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serifa std
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¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ −
√∞∫≈≠≤≥◊ABCDEFGHI JKLMNOPQRSTUVWXYZabcdefghijklmnopqrstu
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∆∏∑−∕∙√∞∫≈≠≤≥◊ABCDEFGHI JKLMNOPQRSTUVWXYZabcdefghij
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‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ
˜˝Ωμπ–—‘’‚“”„†‡•…‰‹›⁄€ℓ™Ω℮∂∆∏∑−∕∙√∞∫≈≠≤≥◊ABCDEFGHI
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¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™
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serifa light
¾¿ˆˇˉ˘˙˚˛˜˝Ωμπ–—‘’‚“”„†‡•…‰‹›⁄€ℓ™Ω℮∂∆∏∑−∕∙√∞∫≈≠≤≥◊ABCD
GHI JKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0
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serifa light italic

éêëìíîïðñòóôõö÷øùúûüýþÿıŁłŒœŠšŸŽžƒ!“#$%&‘()*+,-./:;<=>
[ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ”
‡•…‰‹›⁄€ℓ™Ω℮∂∆∏∑−∕∙√∞∫≈≠≤≥◊ABCDEFGHI JKLMNOPQRSTUVW

serifa italic
Zabcdefghijklmnopqrstuvwxyz0123456789ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒ
ÕÖ×ØÙÚÛÜÝÞßàáâãäåæçèéêëìíîïðñòóôõö÷øùúûüýþÿıŁłŒœŠšŸŽžƒ!“#
& ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝
π–—‘’‚“”„†‡•…‰‹›⁄€ℓ™Ω℮∂∆∏∑−∕∙√∞∫≈≠≤≥◊ABCDEFGHI JKLMNOPQR

serifa roman
UVWXYZabcdefghijklmnopqrstuvwxyz0123456789ÀÁÂÃÄÅÆÇÈÉÊË
ÐÑÒÓÔÕÖ×ØÙÚÛÜÝÞßàáâãäåæçèéêëìíîïðñòóôõö÷øùúûüýþÿıŁłŒœŠš
ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿

serifa bold
˘˙˚˛˜˝Ωμπ–—‘’‚“”„†‡•…‰‹›⁄€ℓ™Ω℮∂∆∏∑−∕∙√∞∫≈≠≤≥◊ABCDEFGHI JK
MNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789À
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serifa black
÷øùúûüýþÿıŁłŒœŠšŸŽžƒ!“#$%&‘()*+,-./:;<=>?@[\]^_`{|}~¡¢£¤
§ ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω
∆∏∑−∕∙√∞∫≈≠≤≥◊ABCDEFGHI JKLMNOPQRSTUVWXYZabcdefgh
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ÙÚÛÜÝÞßàáâãäåæçèéêëìíîïðñòóôõö÷øùúûüýþÿıŁłŒœŠšŸŽžƒ!“
% & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿
 serifa std
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î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! " # $ % & ' ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! " # $ % & ' ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | }
¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™
℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j
m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Üm n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û
Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - .Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + ,
: ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘
” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T“ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S
V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ ÇU V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ
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ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ ©û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨
« ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂
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“ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º »
½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B
D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x yD E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x
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å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - .ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + ,
: ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­ ® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ/ : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­ ® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω
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À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ïÀ Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í
ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ]
` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡
… ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X Y… ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X
a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ ÒZ a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ
Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒÓ Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž
“ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­ ® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­ ® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾
ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J Kˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J
M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â ÃL M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â
Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù úÄ Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù
ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­ ® ¯û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­ ®
± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈
≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s
v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þu v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý
à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) *ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( )
, - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛
μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J KΩ μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J
M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7
À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í
 serifa std
3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë
ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! " # $ % & ' ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! " # $ % & ' ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | }
¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™
∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k
n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Üm n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û
Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - .Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + ,
; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘
„ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T“ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S
V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ ÇU V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ
É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù úÈ É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù
ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ ©û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨
« ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂
∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h
l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ök l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ
Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ× Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž
“ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º »
¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B
E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x yD E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x
0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ãz 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â
å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - .ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + ,
; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω
– — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L Mπ – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M
O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8
Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ïÀ Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î
ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ]
` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡
‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X Y… ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X
a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ ÒZ a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ
Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒÓ Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž
# $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿
˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J Kˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J
M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â ÃL M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â

