'oc/ii

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G/-net
lOj-net

phoTooraph by h/ndpermission From a r ofA/fre/Ws. upper BakerS* M h/.

Vrro in Cloth,

R,WOT " f

^'^ HOPWOOD S CREWE?

ahore
(Jp<o-a

D 42 New

Bond Street.

AGENTS: WHITE-SMITH, MUSIC PUBLISHING CO., BOSTON, NEW YORK 4 6HICM30. COPYRIGHT 1SSS. BY HOPWOOD 1 CHEW. at < tmcerts, Single detanked numbers may be ">/ All performing Ritjhh w this Opera arc reserved. In no rate not more Hum two nt one. Concert, but they must he given tvithout Stage Costume or Actum. Application for right of performing from the Opera. must such performance be announced as a "Selection"
the

must

he,

made

to

Mr.

GEORGE EDWARDES,

Duly'*

Theatre, London.

THE GEISHA.
A STORY OF A TEA HOUSE.

H
OWEN

Japanese
IN

flfousical
ACTS

flMa^

TWO

LIBRETTO BY

LYRICS BY

HALL.

HARRY GREENBANK.
MUSIC BY

SIDNEY JONES.
Authors of "

An

Artist's

Model" and

"A

Gaiety Girl."

VOCAL SCORE
Do.
(Bound
in

...

6s. net

Cloth)

...

10s.
3s.

PIANOFORTE SOLO
LYRICS

...

...

6d.

Pontoon

HOPWOOD & CREW,

Boston,

Ltd., 42,
:

New Bond

Street,

W.

New York and

Chicago: The White-Smith Music Publishing Company. Germany and Austria Messrs. Bote & Bock.

Budapest: Bard Ferencz es Testvere. Copyright 1896 by Hopwood & Crew.

All performing Rights in

this

Opera are
be

reseri'ed.

Single detached numbers

may

be

sung at Concerts, not mot

be
t

than two at one Concert, but they must

given without Stage Costume or Action.

In no case must such performance

announced as a "Selection" from the Opera.

Application for right of performing the above Opera

must

be

made

Mr.

GEORGE EDWARPES,

Daly's

Theatre,

London.

Performed at Dalys Theatre, London-

Uramatts personam

O Mimosa San
Juliette Diamant
...

(Chief Geisha)

Miss Marie Tempest. Miss Juliette Nesyille. Miss Kristixe Yudall. Miss Emelie Herve.

(A French

Girl,

attached to Tea House as Interpreter)

(an Attendant)

Nami (Wave of the Sea)

Kiku Sax (Chrysanthemum)

Ha>-a San (Blossom)

Miss
(Geisha)

Mary Fawcett.

Kinkoto Sax (Golden Harp)

Miss Elise Cooke. Miss

Visitor in Japan, travelling in her Yacht)

Komurasaki San (Little Yiolet)

Mary

Collette.

Lady Constance Wynne (an English

Miss Marie Worthtnoton
...

Miss

Maud

Hobsox.

Miss Blanche Massey.

(English Ladies, Guests of

Miss Ethel Hurst Miss Mabel Grant

Lady

Miss Hetty Hamer.

Miss Alice Davis.

Constance)

Miss Louie Plumpton...

Miss Molly Seamore...

Miss Margaret Fraser.

Miss Letty Llnd.

Eeglxald Fairfax
Dick Cunningham

Mr. Hayden Coffin.

Mr. Louis Bradfield

(Officers of

Arthur Cuddy

...

H.M.S.

"The

Turtle")

Mr. Leedham Baxtock. Mr. Sydney Ellison.

Miss Lydia Flopp

George Grlmstox

Tommy Stanley (Midshipman)

Captain Katana
(Captain of the Governor's Guard)

Mr. William Philp

Takemtne

(Sergeant of the Governor's Guard)

...

Mr. Fredk.

Eosse,

WUX-HI

(a

Chinaman; proprietor of Tea House)

and Governor
of the Province)

Mr. Huntley Wright. Mr. Harry Monkhousb

The Marquis Lmari

..

...(Chief of Police

Coolies,

Attexdants Mousmes, Guards, &c.

ACT

I.

The

Tea

Home

of Ten

Tliousand

Joys.

ACT

II.

Chrysanthemum Fete

in

the

Palace

Gardent,

Time

The

present.

The

action of the play takes place in

Japan outside the Treaty Limits.

CONTE NTS.
> <

2lct
1.

i.
Pagb
1

Opening Chobus

...

"

Happy Japan "

2.
3.

Entrance of Officers
Song
Song Song

"Here they come"

"Jack's the

14

Boy"

25
28 32
35

4.

"The

dear

little

Jappy-Jap- Jappy
...

5.

"The Amorous Goldfish"

6.
7. 8.

Duet
Concerted Piece...
..."Xf

"The Kissing"
you
will

come

to

tea"

...

39

Chorus
Concerted Piece...

"Lamentation"

48
55

9.

"We're going

to pall

on the Marquis"

10. 11.

Duet
Song

"The Toy"

60
64 68

"A

Geisha's Life"
"
!

12. Eecttative...

" Attention, pray

12a.
13.

Song
Song
Finale

"Chivalry"

73 77

"ChonKina"
"Though
of staying too

14.

long"

85

&ct 51,
15.
16.
17.

Entr'acte

...

107

Chorus
Song

"Day born

of

Love"

111

"The Toy Monkey"

" Ching-a-ring-a-ree
!

120
124

18.
19.

Duet
Concerted Piece...

"Geisha are we"

"Star of

128
135

20.

Song Song
"If

my

Soul"

21. 22. 23.

24. 45. 26.
27.

that's not

Love

what

is?"

138
141

Entrance of Chorus

Entrance of Geisha
Song
Song
...

"With

splendour auspicious"

143

"Chin Chin Chinaman"

"Love! Love!"

149
155

Song Song
Finale
,

'

'

Hey-diddle-diddle

when man

is

in love
...

159
165

"The

Interfering Parrot"

28.

"Before our eyes"

172

SUPPLEMENTARY NUMBERS.
29.
30.

Quartette
Quartette

"What

will the

Marquis do?"

176
181

"Jolly young Jacks are

we"
...

31.
32.

Song Song
Song & Chorus

"The Jewel

of

Asia"

185
"

"I

can't refrain

from laughing

188

33. 34.
35.

"The Wedding"
"Molly Mine"
...

193

Song Song
Geisha Vocal.
"It's

200 203

coming

off

To-day"...

"THE GEISHA."
(A

STORY OF A TEA
A

HOUSE.)

JAPANFSE MUSICAL PLAY.

LYRICS BY

Words

by

MUS!C

BY

OWEN

HALL-

HARRY GREENBANK.
X? 1. OPENING CHORUS

SIDNEY JONES

"HAPPY JAPAN.'

Allegro moderato.

SP
PIANO-

3
^ t
s
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Cupy right 18.96, by Hop* nod JbCrrw.

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11

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All

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it

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13

\i/

^
14

JV.

2.

ENTRANCE OF OFFICERS.-

"HERE THEY COME.

Allegro.

-A

4
f

-.

#**.'*

PIANO.

S
*=

^jgggg ^j^CET gjgp

<-

*=^
Here

they come! Oh
look and

m
p^-

Here
tt

<

fr
r

theycome'.Oh

look and

see!

Great

big Eng_lish

sal _ lor

m
N

men!

Great

fc

>

see!

big Eng_lish

sai _ lor

men!

Pe

^
see!

f P

Here

theycome'.Oh

look and

Great

bigEng-lish

^^

T*"

sai _ lor

men!

a*

z
Here

theycome !Oh

=
look and

^
see!

Great

bigEngJish

5^

*
sai _ lor

men!

t
a*

*m
Hopwood & Crew.

mm 3

*ni fe^

Copyright 1896. by

/A
:=fc
Kng
_

lish.man

he

likes our

J
our
1*

IS

tea,

Comes

^m
to taste
it

*
now and
then.

r
Eng
_

m
lish.man

J
1

11

/ 1

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J J

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it

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now
and then.

Eng

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likes

tea,

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to taste

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likes our
tea,

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fr

m
it

Comes

to taste

now and

then.

gfe
Eng

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_*

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#
Great big

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he

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likes <>ur

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Comes

Pr to taste

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it

now and

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then.

nffif

f\JJ\Jj&m
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this-

B^ S#
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with
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ny

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walk

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Great big

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like

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*
Fight

sai _ lors

walk

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they please,

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16

^
Mar. ry
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miss,
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pret

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gzzg
ty

~nHr
look and see!

theycomeiOh.

g ^
Here

'

(hevcome! Oh,

look and see!

^
^ =f

j
i

*
p-

Here

they come! Oh,

^
F

kvlook and see!

JI

;J

/g

p
|

I
sai-lor

f
n

j r
s
i

Great big English

*

men!

Eng.lish.man he
fc

^
likes our
I

17

p'
tea,

Pi^^
f
to taste
it

Comes

I*
i

_h

I
[

fe

te

e
it

Great big English

sai-lor

I
!

Great big English

sai-lor men!

m^l^-^-jid
Eng _
lish_raan

men!

Eng

lish_man he

likes our tea,

Comes

to taste

P'
i

f
r-

i
to taste
it

mm g
db

Great big English

it+-&-g^Nfc

m ^m Ix&m m^mi-zi %m z^U y ^^m

sai.lor

menl

fry

Eng_lish_man he

^
he

likes our tea,

Comes

J'T T

b P^g

^
it

likes our tea,

Comes

to taste

ill
now and
then,

f
V^
Comes
to

<*

>= F
:
*

kthen, yes,

now

y^Tr
and (hen.

m
^

taste

it

now and
S
I

ff

j-

j
then,

^^m
Comes
to taste
it

r
now and

I?
then.

now and

then, yes,

now and

now and
then,

e
6
Comes

C
it

'

&--=*
now and
then, yes,

i=
now and
then

to taste

jiurr
now and

r
then,

j
Comes

c
it

'

to taste

c c now and

then, yes,

IeeI
now and

r
then.

<

18

4 r

>J

^m Ji
y
,0

~
* *
I

m
--

J f

*-

Lzt
FAIRFAX.

m ^m
^=^
N mm*

^
^=
jgzzf:

m
-yy-

Though you've seen

good deal in your

=^=F

==5=

$
m_ ti .

=?=?=

^
walks a _bout,
1 1

J
Here's the

-#
pret

^^
est place of

E^S

r
It's

the

lot!

the

^=^
7

P 5=5

^ f^

=^=F

19

iP

m
f i g 7

i:

r>J J
talks a - bout

I
A
5

J'
i

J'
light _

teahousethat ev'_ry-one

J:r
fill

g
. ri
.

de

j
ous

_ ly

cu

f
J9EJ

>

^=^

^
tt-J
spot.

f ^
* 'C

f
!

^=F

CUNNINCHAM.

