Full Time Course Brochure May 5 2009

PAGE CONTENTS
3 Introduction
4 Diploma in Studio Sound Engineering: Course Info
12 Diploma in Studio Sound Engineering: Syllabus
14 Studio Assistant Certificate: Course Info
17 Studio Assistant Certificate: Syllabus
18 Diploma in Live Sound Engineering
26 Alchemea In Partnership With Digidesign
32 Alchemea In Partnership With Apple
35 Studio Facilities
36 Frequently Asked Questions
39 Course Price Sheet
40 Application Form
41 Registration Agreement
42 Location Map
REV: 20/02/09
INTRODUCTION
The audio engineering industry is very competitive. It demands the highest levels of
professionalism and dedication and in return offers fabulous rewards and great fulfilment to
those who succeed in it. Our objective at ALCHEMEA is to enable you to share in those
rewards.
Our full time courses are designed to provide you with the knowledge, experience and
confidence to compete in this industry to the best of your ability. We aim to produce not
graduate students, but industry professionals. We are also proud to be the South of England’s
only Digidesign Pro School and an Apple Authorised Training Centre. It is these manufacturer
accreditations that provide employers with the guarantee that you are able to manipulate
industry standard tools like Pro Tools and Logic Pro quickly and accurately.
There are a number of points that distinguish ALCHEMEA from other colleges and courses you
may be considering:
State of the art equipment: ALCHEMEA has excellent studio facilities and equipment that is
regularly updated:
• 5.1 Cinema Dubbing Theatre based around Digidesign’s flagship ICON D-Control work
surface
• Euphonix CS3000 control room: Pro Tools HD3 Accel, great outboard (UAD, Lexicon,
Eventide etc…) & Otari MTR90 2” tape machine
• SSL G-series control room, valve analogue outboard & Otari MTR90 2” tape machine
• Electronic Music Production Room: Mac Pro (8-core), Virus, Nord, NI Komplete, Waves
diamond bundle, UAD-2 DSP card (with all plug-ins) + much more!
• Apple Training Room. Every student uses their own 20“ Intel iMac, Digidesign M-box
and Radium Keyboard
• Mac Pro (8 core) workstations loaded with UAD-2 DSP Cards (includes all UAD plug-
ins) and the latest music production software including Pro Tools and Logic.
• 3 fully routable live recording areas including vocal booth
Practical learning time: There is no substitute for experience. Diploma students at

ALCHEMEA have on average at least 30 hours of individual practical time every week, and the
studios are open and supervised 24 hours a day, 7 days a week. None of our competitors give
you this much studio time to practise techniques, master equipment, and build up confidence
and experience.
Quality of education: We limit the size of our classes to ten, allowing personal attention for
each student. Theory is taught to enhance understanding of equipment operation and audio
techniques and to enable you to understand new technology as it appears.
Mobile Studio included : Every Diploma student receives an Apple MacBook, Digidesign
Mbox 2 Mini (Pro Tools), Rode M3 mic, M-Audio Keyrig 25 midi controller keyboard, cables and
pop shield as part of their media pack. We even give you a years free subscription to the
excellent Sound on Sound magazine!
Educational discounts on equipment: As a student at Alchemea you are able to benefit from
the fantastic deals we receive on hardware and software from the leading music tech
manufacturers. 40% on Pro Tools LE products and over 60% on Logic Pro. Discounts are also
available when buying Cubase, Reason and many other products.
ALCHEMEA achieves results. 85% of diploma graduates find employment within 6 months. We
are confident that no other audio engineering college offers courses of this quality. Come and
visit us, talk to our students and see for yourself. We strongly recommend you visit
ALCHEMEA before applying for a course here: our courses are very intensive and may not
appeal to everyone. However, if you enjoy hard work in a creative and demanding environment
and genuinely intend to achieve success in this industry, then ALCHEMEA will be the right
choice for you.
REV: 19/02/2009
DIPLOMA COURSE IN STUDIO SOUND ENGINEERING
36 weeks. 1300 Guided Learning Hours separated into:
• 300 hours of lectures in classroom.
• 1000 hours of individual supervised practical time.
This is our premier audio engineering and music production course that has proven to be very
successful in preparing our students for the world of commercial sound engineering. To date over
85% of our Diploma graduates have begun their careers in the professional audio engineering
industry.
The industry recognises that our graduates have not only the "real world" practical skills but also the
right attitude to make a successful employee. We are in our 15th year and during this time we have
built up strong links with the top music and post pro studios. We help to match our top students with
jobs and 85% of graduates are working in the industry within 6 months of leaving.
The ALCHEMEA Diploma focuses on all key aspects of audio engineering including recording
techniques, editing and processing techniques, mixing techniques, programming and post-
production (sound for moving picture). Candidates will also be introduced to mastering and live
sound production and gain a solid understanding of all underlying audio theory, from basic Maths
and Physics to advanced Digital Audio concepts.
Each student is guaranteed over one thousand hours of individual practical time. This is time to re-
enforce knowledge gained, complete practical assignments and undertake own projects. Our studios
and workstations, which are equipped to professional standards, are open 24 hours a day, 7 days a
week. No other college guarantees students the same level of individual hands on practical activity
and around the clock studio access.
Diploma Course Aim:

This course aims to give the candidate the knowledge and confidence to be able to gain
employment in most job roles within the professional audio industry.
Learning Outcomes:
By the end of the Diploma course, the candidate should be able to:
• Engineer, Record and Mix bands (any style) to a high level of proficiency.
• Produce music to a tight brief whilst being able to retain creativity at all levels.
• Perform basic Mastering of a song to basic expectations.
• Work on multiple projects towards a deadline and project manage their own time and
resources.
• Be organised and methodical under pressure.
• Perform advanced MIDI and Audio programming demonstrating an understanding of musical

arrangement pertinent to a style of the candidate’s choice (any style) and in-depth
knowledge of synthesis tools and advanced sampler programming.
• Produce and mix a post-synchronised 5.1 Dolby Digital soundtrack for a short film clip and
author onto DVD.
2009.2FD REV 18/02/2009

The Diploma course is divided into 4 parts.
STUDIO SOUND DIPLOMA PART 1 – STUDIO ASSISTANT CERTIFICATE COURSE (SAC)
8-weeks. 251\ Guided Learning Hours separated into:
This course includes Digidesign’s Pro Tools 101 course. The SAC can also be taken as a stand-
alone course.
Part 1 Course Aim:

This introductory module aims to introduce a beginner to the world of professional audio, including
basic concepts, terminology, standard practices, workflow and equipment.
This includes basic physics of sound, basic electronics and interconnectivity / signal flow, basic
computer operation, basic digital audio concepts, basic MIDI and Synthesis concepts.
Upon completion of this part candidates should be capable of immediately assisting in any
professional audio environment, avoiding basic mistakes and without needing lengthy training.
Learning Outcomes:
By the end of this course, the candidate should be able to:
• Use a Digital Audio workstation (the industry standard Pro Tools) and perform basic tasks
such as setting up a basic session, recording, importing, editing audio and MIDI and saving /
archiving the project.
• Use a variety of microphones with circumspection.
• Route a variety of signals through a professional mixing desk.
• Perform basic level / pan balances of a multi-track recording.
• Manipulate audio recordings through a variety of DSP and perform basic programming of a
sampler.
• Create Audio CD-Rs, Data CD-Rs, encode Digital Audio files into mp3 files.
• Demonstrate their usefulness when assisting on a recording session.
• Work towards a deadline and project manage their time and resources.
• Be organised and methodical.
Check out our SAC syllabus below for a more detailed look at what you will cover in part 1 of the
Diploma course:
2009.2FD REV 18/02/2009

STUDIO SOUND DIPLOMA PART 2
10-weeks. 403 Guided Learning Hours separated into:
This part of the course includes the Digidesign Pro Tools 110 course and the Apple Logic Pro 101
courses.
Part 2 Course Aim:

The second part of the Diploma course aims to teach candidates the basics of running a recording
and mixing session successfully. This includes an overview of advanced audio processing tools
(terminology, guidelines, standard practices, workflow and equipment) used with a view to recording
and mixing multi-tracked material.
Upon completion candidates should be capable of recording a full band (including drums), either in a
controlled studio environment or in a ‘live’ scenario, to an acceptable industry level, and perform a
competent mix of this recording to basic expectations.
Learning Outcomes:
By the end of this part of the course, the candidate should be able to:
• Record a full band (any kind of music) onto a professional, industry standard, Analogue Tape
Recorder or Digital Audio Workstation, using a variety of quality microphones and
microphone techniques, through industry standard recording consoles.
• Perform an Automated Mix of the recording using industry standard tools and practices.
• Align & synchronise a 24 tracks 2” Tape Machine to Digital Audio Workstation (DAW)
• Make basic decisions in terms of microphone choice and placement, audio editing and
processing.
• Use industry standard DAW’s to perform advanced tasks such as processing and mixing
audio.
• Perform basic MIDI programming demonstrating an understanding of musical arrangement

pertinent to the style chosen (any style) and basic knowledge of synthesis tools.
• Work on multiple projects towards a deadline and project manage their own time and
resources.
• Be organised and methodical under pressure.
2009.2FD REV 18/02/2009

Course Aim:
This part of the Diploma course aims to introduce the candidate to the fields of Audio Post
Production for Film and Television and Electronic Music Production.
During this part, candidates will also gain a deeper understanding of the concepts covered during
parts 1 and 2, including advanced electronics and interconnectivity / signal flow, advanced
microphone techniques, advanced mixing techniques, advanced MIDI programming & synthesis,
advanced digital audio concepts.
Upon completion candidates should be capable of recording a full band (including drums), either in a
controlled studio environment or in a ‘live’ scenario, to a good industry level and perform a
competent mix of this recording, as well as use a variety of electronic music production tools.
Learning Outcomes:
• Record and Mix bands (any style) to a higher level of competence and speed, displaying
good use of audio signal processors.
• Confidently make creative decisions in terms of microphone choice and placement, audio
editing and processing.
• Perform advanced MIDI and Audio programming demonstrating an understanding of musical

arrangement pertinent to the style chosen (any style) and in-depth knowledge of synthesis
tools and advanced sampler programming.
• Identify the different roles involved in the Audio Post-Production industry.
2009.2FD REV 18/02/2009

Course Aim:
This final part of the Diploma course aims to focus on various aspects of audio production, using the
technical knowledge acquired in the previous parts in order to be creative and get the most out of
any project. It also aims to consolidate the candidate’s skills and knowledge thus preparing them for
the workplace.
Upon completion candidates should be capable of recording, mixing and designing sound for
moving picture using industry standard techniques and equipment. The final part of the courses also
aims to introduce candidates to a range of further studies and career paths including room acoustics
and considerations for studio build, understanding the role of a freelancer and the music business
(contracts, royalties, basic business practices and legal issues.)
Learning Outcomes:
• Produce, Record and Mix bands (any style) to a high level of proficiency.
• Produce music to a tight brief.
• Perform basic Mastering of a song to basic expectations.
• Choose with circumspection, track-lay and synchronise to a short film clip appropriate sound
effects from a digital library.
• Record and edit ADR & Foley to a short film clip.
• Choose with circumspection, edit and synchronise to a short film clip appropriate backing
music from a digital library.
• Produce the sound design for a short film clip.
• Mix in 5.1 Surround the post produced audio for a short film clip and encode it to Dolby
Digital.
• Import, edit in basic ways and Export Video files to / from DAW.
• Author a DVD with DVD-ROM content.
Check out our Diploma syllabus below for a more detailed look at what you will cover as a Diploma
student:
Remember that on top of this you will have covered everything in the SAC syllabus.
2009.2FD REV 18/02/2009