A type specimen book

Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù úÄ Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù GDES 1314
ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­®
Published in 2010
± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈

designed and edited by

≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t≤ ≥ ◊ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s

Text belongs to Robert

v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þu v w x y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý
à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) *ß à á â ã ä å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( )

Emily Pryor
, - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛
Bringhurst
μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J KΩ μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆ ∏ ∑ − ∕ ∙ √ ∞ ∫ ≈ ≠ ≤ ≥ ◊ A B C D E F G H I J
M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7 8L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z 0 1 2 3 4 5 6 7
À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï9 À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í
rifa serifa serifa serifa serifa serifa serifa s
Table of Contents
serifa serifa serifa serifa serifa serifa serifa
fa serifa serifa serifa serifa serifa serifa
1. Studying the font sizes of
Serifa
7. 1.2 Comparing Serifa, Folio,
and Helvetica set to text

ifa serifa serifa serifa serifa serifa seri

2. Variations of Serifa and its
glyphs
9. Studying the weights of
Serifa

erifa serifa serifa serifa serifa serifa

3. Differences between Serifa 11. Colophon
and Univers
serifa serifa serifa serifa serifa serif
5. 1.1 Applying Serifa to text

a serifa serifa serifa serifa serifa serifa ser

serifa serifa serifa serifa serifa serifa serifa
ifa serifa serifa serifa serifa serifa serif
serifa serifa serifa ser typography compositer
ifa serifa serifa serifa typesetting
SERIFA LIGHT PT 36

characters
SERIFA LIGHT PT 36

typography
a serifa serifa serifa
SERIFA LIGHT ITALIC PT 36 SERIFA LIGHT ITALIC PT 36

IS TO
SERIFA ITALIC PT 36

traditional conditions
erifaliterature
SERIFA LIGHT PT 18
SERIFA ITALIC PT 36 SERIFA ITALIC PT 36

serifa serifa s thousands countless

AS
SERIFA BOLD PT 60 SERIFA ROMAN PT 36 SERIFA ROMAN PT 36

telephone centuries
erifa serifa serifa s theatrical
SERIFA BOLD PT 36

classified
SERIFA BOLD PT 36

musical
fa serifa serifa ser
SERIFA LIGHT PT 100
SERIFA BLACK PT 36 SERIFA BLACK PT 36
SERIFA LIGHT ITALIC PT 36

performance AÀÁÂÃÄÅaªàáâãäåæ E È É Ê ËSERIFA

e èLIGHT
é êPTë12

Aa Ee
SERIFA ITALIC PT 36 SERIFA LIGHT PT 12

AÀÁÂÃÄÅaªàáâãäåæ EÈÉÊ Ëeèéêë

serifa serifa serifa ser

IS TO

composition
SERIFA LIGHT ITALIC PT 12 SERIFA LIGHT ITALIC PT 12
SERIFA LIGHT PT 18
AÀÁÂÃÄÅaªàáâãäåæ
SERIFA ITALIC PT 12
E È É Ê Ë SERIFA
e èITALIC
é êPTë12
A ÀÁÂÃÄÅaªàáâãäåæ
SERIFA ROMAN PT 12
E È É Ê Ë SERIFA
e èROMAN
é êPTë12
AÀÁÂÃÄÅaªàáâãäåæ E È É Ê Ë eSERIFA
èé êë

