The document discusses the emergence of the Latin punk scene in East Los Angeles in the late 1970s. It centered around the Vex music venue and provided women musicians an opportunity to defy expectations of "traditional" rock music and create songs addressing violence and repression faced by Chicana women. It profiles several pioneering female punk artists like Alicia Velasquez and Teresa Covarrubias who used the genre to express anger over racism and abuse and criticize sexism. It also describes the film Pretty Vacant about a Chicana punk musician seeking to prove the Sex Pistols were influenced by Tejano music.
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The document discusses the emergence of the Latin punk scene in East Los Angeles in the late 1970s. It centered around the Vex music venue and provided women musicians an opportunity to defy expectations of "traditional" rock music and create songs addressing violence and repression faced by Chicana women. It profiles several pioneering female punk artists like Alicia Velasquez and Teresa Covarrubias who used the genre to express anger over racism and abuse and criticize sexism. It also describes the film Pretty Vacant about a Chicana punk musician seeking to prove the Sex Pistols were influenced by Tejano music.
The document discusses the emergence of the Latin punk scene in East Los Angeles in the late 1970s. It centered around the Vex music venue and provided women musicians an opportunity to defy expectations of "traditional" rock music and create songs addressing violence and repression faced by Chicana women. It profiles several pioneering female punk artists like Alicia Velasquez and Teresa Covarrubias who used the genre to express anger over racism and abuse and criticize sexism. It also describes the film Pretty Vacant about a Chicana punk musician seeking to prove the Sex Pistols were influenced by Tejano music.
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as PPTX, PDF, TXT or read online from Scribd
The document discusses the emergence of the Latin punk scene in East Los Angeles in the late 1970s. It centered around the Vex music venue and provided women musicians an opportunity to defy expectations of "traditional" rock music and create songs addressing violence and repression faced by Chicana women. It profiles several pioneering female punk artists like Alicia Velasquez and Teresa Covarrubias who used the genre to express anger over racism and abuse and criticize sexism. It also describes the film Pretty Vacant about a Chicana punk musician seeking to prove the Sex Pistols were influenced by Tejano music.
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as PPTX, PDF, TXT or read online from Scribd
Response to “pretentious” 70s bands Socially conscious lyrics and “do-it-yourself ethos” Prominent artists are Sex Pistols, Clash, Ramones, etc. Latin Punk Scene Emerged in East Los Angeles in late 1970s Centered around the Vex Women confined by expectations in “traditional” rock music. New medium allowed them to defy these notions Songs decried the violence and repression faced by Chicana women Created an integrated music environment Alicia Velasquez Velasquez is considered a pioneer of west coast punk as member of the Bags. Thought of the music as an outlet for anger over racism and abuse she experienced Sexual somewhat jarring clothing style Performed the song “Who Needs the English” Teresa Covarrubias Chicana musician from East LA who was a member of the Brats Inspired my the do it yourself mentality of punk Hit song “Misogyny” criticized objectification of women in Latino community She experienced sexism in the music scene from her own bandmates Pretty Vacant Film by Jimmy Mendiola follows Molly, a chicana from Texas who is alienated from her traditional father Runs a magazine called Ex-Voto. Seeks to prove that Sex Pistols were influenced by Tejano music during their last performance on U.S. tour Also the drummer in a band