OTHER INFORMATION
Practical Time
Each student is guaranteed over one thousand hours of individual practical time. This is time to
re-enforce knowledge gained, complete practical assignments and undertake own projects. Our
studios and workstations, which are equipped to professional standards, are open 24 hours a day,
7 days a week.
Theory Lectures
Class sizes are kept to ten or smaller to ensure maximum individual attention from the tutors. There
is a theory lecture each weekday lasting 2½ hours (approx) including a break of 20 minutes.
Pro Tools
The Pro Tools 101 & 110 is included in the ALCHEMEA Diploma course. This Digidesign supported
course covers everything you need to know about the basic operation of Pro Tools. It is also
possible to integrate the Pro Tools Certified Operator course (201 and 210M ) into the diploma. As a
standalone 6-day course this would cost £1500 however this price is discounted to £980 for Diploma
students. Diploma students will also receive large amounts of individual practical time in
ALCHEMEA's Pro Tools HD training room.
Logic Pro
The Logic Pro 8 Level 1 course, accompanying book and DVD are included in the Diploma. We also
include one attempt at the Apple Logic Level 1 pro-metric exam. One of the main aims of this course
is to prepare students for Apple’s Certified Pro examinations. This industry-recognised qualifications
are a useful addition to your CV demonstrating that you are a confident and knowledgeable Logic
Pro 8 user. The pass mark is 80% and if you pass you become an "Apple Certified Pro" (Level 1).
You also get a nice certificate from Apple!
Once you have passed you Level 1 exam you can then progress to take Apple’s 3-day “Logic 301
course (Logic 8 Beyond The Basics).”
Logic Pro Level One certification also counts towards the new Logic Studio Master Pro certification.
Master certification recognizes a user’s skills with the entire Logic Studio product suite. Since
workflow is such a significant component, users need certification in at least two of the applications
to earn Master Certification.
Course Dates
We start our Diploma course at four points through the year. Each enrolment is restricted to 20,
which in turn is split into 2 classes of 10 students.
While all enrolments are usually fully subscribed well in advance of the start date our September /
October course is particularly popular. For this enrolment we strongly advise you start progressing
your application 6 months in advance of the start date.
Course Code Dates

2009.3FD 06 July 2009 to 29 March 2010
2009.4FD 28 September 2009 to 05 July 2010
2010.1FD 04 January to 27 September 2010
2009.2FD REV 18/02/2009

Entry Requirements
Due to its intensive nature, the minimum age requirement for the Diploma course is 18.
Enrolment is subject to an interview with ALCHEMEA’s College Registrar. If the Registrar has
doubts regarding the prospective students suitability for the course then a College Director will hold
a second interview. Phone interviews will take place where it is not possible for interviews to be
carried out in person.
While there are no formal qualification requirements we look for students ideally to have achieved a
grade C or above in maths and a science at GCSE level.
To strengthen applications we expect that candidates forward documentation to support

qualifications and English language certificates.
If your application is successful we will also require 2 passport photographs, a copy of your passport
(photo page) and for students outside the European Union, a copy of your student VISA. We
appreciate that student VISA’s may have to follow closer to the course start date.
Media Pack & Mobile Recording Studio

As well as adequate blank & storage media to complete the course, Diploma students also receive
the following as part of their media pack:
• Apple MacBook 13" White 2.1GHz Intel Core 2 Duo/1GB
• Digidesign MBox 2 Mini
• Rode M3 mic
• M Audio Keyrig 25 Controller Keyboard
• Stand, lead and pop shield
Yes - these are yours to keep forever!
Financial Assistance
For information regarding financial assistance to support your learning, please visit
www.direct.gov.uk/adultlearning or contact 0800 100 900. Refer to ALCHEMEA’s Registration
Agreement for information regarding fees, deferrals and refunds.
Course Grading
A 3 point grading scale is used - Fail/Pass/Distinction. ALCHEMEA College refers exclusively to
industry standards (see Employer Involvement) as the benchmark for Pass/Distinction, where Pass
is suitable for work that would be acceptable in the industry, and Distinction is suitable for work that
would be acceptable in the industry and shows flair and creativity beyond the basic requirements of
the assignment brief. By ensuring that the course directly meets the requirements of employers, the
course meets National Occupational Standards, as laid out by Creative and Cultural Skills, the
Sector Skills Agency responsible for music.
Statement Of Level Equivalence

Although ALCHEMEA is an independent college and the Diploma course has been developed
independently by recording industry professionals, it is equivalent in all respects to a qualification at
level 3 on the National Qualifications Framework (NQF), and the Qualifications Credit Framework
(QCF), and meets (and in some cases exceeds) the definition of a “Diploma” on the QCF. The
facilities and resources available at ALCHEMEA far exceed the requirements of a level 3 course,
and would put many degree courses to shame.
2009.2FD REV 18/02/2009

Equal Opportunities
ALCHEMEA will endeavour not to discriminate, directly or indirectly, against students or potential
students on the grounds of gender, race, colour, nationality, ethnic or national origin, religious or
political beliefs, disability, marital status or family circumstances, sexual orientation, age, ex-offender
status, social class, HIV status or any other irrelevant criteria. Staff and students at all levels should
treat one another with respect and courtesy.
Interested?
Please contact our friendly College Registrar Tony Garston on +44(0) 20 7359 3986 or email
info@ALCHEMEA.com. Tony will be able to answer any questions you have about this course and if
required arrange a time for you to visit ALCHEMEA to talk about the courses, see the students in
action and check out our amazing facilities.
Registration
To apply, complete and return an application form together with your registration fee of £500 to:
The Registrar, ALCHEMEA, The Windsor Centre, Windsor Street, LONDON. N1 8QG
The balance of the course fee is due one month before the course start date. We will let you know
within one week if your application has been successful.
2009.2FD REV 18/02/2009

SYLLABUS – Diploma Course in Studio Sound Engineering
Topics covered on the ALCHEMEA Diploma Course (remember the SAC makes up part 1 of the Diploma)
BASIC CONCEPTS MIXING TECHNIQUES

Acoustics EQ
Sound Proofing, Acoustic Design, Monitoring Types including Filters, Bandwidth, Q, Slope,
Magnetism Phase, Masking, Tonal Balance
Tape Machines, Bias Dynamics
Multi-Track Recording Compressors, Gates, Controls, Pumping, Limiting, Multi-
Concept, Analogue and Digital Recorders, Overdubbing, Band, Uses of Side-Chains
Session Procedures Reverberation
Analogue Techniques, Digital, Controls, Convolution
Effects
MIXING CONSOLES Types, Principles, Controls
Tracking Analysing Commercial CDs
Groups & Monitors, Auxilliaries for Headphone Mixes
Subgrouping & Bouncing
Mixdown MASTERING
Auxilliaries as Effects Buses, Automation, Insert Sends and Techniques
Returns EQ, Compression, Song Play Order, Crossfades
The SSL G Series & Automation v4 Software File Conversion
Features and Operation, SuperCue Sample Rate Conversion, Dither, Stereo Interleaving
The Euphonix CS3000 Vinyl and CD specifics
Assignable Concept, Multiple Ins & Outs per channel,
TT007 Machine Control and Synchroniser,
ES108A Automatable Dynamics, the Cube for multiple stem STEREO & SURROUND SOUND
mixing, HyperSurround, Snapshots
Human Perception, Localisation
Command 8 control surface IAD, ITD, HRTF, Haas Effect, Phantom Images
Control Surface, working in an all Digital environment
Width Enhancement
Extending the MS decode facilities, Shuffling
MUSIC TECHNOLOGY Binaural, Periphonic Sound, 3D Sound Simulation
Optimising Computers for Audio use Surround Sound Formats
Quadraphonic, LCRS, Pro-Logic, 5.1, 7.1
Sequencers & Other Software
Pro-Tools, Logic Pro, Cubase, Reason, Ableton Live, Understanding Matrix or Discrete
Reaktor, AutoTune, Software Synthesizers and Samplers Recording and Mixing in Surround
File Management
Partitioning Drives, External Media Management
Pro-Tools LE vs TDM, using Logic with a TDM DIGITAL AUDIO
system Dither & Noise Shaping
Editing Master Clocks and Jitter
Remixing Techniques Common Clock Principle, Word Clock, Video Sync,
Genlock, External Synchronisation
Data Reduction
MICROPHONES mp3, AAC, AC3, Real Audio, Quicktime…
Techniques and Operation File Conversion

Sample rate conversion, over sampling
Placement, Choice of Mic, Stereo and Surround
Techniques Error Correction
SYNTHESIS AND SAMPLING TIMECODE SYNCHRONISATION AND MACHINE

Software Synths and Samplers CONTROL
Virtual Analog, Virtual Modular Basic Concepts
Making your own synth using Reaktor Frame Rates, SMPTE / EBU / Drop Frame, Message
Structure, Bi-Phase Modulation
Techniques
Making your own sounds, which synthesis type should Timecode Types
I use? LTC, MTC, VITC, BITC
Extracting Word Clock from Timecode
MMC & MIDI Clock
FDSYL REV: 03/02/2009

STUDIO SOUND DIPLOMA SYLLABUS cont…
TAPE MACHINES
Tape alignment PA Systems
Test Tapes, Flux level, Overbias, Demagnetising Heads Signal Flow, Multi-Cores, Stage Boxes, Front of House,
Studer and Otari machines Crossovers, Graphic EQs and Feedback
Analogue Noise Reduction Monitors
dbx, Dolby A / B / SR Front of House and Monitors separation, Ringing
Toys
Microphones, Effects, Processors, Leads and Connectors
MUSIC THEORY, COMPOSITION, Soundcheck & The Gig!
ARRANGEMENT
Ear training
Intervals, Tonality, Harmonies
Scales
Major, Minor, Modes, Extensions
Chords
Triads, Sevenths, Ninths, Elevenths, suspended Fourths,
Arpeggios
Composition
How to use Scales & Chords, Improvisation, Creativity, Tips
& Cheats, Transposition, "Music by numbers"
Analysis of Music
Arrangement
Making MIDI "Real", Using Samples
Rhythm & Percussion
Kit mapping, keyboard playing technique
POST-PRODUCTION For TV & FILM

Sound to Picture
Concept, Many Jobs
Sound Design
Manipulation of Audio, Synthesis, Analysing the "Sound
Design" aspects in Commercial Productions
ADR
Using Digidesign DV Toolkit & VocAlign
Foley
Mixing for Film / TV
Surround Sound considerations
Authoring your finished movie to a DVD Video
File Interchange
EDL Lists, OMFI, AAF
Avid Media Station
Basic Video editing, exporting movies to different formats
An introduction to Final Cut Pro
DVD Studio Pro, Compressor
THE BUSINESS OF MUSIC

