SB College Magazine 2012

1 SB COLLEGE CHANGANASSERY
CHANGANASSERY, KERALA, INDIA

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SB
Chief Editor : Dr. Mathew Jose K.
Staff Editors : Dr. P. Antony
: Dr. Roy Joseph
Executive Editor : Prof. Rajan K. Amboory
Student Editor : Liju Jacob Kuriakose
Sub Editors : Jibin Kurian
Vishnu V.
Nippy Jan Tomy
Sonu K. Kanjirathummoottil
Radhu Raj S
Akhila Sen
Eby Paul
Photos : Paul Jose Mattom
Christy Kuruvila
Francy Jose
Art : Paul Jose Mattom
Akhila Sen
Radhu Raj
Jibin Kurian
Cover Story : Jibin Kurian
Dtp : Alen, Kanjikkuzhy
Lilly, Changanacherry
Maratt, Changanacherry
Design : salimon 9400315511
Printing : St. Joseph Orphanage Press,
Changanacherry.
Thanks : Dept. of English
Joycettan, Josy Sir, Reenu,
Alwyn, Jithin, Chaathan,
Babuchayen, Suresh Ettan, Shebin,
Ajichettan, Mathew Antony Paral, Angel,
& facebook friends
Behind
Curtain
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Our Heavenly Patron
St. John Berchmans
SB
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Our Patron
Archbishop of Changanacherry
His Grace Mar Joseph Perumthottam
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Our Former Patron
Our Former Patron
His Grace Mar Joseph Powathil
SB
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Manager
Very Rev. Dr. Joseph Naduvilezham
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Rev. Dr. Tomy Padinjareveettil
Principal
SB
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Vice Principal
Dr. Jacob Thomas
Rev. Fr. Regi Plathottam
Bursar
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FgppImcs\v hntijnnptam?
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smSpp A\p`hsshhn[yw hfsc hepXmWv. AXpsIm
pXsbmhpw temInse anI IrXnI ]eXpw {]hmk
FgppImcn\nv DmbXv .
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]ps\gpns
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kw`-hn-n-ptm? tIc-f-n hcp-tm
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kzw kzXzw At Ahv \jvS-am-hp-
Xv?
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sncpXmbncpp. Kmabpw BSpPohnX
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cN-\-I hcp--Xv ASp--Im-ev am{X-am-
Wv . Fp- sIm- mWv Ccw cN- \- I
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sbpw kmlnXysbpw t\mnmWp Xens {]iv\ambncpp
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mcpw BWv FmWv s]mXpthbp Nn{XoIcWhpw. CXv hwiob
amb hnthN\amtWm? Xm Fp]dbpp?
"Ad_nIsf' F {]tbmKw Xncptnhcpw. BSpPohnXn {Iqc
mcmb Ad_nI C. Ad_nsb Dq. Acw BfpI GXp kaql
n-ep-ap-v. thdn-Xpw H-s--Xp-amb Hcp IY ]d-bp-tm AXv Hcp kaq-
ls samamWv eyw hbvpXv F [mcW A]IzamWv. Xncnv
Hcp tNmZyw tNmZns, \Po_v F IYm]m{Xs asmhcpw tdmUn
ept]np t]mIptm Hcp Ad_nbmWv Abmsf cnpsImpt]mbn
\K-cn hnSpXv. B IYm]m{XneqsS Ad_nbpsS \ ImWm
hmb\m FpsImv {iann...? Atm {]iv\w IYbptSX \psS
hmb\bpsSbpw ap[mcWIfptSXpamsWp hcpp.
Xm-fp-sS av cN-\-Ism-pw-Xs e`n-m AwKo-Im-c-amWv
BSpPohnXn\v e`npXv. XmfpsS Hcp {]tXyI -cN\bvv e`n
p Cu {]i- kv Xn- aqew Xm- fpsS av cN- \- Iv Aln- p
{]m[m\yw InmsX t]mIpp Fp tXmpptm?
A. BSpPohnXneqsS, A{Xb[nIw {insSmXncp av IrXn
IqSn Ctm hmbnsSpp FmWv F\nv tXmpXv. AXv
KpWIcamWv. ]ns HscgppImcs t]cp ]dbptm Hcp IrXn am{Xw
HmsSpXv henb ZpcamWv. ]etmgpw AXv kw`hnppapv.
AXns\ adnISm ]pXnb IrXnIfneqsS Rm {ianpw.
Xm Hcp tmsKgppImc IqSnbmWv. Fm tmKv cN\
Isf cmwInS cN\Ifmbn IWmp Hcp \ne]mSv kzoIcns
SmdpXmbn ]e tmsKgppImcpw ]dbmdpv. Xmv Fv tXm
BSpPohnXn
eqsS, A{Xb
[nIw {in--
sSmXncp av
IrXn- IqSn
Ctm hmbn-
- s- Spp
FmWv
F\nv tXmp
-Xv. AXv KpW-
I-c-am-Wv. ]ns
Hsc- gp- p- Im-
cs t]cp ]d-
bptm Hcp
IrXn -am{Xw
Hm- s- Sp- Xv
henb Zpcam
Wv. ]etmgpw
AXv kw`-hn-p-
papv.
AXns\ adnIS
m ]pXnb
IrXnIfneqsS
Rm {ianpw.
]
p
-s
\
-g
p
-
n
s
-a
m
-\
-
-f
n
s
_
-\
y
m
-a
n
pp?
ae-bm-f-ns tmKv AXns _mey-Im-
eNm]ey ]nnnn Fsmcp hnai\w
F\npw Dv. \psS BmhnjvImcn\v
Hcp ]pXnb am[yaw Xpdp Inptm AXn
BhnjvImcn\p apXncphcpw AXv Bkz
Znphcpw Hcpt]mse Kuchambn kao]ns
nte AXn\v aqeyw knn-p-I-bp-q. tmKp-
I- tfmSv A- s\- sbmcp kao- ]\w \S- p-
ptm Fv kwi- b- ap- v . AXv C\nbpw
hfv ]IzX Bntnbncnpp.
K^v cmPyfn Ctm \S
p `cWIqShncp {]h\
fn {]hmknIv bmsXmcp
]pw D- Xmbn ImWp- n - .
\mn P\m- [n- ]- Xys ]np- W-
bvpIbpw Fm hntZiv \S
p Ccw {]h- \- - fn
`mK- `m- m- Im- sX- bn - cn - p- Ibpw
sNp coXnsb Hcp {]hmkn Fgp
pImc F \nebn Fs\
honpp?
P\m[n]Xy AhImifpw cmjv{Sob
Ah- Im- i- fpw a\p- jym- h- Im- i- fpw
m]nsv Innb a\pjyt\ Acw
ka-c--fn {Inbm--I-ambn CS-s]-Sm
Ign-bp-I-bp-p. Fm K^v cmPy--
fn F- s- - hv Ccw Ah- Im- i-
Hp-an-, Ah sXmgn Icm-dn
Gsv Fnbncnp "ASna' am{XamWv.
Acm Dbp GXv i_vZsbpw `c
W- Iq- S- v hfsc \njv{]- bmkw Cmbva
sNm Ignbpw. Cybn Ah\v P\m[n]Xy
AhImi- m]nv Innbnpv. AhnsS
i_vZapbm Ah\v IgnbpXv AXpsIm
mWv.
HcpXcn Asn asmcp Xcn
Hmtcm {]hmknbnepw \apv \Po_pamsc
Ism Ign-bnt?
Hmtcm K^pImc\nepw Hmtcm \Po_pam
cpv. AXpsImp IqSnbmhmw K^pImc\v
BSpPohnXw {]nbs ]pkvXIambn amdnbXv.
AXnse GsXnepsams Nne PohnXk`
sf Ah\v kzw Pohn- X- nepw Is-
Hmtcm K
^
p-I
m-c-\
nepw
Hmtcm \
Po-_
p-am-cp-
v.
A
X
p-sI
m
p I
qSn-
b
mh
mw K
^
p-I
m-c\
v
B
Sp-Po-h
nX
w {]
nb
-s
]
pk
vX
-I
-amb
n amdn-b
-X
v.
A
X
nse G
sX
-
n-ep-
sams
N
ne Poh
n-X
-k
-
`-
sf A
h
\
v
k
z
w Poh
n-X
-
nepw
I
s
-
m
I
gn-b
p-
p-
m- h
- W
w.
m Ignbppm
hWw.
BJym\ coXnsbm IY
bmWv (Asn PohnXamWv) BSvPohn
Xs {itbampXv F A`n{]mb
tmSp XmfpsS {]XnIcWw FmWv?
Hmtcmcpv Hmtcm ImcyfmWtm Hcp
]pkv X- I- n Cjv S- s- Sp- - Xv . Nnev
AXnse PohnXamWv, Nnev AXnse Bo
b`mhamWv, Nnev PohnXnt\mSp {]Xo
bmWv, Nnev acp`qanbmWv, Nnev IY
]dnemWv. ]e ]etImWpIfn\nv CjvS
s- Sp- - Xp- sIm- mWv Hcp ]pkv X- I- n\v
[mcmfw hmb\m DmhpXv. Asn
AXv hfsc Ipdv hmb\mcpsS CjvSsf
am{Xsa Xr]vXnsSpq. Fm IrXnIpw
As\ km[n-p-sIm-Ww Fn-. _lp-
apJ CjvS-sf Xr]vXn-s-Sp-m Ignp
SB
FXmWv BSpPohnXns `mKyw.
Kma F {itbamb Nen{Xw DsS aebmfnbpsS BtemN
\m- tem- I- tv {]hmkn- I- fpsS Ccw Zpcn- X- IS- p- h- cp- Xv
BSpPohnXtmSv IqSnbmWv F A`n{]mbtmSv Xm Fs\
{]XnIcnpw?
aebmfnbpsS K^v IpSntbn\v A]Xphjne[nIw \o Ncn
{X-ap-v. F{X ew ae-bm-fn-I-fmWv ChnsS hp-t]m-b-Xv F-Xn\v Hcp
IWpw BcpsSbpw ssIh-i-an-. Ctm GXmv 30 e-n-e-[nIw
aebmfnI K^pcmPyfn DmIpsamWv IWmsSpXv . F{X
b-[nIw hyXy-kvX-a-mb A\p-`-h--fn-eq-sS-bmhpw Ch-scmw IS-p-t]m-bn-
cn- p- I. C{X- b- [nIw a\p- jym- \p- `- h- Bg- n tcJ- s- Sp- msX
t]mbXv aebmfkmlnXyn\v Hcp \jvSw XsbmWv. apImefn
hfsc ]cnanXamb tXmXnepw hfsc D]cnhhpambpw am{XamWv K^v
PohnX Nn{XoIcnsXv. CXn\v amw htcXpv, Ahs bYm
PohnXw Nn{XoIcnstSXpv Fsmcp Nn K^nse FgppIm
cpsS CSbn Gsdmeambpv. hnhn[ Xefn AXn\pthn \S
nb {ian BSpPohnXhpw AXns [w \nhlnp Ft F\n
`n{]mbapq. Fm K^pImcs PohnXw ka{Kambn BhnjvIcn
p IrXn-bmWv AsXv F\nv A`n-{]m-b-an-. C\nbpw F{X-tbm- A-
[nIw PohnX FgpXsSm _mn InSpp.
\Po_v F hynbpsS A\p`hpdw BSpPohnXw F
t\mh FmWv hmb\mc\v {]Zm\w sNpXv?
A\p-`hw ]d-n F-Xn-\-p-dv BSpPo-hnXw asmcp A\p-`q-Xnbpw
hmb-\-m-c\v {]Zm\w sNp-n- Fn AXv t\mh-ens ]cm-P-b-am-Wv.
Fm A-s\-b FmWv hmb-\-m-cn\nv CXp-hsc Innb A`n-
{]mb kqNnnpXv. PohnXns hnhn[ Xesf kv]inm\pw
hnhn[ hmb- \- I km[y- am- m\pw AXn\v Ign- n- p- v . Fgpp- Im-
ct]mepw Ism Xefpw hmb\bpw hmb\mc Isp
tm Dmhp ktmjw sNdpX.
Atmcns Ccp]Xv \{kmWnhj F t\mhenepw Xm
aebmfnbpsS
K^v IpSntb
n\v A]-Xp-
hjne[nIw
\o Ncn{Xap
v. F{X ew
aebmfnIfmWv
ChnsS hp
t]m-b-Xv F-
Xn\v Hcp
IWpw
BcpsSbpw
ssIhian.
Ctm
GXmv 30
ene[nIw
aebmfnI
K^p- cm- Py- -
fn DmIpsa
mWv IW-m-
- s- Sp- - Xv.
]
p
-s
\
-g
p
-
n
s
-a
m
-\
-
-f
n
s
_
-\
y
m
-a
n
fpsS av ]e IY-I-fnepw D ss{IkvX-h-
]-m-ew Xm-fpsS sNdp--Im-e-Po-hn-X-
n s Hm- I { ]Zm\w sNbv X- h-
bmtWm?
Hcp FgppImc\n Ahs PohnXhpw
A\p- `- hhpw Hs Fhn- sS- sb- n- ep- sams
\ng hoWp InSpw. {InkvXy ]me
n\npw h Hcm-sf \ne-bn {InkvXp-
hns Pohn-Xhpw ss__nfpw ss{IkvX-h-k-`-
bpsS Ncn{Xhpw Hs Fs kzm[o\npIbpw
kt- ln- bm- p- Ibpw `mh- \bv v t{]cn- n- p-
Ibpw sNbvXnpv. Aqn HmWv A
tmcns Ccp]Xv \{kmWn hj. Rm
Fs sNdpw apX I- \p- `- hn- n- p
k`mXw Hcp "kb' cq]n ]dbm
{ianp t\mhemWXv.
CFsakpw s]Ipnbpw t]msebp
IY-I Nqn-m-Wn-p kwkvIm-c-kw-
tbm- P- \- n- sbpw hwio- b- ]- em- b- \- n-
sbpw {]iv\ Cs K^v Pohn
Xn km[mcWamWv FptXmpp.
Hcp {]hmkn F \nebn CsXmv hni
ZoIcnmtam?
cmjv{Sobamb ImcWfmepw kmnI
A`bmnXzmepw temIns P\hn`m
K cmPyns AXnnI Xmn k
cn- p- sIm- t- bn- cn- p- p. AXp- sIm- p- Xs
B P\hn`mK- AhcpsS X\Xv AkvXnXz
Dt]nv av kwkvImcfpambn IqSn
- e- cp- Ibpw AtX- k- abw kwLj- n
Bhp-Ibpw sNp-p-v. AXp-m-p am\-
kn- I - B- Lm- X- fpw Akv Xn- Xz- {]- iv \- fpw
sNdp-X-. Ah-bmWv ap]v ]d--Xp-t]mse
Ub- kv t]md kmln- Xy- ns t{]c- I- i- n.
Ccw kn{ikaqlntev {itbmsS
honpsImncnp Hcp FgppImc\v Cu
kaqln\nv \nc- h[n IY- I Is-
m Ign- bpw. bqtdm- n- tev IpSn- tb- dnb
B{^n - Fgp- p- Im- c- n \n pw Cu
kmwkvImcnI kwLj Nn{XoIcnp
anI IrXn-I hp-sIm-n-cn-pp FXv
CXn\v \ DZm-l-c-W-am-Wv. \qdn-e-[nIw cmPy-
-fnse P\-hn-`m-K- hp ]mp CSw
F \ne-bn K^v Hcp IYm-Im-cs\ kw_-
nnStmfw AXnt\m anI J\nbm
Wv . Ahn- sS- \nv hyXy- kv X- - fmb IY- I
Ism Hcp IYmImc\v a\kv DmhWw
Fpam{Xw.
tIc- f- k- aqlw Cv t\- cn- Sp Ghpw
henb shphnfnbmbn Xm ImWpXv
Fns\bmWv?
tIcfn\nv A\yambnsmncnp
s]mXp- k- aq- l- amWv \psS Ghpw henb
hn]v Fv F\nv tXmp-p. \ Cv
hn hn [ aX- - fp- sSbpw PmXn - I- fp- sSbpw
cmjv{Sob NnIfpsSbpw {KqpIfpsSbpw Nnd
In- \- Sn- bn- tev HXp- n- sm- n- cn- p- Ibpw
Ghpw kwth- Zn- m- hp s]mXp CS-
A{]-Xy--am-hp-Ibpw sNp-p. AXv A]-I-S-
IcamWv. \psS hmpI am{Xa, A\ycpsS
hmpIIqSn tIm \ _m[ycm
Wv. AXn\p CS \ne\nstSXp
v.
{I
nk
vX
y
]
m-
-e-
n
\
n
pw h
Hcm-
sf
\
ne-b
n
{I
nk
vX
p-
h
ns
Poh
n-X
h
pw
ss_
_
nfpw ss{I
k
vX
-h
-
k
-`-b
psS N
cn-{X
h
pw
Hs
F
s
k
zm[
o-\
n-
p-I
b
pw k
t
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n-b
m-
p-
I
b
pw `mh
-\
b
v
v t{]
cn-
n-
p-I
b
pw sN
b
vX
n-p-
v.
A
q--
n
H
mW
v
A
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m-cns
C
cp-]
X
v
\
{k
mW
n h
j
-
.
SB
Nn-bnepw {]hr-n-bnepw hm-Iyw- _m[n \mSmWv tIcfw Fv ]d-m \mw
kXnp sImSpsp hcn. ImcWw ]ptcmKa\hmZnIfmWv aebmfnI Fsmcp
anYym-[m-cW \psS s]mXp Nnm-[m-c-bn ISv IqSn-bn-p-v. ]sm-Xmw \qm-
ns Ahkm\]mZnepw Ccp]Xmw \qmns BZy]mZnepambn tIcfn kw`
hn kmwkvImcnI \thmm\ns AesbmenI CpaSnbnn Fp \psS
Aamb hnizmkamhmw, Asn aebmfn kzbw krjvSnsSp "tIcfkwkvImcw'
F A-Iq-]-n-\p-n\np sImv ]ptcm-K-a-\-ns ]pdw-Im-gvN-I ImWmsX
t]mIpXp sImmhmw, \mw Ccw \ne]mSpIfn Ddp\nphm hy{KX Imp
Xv. Fm bYmn tIcfn\v kw`hnXv FmWv Fp Xncndnhv t\tS
Xv Ime- ns Bh- iy- am- Wv . ]mm- Xy- \n- e- hm- c- n- ep- - sXv Duw sImp
BbpssZLyhpw kmcX F tIhe Acm\hpw adbmbn ]nSnpsImv
bYm ]ptcmKa\ Nnsb XSsSppIbmbncpp tIcfw. _mly]cnthj
p-dv ae-bmfn Cpw "]nn-cn-' BWv FXv asmcp A{]-n-b-k-Xyw. kzmX-{y-m\-
c `mcXn hnZym`ymk]camb ]ntmmhbnembncp ]e kwm\fpw
]ptcmKa\Nnbnepw a\pjy_unIXbnepw thcqn ka{K hnIk\w ssIhcntmgpw
enPp Ipcymtmkv
Cwojv hn`mKw
_unIX Xncbp tIcfw
hnIvtSm-dn-b kZm-Nm-c-aq-ey- sIn-n-Sn-p-sImv Jmv ]m-b-
p-Isf A\p-kva-cn-n-p kZm-Nm-c-]-cn-]m-e\w \S-p Hcp
AcmPIob kaqlamWnv tIcfw. kv{Xo]pcpj_sf ssewKn
IXbpsS Afhv tImen\m am{Xw t\mnmWphm IgnbpXc
n hnI-e-am-bn-on-cn-pp ae-bm-fn-bpsS kZm-Nm-c-t_m[w.
\mw tIcfob kwkvImcw F ]pdqnsemfnv bmYm
nXnIXbntev hgpXn hogpIbmbncpp.
hnIvtSmdnb kZmNmcaqey sInnSnpsImv
Jmv ]mbpIsf A\pkvacnnp kZmNmc]cn
]me\w \Sp Hcp AcmPIob kaqlamWnv tIc
fw. kv{Xo]pcpj_sf ssewKnIXbpsS Afhv tIm
en\m am{Xw t\mnmWphm IgnbpXcn hnI
eambnoncnpp aebmfnbpsS kZmNmct_m[w.
Hmtcm ImeLnepw AXmXv kaqlm AwKoI
cns aqeykev]fpsS BsIpIbmWv kZm
Nmcw. bpn]chpw Imem\pkrXhpamb NnIfmhWw
kZm- Nm- c- ns ASn- m- \w. G- Xm- \pw hyn- I- fp-
sStbm aXkev]nstbm t]cn aphcpsS ta
ASntev]nsSp s]mbmb ]ct{Zml{]h\
Sp-p--Xn ae-bm-fn-p hy{KX sRn-n-pXm-
Wv. ]pcp- j\v kv{Xotbm kv{Xov ]pcp- jt\m kplr-
mbn hcnI FXv tIcfob kaqln\v AwKoIcn
m\mhmXmWv. ImapIn, `mcy, hy`nNmcnWn Fn
s\ ssewKn-I-]-c-am-bn hymJym-\n--s Nne _-
am{XamWv ]pcpj\pambn kv{XopXv Fv \mw
Icp- Xpp. sIme- ]m- X- In- Itm Xo{h- hm- Zn- Itm
\psS \mn ]Item cm{Xnsbtm hyXymkanmsX
s]mXp--e--fn hcp-hm\pw kabw sNe-h-gn-m\pw
km[npw. Fm AXv kv{Xobpw ]pcpj\pambn amdp
tm a-e-bmfn Ahsc kZm-Nm-c-\n-b-a--fpsS Ccp
InqSn am{X- am- Wv t\mn- m- WpXv FXv
k
zmX
-{
y-\
-
c `mc-X
-
n
h
nZym-`ym-k
-]
-c-amb
]
nt
m-
m- h
-
- b
n- em- b
n-
cp
]
e k
w
m-\
-
fpw ]
ptcm-K-a-\
-N
n-
-
b
nepw a\
p-j
y-_
u-
n-I
-X
-
b
nepw th
cq
n k
a{K
h
nI
k
\
w ssI
h
-cn-
-
t
mgpw \
mw tI
c-fob
k
wk
vI
mcw F
]
pd-
q-
n-sem-fn
v b
mY
m-
n-X
n-
I
X
b
n-te
v h
gpX
n h
ogp-
I
-b
m-b
n-cp-
p.
kZm- Nm- c- kw- c- - W- sa
t]cn kwc- n- - s- Sp- Xv
hyn- kzm- X- {y- n- \p- ta- ep
{]ISamb ISpIbamWv.
A]-cn-Nn-X-\mb ]pcp-j-t\mSv
kwkmcnpItbm kplrmb
]pcp- j- t\m- sSmw bm{X- sN- p-
Itbm sNp kv{Xosb A]-
YkmcnWnbmbn IWmpI
am{Xa \nbaw ssIbnseSpv
Ahsc ssItbw sNp -
hmt]mepw tIcfob s]mXpk
aqlnse Hcp \yq\]w Cv
Xm-dm-Wv. Ccw kZm-Nm-c-`-S-
m- cpsS AXn- {I- a- sf ]e-
tmgpw A]- e- ]n - t- - Xn \v
]Icw B{I- a- W- n- \n- c- bmb
kv {Xosbbpw ]pcpjs\bpw Hs
\psS kaq- l- nse s\dn- sI
\nbafpsS t\mgvNbmWv.
Hw Xkv \n- _m- \p- hn- s\- tmse-
bp ae- bm- fn - h\n- X- I \psS
\mn t\cn- Sp hnth- N- \- ]- c- amb
kao]- \- , Ccp hoWpIgn- bp-
tm aebmfnv \jv S- am- hp
kmwkvImcnIXbpsS sXfnhmWv. Hcp
kv{Xov cm{Xnkabfn sXmgn
sNphmt\m bm{XsNphmt\m D
kzmX{ys l\npXv kZmNm
c- sa aq- bn- m Npcn- I- bpsS
SB
Ch-sc-tm-se-bp--h Xs-bmWv kzIm-cy-X-bpsS ad-hn kv{Xosb ]oUn-
n-p-Ibpw samss_ Nn{X--fmn amp-Ibpw sNp--Xv. kv{XobpsS hmWn-
PyhXvIcWw Fsms D]cnhambn ]dbpXn\pdw aebmfnbpsS s]mXp
t_m- [- ns hnI- e- X- bmbn thWw ssewKnI Acm- P- I- Xz- s- m- Wp- hm.
]mmXyhXvIcWtam samss_ t^mWpItfm A kaqlamWv Iphmfn
I Fv \mw Xncn--dn-b-Ww. ap]v ]d kZm-Nm-c-aq-ey- aptmpsh
BZi\obXbpw Akv]riyXbpw Hcp]cn[nhsc Ccw AcmPIXzn\v Imc
Wamhppv. s]mXpkaqln Ccw aqey ]menp aebmfnI
kzImcyXbn Chsbmw adpp. Cu kzImcyhnImc[mcnI Bsfmgnbp
kabv samss_- en \oe- n- {X- ]c- Xp- Ibpw Bq- - n kZm- Nm-
cns Imh]p-cp-j-\m-hp-Ibpw sNp-p.
Ccw kmaqlnI A]Nbv adpacpmthXv hnZym`ymkamWv . ImcWw
GsXmcp kaqlnsbpw kpKaamb kmwkvImcnI ]ptcmKXnv ASnm\w
hyhpw ka{Khpamb Hcp hnZym`ymkcoXnbmWv. Hmtcm ImeLnepw hcp
`cWIqSm\pIqenIfmb hnZym`ymkNnIm AhchcpsS CjvSm\pkrXw cq]
sSpp ]mXnsh hnZym`ymkcoXnIfmWv tIcfn Gsd \mfpIfmbn
\nehn hcmdpXv. ]etmgpw A{]mtbmKnIhpw A[ym]ItI{oIrXhpamb
Ccw hnZym`ymkcoXnI aebmfnIsf tIhew Acm\nIfmbn \ne
\npp. `mjm]T\nepw apw \mw ]pep DZmko\amb \ne]mSpI
fmWv "cRvPn\n aebmfntepw' apw \s \bnpXv. Aimkv{Xobamb
\psS `mjm]T\coXnIfmWv icmicn aebmfnsb Hcp `mjbpw IrXyambn
ssIImcyw sNphm IgnhnmhcmpXv. Ipdv ssKUpIfpsSbpw tIm
tmknj\pIfpsSbpw AbshemWv aebmfnv Cpw `mjm]T\w. ]mTpkvX
In\v ]pdtv `mjtbbpw hmb\tbbpw hfm \psS "Kl\'amb
]mTy{Ians `mcw \psS hnZymnIsf A\phZnmdn.
Acw hmb\IfpsSbpw NnIfpsSbpw A`mhw Cs bphkaqln
\ngenpImWmw. B[p\nI kZvhyh aptmv shp D]t`mKm[njvTnX
amb PohnXcoXnsb bpnklambn hnebncpphmt]mepw Cs bph
Hcp kv{Xov
cm{Xn- k- a- b- -
fn sXmgn
sNp- hmt\m
bm{X- sN- p-
hmt\m D
kzmX- {ys
l\npXv
kZm- Nm- c- sa
aqbnm
Npcn- I- bpsS
inbnem
sWv hcp-Xv
aebmfnbpsS
ssewKnINn
bpsS A[x]X\
amWv Imp--Xv.
inbnemsWv hcpXv ae
bmfnbpsS ssewKnINnbpsS
A[x- ]- X- \- amWv Imp- - Xv .
AtX- k- abw FXn en wK-
tmSv Hcp ssewKntIm]Ic
W- sa- - Xn - e- pdw BZ- chv
ImWn- p- hm Ign- bm- - h-
cmWv Ccw kZmNmc ]cn]m
e\n\mbn Cdnncnp
Xv F- Xpw {it- b- amWv .
tImfPv A[ym- ]- I apX
_kv IIvSam hscbp
Cu kZm- Nm- c- {]- `p- - m- cpsS
\b\XShdpn\nv \nc
]cm[nIpt]mepw cbn
FXmWv Zp:JIcw.
_
u
n
-I
X
X
n
c
-b
p
t
I
c
f
w
Xbvv km[npn. D]t`mKw krjvSnp
kpJtemep]XbpsS \Sphn \mKcnIXbpsS
k{]uVnbnepw hmgphm B{Klnph
cmWv Cs bphmfn `qcn`mKhpw. Nppw
\Sp bmsXmcp kmaqlnI{]iv \fnepw CS
s]Sm XmdmhmsX Xntepam{Xw ZrjvSn
Npcpphcmbn bphmsf hfnsbSpXv
AhcpsS amXm]nXmfpw hnZym`ymkhpamWv
Fv ]dbmsX h. {]`mXw apX {]tZmjw
hsc \ofp A`yk\fpw dmn\pw Hmw
m\n\pwthn \Sp kzm]camb
hnZym`ymkhpamWv BXynIambn kmaqlnI
PohnXsbpw klPoh\sbpw {]XnIqe
]w t{_mbn-etm-gn-I-sfv Cs bph-
Xsb kmaqlyhnaiI ]cnlknptm
Ah ad-p-Xv AhcpsS Xe-apd \S-nb
hfptZmjns sISpXnbmWv Cs
bphXeapdbvv hp `hnncnpXv FXm
Wv . Ah hfp- h {]p- _v Z- sa- nepw
{]_pamb Hcp ImeLns bmsXmcp \
Ifpw ASp Xeapdbntev ]IcmsX "Ah
\- h- \n- k- ns' {]tbm- m- - fmbn Ahsc
hfnsmphXns k DchmZn
Xzhpw Ctmgs cmIr XeapdmWv.
kzmaXnIfpw Acmjv{SobhmZnIfpw kaq
l-n\p t\sc ]pdw-Xn-cnp \nevp--hcp-
amb Hcp Xeapd hfp hXn cIm
A
cm-j
v{So-b
-N
n-
-I
am{X
w a\
-k
n-ep
Hcp-
]
w t{_
mb
n-et
m-gn-I
-
sf
v C
s
b
ph
-
X
sb
k
maq-l
y-h
n-ai
-I
]
cn-l
-k
n-
p-t
m
A
h
ad-
p-
X
v A
h
cpsS X
e-
apd \
S-
nb
h
f
p-
tZm-j
-
ns
sI
Sp-X
n-
b
mW
v C
s
b
ph
-X
-e-
ap-db
v
v h
p `h
n-
n-cn-
p-
X
v F
-X
m-W
v.
ambn _m[npXv.
GXm\p w Zim- _v Z-
v ap]phsc tIcf
ns cmjv {Sob a-
es Ghpa[nIw kzm[o
\nncpXv temIcmjv{Sob
sbpw {]Xybimkv{X
sfbpw {InbmIambn ]Tn
pIbpw Ahsb {]hrn
]- Y- n hcp- p- Ibpw
sNbvXncp Hcp ]w bphm
- fm- Wv . Fm Cv
cmjv {So- b- sa- m bphm-
v A{]nbIcambno
cp-Ibpw bphXz -cm-jv{So-b-
sa-m cv Zzz--fn
A`bw tXS am{X- ambn-
o- cp- Ibpw sNbv Xp. Hp- In CS- Xp- ]- -
ns As-n he-Xp-]--ns {]Xy-b-
im-kv{X- A-ambn ]np-S-cmsX bphm-
v cmjv{SobcwKv \ne\nevm\mhn
Fv hcpXv BimP\IamWv. AtXkabw
{]Xy- b- imkv {X- - fntmepw \ne- \n- ev n- \p-
thn shw tN-s-Sp-tm cmjv{Sob
\ne]mSpIv Dd ASnd CmsXt]mhp
Xv kzm`m- hn- Iw. CS- sXtm he- sXtm
thXn- cn- m- \- m- hm- , Agn- aXn- bp- sSbpw
kzmXbpsSbpw cmjv{Sob kahmIyv
bphmsf Hw \nphm- \p sIev ]pw
\jvSambn.
Acmjv{SobNnI am{Xw a\knep Hcp
SB
{_\pw HmWv Fp ]Tn-n {ioi--c\pw PmXnpw hwi-n-\p-a-p-dv
a\pjy\mWv hepXv Fv temIs ]Tnn KpcptZh\pw Pohnncp tIcfw
Cv PmXnbpsS ASnm\n hn`Pnsncnpp. Hmtcm sXcsSpp
I-fnepw PmXn-bp-sSbpw hwi-n-sbpw t]cn k-Xn-Zm-\--e-h-d-I-fmbn a\p-
jy thXncnsSpp FXpXs aebmfnbpsS D]t_m[n cqVaqe
ambncnp kpNnXat\m`mhns aIptSmZmlcWamWv. GsXmcp Nnsb
Dt]-n-p-hm \mw {iantm AtX PmXob Nn-bpsS ]p ]Xn-p-I
apfps]mpXv t\mnmWphm am{Xw \apv km[npp.
]mmXy\mKcnIXbpsS kakvXkpJfpw A\p`hnptmgpw aebmfn
bpsS D]-t_m-[-ns sN-fn-p-n \ne-\n-evp hKob Nn-I ]pd-
tv hcmdpXv Ah\hs hnhmlmhkcnemWv. Xs PmXnbns-
hcpw shfphcpw kkz`mhnIfpamb h[qhcmscncpsImp hnhm
l--c-ky aptmv shp PmXo-bhpw h-hn-th-N-\m-]-c-hp-amb Nn-
I Fp-sImtm \nb-a-ew-L-\--fmbn Bcpw IW-m-p-n-. AXn-\m-
Xs tIcfn Cpw hKobhpw hhnthN\]chpamb thXncnhpI
\ne-\n-evp-pv Fp-Xs thWw Icp-Xm. Ch ]t, ]c-ky-ambn ]pd-
tv hcpn Fpam{Xw. ]tcmambn Ch {]ISamhp AhkcfmWv
hnhmlckyfpw apw.
h]chpw hnZym`ymk]chpw kZmNmc]chpamb knKv mhIfneqsS IS
pt]mIp tIcfkaqln\v `mhnbntep almbm\n\v Bhiyw Hcp \h
kmwkv ImcnIXbmWv . BZyw ImelcWspt]mb Hcp kwkv Imcns ]p\
cpmcWn\v ]Icw Imem\pkrXamb NnIfm \bnSp Hcp \hkw
kv ImcamWv Cv \apmhiyw. \ho\kwkv Imcsam ]mmXykwkv Imcm\p
IcWtam {]mNo\`mcXobkwkvImcns ]p\:{]XnjvTtbm A. adnv _un
IXbnepw ]ptcmKa\Nnbnepw A[njv TnXamb Hcp \htemI{IaamWv .
v enmw.
_lp- cmjv {S- I- - \n- I- fpsS
sXmgn- em- fn- Ifpw B[p- \n- I- X-
bpsS k- X- {- {]- tbm- Kn- I- fp-
amb Cs Xe- apd ]t,
ssIhn- SmsX IqsS- q- n- bn- cn-
p Hcp]w kmaqlnI A]N
bfn {][m\shbmWv h
sh-dnbpw h-sh-dn-bpw. aX-\n-c-
t]amb Hcp kaqlw \ne\n
evpXv hwiobhpw PmXobhp
amb hn`mKobXIsf \ncmIcnp
sImmWv. Fm ]ptcmKa\
Nn- - bpsS hfm- L- - n
tIcfw Dt]- n PmXn- kzXzw
Xncn-p-h-chv \S-p-Xv _un-
I- Nn- - bp- sSbpwIqSn AI- - Sn-
tbm-sS-bm-sW-Xv \s Ap-
X- s- Sp - p - n - . B\p w
Rm Fs AS- bm- f- s- Sp- n...- A- h- fpsS ico- c- n...- B- Zy- cm- {Xn-
bns...
sNhn-bn-tev Cc-p-I-b-dnb Ah-fpsS Ae-bn, Rm In-en \n-n-
dn AcnIntev amdn \np...
sNdpn XohnmfneqsSbp kvIq \Sbn AcnIntev
amdn \nevm t{]cnnXv Ccnep XohnIfpsS Aebmbncpp.
AeI tIv AcnIntev amdn \nevpXv XpSp PohnXn Hcp
ioeambn amdn. ]nosStmtgm a\nembn, Aesbv sXncnXv Aa
mcpsS Imlfambncppshv. Cu Imlf[z\n tInv, Fs AcnIntev
hIv, Bscmstbm aptmp IpXnp. F\npw aptmv Xsbmbncpp
t]mtInbncpXv. appw ]npw t\mt {]mbn apIfntev t\mn
\Sp. apIfn A]mcamb iq\yXI HptNcpnStv Rms\s ]d
nhnp. ]dapnbtm Ccnm\nSw tXSn. CcnnSw.
\qmpIfpsS hnf DdpIqSnb HbnebpsS th]mSv, hrnbn
hnembn amdnbtm AhnsS Rms\s CcnnSw Isn. t]cns BZym
cw B hnepIfn tImdnbntm \mhn Xpn Ftm Dc kz
ns Xcn XnInhp.
]ns Rm en]nIfpmb Imentev NndIv hncnp. Fs t]cns
BZymcw NnIsSpv NptmSv tNp. BZn tNX\IfmpXpnb
aWw Rm\dnp. AhnsS \nngv ]cnNnXamb ]neqsS Hmeta kn\n
amSmokns Snv Iudnse Xnnncntev ]nhnSn. Hcphn[w
hcn-bn Ib-dn. Ccp--gn-I-fnse sagpv ]pc s]bnn shncq]sImv
IY
t_mkmbnph
]cp inJcw
Pn_n Ipcy
aebmfhn`mKw
SB
t]mdnv Rm Fs ASbmfsSpn. AhnsS\nv kvIqfns Hmp
aWnsbmbneqsS "\cq]nbmb ssZhsf' adnISv aq{XKw han
p taadbnm adpcbntev... AhnSps ]mb`nnbn
NpnvsImv Rms\s Nmnbntm ]pkvXIknsbm
`mcw aq{X- k- n - m- bn - cp- p! B `mcw a\- n - tev \pcv
s]mnbtm Iem-e-b-ns Cun--Sn-I-fn Bv Nhnn H-bp-
mp {]mbntev Rm hfp. Icp ImepIsImv
aph, Rm\pmnbXnt\m henb Hbpmn Fs t]Sn
n-p. Iem-e-b-ap-s A-n-p-fn-bpsS Nph-n Rm A`bw tXSn.
hrRcpIsf sXmpWnbtm Ahsc\nv hmeyWev
Xp. AXns NpfnhpInSbn t]\bpsS \nv sImv Rms\s
Npcp-n-sb-gp-Xn.
Bgfntev thcpIfp Ccw acsf ]ngpsXdnbphm {]bm
kamWv. hfbpsS GtXm Hcp Ln Btcm apcSnn Fs
thcpIfn\npw t_mkmbnph inJcfntev ]cpXn\m
InfnmpIfn\npw Rm A\y\mbn... aWn{]hmfsfs sh{]m
fsSpn...!
Ncn{XmkpIfn Cubd aWtm Rm sNhn s]mn.
Cub-ns \nd-ap Fn\nv Xs-bmtWm Cu aW-ap-b-cp--
Xv... F\nv kwibapmbncpp.
AXbpsS Idp t_mUn Aym]I hncnbnp hnm
\- hn- ]- p- Isf hSn- s- Spv IpS- bptm s]p shs]m- Sn- ag
hcmt]mIp hdpXnmgvNbpsS XpSamsWv Rm IcpXn. Iem
ebw Nn- I hnf- bp- n- S- sav Btcm ]d- p. Nn- bpsS sNo-
bn shfn XetmdnsemscsaSpv, hmgvn, Ambn hn`
Pnv aWnqdn Hmtcmp hoXw hngpnbXn\v Adnhns hrnse
AWpt_mw_ns Nhmbncpp. \mv apdnv Nhv ammw... \mn
Snv NhmkzZnmw... \mnSn F\nv hianmXncpXn\m \mv
Ingnv Hcp ISp\nSphm Rm B{Klnp. Fs kplrpn
Sbn \msf AsXmcp s{Smbn amdpsav F\npdpmbncpp.
ASnbn NyqbnwKw sagpInb sUkv ns ]pdv tjhnwKv sbn
UpsImv Rms\s t]cv NoInbnXn ]ns mkntev Ibdphm
Fs ImepI hnkXnp. C\nsbs kzcw tInphmt\m Fs
ASbmfsSpphmt\m AhnsS CSsampapmbncpn. DsnXs
AsXmpw F\nv Xr]vXn \evInbpan. hopw iq\yXI HgpInhv
Xfw sInnSp apIfntev Rm Isdnv \Sp.
B Imestmtgm BWv Ahsf kvt\lnv XpSnbXv. A,
Ahsfs kvt\lnWsav Rm B{Klnv XpSnbXv. Ipn
cnNphntev AXns apdnhpIfn \npw Henndp kv^SnI
pnI I ]nSnpdbphm FSpp kabtmfw, Ahsf P]nv
AXns Nphnencpp. Rm B acn Xo ]mSpIfpw AXn
\nsm-en-n-d-nb kv^Sn-I-h-c-Ifpw Fs P]-am-e-bnse app-I-sf-
m F{Xtbm A[nIambncpp. AXns Fw tcJsSpphm
s_mmWn KmU\ntep ]bncpneqsS amSnpcp s]dp
ASnbn
NyqbnwKw sagp-
Inb sUkvns
]pdv tjhnwKv
sbn- Up- sImv
Rms\s t]cv
NoInbnXn
]ns mkn-tev
Ibdphm Fs
Imep-I hnk--
Xn-p. C\n-sbs
kzcw tIn-p-
hmt\m Fs AS-
bm- f- s- Sp- p-
hmt\m AhnsS
CS-sam-p-ap-m-bn-
cpn. Ds
nXs
AsXmpw
F\nv Xr]vXn
\evInbpan.
t
_
m
k
m
-b
n
-
p
h
]
c
-
p

