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Ashdown ABM EVOII Manual
Ashdown ABM EVOII Manual
Ashdown ABM EVOII Manual
OPERATING INSTRUCTIONS
OPERATING INSTRUCTIONS
Thank you for purchasing your Ashdown Engineering Amplifier. If you live in the UK, please register your
purchase by completing this form and return it to the following address:
Ashdown Engineering, The Old Maltings, Hall Road, Heybridge, Maldon, Essex CM9 4NJ, England
If you live outside the UK, the local Ashdown distributor may have included a specific registration form
for your country.
Model . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Colour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Voltage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tested by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Serial number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Date . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1 YEAR WARRANTY
Your Ashdown Engineering amplifier has been manufactured to the highest standards, using the best-
selected materials. To ensure its optimum performance, please ensure your amplifier is regularly
serviced. This product carries a one year warranty, against defects in materials and workmanship, for the
original purchaser. Ashdown Engineering will, at their discretion, replace or repair any product or part
thereof, which is found by Ashdown Engineering to be defective. This warranty shall not apply to the
damage of covering, fittings or finishes when affected by carelessness, accident or extreme climate
changes. Nor does it apply to normal wear and tear of parts such as valves, fuses, light bulbs, speakers,
controls etc.
Please complete the lower section of this warranty and return it within 10 days of purchase to Ashdown
Engineering Ltd. at the above address. In the unlikely event of any defect, please contact an authorised
Ashdown Engineering dealer. All transport charges are to be pre-paid by the Owner. Unless the
registration card is returned normal country warranty laws apply.
Comments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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This is a NO COMPROMISE design using the • Powerful TOROIDAL mains transformer. Everything possible has been done to make
best parts available wherever possible. This is more expensive than a laminated this a reliable, top of the range, minimum
stack transformer but has better service, high quality, long lasting powerful
Some examples of this are as follows: regulation, i.e., provides more power on bass amplifier.
demand without sagging out and also
• Gold plated jack sockets for reliability and has a minimal external magnetic field We know you will appreciate the effort that
long life. which means that single coil pick up has been put into the design and
basses are less likely to pick up mains manufacture of this unit and you will be
• Full metal XLR sockets for strength and hum from the amplifier. rewarded in your choice of bass amplifier by
their positive latching facility. long life and reliability.
• FET input circuit to the preamp for
• Powerful output stages for extra ‘Warmth’ even when using the CLEAN
headroom (rated in English RMS real input mix setting.
power and not MUSIC or PEAK power as
these can claim to be 2 or 3 times the • D.C. heaters for the TUBE section for low
actual real power of the amplifier). noise operation.
• Doubling up of the cooling fans for • Switch on delay for silent power up.
reliability and reduced fan noise (2 fans
can run at half the speed to provide the • Thermal trip for output protection.
same cooling capacity and as a
consequence generate only half the noise • Relay switched speaker output lines for
of one fan running at twice the speed). silent power down.
• Sub Bass output and Sub Harmonics
• Speed controlled fan drive circuit. Again facility for really serious bottom end.
this reduces the amount of fan noise as
the fans run slow when the unit is cool
and increase in speed with output power
demands.
ABM/RPM-1
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INPUTS - A single instrument input is EQUALISATION - This consists of BASS, Balanced Microphone input. It is not
provided, linked to a PASSIVE/ACTIVE selector MIDDLE and TREBLE controls with two sliders intended for any other type of connection.
switch (switch out=PASSIVE, switch placed in between. This can be used in a This has a floating ground that is referenced
in=ACTIVE). In PASSIVE mode, the input is number of ways: to the mixing console it is plugged into and
high sensitivity and also high impedance to should not need ground lifting. It is also
suit the output from PASSIVE basses. In active • Firstly as a very simple Bass, Middle and unaffected by Phantom Powering on the
mode, the input is low sensitivity and lower Treble tone control section as found on Microphone input. Make sure your XLR plug
impedance to suit the output from ACTIVE older traditional amplifiers. This is done by does not have the shell of the plug internally
basses. leaving the two sets of sliders set in their connected to the ground signal or this will
centre positions and using only the BASS, connect the system to the chassis ground of
INPUT CONTROL - The INPUT control sets MIDDLE and TREBLE controls to alter the the amplifier and may cause problems with
the signal level through the preamp in overall tone. hum.
conjunction with the INPUT LEVEL VU Meter.
This is adjusted to give a reading of 0VU on • Secondly, if more control is required, then PUSH TO MUTE - When pushed IN this
the meter for average playing dynamics with the sliders can also be used to tailor the E.Q. button mutes the output from the preamp to
occasional peaks into the red region. Please in the regions between the main tone the power amp, mutes the output from the
note that this setting may require re- controls. D.I. socket and mutes the output from the
adjustment after modification of the EQ Sub Out socket as well. This leaves the output
controls. This provides a very versatile Equalisation from the TUNER / LINE socket still available to
section that is simple to understand and allow muted tuning. An LED is provided next
PUSH FLAT / SHAPE - With this button in its operate, yet provides a wide degree of to this switch to indicate when the amplifier
OUT position a fixed E.Q. is superimposed on variation. It retains the simplicity of a three- is muted. This operates only from the front
the preamp to give a bright but punchy control tone section but provides the panel MUTE push switch, i.e. pressing this
character to the sound. Pushing this button flexibility of a graphic equaliser. button mutes all sound from the amplifier
IN returns the preamp to a Flat frequency and allows a tuner connected to the TUNER /
response. This function may also be SUB HARMONICS - This section consists of LINE socket to operate for silent tuning.
controlled from a footswitch. For the an IN / OUT switch and a LEVEL control. When Release the button and you are back in
footswitch to operate, this button must be in switched IN, Sub Harmonics an octave below action again.