Who Does What?
The role of Producers, Engineers, Assistants, Session
Musicians, Studio Managers, A&R People, Record
Company Executives...
Assisting
Session Procedure, Making Tea and Coffee (!), Recall
Sheets, Track Sheets, DAT machine Operation including
IDs
Music Business & Law
Managers, Points, Contracts, Royalties
LIVE SOUND
Career Opportunities
Freelance, In-House, difference with Studio work
STUDIO ASSISTANT CERTIFICATE COURSE (SAC)
This course includes Digidesign’s Pro Tools 101 course.
Course Aim:
This introductory module aims to introduce a beginner to the world of professional audio, including
basic concepts, terminology, standard practices, workflow and equipment.
This includes basic physics of sound, basic electronics and interconnectivity / signal flow, basic
computer operation, basic digital audio concepts, basic MIDI and Synthesis concepts.
Upon completion of this part candidates should be capable of immediately assisting in any
professional audio environment, avoiding basic mistakes and without needing lengthy training.
Learning Outcomes:
By the end of this course, the candidate should be able to:
• Use a Digital Audio Workstation (the industry standard Pro Tools) and perform basic tasks
such as setting up a basic session, recording, importing, editing audio and MIDI and saving /
archiving the project.
• Use a variety of microphones with circumspection.
• Route a variety of signals through a professional mixing desk.
• Perform basic level / pan balances of a multi-track recording.
• Manipulate audio recordings through a variety of DSP and perform basic programming of a
sampler.
• Create Audio CD-Rs, Data CD-Rs, encode Digital Audio files into mp3 files.
• Demonstrate their usefulness when assisting on a recording session.
• Work towards a deadline and project manage their time and resources.
• Be organised and methodical.
The SAC is also part 1 of ALCHEMEA's Diploma in Audio Engineering & Production course. Once
you have passed the SAC you will be eligible to start on part 2 of the Diploma course.
2009.2SACFD REV 18/02/2009

OTHER INFORMATION
Practical Time
Each student is guaranteed over 180 hours of individual practical time. This is time to re-enforce
knowledge gained, complete practical assignments and undertake own projects. Our studios and
workstations, which are equipped to professional standards, are open 24 hours a day, 7 days a
week.
Theory Lectures
Class sizes are kept to ten or smaller to ensure maximum individual attention from the tutors. There
is a theory lecture each weekday lasting 2 ½ hours including a break of 20 minutes.
M Box & Pro Tools Le Included With This Course

As well as adequate blank & storage media to complete the course, SAC student's also receive A
Digidesign M Box Mini with the latest version of Pro Tools LE.
Course Dates (Full Time)
Course code Dates

2009.3 SAC 06 July to 31 August 2009
2009.4 SAC 28 September to 23 November 2009
2010.1 SAC 04 January to 01 March 2010
Entry Requirements
Due to its intensive nature the minimum age requirement for the Studio Assistant Certificate course
is 18.
Successful enrolment is subject to an interview with ALCHEMEA’s College Registrar. If the Registrar
has doubts regarding the prospective students suitability for the course then a College Director will
hold a second interview. Phone interviews will take place where it is not possible for interviews to be
carried out in person.
While there are no formal qualification requirements we look for students ideally to have achieved a
grade C or above in maths and a science at GCSE level.
To strengthen applications we expect that candidates forward documentation to support

qualifications and English language certificates.
If your application is successful we will also require 2 passport photographs, a copy of your passport
(photo page) and for students outside the European Union, a copy of your student VISA. We
appreciate that student VISA’s may have to follow closer to the course start date.
FINANCIAL ASSISTANCE
For information regarding financial assistance to support your learning, please visit
www.direct.gov.uk/adultlearning or contact 0800 100 900. Refer to ALCHEMEA’s Registration
Agreement for information regarding fees, deferrals and refunds.
Course Grading
A 3 point grading scale is used - Fail/Pass/Distinction. ALCHEMEA College refers exclusively to
industry standards (see Employer Involvement) as the benchmark for Pass/Distinction, where Pass
is suitable for work that would be acceptable in the industry, and Distinction is suitable for work that
would be acceptable in the industry and shows flair and creativity beyond the basic requirements of
the assignment brief. By ensuring that the course directly meets the requirements of employers, the
2009.2SACFD REV 18/02/2009

course meets National Occupational Standards, as laid out by Creative and Cultural Skills, the
Sector Skills Agency responsible for music.
Equal Opportunities
INTERESTED?
Please contact our friendly College Registrar Tony Garston on +44(0) 20 7359 3986 or email
info@ALCHEMEA.com. Tony will be able to answer any questions you have about this course and if
required arrange a time for you to visit ALCHEMEA to talk about the courses, see the students in
action and check out our amazing facilities.
REGISTRATION
To apply, complete and return an application form together with your registration fee of £400 to:
The Registrar, ALCHEMEA, The Windsor Centre, Windsor Street, LONDON. N1 8QG
The balance of the course fee is due one month before the course start date. We will let you know
within one week if your application has been successful.
2009.2SACFD REV 18/02/2009

SYLLABUS – Studio Assistant Certificate Course
Topics covered on the ALCHEMEA Studio Assistant Certificate Course (included in the Diploma Course).
BASIC CONCEPTS SYNTHESIS AND SAMPLING

What is Sound? Subtractive Synthesis
Pitch and Volume, Graphs, Fourier, Fundamentals and Oscillators, Filters, Envelopes, LFOs, FX
Harmonics, Phase Sampling
dBs Recording and Shaping your own Samples, Editing, MIDI
Signal to Noise Ratio, Dynamic Range, use of VU or Peak mapping of samples
metering FM Synthesis
Frequency Response Principles, Operators
In human beings and equipment Introduction to Additive Synthesis, WaveTable
Electronics Synthesis, Granular Synthesis
Electricity, Components, Circuits, Ohms Law, Impedance,
Amplifiers, Basic Maintenance, Soldering Techniques
Magnetism STEREO SOUND
Electromagnetism, Induction
Human Perception, Localisation
Signal Flow Phantom Images
Patchbays, Balanced & Unbalanced Interconnections, Mixing
Consoles Layout and Design, Block & Circuit Diagrams 2 Speaker Stereo
The Studio
Control Room, Live Room, Operating Levels
DIGITAL AUDIO
Basic Concepts
MIXING CONSOLES Sample Rate, Nyquist theorem, Bit Depth, Anti-Aliasing
Filters, Interpolation
Basic Principles
Passive & Active Mixers, Split & Inline Designs, Buses PCM vs SACD
Mixdown Dither
Auxilliaries as Effects Buses, Insert Sends and Returns
MUSIC THEORY, COMPOSITION,

MUSIC TECHNOLOGY ARRANGEMENT
Understanding Computers Basics on notation
PCs, Macs, CPU, Motherboard, RAM, ROM, Hard Disks, Staff, Pitch and Timing, Rests, Tempo, Time Signature, Bars
Formatting, USB & FireWire Devices, Loading Programs, & Beats
Multi Tasking Scales
Sound Cards and MIDI Interfaces Major, Minor
MIDI Concepts Chords
Channels, Polyphony, Multi Timbral Modules, MIDI Triads, Arpeggios
Messages, Structure of Messages Arrangement
The Sound Module
Hardware and Virtual
Sequencers & Other Software
Pro-Tools, Cubase, Kontakt
File Management
Navigating File Structures, Saving Data
Pro-Tools LE 101 & 110 (see separate insert)
Editing
Understanding CDs and DVDs
Data CDs, Audio CDs, Red Book, Orange Book, CD-ROM,
CD-R, CD-RW, DVD+R, DVD-R, DVD RAM)
MICROPHONES
Principles of Operation
Dynamic, Condenser, Valve etc.
Polar & Frequency Responses
Pressure, Velocity, Charts
Powering
Phantom, Valve, other
SACSYL REV: 03/02/2009

DIPLOMA IN LIVE SOUND ENGINEERING
Why train as a Live Sound Engineer at Alchemea?
With the music industry relying more and more on live performance for
profitability, the scope for employment in the live sound industry is
proportionately increasing. Nearly half of all jobs lie in the live sector and the
explosion of events and festivals large and small has led to a shortage of
competent, trained live sound engineers.
Record labels have also adjusted their strategies to put live events at the
heart of their business models. After all, a gig is one product you can't pirate.
Alchemea have therefore developed an exiting new Live Sound course. This
will be an extremely intensive practically focused 4-month program, which can
be taken in addition to our SAC and Diploma courses or as a stand-alone
module.
Course Aim:
The Live Sound Course aims to produce confident, skilled and employable
personnel for the live sound industry – from Rock and Roll venues and hire
companies, to theatre and corporate functions.
Learning Outcomes:
At the end of the course, students will be able to:
• Work safely with a clear understanding of the Health and Safety at

Work regulations
• Confidently set up both small and large sound systems and configure
them as per requirements (separate monitor and front of
house/monitors run from front of house)
• Understand the principles and have practiced mixing both front of
house and monitors, including using live musicians
• Confidently “ring out” a system to prevent feedback
• Understand the nature of sound and make intelligent decisions
regarding loudspeaker placement, mix position placement and the best
way to approach a space
• Be familiar with the standard range of microphones found in almost all
live situations, know how to select the best microphone for the job and
how to get the best sound out of it
• Have an in-depth understanding of cabling and connectors and be able
to make up and maintain their own
• Understand how to safely distribute mains power on a stage
• Have an in-depth understanding of analogue mixers and two commonly
found digital mixers (the Yamaha M7CL and Digidesign Venue)
• Understand and effectively use: EQ, Dynamics (compressors, limiters
and gates) and all kinds off effects
• Understand how sound systems are put together and how to design
their own to a given set of requirements
• Understand how to find the fault in a system that is not working
• Do a live multi-track recording in Protools via the Digidesign desk
• Have a basic understanding of loudspeaker design, and how to match
amplifiers and loudspeakers
• Analyse a system within a space
• Understand the processes involved in rigging a large system
• Perform a Risk Assessment
• Have a basic knowledge of live sound for theatre and be introduced to
this discipline as a possible career path
• Understand how a big show is put together, the personnel and roles
involved and procedures for “getting in” and “getting out”
• Have a basic understanding of lighting in order to make our graduates
more employable in small venues
• Set up DJs properly for club nights
• Run, as a group, a three-bands-and-a-DJ night from scratch. Students
will be able to effectively communicate with the artistes, decide on the
PA and monitor requirements, organise running orders for
soundchecks and performances, stage manage the night, run all the
mixes and pack away properly
Here is what you will cover (Theoretical lectures):
• Health & Safety

• Nature of sound
• Capturing sound: Mics and Dis
• Interconnections and cable maintenance/repair
• Mains power
• Analogue mixing consoles and outboard (Midas XL3)
• Terminology, signal flow, EQ, Dynamics, FX, Routing
• Mixing Monitors
• Mixing FOH
• Wireless mics and in-ear monitoring
• Digital Theory
• Digital mixing consoles (Yamaha LS9 and Digidesign Venue)
• Recording shows
• Sound systems – from artist to loudspeakers
• Loudspeaker design (cabinets)
• Sound system design (point source v line array)
• Analysing PA
• Analysing rooms
• Specing PAs for events
• Rigging
• Onstage patching
• Theatre
• Lighting for Sound People
• Surround Sound
• Getting work, freelance working practice
• Advanced scenarios
• Tricks of the Trade
Practical Work
• Health & Safety

• Students will be setting up and breaking down the PA in various
configurations every day.
• Microphone techniques
• Soldering and cable maintenance
• DJ set-ups
• Signal flow practice on all mixing consoles
• Feedback control
• FX parameters
• Dynamics
• Setting up separate FOH and monitor systems
• Setting up FOH and monitors to be operated from FOH
• Practice with wireless mic, in-ears and frequency changing
• Mixing practice – both FOH and monitors, using multi-track playback
and live musicians
• Analogue and digital comparisons
• Using the mixing consoles in different set-ups
• Recording shows – both simple 2-track and multitrack- with live band
• Delay stacks
• Taking apart loudspeakers to see how they work
Digidesign 210V VENUE Training Included