^B
C C
a

f
a

i
0
az

s,

j
ry

^^
>
fr

Are your

stories

myth and

mock.e

Of

the

9 -

f
gj
it

1=^
y
j

*
S

#
t:

>

#i=is
It*

fc

>
they
bring

=F=F

N
Of

v *
the

^^
quaint
lit _

h=is
#

^
*

ex

eel. lent tea that

tie

pie-ces of

dfc

ft
7 7
7
7 7

*
*

=F

Eg

m
,

~y

crock.e
_

ry,

And the

1=^1
gay
lit

zzz;

-tie

gei.sha who

sing

I
9S
7 7

^^

J-T5

&

^P


20

JM
151

m
OFFICER.
sr

v
jfi

v 9~my mmmp
s:

Oh weve heard
H

W
fun

=?=qE

P
g

J:

J/
lit-tle

of the frolic and

Of those dear

~0 * Ja_pan_ese

=K

>

S =g
V
l

? ^ _gzztz

r
fun

Oh we've
2'.'^

heard of the frolic and

"r
^=^

f
[

Of those dear
v

g
lit-tle

i
K

Ja_pan_ese
K

OFFICER.

It

J-f
Oh we've
ird OFFICER.
f1

\ E

\ =K=K
frolic

>

*-
Of those
de.ar

ft

|V

##
Jv

heard of the

and

fun

lit-tle

Ja_pan_ese

pfr

'

tr

Oh we've heard

cc

c c c
fun

cc

r cc
lit-tle

of the frolic and

Of'those dear

Ja_pan.ese

?y

p^^W
P
y_

^
r J

i
J

j,

J-

iv

I^SN

elves,

T So we thought the bestthing to be

PB
f.

~-
done

S V

Was

P
to to

"*

K=r^ V 0-'

come here and see

pp
for our
for our.

*J-ai
elves,

So we thoughtthebestthingto be

^4
E
<

{.

J
done

^m
7 1 !

NN-

^-

Was

come here and see

N
N

^m
\
'
C

^^=
elves,

fcqc

fr

'

gg 3tZ
to

s=s
#

00
for our
.

So we thou^'-tthe bestthing

be

done

Was g

to

come here and see

elves,

f=^=g-W-- So we

Eg

'

f
done

thought thebest thing to be

Was

to

C C f' C come here and see

c c=
for our.

**

3S

i
c>

^
i

#
21

CHORUS.
IHsop.
i
I

i4t
I

^m
V

^*
=te4^
-r
fun

r
lit.tle

selves

Oh hey

it heard of the frolic and

Of those dear

Ja.pan.ese

S'.4sop.

N,

K \ g
fun

#^-#
selves

mB
^=^
fun

v
#-=

^ 5

m
iv

Oh they've heard TENOR.

of the frolic and

OfthOhe dear

litlle Ja-pan_ese

=F
selves

1
Oh they've
BASS.

MJZJ

^
f
fun

M*
lit.tle

m
Ja_pan_ese
Ja_pan_ese

heard of the frolic and

Of those dear

59P 3L^U ^4-~^U=

selves

Ohthey've heard of the

frolic

and

Of those dear
gvrt-

^ U4-U4~U
lit.tle

*
elves, elves,

l-y

b=tz:

So they thought thebest thing tobe done Was tocomehere and

W
[

#=*
r.

c
see
for

g
_
l

them

mm
i

fr

*-*N S
s
to

\ f^#
k

M
see
for

ht>

So they thought the best thine;

be done Was tocomehere and

them

it

r
elves,

twfrr C E E C C So they thoughtthebestthini; to be done Was to come here and

Mr-

/p
V*

PI
see
for

them

wm
sT

r
elves,

r
So

P=z: c g they thoughtthebestthingto be done Was tocomehereand

c
i

^-* S
#
t*

i$m s
see
for

them

m^m ^^ m ^^ ?
jfc

m &
fe


22

dHhr ^=
-

selves.

selves.

ft

p
selves.

u&w
BVr^'
^A
r
l

^;.^

f
>

=0^
I*

r-0
'

are

'

m
&r-

fun
_

tsr

g
ve
_

Though your ways

queer and

ny,

Japs

are

ry

glad you've come.

1
i

C g C Though your ways

'

g-

T
f

i *
fun

s
_ ny,

k
are

n
ve
.

g~a
Japs

g
ry

are

queer and

glad you've come.

,-

mm
, ,

t*

m
fun
- ny,

#-=

m
g-*"

V
Japs

f~
_

Though your ways are

queer

Though your ways

im
are

queer and

m^
fun.ny,

arid

are

ve

ry

glad you've come.

mm
i

i
Japs
are

t
_

ve

ry

glad you've come.

28

JU

Eng

^^
.

has
lots

;fefe
mo
.

g
will

m
us

lish.man

of

ney,

Eng

lish.man

spare

some.

J.

J J
.

Jhas

J'
lots

J' of

Jmo
.

}
ney,

fe
I

N
us

J'.

Eng

lish-man

Eng
m-

lish.man will

spare

some,

m
Eng
.

9-

i*

m
i*
lots

>"
of

lish.man

has

mo

>
Eng
.

tr

f
spare

fee
us

ney.

lish.man will

some,

s* r

0-*

V
.

N.

f
Eng

\r

\r

lish.man has

lots

of

W
mo
_

ney.

Eng

P
_

F=F
~V
spare
p"
1

lish.man will

us

some,

M.
tt

0'
Pret
_

=
=fc
ty

v
will

p-

F=^
she

won't
re
.

geis. ha

muse,

Dance

or song

fuse.

f Pret
Pret

ty

c
will

m
a
.

F -5
muse,

m 00k
fe

e
m
she

h
re
.

geis _ ha

Dance
0-1
4*

or song

won't

fuse.

I_

ha
will

iip
a
_

1>>

k
she

won't
re
_

ty geis.

muse,

Dance

or song

cPret
-

ty geis

i
-ha

u-

k
a
.

i
muse,

will

Dance

or song

^
she

fuse.

zmm
won't
re
.

fuse.


24
4->

Great

g
n

g
*

big Eng.lish
fe

*
4
^

Great
Great

big

big

3
Great

big Eng-lish

m^ ! g r^
r-

'

ipTry
i

cr
our tea
fe -

sai .lors,

please,
i

pot

Jap

M
.

an

n *

K
'

fv

=:
Jap
I

Eng-lish

---.
r.

sai _ lors,
.i

please,
r*
I

Try
'
'

our tea- pot

-

an

'

'

...

.-..

r*

'

'

Eng-lish

sai . lors,

please,

Try

our tea

pot

Jap

. .tan

^
ese,

m
'

ese,

ese,

sai . lors,

please,

f Vr Try

our tea- pot

Jap

ffl uu-autf=*
*
Sai
_

mM
_

an

ese

_j
Jap

an

a
ese.

^==^
Sai
.

lorspleasi oh v N
|

try our
I

tea- pot

lorspleaseoh

try our

tea-pot

Jap

an

ese.

"
Sai
.

lorspleaseoh

g g

try our

tea-pot

Jap

an

3EE^
Sai
_

gc

'

lorspleaseoh

try our

gg J^g tea-pot

ee
Jap
_

an

ese

dim.

;ii^

'
i

ran
r r r
i I

ff

ijrs^n
ffl
fifff

TFT F t ft t fit > Tmj

I

1^

s w

p
dim.

=m
-9-

^
JV? 3.

SONG-

(FAIRFAX & OFFICERS. )"JACKS THE BOY."

COMPOSED BY

Allegro moderate*

LIONEL MONCKTON.

8
4-1

i^l

PIANO.

m^
J
T

^ A^A ^
-

frJiW^
the lads that be
his

ffi
Of
all

l*

P5^
pay

iJ^I
There
is

J.
on
.

>J
the gay-

P^
And
For
his

ly one form'-.

When

Jackhasgot

He's the

__.jjay.est

of

the

EE $M

SI

p i" 3=i #^f

J
\

iv

1
\

i"

rY^f
r'r^^

^^
g
But
a

J-^-Effrj
home
on the waters deepand io_neyin his pocket burnsa
is
-

J^AJlf
blue: hole,

friend he'll' never lack, For the

And

he's

ne

ver happy quite Till he's

^
P
t'upynght

# *
9

(v

5
JEj

t
N
!!

*
\
j T
I

S
\
y 7
~ii

P^P
i

J>TT7*^
Jspent

J
it

j.

world's in love

J-JiVj.J'[ gr; and thebest with Jack

J.J
He's the smartest
]0 _ vi.al

J_
too!.
soul.

Jy

of fet-lows

^
So his
Tho"
he's

Jeft andright-Like a

and careless hearted

mP MNNf
^-iTsi r
J

&f

n \

I89(S.

by Hopwood & Crew.

26

te

j.

i
d

1-. , t
'.

j
to

J
grip

;
As

:i

j
goes
pret
.

i
his ship.
is

wm
^gfg S
^
tM> SS

hand we ve _ ry

like
far

he
a

a .board

While

^
the
a

from shy

When

ty

girl

by,

Yet

7r

'

'

m T^T
F
fc

i
&
_
.

r't

F F
#-*-

fc

E
girls

are

P
fit
.

E
\)

E^H"kiss

I
hearts.tell!'.'.

to break their pret

ty

For

^
he

;* ^
^*

lad

may sure

and

ne

ver

And when

*
v

^m fel^-J-^
*ft-fr J, J,
loves them by

Frt ^^
Jthe score
*'

1
~v

E*E

*
Id//
p..

l=fc=

he and

When
Taut

r
gai

J i
_

ly

comes

-^t
-

m W^
PB
f"

du

ty

calls

him back.

trim

^
rail

goes Jul

ly

a. shore, Jack

And
To

they're

the

**
do
rit.

M
^
de
so
parts!

St

tan

i 3$
:r

(
sad
ship

when
that

their

Jack
loves

he

well!

$ te
-

"^^
.f
*<"

J.
1^
do

J.

J.
r
I

J.

?
1
,

liim.t rit-l

f
,

f
I
.

mm

ma

27
uif a
tt

myo

crtsct

tido

1
'

i'

i /

i *"
for

I
work!

J-

Jack's the

boy

Jack's the boy forplay!

5i P

N=^

imm
citsft iido

Jack's the lad.Whengirlsare sail.To

Mf'
a^ 55
a

P
a

/'J'

J"

ttmpo

f
J

f
s
kiss

ig?^ Ay=B V
*

J ^ =q^? 1

PW
best

= T

X^ P^P
Ah!
rT\

-#-=

F- *Ei

^* S
offriencK ashore:

tin-

cars a.way!

Ilanl as nails- afloat;

Me E^
/
dun.

fc== *

* t

1Z-

P3S m

f
JJack

^p^j j?Jllil
~ir

*=*= > ;: i

tti

s^ * i ^ PP^i
tT\

m
5

aJhoyJYoure jtistthebov

P That r
1

Jj

i^^
all

all

our hearts adore!

onr hearts adore!

m* x^X-^4^
r
<j

m
P
D,C.

f E^
tptnt

fefe

P
all

ill

our hearts

ajlore!

our hearts

a_dore!

tip

r
m
n\

r
hint.

S^

-=f=
Rcptaty

28

JV"4. SONG
Moderate

(CUNNINGHAM.) "THE DEAR LITTLE JAPPY-JAP-JAPPY."

