (both 1% times)

ES

Fls

GS

AS

II ~

---

Full

_j. ~ ,.-.

P P

_)

114

trem. bar P ...... 114

ES

Fls

GS

AS

·2

-----------~

trem. bar

II

------~

**

'VIp

=Pull bar up.

··Bar at normal position.

Rhy. Fill 2 (Gtrs. I & II) II

It

]f""' 11_.

-85

F'S
H I

BS
P *114 *114

AS

ES

F'S

GS

AS

F'S

BS

AS

ES

II

It

". • '*'
1

r-. ,,-..,V,,-..,V

'*'
V

'* -.:

~----~8va----------------------------------------------------------------------, '*~ '* *****'

~
-(;.

sl.

~
H\lP
*114 *114

vib. wlbar

L-J____j

..
{Cont. on lower staff)

trem.pick

,
*Hit tip of bar w/R.H., causing bridge to vibrate. (Works wlfloating bridge trem. bar systems only.)

..

sl.

- ...

F'S

GS

AS

F'S<type2)

fr~-~~~
loco II

It

f!:.=

0.

Gtr.~))
P

~
trem. bar

~I"'. ."'\

.,

1'1)
s Iae -k

BS (type2)

AS

) JJ".-....

DS

BS

ES

BS

FS

.... _:\1_\1_\1.
trem. bar
J

sl.

(G tr. I I out

.....J

..................... 1r.----~P

.....

........

..........

Gtr.I

=== slack

{t ~
'"

.-

sl.