its OUT position. the notes being played are produced. The
level of these Sub Harmonics relative to the TUNER / LINE OUT - This output socket
VALVE DRIVE - This routes the signal either straight bass sound can be adjusted using provides a line level signal that can be used
through a clean Solid State amplification the LEVEL control. This is very effective in either for a permanent connection to a tuner
section (control on zero) or through a Dual thickening the sound and you will find in use or a line output to slave up to other power
Triode Tube amplification/overdrive section that only a small degree of this lower octave amplifiers. Please note that if this socket is
to add either tonal character, i.e. warmth with is required to really fill out the sound and used as a slave output to other power
the control set at 9 o’clock, a slight edge in provide a character to the sound that is not amplifiers that the MUTE button will not
the sound at 12 o’clock, through to an possible by any other means. The degree of mute the signal to the external power
increasing degree of Tube Sub Harmonics is also dependant on the amplifiers.
distortion/overdrive as the control is setting of the BASS control. This facility is
advanced to maximum. A Mix of these two footswitchable on the ABM/RPM-1 range via SUB OUT - This output socket provides a Low
amplification sections can be achieved with a socket on the rear panel. For the footswitch Pass filtered output for connection to a
this control. N.B. The degree of Tube to operate the Sub Harmonics must first be power amplifier driving a sub unit for
distortion with this control will also depend switched into circuit with the front panel additional extra-low bottom end. This may
on the setting of the INPUT control. push button. also be used to drive other power amplifiers
to provide additional low bottom end to the
VALVE DRIVE IN/OUT - This push button DIRECT INJECT (D.I.) - A balanced D.I. is system. The Low Pass filter is fixed at 160Hz.
switches the valve drive section IN or OUT. provided on the front panel rugged metal
This function may also be controlled from a latching XLR socket. The ABM/RPM-1 features OUTPUT LEVEL - The OUTPUT control
footswitch. For the footswitch to operate this a push button placed below the XLR that adjusts the overall level of the amplifier.
button must be in its OUT position. allows the user to choose either a Pre E.Q. / Adjust this for your preferred overall stage
Pre Sub signal or a Post E.Q. / Post Sub and playing volume.
E.Q. IN / OUT - This button switches the Effects signal (the Pre E.Q. signal also includes
Equalisation section IN or OUT, i.e., the Bass, the Shape facility, if this is switched into
Middle and Treble controls and the two sets circuit). The output signal from this XLR
of sliders placed between these. This facility socket is set to a level and impedance
is footswitchable via a socket on the rear suitable for connecting directly into the
panel. For the footswitch to operate this Microphone input of a mixing desk for either
button must be in its out position. Direct Injection into the PA system or for
recording. This must ONLY be used into a
#17669 - Manual 2005_ABM 18/4/05 12:21 pm Page 7
5 58 65
4 6 52
47
75
7
3
I o
42
95
8
2
12
39
9
1
10 15
0 35 0
LINE INPUT - The rear panel has a Line Input from 35Hz to 160Hz with a level control for
socket for connection of other signal sources the LOW PASS output to adjust the balance
into the system. This can be used for between LOW and HIGH outputs signals.
plugging a CD, Tape or MiniDisc player into There is also a FULL RANGE jack line output
the amplifier for practising or rehearsing or provided. This section is provided with
for connection of a second preamp into the switched output levels for simplified
system. connection to power amplifiers that require
either a 0dB or +4dB signal level. This
EFFECTS SEND / RETURN - A serial effects switches the levels of all three outputs.
loop is provided at a level of 0dB. The
EFFECTS SEND socket can also be used as a SPEAKER OUTPUT (except Rack Preamp
Line Out socket if required. The signal path RPM-1) - The Speaker Output sockets are also
through the preamp is only broken when a situated on the rear panel of the unit. The
jack plug is inserted into the EFFECTS ABM provides both jack and speakon
RETURN socket. The EFFECTS SEND is situated connectors.
after the EQ, Valve section and Sub Bass
Processor.
Specifications
INPUTS
High Input Impedance 3.9M Ohms Input range 150mV to 20V p-p
Low Input Impedance 10K Ohms Input range 300mV to 40V p-p
Line Input Impedance 22K Ohms Input level 0dBu nominal
Effects Return Impedance 22K Ohms Input level 0dBu nominal
OUTPUTS
Tuner Output Impedance 22K Ohms Level 0dBu nominal
Sub Output Impedance 22K Ohms Level 0dBu nominal
Effects Send Impedance 22K Ohms Level 0dBu nominal
D.I. Output 600 Ohms balanced Level -20dBu nominal
Low Pass (RPM-1 only) Impedance 1K Ohms Level switched 0/+4dBU
High Pass (RPM-1 only) Impedance 1K Ohms Level switched 0/+4dBU
Full Range (RPM-1 only) Impedance 1K Ohms Level switched 0/+4dBU
Speaker Outputs Minimum impedance 4 Ohms
EQUALISATION
Shape (Push Flat) +8dB @ 50Hz & 4kHz, -8dB @ 400Hz, filter slope - 6dB/octave
Bass +/-15dB @ 45Hz
Middle +/-15dB @ 660Hz
Treble +/-15dB @ 7kHz shelving
Slider1 +/-15dB @ 110Hz
Slider 2 +/-15dB @ 340Hz
Slider 3 +/-15dB @ 1.3kHz
Slider 4 +/-15dB @ 2.6kHz
GENERAL SPECIFICATION
Frequency Response -3dB at 17Hz and 30KHz
Rack Preamp RPM-1 Crossover Variable between 35 and 160Hz
Power Requirements 230 / 115V
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