PI

ANO.

CUN.

^lJcJ
to

came 1. There 2. They walk'd 3. So Jack

the the

land

of
of
_

Ja
the
in

pan

To
In

in

shade
_

has

de

part

_ ed

trees doubt

the the that

From

i H=F

a S
/'

s S
CUN.

J
sea

j!
-

J
of
of of

i
fair
fair
fair

_ _
.

port

gar

mai

duos den

Na Na Na

^^^ i ^p _
J'
_ -

S
==*
land
a _ far

K
Such At At

Sr

ga
ga

ki

ga

_ _

sa

.
.

ki. ki;

From an And her

is .

cheeks they were pink

the
the

ea

Though he

wept

and

he sigh'd

fS
as gfr=s
CUN

Tt
Jr

4 t

mm
jol . ly

i- cal a

J'^'J'" J ^ ; ^ J
horn-pipe,
his

-N.
baccy
ky crac-ky
Jac
.

JNow
it

nau.tilose

Jack Tar, With his wink, And the

bride

grog and

his
of

ma
cap

_ _

ri .

of

Till

the

tain

time and

man-ners

crew thought him

*f
^i
& Crew

m "H.

m
!>
.

Though
Ar.J

the-

ho

-Sz

Copyright 1896, by HopwooH

29

"

#: ;n
chanc'd
tar

jup Ja

;
a

j-_.j-;
fan
. .

j
a
in

;.
dear

Jlit

.y
Ja
ask'd
-

j
pan, esther
as
to

that
as

he pick'd

For
Yet

-tie
he

could-n't

speak

pan
a -

ese

Eng.lish
les _ eons

vows,

he

cruis . es

bout

(Though by

m
.

wm w^
I r-s
j
side.
P.s

mm
and

hooks

f|^.j-j_j'jAnd
par
-

m
he
all

j-

;i
her

Jtj^
gal-lant-ly
fan

j
said,

j
"You're

j
a

ty

turn'd her

young head When he

his

mar
full'

... ry bored). .
;

Then she
That

crept sea
-

to

And

men

A.

Should be

o.pen'd wide. taught Ja - pan - ese

ag fe
GUN.

m r^r
s
Tt
trim

As By

she
a

2*
^
V
my
.
I

^^^
lit - tie

2.
5

J
So
But But

J'
that
that

^
dear
lit

rV

^
. -

ves
li

_ _

sel

hear.ty!"
.

- tie

Jap
scrap

mur. mur'd, Hail Ka

ra _ ther

shi

ko
ral

knew
dear

not
lit

a
_ tie

too

_ be

School Board!

Jap

py py py

Jap
scrap

Jap

^m
CUN

f f
^
py
Set
.

^m
r
i

k^ Ia
Jap
scrap

J
her
the

i
cap
.
_ _

r
r
Jap
gap
. _

j
py py
I . .

e
.
.

smart
Ian
fill'd
.

lit - tie

py
py py

py
py.

Of
She

guage of
up
the

Jap

has

Jap gap

cap Jap gap

cap - py
. .
,

At Had

And

the she has

! !

^
raU: Jack Tar

30
CUN.

S
jol
.

ly

told him

m
ss m
CUN.

cho. sen

From to go With instea d To

the
a

sm
is _

p
a
_

C\

^'"f"
i

j j
In

j.
west
''Yes!

iitf.
of

r.
f.

p
-

land

far

the

the ese

map. py-map-

j_,

Ja
hap

be
i

. pi .

pan_ese "No! "- Or with ly wed To a

made him hap

.

m
lull:

aGS

Ja

pan

chap

py py

hap chap-

empn

B# i^ ^
map
hap
_

i
jthat

CEISHA.

m
Jap Jap
-

1
-

i
py MT.ip.py.
J.<p .

py

So

dear
dear

lit _ tie

py

Jap
Jap

Jap

^
Set

her
the

py? chap -py

.

But But

he
that

knew not

scrap- py
-

scrap -

Of
She

lit . tie

py

py

has

CEI.

1 1
fill'd

smart lit. lan-guatfe

up

m
tie

yn
of

CUNNINGHAM.

|
-

cap - py

cap

cap

j_j-^
_

the

py gap. py

Jap

Jap
gap

Jap gap

py py
py

At Had

the

jol

P^
ly

Jack" Tar
to

From
To

the
a

she has

told

him
-

go With

And

cho

sen

in . stead

be

tail:

/^

(ALL TOCETHER.) a tempo.

CUN.

5Em PpP
is .

w
far

S=
-

land

In

the

Ja
hap

pan- ese "No! Or with wed To pi - lv a

west of the map - py 'Yes!"made him hap - py Ja - pan - ese chap - py

map
h.ip

map
hap
chap

_ .

py!

chap

py? py
!

PIANO.

am s p # ^ ^ s^
s
=fr.
?

DANCE

(after third verse.)

31

"!/'

t=il

it

ij

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s. feg^

t^
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32

JV? 5.

SONG. "THE AMOROUS

GOLDFISH.'

And
VOICE

;t

PIANO

^
big

F^
lit. tie

^m
gold
_

glass
-

sun

shine

As bright, That
bowl,
set
-

dear
of of
_ fi . _ fi .

fish
to

do,

But she

cer

brave
brave

charm,
gay.

time

up

Tire

cer

and

And he And his

PPf^
m
Copyright

# 9)

v-

^ tr

I
INfJfi.

by Hop-wood & Crew.


loved

with the whole

she was quite
lit. tie

vowed
sad

At

F^ ^m m
S
pet

her heart a de _ light _ he con -trived

of

a^Tid

r soul

p Aji

r ^
her

^
'

1:1

" " of.fi.cer

a

I
gay

brave from the

till

\r
he he

ful

sight.

So

spintswere
ne.ver

to

for. get,

For with

crumb did

s
o
.

f.

aJjru
i
too!

fcefi

4=

LJ
cean
one
to

came
chance

Wave, And she day With a the come, So

'
,

thought that he loved her girl on his stal .wart gold-fish pined a

Her
hi

arm!
-

way!

Un

m
^m
*=
small

}
}

ffllf

i #
i t
in
.

i=t
or'
he they
dai
.

i
With

side

ly

fed

whis
. til

pers
at

low
last

some

talked of care - less

love
soul

He
'With
a

crumbs begged smash

^^?
of the best a rose knock'd o
for
di
.

and a ver the

gest

worn
big

ive out

bread.
glove;

Tins
IJtn

kind
wh.-.i

m
at
lln-y

ten . tion kissed a

car _ pet,

proves; said fond goo.

1

^ *
she,

"How

ex

bye,

glass

bowl,

And

there

on the

dead

and

cold.

The Lay the

u
34

fond
-

ce^d.ing
poor poor

ly

he
fish

In .IK' gold
lit .

tie fish

te
And sho thought"It's And sho sohbed"It's
But
her
fate
fit
.

i u
fit
_

j_
_

m
Ill"

fit

ie"rT
tor..

bit

bit

lot
bit

He
Is

should should
a

so

bit

bit

Ppr <&*
love
1

ir

tr

m
w
heart

ter..

w^m
m
glil .

h
a
_

my
this
_

glit

glit

tor.

Than

his
I

give

way
sigh

ovi-

crit _
fit
.

frit
fit

crit
fit

_
_

ter,
ter.

When
For

st o

ry
--0

thought sad

he would wish
lit- tie

To the For a

And

;
i

fl-fr

i?

^
-*

T3

^E#
m
that
all

r
a

f
^

*=^
but
.

ter.fli.-s
lit

birds

J^
twit
glit
tit

tr gay.
fish

nice tear

.tie

Or the W'nh a

twit
glit
tit

twit
glit _

ter. "
1

^
*
;

frock

ter.."

hi

the eye

Than

thought -less

tif .

ter!"*

-4 j-tjP^
ga^i?

*=?=?=

*T

It

{-J1U.
/).>'

35

JV?6. KISSING DUET.- MIMOSA

i

& FAIRFAX.)

Moderato.
VOICE.

FAIRFAX.

PIANO.

ife ^
eharni-ing
lit

pp

m
_

a
Quite the
nic
_

$
est
a
girl
lit

tie

%-ei - s/ia

in
_

za

^=ts nr
But
I

sia,

make

my mfan_ing

eliar_er

You must come

m
4-1

^
Jap
-

tie

near, rr

Ilav.ini

i
i^

fear there's something

first dis. _

^m

m
_

miss.ing,

my
is

pret
a
_

ty

an
a
_

ese!

cn_ver

'd

whether There

$tm

t^

MP

ny

one

bout;

English Thenyour

r-

^
it
*^

^
Cnyvright 189, bv Hujjnar1

f
& Crew.

36

'

French and face half

Ger_ man shy _ ly

miss.es rais.ing

not Tillyour

Do

^m
ask
-yes

me what
in

f
a

kiss

his

gaz

ing,

is They are Place your

3S
all

%
4-1
MIMOSA.

$?
*_

j/; mo.v.so

S
cx.perl
_

f
kiss _
. ins?.

if
lit _

at

Will
In

you
a

teach me,
dain
.

you
tie

please?

be
a

pret

ty

lips

lu

ge.ther

f*f

m
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^M
51

ty

pout.(MIM.)lf

1 i

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p
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ver, pie,

T=f
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And
It's
I

^^
111
all

^ rpf *

^^
In
!

p;u

r/iosso

lieve

smile

j| Im quick and cle _ my cheeks should dim.

be

pro.mise cause it's

^
en
so

*
dea.vour
s
i

ms
!

B 3=r
ztfej

ihrri

i
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**
r r

i
m_
p e
1

the
of

Why

i
i
may
a
i

I.

3 g
pu
_

J
pil

J
I

^
be! fuss?

task to

such

tame

you ere. ilit If your pro.ceed _ ing Should you

O my
Its
a

make

so

great

37
CCr/A

II

i
sat
_

ij
lor

*
r
.

*
=k
jrj u
it
-

bright and

farce

ah

surd

ly

breez_y, Is ho! . low -But

dil
-

fi

.cult

or

ea
fol

_
.

sy?

Is

it

per

haps

here's

more to

low? For

in

IS,

FAIRFAX.

^sMf
f

gg
shall
I
I

ts=V:

^
On.ly

3
wait and
give
it

or

dread

it?

you
to

shall

see!

true

tion

4s

ffTfl4.
I
*

^
t

^Jrn W^
I

am

plead.inj!

And

you

thus! (Kisses her.)

j= j 35

foco

;vz/7.

#><i.

MIMOSA,
rr

tt)Hi)u

yoco jntno mo'sso.

FAIRFAX.

half

m^
a
I .

fraid
can't

to

try

Then

a//.

m
It

has

charms

ex

plain Which

the you

mm

fe
pur

task we won't ne _ ver knew

be

Pffr

a tempo poco mt no mosso.

^p
FAIRFAX.

rTfl
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as
MIMOSA.

I=

I 3
b}
>

P.rMrPr z2

?=r
sue.

s^
I

it

^
to
I

Shall

like

by-and
a

It's

ob_ject.ed
ty
pu-pils

by
a

fore!

