EIGHTEENTH-CENTURY MUSIC, VOLUME 9 - ISSUE 01 CONTRIBUTORS Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 1-3 doi: 10.

1017/S1478570611000297, Published online by Cambridge University Press 27 Jan 2012 EDITORIAL Berta Joncus Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 5-8 doi: 10.1017/S1478570611000303, Published online by Cambridge University Press 27 Jan 2012 The Composer's Eye: Focalizing Judith in the Cantatas by Jacquet de La Guerre and Brossard Michele Cabrini Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 9-45 doi: 10.1017/S1478570611000315, Published online by Cambridge University Press 27 Jan 2012 THE MYSTERY OF ERNELINDE Reginald McGinnis Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 47-61 doi: 10.1017/S1478570611000327, Published online by Cambridge University Press 27 Jan 2012 The moral background of the work of art: character in German musical aesthetics, 17801850 Matthew Pritchard Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 63-80 doi: 10.1017/S1478570611000339, Published online by Cambridge University Press 27 Jan 2012 ALLAN RAMSAY, THE IDEA OF SCOTTISH MUSIC AND THE BEGINNINGS OF NATIONAL MUSIC IN EUROPE Matthew Gelbart Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 81-108 doi: 10.1017/S1478570611000352, Published online by Cambridge University Press 27 Jan 2012 The Effective Passage in Mozart's Paris Symphony Matthias Range Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 109-119 doi: 10.1017/S1478570611000340, Published online by Cambridge University Press 27 Jan 2012 CARYL CLARK HAYDN'S JEWS: REPRESENTATION AND RECEPTION ON THE OPERATIC STAGE Cambridge: Cambridge University Press, 2009 pp. xvii+244, ISBN 978 0 521 45547 3 Diana R. Hallman Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 121-123 doi: 10.1017/S1478570611000364, Published online by Cambridge University Press 27 Jan 2012 JOHN IRVING UNDERSTANDING MOZART'S PIANO SONATAS Farnham: Ashgate, 2010 pp. x+157, isbn 978 07 5466 769 8 Katalin Komls Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 123-126 doi: 10.1017/S1478570611000388, Published online by Cambridge University Press 27 Jan 2012 MICHAEL KASSLER (ED.) A. F. C. KOLLMANN'S QUARTERLY MUSICAL REGISTER (1812): AN ANNOTATED EDITION WITH AN INTRODUCTION TO HIS LIFE AND WORKS Aldershot: Ashgate, 2008 pp. xviii+307, isbn 978 0 7546 6064 4 Bennett Zon Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 126-128 doi: 10.1017/S147857061100039X, Published online by Cambridge University Press 27 Jan 2012 JEAN-PAUL C. MONTAGNIER HENRY MADIN, 16981748: UN MUSICIEN LORRAIN AU SERVICE DE LOUIS XV Langres: Dominique Guniot, 2008 pp. 358, isbn 978 2 87825 412 9 Shirley Thompson Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 128-130 doi: 10.1017/S1478570611000406, Published online by Cambridge University Press 27 Jan 2012

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EIGHTEENTH-CENTURY MUSIC, VOLUME 9 - ISSUE 01 JACQUELINE WAEBER (ed.) MUSIQUE ET GESTE EN FRANCE DE LULLY LA RVOLUTION: tudes sur la musique, le thtre et la danse Bern: Peter Lang, 2009 pp. viii+305, isbn 978 3 03911 637 9 Jean-Paul C. Montagnier Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 130-131 doi: 10.1017/S147857061100042X, Published online by Cambridge University Press 27 Jan 2012 IAN WOODFIELD THE VIENNA DON GIOVANNI Woodbridge: Boydell, 2010 pp. xviii+214, isbn 978 1 84383 586 8 Julian Rushton Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 131-133 doi: 10.1017/S1478570611000431, Published online by Cambridge University Press 27 Jan 2012 LUDWIG VAN BEETHOVEN (17701827), ED. JON CEANDER MITCHELL PIANO CONCERTO IN E FLAT MAJOR WoO 4 Recent Researches in the Music of the Classical Era 80 Middleton: A-R, 2010 pp. xii+99, ISBN 978 0 89579 665 3 Barry Cooper Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 133-135 doi: 10.1017/S1478570611000443, Published online by Cambridge University Press 27 Jan 2012 Giovanni Stefano Carbonelli (c1699/17001773), ED. Michael Talbot Twelve Sonate da camera, volume 1: Sonatas 16 Launton: Edition HH, 2011 pp. xv+89, isbn 979 0 708092 30 8 Alon Schab Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 136-137 doi: 10.1017/S1478570611000455, Published online by Cambridge University Press 27 Jan 2012 FRANCESCO GEMINIANI (16871762), ED. CHRISTOPHER HOGWOOD OPERA OMNIA, VOLume 8: 6 CONCERTOS AFTER CORELLI, OPP. 1 & 3, H. 126131; 3. CONCERTOS FROM SELECT HARMONY, H. 121123; 2 UNISON CONCERTOS, H. 124125 Bologna: Ut Orpheus, 2010 pp. xxxv+184, ismn 979 0 2153 1880 9 Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 138-140 doi: 10.1017/S1478570611000467, Published online by Cambridge University Press 27 Jan 2012 Leopold Koeluh (17471818), ed. Christopher Hogwood COMPLETE SONATAS FOR KEYBOARD, VOLUME 1 Prague: Brenreiter, 2010 pp. xxvii+196, ismn 979 2601 05010 Rohan Stewart-MacDonald Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 140-142 doi: 10.1017/S1478570611000480, Published online by Cambridge University Press 27 Jan 2012 GEORG GNTHER (ED.) FRHE SCHILLER-VERTONUNGEN BIS 1825 Denkmler der Musik in Baden-Wrttemberg 18 Munich: Strube, 2005 pp. xcviii+253, isbn 3 89912 085 x James Parsons Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 142-144 doi: 10.1017/S1478570611000492, Published online by Cambridge University Press 27 Jan 2012 Claude Bnigne Balbastre (17271799) Pices de clavecin (1759) Sophie Yates. Chandos Chaconne, CHAN 0777, 2011; one disc, 76 minutes David Chung Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 144-146 doi: 10.1017/S1478570611000509, Published online by Cambridge University Press 27 Jan 2012 GEORGE FRIDERIC HANDEL (16851759) FLAVIO, RE DE' LONGOBARDI. Rosemary Joshua (soprano), Iestyn Davies (countertenor), Tim Mead (countertenor), Renata Pokupi (mezzo-soprano), Hilary Summers (contralto), Andrew Foster-Williams (baritone), Thomas Walker (tenor) / Early Opera Company / Christian Curnyn. Chandos Chaconne, CHAN 0773(2), 2010; two discs, 146 minutes Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 146-149 doi: 10.1017/S1478570611000510, Published online by Cambridge University Press 27 Jan 2012 Johann Mattheson (16811764) Christmas Oratorio; Magnificat A due cori Nicki Kennedy (soprano), Anna Crookes (soprano), Ursula Eittinger (alto), Dorothee Merkel (alto), Andreas Post (tenor), Sven Hansen (tenor), Stephan MacLeod (bass), Johannes Gsnger (bass) / Die Klner Akademie / Michael Alexander Willens. cpo 777 274-2, 2010; one disc, 55 minutes Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 149-151 doi: 10.1017/S1478570611000522, Published online by Cambridge University Press 27 Jan 2012 FERDINAND RIES (17841838) PIANO CONCERTOS, VOLUME 4: PIANO CONCERTO IN C MINOR, CONCERTO PASTORAL, INTRODUCTION ET RONDEAU BRILLANT. Christopher Hinterhuber (piano) / Bournemouth Symphony Orchestra / Uwe Grodd; Naxos 8.572088, 2010; one disc, 71 minutes Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 151-154 doi: 10.1017/S1478570611000534, Published online by Cambridge University Press 27 Jan 2012