ifa serifa serifa serifa

SERIFA BOLD PT 60 SERIFA BOLD PT 12 BOLD PT 12

AÀÁÂÃÄÅaªàáâãäåæ
SERIFA BLACK PT 12
E È É Ê Ë SERIFA
e è BLACK
é êPTë12

serifa serifa serifa s

1
SERIFA ROMAN PT 175 SERIFA ROMAN PT 175 SERIFA ROMAN PT 175 SERIFA ROMAN PT 175
2
 serifa
SERIFA LIGHT PT 125

DD RR BB
SERIFA BOLD
PT 60
serifa has boxier caps than univers

UNIVERS BOLD
PT 60
SERIFA BOLD
PT 60
UNIVERS BOLD
PT 60
&
SERIFA BOLD
PT 60
UNIVERS BOLD
PT 60
univers
SERIFA LIGHT PT 175

serifa is an unbracketed square serif and univers is not

Ff Ff Nn Nn
SERIFA LIGHT
PT 60
UNIVERS LIGHT
PT 60
SERIFA LIGHT
PT 60
UNIVERS LIGHT PT 125

UNIVERS LIGHT
PT 60

aa pp bb
cap height
serifa has a squatter x-height than univers

x-height

baseline
SERIFA LIGHT PT 140 UNIVERS LIGHT PT 140 SERIFA LIGHT PT 140 UNIVERS LIGHT PT 140 SERIFA LIGHT PT 140 UNIVERS LIGHT PT 140

3 4
 THE GRAND DESIGN ... all women of whatever age, rank, profession, or
degree, whether virgins, maids, or widows, that
The function of typogra-

SERIFA LIGHT PT 11/13.2

SERIFA BLACK PT 36 shall ... impose upon, phy, as I understand it,

s duce
1.1 FIRST PRINCIPLES
SERIFA BOLD PT 22
Within limits, SERIFA ITALIC PT 10/12 is neither to further the
power of witches nor to
1.1.1 Typography exists to honor content. bolster the defences of
the same e those, like this unfortu-
SERIFA ROMAN PT 12

Like oratory, music, dance, calligraphy -like anything nate parliamentarian,

that lends its grace to language - typography is an

SERIFA LIGHT ITALIC PT 11/13.2

and betray into matrimony, any of His Majesty’s who live in terror of being
art that can be deliberately misused. It is a craft
by which the meanings of a text (or its absence of principles subjects, by the scents, paints, cosmetic washes, tempted and deceived.

artifici
meaning) can be clarified, honored and shared, or
SERIFA ITALIC PT 10/12
The satisfactions of the
knowingly disguised. In a world rife with unsolicited craft come from elucidat-
messages, typography must often draw attention apply even to ing, and perhaps even en-

e th
to itself before it will be read. Yet in order to be
read, it must relinquish the attention it has drawn. l nobling, the text, not from
deluding the unwary
Typography with anything to say therefore aspires
stock market reader by applying

SERIFA ROMAN PT 11/13.2

to a kind of statuesque transparency. Its other
scents, paints and iron
traditional goal is durability: not immunity to change,
but a clear superiority to fashion. Typography at its
reports, airline t e stays to empty prose.
best is a visual form of language linking timelessness But humble texts, such
and time. One of the principles of durable typography false hair, Spanish wool, iron stays, hoops, high
as classified ads or the
is always legibility; another is something more than heeled shoes [or]
schedules, telephone directory,

b lstered
legibility: some earned or unearned interest that SERIFA ITALIC PT 10/12

gives its living energy to the page. It takes various

may profit as much as
forms and goes by various names, including serenity, anything else from a

SERIFA BOLD PT 11/13.2

liveliness, laughter, grace and joy. These principles milk cartons, good typographical
apply, in different ways, to the typography of business
o bath and a change of

hips
cards, instruction sheets and postage stamps, as well clothes. And many a
as to editions of religious scriptures, literary classics
and other books that aspire to join their ranks.
classified ads. book, like many a war-
SERIFA ROMAN PT 9.5/11.4 SERIFA LIGHT PT 20/37 rior or dancer or priest
of either sex, may