Digidesign's offical VENUE 210V course and certification exam are integrated
into our Live Sound Diploma Course. This module focuses on configuration,
operation, mixing techniques and record/playback with Pro Tools systems.
Gaining 210V certification will boost your CV and ultimately make you more
employable.
Safety Passport
Crew involved in the production of live events should have a solid grasp of
Health & Safety regulations.
The Alchemea Live Sound Toolkit

Our Live Sound Course students will gain an recognised "Safety Passport"
through the Safety Pass Alliance and the Production Services Association
(PSA).
It is essential that a good live sound engineer has the correct tools for the job.
We provide all Live Sound Course students with a multmeter, multitool,
maglight, ear protectors, sharpie and electrical tape (and a crew t-shirt).
Our Venue
The Fridge in Brixton will be the home for their new Live Sound Diploma
Course. The management of The Fridge in Brixton has been taken back into
the safe hands of owners Andrew Czezowski and Susan Carrington, and is
currently being dusted down and spruced up as a major live music venue
once again.
With the demise of the Astoria following Transport for London's Crossrail
development, The Fridge in Brixton is one of only a handful of decent mid-size
venues left in the capital and one of only two fully independent operations
(NOT part of any major chain of venues!) Equidistant to Brixton's Tube station
with the O2 Academy (turn left out of the tube instead of right!), the 1,100
capacity Fridge boasts fantastic acoustics and perfect sightlines for all 1,100
customers – as old cinemas always do – and an 80 capacity VIP bar that can
double as an after-show / album launch / acoustic room.
Alchemea has installed a world class PA system which will be looked after by
one of the industry’s leading live sound engineers, Alan “Nobby” Hopkinson.
The Fridge’s management is currently working with top event promoter Barry
Marshall-Everitt (ex-Borderline & Mean Fiddler) to ensure that students gain
plenty of practical experience of concert productions as they happen. In the
words of Barry they will see “the good, the bad and sometimes the down right
ugly......perfect training.”
The History of The Fridge

Having begun their careers as seminal live rock gig promoters Andrew
Czezowski, [ex-manager of the Damned, Generation X with Billy Idol, Adam
Ant etc.] and Susan Carrington then opened the Fridge in Brixton in 1981.
Andrew & Susan had previously established "The Roxy", the world’s first punk
club in Covent Garden London in 1976/77.
The Fridge hosted the first gigs of acts such as the Pet Shop Boys, Jimmy
Sommerville & Bronski Beat, Sade, Nick Cave with The Bad Seeds and Marc
Almond, and later promoted everyone from The Sun Ra Arkestra (their last
ever gig in the UK), to Eartha Kitt, Grace Jones, St Etienne, Roy Ayers, Gil
Scott-Herron, Nico, (unfortunately also her last gig ever) and Take That. With
Robbie.
The Fridge additionally won a reputation for world famous club nights such as
Talkin' Loud and Soul II Soul, and then drove the explosion of rave in the 90’s
by becoming the home for long-running trance nights Escape from Samsara,
Return to the Source, Pendragon and Logic.
Gay night Love Muscle pushed buttons and boundaries to such an extent it
changed the direction of Gay night clubbing. Andrew and Susan also created
the most successful Lesbian club in the World, first with Eves Revenge,
followed by Venus Rising, regularly attracting 1100 lesbian clubbers every
month.
In January of 2004 Andrew and Susan let out the Fridge and took a long
deserved break until November 3rd 2008, when they took back full
management and ownership of the best club in London, located in Brixton, the
capital of live music in South London. Andrew & Susan's collaboration with
Alchemea heralds a new and exiting chapter in Fridge's colourful story.
Live Sound Course Industry Partners Confirmed
Alchemea are pleased to confirm that Yamaha, Midas, Digidesign, d&b

audiotechnik & The Production Services Association (PSA) make up the initial
list of official industry partners.
We are working closely with our partners who are at the forefront of the live
sound industry to ensure that the skills you learn are the ones that are needed
for you to be a instantly useful resource at a gig.
Digidesign
Alchemea are Europe's number one Pro School so including Digidesign
VENUE D-Show training into our new live sound course was a no-brainer.
Digidesign® VENUE is a state-of-the-art live sound production environment
that delivers studio-grade sound, unprecedented reliability, powerful
performance, and complete ease of use. From intuitive control surfaces and
easy-to-use D-Show® software to Pro Tools® integration and the widest array
of TDM processing at your fingertips, VENUE is shaping the future of live
sound.
The VENUE will be our front of house system and as a student you will take
the 220V VENUE Certification Course as part of your studies. The VENUE
series has the unique ability to connect directly to Pro Tools HD or LE
systems. With the recording of live shows becoming an increasingly popular
and important facet of the live production process our Venue with its HD
system will give our students all the experience they need in this area.
http://www.digidesign.com/index.cfm?navid=20&langid=100&
Midas
Midas has been designing and manufacturing live performance analogue and
digital audio mixing consoles for the world's most demanding live sound
engineers, performers and production rental companies since the early 1970s.
In addition to our highly regarded classic analogue XL3, Midas will be

teaching our students on the revolutionary XL8 digital console the ultimate in
Live Sound Performance and the new PRO 6. Midas represent for many Live
Sound Engineers the ultimate in desk design.
http://www.midasconsoles.com/
Yamaha
Yamaha's M7CL Digital Mixing Console is an industry standard for mid-range
live sound mixing. Yamaha will be bringing the M7CL "School" to our venue to
teach students the ins and outs of the desk operation including the powerful
"Centralogic™ interface. Students will also get plenty of practical time on the
desk to put it through its paces in a working environment.
In addition to the M7CL Yamaha will be training our students on their other
popular consoles from the LS9 to the high end PM5D.
Our students will finish the course with confident working knowledge of these
ubiquitous industry standard consoles.
http://www.yamaha.com/ca/home.html?CTID=560522
d&B audiotechnik
Alchemea have installed a top spec d&B audiotechnik J-series line array
system in their new venue. d&b audiotechnik has been developing,
manufacturing and distributing loudspeaker systems since 1981. The
company operates internationally in the field of electro acoustics to produce
high quality products for reinforcement of speech and music. Through the
amalgamation of technological developments, system integration principals,
quality of construction and standards of service, d&b right from the outset
realized a concept, that includes all aspects of design, development,
manufacture and support: the d&b System reality.
d&b's loudspeakers are used globally in rental and installation markets for
events, multimedia, musicals, concert halls, theatres, opera houses,
broadcast and everything from the smallest conference room to the largest
stadium.
Following installation our working venue “The Fridge” will boast one of the
best sound systems in the country.
http://www.dbaudio.com
The Production Services Association (PSA)

The PSA is the trade association for companies and individuals involved in
the live event production industry. The aim of the PSA is to represent,
improve, educate and develop the business of technical production for live
events. This is achieved by pooling the knowledge of the entire industry to
create a single voice for the industry and a central resource for its members.
www.psa.org.uk
Course Duration:
4-months full time intensive (5 days p/week +) This course can be taken on
it's own or in combination with our Diploma or Studio Assistant Certificate
Course (SAC).
How do I enrol?
We are already taking advanced bookings for our first course, which is due to
start 1 June 2009. Seats on this course are limited to 16 per enrolment. The
Live Sound Certificate Course can also be taken as an add-on to our Studio
Assistant Certificate Course and our Diploma. The discounted prices are
detailed below.
To make an advanced booking for our first course or to register interest

please email info@alchemea.com
Course Prices
£4,900 (stand alone)
£4,000 (when taken with the Alchemea "Diploma")
£4,500 (when taken with the Alchemea SAC (Studio Assistant Certificate))
* We are discounting our first course by 20% to £3920. As it is our first course
running over the Summer there is a chance that the class size will be
undersubscribed which means that you will get even more attention and
practical time.
Course Start Dates:
Course Code: 2009.2LSC

1st June 2009 to 18th September 2009

28th September 2009 to January 29th 2010 (this will include a 2-week break
over the Christmas holiday)

8th February to 28th May 2010
We limit our enrolment to 16 students so please aim to enrol 3-month in

advance to avoid disappointment.
BELOW ARE SOME POINTS THAT SET US APART FROM OTHER LIVE
SOUND COURSES YOU MAY BE CONSIDERING:
Quality, diversity and experience of teaching staff:

Our very intensive 4-month course offers comprehensive practical and
theoretical coverage of all aspects of live sound engineering. Our tutors have
been there, done it and blagged the t-shirt. As well as using experienced in-
house tutors who are still actively involved in the industry you will also be
taught by freelance live sound professionals of high industry standing.
Alchemea’s live sound tutors have worked at the highest level with large
international acts including Tool, Van Morrison, Razorlight, Tori Amos, Estelle,
Rage Against The Machine, Biffy Clyro, Editors, Franz Ferdinand, White
Stripes, Stereophonics and many more...
Small class sizes

We limit our live sound class size to 16 students to ensure personal attention
and maximum practical time. From the Summer of 2009 we will be starting our
live sound course at 3 points throughout the year so in total there will only be
48 seats available every year. We are taking advanced bookings so please
get in touch ASAP if you are interested in securing a place for our first
enrolment next Summer.
Industry standard equipment & facilities:

Our venue is equipped with one the countries best PA, monitor system, three
different consoles, mains distribution and all else that is needed to emulate
real-life situations in a safe environment. We also have a smaller PA which
reflects what you may find in a pub or smaller working venue.
Practical, Practical, Practical

It is Alchemea's philosophy that you learn by doing. This is especially
pertinent for learning about Live Sound. It is essential that our graduates can
build and break down PA's, solder cables and troubleshoot confidently with
their eyes closed. While morning class will be spent studying live sound
theory, afternoons will be dedicated to related practical work.
Field Trips
Numerous field trips will be taken to see the real world in action. You will visit
loudspeaker and console manufacturers, watch a big gig go into a large
venue and witness rigging in action from close-up.
Industry Links
As an educational institution we pride ourselves at being up-to-date with
industry standards and practices, and keeping abreast with products and
trends in the industry. Our relationship with various manufacturers and hire
companies ensures we stay in touch with the latest equipment and
technologies, and the fact that all our tutors are still active in the industry
ensures the course stays relevant to today’s realities.
Work Experience
Work experience will also be offered within various London venues. Students
will have the opportunity to assist on real gigs in real situations. We will also
run two nights during the course at a comprehensive functioning London
venue, where students will be entirely responsible for the running of the night.
This will incorporate producing a show with three bands and a DJ.
It’s intensive
The live sound industry is a highly rewarding yet demanding place to work.
Our course will prepare you for the realities of the industry.
Interested?
If you have any questions or would like to arrange a visit to Alchemea in

Islington Or The Fridge in Brixton to discuss this course further, contact Tony
Garston or Mike Sinnott on 020 7359 3986 or email info@alchemea.com
ALCHEMEA IN PARTNERSHIP WITH DIGIDESIGN
Alchemea are proud to work in partnership with Digidesign to deliver their excellent
Pro Tools training curriculum. Alchemea is Europe's foremost Digidesign Pro School
and offer up to “Expert Level” training for both music and post production.
Recent clients include the BBC, C4, ITV Anglia, BSkyB, Air Studios (and many
more). We have also provided training for teachers from all over the world.
Our instructors are Pro Tools experts as well as being very experienced in their
respective fields. Not only do students learn how to use Pro Tools in depth but our
instructors will also frame the training within the context of the industry.
Alchemea’s facilities are also second to none and include numerous TDM systems,
work surfaces, Avid video equipment and an ICON based 5.1 cinema dubbing
theatre.
Alchemea offer the following Digidesign Modules:
• 101 “Introduction to Pro Tools”

