QUICK VOICINGS|APPLY TO STANDARDS IN IMPROV CLASS

Refer to Jazz Theory Resources, Vol. I, Chapter 11

3 note voicing over root: 3 note voicing over root:

& c ww ww ww ww w ww
Dm7 G7 Cmaj7 Gm7 C7 Fmaj7

w w w bw b ww w
?c w w w
w w w
1 4 note close voicing over root: 4 note close voicing over root:
Dm7 G7 Cmaj7 Gm7 C7 Fmaj7

& wwww ˙˙˙ ˙˙

˙˙ www ww ˙˙ ˙˙˙ www
˙ w b ww b ˙˙ ˙ w
? w w w
w w w
7 4 note open voicing over root: 4 note open voicing over root:
Dm7 G7 Cmaj7 Gm7 C7 Fmaj7

& www ww ww ww ww ww
w w bw bw w
? ww w ww w ww w
w w w
13
!
3 note voicing over root: 3 note voicing over root:
Dø7 G7 9 Cm7 Gø7 C7 Fm7

& b www b ww w b ww b ˙˙ ˙˙
w bb ww bw b˙ ˙ b ww
bw
? w w w
w w w
19
!
4 note close voicing over root: 4 note close voicing over root:
Dø7 G7 9 Cm7 Gø7 C7 Fm7

& b wwww bb wwww w ww b˙ ˙˙˙ www

bb www b ww bb ˙˙˙ ˙ b
bw
? w w w
w w w
25
© 2009, BERT LIGON
 QUICK VOICINGS, p. 2
4 note open voicing over root: 4 note open voicing over root:

!
Dø7 G7 9 Cm7 Gø7 C7 Fm7

& b ww bb www ww b ww bbb www w

w bw bw b ww
? ww w ww w n ww bw
w w w
31
LH 2 note voicing over root: LH 2 note voicing over root:

? ww ww ww b ww b ww ww
Dm7 G7 Cmaj7 Gm7 C7 Fmaj7

37
LH 3 note voicing over root: LH 3 note voicing over root:

ww Dm7
ww
G7
ww
Cmaj7
b www
Gm7
b www
C7
ww
Fmaj7

? w w w w
43

? ww ww bb ww b ww b ww b ˙˙ ˙˙
Dø7 G7 9 Cm7 Gø7 C7 Fm7

49
LH 4 note voicing over root: LH 4 note voicing over root:

!
www b w b www bb wwww bb ˙˙˙ b ˙˙˙
b
b b www b www
Dø7 G7 9 Cm7 Gø7 C7 Fm7

? w bw ˙ ˙
55