Fresco of the Preaching Buddha at the Wet-kyi-in, Gu-byauk-gyi, Pagan Stories from the Vishvantara Jataka and the

Hamsa Jataka can be found here. One fresco shows Buddha preaching, with his right hand raised and palm facing the viewer, in posture of blessing. Buddha is shown seated in Padmasana- the lotus pose of meditation and is often shown with his hair tied in a topknot surrounded by a halo of light, representing nirvana or enlightenment. Another touching fresco is depicted in this cave when Buddha came back to Kapilavastu after enlightenment. He is shown with his wife Yashodhara and son Rahul. Here the figure of Buddha is tall and his wife and son look like dwarfs in from him, depicting his knowledge and prominence.

Kalakbay In this painting Joey portrays poor farmers, those seeking justice- as Jesus' disciples. God has always been concerned about justice and fair treatment of the poor, and many are the admonitions for the "Haves" to treat the "Have Nots" fairly and justly.

The Lamentation The grieving faces and bold gestures on this exquisitey painted panel, highlighted against a stark gold ground, dramatically convey the emotion of the Passion of the Christ. This panel, along with its companion (acc. no. 61.200.1), are among the few surviving works by the so-called Master of the Codex of Saint George, who is named for a missal he illuminated now in the Biblioteca Apolistica Vaticana, Vatican City. Although trained in Florence, the Master of the Codex of Saint George spent much of his career in Avignon, home of the papal court from 1309 to 1377, where he assimilated characteristics of Sienese and French paintings of the period. The panels were once thought to constitute a complete devotional diptych, but careful examination has shown that they were originally part of a folding polyptych probably composed of six panels organized in an accordion-like fashion, with the pairs of panels closing over one another face-to-face. The cycle likely began with the Annunciation and the Nativity (both missing), continued with the two Cloisters panels, and concluded with the Resurrection and the Coronation of the Virgin (both Museo Nazionale del Bargello, Florence).