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Britannia Pacificatrix

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Rade Mili, Milena Joksimovi Pajevi


Brittania Pacificatrix Ancient Symbols in Modern World Identity Deciphering
The legacy of the ancient Greece, in idealized form, became a model for the perfect society in 19th
century. Educational system and the predominating social values of the 19th cent. Europe, would send
a message to the prospective elite that the contemporary European civilization has its origins in the
classical Antiquity. Generations of young Europeans, Serbs scattered all around the European
universities among them, grew up in this belief. In this context, works of art, often by government
order, had been created, representing individual nations by certain characterizing symbols. An example
of such representation of the national characteristics projected in the symbols of Antiquity, as a
reflection of the contemporary politics and prejudices, is the mural Britannia Pacificatrix of Sigismund
Goetze, painted at the British Foreign Office, at the end of the World War I, when the afore-mentioned
ratio of the ancient heritage has still been of influence. Among the figures represented at the mural,
there is a personification of Serbia. Representation of Serbia among winning countries, at the place
where a number of high-ranging diplomats are passing by, is a valuable legacy that requires special
attention. Decoding the symbols at the afore-mentioned mural reveals the British vision of the world
order at the end of the World War I, and the place of Serbia within it.
Key words: Serbia, The Foreign Office, Britannia Pacificatrix, ancient iconography, Sigismund
Goetze.
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Geary 2007: 32.


2008: 56 57.

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Dietler 2005: 33 68.


Geary 2007: 35.
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Dietler, 2005: 33 68.
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2008: 37.
L. c.: 39.
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Babi 2010: 264.
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Dietler 2005: 33 68.
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Ibid.
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Chastel 1988: 8
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Todorova 1999: 114-115.
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L. c.: 225.
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2006: 315 319.
L. c.: 320.
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L. c.: 321.
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Britannia Pacificatrix
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Britannia Pacificatrix

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L. c.: 322.
Goetze 1921:6.

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Louis 2006: VII; Seldon 2000: 93.


Goetze 1921: 6: ... that having won her position in the world, Britannia's influence is for Peace, and that her sons, whom
she has sent in distant lands, are ready to return to the Motherland, and with counsel and aid be at her side. V. et Bradley
2010: 218.
21
Goetze 1921: 7.
22
/- 1992: 63, s.v. .
23
Willsdon 2000: 118.
24
Goetze 1921: 6-7.
25
Ibid.
26
L. c.: 7.
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: . gallus ''
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28
Goetze 1921: 7: ...the debris of Despotism and Militarism which she has been fighting to destroy.
29
Ibid
30
Willsdon 2000: 118, , 1920. .
31
Harris 2003: 290.
32
Gullace 2002: 20-23.
33
Dickson 2004: 94, s.v. scrap of paper.
34
Goetze 1921: 7.

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Ibid.: Fame. fama neutralia passiva, . .


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36
Goetze 1921: 8.
37
Ibid.
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39
Bradley 2010: 217-8.


.
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(Hall of Remembrance) ,
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:
, . (2008). . .
, . . (2006). , . .
, . (1983). 18. o . CCCXXXIV:
37-50.
, . / -, . (1992). 4 . .
Babi, S. (2010). Prolost kao Drugi Drugi kao prolost. 5/2: 259268.
Bradley, M. (ed.) (2010). Classics & Imperialism in the British Empire. Oxford/New York.
Chastel, A. (1988). Pojam batine, Pogledi 3-4, vol. 18 13: 1-13.
Dickson, P. (2004). War Slang: American Fighting words and phrases since the Civil War.
Washington.
Dietler, M. (2005). The Archeology of Colonization and the Colonization of Archeology Theoretical
Challenges an Ancient Mediterranean Colonian Encounter, in: Stein, G. J. (ed.). The Acheology
of Colonial Encounters Comperative Perspectives. Santa Fe.
Geary, P. (2007), Mit o nacijama, Novi Sad.
Goetze, S. (1921). Mural decorations at the Foreign Office, London.
Gullace, N. E. (2002). The Blood of Our Sons: Men, Women, and the Renegotiation of British
citizenship during the Great War. New York.
Harris, J. P. (2003). Great Britain, in: R.F. / Herwig, H. H. (eds.). Origins of World War One,
Hamilton. Cambridge.
Hayward, J. E. S. (2007). Fragmented France: Two Centuries of Disputed Identity. Oxford/New York.
Louis, W. R. (2006). Ends of British Imperialism: The Scramble for Empire, Suez and Decolonization,
New York.
Seldon, . (2000). The Foreign Office: An Illustrated History of the Place and Its People. London
Todorova, M. (1999). Imaginarni Balkan. Beograd.
Willsdon, C. A. P. (2000). Mural painting in Britain 1840-1940: Image and Meaning. Oxford/New
York.

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