SERIFA BLACK PT 11/13.2

But laughter, grace and joy, like legibility itself, all feed on meaning, which look well with some
the writer, the words and the subject, not the typographer, must generally shall incur the penalty of the law in force paint on its face, or
against witchcraft... and ... the marriage, upon indeed with a bone in
provide. In 1770, a bill was introduced in the English Parliament with the
conviction, shall stand null and void. its nose.
following provisions: SERIFA ITALIC PT 10/12
SERIFA LIGHT PT 12/14.4

5 6
 1.1.2 Letters have a life and dignity of their own. UNIVERS BLACK PT 36 FOLIO BOLD PT 36 HELVETICA BOLD PT 36
SERIFA BLACK PT 36

Letterforms that honor and elu- writing hand. The tools have printing it is as easy to book designed by rote, they 1.1.3 There is a style beyond
cidate what humans see and altered over the centuries, print directly from handwrit- sit like stale bread and mut- SERIFA BOLD PT 14 UNIVERS BOLD PT 14 FOLIO BOLD PT 14

say deserve to be honored in

their turn. Well-chosen words
deserve well-chosen letters;
these in their turn deserve
to be set with affection, intel-
ligence, knowledge and skill.
UNIVERS LIGHT PT 9/10.8
Typography is a link, and it
ought, as a matter of hon-
or, courtesy and pure de-
light, to be as strong as the
others in the chain. Writ-
ing begins as brings with
the making of footprints,
the leaving of signs. Like
UNIVERS OBLIQUE PT 9/10.8
speaking, it is a perfectly
natural act which humans
have carried to complex ex-
and the exact degree of un-
naturalness desired has varied
from place to place and time
to time, but the transformation
between character of the es-
sential mauscript and type has
FOLIO LIGHT PT 9/10.8
scarcely changed. The origi-
nal purpose of type was sim-
ply copying. The job of the
typographer was to imitate
the scribal hand in a form
that permitted exact and fast
replications. Dozens, then
hundreds, then thousands of
FOLIO MEDIUM PT 9/10.8
copies were printed in
less time than a scribe
would need to finish one.
ten copy as from text that
is typographically composed.
Yet the typographer’s task is
little changed. It is still to give
the illusion of superhuman
speed and stamina- and of
HELVETICA REGULAR PT 9/10.8
superhuman patience and
precision - to the writing hand.
Typography is just that: ide-
alized writing. Writers them-
selves now rarely have the
calligraphic skill of earlier
scribes. but they evoke count-
less versions of ideal script
HELVETICA OBLIQUE PT 9/10.8
by their varying voices and
literary styles. To these blind
and often invisible visions,
ton on the page. In a wellmade
book, where designer, com-
style.
HELVETICA BOLD PT 14
positor and printer have all Literary style, says Walter Benjamin, “is the power to move freely
done their jobs, no matter how in the length and breadth of linguistic thinking without slipping
many thousands of lines and into banality.” Typographic style, in this large and intelligent
pages, the letters are alive. They sense of the word, does not mean any particular style my style
SERIFA LIGHT PT 9/10.8 or your style, or Neoclassical or Baroque style - but the power to
dance in their seats. Some- move freely through the whole domain of typography, and to func-
tion at every step in a way that is graceful and vital instead of ba-
times they rise and dance
nal. It means typography that can walk familiar ground without
in the margins and aisles. SERIFA LIGHT PT 7.5/9
Simple as it may sound, the
task of creative noninter- sliding into platitudes, typography that responds to new condi-
ference with letters is a re- tions with innovative solutions, and typography that does not
vex the reader with its own originality in a self-conscious search
warding and difficult call-
for praise. Typography is to literature as musical performance
ing. In ideal conditions, it is to composition: an essential act of interpretation, full of end-
SERIFA ITALIC PT 9/10.8
less opportunities for insight or obtuseness. Much typography
is all that typographers are is far removed from literature, for language has many uses, in-
really asked to do and it is cluding packaging and propaganda. Like music, it can be used
enough.
SERIFA BOLD PT 9/10.8
UNIVERS LIGHT PT 7.5/9

tremes The typographer’s
task has always been to add
a somewhat unnatural edge,
a protective shell of artificial
order, to the power of the
This excuse for setting the typographer must re-
to manipulate behavior and emotions. But this is not where
texts in type has disap- spond in visible terms. In
typographers, musicians or other human beings show us
peared. In the age of a badly designed book, the their finest side. Typography at its best is a slow performing
photolithography, digi- letters mill and stand like art, worthy of the same informed appreciation that we
tal scanning and offset starving horses in a field. In a sometimes give to musical performances, and capable of