i
n
J
c
w
phm t]mbn. Ipncnphntev Xncnp
htm Fs ssIn amSnpcpv
]pdta Hcp ]\n-\oNm--bpw Dm-bn-cp-p.
AXv Ahfp X- Xm- bn- cp- p. AsX, Ah-
sfs kvt\lnphm XpSn. Rm\n ]me
n- eqsS Ah- sf- n- tev Nph- Sp- I hp.
Fs kzcw tInphm\pw Fs ASbm
fsSpphm\pap Ahkm\ CSw Ahfm
sWv F\nv Dd-m-bn...
Iemebns ]SpInSbneqsS
Cgp \S- p. sN- n amfw Xop.
Cub Nnd- Ip- I tamjv Snv kutcm-
ssepIv Nppw Xnfnp....
XWp- t- p- d- p....- shbn- te- p- cp- In...- a- g-
tbsmgpIn... Imtv ]mdn...
Av \ne-I-fp {K-p-c-bpsS Ccp-n-S-
-fn-en-cpn Ah-sfs [ym\n-n-p. hj-
ptijw, F\nv {]WbZo X B
tbmKn- \nsb hio- I- cnv Xmen- Nmn Krl-
m- {i- a- n- tev Iqn- smp hp. AXv
Cp cmhnsebmbncpp.
BZycm{Xnbntepp t\mnsmv In
en InSpcptmgmWv, `nnbn CWtN
cp ]nI Fs {ibn s]Xv. Inen
Fgptv, taibnencp \nLphn Nhnn
Ahsc s]mnnSnsnepw hmev apdnsdnv
hncepInSbneqsS ]mv `nnbnse hnS
hpIfntev Ah adp. ]mev \nd mkp
ambn Ah apdnbntev hcpXn\v sXmp
ap]phsc ]nhmepI Fs ssIpn
InSp ]nSp. ]nSnep\ntm Inen\
Snbnse DdppIv Ahsb hnpsImSpp.
]mep ]Ipp IpSn mkv Fs ssIX-
n-msg hoW-tm Ah \Sp-n. NnX-dnb
Nnp-I s]dpnqp--Xn-\n-S-bn Ah-f-dn-
bmsX Hcp Nofv Rm ssIpnemn, s]dp
n- q- nb Nnv X- cn- I ]pdv sImpI- f-
nv Ah Xncnp hp. kwib ]pc
t\mfbv Fs Dti hmbnsSpp
hm Ah {ianp. Hpw shfn- s- Sm- Xn- cn-
m Rms\mcp ]Xn Nncnv {ian- s-
n epw Fs apJw hn Ir- X- ambn - tm- bn .
AtXmsS Ah ]cn- {`- an Imep- I ]nn-
tep hpXpSn. AhfpsS icocn GXp
`mKmWv Fs ASbmfsSptXv
FXmbncpp Fs Nn. hkv{Xf
gnv amphm Fs IpI AhtfmSm
m]np. AhfXns\ hIshn. cq
amb t\mfm Fs Pohs\ Ah
\n ho- cy- am- n smn - cp- p. Rm
hnbp. Fs Ah A\pkcnpsa
{]Xo hnbnt\msSmw ]pdpNmSn.
\qm- p- Iv ap]p- Xs Fs
IpIfpsS Bmin \jvSsncp
p. ]cnWmans GtXm Znibn A\y
cpsS BIv hnt[bsSp coXn
bn Ah cq]mcsSpIbmbncpp.
"In\v Ign-bm-Xv ssIm' ]pXn-
sbmcp sNmn\v cq]w \evInbnv {`mam
sbm- cm- th- i- n Ah- fpsS hkv{X-
henv Iodn. Ah- sfbpwsImv In- en-
tev hoWp.
ssIn- en- cp Ipn- nv sImv ]e
`mjbn, ]e en]nhSnhpIfn Rms\s
Ah- fpsS ico- c- n ap{ZWw sNbv Xp.
Ahsfs ssIn InSv IpXdn.
Ahkm\w, sNhnbntencp Ibdp
AetbmsS Xohnmfntev Ah
fn- d- n- tbm- Sn- b- Xv , Fs Pohn- X- n\n-
tm? AtXm, Ah-fpsS Pohn-X-n\n-
tm? Imens apw hsc Ddp--cnv Ib-
dn-sb-nepw Rm\n-tm-gpw- I-n-en-\-cn-In
Xs \nev pIbmWv . Fs inJcfnse
t_mkmbnph cpNnphm h AXn
Yn-Isf Rms\-n\v XS-b-Ww.
(AWw kmwkvImcnI thZn Sn.hn. sImp_m
hbvv kan "]mtYbw' F IYm-k-am-
lm-c-n-tev Xnc-s-Sp--s IY.)
SB
Icpm tkh\w 35 {][m\ \mWbfpw av 100 Hmfw
hntZi \mW-b-fpw kzoI-cn-pp hntZicmPy--fn-tebvv
]W-a-b-m-\p kuIcyw (dnkv _mv \n_--\-Iv
hnt[-bw) hntZi \mWb hn\n-a-b-pw {Smh-tegvkv sNv
CS]m-SpIpw Nmv CuSm-pX CUy--Ipw
]pd-p-ap hnam\ bm{X-Iv anI Snv \nc-p-I
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C\n Pohn-q..Hmtcm \nan-j-hpw...
kmZyw
hncpn
hntZi \mWy hn\nabn\pw
hnam\ SnnwKn\pw
Fn\v thsdmcp tNmbvkv ?
Pn_n Ipcy
aebmfhn`mKw
IhnX
Hcp \nev
IXncmbn hnfp
Hcp I-bn Nhn-p-sImv
kzX{cmbn
A\p`hns
]pgptep
shbntep
Imens
Debm
Ipphmn
DpIp
Co Ien
Hnp Xnfv
\cv
acnp
C\n Zl\w.
Zl\w
C{X\m
IfIfpw hnfIfpw
In IsXmw
AImn
Ctm
AdhpImc\v
Igpp \on,
Ip adnv
sNhn tImn
hmep hfv
IpXdm\mhmsX \nptm
AInSp sXI-n-bXv
\nnImcns \oena.
"_mn-sb-s-n-epw...?'
C,
Abhndm\mhm hn[w
AIsmpanmsXbmbn.
AIv
SB
sân\nv! Hp ]pcnIapbmsX Cu hmp kzoIcn BfpI hncfamWv. ]dp
aSp ioep-Ipw tIp-a-Sp \nh-N-\-pa-pdw BcmWv sân-\nv?
ImeLfneqsSbmWv kv{Xo ]nmpdfntepw Ccp CS\mgnIfntepw amn
\ns--Xv. hnPbnIfpsS IY ]mSnb Ncn-{Xn s] Dmbn-cp-n-. AXn-\m
B hyhm]nX Ncn{Xw \apv admw.
`mjbpw Iebpw Ncn-{Xhpw tNv kv{Xosb _nw_s \nn-p. in-bmbpw
`qanbmbpw sNmn Bcm[np. ]nosStm A[xIrXbmbn amn\nn. hyhnXnI
amdnadntm ASpfbn\npw XomcnpcIfn\npw Ah Acts
n.
kv{XoimoIcWw \ntj[ns kzcambncpp. Xs hmpI Hpdp sNmm
ioen--h As\ sân-\n-m-bn. BWn-s\mw sXp-I-b-dm Ah a-cn-p. Hcp
Ipns\ s]p- t]m- m shp- hn- fn- p. Cu a- c- n- S- bnepw hnip Ic
Ipns\ Insp \Snm Ahmbn. hyhnXnI Cucngtmn ad
cm[p cmPv Fkv.
Cwojv hn`mKw
BcmWv sân\nv
`mjbpw Iebpw Ncn-{Xhpw
tNv kv{Xosb
_nw_s \nnp. in
bmbpw `qan-bmbpw sNmn
Bcm-[n-p. ]no-sStm A[x-Ir-X-
bmbn amn\nn. hyhnXnI amdn
adntm ASpfbn\npw
XomcnpcIfn\npw Ah
Ac- - t- s- n.
A
k
h
i
n- cp Ah- fpsS Gdnb bu\w kmcn-
bn\nv NpcnZmdntepw AhnsS\nv ]ZI
fntepw hfn. AtXkabw Iymadp
Iv AhfpsS icocw CjvSt`mPyambn amdn.
Fm \h-h-tc-WyX ]mSn-p-I-gvnb [-
]- Xv \o- {hXw A\p- jv Tn- p- tmgpw Bq- -
n Ahsfpw Aabmbn XpSp. hnZym
k- - cpw DtZym- K- - I- fp- amb kv {XoI
t]mepw kzw icocn hmSImcmbn \ne
\np. Bncnt]mepw Ahsf Xncs
p Idp ssII, ad-p-S-bpsS \ng-en
s] A\p`hn kpcnXXzs hnembn
HmsSpn.
sImn-m-Snb ss]XrIw Fp-a-hsf ]Xn-
{hXbmn \ne\nm hy{KXsp. thiym
e-b-n-tev `m-hns\ Npa ioem-hXn
`mcXkv{XobpsS ]Xo`nbvv DZmlcWam
bn. kzbw hcnhs\mw Ahs ktlmZc
mpIqSn PohnXw `mKnp \evIm hn[n
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6. Umav Uqav Unkvv\W
tUm\W Ubm\W
Ap app km ]-W-n-ept]m
Nne hmsamgn- Iv Ae- m- ctam
Ahym]vXntbm C. Iqnhmbnp
hm am{Xw Igp- an- . `mjbv tm
`mjm- {]- tbm- K- nt\m m\- an.
BsIbpXv hmsamgnbpsS `wKnam{Xw.
U
m
a
v
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q
a
v
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n
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v
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-
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.
.
.
Fn- n- cn- p Ccw ]mp- I- sf- q-
SmsX FkwJy D]tbmKnv shdptX ]mSn
\Smhp ]mpIfpapv.
1."Hpsampw cv ISensemcp Rv
cpw cpw \mev Innsmcp hmev
aqpw aqpw Bdv ap-smcp Imdv
\mepw \mepw Fv s\nsmcp s]mv
Ap w Ap w
]v ssZh- ns
kzv.'
2."h Sp {Xobpw
t^mdpw IqSn Imdn
t]mIpw
ss^hpw kn Iv kpw
skh\pw IqSn Imdp X
Snp.'
3."Hv cv aqv \mev
InImtem \mev
Inentedn Ip\pdn
InebWt]mse.'
Hn- t\bpw IqkmsX
HmSn- mSn Ifn- p- \- S- n- cp
Imev \sf Fpw {ànnncpXv InfnI
fm-Wv. Nnd-Ip-m-bn-cp-p-sh-n \appw ]d-
m- ambn - cp - p - h- tm. Cusbm- cm{ Klw
DnhpsImmWv InfnmpI Dml
tmsS ]mSn\SncpXv.
1."ss]n-fntb ss]n-fntb
IfnbmSoSm hcptam \o.
......................................................'
2."{]mth {]mth t]mIcptX
hm hm Iqn\Immw
...................................................'
3."hm Ipcpho hcp Ipcpho
hmgsstaencn Ipcpho
...................................................'
4."Hm\mw sImpXpo
Fs IqsS t]mcptam \o
.........................................................'
C\nbpsa{Xtbm InfnmpI Dv. Fmw
Ipdnphbvphm e]cnanXn A\phZnp
n. ]cnanXnI IqSpIbmWv, Fm Imcy
n-epw. Cv \psS PohnXw ]e-Xcw ]cn-an-
XnIfm hfbsncnpp.
Fnepw HmWmespdntmmXncn
p-hm Ign-bptam Ifn-I-fp-sSbpw Ifn-m-p-I-
fp- sSbpw hk- - Im- e- amWv AXv . Xp- tbmSp
]qhp tNmZnpw XpnXpen Xmfw]nSnpw
Dum- em- Snbpw A- ]q- - f- anpw Xqi- \n- e-
bn tNmdp-p-samw HmWs \-sf-Xn-tc-
evp-p. ]e-Xcw HmW--fn-I, ]e-Xcw ]mp-
I. FsaSpphm BpIgnbpw.
"HmWm IpShbdm
\msfnt XncpthmWw.....'
Aam IpnIfpsS hncepI Hmtcmmbn
aSn Fnfnnp Hcp ]mpv.
"HmWw htmWw hnncev
Fs\bppsanncev
ISw taSnppsanncev
Fs\ hopsanncev
sImsnepw IpcpsSnepw
sImp- Xq- m- In- fv
hopsanncev'
NpSpIpSp Ifn HmWmev HgnpIqSm\m
H
n- t\
b
pw
I
qk
msX
HmSn-
mSn
I
fn-
p- \
- S-
n- cp
I
me
v \
sf
F
pw {àn-
n-
n-cp-
X
v I
nfn-I
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v.
N
nd-I
p-
m-b
n-cp-
p-
sh
-
n
\
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pw
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d-
m-am-b
n-cp-
p-h
-
tm. C
usb
m-
cm{Kl
w
D
n
h
psI
m
mW
v
I
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D
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l
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msS ]
mSn-\
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n-cp-
-X
v.
SB
hm HmWv. Cu Ifnpcnp
hmsamgnI t\mq
1."cmPmhns ]SnIqSn
t]mpw hn Pmmtl
Pmmtl, Pmmtl'
2."Rms\mcp ]mhamtW
]mteamSvImcnbmtWm
]mepwsImv hXmtW
]n-sbs ISn-t
ISnt ISnt.'
tZi- amdp-tm hcn-Itm
CuWnt\m amapmhpI kzm`mhn
I-am-Wv. Cu ]mv ]mte-am-Sp-\nv ]mbn-
msptm Cs\bmhpw
"Rms\mcp ]mhamWv
]mbnmpImc\mWv
............................................'
cv tNcn - Xn - cn - p s]n - cn -
fn \SpXv IqSpXepw HmW
memWv.
1.Hcp IpSp s]mp Xcmw
s]pXcptam tXmgnIsf
Hcp IpSp s]mpw th
s]p-X-c-n tXmg-msc
cp IpSp..............(]v hsc)
hmgtmn InSmepw
hmgshw IpSnmepw
Rfo s]ns\ Xcn
hmgtmn InSmepw
hmgshw IpSnmepw
Rfo s]ns\ sImtt]mIq'
2."]q]dnm t]mcptam
Bsc \nmhiyw BhiySn
cmhnse
Chsf Rm-hiyw Bh-iy--
Sncmhnse
Fm \n sImtmtm....'
ao\taS ]nsbpw hpt]mbn.
Imew amdn, Ipcp-p-I-fpw. Ime-ns
\nbav ImtXmm, EXpt`Z
-fn ap-n-d-p-hm\pw an Ifn-
p-hm\pw ehpw ka-bhpw Cm-sX-
t]m- Ip _mey- v Cp Iqv
Syqj mpIfpw t tj\pIfpam
Wv.
ao\taS
]nsbpw
hpt]mbn.
Imew amdn,
IpcppIfpw.
Imens
\nbav
ImtXmm,
EXp-t`-Z--fn
apndp
hm\pw an
Ifnphm\pw
ehpw
kabhpw
Cm- sX- t]m-
Ip _mey-
v
Cp Iqv
Syqj
mp-I-fpw
t tj\p
IfpamWv.
HmIfhkm\npn. `mh\bpsS \ndw
Nmn a\kntev Ccphcp HmIsf
XSpphm\mIppan.
-\sfmgpnhn ISemkph agsh
neqsS Acphnbntepw AhnsS\nv ]pg
bntepw Ahkm\w ISentepsapXv,
]d- n- hn ]- taL- - sfbpw Iog- Sn
iq\ymImiv hanv ]dpXv, shbv
hn- bn \mSp- Np- p-
Xv, Hmbn koepw
sskn Sbdp w
k z ] v \ - v
Icpp ]I- Xv ,
kn K- cv IqSp- Ifpw
te_- ep- IfpwsImv
hnencpv Xhn
cem ]pss]km
Npgns]mn `mKy]
coWw \SpXv ,
]mShcpw sXmSn
I- fnepw amm- p\
s]mn Npp- I-
fm ]mp- ]mSnn
anXv, HmWn\q
m- en " Am
t]mn ' ]d- bmsX
kml- kn - I- \m- b- Xv ,
"Cqen Ct-t]mbn' Fp tIm-ep-S ]mXn-b-
S Ip-I Xpdv XovW-ambn Xnc-n
XpSpXv, "kmpwaqn ]mnm'Xn\m
an s ap I- fn A`bw tXSn - b-
Xv ,............................
"Hmc IS- bnt]mbn Hcp Uk hf-
hmn
hf-bpsS \nd-sa-v..?'
Fm \ndfpw annadbp \nanjfn
Hcp XncsSpn\p Ahkcw.
"Apnpm\hcpw
Ispp Icnpv
..................................................'
Iqp- Iq- S- en- sbpw Ifn- p- S- - - fp- sSbpw
Ggp hfpw hnSp hmsamgn.
Hcp-ao t]mbn
cpao t]mbn
............................
t]mb- sXmpw Xncn- p- h- cn- m- bn- cn- mw.
Fnepw Nncbn aphmcn Aw NpSphm\pw
ssIbn-t ssI\pn "Ddp-p-dpv Ifn-p-
hm\pw' Ctm Hcm-{K-lw.
I_- Un- Ifn ^pSv t_m- fn\p hgn- am- dn- bXpw
Ipnbpw tImepw {In-n\v hgn-am-dn-bXpw \-
fneqsSbmWv. AXp]ns hoUntbm sKbnap
Ifntev cq]mcsXv \ t\mn\nev
thbmWv. Ifnffn tIm{Iov ImSpI
hfp Xg- p. Inbpw Iqm\pw Ifn
apv XdtbmSpI \ncp. ]mpI ]mXnh
gnbn ]nSp hoWp. hoWnSp InSv Dcp
p. hnkvarXnbnempt]mIm XbmdmIm
Nne hmsam-gn-I kn\n-a-bn-tev IpSn-tb-dn.
t]
mb
- sX
m
pw
X
ncn-
p-h
-cn-m-b
n-cn-
mw. F
nepw
N
nc- - b
n
a
p-h
mcn A
w
N
pSp- h
m\
pw
ssI
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n- t
ssI
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p
n
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v
I
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p-h
m\
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C
t
m
Hcm- {K- l
w.
SB
"aoimc tIih\v tZmiXnm\mi
tZmiXnm Imin\mbn Xnt\mn
Ioi'
kn\namm tIihs\ am[h\mn,
At{Xbpp.
Hmw aebn tIdmtam
AhnSpp XtewIpnmSmtam
Cu ]mn\pw Aev]w cq]t`Zw hcpn
bnpv. AXpw ImcyamtXn.
kn\na IpnItfbpw kzm[o\nnpv.
tamlemepw aqnbpw AhcpsS Nn
Isf kKmIamnbXv Cs\bmWv
1.o, o, o
ItZ-h o
tamlemennjvSap
ItZ-h o.
2.Bdp-apn Adp-]Xp apn,
AXnsemcp apn aqn.
]mp- I acn- p- n ]pXnb Ime- ns
Imgv Isf Bhm- lnsSpp- hm AXn- tmgpw
iamWv. ]gbhv AXns\ Dsmphm
{]bmkapv Fpam{Xw.
sPn sPn Nn s]mm
temen ]mm
Am ]pjv
Ancnbnncn ]pjv
bp B Huv.
amdnadn kwkvImc\pkcnv hwi\m
in\p hnpsImSpmsX ioepI ]eXpw kn\n
abntesXpt]mse ko.UnIfntepw hos
Sp- - s- p.
Ipnbbvp afmtW
Amat\ma\ IpphmtW
]mc hnp \Sp Ipp
]mcppshp t]cphp.
.........................................................
Cu ]mv Cs IpnIv A\yamXn\p
ImcWw koUnIXsbmWv. koUnIfn HXp
m\mhmh ]eXpw s\mmPnbbpsS Ccp
aq-e-bn m\w ]nSn-p. ssIX-p-h-nse ]mpw
sImIpw, Am\mhpw \psS \jvSkz]v\
fpsS Nnbntev tNtdn. XhncsImv
]nW-p-Ibpw sNdp-hn-csImv Iqp-Iq-Sp-Ibpw
sNp _mey- hon- te- p hgn- bnepw
NnnpI \msf Ifnt IfnIfmWv. Imen
s\mw NphSphbvp Cns IpcppIv B
acphSv ]mmXy \mtSmSnYbnse "Iym]vsk
dns' IYmthZn am{XamWv. Iqntshn
Sbn amn\nshv _meyns IuXp
IamWv.
amns\mw ampc PohnXn\nSbn \o
adpthm B CucSnI...?
kamlcWw : s{]m^. tPmkn tPmk^v,
Pq_n amXyp. ]mXn Zmkv
ke\w : Pn_n Ipcy
A\kv F.
FtWmanIvkv hn`mKw
Zqcw
{]Imiamjv Adp\np. Ignbmn IpnIv CtX`mKw FSppsIm
ncns, Xm ]Xnhnhnv hnnbtXmtm, ]dbm\mbn kzcpqnh
sXms AhnsSs \nevpp. hnv am{Xa {]iv\w. BsIqSn Hcp Ie
nb av. ASpbmgvN t]mIp Sqdpw In\mhv Incnp IpnI. NqSv Xnnb
mv dqw, CXn-s\m-s-bp-]cn Xs ]nn-cn- a\-v. AXns Akz-X Nn-d-b-
. e-Im-e-t_m-[--fn\nv ths]v Xs Ipfn-ap-dn-bpsS ssSkn Xd
t]c-dn-bm Hcp Poh. AXmWv Xs as-n-s\-mfpw Cv Akz--s-Sp-p-
Xv. AsXmv Nenn-cp-s-n-sev ]e-hw B{K-ln-n-p-v. t]m-Im ka-b-am-bn-
nmbncnmw. Fmbmepw Hcp\m Ch henb [rXnmc\mbncpncnWw. Xs
Nnbn\nv \mhntesp hmpIst]mse, AXn\pw ]pdtv hcm
s\mcp t\capv. thKw IqSptm, Asn Ipdbptm kabhpw, Zqchpw sXp
p. ]ns Acfn Xnsdnv hnn, hnn hmv ]pdphcm IpnI
Imncpt aXnbmhq. {]nbs t]cdnbmht\, ssSkns NXpcsn\nv
]pdphcm \o Imncntnbncnpp. AmsX Rms\p ]dbm?
kemlp- o
B Pohn kemlpo\mbncpp. NH47s ap]n ]qmInSbn\nv X\n
pthn hcp hns\mv Abm \nev]v XpSnbnv Imesa{Xbmbn? ssII
]ndIntev sIn, hb ]pdtpnv, Hcp IossenbpapSpv, ]bpw abpw
thKw IqSptm, Asn Ipdbp
tm kabhpw, Zqchpw sXpp.
]ns A-c--fn Xn-s-dnv
hnn, hnn hmv ]pd-p-h-cm Ipn-
I Imncpt aXnbmhq. {]nbs
t]cdnbmht\, ssSkns NXpc
sn\nv ]pdphcm \o Imn
cn-t-n-bn-cn-p-p. AmsX
Rms\p ]d-bm?
SB
Ce- I CS- I- e sNdp- \m- c- I- ns Nph- n
Abm Xs cIs\ Imp\nevpp. Ipd
p\mfpIv ap]v Abm KSFE Poh\mc\mb
H.kemlpo\mbncpp. BtcmSpw A[nIw kwkm
cn- m- , Fm- n\pw ASppw Nn- bp- ap- ,
hm [rXnbpsmcp a\pjy. PohnXw thK-
ambncppshtm, thKw PohnXambncppshtm
]dbmw. AbmfpsS apeIpSnsbn D ]dbpXv
"Fs kempnv Hcp sNn\mbInsbpw
Bhiyw hn- m'mWv . thK- n- semcp Imcyw
sNbvXv XopI, Fnv ASp thKntev
ISpI, Fmw thKn Xonv...]nt
Xns\pdnv BtemNnnn. kzX, imn CXn
s\- pdnsms Nnn- n- p- tm- sb- p- a- dn- bn- .
Fm- bmepw, HSp- hn Abm kz- X- bv pw,
thKn\panSbn ]qmIfpw C\nbpw ImWm
Hcp hpw A[nhknp temInsentncnpp. Cv kemlpo Hcp ]qhm
Wv. ssltbnqSn t]mIp Fm hnIfpw Abmsf \pIcmsX t]mIp ]qm
Ifpw. hv AXv hcm\ncnptbpq.
icocw kwkm-cn-pp
B_nZ ]d-bm-dp--sX{X icn, \n\v hm [rXnXs kem-lp-o. \o CXv
F{Xmas XhWbmsWtm sXtmpw hStmpw thKn s]Sen shnpXv.
CsXm-p-a \ns "t]msc'v F\n--dn-bm-sa-tSm. ]v \o KSFE bn tPmen sNbvXn-
cp Imev Fmbncpp nXnsb\v \n\tmbptm? AsXs\, HmI
apgp- h Ime- n\v hnp- sIm- Spnv Fhn- sStbm Xd- v \obn- s\ \nevp- I- bt?
Fm tItm, F\ntmbpv. AXv am{Xa, \ns Hmtcm tIminsbpw kPo
hX F\ntmbpv. F\nXv XncnpthWw kemlpo. AXpsImv AX{X Ffp
nennv t]mIphm Rm kXnn.
\ns \Sn\v thKw IqSpXembncpp. thKw, thKw FXmbncpp \ns ap{Zm
hmIyw. Fmw \o t\ct ]Tnp. \n\v t\cs tPmenInn. AXn\mXs \o
km[mcW sNdpm hnhmlnXcmhpw apt] hnhmlnX\mbn. B_nZsb \n\tm
-bnt? Ah-fpsS sNhn-I hfsc sNdp-Xm-bn-cpp. F\n--dn-bmw, \o Fmw ad-n-cn-
psav. ]t, AhfpsS s]mnncn \ns t]Snnncpp. Ah s]mnncnptm
\ns izmkanSnv hmsX IqSpIbpw, hbdn\pn\nv `qXandpXpt]mse tXmp
Ibpw, AXSm klnsIv ]ehw \o AhfpsS Npp IhcpIbpw sNbvXp. cXnaq
bpsS ka-hm-Iy- \o Fm-bvtmgpw ewLn-Xp-sImv \n\v Ipn-I hne--s--
Xm-bncpp. Fnpw \o [rXn ImWnp-sIm-t-bn-cp-p. A\p-h-Zn--s ka-b-n-\p-
ap]v \o ]q-\mIpIbmbncpp kemlpo. ]t, acWw \ns tXmev]nncnp
p. Cu NH47s hgn-tbm-cv \o \nevp-Xv \ns ac-Ws Imm-Wv. A\p-h-Zn-
-s ka-b-n\p apt] PohnXw Pohnp Xo-hs KXn-tI-Sv. Xo-bmbpw \o
Ctm asmcp temI-m-bn-cn-pw. Fnepw Rm ]d-bp-p. t\mq kem-lp-o,
Apdv ao taSnm \nevpXv \ns B_nZbmWv. aoImc k_qdm_ohn
(AXbmfpsS Cctcv) \ns t\mn "kemlpot\ ]qbv' Fv hnfnpXv \o tIp
nt? (B_nZ "Npm-Xn-cnv' Fpw ]d-bp-p-v.)
Z
q
c
w
\o \ns P\mksb A\pKanphcpsS
Fspdnv NnnpIbmtWm kemlp
o? AXpasn \ns anv Ipfnsbp
dnv ? acWw \ns kPohampw Fp IcpXp
Xv sXmWv . acWw Hcnepw \ns kPoham
n- . AXv kPo- h- am- p- Xv ]cn- k- c- sf
am{XamWv . \fXv Inpv . ]v Ippaqcv
acnpXn\v sXmpap]v B iq\yamb CShgn
bnqSn BZyw Hcp Imv hp. ]ns AXns\
]np- Sv Ime- Sn- I, Ahbv v thKwIqSn
izmkw Hcq XmSnt]mse ]mdn \Sp. sN
s "Atmv' hnfntmv InXv HmSn.
]ns \ne- hn- fn. {ItaW im- X, Icn
ans aWw. HSphn Fmw Ignv Bqw
AhchcpsS hoSpIfntev aSpp. Bq
ns kPohX At{Xbpq. \apX th
Xv . thXv PohnXns kPohXbmWv . DWcq
kemlpo, AXntepWcq.
kXo-i
Xmaknncnpp. Ah s]mbvmWptam
Ftm. Ipamct\mSv thKw Nhnm ]dp.
Abv v IWv ]d- bm Ismcp t\- cw.
AbvXphsc an. F\nv ImipXcp
Xv Iw XpSnbXm Hmtcmtcm Bhiy
fv. A\v tZjyw hcmXncnptam? htSp
\npw ISw taSnXmhpw, ]mhw. "thKw Nhn
sSm' (Ah thK- n- emWv Nhn- p- - sX- -
dnbmw) Iptd- \m- fmbn, {io ]- \m- `s av
sImXn- n- m XpS- n- bn- v . AXp am{X- a- ,
ayqknbw, sk{Idntbv, \nbak`, \{X_w
mhv, tImhfw, arKime, iwJpapJw...A\
- s\. ]ns bm{X, hn- I, hoW- So- ,
cmPn, {]Imi amjv...Fmw CXnepXmW
tm. HSp- hn Fn- bn- cn- pp (Ipamcm
Xmvkv). {]Imi amjv hmXns
\nevp-I-bm-Wv. "FhnsS t]mbn-n-S-p-hm-cp-
stSm?' "Xma- kn- p- t]mbn' Fp- am{Xw
]dp AI- t- v . H- scm- - q- h- en hn
mv.
hv hcpp
HSp- hn ]qm- - In- S- bn \nv hv
hcpp. k_qdm_ohn ]XnhnmsX "kemlp
ot\ ]qbv'v \onqhn. B_nZ Hcp ao\n\p
thn ]nWn. {]Imi amjns B[n Hgn
n- cn- p- p. (Fnepw ]mv ]mSp- tm
Abm hnn) kXoi\v cmPnbpsS ASpv kov
Inn. Ah- \n- tm "t]mmtm, t]mmtm
amnev...' \onmSpIbmWv. icocw kem
lpot\mSv "DWcq, kemlpo \ns kPoh
XbntepWcq' Fv Blzm\w sNbvXp. kem
lpo hns\ Ip. Abmfn ]pXpsbmcm
thiw. AbmfpsS icocw ]pXpXmbn \nn
sSpp. kemlpo\n tIp]cnNbap B
hmpI Bhnsp. "B iq\yamb CS
h- gn- bnqSn BZyw Hcp Imv hp. ]ns
AXns\ ]npSv ImeSnI, Ahbvv thKw
IqSn. izmkw HcqXmSnt]mse ]mdn\Sp.'
]\n\opnbpsS aWw. HmbpsS Rcp
Iv c- tbmw hop- Inn. icocw Hpw
ann-bn-. tZ, tdmUn-\-pdw B_nZ. F\n--
hsf ImWWw, tNv ]nSnWw. Hscmtbm
w. kemlp - o- \n Xn hn \n p .
"B_nZm'v hnfnm\mWv tXmnbsXnepw
"Dm'mWv ]pdtv hXv. thKw IqSnbn
cpn, IpdXpan. kabZqc IrXyw.
Ctm {]Imiamjn\v hnpmbncpn.
SB
sF-Wp-I Fv ]d-bp--sXms hyn-]-c-amb CjvSm-\n-
jvSfn ASnm\sSpnbpXmWv. Rm
sFWpI Bbn ImWp hyn-I-fm-bn-cn-n-tm
\nv sFWpI. Rm Hcp sF F \nebn
ImWp-Xv Fs ]Tn-n Fs Kpcp-\m-Y-m-sc-bm-Wv.
Asn Rm Cu cwKtv hcphm X hn[n
Fs kzm[o\nnp am[ya{]hIcmWv. ]t, Rm
As\ Hcp sF BsWtm tIcfnse am[y-acwK-
n\v s]mXphmbn Hcp \yqkv sF Dstm Fv
Rm IcpXpn.
C{Xb[nIw hmm- m- \- ep- I- fp ae- bm- f- n
dntm F ]pXnb Nm\ens {]k n FmWv?
dntm F Nm\ens m]-\-eyw Xs tIc-f-
nse ]cnn Xn, AgnaXn XpSnb {]iv\sXnsc
XpS-bmb H cp ka-c-am-Wv. ZoL-Im-em-Sn-m-\-
n tIcfnse AgnaXn XpSp\opXn\pw
tIc- f- nse ]cn- nXn ]p\x- m- ]n- p- -
Xn\pw kpnchnIk\w \SnempXn\pw
{]tXyI {]m[m\yw \evIpIbpw IrXyamb
t^mtfm A]v \evIp-hm\pw R {ian-
pw.
\ntIjv Ipam F hynsb aebm
fn- I Hcp aoUnb sF Bbn- m-
Wppv F {]kvXmh\tbmSv Fs\
{]XnIcnpw?
sF- Wp- I Fv ]d- bp- - sXms
hyn]camb CjvSm\njvSfn ASnm
\- s- Sp- n- bp- - Xm- Wv. Rm sFWpI
Bbn ImWp hyn- I- fmbn- cn- n- tm
\nv sFWpI. Rm Hcp sF
F \nebn ImWpXv Fs ]Tnn Fs
Kpcp\mYmscbmWv. Asn Rm Cu cwK
tv hcphm X hn[n Fs kzm[o
\n- n- p am[y- a- {]- h- I- cm- Wv. ]t, Rm
As\ Hcp sF BsWtm tIc- f-
nse am[y- a- cw- K- n\v s]mXp- hmbn Hcp
\yqkv sF Dstm Fv Rm
IcpXpn.
C{Xb[nIw hmm- m- \- ep- I-
fp aebmfn dntm
F ]pXn b Nm\- en s
{]kn FmWv?
sF-Wp-I Fv ]d-bp--
sXms hyn]camb CjvSm
\njvSfn ASnm\sSp
nbpXmWv. Rm
sFWpI Bbn ImWp
hynIfmbncnntm
\nv sFWpI.
Rm Hcp sF F \ne-
bn ImWpXv Fs ]Tn
n Fs Kpcp-\m-Y-m-sc-bm-
Wv. Asn Rm Cu cwK
tv hcphm X hn[
n Fs kzm[o\nnp
am[ya{]hIcmWv. ]t,
Rm As\ Hcp sF
BsWtm tIcfnse am[y
acwKn\v s]mXphmbn Hcp
\yqkv sF Dstm
Fv Rm IcpXpn.
C{Xb[nIw hmm-
m- \- ep- I- fp ae- bm- f-
n dntm F
]p Xn b Nm\- en s
{]k n FmWv?
dn tm F
Nm\ens m]- \- eyw
Xs tIcfnse ]cnn
Xn, AgnaXn XpSnb {]iv\
s-Xnsc XpS-bmb
H cp kacamWv. ZoLImem
Snm\n tIcfnse
Agn- aXn XpS- p- \o- p- -
Xn \pw tIc- f- n se ]cn -
nXn ]p\x- m- ]n- p- -
Xn\pw kpnchnIk\w \Sn
em- p - - Xn \p w { ]tXyI
{]m[m\yw \ev Ip- Ibpw IrXy-
amb t^mtfm A]v \evIphm\pw
R {ianpw.
am[yafmWv
bYm
{]Xn]w
dntm F Nm\ens m]\eyw
Xs tIc-f-nse ]cn-nXn, Agn-aXn Xp-S-
nb {]iv \- s- Xnsc XpS- bmb Hcp
ka-c-am-Wv. ZoL-Im-em-Sn-m-\-n tIc-f-
nse Agn-aXn XpS-p-\o-p--Xn\pw tIc-f-
nse ]cn- nXn ]p\x- m- ]n- p- - Xn\pw
kpn - c- hn - I- k\w \S- n - em- p- - Xn \pw
{]tXyI {]m[m\yw \ev Ip- Ibpw IrXy- amb
t^mtfm A]v \evIphm\pw R {ianpw.
R CS-s]-Sp Hcp hnj-b-n shdpsX
hm sImSppI am{Xa, hmbn {]Xn
]m-Zn-p {]iv\s A[n-Im-cn-I-fpsS {i-
bn sImphcphm\p {iav t\XrXzw
sImSppIbpw sNpw. DZmlcWn\v Hcp
]cn-nXn {]iv\w R-fpsS {i-bn s]Sp-
IbmsWn AXv kw_np hmI
\evIp-Xn-t\m-sSmw, B {]iv\w ]Tnv Hcp
dntmv \evIphm Hcp ]T-\-k-an-Xnsb Npa-
X- e- s- Sp- p- Ibpw Ah \ev Ip dntmv
ASn- m- \amn hm- I hopw \ev Ip-
Ibpw Hw Xs dntmns ]q- cq]w
s]mXp kaqln\mbn RfpsS sh_vssk
n {]kn-o-I-cn-p-Ibpw sNpw. Hw Xs
Cu dntmv Fw.F.F.amcpsS Hcp kwL
s Gev n- p- Ibpw AXn- eqsS {]kv XpX
hnjbw \nb- a- k- `- bn Fn- m {ian- p-
Ibpw sNpw.
FmWv bYmn hmbmth
Xv? P\v thXmtWm AtXm
P\v thnbpXmtWm?
P\v thXv hmbmhpI Fsm
pv Fv Rm Icp-Xp-n ImcWw P\-
pthnbpXmWv hmI. P\
ImWm Cjv S- s- Spp F- Xp- sImv Hcp
hmbvv {]m[m\yw sImSptXn. Hcp
am[ya{]hI Ah\v \evIm ]pXn
R
m
Hcp
sF
\
ne-b
n
I
mW
p-
X
v
F
s
]
Tn-
n
F
s
Kpcp-\
m-Y
-
m-
sc-b
m-W
v. A
s-
n
R
m
C
u cwK-
t
v h
cp-h
m
X
h
n[
-
n
F
s
k
zm[
o-\
n-
n-
p
am[
y-a-{]
-
h
-I
-cm-W
v.
SB
hv Ghpw anI coXnbn hm \evIm {iantXpv. AXn\v km[nmsX
hcp-tm-gmWv P\-n\v Ahv Inp-Xv ImWpI F-\n-e-bn-tev Xm-tg-n
hcp--Xv. Kuc-h-ambn Cu taJ-e-sb-m-Wp Fm-hcpw Ah-c-h-cpsS Ign-hns ]-
camh[n hmI \evIpXn\mbn ]cn{iantXpv. As\ hcptm Kuc
hap hmIXs ]pdp hcnIbpw am[ya asmcp Xentev hfcp
Ibpw sNpw.
hnhckmtXnIhnZybpsS hcthmsS ]{XfpsS {]kn \jvSamIpsav
IcpXnbhcpv . Fm Zriy{imhyam[yasmw Xs ]{Xam[yafpw
Cv hfpsImncnpIbmWv. Fs\ ImWpp Cu Ahsb?
Hmtcm am[y- a- n\pw AXn- tXmb tdmfp- v . ]{X- pw Nm\- ep- Ipw
samss_ t^mWn- \p- samw AXm- Xn- t- Xmb kw`m- h- \- I \ev Im Ign- bpw.
CXn\nsmw Inp hnhc hmWv Hmtcm hynbpw ssZ\wZn\ kw`h
sf t\mnmWpI. As\ t\mptm Cu am[yasfmwXs Htc
t]mse {][m\sXmWv. Chsbmw AhchcpsS tdmfpI anI coXnbn sNp
p. Nne IqSpXembpw B{ibnpI Sn.hn.sb Bbncnmw, Nne ]{Xsf Bbn
cnmw. Hcp am[ya{]hI ]t, Chsbmw Hcpt]mse D]tbmKntXp
v. Fn am{Xta ka{Kamb Hcp ImgvNmSv Hmtcm hmsbbpwIpdnv Dm
hq. Hw Xs ]ecpw ]d- bp- Xp- t]mse, ]pXnb hmm- kw- th- Z- \- amK-
Dmbn FXpsImv ]{XfpsS {]m[m\yw \jvSsSpn.
hmmNm\epIfpsS {]m[m\yw \mp\m hnpIbmWv FXpw ad
cpXv. Ipdphjfmbn cmPysbpw kwm\sbpw bYm {]Xn]w
a
m
[
y
-a
-
-f
m
W
v
b
Y
m