Teach me

once, just once

^ s^ ^
irain!

Pret

fev dore.
!

#^r

^
4-

#*^f
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1?

38

m
p^U?
^m
MIMOSA.
Piumesso.
Lit Lit
.

|
e-

kM
1
r

gj gj
g.

i
Won Won

*
den,
den,

tie tie

mai
mai

den,
den,

_
.

der
der

la la

. _

mm
Ev' Ev'
-

ry
ry

FAIRFAX.

iBE

$=^
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-

i m
mai mai
_ _

wm
Won Won
-

tie

den.

der

la
la

. _

den,
den,

Ev' Ev"

_ _

ry ry

Lit

_ tie

den,

der

* -^
f
Piii

m
M

mosso.

f
-&

P
#

n
1

u
^1
8
s

day day
le.irns

Ul

r
learns some
-

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r
new.
more.

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tiling

some

thing

jgj
day
.day

learns

some

thin^
thing

new.

^
Presto

learns

some

more.

il

j^

39
JV
7.

CONCERTED PIECE "IF

Allegro moderato.

YOU WILL COME TO

TEA.'

fa^-" r S
PIANO.

^^
is.

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r-n
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bmsi

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as
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a w=
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CEISHA.

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you

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come
to

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will

tea.

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m
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One

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and

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our

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best

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m
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and

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guest

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spree.

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<\.p\rirht

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dance

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and

sing

for

you

a
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through,

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42

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43
OFFICERS.

U
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s
J'

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in

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m
none
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fet

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fine Souchong

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47

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*
48

JV-8.

CHORUS OF LAMENTATION.

Lento.

PIANO.

CHORUS.
r
Oh,

p
sell

g
our
-

p
up,

=gig 3ee
Or
take him
off
to

will they

mas.ter

gaol,

And

eIb
Oh,

y
g

j'
i

j j .j
mas-ter
up,

j'
Or

ij-> -*
take him

^
to

will .they, sell

our

off

gaol,

And

r'jOh,

p?ic
our

g
up,

e?if
Or
take

|
him

j j
off
to

j
gaol,

m
And

will they sell

mas-ter

^m
SOh,

/
will

V '==
our

'

V
up,

V
Or

V V
take

9s?
off

gaol,

they sell

mas-ter

him

to

And

*F=P

rirt
Copyright 1896, by Hopwood

& Crew.

*
49

r
on

r
the

tea - house

0-

f
op

lt
The
J'

r
no _

plaster

ti -

^
.

ces

of

sale?

What.

=
on
the

*
tea
-

i'

g
up

J
no _

J
ti

J
ces

J
of
sale?

house

plaster

The

What.

(mm
on
the
#

Y
The

r
_ ces

tea-house

plaster

up

no,

ti

of

^^ ^
sale?

What.

*
on

P
/
/
tea-house

P-

/
the

V
plaster

V
of
sale?

up

The

=Pf
What
_ e _

no

ti

_ ces

ver

m
ri
r<l

_ e

ver will

P M'f
fc

J
of

J I pi
us
If

g
fe

J J

1>
pass?
It's

be _ come

this

should come to

SS
_e
_

N
be
_

J
come

J
of

J J
us
If

*E

N
to

^^ z
ver will

ver will

this

should come

pass?

It's

i
be _ come
of
us
If

Irthis

1
to

P
pass?

m
It's

should come
"

S r~

Pip

will

be _ come

flfljfl

m^
of

=
us
If

p
\r

Pi
come
to

this should

pass?

It's

^i

m.m\xm

rir r

^^

so

6
las,

W
a

m
a

las,

las

las!

^
i

^#
las,

m
las,

y
a -

m
las,

^m
a

_ las!

J
_ las,
a

>

J
a

y las,

=g
=
a

3EE
las!

- las,

^H fflffl^I
V

- las.

las,

**

tf

^ ^
a

:=F

las,

f
_
las!

S
m

at S

LJ #

51

CEISHA

(sobbing.)

*
Here's
a
,

V
[

[<:

-
dreadful
blow,
oh,

r^=V= *
oh!
Fill

*
- ing

K
9
us

N
with

N
woe,
oh,

N
oh!

Here

ii i
a

'

dreadful

blow,

o^
oh,
oh!

?==E
Fill

')

a f ^^
i

==^

^m Wa
g e
s

- ing

F
us

N
oh,

\
oh!

with

woe,

B^S e ^
Fate would treat them

How

How

P^ m
could

could Geisha

m
Geisha

^
know know

a
oh,

S a
oh!

^
*
E P
r
fast _ er

^
so?

^^ U3=
gea
5
oh,

\
oh!

-9
oh,

?^=*h

J-

r~
oh!

Fate would treat them

so?

^^^
oh, oh!
1

==gl nJr t-w

)

Essssa

|
&*

show

& n
r
J"
Tears

.rm
t

g^E

to

r
Pret - ty

==
fa - ces

Pret _ ty

M
fa - ces

that

flow.

show
i

Tears that

fast, er

sm

flow.
>

|
Oh,

J
oh!

i-

Joh!

Oh,
v

n
Oh,

^
oh!

Oh,

oh!

Oh,

oh

Oh,

oh!

wk *

*rJ i3

*
53

Flease at

pri _ ces

low,

mm
Do
not

let

^
us

go,

Oh,

ipn
Please
at

pri _ ces

j ; J
Do
not
let

E^==
us
go,

low,

Oh,

^e
Oh,
r

Oh,
Oh,

oh!
s.

*
Z

Oh,

oh!
p-

/
oh!

Oh,

Oh,

#dte

^ ^^ ^n^
h,

1M. Oh,
JL JL

oh! oh

Oh,

*
oh!
Here's

*
a

dreadful
dreadful

E
blow, oh,

n
oh!

y
Fill _

oh!

Here's

a
fe

blow,

m
a
J

ing

Pf
as

with

j
oh!

'

j.
Fill

oh,

ing

jgpf
us with

*
oh!
Here's

*
a

f^
f

*
Fill

{L--N

dreadful

blow, oh,

oh!

w~
with

ing

us

oh!

j i
Here's a

dreadful

p
J'
I

Mow, oh,

rt j

i
J

oh!

Fill

rrr
ing

us with

I
oh!

lJ

1
Fill _

J'
ing

j
us

J
with

Here s

dreadful

blow, oh,

^
oh!

Here's

i
^P
dr

i^ f

mfeS
J.

J
a

lily
oh!

oh!

"J.
Fill

J
- ing

J
as

J'
with

dreadful

blow, oh,

t f

1
jl_4,

as


=fc

f&n-

woe, oh,

oh!

*
2rf

How

could

Wk P
-Y-

m
woe, oh,
woe, oh,

oh!

How

could

r
F*te
Fate

Gei-sha

know

oh,

oh!

would treat them

^p
know
oh,
oh!

^=^
would
treat

Gei-sha

tef
could

TE
knoi know

oh!

How

Gei-sha 3ei - sha

oh,

oh

Fate

would treat them

mf
oh!

S^=
could

kn know
oh
oh!

^s
would
treat

m
t

them

_y-*

woe, oh,

How

Gei - sha ha

Fate

them

*\
woe, oh,
oh!

^t=
could

*
Fate

How

Gei-sha

know

oh,

oh!

would
t.

treat

them
Is

*ri^- j
woe, oh,
oh!

a
know
oh,
oh!

3=

fas

m
would

How

could

Gei-sha

Fate

treat

them

i^p^nf ^
3 S f s=
so,

f
What

s^ f
wi'l

w
of

i^f
f pS siife
[
1

* ^TT^oh,
oh!

ev _ er

be

come

us,

If.,

this

should

come

to

# *
so,
so,

oh,

oh!

What

1^
ev - er

\
be
-

=
come
of

us,
If
this

*
come
to

will

should

N
oh,
oh!

What-ev_er

pfp
will

be

t tf\ come \

:
of

c
us,

cji
If.,

J'

r
this

i
come

jto

should

#W
so, oh,

so,

oh ,

Mi!

What

- ev - er
:

p^

will

=fefe
-

us,
If

*
come
to

be

come

of

this

should

3f
oh!

i= F=
What
1

g
be
0t-

k
us.

=fe

p
this

ev _ er

will

come

of

If.,

should

m 3=
come
to

0
will

P
us,
If

oh,

oh!

What

- ev - er

be

- come

of

this

should

come )me

to

^P^P

y=f

pass?

Its

bound

to

rn _ in

some

of

us,

- las>

- las

5 9

las!

ww

35

m
/7S

-&.

-las!

las!

/s\

n\

- las!

p
5E=-

las!

m
/t\

las!

N
E

N? 9- CONCERTED PIECE "WE'RE

Moderato.

COINC TO CALL ON THE MARQUIS.'

ANO.

i=^ *
tt

B
>

jj

==a

*-^sr

m
(FAIRFAX.)

J
This

J
in

I
_

M
lord

I
Shall

fa_mous
us,

have

his

re -

ward
way,

My
Our

(OFFICERS-) You'll

par _ don

pray,

For

ask - ing

the

*
9-

=5=5=
If*"

S
-
ig _

N *
mo_nient
in

J
-

J
Let's

J"

J
we

j
are

feE^
slip

an - ger each

crea _
giv

ses!

qui _ et _ ly
oh!

no-rance kind-ly

for

ing,

Bat

so

Im -

t
;

"if
>

T
y

n_r
_

H
(j

T
y y

way

P i
to

our
to

ship,

- pa _ tient

know

And blow Where Mis -

P*i
the
ter

-0
old
I

#
-

W=P
to
is

ic

beg-gar

^
_

pie liv

-ces.(CUN.)Of

ma

ri

_ ing.(CEI.)We'll

^
7 y '

t
y
y y
y

=y=5=

Copyright 1896, by Hopwood

& Crew.

JiJfJ
I

coarse

to bom-bard show you the road

P^
A
fel _

^
lows back yard
a - bode,
Is

m
jol

i
i

- ly

To

reach his

De

light -

good ed your

fun,
fa

but you'll
at

- vour

A.

^^
rue
it!

m
You'd

j
bet-ter
_
pli

j
i

j
well

j
to

in_ stead
- ty
quite,

earn-ing

Sim

- ci

Try Keep
I I
I

punching his head.(CIRLS.)We'd

the right,

And
g
y

\
g

r
y

'

-tX-T

utir
f

i
y y
j

^^
i

fc

J
like

J
to

= J J J J '^
be there while you
look
for

do

it!

care-ful - ly

turn - ing.

A
6-*y y

&
g

ja

Us

PP
y
y

^
rja

rm &
ALL.

T
57

ALL.
!

jjjjj-jij.
go. ing (o call on
the

mm ^W m rn
Mar.
qui.-,

To

j j j / j'jir
pay off
a

^
i
i

J
And

nice

lit

..tie

score

m
^=^

3S
\LL

^=^

=*=g

f*

as

iFF
duor?

f.J^
be chat.ty

won't he

When rat-a-tat

OJ OJ m i m ^=f ^
f j-

m m mm
*=
Z
7
7
y
8

fflJJ^ We
tat.ty

Nf JJat

knock

his dig-ni.fied

We've

^^

^^
*

f^#
5

i^
miss, miss.