Aa Rr Aa Rr Aa Rr
UNIVERS BOLD PT 9/10.8 FOLIO BOLD PT 9/10.8 HELVETICA BOLD PT 9/10.8 giving similar nourishment and pleasure in return. The same

Aa Rr alphabets and page designs can be used for a biography

of Mohandas Gandhi and for a manual on the use and
deployment of biological weapons. Writing can be used
FOLIO LIGHT PT 7.5/9

Kk Yy Kk Yy Kk Yy Kk Yy
both for love letters and for hate mail, and love letters
themselves can be used for manipulation and extortion as well
as to bring delight to body and soul. Evidently there is nothing
inherently noble and trustworthy in the written or printed word.
Yet generations of men and women have turned to writing and

Qq 14 Qq 14 Qq 14 Qq 14
printing to house and share their deepest hopes, perceptions,
dreams and fears. It is to them, not to the extortionist - nor to the
opportunist or the profiteer - that the typographer must answer.
HELVETICA REGULAR PT 7.5/9

7 8
UNIVERS LIGHT PT 36 FOLIO LIGHT PT 36 HELVETICA REGULAR PT 36 SERIFA LIGHT PT 36
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liveliness
¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω
∂∆∏∑−∕∙√∞∫≈≠≤≥◊ABCDEFGHI JKLMNOPQRSTUVWXYZabcdefghijkl
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; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚
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TYPOGRAPHY
SERIFA BOLD PT 85
VWXYZabcdefghijklmnopqrstuvwxyz0123456789ÀÁÂÃÄÅÆÇ
ÉÊËÌÍÎÏÐÑÒÓÔÕÖ×ØÙÚÛÜÝÞßàáâãäåæçèéêëìíîïðñòóôõö÷øùú
hopes, preceptions, dreams and fears
is an
ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , -SERIFA . / : ;LIGHT
< = PT
> 30
?@[\]^_`{|}~¡¢£¤¥¦§¨©
SERIFA BOLD PT 22
« ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ‹ › ⁄ € ℓ ™ Ω ℮ ∂ ∆
∑−∕∙√∞∫≈≠≤≥◊ABCDEFGHI JKLMNOPQRSTUVWXYZabcdefghij for language has many uses, including packaging and propaganda

ARTbe marriage
lmnopqrstuvwxyz0123456789ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖ SERIFA BOLD PT 12
SERIFA ROMAN PT 60
ØÙÚÛÜÝÞßàáâãäåæçèéêëìíîïðñòóôõö÷øùúûüýþÿıŁłŒœŠšŸŽžƒ
“ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼
¾¿ˆˇˉ˘˙˚˛˜˝Ωμπ–—‘’‚“”„†‡•…‰‹›⁄€ℓ™Ω℮∂∆∏∑−∕∙√∞∫≈≠≤≥◊ABC
EFGHI JKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxy
0123456789ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖ×ØÙÚÛÜÝÞßàáâã
åæçèéêëìíîïðñòóôõö÷øùúûüýþÿıŁłŒœŠšŸŽžƒ!“#$%&‘()*+,-.
: ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯SERIFA ° ± ²BLACK
³ ´ µPT¶100
·¸¹º»¼½¾¿ˆˇˉ˘˙˚˛˜˝Ωμ FOLIO BOLD PT 85