{
]
X
n
-]
w
Hmtcm am[ya
n\pw AXn
tXmb tdmfp
v. ]{X-
pw Nm\-
ep- Ipw
samss_
t^mWn\psamw
AXm- Xn- t- Xmb
kw`mh\I
\evIm Ign-bpw.
CXn\nsmw
Inp hnhc
hmWv
Hmtcm
hynbpw
ssZ\w-Zn\ kw`-
hsf t\mn
m- Wp- I.
Nm\epI BWv. BZiv
Ipw`tImWw, 2Pn AgnaXn
XpSnbh Hs Dbn
smphcnIbpw km
cns\ {]Xntcm[nemp
Ibpw sNbv XXv Nm\- ep-
I BWv. ]p-Im-e--
fn Hcp AgnaXn sXfnbn
m\p w s]mXp - { i
t\Sm\pw ]{Xv Hcp
]cn[nhnp km[nnmbncp
p . ka- b- n - sbp w
_mly- C- S- s]- S- ep - I- fp -
sSbpw ]cnanXnIsf adnI
Sm ]{Xv {]bm
kamWv.
h m - b p s S
kzm`mhnI ]cnWma
n \v am[y- a-
Imncnmdn F
hnai\spdnv ?
CsXmcp s]mXp]cmXn
Xs- bm- Wv . P\- v
Xmev ]cyw tXmm\nSbp
hmI am{Xw {]kno
I- cn- p- I- bpw, Ah- bpsS
hmm{]m[m\yw \jv Ss
Sptm Ah hnkv acnp
P\
-
v
X
mev]
cyw tX
m
m-\
n-
S-b
p
h
m
-I
am{X
w {]
k
n-
o-I
-cn-
p-I
-b
pw, A
h
-b
psS
h
m
m- {]
m- [
m\
yw
\
j
vSs
- Sp- t
m
A
h
h
nk
va-cn-
p-
I
b
pw sN
p
p
F
X
v am[
y-a-
F
mw-X
s
t\
cn-
Sp
Hcp s]
mX
p
]
cmX
n B
W
v. Hcp-]
-
cn-[
n-h
sc A
X
v
i
cnb
pw B
W
v.
Ibpw sNpp FXv am[ya FmwXs
t\cnSp Hcp s]mXp ]cmXn BWv. Hcp]cn[n
hsc AXv icnbpw BWv . hmbpsS kzm`mhn
Iamb Nne {]tXyIXI sImpXs ]etm
gpw Hcp hmbv v AXv Alnp t^mtfm
A]v \evIp-hm km[n-m-dn-. hm-bpsS
ss\anjnI{]m[m\yn\p am{Xw hne Iev np
Ibpw AXns kz`mhnI ]cnWman\v Imn
cnphm XmdmhmsXbncnpIbpw sNpXv
ZpxJIcamWv . ]t, Hcp am[ya {]hI
F \nebn Rm CSs]Sp hnjbfn
FmwXs Hcp IrXyamb Hcp t^mtfm A]v
\ev Iphm {ianmdpv .
A\mhiyambn hmI krjvSn
sSpXv A\mtcmKyIcamb Hcp {]h
WX At?
hmI krjvSnsSp Hcp {]hWX
Nne- tm Ip- h- cm- dp- v . tIc- f- nse
Cs kmlNcyn am[ya Xn
\Sp acns `mKambnmWv Ah ]e
tmgpw Dm-hp-I. ae-bm-f-n am{Xw Cv
Av hmm Nm\- ep- I Dv . C- c- n-
ep Hcp kml-N-cy-n Hcp Nm\-en\v \ne-
\nevWsan hmmkwthZ\n Hcp
acw Bhiyambn hcpp. As\ hm
\evIpI FXv Hmtcm Nm\-en-sbpw \ne-\n-
ev]ns {]iv\amIptm ]etmgpw Ccn
ep {]iv\ Dmhpp FXmWv kXyw.
AXpsImmWv Ccw D]cnhamb hm
I krjvSnsSpXv.
am[yafpsS tImtdvhXvIcWs
pdnv?
SB
am[y-a- tIm-tdvhXvI-cn--s-Spp Fv ]d-bp--Xn-t\-m tIm]-
tdpIv am{Xw XpSphm ]p Hmbn am[ya amdnbncnpp Fp
]dbpXmhpw IqSpX icn. ImcWw CXv hfsc sNethdnb Hcp ]cn]mSnbmWv.
D-Zm-l-c-W-n\v {]t-]-W-cw-Kv D]tbm-Kn-p ko-amb b{-km-a-{Kn-
I Hpw Xs Cy-bn \nn--s-Sp-n-. AXp-sIm-p-Xs hntZ-i-p-
\nv Ch-sbmw Db hne sImSpp Cd-p-aXn sNt--Xp-v. \n`m-Ky-h-
im C-c-n-ep henb Hcp apXap-Sv \S-p-hm ]e-tmgpw tIm]-td-
p-Iv am{Xta km[n-m-dp-p. As\ hcp-tm Nne m]nX Xm-Xv]-
cyv Iqp\nevtn hcnIbpw {]kvXpX am[yan\v AXns kIe ]q
X-bnepw {]hn-p--Xn\v Cu _w hnLmX-am-hp-Ibpw sNpw.
hm-I hnev]-\--c-mIp Hcp Ah Nne-tm-sg-nepw Dm-Ip-
nt?
t]bvUv hmI tIcfn A{X {]ISambn Dv Fv Rm IcpXpn
. tIcfn\p ]pdv _olm, D{]tZiv XpSnb kwm\fn BWv
{][m-\-ambpw hm-I ]W-n-\mbn krjvSn--s-Sp--Xv. ChnsS ]e-tmgpw
CXv Btcm]nsSpIbmWv. CXn\v A]hmZ Dmhmw. {]tXyI cmjv{Sob
-\n-e-]m-Sp-I-fp-sS-t]-cnepw m]nX XmXv]-cy--fpsS t]cnepw hm-I {]kn-
oIcnpIbpw AXns t]cn B\pIqey GphmpIbpw sNp am[y
a{]hI tIcfnepw ImWmw. kXyn \psS PpUnjydnbntem FIvkn
Iyq-n-hntem sePn-t--dntem D{X Agna-Xn-m-scmpw \psS am[y-a ta-J-e-
bn C.
Hfn-Iyma-dIfpw nv Hmtdj\pIfpw hm-Isf ]pdpsImph-cp
pshnepw AXv Hcp Xcn Hcp hynbpsS kzImcyXbntep
ISpIbamImdnt?
nv Hm-td-j-\p-Isf \apv ]eco-Xn-bn ImtW--Xp-v. Nne Ah-k-c-
{]tXyI cmjv{So
shdpsX hm
I krjvSnp
hm thn
nv Hm-td-
j\pI
sNp {]h-
WX \-X-.
Bh-iy-fpw
A\m-h-iy-fpw
Xn Hcp am[y
a{]hI\p
thXncndn
bm km[n--
Ww.
a
m
[
y
-a
-
-f
m
W
v
b
Y
m

{
]
X
n
-]
w
fn nv Hmtdj\pI A\nhmcyamWv.
ImcWw km[mcWcoXnbn Nn{XoIcnm\m
hm hmIfmWtm \mw nv Hmtd
j D]tbmKnpI. Nne AgnaXnI ]pdp
sImphcm nv Hmtdj\pIt km[n
q. DZmlcWn\v {]Xntcm[ AgnaXn ]pdp
sImphcm Hcp km[mcW am[ya{]h
\-co-Xn-bn-eqsS km[n-n-. shdpsX dntmp-
I am{Xw \ev Inbm Agn- aXn{]iv \-
Hs Btcm- ]- W- - fmbn am{Xta `qcn- `mKw
BfpI ImWq. AXn\p]Icw IrXyamb sXfn
hp- I- tfmsS kXyw ]pdp sImp- h- m
AXn\v hnizmkyX hnpw. Acw Ah
k-c--fn nv Hm-td-j IqSntb Xocq.
Fm shdpsX hmI krjvSnphm
thn nv Hm-td-j\p-I sNp {]h-
WX \-X-. Bh-iy-fpw A\m-h-iy-fpw
Xn Hcp am[y-a-{]-h-I\p thXn-cn--dn-
bm km[nWw.
kmaq- lnI am[y- a- CuPn- ]v Xnepw
apw sImp-h Hcp P\-Iob ]cn-h
\w \psS ]ccmKX am[yav
km[yamhmXv FpsImmWv?
P\Iob{]iv\ ]pdp sImphXv
kmaq-ln-I-am-[y-a- am{X-amWv Fv ]d-bm-
\m-hn-. CuPn-]vXnepw apw ]{X--Zr-iy-am-[y-a-
v {]h- \- kzm- X{yw Cm- - Xp-
sImv Szndpw t^kv_ppw Hs hmm
kwthZ\n\v am[ya Bbn. kzmX{ye
_v[nvtijw Chv Ccw kmaqlnIam
[yasmw ]{XZriyam[yafpw D]tbm
KnmhpXmWv. Fs\ kwthZ\w sNbvXp
Fp--X adnv, Fv kwth-Z\w sNbvXp
FpXmWv {][m\w. Hw Xs Hmtcm am[y
a-n-sbpw km[y-X-I \mw ]q-ambn D]-
tbm-Kn--Ww.
knnk tPWenkspdnv?
hmmhnXcWns hntI{oIcWamWv
Hcn knnk tPWenkw. C\nh
cp Imew knn-k tPW-en-kn\v hf-
scb[nIw km[yXI Dv FXmWv kXyw.
AXp XncndnpsImv Cs\nsbpw ap
kmtXnI hnZyIfpsSbpw klmbtmsS P\
v hmm kwthZ\n\mbn thZnI
HcpnsmSpphm am[yap {iant
- Xp- v . cmjv {So- b- hm- Ifpw Ip- Ir- Xy-
hmIfpw am{XwsImv Hcp am[yan\pw
C\nbp Imev \ne\nevphm km[nn
. Pohn- X- ns ka- kv X- ta- J- e- I- fnsebpw
hmIsf {]t]Ww sNpIbpw Ac
nep hmI Dbnsmphcphm
knnk tPWenpIfpsS Hcp \hapt
n\v t\XrXzw \ev Ip- Ibpw sNt- Xpw
am[y- a- - fpsS D- c- hm- Zn- - am- Wv. As\
sNbvsXn am{Xta ]cn]qamb Hcp am[y
a- kwkv Imcw \apv hfn- sb- Sp- p- hm
km[nq. Hw Xs hmI CdmIvSohv
BtIXpv. ImcWw hmmam[ya
P\- Io- b- amsb- n am{Xta hmm- {]- t-
]Ww ê-{]-Z-ambn hntI-{o-Ir-X-am-Iq.
P\
- I
o- b
- {]
- i
v\
-
]
pd
p sI
m
p-h
-
X
v
k
maq- l
n- I
- am- [y- a-
am{X
-amW
v F
v ]
d-b
m-
\
m-h
n-. C
uPn-]
vX
nepw
apw ]
{X
--Zr-i
y-am-[
y-a-
v {]
h
-\
-k
zm-
X
{
yw C
m-
-X
p-
sI
m
v Szndpw
t^
k
v_
p
pw Hs
h
m
m-
k
w-th
-Z-\
-
n\
v am[
y-
a-
B
b
n.
SB
1. Ihn
thZ\nnp HmI,
Xo sImSpv, Fcnv,
]pkvXImfpIfn hmcnsbdnv,
\nizknv!
Hcp IhnbmsbmmZnv
Rm\pw...
2. Fgpv
FgpXnsmsWbnSptmfpw
Fs lrZbw \nebvmXn\m,
{]Wbw \jvSamImXn\m
FgpXn t]mIpp...
3. s]v
\o kzX{bmWv
\ns CjvSwt]mse,
Nenmw, Ncnmw...
ssIIm- ep- I
hcnp sInbncnpp
FsXmgnm
as-mWp Ipgw?
\o kzX-{-bt?
IhnbmIpXv
Fs\
cm[p cmPv Fkv.
Cwojv hn`mKw
Ahsf Rm sImp . - I\y- Ibv p
]ndhfmXpsImmhmw Dbnsgpt
n- . Dbnn- m- \p- - h Xs al- z- n-
\mbn AXp sNptam Fs-\n--dn-bn-.
lWo, hn B bph t]cvkv.
tUmv hn hmv bp Sp _n lmn?
t_tS Xpw Jpjv tlm?
Does that matter dad?
s]pt]mn hfnbnv Hcp]Imchpanm
Ahsf...Ahsf Bmbncpp thXv? Ah
fpmbncpsn, Znkv Cukv ssa tUm
Fv ]cnNbsSpn, {]ZinnmIqsS aI
fpmhnmbncpp.
Atm Fmw R- fp sS sXm- sW-
mtWm?
A....
Fm th-sXv \o ]d-bmsX Fs\
Adnbpw R?
thtXm?
B th- Xv ....- \ns Cjv Sw...- \n- \- sm
thsXv?
CjvSw...Ct...CjvSfpw B{Klfpw
kz]v\fpw Hs DmbncpXv Ahm
bncpp. F\ns\sbmpan.
CjvS- As-nepw AsX-mWv Rm
XncndnnpXv. Hcp]t, AhpaXdn
ARvP\ {Sok tPmk^v
Cwojv hn`mKw
tam^knkv
bnmbncpncnpw.
CjvS-am-sWv ]d--h-tcm-sSmw Ah
]dXv F\ns\bn Fmbncpp. HSp
hn \oe tdmkm-q-hp-ambn Ah h-tm
am{Xw... Atm am{Xw...- A- hs ap]n
am{Xw AhfpsS IpI \ndp.
* * * *
ASpbmgvN \mn t]mWw KmnbpsS
IeymWw. \otbXv DSpm CSpXv?
\n\v thWsan IqpImscbmscbmv
shm hnfntm..
th. Ahcmcpw AhnsSbn. mp ka
bat. Fmhpw Xncmcnpw.
Dw..
Gud nyt dad. bye mom.
* * * *
th. AsX\nnjvSa.
Daddy, please...Listen to me dad...
They are my friends...How do I keep my con-
tacts then...
Contacts...
th. . . - F- \n- - s\ Hcm- {K- l- hp- an- .
\osbmpw contacts Dm- - Ww- v....contacts
Dmm \Spp...\apsmcp ]mccyap
v...Asnte F\nnjvSa sNdpmtcmSv
SB
anpXv...Cu kvqfn ]Tnp ]ntv
t^mWns Bhiyan. C\n taem AtX
sXmpt]mIcpXv. Bcpw Ctmpw hnfntzw
th.
To hell with your ]mccyw...
Pinky.
A ]ns....mom...you heard na...
* * * *
Pinky...your friends...
Hi, come in...How are you guys doing?
Hey, pinks where you. No phone calls, no
sms..no news nothing. We were worried. AXm
Cv R-fn-d-n-b-Xv. AtXm college Ign--
tXmsS hntm Rsf.
Bye take care..
FmSo CsXms...]ntv kzmX{yw
sImSppsm DSs\ Xte tIdzm? Fn\mSo
AXpfv ChnsS ht...
Daddy AXn\v ]nn ]d-n--tem Ahcv
hXv.
sImp- I- fbpw Rm cn- t\- bpw...- h- m-
ev ]dbptm...lm..Cm t^m...Csm hnfnp
]dtm Fm...C\nbmcpw Hct\zjWn\pw
Ctmv tIdnt]mIcpXv.
* * * *
\n\v thW- sa- n Iqp- Imscbmsc- bmv
shm hnfntm...
]no...\osbn\m Nncnps...
Nothing Rosy...Rms\mcp kz]v\w IXm...
Rosy...you awake..
Hmm...I am now
Fm Hmps...
\n\sm ]nsb?... Ccp]XpsImw s]mn
ncnv \n\v aSptm?
Bbp- ns BZy- ]- IpXn Hcp ]qm- - bmbpw
_mn ]IpXn Hcp ]yq-bm-bpw...sounds weird -A-
t...Asnepw wasn't everything about me so?
]dm NndIpmbncp Imev, AXv ]dp
\Sv IsXms A\pIcnm sImXnp...B
Imen\mbn Imncpp...
]t, Atm- tgpw B morphosis... AXn-
\v....Rosy? -Ddntbm...
pw...Gudnit, Pinky...
t
a
m
^
-k
n
k
v
N\mtcn Fkv._n. tImfPv At\Iw AXnImbmcpsS Acmbncpp. Delm amnf,
Fw.]n. t]m, sI.hn. cmaN{ ss], kn.F. sjtUv XpSn \nch[nt]cpsS. Fkv._n.bpsS
A`nam\fmbncpp Ahscmw. "ShdnwKv ^nK' Fsmcp hmptm Cwojn. B hnti
jWw XnIpw Alnphcmbncpp Ah. Cu A]q \{XfpsS {]Imiw Cpw
\ne\nevpp.
Fkv._n.bpsS aebmfhIpnse Hfnam \{XtXPmWv s{]m^. Delm amnf.
\mep ]Xnmtmfw aebmfhIpn \nXykmn[yambncp Atlw Cv AZriykmn[yam
Wv. amnfkm sImfpnh Zo]w Cpw AWbmsX \nevpp. ISocs hnfpacw
bm\]m{Xv Znimt_m[w \evIpXpt]mse amnfkmsd {]ImitKm]pcw At\Iv
t\hgnbpw A`bhpambn.
HmIfnse amnf km
Fkv._n.bpsS aebmfhIpnse
Hfnam \{XtXPmWv
s{]m^. De-l-m amnf. \mep
]Xnmtmfw aebmfhIpn
\nXy-km-n-[y-am-bn-cp Atlw
Cv AZr-iy-km-n-[y-am-Wv.
amn-f-km sImfp-n-h Zo]w
Cpw AW-bmsX \nevp-p.
tUm. tPmPn amSmv
aebmf hn`mKw
SB
{]hn Ime-b-f-hn Fkv.-_n.-bnse Hcp Ac-bm-em-bn-cpp s{]m^. amn-
f. Fkv._n.bpsS Shdpt]mse B hynXzw Imn Dbp\nevpIbpw
Imn am{Xa shfnbnepw {imtI{amhpIbpw sNbv Xp. amnfkm {]hn
Xns t]cn Cpw aebmfhIpv AdnbsSpp, AwKoIcnsSpp. Fkv.
_n.tImfPv FptIm Delm amnf F Hm hchn[w tImf
Pnepw AmZanIv cwKpw Atlw \ndp\nncpp.
amn-f-km ]d-bm-dp-m-bn-cp-t{X Xm ]qPy-n\nv "]qPy'-\m-b-Xm-sW-
v. hmbn shncnbpambn P\n Bfmbncpn Atlw. Ffnb kml
N-cy-n P\n-p-h-fp; ntcm-mlw hgn _lp-am-\-n\p ]m{X-am-bn. {]Xn-
Iqe Npp-]m-Sn-t\mSv ]S-sh-n-bmWv Atlw hnP-b-ns ]S-hp-I Ib-dn-b-Xv.
kmnItifn ImenSdn hogmsX ZrV\nbtmsS hnPbtkm]m\
Nhn-n--b-dn. hen-b-h-cm-bn-o-h-scmw sNdnbhcmbn P\n--h-cm-sW
henb ]mTw Ncn{Xw \apv Xcp-p-v.
aqhm-p-]p-g-bn kpam 10 ssa Zqsc-bp hS-I-c-{Km-a-n-em-bn-cpp s{]m^.
amnfbpsS P\\w. kmnI {]mcm_v[m \wXncn Hcp IjIIpSpw
_w. Atln\v ]phbp XnIbpwapt ]nXmhv Acnp. Nne ]ptcmln
XcpsS ZbmlkvXfmWv kmnI {]iv\fn\nv csSpnbXv. Dd
ssZhhnizmkhpw hnbp Nnm\p kXbpw Atls hfn. kz{]
Xybsscyhpw Ffnabpw apJap{Zbmn. ss{IkvXh knmfn XnI
XmXv]cyhpw ]pen. sXmSpsXmw s]mmm\p ss\]pWyhpw Atl
n\p P-kn--am-bn-cp-p. s\tm-fn-b-s\-tmse \nL-p-hn Akm-[y-sa
hmnmsX Atlw Pohnp.
amnfkm
{]hnXns
t]cn Cpw
aebmfhIpv
AdnbsSpp,
AwKo-I-cn--s-
Sp-p. Fkv.-_n.-
tImfPv FptI
m De-l-m
amnf F
Hm hc---
hn[w tImf
Pnepw AmZ
anIv cwKpw
Atlw \nd-
p\nncpp.
XnI `mjmkvt\lnbmbncpp s{]m^.
amnf. aebmftmSp Iqdv amnfkmdns
cn Iencpp. amXr`mjbpsS alna
Fpw Atlw Dbn-n-Sn-p. GXp `mj-
tbmSpw In-S-\n-evm X HuXyw ae-bm-f-
n-\p-sv Atlw hniz-knp; Gp ]d-bp-
Ibpw sNbvXp. FXn-cm-fn-Isf app-Ip-n-m
X Xfpw \ymbfpw Atlw \ncn
bn-cp-p. tIcf k-I-em-im-e-bpsS sk\p
tbmK- n BZyambn ae- bm- f- n {]kw-
KnXv s{]m^. amnfbmWv. Fkv._n. -tImf
Pn aebmfw Fw.F. sImphcm Atlw
`KocY{]bXv\w \Sn. AXv ]qhWnbpIbpw
sNbv Xp. tIc- f- k- I- em- ime- bpsS Iogn
BZyambn Hcp ss{]hv tImtfPn\v Fw.F. e`n
Xv Fkv._n.msWv HmWw.
injycn `mjmt{]aw AhcdnbmsXXs
kwPmXamm s{]m^. amnfbvp Ignn
cpp. kmlnXyhpambn c_w hnZymn
Ifn krjvSn-s-Sp-p-hm ]p A[ym]-\
Ie Atlw hi-am-n-bn-cp-p. \nXy-Po-hn-X-
n Xs khntijamsbmcp `mjmssien
Atlw kzoIcnncpt{X. Atlns a\
n\nWnb B ssien ]etmgpw aphsc
Nncn- n- p- ambn- cp- p. ]cn- lm- ks `bv
kzXzs Atlw XakvIcnn.
aqp hymg- h- - mew ae- bm- f- h- Ip- n
s{]m^. amnf A[ym]I\mbncpp. Kpcpinjy
_- s ]nXr- ]p- {X- _- - tmfw Atlw
hfnsbSpp. kzw afmWv mnencn
psX at\m`mhtmsS ]TnnpIbpw
CS-s]-Sp-Ibpw sNbvXp. mvapdn-bnepw shfn-
bnepw XnI Bm-X-bmWv Ah-tcmSv
]pen-b-Xv. XI Xm-sd-Sp-tm-sS-bmWv
Atlw mnse- p- I. ]pkv X- I- fpw
t\mv _p- p- Ifpw \nc- n- hv B[n- Im- cn- I- X-
tbmsSbmWv kwkmcnpI. t\msgpXmsXbpw
]mTw XmdmmsXbpw mn t]mIns
\n_- - _pn At- l- n- \p- m- bn- cp- p.
A[ym]\nse ZoL]cnNbw ]mTw Xmdm
p--Xn\nv At-ls hyXn-N-en-n-n-.
GXp ]pkvX-I-sa-Sp-mepw kwi-b-t-Zn-bmbn
]Tn- n- m {ian- n- cp- p. A[ym- ]- \- n
Ahpw hymJym\hpw BkzmZ\hpw Fmw
tXmtfmSptXm tNpt]mbncpp. Ct
Xp-t]mse d^-dkv kuIcyw Cm-Xn-cp--Xn-
\m kwi- b- \n- hm- c- W- n\v {K- Im- c- m- cp-
ambn NIfpw InS]mSpIfpw \Snbncp
p. A]q{K At\zjnv Zqcbm{X
I \Sm\pw Atln\p aSnbpmbncp
n.
s{]m^- k- dpsS A[ym- ]- \- ssien- bpsS
Xnfw Hp thsd Xs- bmbn- cp- p. Id
Xo ]mnXyta mn {]ISnnpam
bncppp. Adnhpw A\p`hhpw hmn \nd
p\nncpp. ]TnXmsf ]mTns a
ntev Iqnsmpt]mbncpp. \nXy{]Nm
cnep Bibt]mepw ]pXpatbmsS
Ah- X- cn- n- m At- l- n\p Ignp.
kzw PohnXm\p`h shnpdv Ah
XnI
`mj
m-k
vt\-
l
n-b
m-b
n-cp
p
s{]m^
. amn-f. ae-
b
m-f-t
m-Sp
I
qdv
amn-f-k
m-dns
c
-
n
I
e
n-cp-
p.
amXr-`m-j
-b
psS al
na
F
pw A
tl
w
Db
n-n-Sn-
p. G
Xp
`mj
-tb
mSpw I
n-S-\n-
ev
m
X
Hu
Xyw ae-b
m-f-
n-
\p-s
v A
tl
w
h
ni
z- k
np;
SB
X-cn-n-p--Xn\v Hcp aSn-bp-ap-m-bn-cpn-. ad-bn-m Kpcp-lr-Z-b-amWv mv
apdnIfn XpdsXv. `mcybpw afpw AhcpsS hrmfpsamw mv
apdnbn \ndbpambncpp. Cl]ctemIkw_nbmb kakvXhnjbfpw mv
apdnbntev B\bnp A[ym]\coXnbmWv Atlw Ahew_nXv. iphpw
kv^pShpamb DmcWhpw \ns kmnyhpw A[ym]\s BIjI
amn. k`yXbpsS B`ycn \np shfnpNmSp At\Iw ênX
Atlw XnhnnpXmbn tInpv.
amn- f- km hnZymn- Isf Poh- \p- Xpeyw kv t\ln- n- cp- p. Id- I- f
hmeyw hgn injylrZbfn Atlw m\wt\Sn. injycpsS DXvj
n\mbn IsInbndp kz`mhambncpp AtlntXv. hnZymnIfpsS
]ehn[ Bhiymbn amnfkm ]mp\SpXp Im Bcpw hnkva
bnpambncpt{X! kzw injyKWmbn Fp XymKn\pw Atlw
k\mbncpp. hnZymnI Bscnepw DXm\snbm AXy
[nIw ktmjnncpp. A[yb\n\p XSamIbm A[ym]Ikacsbpw
]com_lnjvIcWsbpw Atlw A]e]nncpp. Kpcpinjy_n\p
Ifw hcppXns\sbmw Atlw \ncmIcnp. A[ym]Ikacwaqew Iem
ebn mnmXmbtm hon hnZymnIsf hnfnncpn ]TnnXmbn
tInpv. hnZymnI anIthmsS {]hnWsa \njvTbpw s{]m^p
mbncpp. IpnIfpsS DchmZnXzanmbva Atls Acniw sImnncp
p. KpW-\n-e-hm-c-n hnp-hogvN sNm Atlw Hcn-epw Xm-dm-bn-cp-n-
.
amnfssien
Fp ]dbm
hp Hv At-
lns
thjnepw
\Snepw `mj-W-
nepw Dmbn
cpp. Fp
sNbv Xmepw
AXnsemw Hcp
"amnf Sv'
ImWmambncp
p. tIcfob
thjw kzoI-cn-n-
cp-s-nepw
]mpw
HmhtImpw
[cnv ]etmgpw
tImfPnsenbn
cp- p.
H
m
-I
-f
n
s
e
a
m
n
f