ALL.;

J'

J^'-tV
to

r
It's

something

say to

the

Mar

quis,

nethine something too funny

i
s
ALL
,

P
pv y
af.ter

P~" IJ
*

n
==*=

^^
y
y

to

For

" ^^

ZIZZE

p
J
i

I
r.

p
/
C

r.-y -

rr J *

J^

pooh-poohing All

how-do-you-doing We're go-ing

mw
^m EE
y y

mm

i as

JJ
r

^
r-

Tft

*
5=5=

HI

to

say

i^

s
it

lik( e

this!

i i

*=F

5=5=

V"

-a

SDC


r>8

u
i

2'.'

CHORUS.

>j.
We're

UJ'. J
go_ing to
call

^ P^E mm
on the

!*qc

=F
score,

m
And
And

Mar

quis

To

pay

off a rice lit-tle

#H ^^ jrTJJi-J.-^^We're go.ing to
call

1
quis

on the

Mar.

J JJMMU'i^To
'

payoff

a nice lit-tle

score,

as
if

_UJi^j^iJ.
go.ing to call on the

J
.

J|jjjjjj
To
pay
uff a nice lit-tle

j.
|

w,e're

I
We're

/ / w

^
:

|
quis

Mar

score,

And

p^m n: \r
_

,
And

go.ing to call on the Mar

quis

To

payoff

a nice

lit

_tle

score,

m^g^^
S|
p:
won't he

g=:

.//

P^ P
5=:

^^TT
=?=*=

^^=

S^
'
i

-*-*-

33E

=:

EE

. g f r wont he be chat.

J J
ty

-j^-<

rir n:- |,J rr

=

When

rat

a-tat-tat-ty

We

^f
r
knock
at his

*
'

*-;

dig.ni-fied door.

We've

be chat -ty

m
F

j-

S.S.IVN.S.1
,jrat -

F
knock

N
at his

fr

>

We've

When

a-tat_tat_ty

We

dig-ni-fied door.

&

t '
won't he

P
rat
-

P
a
-

P
We

ip
knock

bechat-ty When

tat_ tat- ty

at his

f
We've

dig-ni-fied door.

jHrrr' c
won't \he

ci c
rat
-

c
a
-

-rjj-i"c
We
knock

ggg

J
|

c.

be chit -ty When

tat_ tat_ ty

at hrs

dig. r*i-fied door.

We've

K
si)

j'

J
K

I
to

j'
say

J
to

i^-*
the

-j
rIt's

ffj
to
Si

F=y^
K
to

something

Mar

quis.

something too fun.ny

fi fc

P
Kur

S.

K K V
to

3K
the

5
Mar
_

K~
quis,
It';;

something

say

to

something too fun.ny

S
"
t

$
i\.
,

-g F something

g
to

g
say

g
to

F
the

^
'

Mar

qnis,

It's

something too fun.ny

j-g-H-Hto

-lU
For

=m
to

mmm W^J=
6 V.,

something

sav

5^5
to

3
Mar
.

g V /
It's

=g
to

g^br^
miss
For

the

qnis

something too fun.ny

=M=im
f

g^M^fyy p

I
r~?~

fee

?
J

r?v

flj

fr

rj

r=*
*

i
(o

^=s=

eg ^ r/ g
2

fc=3t

af-te^

pooh-poohing All

how-do-you-do- ing We're

^
. .

ji

^ji^ P=*
go-ing
say
it

g
like

this!

^J w J

J af.ter pooh-poohing AH

JJJ*
CCCC'C

K
J
1

J
go.ing to

how-do-you-do. ing We're

g p ^T say
it

r jrlike
m_ this!

ft

af.ter

tttK
qcj>
m=mz

i^cg
go.ing
to

r
say

/
it

r
like

I thisl

pooh-poohing All
fv.

how-do-you-do.ing We're

K
m

n~rpi

J
i

]'^ trr^
say
it

^
g
g

af.ter

pooh-poohing All

how-do-you-do.in,^ We're

go.ing to

like

this!

^
>
k
r f

frEfritr.
=f

fffrr
j^
g

*-

P
g

ft

M
g g
\

frrf f-f BB
?=y
:

=*=

=5=^

^
y
y

T~^~~r

^f

j^

g:

=31

60
JV.

10.

TOY DUET. (MOLLY

& FAIRFAX.

Allegretto.

M .*. * *

J.

^t

PIANO.

WZ
%

r^
(IMOLLY.)When
(FAIR.)
I I

g
A

g
My
With

was
I

but

ti

_ -

know
jol
. .

had

fa

ny mous
to

tot

tnp,

(MuLLY.)What

ly

games

used

play

mm
fes
dol
_ -

W
a
love _
_ ly

m
lot,

fi

>

N
For

~~m

lies

were
gun boys

one
spot
rac'd
.

la

dy
that

paint
lit -

ed
tie

that
a _
_

used
cross

to

pop,

A
We

ted

horse
romp'd

the

way!

and

T\

fflHh-j
born
boast
_

;
bredlegs
di>

and
ed

- p
J^
I

;
her
_

J'
eyes
like

IF

ri
and.
four
at.
.

ip
muve
her
_

f^ould

shut
- act _

head.

I
too

5fe
Pa Put
.

Ex
I

ly

wood
leap -

9a

pegs;

chil _ dren

gave

them

backs

frog

We

PPPl
Copyright 1896, by Hop wood

P^i
P
&
Crew.

t=

rT|

"C=3

61

- P-<

Ma
I

md!
and

the*
of

talk'd,

though

own'd

bow I'd

our

hoops

box flew

bricks,
kites,

And And
At

when
crim hop
_ _

you
son
scotch

wuund

her
-

mon
had

keys

our

some

m
gp
*=*=
, 1-

=P=F

*
jwalk'd,
sticks,
fight.-.;
ft

fff
m
o _
.

m
toy
in
I

iij
But

j^
than
_

i
a
_ _

n
ny.

up

she
_
_

more
in _
life

ther
tred

climb
splen

ins
did

My
But

fant

joys
on
-

were
lv

cen
quite

A
With

was

rum

plcte

K\

*
loved
a
lit

HE
(FAIR.)
(MOLLY.)
(FAIR.)

.
-

tie

drum

mer
da
the

boy.
rin.
street.
/7\

nod

Punch

ding and

Chi

nese

Man
in

Of Of

course course
well

I
it'

know know
va
_

the the
_ ried

Ju

dy

How

^m
zg&
9
sort
sort.

i
V
f*

P
I've

%
you you
I

p ^=F
boy

charms

meanmeanknuw

That That
I've

drum

_
-

mer
da
that
.

mm
of
-

ten

seen, seen.
hh iw!

Man
seen

rin

I've

of

Punch

and

Ju

i 1=^
'-

^^
_

_ t'-n
-

dy

*f-

^P
*
beats
bells

fee

_
.

hie

rum
ring-

- ti -

^
a
i

turn- turn

When
To

he

hil

hihe'll
_

lit

tie

will

tin -

kle

ding-din?, While his

toot- toot,
lhe

head
ha

grave
h.-'s

Punch

comes

up

with

nm!

Hy

drum
brutr

- ti

- turn

-turn,

suing-

a -ding -ding,
i

And And
But

his

arras

seem
to .
_
.

ra
-

_
_

ther ther

numb-ti -turn
bring-- a
-

-turn

As
And

they
the

his
his

hands

ge

cfing-ding Wh.'n you

-toot,

- toot

-toot;

To

by

makes

him

hoot

- toot

63

fc *
pull

BOTH.

J
and
a
-

w
-

a
-

^
Oh. Oh.
Oh.
the
the
the

rise

dwu
pii"

n
.

w.t

rd

w^m
dear
old
ulj old

ti

turn - turn.

of

smug - a
si-, i tit I

dint;- ding.
tout
-

dear
dear

bea

d!r

hid-

him

tout.

-J,toys

_
,

J
and

J'
the
the

eg
sim
6im sim
_
_

-^
pli
pl>'

3^
Of
Of
thnxe.

toys,

and

games

and

the

pie

ways ways ways

those
those

Of

OTi
*
m
child
child
_ .

m
ry,

~m

_
_

_
_

ish - ver ish - ver

se
se

Might Might Might

be

ry,
ry,

be
be

child -

ish - ver

se .

wor wor wor

^
Sweet
Sweet
.

m
_
.

iy

cur

so

ry
ry rv

'y
iy

cur

_ _

>o

Sweet

cur

so _

ft

te
Nur Nur
_

%
\

t~~M

se

_
_

ry
ry ry

Nur.se
.

se _

Dav6 Days Days

64

A"-

IL

SONG (MIMOSA.)

"A GEISHA'S LIFE."

Allegretto.

VOICE.

i
%

fe

Sr

m
lift"

*
im
_

te
a.tion
sen
I

PIANO.

fcrt
J
tints

A
all
;
I

A And
/7\

gcLsha's
e - ver

a _

gin _

as

my sum -i

^?=E

|
With Cume

p
all
lo .

J
the

J'

J'

J
pn't
-

J I
of
feet

J'
the
to

l=f
rose,
fall,

''h.irming
at

ro _ li.ur ty

And

play

vers

my

i^mf^

i
p^p
won't
be .
I

m
J
hints

Who

s
I
\
peo
fan
_ -

\
pie
. .

J
when
ran

i
she

lieve

her

Its

cy

till

bid

them

a,-

way-

Cnuyritrht

1896, by Hop-wood

&

Crew.

I
65

juJ J

\
room

J^i
e_noughfor

Jall!

J
Be
Yet

uJ
- cause

J J
Im

JlJ
will,

ija
if

beauties are not quite -what they sup -pose.

geishtts heart has

ra-ther quaint and pictur-

Love may work his

so he

W^

m
'

F
esque>
please;

F
that

r
for

F
a
a

They
His

think

but-ter-fly like
woman's heart

p^
me

P Ex
As

ma

_ gic

can

un _ lock

jimi-f

*5

H
ii

1
is

r
ki -

J J J J
ful

_ is-tence

de - light -

well

be-neath

_ly grotesquemo - nn Jap - an - ese

f f t How ve_ry much mis- ta- ken As

un-der a
-

JU

FFPi
folks

may

ny smart Pa -

ris - ian

fefe m

t^t
>

i *=*

^
T
P

i
Is

Tempo

di Valse.

p
be!
frock.

?yi."i.ii

aP *
i

B
i

^H

.n

^
SSI

"Oh, dance,

=g=

zy^rrg:
sha sha gay,

H
And
sing
your.
.

N
.

my
yon,

"We

love

lit- -tie lit- -tie

get gei

gay!

Oh, won't

* *

2 1

* *

mm Ff
d^E

pret-ty you ... love us

S
\

S*
me me

s s T~
JtA

p|
say;

songs!" too?"

they they

say;

But But

don't

don't

you you

see see

It's It's

hard
lost

on on

Who Who

^
w
;!<

^
sing

f*-^l*

^
iit:

fj

i
pp
a tempo.

