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Refining The Details in Your Audio Production
Refining The Details in Your Audio Production
18/12/12 14.18
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18/12/12 14.18
Vocal Pops
Vocal pops are best stopped completely at the recording stage. I recommend using a nylon mesh (not metal) pop shield 4-5 inches in front of the microphone. Pops can be tricky to edit out unless you have a very good audio editing application, so best to avoid them in the first place. If however you have recorded some pops (and it does sometimes happen even if you have a pop filter in place) the two main means of removal will be editing them out, adding small fades or momentarily automating a high pass filter on the plosive.
18/12/12 14.18
Bad Edits
Bad edits are simply edits that lose musical timing. They are easily heard when focusing on the rhythm of any piece of music and can obviously occur on any instrument. These are very obvious to hear but are often missed. The musician or producer is listening globally to their production and is highly involved in it. Sometimes you need to step back and listen with a fresh approach to only the timing aspects of the music and not the mix, melody or vocal tuning. Then you can tune into any problem edits that miss a beat.
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DI Guitar Thump
When you DI a guitar there is often some very low frequency thumping that accompanies the picking and tapping of strings. This happens especially when using an acoustic guitar pick up as the hollow body resonates and amplifies the thumps. If you use a spectrum analyzer you will see lots of energy down at the 20-50 Hz area of the spectrum and this is best filtered out to a degree which retains accent of the picking/tapping but does not cause excess thump on a full range system with deep bass response. So all it takes is a little extra work to resolve some common extraneous noises, put your headphones on, listen deep into your mix and clean up your tracks before they leave your studio.
Monitoring is Important
The problems outlined above highlight why high quality studio monitors are very important when recording and mixing music. These issues are often missed on low quality loudspeakers. Lower quality drivers will cloud over the sonic information and small details in your mix will not be presented to your ears and they will go unnoticed. I recommend that a very high quality pair of headphones be used to be able to hear these types of problem more easily after a mix has been performed. These can block out external sounds and help you focus on hearing the details. You need to listen to the technical presentation of the music rather than the emotional and performance aspect of the music. A little tip I can offer is to add a high shelf boosting about 6 dB from 5 kHz across you whole mix. This accentuates the glitches and makes them even easier to hear in headphones as it brightens up the sound. Do be aware that could enhance hiss and make sure you remember to remove it before you bounce your file.
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