k
m
amn-f-ssien Fp ]d-bm-hp Hv At-
l- ns thjnepw \Snepw `mj- W-
nepw Dmbncpp. Fp sNbvXmepw AXn
semw Hcp "amnf Sv' ImWmambncpp. tIc
fo- b- thjw kzoI- cn- n- cp- s- nepw ]mpw
HmhtImpw [cnv ]etmgpw tImfPnsen
bncpp. aebmfns alna Dbm\msW
mbncpp AXn\p hymJym\w. apSn NoIp
- Xnhsc X\- Xmb Hcp ssien Atlw
kzoIcnncpp.
Hcp XhW Im, Hcp XhW tIm
Atls Bpw adm\mhn. A\Kfw
{]hlnp L\Kwòcamb i_vZn\pSabm
bn- cp- p. kwkvIr- X- ]- Z- _- lp- e- ambn- cpp B
kckzXo{]hmlw. FhnsS\ntm FSppsIm
p-h-cp ]md-v Dcp-n-sb-dn-bp--Xp-t]m-se-
bmbn- cp ]e {]tbm- K- - fpw. aWn- {]- hmfw
t]mseXs sjIvkv]nbdpw B Npn hne
knbncpp. Nne k`fn BwKehmWn
am{X- ambpw {]h- ln- m- dp- m- bn- cp- - t{X. Cu
sshhn[yw tIhnv ckpSpbmbn amdn
bncpp. `mjWnepw {]`mjWnepw Fgp
nepw inkucy Hcpt]mse tafnn
cpp. `mjm]cnjvIcWhnjbnepw s{]m^
XXv]c\mbncpp. DmcWkp`KXbvpw
ASnbpsS D]tbmKn\pambn Nne Ac
v ]pXpa ]I-cm Atlw DZy-an-n-cp-
p.
cN\bpsS cwKpw s{]m^. amnf IrX
lkvXX ]pen. ss{IkvXhkapZmbns
A-cw-K-c-l-ky--fn-tev shfnw hoip
Ncn{X{]m[m\yap Nne cN\I Atlw
\n- ln- p. sNdp- I- Ym- c- N- \- bnepw Atlw
XXv]-c-\m-bn-cp-p. \mn]p-d-ns imeo-\-
ku- - cyhpw XpSnpw Dsm- p- - h- bmWv
s{]m^dpsS IYI. \mSIIrs \ne
bnepw Atlw Ion t\Sn. \mSI Fgp
XnbXp IqSmsX IpnIsfsmv A`n\bnn
p--Xnepw {in-p. s{]m^--dpsS {][m-\-
s kmln-Xy-kw-`m-h-\-I Xmsgd-bp--h-
bmWv:
{]W- b- {]- hmlw, h\n- Xbpw aWm- f\pw
(t\mh-ep-I), Hen-h tKmUvkvan-v, am
amXyp ImhpImv ssZhns a\pjy (Poh
cN
-\-b
psS cwK
pw
s{]m^
. amnf I
rX-
l
-k
vXX ]pe
n.
ss{I
k
vX- h
- k
- ap- Zm- b
-
ns
A
-cw-K-c-l
-
k
y-
-fn-te
v
sh
fn
w h
oi
p
N
cn-{X-{]m-[m-\y-
ap
N
ne
cN
-\-I
A
tl
w
\n
- l
n- p.
N- cn- {X- ), Bcy- ]p- {X, Is I\Iw
(\mSI), `mhn apX `mhn hsc (bm{Xm
hnhcWw), Atacn (_mekmlnXyw), Lin-
guistics & Dravidian Philosophy (Linguistics), ae
bmfw t]mpKokv \nLp, AtWmkv]m
XncnbpsS aebmf hymIcWw.
Fgp-X- Fs-nepw ]d-bp-Itbm ]d-
b- Fs-nepw Fgp-Xp-Itbm sNpI
alm- m- cpsS khnti- j- X- bmbn ]d- bm- dp- v .
CXp cpw km[n alm\mbncpp s{]m^.
Delm amnf.
SB
Cu IhnX ]g\mWv. cq]hpw Bibhpsams kaImenIa. Ccw ]cmai
B[p-\n-I-X-bpsS {]h-W-X-I-fmWv. ]pXp-asb am{Xw tXSp a\-ns hy{K-X-I-
fm-Wn-h. ]pXpa t\cn ]gb Nne hnai-\-tfmSp {]Xn-I-c-W- \apv {in-
mw.
ame-Xo-am-[hw \mS-I-n `h-`qXn ]d-bpp
DXv]kytX aaXp tImS]n kam\ iotem
Imtemlybw \nch[n hn]pem N]rYzo
(Fs ioetmSv s]mcpsSp BscnepapmIpw.
Imew AXncnmXmWv. `qan hnimehpw)
Imfn-Zm-k ]d-bp-p
]pcmWantXyh \x km[p kw
\NmNn Imhyw \hanXyhZyw
(]gbsXmw \XmhWsan.
]pXnbXv tZmjapXmIWsan)
ChcpsS IrXnIsfmw Imemcn AwKoIcnsSpIbpw sNbvXp. ]gb Bi
b- - fpsS Bh\w Fs\ Bkz- Zn- - s- Spp FXns\- p- dnv [z\n- Imc
(B\h[\)s A`n{]mbw tIq.
Imhyn apdn A ck]cn{Klw sImv ]pXpXmbn tim`npp;
Hmtcm hknepw hrsft]mse.
hk Imes ]gs\v Xndbphs\ FpsNWsav \np hnp
Xncnpp. FSpp Xocpam\w \nsf \nWbnpw.
taev]d ]cmaisfmw Ime\nct]amb ImgvNmSpIfpsS {]Xnê\
fmWv.
`qXtmSp AanXcXnbpw ham\XbpsS [mjv Syhpw A]ISIcamb `mhnbpsS
\nWm-b-I--fm-Wv. ]t Ch cpw thWw. Hv Hn\v tXmn-bn-Sm. {]h-ln-p
Ihn-Xbvv {]hml\nXy-X-bp-v, XpS-bmb kwkvIm-c-n-s\t]mse. alm-Ihn
hnjvWp\mcmbW \qXncnbpsS hmpI ISsaSpm, AfI\bpsSbpw, am
In-\n-bp-sSbpw `mKo-c-Yn-bpsSbpw Ae-I ]e-Xm-sW-nepw Ah KwK-bm-Wv. ]gb
Bi-b- ]pXnb ho-W-n hne-bn-cp-m {ian-p-tmgpw Imesf A\p_-
nppv Inhnv ASp IntbmSp hnfm kXnmsX imTyw ]nSnp
\np IhnX A]ImenIamWv. AXv thsdmcp Imehpambn _sSmsX \nevp
p. AXpsImv kaImenIw WnIamWv. \izcamWv. ]qtmc Imem\p_n
bm IhnX {]hmlkwkvImcn apntmIpw. ImenI {]hWXI a\pjy
s\bpw Pohn-X-sbpw Ihn-X-sb-bp-sams kzm[o-\n-p-sa-Xv icn-X-s. Rm ka-
ImenI Xm{XbmsW t_m[amWv Ahs\ WnI\mpXv. IhnXsbgpXptm
AeIfpsS amns\mw {]hml\nXyXbpw Ihnsb A\izc\ms.
tUm. C.F. \mcmbW
kwkvIrX hn`mKw
IhnXbpw ImenIXbpw
`qXtmSp
Aan- X- c- Xnbpw
ham\X
bpsS
[mjvSyhpw
A]ISIc
amb
`mhnbpsS
\nWmbI
fmWv.
]t Ch
cpw
thWw. Hv
Hn\v tXmn-
bnSm {]h
lnp Ihn
Xbvv
{]hml\nXy
X- bp- v.
B[p\nI Cy kaqls AXns kakvX AXefnepw ImpXn
p A_pZamWv AgnaXn. AgnaXnsb {]Xntcm[nm A\h[n kwhn[m\
Dsnepw Ah ]qê{]m]vXnbn Fmdn. kzmX{yanmbva, A[n
Imcanmbva, At\zjWkwL Xnep Ass\Iyw Fnhsbmw \psS
`cW\oXn\ymbhyhbpsS Zu_eyfntev hncNqpp. AXn\m
temIv]mens {]m[m\yw A\pZn\tadpp. temIv]m F kwkvIrX]Zn
\w P\fpsS kwcI FmWv. `mcXns `mhnsb \nbnp
Xn\pw \psS kaq-ls kI-e-ta-J-e-I-fnepw Imp-Xn-p Agn-aXn F
Zp`qXs \nb{npXn\pw ihpw kzX{hpamb temIv]m kwhn[m\w
A\nhmcyamWv.
1968 imn`qj AhXcnn BZy -temIv]m_n 1969 temIvk`
bn ]mkmn. ]t, cmPyk` NsNpXn\v apv temIk` ]ncnXn
\m BZytemIv]m \nbaambn. temIv]m _nns ]cnjvIcn hIt`Z
1971, 77, 85, 89, 96, 98, 2001, 2005, 2008 Fo hj--fn Ah-X-cn-n-s-
nepw Hpw \nb-a-am-bn-.
2010 Khsav Xmdmnb temIv]m_n Zp_eamWv F hmZapJ
ns ASnm\n AgnaXnsXncmbn {]hnp s]mXpkaql{]Xn
\n- [n- I India Against Corruption -F t\Xr- \n- c- bpsS ]nn \np- sImv
\nJn jmPn
^nknIvkv hn`mKw
temIv]m
P\fpsS
kwcI
SB
temIv]m_nns ]ucmhImi hIt`Zamb PtemIv]m _n AhXcnnp.
{]apJ Kmnb\mb Am lkmsc 2011 G{]n 5\v acWwhsc \ncmlmckacw
Bcw`ntXmSpIqSn PtemIv]m _nn\v htXmXn P\{]oXn hnp. Am
lkmsc aptmph `qcn`mKw \ntifpw Khsav AwKoIcntXmsS 98
aWnqdpIptijw G{]n 9\v Atlw \ncmlmcw Ahkm\nnp.
temIv]m _n cq]oIcW kwbpkanXn G{]n 8\v cq]oIrXambn. [\
a{n {]W_v apJPn sNbam-\mb kan-Xn-bn 5 Khsav {]Xn\n[nIfpw 5
s]mXpkaql{]Xn\n[nIfpw DsSpp.
B`yca{n ]n. NnZw_cw, tImtdv hn`mKw a{n hoc sambven, am\h
tijn hnIk\ hIppa{n I]n kn_, \nba a{n kam JpjnZv Fn
h-cmWv av Khsav {]Xn-\n-[n-I. {]apJ kmaq-lnI {]h-I-\mb Am
lkmsc, {]apJ A`n`mjI\mb {]imv `qj, ap \nbaImcya{n imn
`qj, IWmSI temImbp PUvPv ktmjv slKvtU, hnhcmhImi {]h
I Achnv tIPcnhm FnhcmWv s]mXpkaql {]Xn\n[nI. kwbp cq]o
IcWkanXn AwK s]mXphmb Xocpam\fn Fntcphm ]cmPbs
- Xns ASn- m- \- n Ccp- hn- `m- Khpw Hmtcm _np- I hoXw Xm- dm- n.
Khsav {]Xn\n[nIfpsS _npw s]mXpkaql{]hIcpsS _npw At\Iw
hkvXpXIfn hn`namWv.
P tem- Iv]m _nns ASn- m- \- n {][m- \- a- {nbpw PqUo- jy- dnbpw
temIv]m kanXnbpsS ]cn[nbn hcpp. AhsXnsc GgwK temIv]m Xocp
atemIv]m
F kwkvIr-X-
]Zn\w
P\fpsS kwc
-I Fm-Wv.
`mc- X- ns
`mhnsb \n
bnpXn\pw
\psS kaq
ls kIeta
JeIfnepw
ImpXnp
AgnaXn F
Zp`qXs \nb
{npXn\pw
ihpw kzX
{hpamb
temIv]m
kwhn-[m\w A\n-
hmcyamWv.
tN
mZyw tN
mZn-
p- h
m- \pw,
th
mp -tc-J
-s-Sp-
m\pwh
sc
tI
mg- h
m-
p
P\- {]- Xn- \n- [n- I
-
fpsS I
me-
v,
i
- amb
temI
v]m
_
n-
ns
B
h
-i
y-I
-
X-b
n-te
v C
u
h
k
vXp- X- I
h
nc
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p-
p.
am- \- n At\z - jWw km[y- am- Wv .
Khsav aptmp h _nns ASnm
\n {][m\a{n Atlns `cWIm
ebfhn\ptijw am{Xta \nba]cn[nbn hcp
Ibpq. AtXmsSmw PqUojydnsb asmcp
\nbans (Judicial Accountability bill) ASnm
\n amn\npIbpw sNbvXncnpp.
temIv]m _n Ghpw IqSp-X N
sN- s- Sp- Ibpw hnhm- Z- am- hp- Ibpw sNbv XXv
Cu cp hyhIfpsS ASnm\nemWv.
{][m-\-a{nsb At-l-ns `c-W-Im-e-b-f-
hn-\p-n temIv]m ]cn-[n-bn sImp-h-
m `cW An- cX Dm- hp- sa hmZw
XnIpw i-amWv. CXv P\m-[n-]-Xy-ns
Ays Ipdnpsaphsc hymJym\ns
Sp - p . kam- \- co- Xn - bn Pq Uo- jy- dn sb
temIv ]m _nns ]cn- [n- bn sImp- h-
m AXv \oXn- \ym- b- hy- h- n- Xn- bn- ep
ssIISemIpw Fphsc hymJym\ns
Spp. `cWImcyaX hnnphm\pw Agn
aXnsb ]qambpw XpSp\ophm\pw, {][m
\-a-{nbpw PqUo-jy-dnbpw temIv]m ]-cn-[n-
bn hcWsav PtemIv]mens hm
iambv hmZnpp.
P tem-Iv]m-en-s Ic-Sp-hy-h--I-f-\p-k-
cnv ]mesav AwK--fpsS GXp {]-h-
\hpw At\zjW]cn[nbnsSpp. Khsav
{]Xn- \n- [n- I- fpsS _nns ASn- m- \- n
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XpSnbh At\zjW]cn[nbn hcpn
. tNmZyw tNmZnphm\pw, thmp -tcJsSp
m\pwhsc tImghmp P\{]Xn\n[nIfpsS
Imev, iamb temIv]m_nns Bh
iy-I-X-bn-tev Cu hkvXp-X-I hncNq-p-
p.
P tem- Iv ]m _n Fm Khsap
tkhIscbpw eyw hbvptm Khsav
temIv]m_n DXDtZymKsc (Group A)
am{Xw eyw-h-bvp-p. Khsav CXckw
LS\Isf (NGO) PtemIv]m_n Hgnhm
ptm Khsav _n AhscqSn \nb
a]cn[nbnemphm ]cn{ianpp.
Ptem-Iv]m _n-ns ASn-m-\-n
CBIbpsS Agn - a- Xn - \n - tcm- [- \ - hn - `m- Khpw
temIv ]m `c- W- kwhn- [m- \hpw Hp- tNv
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tcm-[-\-hn-`m-Ks {]tXy-I-hn-`m-K-am-bn-s
SB
\mSIobamb
kw`hhnImk
n- S- bnepw
Am kwLw
t\Snb P\{]oXn
hfsc hepXmbn
cpp. Ipd
\mfpIIw 9
aneyWne[nIw
P\
tkmjy
sh_vsskp-
IfneqsS
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temIv]mepw temImbpbpw av AgnaXn \ntcm[\ kwhn[m\fpw hyXykvX
ambn {]hnphm PtemIv]m _n hyh sNptm temIv]m kwhn
[m-\s am{Xw \ne-\nn-sImp apt-dp-hm Khsav B{Klnpp. Agn
aXnbpsS ihpw kpkhpamb Icfn\nv \psS cmPys cnphm
hf-sc hn]p-ehpw kpi--hp-amb temIv]m \S-n-em-t--Xp-v.
PtemIv]m _nns ASnm\n temIv]m kwhn[m\n\v AgnaXn
mv t\cnv in \evIpXn\pw Ahsc Khsav m\-am-\--fn\nv -
ampXn\pw Khsan\v \jvSs ]Whpw av mhcPwKa hkvXpfpw Xncnv
Ip-sI-p--Xn\pw Ah-Im-i-ap-m-bn-cn-pw. Fm Khsav IcSptcJI
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am{Xta hyh sNp-p-q. inm-co-Xn-I tImS-Xn-bn Cv \ne-hn-en-cn-p
\nban\\pkcnmbncnpw.
Bym-nI t\Xmhv {io. {io. chn-i-, tbmKm Kpcp cmwtZ-hv, cmjv{So-b-{-
hIcmb APnXv knv, {]nbm Zv, am{]oXv knv _mZ Fnhcpw Iem
Im-bn-I--cw-Ks {]ap-Jcpw _nns\ A\p-Iq-en-p-p.
PtemIv]m _nns\ FXnphcn {]apJcmWv am\hhn`htijn I]n
kn_, _wKm apJya{n aaXm _m\Pn, ]m_v apJya{n {]Imiv knv
_mZ, inhtk\m t\Xmhv _m Xmsd, ap kp{]ow tImSXn No^v Pnkv
PKZojv ic h Fnh. kacns {]mcw`Ln _n.sP.]n. Ptem
Iv]mens\ A\pIqensnepw temIv]m kan
Xnbnse s]mXpkaql{]Xn\n[nI ]mesav
]c-am-[n-Im-c-n ssII-S-m {ian-p-p
F hmZamWv Ctm Ah DbpXv.
amKvsktk AhmUv tPXmhpw NCPRI (Na-
tional Campaign for People's Right to Information)
{]hIbpamb AcpWm tdmbnbpsS A`n{]m
b- n `qcn- `mKw P\- fpw temIv ]m_n-
ns\ AXns X\-Xmb A-n a\-n-
empn. CNN IBN Dw CNBC TV-18 \pw kwbp
ambn cmPymIam\w \Snb ktbpsS
ASn - m- \- n 34 iX- am\w P\-
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am\w P\- p- am- {Xta AXv Fm- sWv
AdnbpIt]mepapq.
cmPy- n s `mhn sb \n - bn - p- -
Xnhsc iamb ]phlnm km[npw
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sNt- Xpw \nbaw \ne- hn hcp- - Xn\pw
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IampXn\pw BhiyamWv.
temIv ]m In- n- bnse ]ecpw Agn- aXn
Btcm- ]- W- - {]- Xym- tcm- ]- W- v hnt[- b-
cmhpIbp- m- bn. imn- `q- jWpw {]imv
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Un.bpw Am lkmscbpsS {SpIsXnsc
AgnaXn Btcm]Wfpw Inc t_ZnsXnsc
Db BZm- b- \n- Ip- Xn- h- Ip- ns t\mokpw
am[yafn Fpw hmbmbncpp.
KmnPnsbbpw Atlns kacam
sbpw Iqp]nSnv \Snb kacw ]eL
fnepw A{Iamkambn. Ahsc FXn 150
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A\p-h-Zn-n-. lkm-scbvv Pbv hnfn-m--
Xns t]cn CNN-IBN Nm\ens {]hIs\
lkmsc A\pbmbnI {Iqcambv B{Ianp.
PtemIv]m _nns\ {]Xntcm[nphm
Khsapw cmjv{So-b-]mn-Ifpw Xm-em-hp-
Xv sNbvXp. Agn-aXn Btcm-]-W--{]-Xym-tcm-
]-W-, kacw sNp-hm Ah-kcw \ntj-
[n, \mSIobamb Adv aplq,
Ah-Im-i-ew-L\ t\mo-kv XpSn BZm-b-\n-
IpXn t\mokphsc Am kwLmwKs
Xnsc Dbp.
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Am kwLw t\Snb P\-{]oXn hfsc hep-Xm-
bn-cp-p. Ipd \mfp-IIw 9 aney-Wn-e-
[nIw P\ tkmjy sh_vsskpIfneqsS
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v temIv ]m_n- n- ep AN- - e- amb
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n kaq-e-amb amw hcpp-hm i-amb
temIv]m kwhn[m\n\v km[npw FXv
Xa hkvXpXbmWv.
temInse Ghpw henb P\m[n]Xycmjv {S
amb `mcXnse AgnaXn XpSp\ophm\pw
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n Dsm- p- hm\pw kwc- - nphm\pw
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B{Klnpt]mIpXv kzm`mhnIw.
tN
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p- h
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B\sbsmv Ah
HIw hcp.
AXnencpn
Fs acp-`q-an-bn-te--bp.
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ASp Ce-bn-tev
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NmSngnncpp.
t]m tPmkv aw
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Hmtcm \nan-j-hpw, A\n-b-{n-X-amb Nn-Isf Bm-b-t_m-[-ns BsI-p-I-
sImv {]mhnIamptmgpw FsdnbmsX Dcanm Cu kXyn
tev Agp-In-tN-cp-I-bmWv Hmtcm a\p-jym-bp-kpw. Cu Bm-h-t_m[w Nnesc ]cm-
P-b-s-Sppw; ap Nnesc hnP-b-ns ]m-hn-ep-bpw; Hcp sNdn-b, henb
Iqsc Ncn{Xns XmfpIfn HXppw. Ccn Xmfw \jvSs GtXm
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t]mbn.
]cm-P-b-ns Nne \o \nan-j--fn a\p-jy Nnetm AhnNm-cn-X-ambn
Hcp kmlnXyImc\mbn amdmw. Hcp hn[n ]cmPbw -kmlnXyns ASnd
bmWv. ktmjsm a\pjys\ NnmIpe\mpXpw {]tIm]npXpw
ZpxJamWv. AhnNmcnXamb ]cmPb kmlnXyns Bw IqpIXs sNpw.
Am-bn-cp-p-sh-n Imen-h-b-dnepw s]mcn-bp shbn-enepw Xs Nnm-k-c-Wn-
I C{X {]p_v[amb kmlnXyhmlnIfmbn amdpambncpn.
]mX-tbm-c-tv ]d--I-ep Xs kplr-p-sf Hcn-fw-Im-ns ]n_-e-
n Zb-\o-b-ambn Ncn-p-t\m-p B IS-em-kp-I-j-Ws Idp Zpxkz-]v\-
t]dp B {]Xn_nSbneqsS sNv FSptmtcmcsnmtem
Fv Ah Hcp \nanjw Nnnpt]mbn. NnIsf {]mhnIamphm\p tijn
tkm\p sI.
Imncpwaqn
Cwojv hn`mKw
AhnNmcnXw
Ahn-Nm-cn-X-amb
]cm- P- b-
kmlnXyns
Bw IqpI
Xs sNpw.
Am- bn- cp- p- sh-
n Imenhbdnepw
s]mcn-bp shbn-
enepw Xs Nnm
kcWnI C{X
{]p_v[amb
kmlnXyhmlnI
fmbn amdpambncp
n.
SB
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bpsS Idp N{Ifntedn `qXImetv Ftmtg adpt]mbncnpp.
Nenm hnkXnph ImeN{In Hcp Rc am{Xahtijnnv adp
t]m-Ip-psh bmYmyw Ah Ft Xncn--dn-Xm-Wv. `b-s-Sp-p-, Ahy--
amb B Rc--ep-I IqSn-tv hy-X-bn-m B aq-cw ]X-dnb i_vZ--fn
{]Xn[z\npXv Ah ]etmgpw tInpv. hyam B RcepI Hcp anYy
bm-sWv m]n _pn-Po-hn-Isf AXp-sImv Xs Ah shdpp Ign-n-cp-p.
Ahkc Ahtijnnm RmWnt IfnbmWv PohnXw.
F{Skv tImnv mkp-Ifpw Syqj mkp-Ifpw hop-ap-n cp-hjs
\nXm ]cn{iav apocmbncn \m\qnapncv F AkwJy hncm
aantm kXyn Dn Aht\mSpXs tXmnb Hcp klXm]w \nd Aajw
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Sphn Xm AXnKwòcambn ]cmPbsncnpp. Fm ]cmPbns {Iqcamb
{]lcw Fsmstbm B\pIqey AhtijnnmWv ISpt]mbncnpXv.
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A
h
n
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m
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Fnm Ah\p Ignbpambncpn. Imns
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n. NnXdnnSp ]pkv XIq\InSbn
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p Xo{hhmZnItfmSv Fsnm _lp
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Xv.
tN `qXs Inptm Fp tNmZn
Xs Ip\pPntbmSv ]stm tIpa
d IY ]dv t]Sn-n-p-tm Ah-fpsS
B kwibw Hcp tXembn Xs DnXs
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bmSpp.
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am{Xw.
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v Fsnm inbpsv Ah\
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temIn kam\amb `qXfn, Hmtcmpw
hyXykvXcmWv. ImeN{Ins ]SnIsf Nhn
nncnv ]cnWmans hnlmbpkn Zp_
e\mbn Nenptm CfnpImnb `mhnbpsS
tIm-p-cq-]-amWv Xs Ae-p Ahy--X-
sbh Adnncpn.
\n - e- \mbn \n mep w C\n AX
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bntebvv hnebw {]m]nemWv Hmtcm Pohn
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csf km\np bu\ns khnti
j-X-bmWv {]W-bw. {]W-b-ns XovWX
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XIn- Sw- a- dn- pw. A\m- YXzw ]nd- p Nne
GIm \nan- j- - fn Xncn- - dn- b- s- Sm
{]Wbw Htcembn Xs lrZbneqsS IS
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p- - Xm- Wv. {]Wbw kzmX- {y- amWv AXn\v
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IXzw \evIppshpam{Xw.
Hcn Rm Ahsmcp {]WbteJ
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kvt\l-ns XovW-Xbpw ]nfp Imp-
hm AXn- \m- Iptam Fs- \n- - dn- p- Iq- Sm.
Fnepw Rm\hfpsS Dcn\mbn Imp
\n- ev pw. Ahmbn Rm \on- sh
kabw Apw F\n-p-thn {]mn-pw.
Ime- L- - ns Am- X- hn- lm- bp- kn
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jvSm.''
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eqsS ISpt]mIpXv
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n- p- - Xm- Wv.
SB
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Cwojv hn`mKw
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n amdme]nSnp t]mImsX kqnp
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ap]n Fn "C-Fgpv' F ]p-s\-
gpv A-Sn-a-jn-sbbpw IS-em-kn-s\bpw Ah-
K-Wn-p-I-b adnv ]pXn-sbmcp am\w \evIp-
IbmsWv ]ptcmKXnI kmysSppp.
CeIvt{SmWnIv am[yacwKns BZyIm
efn tIcfcbpsS kzw `mj AXn
Ds-n-cp-n-. Iyq- kv{Io\p-I-fn ae-
bmfw Fn-Xp-S-n-bnp Imew Ipsd Ign-n-
p- m- hn- . ]t, Npcp- n- b- Im- ew- sImv
At\Iw hnkvab Xom aebmfn\p
Ignp. Cwojv`mj GXmv ]qWambn Hgn
hmn ]pXnsbmcp "aebmfw Ct^kv' Xs
km[yambn Ignncnpp. s{]m^jW ae
bmfw ssSnwKv ]Tnhv am{Xta aebmfw
D]-tbm-Kn-m Ignbq F Ah "bpWo-
tImUv' F ]p km[yXtbmsS Xncpn
p-dn--s-p. Cmpw Iyq--dn Ffp--
n ae-bmfw Fgp-Xm\pw hmbn-m\pw Ign-
bpp. tkmjy s\vhnwKv sskpIfnse
ae-bmfw kmn-[yw, ae-bmfw tmKn-v, ae-
bmfw Iyq- nw- Kv , aebmfw hnn- {]- m\w
SB
Fm Cv ae-bmfw Ghpw IqSp-X D]-tbm-Kn--s-Sp Hcp thZn-bmbn Cu
kplr-Zv h-e-b- amdn-bn-cn-p-p. Htc t^mam-n ssSv sNm-hp "bpWo-
tImUn's klmbtmsS Cv kplrp ]ckv]cw "]aebmfn'
Nmv sNp-p. kt-i- ssIam-dp-p, mkv sat-Pp-I ]pXp-p-p. Hcp-
Imev sXp hnjatmsS awojn ssSv sNbvX aebmf`mjmkvt\lnIv
Bthmfw aebmfw C\n temItmSv hnfnp ]dbmw. aebmfnIfpsS Cu Bthiw
a\knemn t^kv _pv, aebmfw ]Xnv Xs ]pdndnIgnp. CXv Cae
bmfns kzoImcyX hyampp. A\p\nanjw eWn\v mkv sat
Pp-I-fpw, Szn kt-i--fp-amWv Cs\-n ]nd-hn-sb-Sp-p--Xv. tIcfw hnp
]pdpt]mIphv aebmfs {]Wbnm Hcp ]p hmXmb\w Cs\v
aes XpdnSpp. temIns kv]\ tkmjy s\vhn Hmtcm
\nanjhpw A\p`hndnbm Ignbpw. GhpsamSphn aebmfnIXs PwsIm
Sp Iqw tUmv tImw, kulrZw tUmv tImw XpSnb X\naebmfw kulrZ
qmbvaI CXn\IwXs AXy[nIw P\{]oXn t\Sngnp. `mjsb kvt\ln
p--h Ime-hpw, tZi-hpw, enwK-hpw, aX-hpw, PmXnbpw ISp Hcp-an-p-tm
AXv KrlmXpcXzw DWp Hcp aSnt]mmIpp.
aebmfw sNmpw tmKpI...
kzw Bibfpw BZifpw temIp Bpw {]m]yamb coXnbn
Bcp-tS-bpw CS-s]-S CmsX {]kn-o-I-cn-p-hm-\p AXn-\q-X\ am[y-a-amWv
"tmKv' F Npcp\man AdnbsSp "shv temKv'. CS\nemc\nmsX
\psS Bi-b- \mw Xs temIs Adn-bn-p-p. ChnsS Fgp-p-Im-
c\pw {]km-[-I\pw am-nwKv No^pw \mw X-s-bm-Wv. \psS ho-W-n\p
A\p-Iq-ehpw {]Xn-Iq-e-hp-ambn A`n-{]m-b- hmb-\-mv X-abw Adn-bn-
m\pw Ignbpp. 1990IfpsS BZy]mZn hntZinI AhXcnn Cu kwhn
[m\w temIw ap-gph hym]n--tm ae-bm-f--c-bnepw AXns {]I-\w {]I-S-
am-bn-cp-p. Zriy-am-[y-a--fpsS AXn-{]-k-cw-aqew ae-bmfw sse{_-dn-I s]mSn-]-S-
GhpsamSphn
aebmfn
IXs Pw-
sImSp Iqw
tUmv tImw,
kulrZw tUmv
tImw XpSnb
X\naebmfw
kulr- Z- q- m-
bvaI CXn\Iw
Xs AXy-[nIw
P\{]oXn t\Sn
gn-p. `mjsb
kvt\lnp
h Imehpw,
tZihpw, enwK
hpw, aXhpw,
PmXnbpw ISp
Hcp- an- p- tm
AXv Krlm
Xp- cXzw
DWp
Hcp aS-n-
t]m- m- Ip- p.
e- - fn AS- - tm hmb- \- bpsS Hcp
]p thj tmKneqsS cq]wsImpI
bmbncpp. Csmcp hm Dmbm AXv
Ghpw IqSp-X N sN-s-Sp Hcp am[y-
aambn tmKpI amdn. BbncWn\v Bfp
I tmKv F am[y-a-n-eqsS ]c-kv]cw
kwth- Zn - - tm ae- bm- f- n Hcp
hn jz temIw Bcw- `n - p- I- bmbn - cp- p
"_qtemIw' AYhm "tmKpIfpsS temIw'. {]
hmkn- Ifpw kztZ- in- Ifpw ka- \z- bn- p
CSambn ae-bmfw tmKp-I cq]m--c-s-p.
{]hm-kn-IfpsS s\m-c-fpw, sImp-sImp
ktmjfpw, ]nWfpw Ah CXneqsS
]p- h- bv - p- p. \mSp- am- bp At`- Zy- amb
_w Cu am[yaneqsS Impkqnp
tm tmKv Hcphs hnImcamIpp. tmKp
Ifnse IrXnI DsSpn At\Iw ]pkvX
I- CXn-\-Iw-Xs ]pd-n-d-n-I-gn-p.
t\mh-ep-I, \mS-I-, IY-I, Ihn-X-I,
ên- X- , \ncq- ]- W- , t^mtm- {K- ^n,
HmUntbm t]mUvImv XpSn Fm cwK
fp-sSbpw an{in-X-amWv tmKp-I. Hmsse
kulr- Z- v D]- cnbmbn temI- ns
hnhn[ `mK--fn-embn hn]p-e-amb tmtKgvkv
aopw kwLSnnsSppv. tmKv Iqmbva
bn\npw tIc-f-nse BZys kzX{
kwKoXkwcwàmb "CuWw' hjwtXmdpw ]pd
ndpp. HmWmev HmWmtLmj]cn]m
Sn-Ifpw HmW--Xn-p-I-fpw-sImv kPo-h-amWv
_q temIw. \mn set]mse tmKn ep w
ssk_ B{iafpw, Bdbpw, tmKv
AmZanbpw tImfPpsamsbpv. Npcpnb
- k- a- bw- sImpXs At\Iw ImcpWy
{]h\fpw kmaqlnI t_m[hXvIcW
Iymws]bv\pIfpw \Sm _qtemIn\v Ign
n-p-v. e-v òj-Wn-bmbn amdnb
ap- s- cn- bm Umw ]p\\nn- Ww Fv
Bh- iy- s- p- sImv 'Rebuild Mullapperiyar
Dam'F t]cn \Snb ssk_ aptw
{it-b-am-Wv. cmPy--fpsS AI-e--fn Ccp-
psImv ]ckv]cw Hcp t^mtmbnt]mepw
ImWmsX apq- tdmfw tmam Hcp- anp
tNm Fv kw`hnpw F tNmZyns
D-c-am-Wv "Cusb-gpv' F t]cn ]pd-
n- d- nb tmKv kph- \o. FUn- tm- dn- b
hpI ]qWambpw tkmjy s\vhp
IfpsS klmbtmsS sNbvX BZy ]pkvX
IkwcwàmbncnpanXv. Cu _qtemIn\v ac
Wan, ]p IqmbvaIfpw, aptfpambn
P\-Iob tmKnv bm{X XpS-cp-I-bm-Wv.
hnm\ hnkvt^mS\hpw
ae- bm- fw- hn- n- bpw..
Cs\- ns Bhn- jv - c- W- tmSpIqSn
hnm\ns hnkvt^mS\amWv kw`hnXv.
Fm ]e Xc-n-ep hnh-c- Cs\-
n ]e- bn- S- - fnembn NnX- dn- In- S- n- cpp
FXv Hc \yq\- X- bmbn- cp- p. Chn- sS- bmWv
hnn- ]o- Unb F kwcw`w Bcw- `n- p- - Xv.
Pnn shbvkv, emdn km FnhtNv
2001 P\p-hcn 15--\mWv B ]-Xnv XpSw
Ipdn- p- - Xv . Ccp- ]- n- sbmmw \qm- n
hnm-\-tIm-i-ns ]pXnb cq]-ambn hnn-
o- Unb amdn. XnIpw emt`- - bn- m Hcp
{]m\amWv hnn]oUnb. CXns DSw
B
b
n-c-
-W
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n\v
B
fp-I
t
mKv
F
am[y-a-
n-
eqsS ]c-k
v]cw
k
wth
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ae-b
m-f-
n
Hcp
h
nj
z
temI
w
B
cw-`n-
p-I
-b
m-b
n-
cp-
p "_
qtemI
w'
A
Y
h
m "t
mKp-I
-
fpsS temI
w'.
SB
Ftmgpw kzX{hpw kuP\yhpw Bbncnpw, Hw Xs Bpw Xncpp
hm\pw, FgpXn tNm\pw Ignbpw. 229e[nIw `mjIfn hnn]oUnb Dv,
AXn {]ap-J-m\w hln-p-Xv Cwojv hnn-]o-Unb BWv. ]e Cy
`mjIfn hnn]oUnb Dsnepw Ghpw kPohambnpXv aebmfw hnn
]oUnb BsWXv A`nam\w \evIp hkvXpXbmWv. aebmfw hnn]oUnb
XpSnbtijamWv cmjv{S`mjbmb lnnbnt]mepw hnn]oUnb DmIp
Xv. At\Iw t] tNv \nnphbmWv hnn]oUnbbpsS DSw.
DZmlcWn\v Hcp IjI Irjnsb]nbp At\Iw \mdnhpI ]ph
bvp-p. As\ At\Iw sNdp-Xp-n-I tNv Hcp s]cp-a-g-bm-Ip-p. ae-
bmfnse teJ\fn `qcn`mKhpw cNnncnpXv {]hmknaebmfnIfm
Wv. ae-bm-f-n CXn-\-Iw-Xs ]Xn-aq-hm-bn-c-n-e-[nIw hnn-]o-Un-b-cp-v.
hnn]oUnbbpsS IhmSw Fmhpwthn kZmkabw XpdpInSpIbm
Wv. skmd ]dp kabw Ifbp kabv Aev]w kabw hnn"]oUnI'bn
Nnehgnm Adnhv hnm\pw ]Ip sImSpm\pw kmlNcyapmIpw.
aebmfw hnn]oUnbbpsS ktlmZckwcw`fmWv hnn ]mTime, hnn
khIemime, hnn \nLp, hnn {Kime, hnn sNmpI Fnh.
hnn \nLp i_vZ-Xm-cm-h-en-tbm-fw Xs hep-Xm-bn-sm-n-cn-p-I-bm-Wv.
hnn sNmp-I-fn ]g-sm-p-I-fpsS henb Hcp tiJcwXs H-cp-n-bn-p-v.
hmb\bpsS Hcp ]p `mhpIXzw ]Ip sImSpm hnnv Cv Ignbp
229--e-[nIw `mj-
Ifn hnn]o
Unb Dv,
AXn {]apJ
m\w hlnp
Xv Cwojv
hnn]oUnb
BWv. ]e
Cy `mj-I-
fn hnn]o
Unb Ds-
nepw Ghpw
kPohambnp
Xv ae-bmfw
hnn]oUnb
BsW-Xv A`n-
am\w \evIp
hkvXp- X- bm- Wv.
p- v . hnn- o- Unb m]- I- \mb Pnn
shbvkv ]d-bpp ""`qan-bn-ep Fm a\p-
jypw FmXcnep hnhcfpw kzX
{ - ambn e`n - m- \p A\p - a- Xn - bp
temIs ]n kev]np t\mq, AXmWv
R sNbvXpsImncnpXv.''
ae-bmfw Iyq-nw-Kv...
IyqnwKv cwKv hnhn\v hgn Xpd
BhnjvmcamWv aebmfw IyqnwKv. hnhc
kmtXnIhnZybn aebmfs ]qambpw
knthinnpI. HwXs {]mtZinIXzw
ImgvN shpsImv kmtXnIhnZy km[mc
Wmcntev FnpI FsXmsbmWv
aebmfw Iyqnns eyw. CXneqsS Nne
tkm^vvshb IpIIsf Xpcm\pw Ign
n- p- v . Hm tkmgv kv , {ô tkm^v v
shb ût-j Fn-h-sbmw CXn-eqsS
cq]- s- - Xm- Wv . hnh- c- km- t- Xn- I- hnZy Bcp-
tSbpw Ip-I-b AXv kuP-\y-ambn P\--
fntev FnpIbmWv ChcpsS ]caamb
eyw. At\Iw shphnfnIfpw `mj Iyq
nwKv Cv t\cnSppv. `mjm kaqlw Cpw
CXnt\mSv \nohamb {]XnIcWamWv \S
p- Xv . hy- amb Bkq- {X- W- an- m- bv a,
s]mXp- m- ]- \- fpw kzIm- cy- kw- cw- `- Icpw
Xnep Bibhn\nabanmbva, kmaqlnI
amb CS-s]-S-ens A`mhw Fn-hbpw {]iv\-
krjvSnpp. aebmfw tkm^vvshbdp
I At\Iw Cv cq]sSppv. Acame
(t^mv ss{Uh), Iem- tI- cfw (Umm
s_bv kv ), ktiw (C sabn), t\cv ]Zw
(kvs]v sNv), ]ZssIcfn (thUv FUn),
kp`mjnWn (sSIvv Sp kv]ov), {_bn samgn
(Fm- sWp hyw), {Xn`mjm \nLp,
\b\ (H]v n- Iymc- Iv S dn- n- j
knw) FnhbmWv AXn NneXv. aebmfw
Iyq- nwKv Cpw AXns {]mcw- `- Z- i- bn
XsbmWv. IpdhpI \nIn hnZqcanmsX
Xs Hcp hnhw krjvSnm Ignbpsav
{]Xyminmw.
ae-bmfw C-F-gpv Xpd-n-Sp-Xv `mhn-bn-
tep Hcp ]p hmXmb\amWv. temIw
apgph Hcp tm_ hntPv Bbn amdptm
Hcp Hgnpamw Bpw km- [y- a- m
n Xn - bn - se- n - bn - cn - pp. Adn hv
]qgv n hbv m- \p- - , adnv ]Ip
\evtIXmsWpXmWv hnhckmt
Xn- I- hn- Zy- bpsS hf \apv \ev Ip
ktiw. aebmfw IyqnwKv cwKw IqSp
X ]ptcmKa\ ssIhcpptm
IqSpX P\fntev B[p\nIhnZyI
]Ip sImSpm \apv km[npw.
Fm Cs\- n- tev am- s- Sp Cu
kabv IqSpX ampw, ]p
Ip]nSppambn Imncnmw.
amkn-I-bn e-an-, \ne-hmcw t]mc
F ]d-p XncnsI hcp \n-fpsS
krjvSnI Ip C\n \ncmicmtI.
\n Xs C\n {]km[IcmWv. \n
fpsS kzw am[y- a- \nXs
krjvSnpp. Cs\ BtcmKyIcamb
am Dsmp sImv ]pXptemI
hnhns kzccmK[z\n \apv {ihn
mw..
h
nh
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m-t
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h
nZy B
cp-tSb
pw
I
p
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k
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n P\-
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v F
n-
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h
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e
yw. A
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v.
SB
100SB COLLEGE CHANGANASSERY
bqv sF, kqm XpSnb ]ZhnIsf Fs\ ImWpp?
bqv sF, kqm Fsmsbp {]tbmK Bcpw kzbw
GsSppXtm. Ctm Hcp Znhkw hnv Rm bqv sF
BWv Fv ]dXtm. AtXt]mseXs emte\pw aqbpw Hpw
kzbw kqmdp-I BWv Fp ]d-n-n-. CsXms P\w hnfn-p--
XmWv. Ftm Hcm Fs bqv sF Fp hnfnp. AXptInv ap
hcpw Fs As\ hnfnpp Fpam{Xw. F\nv Ccp]nsbm]Xv
hbmbn. F\nsmcp \mev]Xv hbmIptm thsdmcp bqv sF
Dmhpw. AXpsImpXs Cu ]ZhnIsfmpw \n imizXambncnp
H Fp Xncn--dn-hmWv {][m-\w. ]Z-hn-I-f \s \nb-{n-t--Xv.
ImgvNpdw
]rYzncmPv
Ftm Hcm
Fs bqv
sF Fp
hnfnp. AXptInv
aphcpw Fs
As\ hnfnpp
Fp- am- {Xw.
Rm Fs BZy Nn{X- n A`n- \- bn-
p AtX at\m- `m- h- tm- sSXs- bmWv
Ctmgpw A`n-\-bn-p--Xv. AX-msX Fs
Fv hntijnnpp FXns\ ASnm\
amnb Rm {]hnpXv . adnv F\nv
sNphm ]p{X at\mlcambn kn\naI
sNpI FXmWv F\nv {][m\w.
Ccp]Xv hjv tijap aebmfkn
\na Fs\bmbncnWw FmWv ]rYzncmPv
kz]v\w ImWpXv?
aebmfkn\na Cv t\cnSp Ghpw henb
{]iv\w Xmcbptfm kwLS\m{]iv\tfm
Hpa. adnv aebmf kn\nabn kzw \ne
bn Hcp kn\na hnPbnnphm km[np
aqtm \mtem \Sm am{Xta Dp FXm
Wv. AXmbXv, Hcp kn\na sNptm kzw
\nebn Hcp \ XpI km- ssev ssdpw
Hmhkokv ssdpw Hs t\Snsmv kn\n
a- bpsS dneo- kn\p ap]p- Xs apS- p- ap- X-
ens `qcn- `m- Khpw Xncn- p- ]n- Sn- p- hm Ign-
hp \SmcpsS Zmcn{Zyw Cv aebmfkn\n
abn Dv. Hcp hjw F]tXmfw kn\na
I Cd- p aebmfkn\n- am- hy- h- kmbw
C{Xbpw Ipdpt]cn tI{oIcnsSpXv
\- {]h-W-X-b. Hcp s{]mUyq-kv ]cm-P-
b-òXn CmsX kao-]n-p-hm ]p ]n-
cp]Xv \Sm ChnsS DmhWw. As\
Dm- hp- tm am{Xta hyXy- kvX- amb IY-
Ifpw ]pXnb BJym-\-co-Xn-I-fp-sams \ap-
nhnsS ]conphm km[nq.
A\y`mjmNn{XtfmSp acnv aebm
f- kn- \n- a- I ]cm- P- b- s- Sp- p. C- c- sam- c-
h \psS kn\n- a- Iv Dm- hp- Xv
FpsImmWv?
N
pcp-
nb
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P-
n
\ap
v A
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h
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n I
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p-
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m\pw k
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pw.
SB
\psS kn\naI IqSpX tImkvtams]mfn BthXpv. A\y`mjm t{]
Ipw BkzZnm\mhp Xcnep Nn{Xfpw ChnsS DmhWw. tIcfn
hnP-bv-bp-sSbpw APn-n-sbpw Hs Nn{X- hnP-bn-p--Xp-t]mse Xan-gnepw
B{bnepw Hs hnPbnmhp Xcnep Nn{X \mw \nnWw. Fn
am{Xta C\nbp Imev A\y`mjm Nn{XtfmSv \apv acnm\mhq. Xo
bmbpw \psS Npcp-nb _P-n Hcn-epw \apv A\y-`m-jm-Nn-{X--fpsS kmt-
XnI \nehmcn Nn{X FSpm km[nnmbncnpw. dm h F lnn
kn\nabpsS amnv _Pns ]nsemv XpI aXn aebmfn Hcp kqm
Nn{Xw sNp-hm. AXp-sIm-p-Xs Cu Npcp-nb _P-n \apv A\y-`m-j-I-
fnepw hn]Wn Ism km[nm hmWnPy]cambn h t\ sImphm\pw
Db _Pn kn\naI sNphm\pw km[npw.
Ign cpaqp hjfmbn aebmfn ]coWNn{X CdpIbpw
hnPbw t\SpIbpw sNppv. Fs\ ImWpp Cu {]hWXsb?
Ign Hpcp hjfmbn {]Xo \evIp Hcp]nSn Nn{X hcppv.
{Sm^nIv, kmv Bv s] XpS-nb Nn{X--fpsS hnP-b-am-hs Hcp \ XpS--
ns kqN\bpamWv. Ccw Nn{XfpsS t_mIvkv Hmôkv hnPbw Gsd {Xkn
npXmWv. Fsms -Xcw Nn{X kn\nam{]hI sNbvXmepw BXy
Ign Hp
cp hj
fmbn
{]Xo
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]nSn Nn{X
hcpp
v. {Sm^nIv,
kmv Bv
s] XpS-
nb Nn{X--
fpsS hnPbam
hs Hcp
\ XpS--
ns kqN
\bpamWv.
kn\n- asb Xnc- s- Sp- p- hm km[n- n- .
ImcWw Acw Xnc- s- Spp- I Hs
XnIpw hyn]cambn CjvSm\njvSsf ASn
m\sSpnbpXmWv. Hmtcm kn\nabpw
Hmtcm hyntbmSpw kwthZnpI hyXykvX
amb coXnIfn Bbncnpw. As\ t\mp
tm hyn]cambn F\nv Ghpw Cjv Ss
kn\na GXmsWp tNmZnm Rm ]dbpI
"kn\nam ]mcUotkm' Fmhpw. XnIpw Hcp
osj DcamWv CsXs\ndnbmw. ]t,
kn\na F Iesb C{Xtmfw at\mlcamb
BhnjvIcnncnp asmcp kn\na Dsv
F\nv tXmpn. F\nv kn\natbmSp
Hcp A`n\nthiw B kn\nabpsS BhnjvIc
Wnepw F\nv ImWmw. Hcp]s, kmt
XnIambpw Iem]cambpw CXnepw anI kn\n
aI Dmbncnmw. Fnepw Fs {]nbs
kn\na CXpXsbmWv.
ASp- - bnsS ]rYn- cm- Pn- s\- Xnsc \nc- h[n
hnai\ Dbncpp. Fs\ hnebn
cppp Cu hnai\sf? hnai\
Xmsf IqSpX insSpmdptm?
Hcn- - ep- a- . hnai- \- Hcn- epw
Bscbpw ktm- jn- n- m- dn- - tm. hnain-
m am{Xta Hcm \mhq Fpw Rm
Icp- Xp- n. AtX- k- abw {Inbm- - I- amb
hnai\sf Rm kzoIcnmdpv. Fs
Hcp kn\na \mbnsn Fs hnainp
hm- \p ]q- kzm- X{yw t{]- I- \p- v .
Acw hnai- \- Rm Xo- bmbpw
kzoI- cnpw. AtX- k- abw hnai- \-
hyn- ]- c- amb A[n- t- ]- - fmbn amdp- Xv
Fs Xobmbpw thZ\nnmdpv. Fs
hyn- ]- c- ambn Adn- bp- I- t]mepw Cm
hynIfmWv Fs Almcnsbv hnfnp
Ibpw A[n-t-]n-p-Ibpw sNp--Xv. Ah
Hcn-
-ep-a-.
h
nai
-\-
Hcn-
epw B
scb
pw
k
t
m-j
n-n-
m-dn-
-tm. h
nai
n-
m
am{Xta
Hcm
\
mh
q
F
pw R
m
I
cp-
Xp-
n. A
tX-k
-
ab
w {I
nb
m-
-I
-
amb
h
nai
-\-
sf R
m
k
zoI
-
cn-
m- dp-
v.
nIambn \nfpw Rm\paS
p t{]IcmWv Ccw
amsf t{]mmlnnt
Xv. Iemaqeyap Hcp Nn{Xw
ChnsS hnP- bn- m AXn
\nv DuwsImv ChnsS
A- c- n- ep kn\n- a- I
IqSpXembn Cdpw. ]mtecn
amWnIywt]mse Hcp kn\na
ChnsS hnPbnncppshn
A- c- n- ep kn\n- a- I
ChnsS IqSpXembn Cdntb
s\. aebmfnI Iptd \mfpI
fmbn Acnep kn\na
Isf hnPbnnphm Xmdm
bn- cp- n- . Fm aebmfn
t{]I amn\v XmdmWv
Fp Xs- bmWv {Sm^nIv
t]msebp kn\n- a- I- fpsS
hnPbw sXfnbnpXv .
temI- kn- \n- a- bn ]rYzn-
cmPv Hcp kqNn{Xambn
IcpXp Hv GXmWv?
s]mXphmbn anI kn\na
As- n kqkn- \na
Fsmsbp \nebn Hcp
SB
ImWpXpw hnebncppXpw Fs IYm]m{XsfbmWv. IYm]m{Xsf ASn
m\amn \Sp Imcnt hnai\ ZpxJIcamWv. Fnepw Ah
bnse \w BkzZnv _mnbphsb Xnfbm Rm {ianmdpv.
HcpImcywIqSn ]dbt, Rm sNp sXv FmsWv Adnm am{Xta
F\nv sXv Xncpphm km[npIbpp. ]t, Fs t\sc Dbcmdp
hnai\ Hcnepw Ccn Fs sXpIsf NqnmWnpsIm
]pdp hcmdv.
Hw Xs henb XymK-sampw sNbvXp Fv Ah-Im-i-s-Sp-n-s-nepw
Ign ]Xn-s\mv hjfmbn Rm kn\nahyhkmbn {]hnp
HcmfmWv. hnainph ]etmgpw CsXmpw HmmsX Fs Nne {]kvXm
h\Isf am{Xw DbnmWnv hnainpIbmWv. AXv Xobmbpw ZpxJnn
mdpv.
\psS \mnse Iymkv PohnXw \jvSambn Fv Fsnepw tXmnbn
ptm?
Fs hntZi]T\neqsS Rm \jvSamnb Iymkv PohnXw Xobmbpw
Fn \jvSt_m[w tXmnnpv. Hcn Rm ImWn Hcp ac
am-bn-cpp hntZ-i-]-T-\w. Rm kvSq ]Tn-n-d-nb Ime-sms hntZ-iv
A{KmPypthv ]T\w \SpI FXv Hcp AXy]q`mKyambncpp. sFSn
]TnpI FXns\m Hcp hntZicmPyv PohnpI FXmbncpp Fs
BIjnXv. Nne Imcyfn hntZiPohnXw Fs Hcp]mSv klmbnnpv.
Fs hntZi
]T\neqsS
Rm \jvS-
amnb
Iymkv
PohnXw
Xo- bmbpw
Fn
\jvSt_m[w
tXmn-n-p-
v. Hc-
n Rm
ImWn Hcp
acambn
cpp hntZi
]T\w.
]t, aqv \mep hjw \psS Hcp tImtfPv IyqWnn
bn ]TnpXv Hcp {]tXyI A\p`hw XsbmWv. AsX
\nv \jvSambn.
kn\na ktihnIfmthXptm? AtXm Bkzm
Z\n\mbp Hcp Ie am{XamtWm kn\na?
Iebvv kaqltmSp {]Xn_Xsbpdnv Hcp]mSv
NI \Smdpv. Fs A`n{]mbn kmaqlnI{]
Xn- _- - Xbpw ktiw ]I- cepw Hs Hcp kn\n- a- bpsS
ss_t{]m- UIv Sv BWv . ktiw \ev IpI F ey-
tmsS am{Xw \nnsSp kn\nabvv IrXyambn B
ktiw ]I-cp-hmt\m Hcp \ kn\n-a-bm-bn-o-cp-hmt\m
km[np Fv hcn. s{]mKm kn\naIv kw`hnp
Xv CXm-Wv. Fm Hcp \ kn\na FSp-p--Xn-eqsS
Hcp ktiw ]Icphm km[nm AXv F{Xtbm at\m
lcambncnpw. Hcp kwthZ\am[yaw F \nebn Hcp
