The document analyzes Virginia Woolf's short story "The Mark on the Wall". It discusses how Woolf privileges imagination over describing reality directly. A small mark on a wall prompts the narrator to deeply reflect on life and stimulates the reader's imagination. The mark's ambiguous identity represents humanity's confusion over life's meaning. The story also criticizes those who follow others' thinking without developing their own ideas, and realists who claim to objectively describe reality and human nature, which modernists viewed as constantly changing. It questions religion's imposition of dogma over individual liberty and creativity.
The document analyzes Virginia Woolf's short story "The Mark on the Wall". It discusses how Woolf privileges imagination over describing reality directly. A small mark on a wall prompts the narrator to deeply reflect on life and stimulates the reader's imagination. The mark's ambiguous identity represents humanity's confusion over life's meaning. The story also criticizes those who follow others' thinking without developing their own ideas, and realists who claim to objectively describe reality and human nature, which modernists viewed as constantly changing. It questions religion's imposition of dogma over individual liberty and creativity.
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The document analyzes Virginia Woolf's short story "The Mark on the Wall". It discusses how Woolf privileges imagination over describing reality directly. A small mark on a wall prompts the narrator to deeply reflect on life and stimulates the reader's imagination. The mark's ambiguous identity represents humanity's confusion over life's meaning. The story also criticizes those who follow others' thinking without developing their own ideas, and realists who claim to objectively describe reality and human nature, which modernists viewed as constantly changing. It questions religion's imposition of dogma over individual liberty and creativity.
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as DOCX, PDF, TXT or read online from Scribd
Analysis of The Mark on the Wall by Virginia Woolf
As a modernist writer, Virginia Woolf isnt interested on describing the
reality as it really is, but she wants to privilege the imagination and the liberty of creation. In her short story The Mark on the Wall, a simple element like a mark on the wall is responsible to the narrators deeply reflection about life and stimulates the imagination of the reader. Although, there are many elements in this short story that are capable of being discussed, this analysis only points out some of them. The first point that can be considered very important is the symbolism of the mark on the wall. During all the story, the narrator imagines what that mark could be, but he/she is never sure about it: But for that mark, Im not sure about it; I dont believe it was made by a nail after all; its too big, too round, for that. I might get up, but if I got up and looked at it, ten to one I shouldnt be able to say for certain; because once a things done, no one ever knows how it happened. This confusion about the identity of the mark on the wall can be interpreted as the confusion that people have in relation to the meaning of life. As in the short story that only in the final the narrator discovers the true identity of the mark, the human beings will probably know what life is only in its end. Other important element of this short novel is the criticism to those people that dont develop their own ideas, although they follow somebodys thinking: Everybody follows somebody, such is the philosophy of Whitaker. However the tougher criticism is taken to the realists that wanted to describe the reality and the human being as they are in fact. This literary pattern was very discussed by the modernists, because they defend that the reality and the man are changing all the time and it would be impossible to prove or know something in its totality. Even for a individual, it is difficult to know himself/herself deeply, for the reason that anyone has the certain about his/her attitude in front of a big problem, for example. This point of view of the modernists can be verified in some parts of this story, such as the moment that the narrator questions the reality and even himself/herself: No, no nothing is proved, nothing is known, Where was I ? What has it all been about? A tree? A river? The Downs? Whitakers Almanack? The fields of a asphodel? I cant remember a thing. Everthings moving, falling, slipping, vanishing Finally, the last important aspect of this short story that will be discussed is the criticism to the religion, that always imposes its dogma and people have to follow it, without questioning. This manipulation of ideas is deeply criticized by modernists, because it contradicts the liberty and the power of creation. In fact not only the religion is censured by the modernism, but as it
was said before , every person that doesnt have his/her own ideas and accept opinions and discourses pre-constructed by someone else.