Professional Documents
Culture Documents
Catherine Murray Fall 2003: CMNS-130 C.A. Murray
Catherine Murray Fall 2003: CMNS-130 C.A. Murray
Course Team
Diana Ambrozas Doris Baltruschat Wei Gao Natalie Tkachev
Course Objectives
To provide a map to navigate the field
history & political economy Popular culture & media analysis Society and technology
Course Skills
Develop the Four stages of critical thinking: Description Analysis, Framing of Arguments and Proof Interpretation & Debate Evaluation/Originality
CMNS-130 C.A. Murray
Course Tools
Framing arguments Organizing proof Writing persuasively
Developed in tutorial debates Short essay paper
Tutorials
Attend each tutorial Participate in debate Essay assignments: start by week 4 EXAMS
Mid Terms are Pop Quizzes in Tutorial Workshop for final exam available
Key Concepts
Media & Communication defined Mass Communication defined Model of the Communication Process Mapping the Flow
Visual
Digital
Internet
Origins of Communication
Part of human search to transcend time and space One of the oldest of human practices:
Essential for social survival, economic organization Formal study rooted in classical politics from times of Ancient Greece and Rome under a different title: rhetoric, literary criticism, persuasion (humanities) Development of the study of Mass Communication allied with rise of social sciences and mass marketing WW2
Mass Communication
Communication from one person, group or institution through a transmission system or medium to large audiences or markets From one ( or few) to many
Implies concept of gatekeeper: controller of transmission/message design Implies concept of effectiveness and efficiency: is messaging achieving what it intended?
Transmission Model II
Central Questions:
Useful in early study of propaganda, and advertising ( stimulus response assumption) Sees mass communication as a process of transmitting intentional messages for the purpose of social control, or marketing Implies the study of state or government policies, economic processes of advertising and commodification of popular culture
4. 5. 6.
7 Trends in Communication
1. Compression of space and time
Larger and larger territories covered: networks of networks emerging (www) Mobile, wireless untethered access: ubiquity Communication across borders virtually instantaneously
2. Commodification
Spread of private and not public enterprise, interpenetration of marketing, consumption and media Widespread ideology of consumption/consumer sovereignty
7 Trends Contd
4. Globalization :
Growth in international trade in cultural products, rise of 6 or 8 main companies dominating markets and merging industries AOL Time Warner;Disney;Vivendi, Viacom, Sony, News, Bertelesmann
5.
Conversion of sound pictures and text into computer readable formats by representing them as strings of zeros and ones Now, telecommunication providers involved in TV and cable Digitization enables the production, circulation, manipulation and repurposing or storage of information on unprecedented scale
6. 7.
Narrowly casting or targeting communication to particular interests shrinking share of general interest TV
Personalization
The daily me: personal tailoring of media diet/media products Ideal type: MP3 downloading of custom music
Cultural Model II
Central Question:
How does communication construct a map of meaning for people in everyday life? (cultural model) How do people negotiate common meaning and are bound by it Starts from the assumption that:
Embraces ideology/belief systems and ritual: mass communication is the representation of shared beliefs where reality is produced maintained, repaired and transformed
Any attempt to understand the power of the media requires us first to understand how these products are located within and work to construct meaning in everyday life (Grossberg et al, p. 237).
CMNS 130
Looks at issues of policy and political economy Interaction of technology, organization of cultural industries and cultural power Text: Augie Fleras, Mass Media and Communication in Canada Fleras a sociologist
His agenda: This text intends to out the mainstream media as a persuasive dynamic that manipulates and conceals even as it enlightens and informs. Contradictions prevail: to the one side the media reflect, reinforce and advance the interests of the powerful. To the other side, there are sufficient openings for oppositional forces to transform the mediavii.
CMNS-130 C.A. Murray