• 110 “Essentials of Pro Tools” (includes a free plug-in)
• 201 “Pro Tools Production Essentials”
• 210M “Music Production Techniques”
• 210P “Post Production Techniques”
• 310M “Expert Music Production Techniques”
• 310P “Expert Post Production Techniques”
• 310i “Advanced ICON Mixing Techniques”
We include the 101 and 110 modules with the Alchemea Diploma course. For an
additional cost, students also have the option to integrate the 201 and 210 (Operator
Certification). These additional modules run concurrent to the later stages of the
Diploma course. Check out our price sheet for all the available options.
If a Diploma student then wishes to study up Expert level (310) they can take these
additional modules as a short course after the Diploma program and receive a 30%
discount.
Alchemea Student’ can also make great savings on hardware and software direct
through Digedesign’s Training & Education Store.
THE PRO TOOLS 101: INTRODUCTION TO PRO TOOLS2
The Pro Tools 101:Introduction to Pro Tools covers basic Pro Tools principles,
giving you everything you need to complete a Pro Tools project, from initial set up to
final mixdown. This course focuses on Pro Tools 8 software and covers a multitude
of new functions and feature enhancements. Whether your project involves recording
of live instruments, MIDI sequencing of software synthesizers, or audio editing or
region looping, this course will give you the basic skills to succeed.
Topics include:
• Background information and introduction to Pro Tools

• Getting inside Pro Tools
• Creating your first session
• Making your first audio recording
• Importing media into your session
• Making your first MIDI recording
• Selecting and navigating
• Basic editing techniques
• Basic mixing techniques
• Finishing your work
• Music hands-on project
• Post hands-on project
• Course Completion, exam, and certificate options
Course Length
While Pro Tools 101 can be completed through self study, Digidesign recommends
obtaining hands-on experience through an instructor-led class offered by one of our
official training partners. 16 to 24 course hours. If you already have a very good
knowledge of the basics you can skip the 101 course and start on the 110. If you
decide to do this we would however advise that you buy and work through the 101
book, which can be bought online (click here) at Amazon.
Prerequisites
Basic computer skills and some audio recording knowledge, such as a basic
understanding of recording techniques, processes, and equipment.
Two days (16–20 course hours)
Course Times & Availability

(10am to 6pm) Click here for course scheduled dates and availability.
PRO TOOLS 110: ESSENTIALS OF PRO TOOLS
Pro Tools 110: Essentials of Pro Tools provides a more detailed look at the Pro
Tools system. This course covers all the key concepts and skills needed to operate a
Pro Tools LE system. The course provides the foundation for the later 200-series Pro
Tools Music Production and Post Production courses.
Topics include:
• Getting started — Configuring your studio and session

• Controlling Pro Tools — Understanding and using external controllers
• Managing session data and media files
• Recording MIDI and audio — Loop recording and advanced techniques
• Working with timescales and virtual instruments
• Working with Elastic Audio
• Editing & quantizing MIDI and audio
• Audio editing and file management techniques
• Additional editing techniques — Region looping, using Beat Detective
• Automation — Enabling, playing, viewing, and editing automation data
• Mixing — Using sends, returns, plug-ins, Master Faders, and groups
Free Plug-in with the Pro Tools 110

Enroll and attend the official Pro Tools 110 course at any official Digidesign Training
Partner Facility and choose one free plug-in from the following group of Digidesign
plug-ins:
• Synchronic
• Hybrid
• SoundReplacer
• Maxim
• Smack! LE
• DigiTranslator 2
Prerequisites
Basic computer skills, some audio recording knowledge, and basic Pro Tools
familiarity. Pro Tools 101: Introduction to Pro Tools is intended as a prerequisite for
taking the 110 course. Passing the 101 exam is required before taking the 110 exam.
Course Length:
Three days (24–30 course hours)

(10am to 6pm) Click here for scheduled course dates and availability.
Pro Tools 201: Pro Tools Production Essentials
Pro Tools 201: Pro Tools Production Essentials covers the core concepts and
skills needed to operate a Digidesign Pro Tools|HD system in a professional studio
environment.
Topics include:
• Introducing Pro Tools|HD — Component parts of an HD system, HD

technology, the 48-bit mixer
• Customizing Pro Tools — Optimizing the system, I/O setup, preferences
• Session configuration and navigation — voice allocation, disk allocation, auto
scrolling to tracks
• Session management — DigiBase browsers, locating and relinking missing
files
• Selection techniques — Creating timeline and edit selections, nudging and
shifting, auditioning
• Editing — Alternate tools, auto fades, advanced nudging techniques
• Automation — HD automation modes, using AutoMatch, automating plug-ins
• Mixing with Pro Tools|HD — Solo modes, VCA Master tracks, in-depth plug-in
usage, DSP-induced delays
• Finishing the session — Creating a final mixdown, using PhaseScope
Prerequisites
• Pro Tools 101: Introduction to Pro Tools

• Pro Tools 110: Essentials of Pro Tools
This course continues to build on the fundamental concepts and topics covered in the
Pro Tools 100-series courses. Access to the 201 exam requires passing all previous
exams.
Course Length:
Two days (16-20 course hours)
10am to 6pm (approx)

PRO TOOLS 210M: MUSIC PRODUCTION TECHNIQUES
Pro Tools 210M: Music Production Techniques covers techniques for working
with Pro Tools systems in a professional music production environment. Concepts
and skills learned in 101, 110, and 201 are reinforced with practical music-specific
examples.
Topics include:
• Preparing a session — Matching session tempo to audio, using external MIDI

devices, MIDI Beat Clock
• Tracking and overdubbing — Using Dynamic Transport, QuickPunch and
TrackPunch, monitor modes, comping multiple takes
• Virtual instruments — Controlling VIs with control surfaces & MIDI controllers,
routing multiple outputs from plug-ins
• Advanced MIDI production — MIDI Editor, MIDI real-time properties, Score
Editor and score setup
• Professional editing techniques
• Sampling in Pro Tools — Using software samplers
• Professional audio editing techniques — Editing with Dynamic Transport,
custom fades, Beat Detective for multitrack drums
• Key and tempo — Advanced tempo editing, graphic tempo editor, changing
linearity display mode, working with key changes
• Arranging and producing — Window Configurations, replacing regions,
playlist editing, song arrangement
• Mixing and automation — Delay compensation, MIDI offsets, Snapshot
automation (aka, static mixer automation), Trim automation
• Printing your mix — MP3/WMA export, mirrored outputs, synchronizing with
an external recorder
• Synchronization concepts (appendix)
Prerequisites

• Pro Tools 201: Pro Tools Production Essentials
• Access to certification exams require that previous exams have been passed.
Course Length:
Three days (24-30 course hours)

PRO TOOLS 210P: POST PRODUCTION TECHNIQUES
Pro Tools 210P: Post Production Techniques covers techniques for working with
Pro Tools in a professional post production environment. Concepts and skills learned
in 101, 110, and 201 are reinforced with practical post-specific examples.
Topics include:
• Synchronizing Pro Tools for audio post — Digidesign SYNC peripherals, loop
sync, clock vs. positional reference, setting frame rates
• Linear video in Pro Tools — 9-pin control of Pro Tools, Spot mode in post
production, timestamps, replacing regions
• Non-linear video in Pro Tools — QuickTime video, Blackmagic card, Avid
DNA, digital video in Pro Tools, spotting with non-linear video
• Importing digital media into the Pro Tools timeline — QuickTime video, Avid-
compatible media, OMF/AAF (with DigiTranslator 2.0), MXF media
• Working with the Video track — Video track features, Video window options,
editing options, Video Universe window
• Recording dialog in Pro Tools — Dialog and ADR workflow, track
compositing, playlist display options
• Dialog editing techniques — The role of a dialog editor, dialog and ADR
editing workflow, syncing dialog, adding room tone, cleaning up dialog
• Organizing your session — Working with Digibase catalogs, organizing
sessions for mixing, creating sub-groups, importing session data attributes
• Mixing to picture — Mixing terminology, large-scale mixing, session signal
flow, using plug-ins for post production, writing static (snapshot) automation,
trim automation
• Layback options — Linear layback workflow, non-linear layback (export
options), export for web delivery or final evaluation
• Synchronization concepts (appendix)
• Mixing and DSP usage (appendix)
• Advanced Authoring Format and Media Exchange Format (appendix)
• Analog and digital television standards (appendix)
Prerequisites

• Pro Tools 201: Pro Tools Production Essentials
• Access to certification exam only when previous exams have been passed.
Course Length:
Three days (24-30 course hours).

ALCHEMEA COLLEGE IN PARTNERSHIP WITH APPLE
Alchemea are one of Europe’s premier Apple Authorised Training Centres and deliver
certified Logic Pro, Soundtrack Pro and Final Cut Pro short courses.
The Logic Pro 8 Level 1 course, accompanying book and DVD are included in the
Alchemea Diploma. We also include one attempt at the Apple Logic Level 1 pro-
metric exam. One of the main aims of this course is to prepare students for Apple’s
Certified Pro examinations.
This industry-recognised qualifications are a useful addition to your CV

demonstrating that you are a confident and knowledgeable Logic Pro 8 user. The
pass mark is 80% and if you pass you become an "Apple Certified Pro" (Level 1).
You also get a nice certificate from Apple!
Logic 101: “ An Introduction to Logic Express 8 and Logic Pro 8”
Course Description
This course is integrated into the Alchemea Diploma and introduces students to the
primary features and basic user interface of Logic Pro. Students learn how to
generate a customized audio and midi configuration that will seamlessly integrate
with their own personal production studio. Students also create their own song using
Logic Pro’s comprehensive array of software instruments, Apple Loops and DSP
effects. In-depth lessons will cover MIDI and audio recording, streamlined editing and
arrangement techniques, user defined key commands, automation, scoring to picture
and surround mixing. This course uses the Apple Pro Training Series book (and
DVD) “ Logic Pro 8 and Logic Express 8,” by David Nahmani.
Certification
One of the main aims of this course is to prepare students for Apple’s Certified Pro
examinations. These industry-recognised qualifications are a useful addition to your
CV demonstrating that you are a confident and knowledgeable Logic Pro 8 user. At
Alchemea we include one attempt at the Level 1 Logic Pro Certification Exam as part
of this course.
DIPLOG REV 03/02/2009

The pass mark is 80% and if you pass you become an "Apple Certified Pro" (Level
1). You also get a nice certificate from Apple!
Once you have passed you Level 1 exam you can then progress to take Apple’s 3-
day “Logic 301 course (Logic 8 Beyond The Basics).” While this module is not
included in the Diploma, students can take it as a weekend course and also benefit
from a 30% discount off the short course list price.
Logic Pro Level One certification also counts towards the new Logic Studio Master
Pro certification. Master certification recognizes a user’s skills with the entire Logic
Studio product suite. Since workflow is such a significant component, users need
certification in at least two of the applications to earn Master Certification.
The Alchemea Apple Store
Alchemea students also have access to the “Alchemea Apple Store” and enjoy
Massive Savings on Apple products. The good news is that you can buy Logic Studio
for £125 (rrp £319).
COURSE OUTLINE:
Lesson 1: Making Music with Logic
Making Music with Logic Launching Logic, Exploring the interface, Navigating the
Song, Zooming, Previewing and using Loops, Building an arrangement, Mixing, and
Exporting the mix
Lesson 2: Recording Audio
Recording Audio Digital Audio Recording Settings, Recording a Single Instrument,