^i
^^
and

and
the

hear

dance same

the thing

live

long

day

by

m
te * a

^ n

J
5*3

1
*-

a
day?. day?.

"Oh,

^m

dance,

a tempo.

ra((:

^JO.

^m

i=

67

r
don't

r
you
see

SB =J=

^
Its

m
hard

/9\

on

me

Who

Ti

1^1
tr
P

si
m?
t
live

i
long

nil

TfS C3* r

^f
:

sing the

live

long

day?..

jp

*
'

sing

the

/T\

^ 4S
J 't

D.C.^'

h-

j
Who

j
sing

ir

day

S#

BM

i# to

s
-

11

dS

# ^
IJ

tft

^=^

==*

68

N?12. RECITATIVE. ATTENTION

VOICE.

PRAY.

PIANO.

a m M^
U.tt

Allegretto.

TAKAMINI.

a S

f
i
'

At-ten_tion, pray!

^^
:u~>
'
|

and

si-lence,

^
if

you

gji

4
r

te
|

a
please!

-ftrp

^^
-l

nJfJJ Jr^J ?
The
Tea House Reg-u _ la_tion Act

de - crees

'

jjjiyBy
Section

I
- teen,

s=*
Sub - section

^SE
Three

f^E
That
if

Seven

hM ^
i
^
ii

^ H
s

1 F^*

J|3

?^Ff

P
fore-

hold - er

rnr
of a

jjjj ;.j;;ujj;
|

licence be

Found

guil_ty

af_ter

tri-al or

be-

M
gij

=^E

$ i^E
& Crew.

=*=

\i

^^E

^^

5=

Copyright 1896, by Hopwood

69

il

m
o

N
_

Of dis_

bedience to

^^
su
_

i
pe
_

J'
ri

g
_ or

J-

N
_

v
ri

=^

Au

tho _

_ tyj

w*m
il

i*M r-c i
By
this

=*=*

==*:

If
=*=>=

pHH
y
i

^*
J
old,
I

^
s

PiH3
en _
act -

I ;

;
its

ment

His

Tea-house and

ji^
sold;

-r

j
all

j
y

hi
his

i
too,

contents must be

And

in -

- dentures

of

geisha

f By

f^m
^m
pi
r
r

=?

IMARI

JJ'
auction

ii^

J
i

public

r
go!

J J
Such
is

psssp
r
the
law!
It

un _ reservd-must

pp
is!
I

a
j
'

^
3EElE

f
-**-

i;

3E
k
'

^^

3E

^=^=^-

-*-=-

70
TAKAMINI.

m
du _ ty

j j
I

j.
cow

j- i i
pro.ceed
to

must

do

a $
Wfe^

3=

f^^
a tempo.

^ryy ^ 5=fc
7

ad

lib.

j
Lot

;.

jj.

jij.
Bring
forth

hj- J
JMi'm_o _
sa

J
i

>

number one!

San,

The champion

if*-

geish.a
,

=*=

O
of
all

pride

Ja

pan!

^^

9s
r

71

CHORUS.

^ m
E mim

Come

forth,

Mim

o _ sa-

Pride

of

all

Ja.

Come

forth,

Mim

o _ sa-

Pride

of

all

Ja_

^^
Come
forth,

*
of

Mim

o _

sa-

Pride

all

Ja.

fe
Come
forth,

Mim

o _ sa-

Prtde

p^ ^
of
a'.l

r\

mm

itltitfr

&

^
KATANA.

Ja

^^s
/J

Ml
J

^
*u
Sun.'

tt

J J
of

J
O

^^
Mim^a
_

pan,

Queen

the

Tea-house,

Oh,

\N-pan,

Jii.U
Jffim_o_
tf

Queen of the Tea-house,

I
g*

-o-

-pan,

Queen of the Tea-house,

^
of

Sun.'

^^^
Mim_n_
J
O
ta

San!

1
-pan, Queen
the Tea-house,

J
n _

J
xa
San.'

Mim_

g|

te f-^ Hif tf ^f il.i fc ^_^t i

.# *# If
i

* #

-#

i
/

3Efe

jsr

i i*

72

help me, comrade, ere

it

is

too

late,

To

save

Mimo

_ sa from this dreadful

v v
i
fate!

m
i

Wf

g?

<l

Bl E

3i

J.

31
FAIRFAX.

J
Stop!

JJ i^
If

*=pF=*

*_
jj: j
j

i I

^^ ^
i
j

your

country

you would not dis.

^=j ^

<

It*

*3
.grace,

J
Give

J J J.J- J- J

J
l

i
Come,
\

orders that this tale shall not take

placet

^J
'

te

^
*
>
I

tJ ft
>r

9 fe^s
If

SE

JJJ, JJ Jt JJ

men,what code ofhonor do you hold?

s^m
2:

^^

1*^ #*

= > -K
#

'

a
aold?

Willyou stand by and see a woman

if

*
12?
,.

JV\

SONG.

(FAIRFAX & CHORUS./'CHIVALRY."

FAIRFAX.

&

:i

While

WM
na
-

73

*=
man
na
_

ture with
ter

hood
tion

en.

i *

P^
t

**

No

mat

^=^
r r

what

may

3S mini

^^
r r
'

j
/

r=E
r
There's

#fc
do\rs
ns

And
Or
beau
un
. _

^
ty

T>
pul
_

^m
can
par
.

our

sis

fire,

claim

us

derwhat

flag

we

ade,

44
1

^^
r

up
itf

1
t*

4
11

5^
1

f
Like

r
_
_

i
a

^
r

ne

ver menu's

sight
_

that tion

can

rouse

us

mo

n i=^
in

ac

would

<hame

us

When

+=
f

gg
db*

j
j
j
dan
_

feH*
wo wo
_

j.
ger
of

a
most
our

j
i

man
man

in

dire,
aid.

We
The

u
fi

has

need

>

wm

Copyright 1896. by Hopwood & Crew.

74

**:
rJ

I
not
ri

i
the
_

^^
why
out
or

u SB

ask ve

est

cast

the and

where

_ _

for",

&

Strang

er

The AP

si
dWt
wron^
-peals
;

i
^jor
to

m
When E

:
our

'i

the right

of
_

her

cause-

sym

pa_thies

then;

**"f
sai

fr

ai

75

Poco mtno mosso

JCZZS

=s=f

i==m
in

V s

ppp
honour and
right,

\r

men, by the hearts thatare

us,

By

chivalry,

The

^''"n' l"V\i^i'l liii'i-htt\

aii H EC
|

~Q~

f
us
Till

5^^S=
* ?

IE

JJ>
a

%
win

r.^j'Ji

J
i
i

wrongs of

woman must

death in her ser.vice to fight!

men,

by the hearts thatare

u
=tf=

*==&
4
men,

d> d z^t

^ ?
in

in

y ou ,

By

chi.val.ry

hon.our and

*=*
you,

m
hon.our and

by theheartsthat are

By

thLval.ry,

i
O
men,

*=*
J-i.

fei
in

CE

M
By

J-J

by theheartsthat are

chi.val.ry,

hon.our and

K~

m$
men,

by theheartsthat are

it
in

t* rr
i

i ff

and

us

By

chi.val.ry,

horr.our

-M--^

^
pN^

76
ra//.

# ifci

^=r#
The wrongs
of a

right,

wo.manmust win

miiii
you, Till

death

in

her ser.vice to

|
right,

i-f ;j ;;-n
a

The wrongs of

wo -manmust win

ydu,Till
-m

death *-

in her ser.vice io

m
-*

1
If'. oFto

m m m g te
of
a

ma
g g

yi?

m ^=$Z
us, Till

m F

right,

The wrongs

wo _manmust win
_/2

death

in her ser.vice

(2-5

I
right,
JP-'

err rr
a

The wrongs of

wo_rnanmust win

us, Till

% w ccr
death

in her ser.vice to

bEEZz

ma
iS
fight!

m
v.

ss * #
^ =
r-TT
fight!

N>r\

azaa:

2^

/Oi

~CT~
fight!

fight!

3BE
fight!
fight!

^^ m
t

r7\

sag

-o-

r
fight!
fight!

BS=
*:
i

M
^
j

P*# wmr^

VS
BR

-ft

5^
DC.

~n~

*
77

Af-

13-

SONG (MOLLY & CHORUS.)

"CHON KINA."

m
PIANO.
./

%
t

as

m
PP

#
J
lit - tie
1

PP
::

f- a:

f? ff

m
i *
E=T
1.

i^
= >
in

^ ^H
-

^
P^P
And
Is

j
I'm I'm the
to.

/ l j n
emart-est no .tire

gfi- "ha
-

Ja

S.Plea.iu

how

3.

con

si.der'J 4U1U'

cor- rect an

and high _ ly ri - en - tal

pan, bred

the the

belle,

JH
r

g
M,

n ^^
1 j
te

^
peo
hair
tell
.

* *

m f r^
1

And they

^
-

Po
.

pie

call
.

me
-

Ro
(.tiff

li

li

*
Sun
head well
,

Pf
Lost All
in

e.

rect
I

ed

ly

me

per

form

ex

on my treme _ ly

se

On

the

Copyright 1896, by Hopwood

&

Crew.

.,

78

M.
ad
-

mi

ra _

tion

m
and
or

j
ut _ ter braid - ed.
k<>

j-

ere
sa

_ ly
.

coil'd

At While
-While

j
flut . ter

the

mi _ sen

1
r

m
M.

m
m
.

wm
. tn

my my

va - _ ri' cheeks are

1

ve

ry

m m
ni
e

^ wmm m m
sha
.

%& - ted pink - ly

la - test

Of
Is

ded,
to

And

my my
an

pho

m
cle _
lips

pn
_

ar

s o lJlj pi
are
ti

ver

ly

ma
ed

^
I
I

^
can
a

pu

la

ted

tint

le

gant
sure

ly
tu

fan red

I'm

cle

that's

al

ways

sell.

When

r
and

they

pip
g>y
flios
,

M.

j-

j>

mea
dain
-

^^
- sure

ny
of

msm ^
Is
it

that a6

To

fa _ shion
-

ver

ty

cups

of

tea

*~ # *

m ^
And The

my
at

jO'-i.J'
stiil

Jart

J
pa
_

l^^ff^S
.

79

s
pri
_

my
of
-

li_ _ces

Then
Will
Call

at

ex

. tra
-

charms
liaut;h

Ru
poor

li

Po

_h
.

ty,

and

low

ly

&J W^ 3ae

p
in
_

9
-^
S S
J j
in

SE^ r

m
for

not

cappret -

ti .

spe vate

cial

cee ly

can
-

you
-

ty

Ro

li

whol Po

Till

li--=

Ev'

you ry

=P
3E2I

L-T

EW5
1
^
u it
J*:

i B
t/uittli

p -i
an _ quid
to

^^febg
-

dance gaze cus _

for
-

you
to

_ o -

ther

way.
eyes,

her
is

al

_
-

mond
der

to _

mer

sure

or

m^!