kn\n-asb D]-tbm-Kn-p--Xns\ ]q-ambpw Rm ]np-
Wbvpp. ]t, ]etmgpw Ccw kn\naIsf \mw hnP
I
eb
v
v k
aq-l
-
t
m-Sp
{]Xn-_
-
-X-sb
-
p-dn
v
Hcp-]mSv N
-I
\S-
m- dp-
v.
F
s
A
`n-{]m-b
-
n
k
maq-l
n-I
-
{]-Xn-_
-
-Xb
pw
k
t
i
w ]I
-cepw
Hs
Hcp k
n\n-a-
b
psS ss_
t{]m-
U
I
vSv B
W
v.
bn- n- m- dn- . ImcWw \psS
BkzmZ\coXnbn ]eamfpw
hnpv. AXn\mXs kt
ihnIfmb kn\naIsf am{Xw
B{i-bnv \apv \ne-\n-evm-\m-
hn.
Hcp kn\na FSp- p- - Xns
{][m- \- eyw P\- sf AXv
ImWnpI FXmWv. AmsX
AhmUp-Itfm kmaq-ln-tIm-m-
cWtam A. FtmSv Hcp \mj
W AhmUv e`np Xcn
ep Hcp kn\na thtWm Hcp
kqlnv kn\na thtWm Fv
tNmZn - m Hcp kwi- bhp w
IqSmsX Rm Xnc-s-Sp-pI
kq- ln- v kn\n- a- bmbn- cnpw.
\n Xs Hv Nn n v
t\mpI. BZmans aI A_p
F kt- i- hn- bmb Hcp
kn\n- a- bmtWm tOmm apwss_
t]mse-bp Hcp kn\n-a-bmtWm
ChnsS hnPbnpI? Xobmbpw
tOmm apwss_ Xs- bm- Wv .
\n`mKyhim \psS BkzmZ
\t_m[n\p h Hcp ams
bmWv CXv ImWnpXv.
SB
]rYzncmPns\ am[ya Hcp Al
mcnbmbn Nn{XoIcnpXv FpsIm
msWv Nnnnptm?
Fm Xmcfpw t\cntSn hcp
Hcp {]iv\amWnXv. \s hyn]cambn
AdnbmsX \psS kn\namIYm]m{X
sfbpw \psS H- s {]kv Xm- h- \- I-
sfbpw ASn- m- \- amn krjvSn- p
Hcp CtaPv hfsc t]Snt HpXs
bmWv. Fs Almcnbmbn Nn{XoI
cn- pp F- Xn\p {]Xn- hn- [n- bmbn
F\nv Hcp ]{Xktf\w hnfnpIqn
Rm Almcnb Fv sXfnbnm
\m- hn - - tm. Ccw Nn { Xo- I- c- W-
aqew ae-bm-f-kn-\n-a-bn Nne Cta-
PpIfn XfnSsSphcpv. AXn\v
Ghpw anI DZm- l- c- W- amWv {io
kenwIpam. aebmfkn\nam \Smcn
hmb- \- sIm- pw, Nn- IsImpw Gsd apn
\nevp {io kenwIpamdn\v ]s, Atlns
hmWn-Py-kn-\n-a-I-fnse IYm-]m-{X- \evIn-bn-cn-
p CtaPv asmmWv. A\pdm hoSv F
kn\n-a-bpsS dneo-kn\v tij-amWv Cusbm-cp-X-c-n-
ep Nn{XoIcW Hcp ]cn[nhscsbnepw Ah
km\nXv.
av ]e Xmc- - sf- mfpw hyXy- kv X- ambn Hcp
hn IYm]m{Xw sNphm ]rYzncmPv Xmdmhp
I- bm- Wv . hn thj- Xmc- ]- cn- th- js
Xfpsav IcpXpnt?
Amesams ISpt]mbncnpp FmWv
Rm hnizknpXv. av `mjIfnsems Xs
ap\ncXmc hnmcmb kn\naI hnpv.
ae-bm-f-n As\ Hcp ssien CXp-hsc ]co-
n- n- n Fv am{Xta Dq. hnth- j-
sNphm Xmc XmdmhmnStmfw Imew
\psS \mnse _lp-Xm-cNn{X- ncw hmWn-
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Pyt^mapeI hnv aptmv t]mhn. ktlm
Z- c, kplrv Fn- - s\- bp ncw
_fnqSn aptmv t]mhp _lpXm
cNn{X AmsX Hcp hyXykvXamb kn\na
Dm-hm-\p GI hgn Hcp Xmcw s\K-ohv
thjw sNpI Fp- XmWv . AanXm`v _
\pw, Ban- Jm\pw, jm- cqJv Jm\pw hn
thj sNmsan FpsImv F\nv
sNbvXpIqSm? C\nbp Imev Acw Cta
PpIfn Hpw Aan.
aqn, tamlem XpSnb XmcfpsS
Ghpw anI Nn{Xfn ]eXpw krjvSn
]ZvacmP, `cX XpSnbhcpsS Nn{Xfn
A`n\bnphm km[nmXn ]rYzncmPv
F \S\v ZpxJaptm?
Xobmbpw. \psS aebmfkn\nabn Cv
\ap- n- msX t]mhp- Xv Ime- n\p apt
kcnp IYIfpw BhnjvImcfpamWv.
DZmlcWn\v Xqhm\pnI F kn\na
\n`m-Ky-h
-i
m
C
v ae-b
m-f-
n
I
mem-Xn-i
m-b
n-I
-
fmb
N
n{X-
D
m-h
p-
Xv h
-
tmgpw am{Xm-
amW
v.
nc-amb
n
C
cw k
n\n-a-I
k
rj
vSn-
p- h
m
I
gn-h
p
Xnc
-
Y
m- I
r-
p- I
fpw
k
wh
n-[m-b
-I
cpw
ae-b
m-f-
n
C
v
I
pd- h
m- W
v.
B ImeLn am{Xa Cpw ]pXpa
bp Hcp IYbmWv ]dbpXv. B Hcp ta
sImv Xs- bmWv Cpw \mw Ah- cpsS
kn\naIsfpdnv kPohambn N - sNp
- Xv . \n`m- Ky- h- im Cv ae- bm- f- n
ImemXnimbnIfmb Nn{X DmhpXv
h- tmgpw am{X- amWv. nc- ambn Ccw
kn\naI krjvSnphm Ignhp Xnc
YmIrpIfpw kwhn[mbIcpw aebmfn
Cv IpdhmWv. Fnepw Ign cv aqp
hjambn \ Hcp amw Cu Ahbvv
hcppv . Fs A`n{]mbn Cu Hcp \
XpSs aptmv sImpt]mIphm bphm
mWv km[npI. bphm IY ]d
bphm\p amambn kn\nasbmWpIbpw
AXn\pthn XncYI krjvSnpIbpw
sNpIbmsWn C\nbpw IqSpX hyXy
kvXamb kn\naI \nnphm \apv
km[npw.
SB
I
Fs kz]v\v
PnhnXw hne ]d
Cu ic-XvIm-e-n-ses Bm-shs
shdppXpSnbncnpp...
kz]v\v Imhemhm
Hcp]nSnNeIIqSn
\o F\nv Xnp t]mhpI
II
B \in kz]v\
hopw Is-n
Fv `bv
Rm\p-dw thsp-hp
III
HmIfpsS ssIbn
hnc tImpsImmWv
kz]v\ ISp hcmdv...
]t
kz]v\sftmSv
HmIsfpdnv tNmZnn
tNmZn-Xv Fs \msf-I-sf-p-dn-mWv
C- se- Ifpw
IV
CseI
kvarXnbpw hnkvarXnbpw
Xnep t\cnb
AIen \ne\np
Hcp NXpmWv
V
C-se-I-sf-p-dnv \ap-s--dnbmw?
\apdnbmhpXv \msfIsfpdnmWv
\msfIsfpdnv Rm DdnsXmw
kz]v\--fpsS Dd ]md-s-n-em-bn-cpp
]md DcpIpXv Rm t\mn\np....
kz]v\ Fsncnv t\mmsX
Hgp-In-b-Ip t]mbn
\msf- I Fs ImsI Fcnp
Xop...
Fs ssIbn
_mn hXv
Ahyamb
Iptd C-se-I am{X-am-Wv.
enPp Ipcymtmkv
Cwojv hn`mKw
Iptd kz]v\fpw
Css bm{X \K-c-n-eq-sS-bm-Wv
thZ\nnp i_vZpw
Iq tKmhWnIpw a[yneqsS,
Zpc--K-- klnv
CjvSnIInSbneqsS
Nph-n Npp-Ifpw shn-n-c-bnse
ambnI `mhfpw Iv
Neqpambv Idp
sImamscbpw Dgnv
Imhn an KÒn{Zw
\SpXdnv
Imehml\ns thKXbvsmnv
Fs bm{X...
]ns amhw tXSn,
`qanbpsS ]cnipn tXSn,
BImins B\w tXSn,
Fs bm{X...
Cns kmZyn\mbv
\msfbpsS hmKvZm\ s]menp t]mbn
]g-a-bpsS C-am-kz-Zn a\-kp-Iv
thZ\bpsS lrZbkvXw`\w \evInsmv
Ime-am-{X-bpsS Imem-Xo-X-amb {]hmlw
lrZ-b-n Icn--ns Xmf-hp-ambv
hnbqp hmc\v
asmpadntbXnt?
thZ\ Xnv Xnv...
hn[nbpsS hnfbmn\v kmnbmImsX
Rm IogSn;
Atmgpw Ah Ic-bp-Xv
F\nv ImWmambncpp.
B tXmhnbpw Iv
hnPbsmSnbpw ]mdnv
Ah\nv NncnpIbmWv
\msfbpsS Icnen\mbn...BntbmsS...
ARvPp B.
aebmfhn`mKw
\Sv
SB
thZnbn Ccppw \ni_vZXbpw, Ip Hcp ]hpambn \mbI thZnbn Fpp.
]ndIn sNbpw sImnsmv cpt] \mbIs\ A\pKanppv. sNbpsS
AISntbmsS \mbI ]hpambn thZnsb hew hbvpp. thZnbpsS H \Sp
hn Fnb tijw \mbI ImWnIsf hWpp. sNbpsS i_vZw \nebvpp.
sNm thZntbmgnbpp. thZnbn ]ns shfnw am{Xw.
\mb-I : Rm shfnw sImp-h-n-cn-p-p. Chn-Sn-m-Xn-cp--Xp-an-Xt ? C{X-
\m \nfpsS Imgvsb ad Ccpns\ Cmbva sNphm Zm shfnw ...... \nv
Xosc XmXv]cyw CmXncpnpw Zm shfnw .......
\mbI ]w thZnbpsS Hcp hitv Impp. Xdbn Hcp s]Ipn t]Snn
cnpXv ]ns shfnn hyambn ImWmw. hfsc apjn thjw. AXv
Anmbn Iodnbncnpp. apJpw tZlpw hkv{Xnepw c]mSpI. \mbI
hopw ]- hp- ambn thZn- bpsS \Sp- hn Fp- p. ]w s]Ip- n- bpsS t\sc
ImnsImv ImWnIsf t\mpp.
enPn ]n amXyp
KWnXimkv{X hn`mKw
Kpcp
\nfptSXv
Xs
Kpcp
\nfptSXv
Xs
\mb- I : \n CXv C{X \mfm- bnpw
In, At ? A, CXv hsc ..... CXv hsc
shfnanmbncptm........
CXm shfn-w. \nv C\n Fmw ]I-
t]mse ImWmw.
\mbI ]w thZnbpsS \Spmbn Ddn
pp. thZn apgp- h {]Imiw \nd- bp- p.
s]Ipn Ahn- sS- Xs Xe Ip\np Ccn-
pp.
\mbI : (tZjytmsS) C ....... Rm
CXv hnizknnn. \nsmw ImWmam
bncpp. ..... Fnpw.... Fnpw \n a\
]qhw Ccpn Ignp. \n Hpw In.
]ntev Nqn {`mambn Dds Ae
dpp
Cu ]ns shfnw \n-fpsS Ip-
Isf Ipn - o- dpw. \n - fpsS a\- n
ImgvNI Ipn\n-dbvpw. Cu shfnw, Cu
ImgvNI \nsf Aepw, Akzcmpw.
l l l.....
{`m- ambn Aednncnpp. Ipsd t\cw
\ni_vZambn \nnv, Xdbn Ccpp. Dds
Aedn Ic-bp-p. ]Xnsb Fgp-tp s]Ip-
nsb Hv t\mnbnv ImWn- I- fnse ]pcp- j-
msc Nqn
tl, Chsf Na- bv m hmcn - sb- qcn
sImSp BZ- ta, \ns Fpw- IqSv Chsf
sRcp- n- I- f- - tm.....
ImWnIfnse kv{XoIsf t\mn
Chsf s\mp- s] K`- ]m- {X- ta, Chsf
kwcnm \n\mbntm.......
s]Ipnsb ssIv ]nSnp Fgptn
np s]Ipnsb t\mn
ASp - - f- bp - sSbp w In Sdbp sSbp w
s]mtma\ aIsf, Ccpn \n\v IqnmXm
bntmbtm.
hopw ImWnIsf t\mn tZjytmsS
A, \n Cu CS- bv nsS ]d- bp- ,
hnhw, kzmX{yw, kz]v \w. Chsbms
FhnsS? Fmw tIhew hmbmSnw!
sNdnb kzc-n-ep Hcp kwKoXw ]m-
en. \mbI\pw s]Ipnbpw thZn hnSp
p. Idp thj-a-Wn Hcp bphXn kwKo-
X- n- \- \p- k- cnv t]Sn- s- Sp- p Nph- Sp- I- fp-
ambn thZnbntev hcpp. ImWnIsf hWn
bXn\ptijw \rw XpScpp. Ipdp t\cn
\ptijw ImWnIfn \npw Hcmsf hioIcn
pXn\p {iaw \Spp. kwKoXn\\p
k-cn-p Nph-Sp-I-fp-ambn ImWn-In-S-bn
\npw Hcp bphmhv thZnbntev. Abm thZn
bnsen bphXnbpambn \rw sNpp. ]m
-e-n-ep kwKo-X-ns Xmfw apdp-Ip-p.
NphSpI {`m- am- Ip- p. s]sv Ah
Abmsf Xnampp. Abm Xdbn hogp
p.
bphXn: C.. C.. C\nbpw F\nv XpS-cm-
\m-hn- A-s\-b- Rm C\nbpw CXn\p
Xmd. C{X\mfpw Rm Fs icocs Hcp
Iim-p-im-e-bn F-hw ChnsS Xqnbnn-
cpp. \n AXv hnebvv hmn t`mKnp
C C\nbpw AXn-.
X-d-bn Ccn-p Abmsf Nqn, hfsc
Dn
C, C\nbpw \nv Fs hnebvv
hmm Bhn. Abmfv t]SntbmsS AhnsS
s Ccnpp.
s]mncpsImv
Kpcp
\n-fp-tSXv
Xs
SB
Rm\v Fpw ]Ww- sImv
hnebvv hmn-s-n-p--h-fm-Wv.
Fm- (I- p - \o Xp Sp
sImv ) Fm Cv Rm
kvt\lwsImv hvebvsSps]
ncnpp.
bphmhv : \o sXn--cn--s-n-
cn - p- p. R- p- th- Xv
\ns kpcamb icocw am{Xam
Wv. AXn\pdw Bp \ntmSv
Fv kvt\lw ?
]m--e-n {]W-bm-Xp-c-
amb kwKoXw apg-p-p. bphXn
Ftm Nnnp \npp. a
l-kn-pp.
bphmhv : (\nmsX Nncnp
p) CXv \ h- cw Xs.
tIm\pw \ Nw. ]W-n-
\pthn kzw icocw hnp\S
- hsf kv t\lw- \ev In Btcm
hnebvsSppshv.
bp hXn : ]W- n - \p - thn
ChnsS Xqs]ncp icocw C\n
]gY am{Xw. ]Wtm hen
b-h-bp-sp Abm Fs Im
Xn a{npp.
bphmhv : CXv ip hnUvVn
amWv.
bphXn : CXv hnUv Vnw
Fn C\n-bp--Imew \n-sf-
m F\nnjvSw Cu hnUvVn
amWv.
(ImWnIv t\tc Xncnp,
a-l-kn-p-sIm-v.)
A, PohnXns Xz
ImXn a{n- p- - bmsf Rm
Fp hnfn- Ww, Kpcp- sh- -
msX?
(hopw bphm- hn\p t\sc
Xncnv {`mambn)
Ggp In\mhpIfn Rm Kpcp
hn-s\mw Pohn-p!
bphmhv : thiyhrn {`mn
Iem- in- p- sav Ctm- sf- \nv
hnizmkambn..... Asn ]ns CsXmWv ?
(Dds Nncnpp)
Fnepw {]nb-s]-hsf Cu cm{Xn-bn \ns
i_vZw F\nv cXn AmsXp]dbm? cm{Xn
bn ]W- n\p Hw InS- m h- h- fpsS
Xzimkv {X hnUv Vn {]kwKw tIt
KXntISv ......
(Abm AhnsS\npw amdn thZnbpsS ap`m
Kv Hcp himbn Xdbn Ccnpp. DSpns
t]mn \npw Hcp knKcv FSpp Inp
p.)
bphXn : C{X\m \nfpsS In\mfn Fs
icocw, Fs In\mIfn \nfpsS In\mfpsS
]qoIcWw... A{Xam{Xw......
(ImWnIv t\sc Xncnp, ]pncnpsIm
v)
kz]v\- ns CS- \m- gn- I- fnev Hcp sImn- ao
t]mse Kpcp....
Av shfnn\p Fs BZy In\mhn Rm\pw
Fs ktlmZcnbpw, RfpsS sNdnb hoSpw......
Kpcp.. Kpcp ]Xnsb hon-tep hcp-p.
bphmhv : (NncnpsImv) Fnv Abm \ns
icocs tNmZnpImWpw, AmsXp?
bphXn : AhnsS \nv sXpp. Kpcp Fs
ASp n cp p kwkm- cn - m Xp S- n . Cu
temIs ]n, Imes ]n, Fs ]n, \ns
]n, As\ A-s\.... hmtXmcmsX kwkm-cn-
p Xp-Sn Kpcp..... hn-hs ]n, henb ipo-I-
cWs ]n..... As\ As\ hfsc t\cw ....
ktlmZcn Kpchn\p `Ww Dmp Xncn
embncpp....
]s, Cu IYI tIv Rm ebnncnth,
Hcp hmv t]mepw ]d-bmsX Kpcp aSn.
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\nssbmw kabw Nne-h-gn--bm.....
bphXn: cmas In\mhn \obpsSbp
h tNv Fs Isdnbpp. Kpcp \nsf \nin
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\npw Cdn HmSn..... aqp Znhks \o
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Fn..... ]s, ]s, Kpcp AhnsS Dm
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(Dds IcpsImv Xdbn Ccnpp)
Kpcp AhnsS Cmbncpp.....
(s]sv NmSn Fgp- tp ImWn- Iv
t\sc ssI Nqn hfsc ktmjtmsS)
]s, Rm Kpcphns\ hopw Ip..... B
kz]v\n \np Rm XncnsI \SpIbm
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Dm- bn - cp - p . . . . . (bp - hmhv hfsc
klnjv WpXtbmsS hopw Hcp knK- cv
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Kpcp ]nsbpw kwkmcnpsImncpp.....
henb amsf]n..... ]mh- s]- - hsc ]n....
As\ As\.....
Ah- km- \s kz]v \- n Kpcp \Sv
AI- ep- I- bmbn- cp- p...... Hpw anmsX Hcp
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Kpcp Fs kvt\lw sImv hnebvsSp
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A, \ Cu ssZhw Fv ]dbpXv.....?
Kpcphpw \ Cu tIv ]cnNbn ssZhhpw....
(XeapSnbn {`mambn hncepI HmSnp
p) Ch cpw ...Ch cpw Xnsemcp...
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tev t\mn R Znhkhpw NncnWw.....
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\nv....
(bphmhv tZjytmsS bphXnsb t\mp
p)
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psImv )
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S- s......
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Hcm hp
Kpcp!
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]Xnsb \Sm\ndn,
temIntev,
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R Cu IShn Imncpp.
Abm aSn hn.
]nmsebph hp.
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]s AhcpsS apJw, A, KpcphntXv A...
AhcpsS sNbvXnIfpw...
cqambn Rsf Hv t\mnbnv Ah \S
Ip...
R ]nsbpw IShn Imncpp...
Kpcphns\bpw Imv......
ip`w
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FgpXWw. FgpXn FgpXn FgpXn Hcp Znhkw acnWw. acWanm Iptd IYm]m{X _mn
bmhWw. B IYm]m{XfneqsS F\np PohnWw. Fsm Fs IYm]m{X RmXs
Bbncnpatm. Cs\ t]mIpp B{Kl.
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Ahsc IsWw. AXn\mbn Ipw ImXpw Xpdp hbvWw Fsms tInpv, ]t
At\z-jnp \S-m-s\mpw ka-b-an-. Rm Fn-te-p-Xs Xncn-bm Xocp-am-\n-p. Fs a\-
ns DdIfntev. AhnsS Iptd IYm]m{X Pohnncnpv. IYI kz]v\w ImWm
XpSnb Imew apX FtmsSmw DXmWh. Cdnhcm Xmev]cyaphp hcmw F
dn-b-ntm Ipd-p-t] hp. Ah-cn\nv Rms\s BZy IYm-\m-b-Is\ Is-n.
Bsc thW-sa-nepw F\np Is-m-am-bn-cp-p. ]t, Rm skeIvv sNbvXXv Hcp
skIyq-cn-nsb Bbn-cp-p. Ccp-]-n-\mep hb-kp skIyq-cnn ]. Hcp Self Financing engi-
neering college- PohnXkmlNcysImv (kXyw ]dm ssInencnpsImv) skIyq
cnn BtInh sN. Ah\v Rm jn_n Fp t]cnp. Ftm Hcp kpJpdhv B
t]cn-ent Fs-\np tXmn. t]cn-se-n-cn-p-p, ]d-bm t]mIp IY-bn-et Imcyw. icn,
{][m\IYm]m{Xw krjvSnspIgnp. C\n Ah\pNppw ap Nne IYm]m{XIqSn tht?
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Hcp tImtfPmhptm AhnSps IpnI teachers ap staff Fmw automatically IYm]m{X
BsWv, {]tXy-Inv ]d-tb--tm.
jn_n Plus two hsctb ]Tn-n-p-p. AXp-I-gnv tPmen-thWw Fp ]dv ASp
honse hnt\m-Zns\ tXSn Bombay bvv t]mbn. hnt\mZnt\bpw In, Hcp tamt\w In.
Ah Bombay bnse Npp-s]m-p hgn-I-fn-eqsS Ae-p, hgnb-cn-Ip-I-fn hn{i-anp Xe
Nmbvp. As\ sXnncnv \SpXn\nSbvv InnbXmWv Hcp ^mIvSdnbnse skIyq
atljv lcn
sse{_dn & C^taj
kbkv hn`mKw
IYm]m{X
Hcp IYsbgpXWsav Ipdp\mfmbn hnNmcn
pp. Fm Ctm Cs\ tXmm Fp
tNmZnm Adnbn. Hcp tamlw. taml Cm
h a\pjy\ Fmtcm ]dnpv . GXm
bmepw Fs tamlw CXmWv , CXphsc Cm
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cm{Xnbn (Hcp agIqSn BImw Fp tXmpp).
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Xs hn[nsb ]gn-p-\n-evp jn_n-s\ Ccp-]-
n\mepImc sNdpmcs Ah hmb\m
cpsS a\n Hcp \oemn ampI F Dti
tmsS Rms\s BZyIYbpsS Ahkm\`mKw,
Cs\ FgpXn....
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ns XpSw BWtm. ]pXnb ew tXtSn
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jn_n...jn_n am{Xw ]gbXv. hn{ianm Hcp
Xmhfw IsWw. cmhn\v I\wIqSnqSn hcp
tm ssZhta...Ccpv...CcpmWv Fpw...Fpw...
Fpw...''.
kabw GXmv ]Xn- s\mv Ign- sp
tXmpp. tamlambncp, kz]v\ambncp, BZy
IY ]qnbmnb ktmjtmsS, NmcnXmYy
tmsS ssev Hm^mn Ddm InSp. Dd
ntev hgpXn hogm t]mIp GtXm \nanj
n hmXnen Hcp apptIp. BcmWo ]mXncm
hn? Xpd- - tm \\- - Xm- sWp tXmpw.
BsI Ipfnp \nevp Hcp sNdpmc. Hcp
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Abm cqambn t\mn \nevpIbmWv.
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F\nev]w t]Snbmbn XpSn. tUmdns A
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Bhiyapv , 'septic tank clean sNpw'
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ens skIyqcnn KmUv Bbn.
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Idow Xn cn pw, Idow
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eamWv \psS IY \Sp
Cu self financing engineering college.
C{Xbpw Dm- n- sb- Sp- Xv
IYm]m{Xns Hcp ]mew
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n\nv HtcSv; Ah t\cn\p
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k- abw Ccp- Xpw {]Im- i- a- b- hp-
amb ]men AhXcnn
p. As\ Gsd _pn- ap- p- I-
sfmpw IqSm- sX- Xs IY- bpsS
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jn_n\v night duty Bbncpp.
tImtfPn\Spp XsbmWv amt\
PcpsS Izmtgvkv. AhnsSbpw Hcp
KmUv ]Xnhpv. Ah\v AhnsS
Bbn- cpp Uyqn. cm- {Xn- tbsd
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h railway stationtem atm shv...''
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bm[mcamnb jn_n.''
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s\...?''
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nepw BI-s. acym-Zbvv ]Wn-sb-Sp-n-cp
Fs B sXn-sb-smv Xn-nv CSn-p-
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Ftmpt]mIm\m...?''
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C\nbntm...''
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]q. Rm\n\n FpsNWw. ]d.''
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XtWm? AtXm..''
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Ww. IY B coXnbnsemv amv...''
slm! BsI s]mm- m- b- tm. Fm- bn-
Spw IYm-Ir-p- C-s\-sbm-s-bt
sNp- Xv? IYm- ]m- {X- sf Fhn- sS- sb- n- ep-
sams Dt]- n- p- p. Rms\p sXp- sN-
bv Xp. ]ns Ahs `mKpw \ymbapv . ]mXn
cm{Xnbn s]cpagbv Dt]nsm Ah
s\- p- sNpw?
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smv ammw. \o ]ntv Ub- d- Iv Ssd Iv
complaint sN-p-p. tPmen-bn XncnsI Ib-
dp- p. amt\- Pv Hcp Xmo- Xpw. AmsX
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IYb FtXv. As\ sNbvXm AXv am
cp-sStbm IYbpw IYm-]m-{X-hp-ambn t]mIpw.
\n\v Rm ]dbpXv a\nemIpptm?''
""B...icn..Fmnt Hcp Imcyw sNv...
Rm-\-hnsS H-bvn-cpv t_md-Snv Hcp hgn-bm-
bn. Iqns\mcmsfqSn Xm kwLSnnv....''
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KmUpI Ct...C\nbpw...''
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""ladytbm \o Fsm-bm jn_nt\ Cu
]dbpt...''
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sms ]dbptm...touchings Hpw As\
thm- tm. kZm- Nm- c- t_m- [- ap hmb- \-
mp thnbmWtm Rm...''
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fm..Rm\pw Xm\pw DssS. Fp sNW
sav Rm Xocpam\ntmfmw. Xm\hnSncpv
IY-sb-gp-Xnbm aXn tI-tm.''
jn_n _mKpw Xqn ]pdtbvv. tUmd
Sv Rm\- I- t- bv pw. Ah ]d- - Xp-
t]mse IY-sbmv Agn-p-]-Wn-Xp. jn_ns
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bm. Hmtlm, ChfmtWm DZbm]n
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watchmans\ Fs lover Bm.
a\pjy\v tImtfPn Xe Dbn
\Sm ]m nXnbm...''
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t]cp t]mepan.''
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Imcyw sNv...-\ romantic Bb
t]scm Hcmsf XnsbSptmv
hm... \app t\mmw...''
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sNmdn - p- sImv ) S8 CSse
tdmj. Roshan Antony.''
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s\ ]dm Rms\\bm...''
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kaban. DZbm]nsb X\ndn
bn- . Izt- j Soans\ - Cdpw
Rm. ssInmsX FgpXm hey
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Atm..Udaya Roshan Fixed, OK.''
Ah ]pdtbvv t]mbn.
ssIv thW- a- tm. amn- sb- gp-
Xn. kXyn Cu IY BcpsS
bm. FhnsS Fpsav Bdn
bmw. jn_n-s\n Ign-p. C\n
FmWmthm.
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tamtf Fs Xtev HgnhmnbXv
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D Hcp s]smns\ t\mn shn
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ht, t]mt.''
IY hopw amdpp. jn_ns ImapIn, Btacn.
FgpXnb oWn Hp abnbXmbncpp.
"Hey Mister"
G! Ch-\m-cm, ]pXnb IYm-]m-{Xw.
"I am Vivek Chopra, S6 ME see, that girl, Ann Mary. I
am before her far last 2 years. Now she is with that bloody
watchman. It is not fair. You can't do this. You should
change the script, story whatever it is, now...now itself."
"But, Mr. Vivek, one thing I can do.."
"Stop! No arguments, Do what I said, otherwise I
will.."
"Allright Vivek, allright."
Ah\pw t]mbn. IY amn-sb-gp-Xn-sb-gpXn t]\-
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tbvndnbtm AXm tKv Xpdv Hcp s]v
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Bthm?''
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landbrokers Hm atm BsWn ktmjw. Csm
AhmcpsS time Antbm, tImSnIft tImSnI...''
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SB
The day I submitted my Thesis at the university, I returned home feeling deeply relieved
and thinking of many things that lay ahead. The academic year had ended. It was the
end of March and I could take stock and think up the next project. Already the
Shakspeare itch had begun for some of us. And on the campus they were talking
about the 90
th
year celebrations.The college is going to celebrate its 90
th
year! Something
for Navathy would be a nice idea. In fact at the department meeting I had hinted that
we could do a play the next year. Nothing further had been aired, because of the
uncertainties that lay ahead.
But now I was thinking. It should be something that we had not yet staged here.
Then The Tempest began to grow in the mind.
Why The Tempest ? Around this time there were reports about some new productions
of The Tempest. Both on stage and the screen. A feminist version had been rendered in
cinema with Helen Mirren playing a female Prospero ( Prospera) the clipppings of
which were posted on the Net.
We could invent some more solid reasons for doing it. This is the year 2011, the
Quater centenary of the first staging ( at least the first recorded one) in England.
Shakespeares swansong as it was called because historians say that after this he hung
up his boots (or laid down his pen if you want a more apt metaphor) and retired to
his home town Stratford to settle down for good.
SUCH STUFF AS
DREAMS ARE
MADE ON!
Dr. Gigy Joseph
Director recaps
The Tempest Experience
For me The Tempest was a dream deferred.
My first experience with the S B Shakespeare
theater started with The Tempest which, way
back in 1984, settled down somewhat like a
storm in the tea cup.We had started rehearsing
in all earnest with the veteran Prof K K Francis
playing Prospero and myself as King Alonso.
Prof K V Joseph was directing us. Sometime
towards the end of that October, Prospero was
caught up in a situation that kept him away
from home, and finding no way of getting
around the problem the project was scrapped.
By then many of the actors had memorised
most of their lines and were gearing up for the
show- which never was !
But in two years time we had Macbeth then
Julius Caesar, Othello,Romeo and Juliet
Antony and Cleopatra. After Dr. CC Thomass
last venture Hamlet ( 2001) the stage lay fallow
for nearly seven years. It is not that we did not
make efforts in that direction . We did in fact
rehearse for King Henry VIII and Doctor Faustus,
but many things came in the way. How hard it
is to please the muse these days! And who wants
Shakespeare? We even began to feel that
Shakespeare was thing of the past.
Tradition is a challenge and a burden. We
have been talking about the longest standing
campus tradition of Shakespeare and yet now it
is seven years since the world heard anything
about it.This was how things stood in 2007 when
Macbeth reappeared on the S B Stage on Dec 3.
So after all those tragedies why not something
different?
But The Tempest ? What is in it to call stage
worthy? As a play it is often thought of as a
court entertainment incorporating masque and
romance elements, and little action. In a
H
ow
hard it is
to please the
m
use these
days!
And w
ho
w
ants
Shakespeare?
W
e even began
to feel that
Shakespeare
w
as thing
of the past.
SB
private chat one of my friends was sceptical when I touted the idea. How are you
going to present that thing on the stage ? The shipwreck to begin with, and the spirit
aerial and all that?
More to it I said tongue in cheek, There is very little of action except for some
song and dance stuff. Yet it can be staged. You know why? Because it was actually
staged at a time when the techniques of the modern stage were not known. Besides, it
is still being staged around the world; so why not?.While I said those words, I too had
my doubts in the mind though I kept it to myself. But one had to count the positives- its
comparatively short length with nine scenes which did not require more than three sets-
the ship at sea Prosperos cell and another part of the islandand less than a dozen
speaking parts.
We had to reconceive this play. First of all we have to face an audience that are far
removed in time and space from Renaissance England. For years, we have been studying
the text in our classrooms as literature enchantig poetry, and nothing more. Hence the
shipwreck, Arial, Prospero and Caliban and all the rest remained only in our
imagination,such stuff as dreams are made on.
One thing we had to think of was the musical element that could be developed well
to make it good spectacle.We could conceive the whole thing as a fantasy. Talented
youngsters could do the dance and all that. Think of an operatic style! Not an easy job.
Any way we decided to give it a go.
Searching for the music and musicians was solved when Wesley and Stanley stepped
in. They found out the Gilbert and Sullivan opera score and worked on it.
We started the work early on in June. The script was copied and ready.
Selecting and training the cast is the first of those gruelling tasks one has to face in
One
thing we had
to think of
was the
musical
element that
could be
developed
well to make
it good
spectacle.We
could
conceive the
whole thing
as a fantasy.
Talented
youngsters
could do the
dance and all
that. Think of
an operatic
style!Not an
easy job.
a campus production. There were many eager
youngsters ready to work, at least there was a
lot of initial ,innocent enthusiasm. But
enthusiasm carries only half the way. One has
to look for the language skill, discipline and
regular attendance at the rehearsals. Initial
enthusiam wears off when the aspiring actor
discovers that rehearsals are such a bore. One
may have to wait a whole evening to get on the
scene and deliver half a mouthful of dialogue.
Absenteeism becomes regular.
Then there is the class room work and
examinations in mid year which may come like
the thief in the night to take away the joy of
life .When we think of the innumerable possible
interruptions and disruptions that can happen
in a drama project, we get regular nightmares.
Uneasy lies the head
Talent and enthusiams apart, fixing the right
on efor the right character took a long
time.There were changes and trials before fixing
up somoene for the particular role. Then there
were some who had to be pushed into the
project.
Money is one of the nightmares that regularly
attend on our Shakespeare productions. Gone
are the days when we could make good the
money spent by putting up two or three stagings
and bringing in audience from outside. For a
number of reasons such attempts do not work
nowadays.This being so we thought of staging
the play for any one who enjoyed shakespeare
and were under no compulsion to come. From
the proscenium stage of the A K Hall , we brought
the play to the open stage, significantly the front
of the English Department. It is a rough
approximation of the Elizabethan Apron stage,
with the verandah of the first floor would stand
for a balcony. The Macbeth experience prooved
that this connected well with the audience . At
the same time it posed its own challenges too.
We had limited control over certain aspects of
the stage environment. First, it was open to th
elements. A daylight production would rob the
play of much of its meaning because the fantasy
and spectacle would require some colour and
It is a m
atter of
sensibility.In our
cinem
atically
oriented age
som
e concession
w
ould have to
be m
ade to
that.This m
eans
the use of light
and sound and
such other
techniques to
create an im
pact.
asking of the sets which lights could provide.We
cannot expect our spectators to behave in the
same way the Elizabethans enjoyed them in plain
daylight, warming up to the playwrights
imagination. It is a matter of sensibility.In our
cinematically oriented age some concession
would have to be made to that.This means the
use of light and sound and such other techniques
to create an impact.
I recalled the Lawrence Oliviers famous
production of Henry V (1944) in which the first
act shows the Elizabethan stage and audience
interrupted by a rain pouring on to the stage when
the second scene began!. But that was another
age. A rain could spoil everyting for us ( and it
nearly did this time)
Yet another problem is with the settings. We
cannot have front curtains. Shakespeare never
used them. Front curtains are for the proscenium
stage. In Shakepeares time the action of the play
was continuous and no time was wasted in
upping and downing the curtains. Cumbersome
SB
painted back curtains and cut-outs were also not there.This provided a certain fluidity
to the performance and also saved a lot of time and labour. Here also we had to make
some compromises considering the audience that we have.The cultural conditions of
one audience cannot be compared with that of another.
So it was.
Developing a theatrical subtext was important to any production.Each production
is a separate interpretation, so to speak. Without veering too far away from the spirit of
the original, we had to do it for our audience. The music and dance aspects the element
of fantasy had to be emphasised. We had those boys and girls performing the dance
part very well. Apart from the songs in the original text some music was added for the
dancers (spirits commanded by Prospero) to open out each scene. And Ariels songs
were renderd live by our singers. It should be noted here that our Ariel was a real
highlight of the play. The audience responses showed it. Ron Sunny was a find with
the right body language and flowing movements with good vocalising which won
every ones applause. Live music was at first thought impractical , but it turned out to
be one of th ehighlights of the staging.
Pauls Ferdinand matched well with Ariel in scene 2.Caliban is the opposite of
Ariel, earthy, raging savage chafing under the tyranny of Prospero, yet winning our
sympathy not merely because of the underdogs status but also for his naivete. Allen
took some time to warm up during the rehearsals but on stage there was indeed a sea
change . He did rage from beginning to the end, producing moments of laughter in the
When Stephano and Trinculo were being rehearsed, one or two misgivings haunted us.
They are the two who provide the laughter part. Comic acting is the toughest job for
any actor. If the jokes and slapstick fall flat which is likely because we are facing an
This
provided a
certain
fluidity to the
performance
and also
saved a lot of
time and
labour. Here
also we had
to make some
compromises
considering
the audience
that we
have.The
cultural
conditions of
one audience
cannot be
compared
with that of
another.
audinece not very familiar with the Shakesperean
language. The word play would mean nothing
to them. But Asher( Stephano) and Neville
(Triculo) provided a perfect comic pair though
a little prodding was needed.
Tania was a bit diffident about how she
would fit into the role of the wide eyed
impressionable Miranda. But for her diction
and gait there would have been no other choice.
King Alonso was the first of the actors chosen
though often his work kept him from regular
attendance at rehearsals. A J T was a safe bet for
Prospero. But he would have to learn the longest
passages in the play which is not an easy thing
By November the chorus kept up their work and
improved steadily while other things were yet
to fall in to place.This was late October and
barely a month remained for the staging. The
plan was to stage on 6
th
December. At that point
of time little did we think that the plan would
fall through.
The opening sequence of the shipwreck was
one big problem. After a lot of planning
discussion, drawings it still remained to be