Recording Additional Takes, Recording Takes in Cycle Mode, Recording Multiple
Tracks, Recording Additional Takes on Multiple Tracks, Punching in and out (Auto
and On the Fly), Adjusting Recording settings and Adjusting Metronome Settings
Lesson 3: Editing Audio
Editing Audio Deleting Unused Audio Files, Importing Audio Files with the Browser,
Comping Takes, Flatten Take Folder, Using Fades and Crossfades, Resizing an
Audio Region, Moving an Edit Point, Cleaning a Noisy take, and Using the Sample
Editor
Lesson 4: Recording MIDI
Recording MIDI Using Software Instruments, Quantizing a Recording, Using External

MIDI Hardware, Merging New Recordings, Recording Additional Takes, Layering
Instruments, and Splitting a Keyboard to Control Two Instruments
Lesson 5: Editing & Programming MIDI

Editing and Programming MIDI Importing MIDI Files, Editing in the Piano Roll Editor,
Editing in the Score Editor, Editing in the Hyper Editor, Editing MIDI Continuous
Controller Events, and Cleaning a MIDI Recording
Lesson 6: Programming Drums
Programming Drums Programming a Drum Beat, Editing Velocity and Accents,

Humanizing a Pattern and Creating a Snare Roll
Lesson 7: Manipulating Tempo and Time Stretching
Manipulating Tempo and Time Stretching Adjusting a Song’s Tempo to a Loop,

Adjusting a Loop’s Tempo to a Song, Tempo Changes and Curves, Time-stretching
Audio, Time-stretching MIDI, Using Apple Loops, Creating Blue and Green Apple
Loops, Adding Apple Loops to a Lop Browser and Using the Follow Tempo Function
Lesson 8: Arranging the song
Arranging the Song Using the Grid, Inserting Time Signature Changes, Using the
Catch Function, Using the Skip Cycle Mode, Cutting Regions, Repeating Sections,
and Using Aliases to Build an Arrangement
Lesson 9: Mixing
Mixing Preparing for Mixing, Using the Mixer, Individual Channel Strips for Ultrabeat,
Using the Library, Using Plug-ins, Using Buses, Reading the Meters, Exporting your
Mix, Burning a CD and Exporting Individual Tracks
Lesson 10: Automating the Mix and Using Control Surfaces
Automating the Mix and Using Control Surfaces Region- vs. Track-based
Automation, Writing and Editing Offline Automation, Recording Online Automation,
and Using External Controllers
Lesson 11: Scoring Movies
Scoring Movies Basic Settings, Importing a Movie File, Detecting Scene Cuts,
Manipulating the Grid, and Exporting your Movie Soundtrack
Lesson 12: Troubleshooting Logic
Troubleshooting Logic Getting Sound Out and In, Getting MIDI Out and In,
Recovering Deleted Audio or MIDI Regions, Reading the System Performance
Meter, Basic Computer Maintenance Steps, and Adding Third Party Plug-ins
Level 1 Certification Exam
Time will be allocated for students to sit their online Logic Level 1 exam. The pass
mark is 80%.

ALCHEMEA STUDIO FACILITIES (Open & supervised 24/7)
Studio One – EUPHONIX CS3000 system for Pro Tools with Media Station software. PAL Video ref
Euphonix CS3000 digitally controlled analogue mixing console with 32 generator.
Active DI Boxes / 24 Automatable Multi-Dynamics Units and the Cube for High quality HD plug in selection optimised for post production examples
surround mixing being Vocalign, Sonic No Noise and Virtual Katy 2.
Digidesign Pro Tools HD3 Accel with literally thousands of pounds worth Sound effects library with over 7,000 FX.
of high end plug-ins (inc Sonnox & McDSP) DVD Player for referencing purposes.
3 x Digidesign 96/IO converters and Sync I/O Cinema seating for ten people.
Otari MTR 90 MKII. 2" 24 track analogue multitrack
Apple Mac G5 & 23" active-matrix Liquid crystal Cinema Display Studio Five – SSL G-series
Apple Logic Studio (Logic Pro 8) Solid State Logic 4000 G series automated console (V G4.00)
Custom designed Dynaudio main speakers / Genelec 8040A & Yamaha Apple Mac Pro with Logic Studio
NS10M near-field monitors MOTU 2408 mk3 I/O
Thule and SMA Amplification Acoustic Energy AE22-04 & Yamaha NS10M near-field monitors
UAD 6176 Channel Strip (Tube Channel & 1176 compressor) TC Electronic M5000 Digital Mainframe FX processor
Lexicon 300 Digital effects processor TC Electronic D2 24 bit Multitap Rythym Delay
Lexicon PCM 80 Digital effects processor TC Electronic M1XL 24 bit Multi FX
Eventide H3000 D/SX Dynamic Ultra-Harmonizer Lexicon LXP 15 Mk. II Digital reverb
T C Electronics D - Two digital delay effects processor Sony D7 Sound Processor
Roland R880 dual digital reverb, with graphic remote Aphex 204 Aural Exiter
Vintage Roland SVC 350 Analogue vocoder TLAudio 5013mk2 Parametic EQ
Ensoniq DP/4 Parallel digital effects processor TLAudio Ivory 5021mk2 dual valve compressor
Aphex Type C Aural exciter TLAudio Classic PA1 Dual Mic Pre
Francinstein stereo enhancement system LA Audio Quad Gates
Roland A880 MIDI Patchbay Otari MTR 90 MKII. 2" 24 track analogue multitrack
Tascam DA30 Mk II DAT machine Tascam DA30 Mk. II DAT, Sony cassette deck
Marantz CD5000 CD player
Large, day-lit, air-conditioned room Studio Six – PRO TOOLS HD TRAINING ROOM
2 x Pro Tools HD 2 Accel with
Studio Two – SOUNDCRAFT 1624 Digi Pre Amps, Sync 1/O & Midi I/O
Soundcraft Series 1624 24x16x16x2 mixing console Digidesign D-Command control surface
Apple Mac G5 Digidesign (NEW) C|24 control surface
Digidesign 002 & Pro Tools LE Sony DSR 1800P DVCAM VTR
Dynaudio BM5 & Yamaha NS10M monitors - Quad / SMA amplification Avid V10 & Avid Mojo AV Systems
Fostex D5 DAT machine Black & Burst Generator & VTR
CD player, Aiwa AD-F450 cassette deck Apple Mac G5
Lexicon LXP 15 digital reverb Hewlett Packard Dual Proc PC optimised for Avid systems.
Alesis XT digital reverb LG 42” LCD 1080p True High Definition monitor screen
Bel BF-20 analogue flanger 2 x Dell 20” LCD Display & TFT Video Monitor.
Deltalab ADM 4096 digital delay line Mackie HR624 5.1 monitoring (with China Cones stands)
Audio & Design F760RS two channel FET dynamic processors
EXR aural exciter Apple Training Room
2 x Behringer MDX2100 composer - compressor / limiter / gate 10 x Intel 20” iMac computers running Pro Tools LE, Logic Studio, Ableton
Behringer XR2400 Autoquad - four channel expander / gate Live, Reason, Recycle & Final Cut Studio, 10 x Digidesign M Box & M Audio
Radium 49 MIDI controller keyboards
Studio Three – SOUNDCRAFT DC2000 Programming Room
Soundcraft DC2000 with FLYING FADERS Automation Recording Areas
Apple 8 core Mac Pro 2.8 GHz (4gb RAM) Room 1 - 225 sq.ft. Day-lit. (Daylit, Window to Studio1)
2 x Apple 20” Cinema Display Room 2 - 150 sq.ft. Day-lit. (Daylit, Windows to Studios 1 & 3)
UAD-2 Solo DSP card (all pugs included!) Room 3 - 70 sq.ft. (Vocal Room / Cinema Link)
Digidesign 002 Rack with Pro Tools LE Room 4 - 300 sq.ft. (Daylit, Window to Studio 5)
Alesis AI3 ADAT interface
Genelec 8030A monitors & 7050A Sub Bass All live areas can be patched to any of the control rooms via a central
Access Virus Classic, Nord Rack 2 patching room.
Roland XV5080 (SRX Keys), MOTU Mid Express XT USB (Mac)
M-Audio Radium 49 Controller Keyboard Music Technology Workstations
Pro Tools LE, Logic Studio, Cubase 4, Ablelton Live, Reason, Phat Factory, 6 x Apple 8 core Mac Pro 2.8 GHz (4gb RAM) + 20” Apple Cinema Display
NI Komplete, Waves Diamond Bundle, Spectrasonics Trilogy 6 x Digidesign M Box (Pro Tools LE)
Lexicon LXP 15 Mk. II Digital reverb 6 x M Audio Radium 49 MIDI controller keyboards
Alesis Quadraverb GT Digital multi effects processor Logic Studio, Cubase, NI Kontakt, Reason
TWO x Behringer MDX2100 composer compressor / limiter / gate,
Behringer Virtualizer Pro Effeccts Unit Microphones
Alesis MEQ230 two channel graphic equaliser Over 60 microphones inc: Neumann (3 valve), Schoeps, Calrec, DPA,
Drawmer DS201 two channel filter gate AKG, Shure, Beyerdynamic, Electrovoice, Sennheiser, Octava, Geffel, MBC,
Deltalab ADM 4096 digital delay line Sony, RCA, SE Gemini etc...
Aphex Type B aural exciter
Additional Equipment
Studio Four – ICON 5.1 Cinema Dubbing Theatre Drum Kit, Congas, Guitar Amps, Fatar full size weighted MIDI keyboard,
Large, air-conditioned sound to picture Post Production Dubbing Theatre Pop Shields, Mic Stands, Cables, DI Boxes, Beyer Dynamic DT100
with extensive quadratic diffusion to simulate a standard motion picture headphones, Akai S3000XL, Yamaha DX7, EMU Proteus 1000
mixing environment.
Stewart THX certified acoustically transparent Cinema Screen with Mobile Studio & Media Pack
projection system. Diploma student’s receive their own (to keep!) Apple 13” White MacBook
Genelec 5.1 surround speaker system comprising of 5 Genelec 8040s and a (2.1 GHz), Digidesign M Box Mini (Pro Tools LE), M Audio Keyrig 25 MIDI
7070a sub bass management system. controller keyboard, Rode M3 mic with stand, pop shield, XLR cable &
Digidesign Icon Large Format Mixing Work surface featuring the following blank media. SAC student’s receive their own Digidesign M Box Mini (Pro
components: Tools LE) + blank media. We even give you an Alchemea t-shirt and a
16 Fader D Control with XMON and Surround Sound Panning option, subscription to the excellent Sound on Sound Magazine!
AppleMAC DP G5 with Digidesign HD 3Accel, Sync I/O, 192 I/O, 96 I/O,
Pre remote controlled preamps, Avid Mojo Video Capture & Playback
REV: 01/11/2008
FREQUENTLY ASKED QUESTIONS
Our goal at Alchemea is to give students the skills and confidence to carve a successful
career in the Pro Audio Industry.
Any good Audio Engineering course will be hard work, costly and will take many months, or with
many of our competitors, years to complete.
The questions below are designed to help you compare Alchemea with other colleges and decide
which one is best for you.
How do our facilties compare?