3-

mm
PN
Chun

m^
M.

is
CAu

+
fri

s-

iN
fAoi?
fri

P
chmi
ki
-

P^if
tut

nu

nu,

ki

na

mf
^3=^
^=3=

I-U4

"T

P
-V,i
.

_su_
_

ki.

Yn

^=r=#
_
Avi
_

ii
H.i
.

//!.(

frn

rf.<

f<

*oi.'

1 i -^
r
j
i

m $=

80

CHORUS.
Is; 1

SOPRANO.

fei
CTinn
2". rf

j
Art

mj
.

J
Ari

m
-

p
chon, ki
-

p^p
na
ki
i

na,

cnon

net,

Chon

SOPRANO.

J
Cnon

J J'i
Art

JJ'J
*!
-

J
chon,

J J
ki
.

na,

cnon

na,

Chnn

na

ki

na,

TKNOR.
( . p

J
Chun

J
ki
-

r-r^r
nu,

jl_jlet

J
Chun

r
vhun,

^^ ^ p
ki _

chon

na,

A/ .

na.

BASS.

^^
Chun

V
ki
.

/
nu,

/
chon
ki
-

/
nu,

/
Chun
chnn
,

A-/

^ T
J'
j'
_

r
p-r
A*i
.

3 P
- -a

M
i

m-

na

A-i

na,

r
J
-

m
_

m
Ha
_
Aro

m
_ rfu _

su _

Ari,

Vo

Aro

na

ma,

t\

no?'.'

It

J.
A*u.
_

J J
-

BE3
An,

fa -

Ko

Jji'JJ k
Aro

.F
.

Pl
te

ma,

Ha

ku

Hu

hni!

p
Au .
.

P=FP
.

J
fla .

J
Aro

I
rfa

J"
-

J
fcoi.'

ga

Ari,

>*o -

A-o

Au

ma,

t^

gj

fl:

'

ffF
JBT

81
(After third verse.)

r
Ki
-

r
it

p
_

:
_ ri

t
su
hoi!

gi

p
A*i -

g
3

r
-

p
//

p
11

n" - #i

Adj.'

p^p
A"i -

ri _ _ n" -

su

foil/

as

rru
Ki
-

f
_

ri

gi

ri -

su

hni

mts^t

^F#
-A

* *

J=i

P
Ki
_

^^
r* _
#'*

^
-

Ao//

f
ri

1
_

su

/ioi.'

#
a^ ~

P
fO
_

I
ri
_

P
g"i

g
_
ri'

1
_

in

hoi!

l=P=#
JO
_

I
.

ri

gv

ri _

su

Aoi'.'

^^ m
ap

? *

ii

^#^

#
82

DANCE.

m tWtV p gg^ f # n
m
j 3
1

Bi

mm
i
a=a:

n ^=^= i
d
|

3=p: m-

F
irza^

& =
F 3E

3~iT-

^FB
g

r
'

ls
g

r
'CJ

^r 5

gsjg

^^ f t?
2_r

FT

f r

TJ TJC

f^o fir
v

S=iSn^^
-f

LJ-

Pi? g

ais
,

lj %

tJ tJ

, ,

83

pp

J
ki
_

Jnot,

J
1

J J
ki
-

J
I

P
chon,
ki
-

Chon

chon

na

Chon

na

i
Chon

J J i
'

ki

nor,

Cnon

^^
A<
_

J
I

J
Ari

^
.

j_
Chon
chon,

^
ki
.

m
Arr"

na,

na,

na

na.

Mi
Chnn

J
ki

J-

J
chon

J-^
ki . na
,

=t
Chon

P
chon
ki
.

P=^P
na
ki
-

na,

^m ^
Chnn

mm
ki

/
chon
ki
_

/
na,

/
Chon
chon
,

k
_

A"
r

fri

na

na,

i
!>!>

^^
i

J-

3-

W
J

g
u

==9=

"J

rf

FM'a -

J
g
ga
.

JlJjr^-jrlJJ
.

J'J
_
rfu
.
(>'

J
ko>/

sa

ki

Yo

A-o

ha

ma,

fla

Avi

i
>

i
A"u
.

>
.

I p 1 p i
1

pgp
_
it

ga

sa

A-j,

Yo

Ao

na

ma,

flu _

Avi

rfa

ni7

i-

Aa

m
-

j
.

1
Yo
.

l=f=S
Ao
_

^^^^^^
fla
_

gu

i'a

ki

ha

ma,

Ao

rfa

te

hoi!

^-J
*k _

>
.

J
Hn
-

^ee
kn
^

$a

ki

*o

da

te

hoi!

^j~

^^
r

84

ft
:

J
C/7n

J
A"! .

J
_

J
A-i

J-

J
Chun
;-h,

na,

vhon

na,

ki

3T-|
OAon

^
ki
-

g
-

*=N ^ p
J'

j
than,
A"!

^ m
na
ki - na.

na,

c/hi;i

m
C/ion

J
ki
-

t-

j
cnon

^
ki

ki

nu,

C/?on

na

Ari

na

^
.

P^?
vhon,
ki
-

na,

na,

Chan

na

k1

na,

as
Chnn
ki
. -

V
na,

V
-

W
-

W
ki
-

V
na,

chon

ki

na,

Chan

s
A"a
.

m
*
w

chon,

ki

na

* *
*

^
=f=F#
_
Arrj

~g

T
\

pm
^u
_

^
_
rfa

T
hoi!

su

ki,

Yo

hu

ma,

Ha

ko

JA"a
. .

J J
Jgu
-

so

A-i,

Ko

A-u

I j J Ha
I

J_

pp^
.
rfa
-

I I

/in

ma,

ko

te

hoi!

pm
Aa
.

JC=

=E=F=
A-!,

J J
Ha
.

J^

.h
te'

ga

so

Ko

A-o

na

ma,

ko . da .

hoi!

1-

'i

l<r
_

A-r<

J
_

J|J J J
-

J
.

r
hoi!

A*a

g-a - *a

ki,

Yo

ha

ma,

Hit

ko

rfu

te

1
SB

N?

14*.

FINALE. ACT I "THOUGH OF STAYING TOO

LONG.'

VOICE.

m
E m

Allegro moderato.
i

CUNNINGHAM.
\

PIANO.

m
g >
I

i y
Though
of
%

C * *

=*

m^
5f=

^x

m =9=
/T\

^=^

CUN.

pnis J^ju-j'J.j'j
staying too long youre ac - cusing ns,

j-j-j
i

Yel Ja - pan has such-wonders

to

i
I

N.

show,

Andyouve

(*

ii

J*

jj

j*

] i

v
>

J'v

J'

r i i

j>
:

a
CUN
i

g *

^^

^^
y y
I

N
all

g
in

fif
a 5

*J

been so good

musing us,

^
That no

I
to

I
fc

r=^
N
Sr

*->

hNk
*

wonder were sorry

PP
go.

While the

^p
s^l
CUN.
freest

hQ P

sy -y

?T

3**3
'

^="=5=^

y^ gfgg gcUW^-^H
of

i-J'^jy ^ ^
ex_cellent tea

==5=

^
the

fun

is

per _ ims-si-ble,

And such

we

ob -

tain,

And

9-=-

mm
*

**

*-

m.=*=?:
&
Crew.

?=*1

^^

^s=^

^P

Copyright 1896, by Hopwdpd

86
CUN.

UiirttJ'J-^
girls are

>
i i

ii j'
shall

so quaint and so

kiss-a-ble,

We

cer_tain_ly come here a _ gain

K
s

,!

m
CUN.

^ii'i
J' 8
j

h y

** *
y

P
to

=?==

PE ^ #
k

f*f
y y 7 r

m
y

mo P? i
.'

$-

=j

^
e

K==g

OFFICERS.

j'l

J-

IJ
For

S^F
p
pass the most pleasant of
i

r
days

'

efc*g=tt

Vou should

always contrive when you

fj
For

J
to

N,J
days

g J"

l.

JT

>

J" J"

J^ g

^
rj

pass the most pleasant oi

You should

always contrive when you

'ti' *+p-gc
For
to

J,
g

r
days

pass the most pleasant of

You should

always contrive when you

m M
:

j-ryri

To

at - ten-tively

study

tlie

ways
~c

Of the

dear

lit-tle girls

of

Ja

E
%
\

M
m
I

SIC

as

mm,
study the

*
Of

m
the the

\
g

fr

fy

fc

K k
of

i
Ja-

To

at - ten-tively

ways

dear lit-tle girls

'

'

r-

r r

r
ways

'

To at- ten-tively study the

r^g Of
g

g g

g-

g
of

g
Ja-

dear

lit-tle girls

CHORUS.
W- sop.

87
r
W=^rmost pleasant of

tf
Yes
2".' 1

&
,j

yy
r
days

E f

t V^Y- r

=0-

*=+

fe^
To
at _
1

to pass, the

You should always contrive when you tan

frh

ff

'^

^
i'
i

SOP.

j J j|

^
days

f
'

jl J.J J -y J ^

'

d
To
at

_ pail.

Yesto passthemostpleasantof

Youshouldalwayscontrivewhenyoucan

TKXOR.

^=n USlltttftr,} Mj-jpan.

^J

J-J'j'

*J J
To
at _

Yesto passthemostpleasantof

days

You should ahvayscontrive.wh'-nvnu ran

^^m
_pan.

BASS 00

Yes lo pass the most pleasant

m rft

7
i

i
of

r days

'

f^fH-H-r^f
7u
at

=*

f-e#f##

You should always contrive when you can

i^f

f.-fffff

iMf^
v.

%& E^t

[ffijf

gc t=tt*

nWrci rJ cr -gciJ
Of thedear
littleKirlsof

.tentively study the ways

m
i
*

Ja.pan.

H};}m}-\)

>^i^ ^ V tnL
\

.tentively study the ways Of the deai

little girls

of Ja.pan.

fegf wj;miJ> r^ p ipg

'

=*

.tentively study the ways

Of the dear little girls of Ja.pan.

^Tggffg

^'rg'gggg'ff
little girls

-tentively study the ways Of the dear

of Ja.pan.

* *

'

cres
-

88

CHORUS.
f

*i

J
i

-Pcr
t

Night ap.proaches

clear and star-ry

mmm
Silver

j-

*
-

shadows

soft_ly

fall,

Bring - ing
cres

m
_

cen

rest

to
_

h ^n pj;
y '"r
I

m
r f
i

-dd Tr*"-^ *
Silver shadows

t,J

j: j

j, v.

IJ^M
^-#
Bring- ing
cres

cen

Night ap.proaches

clear and star-ry

soft_ly

fall)

rest to - cen -

g f
ft

rJ|J

j-uj

J'

h^N^
tres cres
_ -

Night ap.proaches clear and star-ry Silver shadows n

'

soft_ly

fall,

Bring _ ing

rest to _ cen ||J

T;r

'

r
fall,

>r

g
rest

^
to

Night ap.proaches

clear and

star-ry Silver shadows

soft_ly

Bring - ing

s
j,ii; jjJn

[S;i n
Wel_come
ffi-

great I-ma.ri,

rfo

-a-* p
great

a <iJ
_ ri,

I- ma

Wel-come

^ S
rest to

is
3

one and

all.

t|J

m=x

rest to

one and

all.