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EIGHTEENTH-CENTURY MUSIC, VOLUME 9 - ISSUE 01 DAVID BREITMAN (Oberlin Conservatory) writes: Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 155-157 doi: 10.1017/S1478570611000546, Published online by Cambridge University Press 27 Jan 2012

ALLAN BADLEY (University of Auckland) writes: Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 157-158 doi: 10.1017/S1478570611000558, Published online by Cambridge University Press 27 Jan 2012

JOHN IRVING writes: Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 158-159 doi: 10.1017/S1478570611000571, Published online by Cambridge University Press 27 Jan 2012

BERTHOLD OVER (Johannes Gutenberg-Universitt Mainz) writes: Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 159-160 doi: 10.1017/S1478570611000686, Published online by Cambridge University Press 27 Jan 2012 DEVOZIONE E PASSIONE: ALESSANDRO SCARLATTI NEL 350 ANNIVERSARIO DELLA NASCITA, A ROBERTO PAGANO PER I SUOI 80 ANNI, NAPLES AND ROME, 1516 DECEMBER 2010 CORRIGENDUM ANGELA FIORE Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 161-161 doi: 10.1017/S1478570611000704, Published online by Cambridge University Press 27 Jan 2012 11. STUDIENTAGE IMPROVISATION: SATZMODELLE DES GENERALBASSZEITALTERS FELIX DIERGARTEN Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 162-164 doi: 10.1017/S1478570611000583, Published online by Cambridge University Press 27 Jan 2012 Bach & Wien: Die Wiener Bach-Tradition, ihre Trger, berlieferungswege und Auswirkungen im 18. und frhen 19. Jahrhundert Wolfram Enlin Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 164-166 doi: 10.1017/S1478570611000595, Published online by Cambridge University Press 27 Jan 2012 Hndel und Dresden: Italienische Musik als europisches Kulturphnomen Barbara Reul Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 166-168 doi: 10.1017/S1478570611000649, Published online by Cambridge University Press 27 Jan 2012 3. INTERNATIONALES IGNAZ-JOSEPH-PLEYEL-SYMPOSIUM Allan Badley Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 168-172 doi: 10.1017/S1478570611000650, Published online by Cambridge University Press 27 Jan 2012 Historical Keyboard Music: Sources, Contexts, and Performance SARA GROSS CEBALLOS Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 172-174 doi: 10.1017/S1478570611000662, Published online by Cambridge University Press 27 Jan 2012 Msica instrumental en Espaa, 17501800: estilos, influencias, interpretacin Jos Mara Domnguez Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp 174-176 doi: 10.1017/S1478570611000674, Published online by Cambridge University Press 27 Jan 2012

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EIGHTEENTH-CENTURY MUSIC, VOLUME 9 - ISSUE 01 ECM volume 9 issue 1 Cover and Front matter Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp f1-f4 doi: 10.1017/S1478570611000285, Published online by Cambridge University Press 27 Jan 2012

ECM volume 9 issue 1 Cover and Back matter Eighteenth-Century Music, Volume 9, Issue 01, March 2012, pp b1-b8 doi: 10.1017/S1478570611000698, Published online by Cambridge University Press 27 Jan 2012

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