II

It

*Gtrs. I & II

-~

~~~
P.M. ------1

.
ES

..~

..

_,..._
'II

..
v

"'II

,........,_
'II

'II

._.

.. ..

P.M.----I

P.M.----I

::

- --II

. ..
FS

..

:::

It

,......

B5

ES

,_

B5

D5

- " ..

'II

'II

.....

11

BS

*For next 8 bars only, whenever P.M. is indicated, Gtr. I plays as written while Gtr. II substitutes .I"":!"":)

,..._

BS

BS ,......
11 11

ES

...,

,_

BS N.C.

AS

11

.-.._;.

'II

11

._.

11

'II

11

__.,

11

"iJ. ~~
P.M.

.....

P.M.----I

P.M. ----I

P.M.·---I

P.M. ----I

P.M. ----I

..
II

~ • -----I.. P.M. ~

. . .BS
F'S

..
F'S

BS

.F'S

::

It v~

Fis

CS

AS

Y~Y

~ ..

::;

P.M. -----I

~ .. q*-.....,__;*

~i

P.M. -----I

.. •~
::;j

Y'-.../Y

..
~
F'S

~~

P.M. -----I

.~

F'S

F'S

= •

.
BS

II

It

F'S

BS

CS

v~

• P.M. -----I

= • -\...,..I.

.. .. ..
~

= ~ <:»

~~

P.M. -- - --I

P.M. -----I

..

-,J~_
-

.. ~ ; ..

.
86

E5

D5

cI5

C5

A6

85

Gtr. III '_ILl!:

" .0.
(~

L"'...n
Full Full

Gtrs. I & II

p.~.----------------------------------'

, jl_Jl
.>

N.C. 85 D5

85

E5

~\

Ooh,
A.H.· - - - - - - - - - - --, (Bva) Full

the

,
•

_i_

Jlr-.~"-'_,..

}_

Full

Full
p

/,f-)

Full
))p

~ ~ t-

~~ r t3P

))2:

FulJ

....._,
. sf.
\.

A.H.· - - - - - - - - - - - - ,

F;n

Full

. • '_

F~

FulJ

",p

F~

f.

'

• .

_i_

Jl
." -,} -,} -,} -,} -,}." :, ."

...,,-,.
P.~.-- - -- -- -- - -- -- -- ---- - --~

." ." ."."." -,} -,}." ."." -.I -.I -,}." -.I"'''' ;
:> ~I

p.~:------------------------------------------------------~
;: ;:

:: v

87

2nd Verse w/Rhy. Fig. 3 (l~ times) N.C. FIs

" II

II

~
curse of the phar- aohs can be so

~r--..~
dead

N.C.

----

Fis

AS

-=---

Fis

t!

ly, 8va

------------------------------------------, Full Full Full

(Otr. III) sl. II II

p~~~~.~~
.r, + .r, .~ .~
Full Full Full ~\ sl. .~,

~
sl.

ES
1\

N.C.

F'S
rr-;

N.C. Fis lAS

II

II

~
just Full

t!

loco II II sl. t!

~,-_~.-

~~--de stroy - ing sl.

your

fu

ture,

mak - in'

,,-...,
it all shad-

sl.

~
,. sl.

.. \

sl.

sl. wlRhy. Figs.4 & 4A N.C. Fis G'S AS

wlRhy. Fills 1 & lA FIs

I II

111'"\

.---:::::
y,

--...__
r

....-

t!

II

II

..... .
!: !: !:-!:
~

~-~
~~

.,
Don't

.,
touch,

~,-_

yeah.

nev -

~ ~ ~-!:
~~

~-

~.
~.

,..-.._

sl·sl.

--w

t!

..
.w

.
.w

I.....J
I.

FIs
N.C.

sl. sl.
BS C.S II BS

cts

N.C.

III'"\~

~",---...~""""'

,
I I

t>
er
" II

ev - er

steal, __ sl.
",---...

un

10'
you're

I
in

I
for

I
the

J
kill._

I
(In

less

II

.,
I
I I I

.,

.,

.,

.,
I

for the (Otr. III out)

t! sl.
.....

sl.

sl.

88

Chorus wlRhy. Fig. 5 (2 times)

F'5 N.C.F#5 A5

C585

C5

85

A5

FFF
Or kill.) you'll be

E5

FI5 N.C. FI5

A5

hit

*
A5

"1

CjJ
by the

~r"\r
curse.L, A5

05

CI5

F
of

r
the

I
cI5

rtf
phar -

--..

05

CI5

E5

A5

r !rS?1
A5

aohs.

C585

C5

85

C5
Gtrs. I & II

"1

C
Yes,

C
you'll

F
be

E5

F'5

N.C. F'5

hit,

*
05

E jJ
and the

~r"\r E
cursc.; C5
is

05

05 CI5 E5

F
on

"if tf
you.

I~

85

C5

85

tJj IIi
I
>'-"

"1 ¥

>V

t!
i
C5

, lIlts
¥
> >'-"

8~5

85
(Gtr. II cant. in slashes)

It' ,,:tJj
>-

I
=
Gtr. II)
>

i
"A Corpse Without Soul" Faster J 196 Tripletfeel ( A5 (type2)

:
=

:
05 C5

II ~~9

>-'-"

:
C5 N.C.

II

J J»
(Gtr. IIout)