sorted out till the very end. Several ideas were
suggested and none of them could be decided
on. Finally we had a cardboard ship with
standing room for actors with sound
accompaniments but we could have thought of
something better and less cumbersome. A bit
more of imagination and craft could have
brought forth something better.
As the D day loomed ahead,the apprehen
sions of the team found expression in a lot of
prayers. Unexpected mishaps heart sorrows and
interruptions of all kinds seemed insurmountable
at one point. But by that time it seemed that it
was too late to give up. We would do it at
whatever cost. We even had a rosary at the chapel
one day when we were not sure where we were
going. But it seemed to work.
The first two weeks of December were more
like the monsoon months. We had earlier
decided to put off the presentation to January.
It was a fortunate decision because it was raining
thoroughout the first week of Decembr The
W
e w
ould do
it at w
hatever
cost. W
e even
had a rosary at
the chapel one
day w
hen w
e
w
ere not sure
w
here w
e w
ere
going. But it
seem
ed to
w
ork.
Tempest would have been drowned in rain! At
that time, I recalled the case of one of our brother
colleges where an ambitious classical production
had to be postponed immediately before the first
scene because of rain. Imagine the let down!
December declined into January. 26
th
of
January was thought of. But that also had to be
ginven up. Finally, after much discussion we
came to realise that if it is not done before the
end of February , it is not going to be done at
all. The last straw- a semester exam is scheduled
for early March.
Hectic days- arranging finances, booking
technical assistance, costumes, set design,
publicity photo-session , news releases and all
went without a hitch.Our spirits picked up.
The dress rehearsal with a trial of the light
and sound was done on 25th. It ended with a
feeling that the light and sound part will not
support us in the way we expected. Now there
was no time for drastic changes. We had to make
do with what is available any way.
SB
gracefully responded to a personal invitation.
While we were talking in his room it seemed that
we were going to have a heavy rain. A few
kilometers away from the venue there was heavy
rain. When a real thunder crashed somewhere
near at around 4 Oclock while our hearts stood
still. But I hoped that God woulnt let this happen.
To spoil the months of toil and waste the hard
earned money spent on one single staging !
Unthinkable! A full audience, some of whom had
come from far, would have to face a terrible
disappointnemnt worse still was the case of the
amateur actors who may perhaps be doing
something like this only once in their life too.
Many hearts prayed. IT WILL NOT HAPPEN! We
had to believe.
I went around making the last minute
preparatins , getting the actors ready and dealing
with the last minute hitches. Some of those who
hd lagged during the rehearsal were seen
memorising the lines with all their might!
Butterflies must be fluttering in their bellies, I
thought.
The formalities were now over and the voices
of Josy and Shiny took over. A hush falls over the
spectators as the light in the sky was fading and
the stage lit up.
As the first scene opened with Lijo the playing
the ships Master shouting from above and the
boatswain Bijo responding in kind. Their ship is
about to wreck with the king and entourage on
board.
The shipwreck was managed somehow, with
a group of people shaking up the cardboard
apparition and the spotlights providing the rest.
But we had to struggle with the light and sound,
which was such a disappointment.
The second scene opens with a rather lengthy
dialogue of retrospective narration which may hold
up the movement. But that too went of well, and
with the arrival of Ariel and Caliban the
momentum picked up.
But as the third scene was unfolding , the sky
began to precipitate, little droplets of rain falling.
My God, this is the end, so we thought. It kept
the crew and audience on tenterhooks, any time
As the afternoon of the 26
th
approached, we had finished the
fake ship and were doing the last
minute corrections. I could also
see the actors hectically
memorising their lines and getting
ready.
The weather had remained
clear for a few days. On the
morning of 26
th
things seemed a
little doubtful . We even talked
of shifting the venue, in case of
the rain. But that would not
work.There was no plan B.
Either we do it or we dont!.
Madathiparambil achan our
former Principal and the Vicar
General of Chicago Diocese, U S
A arrived in the afternoon. He had
Some of
those who hd
lagged during
the rehearsal
were seen
memorising
the lines with
all their
might!
Butterflies
must be
fluttering in
their bellies,
I thought.
the performance might get interrupted. More
prayers! But no, the play went on; the sky soon
cleared without giving much of a trouble .
I sat with Vishnu managing the lights. After
the initial hitches, he his words were
encouraging: Sir this is taking off well
The audience soon seemed to forget it all as
the plot began to thicken. Eyes and ears were
riveted on the stage. The villainy of Antonio
and Sebastian played to perfection by the two
villains (Bibin and Liju)was done to
perfection.The comic drunkenness and bullying
of Triculo and Stephano with Calibans
accompaniment,the Ferdinand Miranda
romance and Ariels antics, the choruss dance,
all these provided for an unforgettable
Shakespeare evening on the S B Campus.
One scene that surprised me was when
Alonso, after the vision of the Harpy, took off
in his frantic remorse straight into the audience
and the accompanying Gonzalo and Adrian fled
into the wings. A piece of innovtion by the king
Jos P, which the accompanying actors were not
prepared for.
The thematic climax comes with the scene
of the masque. The spirits under the patronage
of Ceres and Juno stepped gracefully on to the
stage, the song and dance captivated the
audience. Reshma and Radhika and the dancing
spirits under Joseph with songs rendered live
by Chithra and Sariga did it all with professional
finesse.
Ariels final good bye song ( Merrily Merrily
shall I live now..) could not have been done
any better!
When it was all over there was a sense of
relief and joy abounding. For many of our boys
and girls it is also a defining moment in their
lives.
Madathiparambil Achan went on the stage
to speak for the spectators, offering
congratulations to Team Tempest. More informal
compliments followed. The magic of that
experience cannot be described. Many would
have like to have an encore, but it simply did
not happen.
The hangover of The Tempest still remains
with them. It was like participating in a dream,
an unforgettable dream one said. That leaves us
with a lingering sadness too. All good things come
to an end.
The success of a play depends on every one
involved on stage and offstage. To develop the
right chemistry among the actors and with the
audience depends on each single part fitting ito
its place. And this is unpredictable. The play is
the thing. Once on the stage the actor confronts
a live audience how he or she warms up to it,
and how he or she brings in the imagination to
add something extra makes the big difference.
That difference was there . Such stuff as
dreams are made on!.
O
nce on the
stage the actor
confronts a live
audience how
he or she
w
arm
s up to it,
and how
he or
she brings in
the
im
agination to
add som
ething
extra m
akes
the big
difference.
SB
A Screwdriver contains two ounces of vodka and five
ounces of orange juice. Stanley recalled as he coughed
up blood again and spat it out. Some blood dribbled
out of his mouth and mingled with the screaming stain
on his shirt.
Bloody waste, he murmured as he watched the
screwdriver flow out of his stomach along with a
bucketful of blood. His eyes went out of focus for a
moment as he sat with his back to the car cradling the
head of the dead driver in his lap.
Bloody surprise, he shouted glaring into the drivers
sightless eyes. The shouting brought on another fit of
coughing and a lot of blood tasting of screwdrivers. The
wind blew a plastic bag across the empty parking lot,
sweeping it about in crazy circles. He cursed his luck;
nobody would be coming this way at this ungodly hour.
He could see an occasional car or truck whizzing along
Pulp
Noir*
SCREWDRIVERS
AND
SWITCHBLADES
OF
Bloody waste,
he murmured as
he watched the
screwdriver flow out
of his stomach along
with a bucketful
of blood.
Vishnu V.
Dept. of English
on the highway. Stanley looked down on his
legs fearfully and tried to move them again.
************ he swore and brought his
fist down on the drivers nose. The bullet
seemed to have passed clean through his
stomach and clipped his spine on the way out.
He couldnt move his legs, he couldnt even
feel them. His eyes shot towards the body of
the builder lying in a pool of blood at the door
of the office. Why the hell would he need a
goon with a gun to drive his car.
This wasnt how he had imagined it. This
wasnt how he was supposed to go. Not at the
hands of a stupid pig with a gun. The cars
continued whizzing along the highway and the
wind whispered among the coconut trees at the
edge of the lot as Stanley lay dying, blood
nurtured by blood seeping out of his body. As
his eyes closed Stanley looked at his knife sticking
out of the drivers chest. A small smile grew at
the edges of his lips.
Schrade...
***
Schrade...
Stanley ran his finger along the fading words
on the handle of his switchblade. They dont
make them like this anymore. The knife felt
warm in his hands, alive. He looked across the
empty parking lot. P.G.W and Sons the bold
letters on the building proclaimed. He had been
waiting for half an hour now and still the builder
hadnt come out. A black Mercedes stood to
one side of the office. Fancy car. He shook a
Wills out from the pack lying on the dashboard
and lit it. Flicking his knife open again he
examined it carefully under the amber light of
the street lamp. The knife seemed to glow
sensuously amidst the blue smoke. It seems you
will drink again tonight. Stanley felt a wave of
revulsion crashing over him. He smiled quietly.
Strange animal he was. He flicked ash onto the
pavement and continued to watch.
His finger continued to run lightly over the
name. Schrade.
He still remembered the day when he first
held it in his hands. His hands slicked with the
blood of its previous owner. Warm.
It was Eleven oclock. He should be coming
out now. That was what the client had told him.
Client! He would never have done business with
that rat if it hadnt been for Sar. You owe me
one, you old bastard! You owe me many. He
flicked his cigarette onto the rain slicked
sidewalk. In the distance an ambulance wailed
a loss across the city. The pinpricks of light on
the highway flashed along on his rearview mirror.
He dug the folded tissue paper out of his pocket
and looked at the address the rat had given him.
The childish hand told him that he was at the
right place. Lighting another cigarette he
unfolded the tissue on his thigh and held it up
to the light. The Lotus.
***
The Lotus, blue and red lights chased each
other on the neon sign atop the bar on Port Road.
The street was deserted even though it was only
eight. Dogs lounged about in the middle of the
road. The pavement was lined with ragged
mattresses, plastic sheets and old newspapers. The
underbelly of the city was turning in for the night.
Stanley threw the stub of a Wills into a puddle and
walked briskly across the street as it hissed out.
Every head in the smoke filled, dimly lit room
was turned towards the television on the wall
H
is eyes shot
tow
ards the
body of the
builder lying in
a pool of
blood at the
door of the
office. W
hy the
hell w
ould he
need a goon
w
ith a gun to
drive his car.
O
F
SC
R
EW
D
R
IV
ER
S
A
N
D
SW
IT
C
H
B
LA
D
ES
SB
from which a soap was
gushing melodrama. As
Stanley stood at the entrance
scanning the room a young
waiter came up to him and
said Booth at the end sir,
he is waiting for you. He
picked his way across the
I am Shankar he said offering Stanley a bony
hand and an oily grin. Stanley just stood at the door
staring at the man. The grin slid off the mans face.
Sar told you? Yes?
The money? Stanley asked dropping into a
chair.
The man stood there for a moment, his hand
extended. Then he hurriedly sat down opposite
Stanley, the grin back on his face.
Yes. Fifty thousand. Sar told you? Yes?
Whos the man? Stanley asked.
Shankar slid a photograph across the table. It was
an old man standing in front of a construction site,
wearing somebody elses hardhat and trying to look
as if he belonged.
P.G Warrier. He is a builder. Bloody cut-throat,
land grabber
The man tailed off as Stanley eyed him over the
photograph.
Where can I find him? Stanley asked studying
the picture.
His office is just outside town. He works late
into the night. He will be there today
Today?
The sooner the better It is your best chance.
He drives home alone, around eleven. Heres the
address. Shankar took a tissue from the table, folded
it and wrote the address on it and offered it to
Stanley.
Hell be alone? asked Stanley trying to make
out the disjointed scribble in the low light.
Yes, yes, hell be alone. Im sure Just finish
him off!
The money? Stanley asked rising from the chair.
But the man cut him off Oh no, no, no. You
cant leave before we have a drink.
I dont drink before a job
I insist. Something light. He stuck his head
out and hailed a waiter. After the waiter had gone
he said Ive heard a lot about you. Seems you are
better than Sar with a knife, and thats the highest
complement he broke off laughing but stopped
abruptly as Stanley flicked his switchblade open and
put it on the table. He was silent till the waiter
returned.
As the waiter put the glasses down Stanley picked
his up and looked scathingly at Shankar.
You drink orange juice in a bar?
Its not orange juice replied the Shankar with a
smile, its a Screwdriver
And what the hell is a Screwdriver?
darkened room careful not
to bump into a table.
The man jumped out of
his chair as soon as Stanley
pushed open the door of the
booth. Stanley eyed the thin
face and pointed nose of the
man, the hair on his upper
lip, barely a moustache, stuck
out at various angles. Filthy
little rat he seems to be.
OF
SCREWDRIVERS
AND
SWITCHBLADES
Its a cocktail. A Screwdriver contains two
ounces of vodka and five ounces of orange juice.
Stanley lifted the glass to his lips and drank
the contents in one gulp. Its still orange juice
you
******* *******.
As he rose again Shankar said The money is
with Sar. When the job is done go back and see
him
Where
Salims
***
alims the fading board outside the
two room shop said. A newly hung carcass was
doing a slow solo waltz on its hook. Stanley
stood in front of the shop his eyes riveted on
the carcass. All around him the market flowed,
a bustling current of bodies.
Sar inside? he asked the boy at the table.
Stanley bhai! He is in the back said the
boy jumping up from his chair.
Stanley parted the stained curtains and
entered into the back room. The smell of dried
blood hit his nose. He had never noticed that
smell before. Its been too long. A man was
sitting on a stool cutting a carcass into small
pieces. He flicked his knife in salute and a piece
of meat flew of its edge and landed at Stanleys
feet. The man let out a snort of laughter as
Stanley walked on.
He walked out through the open door and
into the sun. The terrified eyes of a dead buffalo
stared at him totally unconcerned with the flies
buzzing around it. An old man was sitting
hunched over it his arms moving in rhythmic
sweeping strokes as he skinned the animal.
Stanley stood watching the old man cutting and
rolling back the skin. Not once did the knife draw
a bead of blood. Will this bastard ever die?
Sar Stanley called softly.
Stanley! the old man turned his head for a
moment, flashed a smile and continued
skinning havent seen you around for a while
Some things came up
Busy nowadays eh?
No just some things
Stanley was mesmerized by the knife and the
hand that wielded it. The hand that had taught
the world to call its owner Sar, to show respect
where none was deigned deserving. The hand
that taught a fourteen year boy everything about
death, everything about knives. The hand that at
eighty-two could skin the toughest of buffaloes
like slicing butter.
You want to quitdont you? the knife had
stopped.
SarI
Dont you? asked Sar putting his hands to
Stanleys cheeks. He could feel the blood and
steel invading his senses. Well, before we talk
about running away Ive got one more job for
you.
Im out SarI cant do it anymore.
Do this for meits important.
where?
His name is Shankar, hell meet you at The
Lotus. Eight oclock.
As he turned around and walked away from
the blood and the death the voice of the old
man followed him, How can you quit? You
were born for this. Rememberremember
Khaled!
***
A
n
ew
ly h
u
n
g
carcass w
as d
o
in
g
a slo
w
so
lo
w
altz
o
n
its h
o
o
k.
Stan
ley sto
o
d
in
fro
n
t o
f th
e sh
o
p
h
is eyes riveted
o
n
th
e carcass.
A
ll aro
u
n
d
h
im
th
e m
arket
flo
w
ed
, a b
u
stlin
g
cu
rren
t o
f b
o
d
ies.
O
F
SC
R
EW
D
R
IV
ER
S
A
N
D
SW
IT
C
H
B
LA
D
ES
SB
OF
SCREWDRIVERS
AND
SWITCHBLADES
eyes on the door of P.G.W and Sons, his mind
roaming in the past. Suddenly the door of the office
opened and an old man was framed in the lights as
he came outside. Stanley got out of the car and
walked briskly across the parking lot. He came up
to the old man as he turned around after locking the
door.
Sir! Sir, please help me! You are the only one...
He cried as he fell at the old mans feet.
Good God! Who the hell are you? You idiot.
What do you... The old man bent down to lift him
up.
As he did so Stanley rose up, caught a handful of
the old mans hair, twisted his head to a side and
slit his throat from ear to ear. Blood gushed out as
the old man felt to the ground clutching his throat.
It was then that Stanley saw the door of the car
opening.
He began to move only when he saw the driver
reaching to his back. But Stanley didnt move away.
He moved towards the car. No gun in the city could
match a knifer of Stanleys skill at short range. But
there was still enough distance.
The first shot whistled past his ear, narrowly
missing his head. The momentum of his rush was
such that he reached the gunman just as he squeezed
of another shot. Stanley stuck the Schrade deep into
the crook of the drivers gun arm and sliced it to the
wrist. Hot blood spurted onto his face blinding him.
He heard the gun clatter to the floor as the driver let
out an anguished scream. Through a haze of red
Stanley saw the drivers left arm coming up. Ducking
down under it he stabbed the mans thigh and pulled
downwards cutting across the femoral artery. The
man bent down trying to clutch his wounded thigh,
and as he came down the switchblade flew up to
meet his heart. Stanley buried the knife deep inside
the drivers chest twisting the blade and lifting the
body high. Finally he sat down against the car and
pushed the bleeding body of the driver away.
Stanley closed his eyes and put his chin down
on his chest. When he opened his eyes again blood
was seeping through his shirt, spreading out of the
wound in his stomach. So thats where the second
one went. ****! He coughed and spat blood out. It
tasted strange. A Screwdriver contains two ounces
of vodka and five ounces of orange juice.
***
*A tribute to a much loved yet little appreciated
genre.
Khaled
The stab was perfect, deadly.
Once through the heart, and the
most dreaded gangster in the city
had keeled over, writhing at his feet.
He had died within three minutes,
and with him the fear of many
innocents. Khaled Gafoor would
not touch another woman again,
ever. But he had bled too. They
killed his mother in retaliation,
hacked down the only thing he had
in this world. They had bayed for
his blood for many years in the city,
years he spent under Sars wing.
That was until he had grown
enough to put down the mad
hounds hunting him.
Stanley brooded on, keeping his
When my fingers were sewing, sewing, sewing
I forgot myself and what I was doing
And I entered the needles mystic eye
Every vein and sinew straining through
The Transformation was so quick and slow
I would scarce have noticed except for silence
Crouching in a secret corner
Like a cautious cat ready to fly
Half-passionate, half-tremulous
In and out the fabric
Ran the panting thread
Plotting a discarded lotus
Ignited with an old womans blood.
This done, hands gone numb
I put the work away and reclined
Against a pillow awfully white.
And instantly I knew as the tick-tock grew;
Grew till it flung open reluctant ears
The reminiscent thud of death
My soul stayed enmeshed for but the nonce
Perhaps the cat heard the mounting lub-dub too
For it sprang up with a sum of all fears
And bolted, scared for breath.
Sambhu R.
Dept. of English
WHEN MY
FINGERS
W RE
S WING
E
SB
The Choice Based Credit and Semester System(CBCSS) was introduced to the regular
Under Graduate courses offered by the Mahatma Gandhi University in the 2009-10 academic
year, putting an end to the decades long system of academic years itself and there on
introducing a semester system, similar to that of usual semester system, with some noticeable
differences. Some of these noticeable differences make CBCSS incompatible and impractical
in the Kerala educational Scenario.
The western system of awarding grades instead of marks has already been implemented
in most universities across India. This system eliminates the unnecessary creation of a
hierarchy among the students with similar intellectual capabilities and treats them as a
single group. This system also eliminates the unnecessary competition between colleges
for ranks and strips certain colleges of their prestigious title as rank-makers. This system
was adopted from the western universities, and was something lacking from our old-fashioned
ranking system.
IS THERE SOMETHING
WRONG WITH
CBCS S ?
Most of these systems, however, translate
the marks given in exams into grades, and never
give out grades instead of marks for individual
questions. Internal marks as well as external
marks are tabulated and then based on the
percentage of those marks, and a certain grade
is awarded to the student. This system does not
fully eliminate the marking system, but rather
puts forward a simple solution for the problems
of rank system.
The grading system implemented by the
Mahatma Gandhi University is something unique
and perhaps the first of its kind. Instead of
awarding grades on the basis of marks secured
in the examination, the university has decided
to do away with the marking system at all, and
instead of those marks, grades will be awarded
to individual answers. Those grades will be added
together and then given an aggregate grade. Also
each question will have a weightage based on
the type of questions. For example, a multiple
choice question will have weightage and an
essay question will have 4 weightage. This
means that if there are sixteen multiple choice
questions, the total weightage will be sixteen
times which will be 4 weightage. For short
answers, this means that five short answers worth
1 weightage each with a total of 5 weightage for
this part. The weightage increases as the type of
answers increase from one word answers to
essays. The total weightage would be twenty
five to which all these individual weightages
will be added.
In a quick glance, this seems revolutionary,
but a closer analysis would reveal that this
system is just the old wine in a new bottle.
Weightage is just another beautiful expression
for marks. If you take the weightage of twenty
five and multiply it by four, you would get 100.
This means that, a single word answer would
get one mark ( times 4), and an essay would
get sixteen (4 times 4) just as it is in the old
scheme. But there is one catch with this new
scheme. In the old scheme, it was possible to
award marks below one, such as half, quarter
etc. in order to make the evaluation more precise.
The new scheme however, does not allow an
evaluator to do so, and he/she can award only
grades (A= 4, B =3, C=2, D=1, E=0).
The whole system itself was introduced
in a matter of urgency after the high court ruling
that the system may be taken up by universities
that are confident enough to execute it in a
proper fashion. The Mahatma Gandhi University
decided to go ahead with the project and
executed it. However, because of the quick
implementation, syllabi tend to be half baked
and impractical at times leading to changes made
to it even after beginning of classes. For the
science subjects, this may not spell much
trouble since most of the prescriptions are always
the same, regardless of syllabus changes. For
Arts students however, sudden changes in
syllabus can be disturbing since works to be
studied could be radically different.
Again, the first half of the name of the system
mentions some kind of a ground-breaking
choice that the syllabus bestows to its students.
This system
also
elim
inates the
unnecessary
com
petition betw
een
colleges for ranks and
strips certain colleges
of their prestigious title
as rank-m
akers. This
system
w
as adopted
from
the w
estern
universities, and w
as
som
ething lacking from
our old-fashioned
ranking system
.
C
B
C
S
S
?
SB
This choice perhaps was adapted from the choice system in western universities, where
the courses taken by a student is not limited by the department or degree that he/she
undertakes. Yet in practicality, this choice is limited to one course that can be chosen
by the students in their fifth semester from the other departments of their respective
colleges. This choice can be very limited in small colleges with limited number of
departments and also the availability of a course is decided by the number of students
opting for the course. A bare minimum of fifteen students are necessary for a course to
be functioning, and if there is not enough students to cover that minimum, then the
course is dropped. Also transferring from one course to another course is not so easy for
students who made a wrong choice and want to move to another course, since students
moving from a tough subject to an easy subject might result in the cancellation of that
particular course. Also certain open courses are tougher than others, resulting in different
grades being given to students of a same intellectual level due to their choices.
Another oversight in this system is with the total Grade Point Average(GPA) taken by
totting up the aggregate GPAs of each semester, which will be used as a milestone to
decide upon priority system of the students who wish to enter various
universities(Ironically, this milestone is just a euphemistic expression for rank). This
addition includes the grade points that the students got for their general subjects along
with their core subjects. This means that a science student who studied English and his
second language out of necessity will be awarded a total grade on the basis of the marks
that he scored for these subjects along with his core subjects. This aggregation actually
counteracts the choice in the Choice Based Credit and Semester System and burdens
the students with the necessity of having to score high marks in the language exams.
An integral part of this 4 point GPA is the internal evaluation grade which makes up
the 25 percent of the total grade. Attendance is given undue prominence in this system of
internal assessment. This could mean that the grades of talented students go far below
what they deserve due to their extra-collegiate activities. Also the re-evaluation method
for internal evaluation envisaged by CBCSS burdens the teachers with the necessity of
having to give failed students an opportunity to redo the works of the failed semester. This
impractical idea may prompt the teachers to give bare-pass marks to those students who
wouldve otherwise failed the internal assessment to keep off the unnecessary extra-work.
The post-graduate admission based on the new results itself will be easier said than
done because the universities that do not follow this form of grading system would find
this grading difficult to comprehend. Plus, equalizing the traditional marking system
with this grading system would also be difficult which in turn would make admissions
difficult for the students who wish to study outside Kerala.
Apart from these correctable flaws, the new system is indeed something revolutionary
and is exactly the right step chosen in the modernization of our collegiate system. The
new syllabi are almost always well crafted and if properly and timely implemented, this
system could make a difference in our colleges. Internationalization of our educational
system has been our dream, and this could pave the primrose way to that dream.
The rumour goes that Post-Graduate courses too would be brought under this scheme.
An honest prayer to those in charge is to implement the new system with proper
preparations and create a system that is wholly flawless. It would be a greater crime, if
the post graduate students are put in a new system without correct implementation.
After all, every bit of this hard work is for a better future!
C B C S S ?
Yahoo! ID: viruswriter@yahoo.com
Password: *********
He signed into his Yahoo! account. In two seconds the window blinked and there
appeared his mail account on the computer screen. There was an unread mail in his
inbox. He moved the cursor over the unread mails subject line and clicked on the link.
The e-mail appeared.
From: viruswriter@yahoo.com 7:42 pm, 2 Sept 2010
TO: viruswriter@yahoo.com
W32/beat7154@m transferred successfully