Alchemea’s studios are equipped to the highest professional standards. From the latest Pro Tools
control surfaces to classic analogue consoles and outboard equipment, Alchemea will give you the
tools to ensure that you can acquire the skills and confidence to operate in a professional recording
environment.
We have 5 control rooms (including an SSL G-series, 5.1 Cinema Dubbing Theatre & Pro Tools
HD training suite.
Each control room is self-contained, soundproofed and air-conditioned with access to our 4
acoustically treated live recording areas.
Is it true that you will give me my own mobile studio?

Indeed it is. As part of your media pack we will give you your own Apple MacBook, Digidesign M-
Box 2 mini, Rhode M3 mic, M-Audio Keyrig 25 controller keyboard as well as the mic stand, pop
shield and cables. Everything you need to get recording and producing whether you are at home or
in the field. Importantly it will give you access to Pro Tools so if there is a gap between you
completing your studies and getting a job you can keep you skills up to date.
But I already have a MacBook we hear you cry! Well – sorry but we can’t upgrade it however you
are free to flog it and put the proceeds towards your course fees. Or make someone very happy
and give it away as a present!
Oh yes – you also receive a yearly subscription to Sound on Sound Magazine. This includes extra
members access to their excellent website www.soundonsound.com
How many digital audio workstations?

As well as our studio and classroom computers we have 6 dedicated DAW’s (Digital Audio
Workstations): 6 x Apple Mac Pro’s using Digidesign M-Box sound cards. All are loaded up with all
the latest sequencing software, virtual instruments and audio plug-ins (including the new UAD-2
Solo cards with ALL the plugins!!!) To top it off you can patch from the workstations to any of the
live recording areas via our wall box and central patchbay.
What about lectures and classroom facilities?

Alchemea has 2 classrooms both with workstation controlled projection systems. The primary
setting for Diploma & SAC lectures is our Apple Training Room. It is also used for the short
evening and weekend courses. Every effort has been made to create the optimum training
environment. The room is air-conditioned, lighting is controllable and the furniture has been custom
designed for comfort. The room has been acoustically treated and instructors use a wireless mic
system to ensure that students can hear (and that instructors don’t lose their voice!).
In the classroom students benefit from the use of their own 20” Apple (Intel) iMac, Digidesign M
Box and M-Audio Radium 49 keyboard. The iMac’s are loaded with all the latest music production
software and instructors can take control of student’s workstations via Apple Desktop Pro.
Alchemea is committed to providing the highest standard of practical hands on audio training using
the latest technology.
Are there any Entry Requirements?

Due to the intensive nature of this course the minimum age requirement for the Diploma is 18.
While there are no formal entry requirements enrolment is subject to an interview with Alchemea’s
College Registrar. If the Registrar has doubts regarding the prospective students suitability for the
course then a College Director will hold a second interview. Phone interviews will take place where
it is not possible for interviews to be carried out in person. Every student enrolled on a full-time
course at ALCHEMEA, must provide ALCHEMEA with a copy of his or her passport. Non-EU
students must also provide a copy of their student visa. We advise that candidates also forward
any supporting documentation like qualifications and English language certificates.
Is my qualification industry recognised?

Alchemea has the enviable reputation of being one of the leading providers of audio education in
the world. Our standards are high. Our courses are vocational, practically orientated, intensive, and
require real commitment. Because of this employers recognise that our successful students not
only have the practical “real world” skills but have also acclimatised to the pressures of a
demanding workplace.
Alchemea is the only Digidesign “Pro School” in the South of England. Diploma student’s have the
option to take Digidesign’ s Pro Tools Operator Certification Course (210). If you pass the online
exam then you will become a “Digidesign Certified Operator”. You will also be awarded a certificate
from Digidesign and be
listed as an operator their website. This qualification is a guarantee to employers that you are
competent and confident on what is now the industry standard application for music and post-
production.
Alchemea are also an Authorised Apple Training Centre and we integrate the Logic 101 course
and certification exam into the Diploma. We are now also an Ableton Certified Training Centre!
What level is this course?

Although Alchemea is an independent college and the Diploma course has been developed
independently by recording industry professionals, it is equivalent in all respects to a qualification
at level 3 on the National Qualifications Framework (NQF), and the Qualifications Credit
Framework (QCF), and meets (and in some cases exceeds) the definition of a Diploma on the
QCF. The facilities and resources available at Alchemea far exceed the requirements of a level 3
course and would put many degree courses to shame.
10. We do not believe that large class sizes allow for the necessary level of individual attention
from our tutors. We also appreciate that students learn at differing paces and want to ensure that
no one falls behind. For some practical lessons each class is split into even smaller class sizes.
How many students per course?

20 students per enrolment. There are 3 courses running at any given time (each course at a
different stage).
So the maximum number of students at Alchemea at any time is 60. That’s it.
What is the maximum class size?

10. We do not believe that large class sizes allow for the necessary level of individual attention
from our tutors. We also appreciate that students learn at differing paces and want to ensure that
no one falls behind. For some practical lessons each class is split into even smaller class sizes.
How many hours of individual practical time will I get?

Here is the maths: 13 facilities, 24 hours a day 7 days a week, divided by 60 students = 30.8 hours
per student per week. In fact we GUARANTEE that by the end of your course you will have
accumulated at least 1080 hours of individual practical time. That’s an average of over 30 hours
per week – guaranteed. This is why we are renowned for providing more individual practical time in
our studios and on our workstations than any other college.
Whilst central to the Alchemea method that an individual learns best by "doing" rather than
watching someone else, assisting others is useful too and so encouraged. This time is in
ADDITION to the 30 hours per week we guarantee. Smaller classes have the chance to book even
more practical time.
Is the college really open 24/7?

Yes. Apart from a 2- week shut down period for maintenance / studio upgrades in June and over
Christmas, we never close! Our facilities are available to our students and fully supervised 24
hours a day, 7 days a week. You are allocated (and can book extra) practical time day or night –
whichever suits you.
Can I meet the students, both past and present?

Yes, in fact we encourage you to do so. We also invite ex-students to our open days so that you
can chat to them and find out what they are up to now. Beware of colleges who don’t let
prospective students meet current or past ones!
Will I get a job when I finish the course?

Well, nothing is guaranteed but our statistics speak for themselves: to date over 85% of our
Diploma graduates have begun their careers in their chosen field within 6 months of leaving
Alchemea. Ask to see the list of graduates or look at "Student Profiles" on the web site
www.alchemea.com to see what some of our ex-students are up to in the big bad world.
Does the college actively help its graduates get a job?

Yes. An industry professional with extensive experience as a studio manager provides training in
CV preparation, interview technique and job hunting. Recording studios, recognising the quality of
Alchemea graduates regularly contact us when looking for staff. I
Alchemea’s College Manager is also our dedicated key link between the studios and the students
and is there to help guide you into the workplace. If you work hard, achieve good result, have a
positive attitude and are a nice person we will forward you for interview.
FULL TIME COURSE PRICE SHEET
COURSE CODE PRICE DEPOSIT DURATION
Diploma Course in Studio & Live Sound Engineering FDLSC £12,300 £500 52 weeks
Diploma Course in Studio Sound Engineering FD £8,300 £500 36 weeks
Diploma Course in Live Sound Engineering LSC £4,900 £500 16 weeks
SAC (Studio Assistant Certificate Course including Pro Tools 101) SAC £2,120 £400 8 weeks
SAC & Diploma Course in Live Sound Engineering Diploma SACLSC £6,620 £500 24 weeks
Diploma Pro Tools Certification Options

Pro Tools Music Operator Certificate (201 & 210M) PTM £985 n/a 7 days
Pro Tools Post Pro Operator Certificate (201 & 210P) PTP £1,435 n/a 6 days
Pro Tools Post & Music Operator Certificate (201,210M & 210P) PTMP £1,780 n/a 10 days
These modules run parallel with the Diploma. Courseware and 2 attempts at the online exam are included.
Diploma Logic Pro Level 2 Certification Option

Logic Pro 8 Beyond the Basics (301) L301 £345 3 days
This module includes courseware, one exam attempt and will run over a weekend.
COOL STUFF INCLUDED WITH YOUR COURSE!
Studio Sound Diploma: Media Pack

Apple MacBook 13" White 2.1GHz Intel Core 2 Duo/1GB
Digidesign MBox 2 Mini Audio Interface (Pro Tools LE)
Rode M3 condenser microphone
M Audio Keyrig 25 Controller Keyboard
Stand, XLR cable & pop shield
Blank Media & CD pens
Alchemea T-Shirt
Live Sound Diploma: Tool Kit

Maglight
Multitool
Multimeter
Ear Protectors
Sharpie & electrical tape
Alchemea T-Shirt
SAC: Media Pack

Digidesign MBox 2 Mini Audio Interface (Pro Tools LE)
Blank Media & CD pens
Alchemea T-Shirt
REV 20/02/2009
OFFICE USE ONLY
ALCHEMEA FULL TIME COURSE APPLICATION FORM
Please ensure that you have read and understood the registration agreement
before applying for a full time course at ALCHEMEA. The minimum enrolment age is 18
PERSONAL DETAILS
TITLE (Mr/Mrs/Ms etc….) FIRST NAME LAST NAME
MIDDLE NAME AGE DATE OF BIRTH
OCCUPATION EMPLOYER NATIONALITY
ADDRESS
POST CODE
HOME TELEPHONE WORK TELEPHONE MOBILE TELEPHONE
E-MAIL ADDRESS DO YOU HAVE ANY DISABILITIES THAT MAY AFFECT YOUR STUDIES?
EDUCATION / EMPLOYMENT (please refer to the full time course registration agreement for information regarding entry requirements)
Please tell us about where you have studied or worked in the last five years.
DATES FROM / TO NAME OF SCHOOL / COLLEGE / UNIVERSITY / EMPLOYER COURSE STUDIED / RESULTS / DETAILS OF WORK
GENERAL
WHERE DID YOU FIRST HEAR ABOUT ALCHEMEA? (SPECIFY SEARCH ENIGNE / SITE) WHAT MADE YOU CHOOSE ALCHEMEA FOR YOUR TRAINING?
WHAT MUSIC RELATED WEBSITES TO YOU REGULARLY VISIT?
WHICH MAGAZINES DO YOU REGULARLY READ?
ARE YOU HAPPY FOR US TO SHARE YOUR CONTACT DETAILS WITH YOUR CLASSMATES? THIS COULD WOULD YOU LIKE TO BE KEPT UP TO DATE WITH THE LATEST
HELP YOU GET TO KNOW EACH AND EVEN FIND SHARED ACCOMMODATION. ALCHEMEA COURSE AND COLLEGE NEWS?
COURSE DETAILS
Which course are you applying for, and when would you like to start?
COURSE DATE(S) – please confirm availability with Tony
COURSE NAME COURSE CODE – refer to price sheet
Garston on 020 7359 3986 / info@alchemea.com
REGISTRATION FEE (please refer to price sheet) Cheque No: ……………………………………
I have enclosed the registration fee of £400 SAC / £500 Diploma / £500 Live Sound (please circle)
If you would like to transfer the money by phone our bank details are available on request. Bank transfer date: …………………………….
DECLARATION
I have read and understood the registration agreement and agree to be bound by it.
SIGNATURE DATE
ALCHEMEA COLLEGE FULL TIME COURSE REGISTRATION AGREEMENT
1. Definitions
1.1 The following words, as explained, are used in this registration agreement:
a. “Course” - means the series of classes and practical studio work in which the student is enrolled.
b. “Registration Fee” - means the sum of money paid by the student to reserve a place in one of ALCHEMEA’s courses.
c. “College” - means ALCHEMEA College of Audio Engineering and/or its appointed agents.
d. “Student” - means the signatory of these terms and conditions.
e. “Studio” - means the studios and workstations provided for students both in the college premises and outside.
2. Fees & Refunds

