With all of these progressions,

I focused on the role of the

leading tone since the sound is
very clustered.
a. Symmetrical Chord
(F) M3, M4, M2

Nicholas P Catania

Harmonic Usage
Topic I
b. Symmetrically Inverted
(D5, A4), (M6, m3), (m7,M2)

b. Symmetrically Inverted
(D5, A4), (M6, m3), (m7,M2)
a. Symmetrical Chord
(F) M3, M4, M2

Passage 1
Mirror

d. Pyramidal
M10, m6, M3, m2

d. Pyramidal
M10, m6, M3, m2

c. Intervalic Sequence
20, 15, 10, 5 (1/2 steps)

c. Intervalic Sequence
20, 15, 10, 5 (1/2 steps)

Passage 2
Mirror

e. Inverted Pyramidal
M10, m6, M3, m2

11

Passage 3

F. Pandiatonic Chord Construction

(D Dorian)

Mirror

e. Inverted Pyramidal
M10, m6, M3, m2