Avgkkhkjhkjhhkjkjhiuiuwiiiyuiyuiuhkuguiytuiuixgxzjj./,,./;.kljkiui/l,.l,/
?;l?[;p=pki;uliklk./.;l?[ol;puli;lk;l;;;I;ploipouiopsuguhtyufuioyoiyu oiujoiuoiyuigjfjhgk
SW828JDFH7YHFNCYE6DGJH474551FIBCGDM X12345ASFGSA
jl;.p-p[l0899078u........7154NISEIDm,mhfgf hft87t970970090
9yhioh09u90zxcvchgju9iukyy rtyrtgklkjhoi798u70ySS1AO49;NJ=DAQ.M/
[]9073643A1426ZADDQAQQ
ZZZZZ
7154
Destiny has been changed. This is my creation, only MINE! MY VIRUS! It is Man
vs. God. Victory at last. An invincible victory for Gods own simple creation...!! MAN...!
Yes...!It has finally happened. My virus will change destiny.
7154 NISE ID
Story of Man vs. God
Christy Kuruvila
Dept. of English
SB
He cried in excitement seeing
the e-mail. Was excitement his only
emotion at that moment???
Who knows???
Because no one has ever done
it. No one in history! No one in the
world! Is there anyone who has ever
experienced such an emotion or
such a moment in his entire life?
The answer is plain and simple.
No!
* * *
Who is he? Lets call him Virus
writer or in short Viro. A virus
programmer by profession.
By profession?? Is there a
profession like this?
Who gave him this job to create
the virus? Only he knows
The point is that Viro created a
special virus. Special in objective,
character, name, process, result and
most importantly the one to whom
he sent the virus was very very
special. It was God.
Viros character was quite
distinct from others and even his
present objective too. Having such
a blasphemous behavior his aim is
to transfer the virus into the Gods
system. But why?
Ultimately Viro wanted to
change destiny
He knows that such a task has
never been undertaken. He is
confident that no one, even virus
researchers or antivirus firms will ever
discover or fight to give a name for
this creation. So he named it W32/
BEAT7154@m as per the virus
naming conventions. The prefix
denotes that the virus works on a 32
bit system. The second pat is the
family name of the virus and the
suffix, @m denotes that it is a mailer.
Something peculiar in the viruss
family name? Like a code play, isnt it?
Simple play; like 1-A, 2-B
7-G; 15-O; 4-D
It ultimately has only one meaning one goal:
BEAT GOD
* * *
With a content smile he read the mail once again
An e-mail with the same from and to e-mail
ID. Sounds interesting, doesnt it?
Actually it was the feedback e-mail which most
virus programmers set in their e-mail viruses to know
whether their virus successfully affected the intended
target or not. This kind of e-mail message appears as
if it is sent and received by one person.
So here the senders and receivers ID is the same:
viruswriter@yahoo.com and the message body
contained the same message as he set: W32/
beat7154@m transferred successfully. Everything is
perfect. But he wondered at the codes in the e-mail.
He read the mail a third time.
Can it be a syntax error? he wondered.
He minimized the window and stretched back
on his chair a little bit relaxed and took away his
eyes from the laptop screen after a long time. He
leaned on his chair and the room seemed to fill
with his thoughts. The loud ring of the alarm clock
distracted Viros relaxed mind. It is now 8 pm. He
looked all around the room. It was a complete mess.
Some CDs and gadgets were lying beside the laptop.
Magazines and journals were muddled up together
on his table. Viro then decided to arrange the mess
in the room. While arranging the magazines his eyes
fell on the cover page of one; Man vs. God. He
took that magazine out, opened it and turned the
pages to see the specific article. He scanned the
whole article in few minutes. His expression was
one of disgust. He threw the magazine away, irritated.
Rubbish, this article is a pile of crap. All this
talks about slake or quench of man in achieving
heaven! Finally he achieves only six feet land! Is this
how the creator decides the destiny of his creation?
Then, what about my creation?? It is something that
is going to transform everything, where the creation
himself decides the destiny, where the creation defeats
its creator in this technological war.
He needed a break. He switched on the television.
7154
NISE ID
Story of
Man vs.
God
The first channel broadcast a talk show on the
topic God vs. Science-a solid discussion on a
controversial topic. The dispute between
creationists who advocated the existence of God
as the mighty creator, and evolutionists, who said
that everything evolution has offered thus far can
be traced back to the beginning seemed very
interesting to him. His enthusiasm grew hearing
the theories put forward by the evolutionists. As
the debate reached its zenith, it was suddenly
interrupted by advertisements. This really irritated
him. This slowly led to a stream of thoughts. He
wondered if all this was a mere coincidence. His
creation, the article in the magazine, the debate
on the television seemed to pointing in a single
direction.
He maximized the Yahoo! Account window
to check whether any new mail had arrived or
not. Yep...a mail just arrived. In great
enthusiasm Viro opened the mail without even
looking at the subject line.
Seeing the e-mail his emotions transformed
from one of enthusiasm to surprise to shock. A
mail with no sender ID and the mail subject
startled him
From: 8:20 pm, 2 Sept 2010
TO: viruswriter@yahoo.com
7154 NISE ID
Congrats Viro for your endeavor. But do you
really believe that you have succeeded? Yes, I
know you think so. Or the previous feedback e-
mail made it plausible to you. But remember
an antivirus is also born with a virus and these
infectious viruses have to be deleted. So I would
like to gift you a reasonable gift. In fact a special
gift to those minds that are affected by the
infectious virus. The special gift lies in the
previous e-mail itself. Oh!! You are surprised
with the codes, arent you? Just paste the e-mail
in any document reader to decode the codes.
And finally your destiny lies in 7154NISEID.
Enjoy it
Yours
7154
His eyes opened wide in astonishment. In
shock he opened the previous mail and copied
the whole text. Suddenly he opened a document
reader and pasted it there. The document appeared
W32/beat7154@m transferred successfully.
W32/beat7154@m deleted successfully. Every
virus has to be deleted or otherwise it will become
infectious. Youve become an infectious virus
which is going to affect the whole of humanity.
So you must be deleted from the human race. As
you wish your destiny is changed. So you
7154NISE1D (read it backward to reveal my gift
for you.) Your countdown begins now. So enjoy
the most beautiful and wonderful 45 minutes of
your life.
Yours,
7154
DIES IN 45:17. It became evident for him. He
looked at his watch terrified. 8:27 pm. Exactly 45
minutes from the time he got his first mail. His
mind went empty, emotionless. He stared blankly
at the watch and counted each and every final
second of his life. 17 seconds passed away. His
eyes stood still on the watch without any
movement. At the same time the debate on the
television soon came to a logical conclusion with
the final words of the moderator
The cultural opposition we see between
religion and science is not a superficial opposition.
But believe in good. Believe that theres some
force guiding us. Call it God, destiny or fate.
Oh!! You are
surprised with the
codes, arent you?
Just paste the e-mail
in any document
reader to decode the
codes. And finally
your destiny lies in
7154NISEID.
SB
Media around the world is going through a time of transition. It is a transition
triggered by the profit-oriented changes brought forth by the neo-capitalist
entrepreneurs that control the majority of news companies across the globe. The
transition includes a change in terms of the medium, attitudes, goals of media
where the traditional ways are fast replaced by modern technology and ideas. For
example, the market for traditional paper media is shrinking around the world.
The only exceptions are India, China, and Japan where still paper journalism is
growing. But exceptions remain as exceptions and media too is affected by the
onslaught of super-capitalism. Its not about the journalists and readers anymore,
but about producers and consumers of news. Companies today see news papers
or other media endeavours as an investment, which leads to good profit.
One should not have to antagonize the role of profit in news making, because
activism as the sole cause for journalism is only wishful thinking. Activism is
never going pay for the next days paper, ink, or journalists. That is where,
World Media
CHANGES AND
CHALLENGES
MEDIA
The only exceptions
are India, China, and
Japan where still paper
journalism is growing.
But exceptions remain as exceptions and
media too is affected by the onslaught of
super-capitalism. Its not about the journalists
and readers anymore, but about producers and
consumers of news.
Aju John Thomas
Dept. of Economics
ideologies and marketing come into the scene
and they can sustain a news company in todays
contingent world economy. The vicious
economic struggle forces the media to cook up
attractive stories that please the emotions of
people. The preferred topics include rapes,
murders, earth quakes, or breakups, which the
media choose in ways that will make the
audience identify the world as more dangerous
than it is, thereby making news catchy. Simply,
media have just become entertaining to get more
audience, because people are no longer going
to listen to the durdarshan-like news
presentation anymore. People need to be
entertained, and thus, we now have news
anchoring instead of news reading.
News is no more what a group of ivory tower
dwellers make up to show the viewers, but it is
what the people want to hear. This can be good
and bad. It is good in the way that news becomes
decentralized and people-friendly. However, this
also makes news less objective and more biased.
At the same time, the accusation that media is
biased is not so much of an issue, because when
we look at our society, we see a majority of
biased people living among a small minority of
objective ones.
Media at the same time is not an umpire, to
decide on whats right and whats wrong. It can
only follow whats in vogue, because media
cannot exist without being interesting to the
society. Again, media will not do anything
thatll destabilize the society, because they are
well aware of the fact that the society is what
keeps them profitable.
If media is said to be biased, the sole
responsibility of it lies with the society. Our
society too is biased, and in order to protect
those biased interests, our society protects and
preserves the biased media. Since Media is a
product, its sole purpose is to please its
customers which in this case are the society.
For our gossiping, eavesdropping, peeping toms
Media will provide gossips, crime and
punishment shows, and not anything of serious
nature.
This was not so prevalent in the Indian media
scene, but times have changed, and we dont
live in water-tight national boundaries anymore.
Consequently, our channels have either been
westernized or in other words have become
business minded. World media conglomerates
such as Rupert Murdochs News Corp. and CNN
have high stakes in Indian media companies
nowadays.
It wouldnt be so pleasing to the hardened
ears of leftist extremists, when we say that profit-
making can go hand in hand with social activism.
Those are two words that dont seem to fit
together, somehow. If we closely examine what
Barack Obama did before his presidential
elections, we get to see that he used media to
point out the discrepancies in the Bush
administration, which in turn gave more viewers
M
edia at the
sam
e tim
e is not
an um
pire, to
decide on w
hats
right and w
hats
w
rong. It can
only follow
w
hats in vogue,
because m
edia
cannot exist
w
ithout being
interesting to the
society.
MEDIA
CHANGES AND
CHALLENGES
SB
Since most
Americans
were fed-up
with George
Bush and
wanted a
change that
was radical
and at the
same time
practical,
they found
the speeches
and ideas of
Obama
lovable. That
gave the
channels
more viewers
and thus
more profit.
to the channels that broadcast his views. Since most Americans were fed-up with
George Bush and wanted a change that was radical and at the same time practical,
they found the speeches and ideas of Obama lovable. That gave the channels more
viewers and thus more profit.
Again there is a process called foxification, where is news medium is overtly
supportive of a particular political party or a conglomerate. This way that medium
can always expect the political and economic support of the group that they are
supporting. Here, the media will have to sacrifice all their independence to support
each and every action of their sponsors. It can also gain them a fixed group of
audience, who are followers of that group, and this is very effective if that group is a
political party. The term was first used to refer to the American news channel called
Fox News, which overtly supported the ideals of the conservatives.
Amidst all the arguments over modernism and its ill effects on media, one must
agree to the fact that Modernity has made media, more democratic. Media websites
today are easily respondable. When one reads news, he can comment on it, like it or
share it in facebook, or tweet about it. He can criticize it in the news page itself or
condemn it in his blog. News making has become decentralized. News can no
longer be hidden by any government or agency.
This democratic nature has made the anti-totalitarian movements possible around
the world, because the news spread via internet cannot be censored by any totalitarian
agency. News thus, can be shared with anyone around the world using the unending
possibilities of Internet. Everyone becomes a news manufacturer and a news consumer
at the same time.
Media and Celebrity Boom
Some people have a supernatural talent of
being television materials. It is not because they
are promoted more by media, but its just that
people prefer watching certain people. People
like Anna Hazare, P.C. George, Rakhi Sawant,
and Santhosh Pandit are preferred to be viewed
than people like Irom Sharmila. Peculiar traits
are preferred by the society and thus media show
them loudmouths, eccentrics, and sometimes
messiahs like Hazare too get that kind attention.
A classic example for this is Anna Hazare
and his anti-corruption movement. You may
agree with him or you may not, either way you
will not disagree with the ingenious way he
managed the media, to get what he wanted.
The people who said that media was giving
unnecessary attention to Hazares movement
didnt see that the benefits of such a coverage
were actually mutual.
The highest rated programmes in news
channels this year was not election coverage,
but rather the coverage of fasting done by Team
Anna. Even the place of fasting had been decided
to suit the interests of media. Hazare couldve
conducted the fast at Relegon Siddhi, his utopia,
but rather he chose Delhi where he could get
the coverage of all major television channels,
and had the option of even telecasting his fast
live on television. At the same time, the fasts
of Irom Sharmila, or the problems in the North
Eastern states of India rarely come up in the
prime time news. In a way, problems created
by the Maoists in those states, are to get that
prime time spot, and not because they are blood
thirsty criminals.
Again, we can see that it is not media that
create celebrities, but on the contrary, viewers
do that. Media do not blindly decide on what
to show the audience. They show what the
audience wants, i.e., the criterion for news
selection is not necessity, but interests of the
public. Again, the public necessity is decided
by the people, and it would be foolish to argue
that public interest should be sacrificed for some
cooked-up necessities.
Media and Kerala
Every keralite who wishes to have a serious
study of media, must have a basic knowledge
about the evolution of news media in India, or
atleast of Kerala. Even the notion of a so-called
Kerala state, comprising Thiru-Kochi and the
Malabar region of Madras state was created by
the Malayalam print media. It may not have
been the sole reason for the creation of Kerala
state but most certainly it was a catalyst in the
process.
Media then, had a huge control over the
shaping of the modern Kerala society. Whether
it is the removal of caste apartheids or
inculcating national values and sentiments,
media played a tremendous role in the pre-natal
and neo-natal period of Kerala state. Luckily,
we had a bunch of gifted media personalities as
well as monetarily blessed men who were
willing to invest time and money for media
activities. That is why Kerala today boasts over
Every keralite
w
ho w
ishes to
have a serious
study of m
edia,
m
ust have a
basic
know
ledge
about the
evolution of
new
s m
edia in
India, or atleast
of Kerala.
MEDIA
CHANGES AND
CHALLENGES
SB
a whopping thousand publications (i.e. dailies, periodicals etc.) and over 75 lakh
readers for these publications. The role of media in the shaping of Kerala society is
self-evident by the fact that it is subscribed by almost two thirds of the families in
Kerala.
Back in the days editors like Mamman Mappilai wrote editorials year after year
to inform the literate upper-class of the necessity of educating the illiterate lower
class as well as the irrationality of caste divide. So, one can easily call the growth of
print media as the second renaissance of Kerala which uprooted the society from a
mire of false beliefs and systems.
Then again, the times have changed, those small time media companies have
become large conglomerates and many have ties with international media groups.
We now have over 5 full-fledged Malayalam television news channels each with
their own interests and ideologies. Media now means more than just social
responsibility, it has become a business. A business, that works on profit motive.
That is why media today are forced to promote sting operations, exclusives, and
commercial festivals such as akshayatriteeya. They have to stay in business and for
that they have to be pleasing and entertaining, not just informing.
Media should be a channel for transformative ideas that are to be transferred
from the media to the people. It must be able to convert truth or plain incidents
into conversable news, with honesty and fairness. Furthermore, a media personality
should be a good mediator between the public and news. No man can create a
utopia where news is free from all kinds of external influences, but a certain amount
of honesty can go a long way in news making. That is the kind of heaven that we
want to uplift our media world into.
No man
can create a
utopia where
news is free
from all kinds
of external
influences,
but a certain
amount of
honesty can
go a long
way in news
making. That
is the kind of
heaven that
we want to
uplift our
media world
into.
Art for arts sake and arts for lifes sake has been a topic of sparring debate
in the academic world and both sides have had their fair share of intellectuals
battling it out. Never have they reached a conclusion in regard to this
chicken or the egg question. Both statements address the requisites for the
creation of art. Some say that art has to be viewed as it is and not on the
basis of its political or historical significance. Yet, we have many works
that has been both an artistic wonders as well as being socially didactic.
Didacticism may not always go well with aesthetic beauty, but there are
times when didacticism becomes absolutely necessary to lead a society out
of ignorance. Art certainly has that spark that can take away the boredom of
pedagogy and smoothen it into something ravishing.
An answer to this question certainly pops up in ones mind when he
watchesLe Mashale (Take the Torch). Le Mashale - a one-act play adapted
from a play written by the former Naxalite and writer Civic Chandran called
Meira Paibi or Panthamenthunna vanithakal - is staged around the nation,
under the direction and presentation of Ms Ojas SV, a theatre artist and
activist hailing from Pune. The play deals with the AFSPA (Armed Forces
Special Powers Act) and the resistances around the North Eastern states of
India against it. The most famous of those struggles are indeed of Irom
Sharmila, who has been peacefully fasting for the last ten years. Ojas uses
Sharmila as the main narrator of her play.
LE MASHALE
AN AESTHETIC TRYST
The most famous of those
struggles are indeed of Irom
Sharmila, who has been
peacefully fasting for the last ten
years. Ojas uses Sharmila as the
main narrator of her play.
Jithin Alias
Dept. of Zoology
SB
Ojas says that she came to know about Irom Sharmila and her continuing struggles
from her colleagues and from then onwards she started reading about the anti-AFSPA
(Armed Forces Special Protection act) struggles in the North Eastern states of India.She
was horrified to learn about the atrocities committed by military personnel in the shadow
of this draconian law. She decided to act up on this issue after meeting with Civic
Chandran and Sarah Joseph at a convention on Mahatma Gandhis Hind Swaraj.
Ojas who portrayed the character of Irom Sharmila started with a brief stint on young
Sharmila who is always happy about her life, her ambitions, and the things she wanted to
do in her life. While growing up, she always had so many important questions in her
mind about the disturbing experiences that her people had to go through under the so
called democratic society in Manipur. The play also emphasized on what they had to
compromise, including even the basic necessities like electricity, water, and
communications. The fact that Manipur doesnt even have a Railway route reaching there
and the painful journey by road to reach many of the places in the North east are mentioned
in the play. While watching this play, one can actually visualize what these underprivileged
people - whom we call our brothers and sisters in our national pledge - had to go through
all these years. The part of the play which sent jolts up ones spine was when Ojas started
describing the plight of Thangjam Manorama, who was brutally assaulted and murdered
allegedly by the Army for reacting against their foul crimes. The play also enlightened the
audience about how our national anthem doesnt even mention a single place in the
North East India while it lists out the other parts of India in it.
The play mentioned the strong mothers of Manipal who are referred to as the torch-
bearing women. These strong willed women have protested in front of Kangla Fort
nude because they couldnt bear the problems they faced. Their protests opened the
eyes of the authorities and the Assam rifles were relocated from Kangla Fort.
The play wound up with a reminder that Irom Sharmila has been fasting for the last
decade. The fasting that started on 9th November, 2000 and continuing till date. Like
the fast, the play is just another way of protesting against the draconian law and is a
plea to the authorities to do what is necessary to eliminate the injustice perpetrated by
the so-called protectors of justice.
Through the play Ojas is able to raise a lot of concerns in the minds of spectators
about marginalisation that takes place in the North-Eastern States. She opened her mind
in the open forum that was arranged after the staging of the play. We feel proud to be in
the land of Gandhi and boast of ourselves as peace-loving and non-violent nation,
conveniently forgetting the atrocities committed by Army in the North-East. It needs a
collective effort to persuade Government to end this problem. Unfortunately all these
pleas for repealing AFSPA have fallen on deaf ears, yet she is hopeful of a change.
The purgatorial state that the play creates in each person is something special, and
it certainly revolutionize the notions that each one of us had about the federal system
of India and equality that we all supposedly enjoy under our constitution. The realisation
that the freedom, equality, and fraternity that we, as Indians enjoy have been denied to
the people of North Eastern India is something mind boggling. The same realization
causes each one of the viewers to see things in a new perspective. The inability to do
something about it aggravates the pain. Yet the hopeful minds of the viewers mutter
the same lines of P.B. Shelley that Ojas quoted to end the play. If winter comes, can
spring be far behind?
Yet the
hopeful
minds of
the viewers
mutter the
same lines
of P.B.
Shelley that
Ojas
quoted to
end the
play. If
winter
comes, can
spring be
far behind?
LE MASHALE
AN AESTHETIC
TRYST
SB
The vicinity of reality
Never stretches out wide.
It narrows my view,
To the flesh I hate and
The lives I love.
The short vacuums of days and nights,
Filling itself with words and lies.
Words amuse me with their stories,
Lies teach me not to trust those stories.
My world, it seems, have grown smaller and sober
But worms in my body have replicated,
One from another, another from other.
These windows, locked but transparent windows,
Some wont let me in and some do.
I wish I could unlock them all
Just to see the color, the texture,
The dim reddish light and then the mirror.
Am here! In my house of morbid dreams,
I wait with an open window,
Gazing at this world of shrinking reality
And my body of crawling confusions.
Anandakrishnan
Dept. of English
THE VICINITY
OF REALITY
She returns from her palace,
After her daily chores
She unties her hair, washes her face
With water running down her cheek which
Complaints of not being pampered.
The night gets more dark, with thick blanket covering our body.
We make loveshe doesnt smell of designer perfumes
But of garlic and onion.
Her lips doesnt taste of strawberries
But of salt, salt of her toil.
As we both lay, as snakes in a glass jar
Her tears roll down my shoulder,
I never ask her the reason,
As I slip into the lap of sleep
My wife, my guilt, stares at me,
unanimated, still, cold
For some reason, that I never ask.
HER PALACE
We just met in a cafe. Sometimes you share
things from your life with people you have just
met, something you cannot do with the people
whom you have known, for years. Strange.
I cant write I said.
Writers block? He asked.
No. Im not exactly a writer. Im aspiring
to be one.
Oh! Is that so? Thats good to hear. Most
people these days prefer not to be one
Do you find it strange?
Absolutely not. Its a gift only a few people
like you are blessed with.
Its the only thing Im good at
I felt like l could speak about anything, not
just about weather. But things that are closer to
the heart. Strange.
You see, l want to write something so
impressive that other people wouldnt forget me.
I want to live even after death. I want to create
a masterpiece.
He was silent. He was smiling too.
Do you find that odd? I mean l know you
cant expect to come up with an incredible story
Ajin Mathew Varghese
Dept. of English
CAFE AT THE
CROSSROAD
out of the blue. But still, l want to try it out, l
have been waiting all this time.
You remind me of the Old Painter from
The Last Leaf. Waiting for a masterpiece all
his life, and when he does get one, he dies.
Yes. I read that story.
Explain to me what a masterpiece is?
What?
Come On. He said, with a smile.
Eh.. Its something that other people
consider the best of your writing
Wrong. Its something that you, a writer,
consider as the best.
He continued after a pause. Believe in
yourselves Believe that whatever you write is
the best and keep writing as much as you can.
People appreciate you only when they agree with
you and when they find your work appealing.
Sometimes even when the whole world
criticizes you, you find that what you wrote was
amazing, and youre content, thats when a writer
creates a masterpiece.
Are you saying I should apply the follow-
your- heart theory? I asked after a while.
SB
Exactly. Next time when you
take your pen, take a deep breath.
Visualize your story and not your
future. Youre ready.
Ready?
To be a writer
I approached a few agents and
editors. But they say I lack
descriptive skills.
Write short stories. He
laughed.
He laughed for a while, and I
looked at him.
All my life I concentrated on
writing the perfect story. I
followed the rules, read the works
of prominent writers, imitated
them, and failed. All this time,
there was a new possibility, write
in the way I want it to be. All this
time, nobody helped me and I was
lost. Today, on a Tuesday
afternoon, I met a stranger who just
helped me answer the greatest
question of my life. Strange.
Im relieved. I said, smiling.
Im happy to hear that.
Hey, Can I ask you something?
Yes. Go on.
Are you a psychologist?
He laughed. After a while, with tears in his eyes,
controlling his laughter, he asked What made you
think so?
You said the right thing. I feel like Im all ready
to start again.
That is because I chose the right words. As a
writer, you must be particular with your words.
He winked.
I laughed.
I wasted eight years of my life pretending to be
someone Im not. Now talking to a perfect stranger,
within an hour, Im changed. Strange!
He said goodbye and walked away from my life
just like that.
I took him as a common man seeing his manners
and clothes. I didnt even ask him his name. I forgot
the basic manners in that moment of my revelation.
After a month, I happened to see an article in the
newspaper. The man I met in the caf was no
psychologist. He was writer, a very famous Russian
writer.
I failed to notice the simple things in life. Now,
I think I understand clearly, where my fault as a writer
lies...
I wasted eight years of
my life pretending to be
someone Im not. Now
talking to a perfect
stranger, within an hour,
Im changed. Strange!
C
A
F
E