-3-

05

N.C.

I~t J J -q;j J
P.M".---~ II II

Rhy. Fig. 8 (Gtr. I)

~ J If
P.M.' -- - ~

IJ)J
P II 7 5 '_' P 7 7 5 '_' P 7

7
P

7
P

C5

05
(end Rhy. Fig. 8)

N.C.

C5

N.C.
J

05

C5

05

C5

J -0
5 7 5

I ~: I J J
P.M.- ---~

#fa J If
,5

:
J

II

II

7,

_
P

7,

_
P

,5

II

;
05V

;
)
>-

N.C.

Gtr. II
J J

)
>-

(cant. in notation)

•
P
-"'-

P
,~

..
,~

~~

<::»
P sf.

..

~~
P P

~ >:;

;:
>-

.~

~
P sf.

::: :::

::: :::

--

89

wlRhy. Fig. S
N.C. C5 J .........__ N.C. J ...;... *D5/A CIA DIA CIA N.C. C5 N.C. 3 ...;... J ...;. C5 05

Rhy. fig. SA (Otr. II) I

II

P.M.. --~

P.M.

•
v

~
::

~ ~
...__

(end Rhy. Fig. SA)

P
,v v

.. ,:
~
v

P.M.---~

~
::
v v

.v v v

"

,v

r
P

r
P

lC

*Notes to right of slashes played by bass only. P

1st Verse
N.C. CIA N.C.

1\

.,..

..

..
Listen.

CIA

N.C.

..
~
yeah,

~
Lis

-,..!._
P

C5

05

ten, (Spoken:) Listen.

,
~

Rhy. fig. 9A (Otr. II)

-!....
~~
P.M. --~ P

(end Rhy. Fig. 9A)

....!.....
P

,..!._ ~~
P.M.' - - ~ P

,..!._
P

,..!._ ~~
P.M. ,--~ P

-!.....
P

.. ,:
~
.~

~
v
v

~ ~
P
:"

~
,v .. ~

::

" P

]'_

-". :r •
P

Rhy. fig. 9 (Otr. I)

J

~~
P.M. - - ~

(end Rhy. fig. 9) I

....!.......
P

-!....
~~
P.M.'--~ P

....!.......
P

-!......
~~
P.M.' - - ~ P

~
P

1\
W W'

N.C.

::
V

JP

w/Rhy. Figs 9 & 9A (both 3 times)

CIA N.C. CIA N.C. C5 05

"1

Er
I'm a

F r~s
C"\

"1

r
I'm

r=-s EF
a corpse.L

C"\

E
I'm

rF
a
N.C.

C"\

( J,.

r
F

(fr
soul._
C5 05

corpse.L;
CIA N.C.

corpse;

with - out

N.C.

f
Sa

ft ...........
tan,
CIA N.C.

.. ,.
Satan.

CIA

------(Spoken:) Satan.

21

--Ir r
yeah,
CIA N.C.

r--J----,

;:::;:_

F='\

*
C5 05

N.C.

cr
he's

C"\

F·...,s
in',

tak

(
he's

C"\

F'
in',

=-s

tak

r
he's

r--3----,

rr
his toll. _

tak - in'

90

DSV Gtr.
II

8S(lype2)

CS

J
~

.,-

,
He

) ) • P.M _____ :- ______ :':J

J

r--J---,

.. -,
()

-.

.>

~
took it out on me.

Gtr.I

.>

..,

~.

~J----,

st-:--

~! !

9-

P.M.- - - - - - - - - - - - - - 1
-'"

~
:-

st.

.....

)).

P.M

..,
-r\

.> '::-6

..

__
st. st.
I

J
~ ~
P.M. ----1 P.M.----1
'A

..
~/

'-" P

P.M.- - - - 1

--

~
P

::-

::
_v

"L

~:

,ft

J~J_)
J J

CS

os

w/Rhy. Fig. SA

N.C.

CS

N.C.

).
:>

steady gliss

..,

":J.

":J.

P
r

P.M.----1

...,-:-:=::
st.

:>

"

:>

~.
>-

":J.

":J.

P
~ ,-

P.M.- - - - 1

st.

CS OS

,-~
P

DSIA

CSIA DSIA CSIA I

N.C.

L.......J

P.M.----1

••
!.

CS
I

N.C.
J

•
~

" ...
11·
v

~
P P

91

2nd Verse wlRhy. Figs.9 & 9A (both 4 times) N.C. CIA N.C.

"
~

....

II

....

CIA

N.C.

Ir

r--

..-

3 ==::---,

I, (Spoken:)
I,

yeah, I.

r r~\ *
;::::...._
CS GS

CS

GS

N.C.

CIA N.C.

*
N.C.
night,

F
I'm

IT
trapped,

rr
I'm trapped,

r
I'm

CIA

(_.
::J
CIA

N.C.

F
his

pQr'
spell.

>.t

F~\
CS GS

P
To

trapped in

~f

~-----------

q:

CIA

N.C.

;,
night To night _
BS(lype2)

N.C.

I
_

~r~r~F~\
F
to hell _

yeah,

(Spoken:)

To

N.C.

CIA

N.C.

r--"--3 ----,

N.C.

"f
I'm
DSV

D
I'm

F
go

go - in',

I'm

go - in',

in'

Gtr. II

I
Q_""-""_<:j

:>

)))
:> :>

~'---,

CS

N.C.
(cont. in notation)

~r-3--,

P.M .. - - - - - - - J

.~
spell.
-&

•
Gtr.I
1\

in - side his

r-3--,
sl.·"!

r--3--,

Gtrs. I & II

"',

...-.

!!

•
P.M.

P.M .. - - - - - - --I