–—‘’‚“”„†‡•…‰‹›⁄€ℓ™Ω℮∂∆∏∑−∕∙√∞∫≈≠≤≥◊ABCDEFGHI JKLM
OPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789
Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð SERIFA ÑÒÓ
that can
Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã SERIFA
LIGHT PT 24
ä å æLIGHT
ç èPTé 100
êëìíîï
deployment of biological weapons FOLIO BOLD PT 22

deliberately
ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ ŽSERIFA ž ƒ !ROMAN
“ # $PT%36& ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^
it is still to give the illusion of superhuman speed and stamina

classified
` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω μ π – — ‘ ’ ‚ “ ” „ † ‡ •
FOLIO BOLD PT 12
…‰‹›⁄€ℓ™Ω℮∂∆∏∑−∕∙√∞∫≈≠≤≥◊ABCDEFGHI JKLMNOPQRSTUVWXY
abcdefghijklmnopqrstuvwxyz0123456789ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒ
Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à á â ã ä å æ ç è é ê ë ì í î ï ðSERIFA ñ ò óLIGHT
ô õ öITALIC
÷ ø PT
ùú ûüýþÿıŁłŒœŠšŸŽžƒ
100

misused.
“ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ
˘˙˚˛˜˝Ωμπ–—‘’‚“”„†‡•…‰‹›⁄€ℓ™Ω℮∂∆∏∑−∕∙√∞∫≈≠≤≥◊ABCDEFGHI JK
M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p qSERIFA r s t ITALIC
u v wPTx36y z 0 1 2 3 4 5 6 7 8 9 À Á Â Ã
ÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖ×ØÙÚÛÜÝÞßàáâãäåæçèéêëìíîïðñòóôõö÷øùú
ü ý þ ÿ ı Ł ł Œ œ Š š Ÿ Ž ž ƒ ! “ # $ % & ‘ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ HELVETICA BOLD PT 85
±²³´µ¶·¸¹º»¼½¾¿ˆˇˉ˘˙˚˛˜˝Ωμπ–—‘’‚“”„†‡•…‰‹›⁄€ℓ™Ω℮∂∆∏∑−∕∙√∞∫≈≠
≥◊ABCDEFGHI JKLMNOPQRSTUVWXYZabcdefghijklmnopqrst
vwxyz0123456789ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖ×ØÙÚÛÜÝÞß
quotations, footnotes, endnotes, lists HELVETICA BOLD PT 22
áâãäåæçèéêëìíîïðñòóôõö÷øùúûüýþÿıŁłŒœŠšŸŽžƒ!“#$%&‘()*+
. / : ; < = > ? @ [ \ ] ^ _ ` { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © ª « ¬ ­® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ º » ¼ ½ ¾ ¿ ˆ ˇ ˉ ˘ ˙ ˚ ˛ ˜ ˝ Ω In a book designed by rote, they sit like stale bread and mutton
HELVETICA BOLD PT 12
π–—‘’‚“”„†‡•…‰‹›⁄€ℓ™Ω℮∂∆∏∑−∕∙√∞∫≈≠≤≥◊ABCDEFGHI JKL
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9
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10
rifa serifa serifa serifa serifa serifa serifa s
colophon
serifa serifa serifa serifa serifa serifa serifa
fa serifa serifa serifa serifa serifa serifa
ifa serifa serifa serifa serifa serifa seri
Text from Robert Bringhurst’s
The Elements of Typographic Style

erifa serifa serifa serifa serifa serifa

Designed by Emily Pryor

Printed in Trustee Hall 108

serifa serifa serifa serifa serifa serif

Fonts used: Serifa, Univers, Helvetica, Folio

a serifa serifa serifa serifa serifa serifa ser

serifa serifa serifa serifa serifa serifa serifa
ifa serifa serifa serifa serifa serifa serif
11
serifa serifa serifa ser
rifa serifa serifa serifa
a serifa serifa serifa
serifa serifa serifa s
erifa serifa serifa s
fa serifa serifa ser
serifa serifa serifa ser
ifa serifa serifa serifa
serifa serifa serifa s