A
T

T
H
E

C
R
O
S
S
R
O
A
D
I plant a stake and build a pyre on your bed.
Outside, July peters out like a tired rant
along with your protests.
The guilt of your pretence clings to me,
soaked earth to my feet.
Youll never see the current beyond this ripple,
never the road beyond this bend.
All your journeys that were and are to be
dwarfed by this faithless leap.
Our voices are vast, hollow, in this small room,
the truth in them scarce.
The harvests of our hopes.
Our words come out stillborn,
splintered memories of things we are ashamed of.
We watch as our lust and guilt take birth and die,
like so many mayflies.
Memory spawns memory and I see your countless faces,
and all the saints in you.
Your love died young, in the spring,
trodden on by summer, autumn, and a winter.
Forgotten.
And your lust, like a slave, yearning to roam untamed,
yet wanting to feel your chains.
But for all the saints in you.
Your skin snares the memories of my touch,
making me want to remember, again and again.
The heat of your cheeks could burn down the world tonight.
And the saints look out of your eyes,
suffocating me with your guilt.
I strip away the saints in you, one by one,
and tie them to the stakes of our passion.
What a burning well have,
and to be left with a heaven, full of wrongs and imperfections.
Each lived to the fullest.
BURNING
SAINTS
Vishnu V
Dept. of English
SB
A pair of black drongos sing together
Every morning near my window
They seem never tired of this routine
Never tired of life unlike me
The presence of their joint warble sweet
Awakens me to another day of toil
Waking my dead spirit to face the day
Rain or shine, they are there
Flitting among the branches in sheer glee
Upon the green wet mango tree.
Sometimes on the guava branch,
Sometimes swinging on the palms
I always see them, like a pair of black angels
Tails long, parted at the end like inverted flags
Never tired of earthly loves
Swinging and winging among the boughs
Through happy days, restful quiet nights
Through the same noises, same trees same skies
What is their avian secret that delights?
What is it in those tiny hearts that makes
Their delighted harmonies open
Quickened by the sun at dawn
When I wake up with a groan?
During the noon these prophets of present pleasure
Play new notes among the shades of noon
Making the darkened damp haze of monsoon
Still vibrate bright with birdsong
Water from heaven seems to enliven them
With natures bath of baptism.
In the evening, while the sun is about to go
They have their final serenade of the day
Never tired or sad, but welcoming another days end
While I fumble with the window latch
Secure against the wet wind or the hordes
Of mosquitoes that invade the house without qualms
Arriving like tiny vampires looking for blood
Prof. Gigy Joseph
Dept. of English
DRONGOS IN
THE
MONSOON
It is night now as I end these lines
The drongo voices have fallen silent
I am alone feeling a little cold
For the rainy air is damp and dusky
And the days toils make me sleepy
But while I lie listening to night sounds
I know, come tomorrow, certain as the sun
They will be back at my window tree
Same as ever with that tireless warble free.
Life is nothing
but slow poison
fed to men
by the second
Ticking towards
that glory called death!
Oh No! poison is
not horrid ; nor is death
Its life thats
unnecessary
unjust, unkind!
Death is the perfect state!
A fish returning into
the stream...
Life being a mere
vault out of it!
Reshma Mariam
Dept. of English
INTERIM
SB
The time is night and sappy
though the rain - it makes some happy
It is raining and cold outside
but I am moaning and is hurt inside.
Have heard once
they are the tears of those
who are hurt deep
and have become asleep.
Water trickling down the clouds
falling into the gray lives
Tears twinkling in the eyes
of those groping in the shades.
Radhika Krishnan
Dept of English
Life - its sweet and crowns
him who croons
the miseries of life
into melodies of love.
The whole picture is perfect
but I alone fight
like the tears against
the eyelashes from dropping angst.
The Rain- it sees,bears and wipes
desolation into elation
But....still it all makes me cry,
And I dont know why....
T
H
E

R
A
I
N
.
.
.
Music is an art; an art of creativity, entertainment and passion. There isnt a world
without music and such a world is even alien to fiction. Music is everywhere; be it the
crying of an infant, dripping of water, fondling of the winds or the lullabies of the seas.
Music not only touches the soul in a peculiar way, but also evokes and imbibes emotions
and moods like no other medium. Music always has the power to soothe, refresh, motivate
and transform lives.
Jazz music of the Roaring Twenties in America was not just a new addition in
terms of music alone, but was a cultural movement and a discourse that chronicled the
history of a people. This new genre of music opened a new chapter in the anti-hegemonic
fight against the masters. Jazz music was hence a triumphant instrument of De-
Colonisation, zealously employed by the African Americans against the Whites. It indeed
did bear the heart, soul and spirit of the African Americans who were bestowed the
identity of Negroes as a result of the Atlantic slave trade and hence Jazz music
undoubtedly bore a West African pedigree.
Rudyard Kipling once said, Oh, East is East, and West is West, and never the twain
shall meet. Jazz music and Western Classical music were like the the East and the
West. The Western Classical music was all that the elite Europeans and Americans
knew and heard and so Jazz music was considered as something immoral with new
decadent values. The Western Classical music was highly organized, had an order and
was classical in nature. But Jazz music stood apart from all the royalties and formalities
and had its own independent nature. Jazz music was a rebel musical discourse which
did away with the dogmas and traditions in music. It was a confluence of African and
European musical traditions. The use of blue notes, swing notes, poly-rhythm, call-and-
response pattern and improvisation gave Jazz music its own flavour and colour.
Improvisation was a key element in Jazz music. Thus the freedom and creativity it gave
AN INSTRUMENT OF
DE-COLONISATION /
A POST-COLONIAL TOOL !
JAZZ
Wesley P.Kuruvilla
Dept. of English
Music always has the power
to soothe, refresh, motivate
and transform lives.
SB
to musicians was something new and exiting
and people began to welcome this change.
Freedom hence became a prime factor in Jazz
music and a integral part in the lives of the
African Americans.
Jazz music was a cultural achievement and
proclamation of the heart and soul of the African
Americans. The oppressed African Americans
were tracing back their roots and celebrating their
culture through Jazz music, and it became
popular and highly acceptable to the Americans,
their colonizers or masters. Now this isnt
Black Skin and White Masks as coined by Frantz
Fanon, but is Black Skin and Black Skin alone.
It was a celebration of their true culture in the
midst of torture, subjugation and marginalisation.
Jazz music as a discourse undoubtedly adheres
to Aime Cesaires Negritude and Leopold
Senghors Africanite.
The popularisation of radio and the end of the World War I paved the way
for Jazz music in the U.S. The traditional beginning of Jazz music can be
attributed to the Brass Bands, which were played during funerals in New Orleans
by the African Americans. New York and Chicago also witnessed the birth of
this new genre with its strong tribal musical traditions owing to a cultural shift.
The different types of Jazz namely Ragtime, Dixieland, Swing, Bebop, Cool
jazz, Hard bop, Free jazz, Latin jazz, Post bop, Brazilian jazz, Soul jazz, Jazz
fusion, Jazz funk etc has its deep roots in the West African Oral traditions and
folklore including the African work songs and field hollers. The common
instruments of the Jazz Age were Saxophone, Clarinet, Flute, Vibraphone,
Trumpet, Piano, Guitar, Banjo, Tuba, Trombone, Double Bass, Bass guitar and
Drum kit. Some renowned musicians of this age were Scott Joplin, Bessie Smith,
Louis Armstrong and Duke Ellington.
It is indeed astonishing that this gala music of the obliterated brought in a
lot of fame and popularity to America. An interesting thing that the masters
did for the slave music in 1987 was that, the US House of Representatives and
Senate passed a bill proposed by Democratic RepresentativeJohn Conyers, Jr.to
define Jazz as a unique form of American music stating, among other things,
...that Jazz is hereby designated as a rare and valuable national American
treasure to which we should devote our attention, support and resources to
make certain it is preserved, understood and promulgated. Jazz music was
thereby able to break the barriers and boundaries of race and religion and spread
harmony and freedom which was what Jazz music was all about. It was a
vigorous instrument of De-Colonisation and a strong Post-Colonial tool which
gave enriched identities to the African Americans. It was about freedom and it
was freedom. Jazz music thus paved the way for the cultural upliftment, glory
and upliftment of the African Americans.
Since most
Americans
were fed-up
with George
Bush and
wanted a
change that
was radical
and at the
same time
practical,
they found
the speeches
and ideas of
Obama
lovable. That
gave the
channels
more viewers
and thus
more profit.
As a self proclaimed intellectual and feminist, I have always
abhorred the idea of a womans domain being the kitchen. But
my mother thought otherwise. My arguments on how-the every
woman must know how to cook concept as just another example
of female subjugation, fell on deaf ears. Feminism indeed! You
are just born lazy.She said with such finality that even Osama
bin laden would have thought twice before retorting. And thus
the saga began..
I felt like I was trapped in a twisted reality show without the
usual1 crore rupee prize at the end of it. The depths of the grand
canyon seemed like dystopia as I stared at the cabbage in front of
me.Well, what are you looking at? Its not going to chop itself
up you know. Get to work! ordered my mother. I picked up the
knife and started to mince the cabbage with unwarranted
animosity as if fulfilling a personal vendetta against all vegetables.
45 minutes later, I found myself sweating over a pot of sambar;
jumping at every whistle of the pressure cooker while taking
instructions on the difference between spices and the best way
to cook greens. I waited desperately for the slightest excuse to
get out of the kitchen but unfortunately it never came. Dinner
that night was a dismal affair. My family on the other hand
seemed to think that my cooking was a point of hilliarity. Phrases
like dog food, horse gram homicide cropped up very often
during the meal (take out of course!)
THE KITCHEN
CHRONICLE
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Remy Maria Thomas
Dept. of English
SB
After the trip to hells kitchen and back I decided to invoke the
kind Lords blessings. That backfired. My mother watched on with
the air of Gordon Ramsey as I blundered though the recipes. I was
also formally introduced to the less glamorous aspect of cooking
cleaning up. Pots and pans were piled high in the sink, the
next mothers day gift a dishwasher.I thought to myself as I
turned my nose away in disgust. But I was determined to disprove
the general consensus that I did not have a shred of culinary skill
in me. The end product of the day was no better than the day
before. I glowered and grimaced as mypoetic brother gave a
rendition of his latest work an elegy- In loving memory of my
favourite potato
The next day bore witness to an exploding cooker (I had
conveniently forgotten to add water) which left its indelible mark
on the ceiling. Nevertheless, I ploughed on to battle it out with a
pugnacious bitter gourd, a bunch of vicious green chilies, and some
slimy colocasia .I was at the end at the end of my tether. My never
say die spirit abandoned me as the day culminated in me. Crying,
partly out of despair and partly due to a terrible hand burn.I spent
the night analyzing the events over the past few days and I came to
a conclusion. All I had to do in order to prepare a decent, palatable
meal within a time slot was to be organized, well planned and
remain calm and collected. I had made enough mistakes to learn
from and that I was sure would hold me in good stead. After all,
who becomes a super chef at the first attempt? In my desperation to
prove my family wrong .I had forgotten that one succeeds only after
several failures. I had let my ego come in the way of my good sense
of fun. After spending the last few nights like an insomniac; I finally
got some sleep to calm my frazzled nerves.
I walked into the kitchen in anticipation of a battle with the
beans. But as the day progressed my apprehension and
Mageirocophobia (Fear not inferiors, its no big illness but just
the fear of cooking) melted away and I went onto prepare the first
decent meal in days. I was no Sanjeev Kapoor but it wasnt all
that bad either. The rotis were not circular, but at least they were
soft. The curry was a little salty but at least the vegetables were
cooked. My special peas curry even earned an approving nod from
my mother.
From then on it was smooth sailing. I still make a few mistakes
and minor mishaps do occur but I have begun to enjoy myself. I
glow with pride when paid a compliment, or when I tell my
mother of a tip, which she is woefully ignorant about.
I still believe in me as strongly as ever, but cooking has been
made an exception to that rule. After all, the future head chef in a
leading multi cuisine restaurant cannot afford to be so fussy, right?
Anyone for Biriyani?
After all, the
future head
chef in a
leading
multi cuisine
restaurant
cannot
afford to be
so fussy,
right?
Anyone for
Biriyani?
Annette S. Chirayil
Dept. of Botany
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It is my pleasant duty and proud privilege to present before you the report of the college
for the academic year 2010-11.
This college reopened on 1
st
June 2010 after the summer vacation. The college currently
offers 13 undergraduate and 16 post graduate courses one M. Phil course and eight
departments offer Ph.D programmes.
The college has on its pay rolls 97 permanent teachers, 30 Guest teachers and 39
permanent support staff.
The student strength for the academic year is
ST. BERCHMANS COLLEGE,
CHANGANACHERRY
REPORT OF THE COLLEGE 2010-11
Research
The College has 8 research departments. There are 42 research guides supervising 77 research
scholars. Seven of our teachers were awarded Ph.D this year. Congratulations to the teachers
who secured Ph.D. There are at present 3 teachers doing Ph.D under the F.I.P scheme of the
U.G.C.
In 2010-11, academic year, the college research centre achieved remarkable progress. In order to
promote well coordinated high quality research on the campus, an office of Research
Administration has been constituted. This office now serves as a central resource agency to
promote and foster cross disciplinary, multi disciplinary and interdisciplinary research. The office
intends to provide information and assistance to faculty for developing and submitting proposals
to external sponsors and also publishing paper in national and international journals 38 special
centers of research were created in the campus for research.
International Centre for Collaborative Research
Capitalising the unique attributes of St. Berchmans College for academic excellence and research,
an International Centre for Collaborative Research was inaugurated on 17
th
December 2010, by
His Excellency the Australian High Commissioner to India, Mr. peter N Varghese. The mission of
this centre is to acquire global competency through international training in association with
globally competent experts and to build global minded community at St. Berchmans while
extending the strength of the college abroad.
Course Male Female Total
I DC 347 57 404
II DC 320 38 358
III DC 366 45 411
Degree Total 1033 140 1173
I PG 78 252 330
II PG 66 232 298
PG Total 144 484 628
M.Phil 1 7 8
Total 1178 621 1799
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The Results of the University Examination 2010
( Enclosed)
The College Union
The college union executives were elected under the
parliamentary mode. The college union is headed by Saran
Kumar S. Youth Festival held at Ernakulam in January 2011,
our college stood 6
th
in overall points in the M.G University.
Association, Clubs and Centre on the Campus
The college has associations at the departmental level. In
addition, various clubs and centers are functioning to cater to
the needs and well being of the students such as HRD guidance
and counselling, arts club, quiz club, music club , tourism
club, Centre for Gandhian Studies and Equal Opportunity
Centre.
The Department of Religion and Value Education
A unique feature of our college is that it has a separate
department for religion and value education. The department
conducts separate classes for catholic and non catholic
students on the third day of every week. The classes are
engaged by the teachers of the college and they deserve special
thanks for their commendable and dedicated services.
Diploma in value education is given to the students who
successfully complete the religion and value education course.
Let me use this opportunity to thank Rev. Fr. Jose Viruppel the
Director and Dr. V.T Antony the co-ordinator to the
programme.
Catholic Students Movement
The activities of the CSM for the year 2010-11 were
inaugurated by Dr. Philip Augustine MD Lakeshore Hospital
on Sept. 17, 2010. It organized many activities for the spiritual
well being of the college community. It organises Holy Mass
on 1
st
Friday of each month, Rosary during the month of
October and retreat for students. It also conducted
Athapookalam competition during Onam and Carol singing
competition during Xmas. Xmas was celebrated in the college
under the auspices of CSM and the Xmas message was
delivered by Mr. Jiji Thomson IAS. CSM programmes are co-
ordinated by Rev. Fr. Jose Thekkepuram and Dr. Antony
Mathews.
HRD
A unique feature of our college is the HRD department. The
department organized various programmes for UG and PG
students. Team excellence, the official management team
consisting of 20 specially selected students, manage a number
of programmes. The department selects the best outstanding
outgoing students through a series of tests, and they are named
luminaries of St. Berchmans College. This year 6 students were
selected as luminaries, and awards were given to them by Dr.
Tessy Thomas, Project Director Agni V, DRDO. The HRD has
organised a Learn to Live programme
NSS Activities
The activities of the National Service Scheme were
inaugurated by Mr. Kodikunnel Suresh M.P on 9
th
July
2010. Seven day special camp was held during Onam
holidays from August 20 to 26, 2010 at Madukka,
Koruthode. The main thrust of the Camp was the
construction of nine houses in Mukkada Village under
the EMS Bhavana Nirmana scheme. An Orientation
programme for fresh volunteers, programme on E- waste
management formation of blood donors army are the
notable programmes of NSS this year.
Centre for Gandhian Studies
We have a U.G.C approved and supported Centre for
Gandhian Studies here. It undertakes various activities
to inculcate the Gandhian philosophy and life style
among the students. This year a national seminar on
Multinationals Climate Change and Economic Crisis
was held on August 4, 5 and 6, 2010. Dr. M. G. S.
Narayanan inaugurated the seminar. Prof. Arun Kumar
and Prof. Anand Kumar from Jawaharlal Nehru
University, New Delhi were the key speakers. Dr. M.
Gangadharan, Prof. P. A. Vasudevan and Dr. M. P.
Mathai are the other speakers.
The centre also initiated campus to community
programme this year in Kainakary. A three day
intercollegiate leadership camp was held during this
academic year. Intercollegiate essay competition and
elocution competition were also held. The centre
regularly conducts yoga and naturopathy classes for
teachers and students.
Students Counselling Centre
The college has a counselling centre which has one
fulltime and two part-time counsellors to provide
counselling to all needy students.
Arts Club
The activities of the arts club were inaugurated by Mr. Tini
Tom, the Cine Artist. Kerala Piravi celebrations were held in
the college under the auspices of the arts club.
Thanalkoottam a unique programme was performed every
Wednesday by different Departments. Arts festival was
organized and various competitions were held. Prem Nazir
trophy drama competition was held on 1
st
February, 2011.
The Shakesphere drama The Tempest a joint venture of
teachers and students, was staged in the open theatre.
Music Club
The activities of music club were inaugurated this year
by the famous playback singer and cine artist Mr.
Vineeth Sreenivasan. The inauguration was followed
by instrumental band music. The music club presents
musical performance on various important occasions
in the college.
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St. Berchmans Centre for Extension Activities
To foster the community campus partnership, a
centre for extension activities has been constituted
this year with Mr. Job Joseph as the Director. It has
got the approval of the UGC under CPE scheme. It
acts as the parent organization of the college
extension activities of NSS, NCC, nature club, SADP
and Centre for Gandhian Studies. The Sustainable
Home Project is the thrust area for the centre. Under
the scheme, every year the college is committed to
adopt hundred families in Changanassery
municipal area and 25 families in Pallathuruthy in
Alappuzha district. The first group of families
selected is the Sahrudaya Residence Association
Vazhappally. The centre has already initiated a
number of programmers in Vazhappally and
Pallathuruthy.
Science Aptitude Developer
Programme (SADP)
Science Aptitude Developer Programme is a
prestigious scheme of SB College. About 50 school
students are the beneficiaries of this programme.
This year 22 lab sessions in science departments
were conducted. All the students were asked to
prepare projects and prizes were given to them. A
quiz programme also was conducted. The students
were given opportunities to interact with the former
ISRO chairman Dr. G. Madhavan Nair when he
visited the campus. Visits to RGCB, ISRO and other
research institutes were also organized.
NCC
We have NCC army wing and naval wing. During
this academic year, three of our cadets were selected
to the Republic Day parade, two cadets attended
the national integration camp. Two cadets were
selected and successfully attended Thal Sainik
camp at New Delhi. The naval unit won the overall
championship in sports and games as well as
cultural activities during the ATC at St. Thomas
College, Pala. The cadets are actively engaged in
various social activities such as blood donation,
campus cleaning, election duty etc.
Debating Club
The debating club is very active in this college. On
every Thursday the debating club organizes debates
for students. Current topics form the subject of
debate. P. T. Chacko memorial intercollegiate
debate competition was held this year. Our students
participated in the debate competitions held in
various colleges and bagged a number of prizes.
Sports and Games
Our team is the champion in various intercollegiate
basketball tournaments. We are champions in the
M. G. University south zone, M. G. University inter
zone Bertholomeu trophy and Kottayam district
interclub tournaments. We are also runners up in
many other basketball tournaments.
Our team won the M. G. University net ball
championship and our cricket team won the third
place in the M. G. University south zone tournament.
Fr. P. C. Mathew memorial intercollegiate Basket ball
tournament and Msgr. Francis Kalasserry memorial
intercollegiate football tournament were also
conducted. Annual sports meet was held on
17.2.2011.
PTA
The Parent Teacher Association under the
chairmanship of Mr. Sajan Francis and staff secretary
Mr. Soji Joseph is very active during the year.
Departmentwise meetings of the parents are held
regularly. The PTA of the college is fully involved in
the curricular and co-curricular activities of the
college.
Alumni Association
The Alumni Association of the college is very vibrant
in the college with Mr. K. J. Mathew IPS as president,
Mr. Justin Bruce as vice president and Dr. Jose P.
Jacob as secretary. The college has a number of
alumni chapters across the globe and all are affiliated
to the home chapter. The annual gathering of the
Alumni Association was held on 26 January 2011.
Six illustrious alumni were honoured during the
function.
St. Berchmans Award for the Best College Teacher
This award was initiated by Kuwait Alumni chapter.
It carries a cash award of Rs. 25000/- along with a
citation and a trophy. This year, the recipient was
Dr. T. V. Muralivallabhan of SVR NSS College,
Vazhoor. Dr. G. Madhavan Nair former chairman
ISRO presented the award.
Womens Cell
The womens cell was inaugurated by Mrs. Nisha
Jose an HR trainer. This year the womens cell
organized a number of programmes such as class
on baking and icing for the girl students.
Retreat
Annual retreat was held for the students and staff
separately for two days. Fr. George Panackal and for
Fr. Mathew Naikamparampil & Team led the retreat
for the staff. Retreat for the catholic students was led
SB
by Fr. John Manakkunnel & Team. Value Education
Programme was simultaneously held for non-
Catholic Students by Claris Bhavan Team,
Ettumanoor. A half day adoration of the Holy
Eucharist was held in the College Chappel for the
college community.
Nature Club
Nature club is very active on the campus. The club
members meet regularly and discuss
environmental issues. They also organised
seminars at the college level. The college has been
declared as plastic free campus.
Seminars and Workshops and Lectures on the
Campus
Three day national seminar on Multinationals
Lifestyle, Climate Change and Economic Crisis
organized by the Centre for Gandhian Studies
Seminar on Biotechnology organized by the
department of Botany
International lecture by Dr. Cristopher L Krzy
styniak, Professor University of Quebec at
Montreal, Canada organized by department of
Botany and Zoology
Seminar on Contemporary Possibilities and
Approaches of Malayalam Literature Studies
organized by the department of Malayalm
Prof. Ramachandra Pai Memorial Seminar by
Malayalam department
Berchnova Intercollegiate Management Fest
organized by the MBA department
Prof. S. Abraham Endowment Lecture
organized by the department of Mathematics
Prof. K. K. Francis Memorial Lecture organized
by the department of Economics
Prof. C. Z. Scaria Memorial Lecture organized
by the department of Economics
NAAC sponsored national seminar on Student
Participation in Quality Enhancement
inaugurated by Dr. V.N. Rajasekharan Pillai
organized by the IQAC
National Seminar on Human Resource
Practices by the MBA department
Prof. M. M. Sebastian Memorial Lecture
organized by the department of Zoology
National seminar on Advances in organic
Chemistry by the Dept. of Chemistry.
Dignitaries Visited the Campus
His Excellency Mr. Peter N Varghese, the
Australian High Commissioner to India
Dr. G. Madhavan Nair, former Chairman of
ISRO
Mr. Jiji Thomson IAS
Dr. Philip Augustine, MD Lakeshore Hospital
Ernakulam
Dr. V. N. Rajasekharan Pillai, Vice Chancellor
IGNOU
Mr. Kodikunnel Suresh MP
Mrs. Omana Gangadharan, novelist and New
Harm Council Chairperson
Dr. M. G. S. Narayanan
Dr. Rajan Gurukkal, Vice Chancellor, M. G.
University Kottayam
Dr. Cristopher L Krzystyniak, Professor, University
of Quebec, Canada
Mr. Vineeth Sreenivasan, Cine Artist
Mr. Tini Tom, Cine Artist
Dr. P. I. John, Director, Institute of Plasma
Research, Ahemmadabad
Dr. B. Iqbal, former Vice Chancellor, Kerala
University
Mr. T. P. Sreenivasan, IFS
Retirement
Dr. George C Chennattussery, Head of the
Department of Physics, Prof. Antony Mathew, Head
of the Department of Mathematics, Dr. Jose K Joseph,
Head of the Department of Economics, Prof. C. A.
Xavier, Physics Department, Prof. Johny Joseph,
Physics Department, Dr. James Devassia, Commerce
Department, Dr. Issac Thomas, Zoology Department
are the teachers who retired from service on 31
st
March 2011. Mr. Thomaskutty M. T, Administrative
Assistant, Mr. V. A. Joseph, Mr. M. A. Scaria, Mr. A. K.
Cherian, Mr. M. T. Antony, Mr. K. T. Joseph, Mr.
Chacko K. S. and Mr. Sher Bahadur are the members
of the ministerial staff who retired from service this
year.
Conclusion
As we come to the end of the academic year, I stand
before you with feelings of gratitude. I thank God
Almighty for His utmost care and providence for all
of us during the last academic year. This is also an
occasion to gratefully remember all our former
Patrons, Managers, Principals, Staff and Students. I
prayfully express our gratitude to our Patron His Grace
Mar Joseph Perumthottam, our Manger Re. Dr. Joseph
Naduvilezham and bursar Rev. Fr. Reji Plathottam for
their support and co-operation.
Before winding up let me use this opportunity to place
on record my heartfelt gratitude to all my colleagues
of the teaching and non-teaching staff and the students
for their unconditional support for the smooth and
successful functioning of the college. May God bless
you all abundantly and let us look forward to His
uninterrupted graces and guidance to make our
college rise in glory and excellence day by day.
Principal
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dntmv 20102011
Chairman : SARAN KUMAR.S
Vice chair/person : AMBILY P.
General Secretary : KEVIN SAVIO ANTONY
Arts club Secretary : VARGHESE ANTONY
Councillors : AJAY R. KARANAVAR
PRASANTH CHACKO
Magazine Editor : LIJU JACOB KURIAKOSE
I DC representative : KIRAN R.K
II DC representative : RONY JACOB ROY
III DC representative : JAISON GEORGE
I PG representative : BOBIN ANTONY
II PG representative : DIPIN JOSEPH
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bn.
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kplrp Fnhpw AXnep]cn PK
Zoizc\pw \nbnpsImv Cu dntmv D]
kwlcnpsImpp.
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t\ _ns 2010'11 hjs {]h\ 2010 sk]vw_ 29mw XobXn DZvLmS\w
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{]h\ {]ikvX ]cnnXn {]hI sI.hn. Zbm DZvLmS\w sNbvXp. tImtfPv
_km ^mZ sdPn mtmw _v {]h\v Fmhn[ BiwkIfpw \evIn. 2010
'11 hjs {]h\ sk{Idn tPmtPm AeIvkv hniZoIcnp. _v P\d sk{I
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amppn, tP_v sk_my Fnh t\XrXzw \evIn. Pohs\ B[mcamnbp Irjn
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tbmKnm \apv km[npn F tPmfn tPmk^v A`n{]mbsp. tImtfPnse hnZym
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amb Nn{XfpsSbpw ^nenapIfpsSbpw {]Zi\w \Spp. tImtfPv FIvj skns
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tImfPv {]nkn ^m. tUm. tSman A\pw ap Aym]Ipw tImUnt\ td kmdn\pw
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t\ _v 2010'11 dntmv
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EXECUTIVES - NATURE CLUB- 2010-'11
CO-ORDINATOR DR. J.G. RAY
PRESIDENT ROBERT SHAH
VICE-PRESIDENT SARGON VARGHESE
SECRETARY JOJO ALEX
GENERAL SECREATARY DEEPAK A. KUMAR
TREASURER MANU
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1 SB COLLEGE CHANGANASSERY

CHANGANASSERY, KERALA, INDIA

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113 SB COLLEGE CHANGANASSERY

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119 SB COLLEGE CHANGANASSERY

167 SB COLLEGE CHANGANASSERY

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