----------------------------------------------------1

.. .. •
"

(Gtr. II cont. in slashes)

r--3--,

.--3---,

-:J.

".

,--3----.

-:J.

-:J.

~#~~
v

~
;.

:: sl.

Freely
AS (lype2)

Gtr. II

trem.pick

1---------- ~

J J. -------

r.'\

Gtr III

Q--..

sl

;.".',..-..

~
sl.

Gtr.I
1\

~
-&

~ ~

1\

r.'\

_,~

~em.pick

••
==
v v

:., -&,

_,-&

= = = ..
92

==
v v

.:iL

ft .

"IDto The Coven" Moderately J 144

Straight eighths feel (

n= n)
(Gtr. II out)

N.C.

CS

G/A

P Ir
19 14 19 12

PIA

CS

OS

-r

:0.

2J

~ J J J j J J J I ~ j j i§3
P.M.---1 P.M.---1
>1

114 P.M.

P.M.---1

P.M.---1

P.M.---1

P.M.

P.M.---1

!
S

:
CS G/A

:
PIA

!
CS

N.c.(AS)

(Gtr. III)

~.

-1!:"-'_~
vib. wlbar.

.._...._...._...._...................... sf. ....._

/~

:0.

... ,_,

f""'7

-~.
vib. w/bar
.\

OS

(Gtr. III out) "...-.....-si

'~.__:

tJ

sf.
"0/

U~~~~~~~~,~·~~~~~~
-,

.-

/ \, 'ow;

.. st.

Gtrs. I & II

114

Gtr.I

sf.

Gtrs. I & II

ii

~ ~ ~ ii ~ ~ ~
P.M.'--1 P.M.·--1

~ ~ ~ "iJ. "iJ.

r
::

P.M.

P.M.·--1

., .,
*CS/A

Gtr. II

P.M.·--1

rr
:r.: ..,..

ii

-c-

P.M.·--1

-.

P.M.

P.M.---1

sf.

.,

..

::
In TAB.

::

*Gtr. I to nght of slash

Half time feel

N.C.(AS) G/A PIA CS OS 114

Rhy. Fig. to (Gtrs. I & II)

_l

)
4

I ~ ~
4

~~

~
P.M.

~ ~~
P.M.---1

~
P.M.

<:»

P.M.-- -1

P.M.---1

::

P.M.- --1

P.M.---1

P.M.---1

..
93

*A played by bass only.

N.C.(AS)

114

CS/A

G/A

F/A

"
.;

os CS (end Rhy. Fig. 10)

I

Gtr. I

sl

Gtrs. I & II

•
v

•
v

4
P.M.

•
v

-.J. -.J.
P.M_- --~

Gtr·r
II

-_
r

P.M.-- - ~

P.M.- -- ~

I
v v v

114

::

••
P.M. - -- ~

-:»
::

..
.

P.M.---~

P.M.---~

.z,

I s. P.M.
.'!'
·ft

~
::
v

FS OS
I

CS OS CS

OS

E~S I

FS OS I
).

r--

~
-\...I

.;

1st, 2nd Verses wlRhy. Fig. 10 2nd time w/FilI 1 N.C.(A5)

...
::

...

-.

CS 05 C5

OS

O'S

ES

F5
sl.

-\...I

...
::

...

::

..

.
;,

jt-

::
:;;
Oft

::

::: sl.

lIS

C5/A

G/A
7

F/A

C5

05

~(?)
1. Howl dress N.C.(A5) _ _ like a till you're

~
wolf__ na - ked.L,

E2J ;J
and a
C5/A

I IT">\
witch

J JC\j>
00_

!f

pJ51Jt
F/A

and put
G/A

will o - pen the this.; white

r r fer
door.L coat.L, C5 05

I~.
Fol Take Chorus low__ this white me, cross _ _ yeah,_ and and meet.i; go_ to our the high ceo - ter FI5

J
of priest - ess.} the ring.L,

II

" ------.;
Yeah,

G5 F#5~_------------------~G5

"
I

r~

"
come, come

Gtrs. I & II

.;

'#~~

#~~

,:
v

,~
sl.

P.M. -----------------------------------------------------~

------I

----FiliI (Gtr. III) .;

v.

,_...'
sl:

P.M. - - - - - - - - - - - - - - - - - - - - - - ~

- - ....

(Gtr. III out)

P P.M: - - - - - ~

94

N.C.

ES

GS

Fis

GS

._,

"

II

.,.
in

II_~

)r'

to

my

coy - en,_

yeah,

._,

#~

4J.

.". q.'

,:
.s,

;#i~
.x
v

#i~
.it

~'

;:
X
v

~~.------------------------------------------------------~
v v

.
I

_.._

;;_

. . . .z. . . . .
z, ,;:: .z, ;::

. .z. . . . .
;:: _;;_ .z,

To Coda Fis II

Guitar solo w/Rhy. Fig. 10

AS II N.C. AS

..
and be - come Lu

ES

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E5

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tJ

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Pre-chorus G5 05 E5 05 F'5