2.1 The student agrees to pay the full registration fee upon application and the tuition fee or first instalment at least one month before the date of commencement.
2.2 If the student does not pay the tuition fee or first instalment within one month of the commencement date, his or her place may be offered to another student.
2.3 The registration fee is not refundable. A student may change course dates or course type at no cost by giving us at least one calendar month’s notice prior to the commencement
of the course the student is booked on at the time. If notice of less than one calendar month is given, the registration fee will be forfeited. The student may book onto another
course but a new registration fee will be payable.
2.4 If a student’s loan is refused or a student visa is rejected, ALCHEMEA will refund any registration fee minus a £40 administration charge.
2.5 The ALCHEMEA instalment plan is only available for students from European Union countries. Students who fail to keep up with repayments will be suspended from the
course. ALCHEMEA reserves the right to take whatever action is necessary to recover the outstanding debt, including taking legal action and referring the outstanding balance to
a debt collection agency. Such actions will have a negative impact on the student's credit rating and will affect his/her ability to apply for credit in the future
3. Content of Course
3.1 The Student understands that the College is entitled to change the content of the course in which the student is enrolled at any time, allowing for new topics to be introduced and
inappropriate topics to be deleted, without prior notice.
4. Studio use
4.1 The student is responsible for ensuring that none of the equipment is damaged or stolen as a direct or indirect result of a failure on his or her part to exercise reasonable care in
use of the equipment made available for their use.
4.2 If a student invites a guest or guests (e.g. musicians) into the ALCHEMEA studios, it is the student’s responsibility to make sure the guest(s) observe these rules and regulations.
4.3 In the event that the equipment in the studio is not functioning during the student’s use of the studio, the student agrees to notify the supervisor immediately giving full details of
the fault.
4.4 In the event that the equipment in the studio(s) is damaged or stolen during the student’s use of the studio as a result of failure on his or her part to exercise reasonable care in
the studio(s), the student agrees to pay within twenty one (21) days all costs relevant to replacing, repairing or hiring replacements for such equipment.
4.5 The College reserves the right to cancel the student’s booked studio time. All attempts will be made to notify the student of such cancellation. Times lost due to such cancellation
will be re-booked in favour of the student.
5. Cancellation
5.1 If a student does not attend lectures for 3 whole weeks, the College will regard such a non-attendance as implied cancellation of the course; any fees not paid will become
immediately due. Exceptions may be made on humanitarian grounds.
6 Attendance
6.1 Student attendance is monitored throughout the duration of the course. Students are expected to attend all lectures and practical sessions. For the purpose of monitoring and to
facilitate our disciplinary procedure we expect a student to attend at least 80% of their lectures and practical sessions (computer workstation sessions excluded). If a student’s
attendance falls below 80% then they will be subject to ALCHEMEA’s disciplinary procedure which is outline in the student handbook.
6.2 Students are expected to arrive on time for their lectures. If a student is late for a lecture more than 3 times without warning or good reason then they will be subject to
ALCHEMEA’S disciplinary procedure.
6.3 The student will not be allowed to attend lectures or studio time, if his or her fees are not paid in full or instalment payments are in arrears.
6.4 Special importance is given to practical time. Students will have to complete all exercises set in the curriculum, engineering sessions as outlined during the course. Since the
college is open 24 hours a day, it will be expected that students will be required to work through the night. When practical work requires students to attend venues outside
ALCHEMEA, it is the student’s responsibility to get to the venue on time.
7 Conduct
6.1 ALCHEMEA promotes equal opportunities. Abusive behaviour and / or discrimination based upon sex, age or ethnic origin will not be tolerated. ALCHEMEA employs a
disciplinary procedure (outlined in the student handbook) and a possible outcome of a student’s hearing is expulsion.
7 Accreditation
7.1 Students are assessed throughout the course, on a competency basis. A report is drafted on each student, and that report is the basis of the SAC and / or the diploma. The pass
mark is 50% and to attain the “Diploma” a student must achieve 70%. Students must score 90% or over on their online Digidesign 210 exam to become a “Digidesign Certified
Operator”. If a student fails the 210 exam on a second attempt, Digidesign will charge a fee for re-examination. For up to date information regarding this fee visit the training area
of www.digidesign.com
8 Entry Requirements
8.1 Due to their intensive nature, the minimum age requirement for ALCHEMEA’S full time courses is 18.
8.2 Enrolment is subject to an interview with ALCHEMEA’s College Registrar. If the Registrar has doubts regarding the prospective students suitability for the course then a College
Director will hold a second interview. Phone interviews will take place where it is not possible for interviews to be carried out in person.
8.3 While there are no formal qualification requirements we look for students ideally to have achieved a grade C or above in maths and a science at GCSE level.
8.4 To strengthen applications we expect that candidates forward documentation to support qualifications and English language certificates. Their validity will be verified against
NARIC’s database (www.naric.org.uk).
8.5 If your application is successful we will require 2 passport photographs, a copy of your passport (photo page) and for students outside the European Union, a copy of your
student VISA. We appreciate that student VISA’s may have to follow closer to the course start date.
Overseas Students ALCHEMEA is an International College, assisting both local and overseas applicants in achieving their goals. Providing the requirements are met, ALCHEMEA will
assist overseas students in obtaining a Student’s Visa where required. Please contact the college for further details. Non-EU students who have been granted a VISA by the British
Immigration Authority (BIA) must provide ALCHEMEA with a copy of their passport and VISA before commencement of their studies. It is the student’s responsibility to inform ALCHEMEA
when there is a change to their VISA status. If a student’s studies are terminated, ALCHEMEA will inform the BIA in writing.
Media Pack The course fees include storage media that should be sufficient to complete assignments set. If additional media is required permission must be gained to use magnetic
media not supplied by ALCHEMEA. Magnetic media can be purchased from the college, at reduced prices. SAC & Diploma students receive a Digidesign Mbox Mini audio interface with
Pro Tools LE software as part of the course. Diploma students also receive a mobile recording studio, which includes an Apple MacBook and a Digidesign Mbox Mini audio interface with
Pro Tools LE software. The MacBook will only become the student’s property once ALCHEMEA have received 35% of the total amount payable.
Class Sizes & Schedules As a rule, lecture class size will be restricted to ten students. For this reason we encourage students not to change classes during the course. There may be
occasions (for example seminars / workshops) when classes will be combined.
Outside Work When it is necessary for students to take equipment out of the premises, this should be pre-arranged, and equipment, signed for. It is advisable for students to arrange
insurance on equipment themselves, since they are personally liable for any damage or loss of the equipment. The proof of insurance might be requested prior to lending of the equipment.
This insurance can be arranged via the college. Equipment is only allowed out of the premises if it is being used as part of the course.
Equal Opportunities Policy ALCHEMEA admits students of any race, colour, national and ethnic origin. ALCHEMEA does not discriminate on the basis of race, colour, sex, sexual
orientation, handicap or national or ethnic origin in the administration of its educational policies, admission policies, scholarship and other college administered programmes.
Job Opportunities Students who receive their Diploma and display a good attitude during their studies will be put forward for job interviews as they arise. ALCHEMEA has strong links
with leading studios these employers recognise the quality of our graduates. ALCHEMEA is pro-active in assisting students with CV preparation and we have a dedicated staff member
who assists students to find employment.
Please ensure that you have read and understood this registration agreement before applying for a course of study at ALCHEMEA.
REV: 17/02/2009
Ho
how to reach us....
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By tube: Ro
Angel or Highbury and Islington Highbury & Islington ad
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Victoria Line, St. Paul's R
By Rail: Silverlink, Great Northern & Anglia Rail Highbury Corner

Highbury and Islington
Essex Road Swanyard Studios
See boxes for location
Cano
of bus stops
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thoughout the Night
4, 19, 30, 38, 43,
56, 73, 341, 476
Upper
N19, N38, N43, N73
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Islington
Street
Town Hall
ALCHEMEA Essex Road

Great Northern
College of Audio Engineering Fire
Electrics
Station
The Windsor Centre
Windsor Street
ad
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Angel Studios tan
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Site of original Britannia Row Studios
Ro
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Design
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4, 19, 30, 38, 43, Shop
56, 73, 476, 341 38, 56, 73, 341, 476

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oo
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56, 73, 476, 341

N N19, N38, N43, N73
ANGEL, Northern Line
Road
Pentonville
St. John
City
Ro
ad
Go
sw
ell
Stre
Ro
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et
0 250 500 750 1000

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Full Time Course Brochure May 5 2009

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PAGE CONTENTS

4 Diploma in Studio Sound Engineering: Course Info

12 Diploma in Studio Sound Engineering: Syllabus

14 Studio Assistant Certificate: Course Info

17 Studio Assistant Certificate: Syllabus

18 Diploma in Live Sound Engineering

26 Alchemea In Partnership With Digidesign

32 Alchemea In Partnership With Apple

36 Frequently Asked Questions

39 Course Price Sheet

Practical learning time: There is no substitute for experience. Diploma students at

• 300 hours of lectures in classroom.

• 1000 hours of individual supervised practical time.

Diploma Course Aim:

• Perform basic Mastering of a song to basic expectations.

• Be organised and methodical under pressure.

• Perform advanced MIDI and Audio programming demonstrating an understanding of musical

2009.2FD REV 18/02/2009

STUDIO SOUND DIPLOMA PART 1 – STUDIO ASSISTANT CERTIFICATE COURSE (SAC)

8-weeks. 251\ Guided Learning Hours separated into:

• 75 hours of lectures in classroom.

• 176 hours of individual supervised practical time.

Part 1 Course Aim:

• Use a variety of microphones with circumspection.

• Route a variety of signals through a professional mixing desk.

• Perform basic level / pan balances of a multi-track recording.

• Demonstrate their usefulness when assisting on a recording session.

• Be organised and methodical.

2009.2FD REV 18/02/2009

10-weeks. 403 Guided Learning Hours separated into:

• 75 hours of lectures in classroom.

• 328 hours of individual supervised practical time.

Part 2 Course Aim:

• Perform basic MIDI programming demonstrating an understanding of musical arrangement

• Be organised and methodical under pressure.

2009.2FD REV 18/02/2009

8-weeks. 283 Guided Learning Hours separated into:

• 75 hours of lectures in classroom.

• 208 hours of individual supervised practical time.

• Perform advanced MIDI and Audio programming demonstrating an understanding of musical

• Identify the different roles involved in the Audio Post-Production industry.

2009.2FD REV 18/02/2009

10-weeks. 363 Guided Learning Hours separated into:

• 75 hours of lectures in classroom.

• 288 hours of individual supervised practical time.

• Produce music to a tight brief.

• Perform basic Mastering of a song to basic expectations.

• Record and edit ADR & Foley to a short film clip.

• Produce the sound design for a short film clip.

• Author a DVD with DVD-ROM content.

2009.2FD REV 18/02/2009

Course Code Dates

2009.2FD REV 18/02/2009

To strengthen applications we expect that candidates forward documentation to support

Media Pack & Mobile Recording Studio

• Apple MacBook 13" White 2.1GHz Intel Core 2 Duo/1GB

• Digidesign MBox 2 Mini

• M Audio Keyrig 25 Controller Keyboard

• Stand, lead and pop shield