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(Gtr. III out)

05

C5

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(15ma) Full

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(end Rhy. Fig.llA)

*Rhy. Fig. 12 (Gtrs. I & II)

,.....
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tJ

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sf.

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(end Rhy. Fig. 12)

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lid fig ~id b

:::
l : I II

:: :: :::
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w/Rhy. Fig.llA GS

r
I'd ES GS

r I
ES love ES

GS

p
to GS

r
hear os

F3
you __ E5 os

r~1 ~=
cry,

GS

ES

GS

ES

GS

IF
GS ES GS ES

::=:::-...

ns

ES

os

ES

F
GS

ns

w/Rhy. Fill 3

Pre-chorus w/Rhy. Fig. 12

r
I'd

p r F3
to see you_

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rJ%u=
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ES

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I

::::..-....

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r t'Flf
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t
to

t
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f
your

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rr
I'll be solo G5 E5

(]Qpr51
the last_ G5

to

leave.

Chorus/Guitar

1~lr~ p=:
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.-

w/Rhy. Fig. 11 (Gtr. I: 2 times; Gtr. II: 3'12times) os

ots

E5

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II

9F
I'd Full

It
love llh

E5

G5

P E FTF r
to hear you_ Full

05

E5

05

ES

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II

Gtr. III

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cry._

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p
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= pedal open (toe up) + = pedal closed (toe down)

101

G5

E5

G5

E5

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5

G5

05

E5

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sl.

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HP

P p p

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si.

(1st 3 bars only)

G5 E5 G5 ES G5 8va ---------------------------------------------------------------------------------------------------------------------

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and
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bye._

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and

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good

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OS

CS

FS

GS CS GS

AS

r;> -(end Rhy. Fig.13A)

..
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OSCS

r-.

I will eat

your

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I 41-

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(end Rhy. Fig.!3)

"
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11

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104

Guitar solo wlRhy. Figs. 13 & 13A (both 3% times) F5 Gtr.III G5 C5 G5 A5 B~S

05

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.;

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F5

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:
.

~~~ ~

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.
F5 B~5

"Bass plays G pedal (next 4 bars).

(cont. in notation)
F5 B~5

,,
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(Gtr. II cont. in slashes)

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11

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A~5

*Bass plays B ~ pedal (next 4 bars).

Double time feel Guitar solo Gtrs. C5 C I&II ~~-----)---,

(cont. in slashes)
I

----------------------------------------------------

r--

G tr. III

A.H. (i5ma)___

tJ

11'

~~~i

..
,

grad. bend

..
106

.. ,.. ,..

A.H. o.

A.H.

_./

Rhy. Fig. 14 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -,
________________________________________________________

)
Full

,,, ,,, ,,, ,, ,

) ) )
J A.H. A.H. (lSma) (lSma) 1/2 Full 1/2 Full

~------------------------------------'
_1 I

A.H. A.H. A.H. A.H. (lSma) (lSma) (lSma) (lSma)

r---~
".....

wlRhy. Fig. 14 (5 times)

P

tJ

-P P P
v v

A.H. (lSma)

..

Full A.H.

------------------------------------,
A.H. A.H. A.H. A.H. A.H. 1~2

L-3---l

Full

Full 1~2

r---\

A.H.

.w
A.H. pitch: G A.H. (8va) I A.H. (8va)

..........-

!:

~
;:"\

-'- ttA
w w w

£:

bf

~ f~f ~

~
.:.............A.H.

P A.H . P
.w w .w

®3fr.

(end double time feel) (cant. in notation)

B5 A5(type2)
>-

Gtrs.
I&II~

"Satan's FaD" (reprise) Outro

N.C.(ES)(FIs) (ES)(F'5) (E5)(F'S) (G5)

~ ")' ") P.M. - - - - - - - - - - - - - - - - - - - - - - J >Full Full Full

_).,

_).,

_)~q~ b~
l FuJI

-o«. III
II ~

J
-

tJ
Gtrs. I & II
F;II
w

F;II
w

P.M.---~

U JJU II U ~IJqf-- ;;U

-

(Gtr. III out)

-- -

--

P.M. ---------~

P.M. - - - - - - - - - - - ~

P.M.---~

4 sl.

..
·Play 1st time only.

__

sl.

(E5) (FI5)

(ES) (FI5)

(E5) (FIS)

BS

A5

II
f

+I

Gt rs. I & II

~~

~ =

::::

P.M. - -- - ~

P.M. - - - - - - - - - - - - - ~

P.M. ---------------~

P.M. -----~

= ..

~ >-

>-

:!~i -!.._,. =rsl.

: w

107

Astronomy
Words and Music by Samuel Pearlman, Albert Bouchard and Joseph Bouchard

Tune down 112step:

®=E~ Q)=G~
~=A~

@=D~ <D=E~

<D=B~

117&. .5&.
Em D
1342 1333

.3&. I I I I I
C B
Em(type2) C(type2)

G6

B7

115&. 113&·
134 134

D5

C5

1333

1311

23

32 1

213 4

Intro
I

Moderately slow Rock (Hi-hat)

= 86

N.C. Gt r. I

t.l fade in

p
fade in clean tone w/chorus

., .,

- --

~
t.l

. ....,. .
let ring

Ii'

.,
ft
¥ ¥ ¥ ¥ ¥

~.

1""\

..._,.

""'
I!.. 1 .J

-----------------~
:: ::
¥ ¥ ¥

Em

~ ~

Gtr.1

~'_"-""p.

(Gtr. lout)

.-

Gtr. II
I ~

""I
]I'

*Rhy.Fig.l

.,.-... I
]I'

.,

mp

"I'

~~

,-,,"I

"I'

"1,-,,"1

..
.-

clean tone let ring ::: :: :::

¥

:::

.:.
:: *Play all Thy.figs.w/slight variations ad lib when repeated or recalled (throughout).
Copyright e 1974 Sony/ATV Tunes llC All Rights Administered by Sony/ATV Music Publishing. 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved

108

(Gtr. II)

,
t>

~
j.
11,

,
v

r-1

,
p P
]I,

-, n
11'

11..._,11

=
v

=
v

11,-,,11

=
v v v

P P

H H
v

"

~ .;
j.
11,

.,
v

..
=
11,-,,11

,
v

(end Rhy. Fig.!)

., r ,
j. 11 •

,
v

=
V

11,-,,11

=
v

::

::
v

::
::::

Verse:
~ Em
I

,
._

Gtr.

III t ~

)
~ ~
and moon - drops

clean tone

1. Clock strikes twelwe 2. 3. See additional lyrics Rhy. Fig. 2

..

10..

..,

._

j. 11 •

I-

..!!

.
::

~.
_A

burst.L;

out

at

you_

..
_A v
ft,

n
11

from their (end Rhy. Fig. 2)

..~
;;

let ring ::
::::

::

IV

,,.

::

::

::::

Em

(lype2)

Em

~
t

-..
I

..,;'

~
ac - id and oi

hid - ing

place.L

~ .;
j.
11'

r--""I...-

-I

,
-

Like

.,
j.
11'

I on

a mad - man's

face,

his

IL"'\
-lI

:~
<:»
::::
v

j~

•
;;:

11\,....1

:::: ::::
v

:: v

109