Ppp
great

'f

J p r r
rest to

c"f
all.

I_ma_ri,

Wel-come

one and

ag

Jr

g p^
Wei -come rest
to

great I-ma.ri,

one and

all.

m
#n

KATANA.

P
i
PP

m P

^
ppp I
3^i
r
r

89

M
Light of
a

P
life.

Pearl of the ra-diant Eastern sea,

sol-dier's

jj i
=fe

Si
fe

.:

'

^^ T ^^
r

it i

^ta
pf
wife!

P
i

g e
in
its

M=
set

lisp
Free
to

Time

PP^P
be-come

course will

thee

free

my

s
K.

m
^
f1?

i i

^^
r
to

m t^
j
ii

3:

mm
I P*=P

r
lips
Sa>.

"T

"7

All that

7~ my

i
heart de _ sires
say

^fe P
Would that my
could
tell;

e
p
of

jj 4^
1

>il>4
p
\

^3=
p

sm
Fairest

:
bless

r
way

for_tune

thy

z-*t

m
j
my

J
life,

Light of

fare- well!

fgff
fe
p

ii

lX3

90
ffc

I
Rose

g
of

pir

n.
fair,

j-.j
i

Ji

j.

J
F

J.
ex-cels-

my

fan-cy's

gar _ den

Fortune foretells

Joy that

t=

*^

P
i

m
i

m
3

^si

m
K.

IA >

^4

j-

P
I

^4
J p
I!

j>

>4 ^

Al-mond-eyed maid
of

J 1
beau - ty
rare

J,

J
fond
fare -

Fondest

of

wells

*
m

P
/Oi

P
Efc
/a

'

J<_i

si

ISfc

^ S

is:

> j

H
fr

y.

^S
i

^
*

*= l
kb f

"f

3b

MIMOSA.
MIM.

91
viyo.

m
Soi

Poco pin

j
ry

j- J
and sad

JI

r
go

m
from

e=^ i
thee,

s.
heart!

Lord

of

my

lov - ing

# *-\\T-\ v
-r

-w-w-9

1-*rl

111 1

fiiiil

*
^^
Saved by a
friend from

*
MIM.

^S
v v

s.

N Jir

Ever and ev_er think of me,

^ JJ
for

Though

^
time

fit-^-

ve

part.

f:
MIM.

1*

**

* fif fSI

^y
**
p
i

iy

%
gJ-

P EEEE^ =i!

i^J
Whither she goes go

IZZ

=
So
till I

hap_less fate,

yj

m
MIM.:

WW *ra m
*J

Ij

come, my

soLdier, wait!

W- If

r-

m
I

i ^ ^r-9
-

f^-

^=3
So
till

^
I

come good

bye!

So

^^
till I

^ T
-

come good

bye!

##PPP CiJ r

C2JU/

J..

iJ
r

tt

92
MINI.

W
Son

Lj-r.rr

J.

u^pj. p

of thesword,-whosegIeamingbladeGuardingitsprize

Danger defies, Truestof knights to trusting maid,

j^j mmm

p p
r.

*:

m ^
^
jg

,i-

'

i.

^
a
3:

/C\

^
MIM.

^=^

^
fe

J. J JjJ.

Ii
i

J iJ
.

.1. .JJ
1

il. J t|

___^_1
I

H
o,
y

I I I.'S

m"'T
m-m-

a
=

.Ti

v I

g y

IPl

SEE

=y^=

93

#a

Z=3E

^
m
.r

MOLLY.

Oh,

S
^m
b
IY1.

Allegro vivo.
~

mm

mm
^^
mad-cap
me?
poor
lit_tle

^=t

b=s= t

fc

^
S

^= ^^s
With

what will they do with

Mol _ ly,

Ive

M.
got
in

K
In

=!
a

PfPf
Jap-an-ese dress,

f\S P.)}
And
what will the consequence
be?

mess

m
No

F=*

m
doubt with a

m
^
/ J
girl

3
Jbl

e^S
They'd

^~

t\j
r
like

Mol - ly

wm ?m?
try
to

j
free,

take

li-ber-ties

Bnt

94
M.
if

^Ps N
they ve (he fol_ly

> >

J"

i i
#

j-J
to

j'jji

To take them

-with Molly, They'll

have

be sharper than

^ she!

^afe
Now

i
i

^g
'' ii
1

Now

=j| ||^ Now

s
#ta
Si
fct*

*
/
'

wm
g
And
i

^
/

^s
Now

3*

i
7
i

i
r
We're

^* i
who
is

v
Po -

f
li,

^
g
what
what

g
is

this

Ro

li

^^
who
is

fcj ^ i'JJ J l^p-mn;

;A>

I J
Po li,

mt
And

is

this

Ro

li

is

^
e
i-

e
tie

r
game?

her

lit

J'i
- tie

J
game?
We're

her

lit

r
Po -

/
li

r
And m And

r
what

g
is

g
her

"g
lit

:
_ tie

this

Ro

We're

li

game?

P k
this

k
li

r
Po

V
- li,

k
what

E g
is

% P^
lit

uA

is

Ro

her

- tie

game?

We're

th-^

I
f

bound

to admit

u
i

^
E

f
i

Mj
bit,

gj
For For

pg

,^
name.
it'.

That we're puzzled a

no _ body knows her by

^
g
bound

fc

B Jim Jimf=pp^
J
bit,

to

admit That we're puzzled a

no - body knows her by

name.

It's

p
bound
to

gig

p
bit,

g
For

g r-g
no - body

r
name.

rIt's

admit That we're puzzled a

C

knowsherby

1
1
to

J ^

Jl r J

J
a

J
bit,

MPE^D
For
no

P^=
name.
It's

bound

admit That we're puzzled

-body knowsherby

pi rn imfl
i

S ^P
\

liPpi U'U u W ff
r
f
|

y a *
hard

1
Ro
_

g
li

m$ % E
} }

r p
o_pen
i

tr to

=fc
doubt,

P
And

up_on

'Po -

li

To

hint that she's

m
hard

j
li

j
Po -

r
li

] j
o_pen

ji

^
doubt,

up-on

Ro

To

hint that she's

to

And
T

*Jfc
g c
hard

op_on

g g Ro - li

'

f
Po -

e
To

hi

g
to

'

t
doubt,

li

hint that she's

o-pen

r And

J'\>

V
hard

Ir

5
li

Eg

to

I
doubt,

I
And

up_on

Ro -

Po

li

To

hint that she's

o_pen

I te53

'|ci^^ f^

J.J'JJ'J

96

yet were suspicious, And

rather am-bitious

Of

finding

thing or

two
|

out.

And

l^jymiJMH J-I;jj^j--J f'ee P m m m e&

yet we're suspicious, And
rather am-bitious

J
out.

J And

Of

finding

thing or

two

r
out.

yet we're suspicious. And

rather am-bitious

Of

finding

a thing or

two

And

^JUg&f

CI

SB Of

r-

rciNi^E
a

yet we're suspicious, And

rather am_bitious

Of

finding

thing or

two

out.

And

-**

^p
3HI
'

tvjti
"T

m
i

^J
^

C^J
^ ^

L-^
I*

ee ^

g
g

c
rail

fc

fc

E
out.

yet we're sus-picious,

And

yet we're sus.picious, And

ppp -f r^=^
12=)fc=E
u

^^
I
m

rather am-bitious

Of find-ing a

rather am-bitious

Of find-ing
rail:

^f

g g E
m m
p*
t*

ir

fee

yet we're sus.picious, And

rather am_bitious

Of find-ing
rail:

M m
a

thing or two

fefcfeE ^3E
or

thing

two
rts

out.

p
^
tw#

*
r-

thing or two

out.

F=T=g r~r r
thing
or

SE
out.

yet we're sus-picious

And

rather am-bitious

Of find-ing a

97
JULIPiicn pi&

mosso

fe

l^E
It

one,

seems

my

work

is

on - - ly

^np
^
fc=j=jt 1

^=i

* r
FAIRFAX.

F-

98
ft

jlt

pi m
rt

IMARI.

j 5

3s=(sr

JH
sure

g
youve

j.
i

j
the

j
best

^
of

from you.

Laugh

way! But dont make

got

.FAIRFAX.

n**
Take
care,

mP
my
fc_

/O

W
hands
I7\

lord.

In

Eng

- lish

is

^
t
she;

W^
!

Mb

*EEi

^'=^ W

^
IP
Of the

g\

f r

#
So

J.
dont

J'

J
To

r.

^ J g

you dare

touch a hair

head of that dain_ty

s
f f geisha

?
fair!

J
'

J"
truth

ff ij
To
a

errold.,

s
>"i',

If

be told

Mar_quis

Its

not the girl,

Whos

?t

r n
3

n n Ife*


ay

chorus.
1

i
just

:
i

f
sold!

r
It's

r.
i

3mm
fc

fe

=
sat

Yet
ii

been

on _ - ly

the

way

Of

lors

gay,

ii

J"
|

J J
ly

way
Of

TST'

-N-

pp
Yet
it

It's

the

sai - lors

gay>

SE

=*=^=
ly

P
Of
sai - lors

C
gay,

m
It's

It's

the

way

on

I
ly

the

^
way

^
Of
ii

Yet
it

_ lors

gay,

Yet

it

seems

fc=^ d

c
rude

I
to

Dn_common-ly

F~
say

g
truth

g
told

g
To

g
a

That

if

be

frJ.
seems

Jj-M
un_ common- ly

ji

jto

jsay

J*J
|

Jtruth

(=Ff
be
told

rode

That

if

To

lll :
seems

j
rude

i
to

m i^
say

P
truth

f
told

g
To

;
a

un-common_ly

That

if

be

^m
ins

\ g i

r.

/
to

/
say

r
That

E"

i
be

i
told

ii
To
a

un_common_ly

rude

if

truth

^^1

LLfiLf LI
i^

^f

lilt

juj


100

IMARI.

3-t-E-EMar
- quis

old,

Mar

- quis.

old,

^
It's

not the girl,

P g
c
who's

g
just

=F=^
sold!

been

This

3
,

Its

not the girl,

t g
whos
i

=
i

r.

p
been
soldi

just

#^ m
Mar

i
_ quis

r
old,

i
It's
,

t?

^
whos
just

not the

g^rl,

been

sold!

1
_ quis

f-^ l
old,
Its
,

v
whos

V^F
just

^ ^

Mar

not the girl,

been

sold!

#te

P
P ^
con
-

- ver _ _ sa - tion

we

will

not

pro -long

v *=-

W..
r

#
m
t
r

pi^

=^=*=

K
turn

'
I

ir

k
that

out

pp
af - ter
all

n
you're

fe
/
i

eS
/
r

#^
g
i

-wrong

gE

Si'

CHORUS.

y v
Please
-*-

I
to

3
go!

P
Fast
the

^
sun
is

^
set - ting,

tOl

Please

to

go!

==
Please
to

N
go!

Ks

E3E
snn
is

E
Please

to

go!

Fast

the

=t=*
Please
to

go!

Please

m
*

-*_:
t-

* i
to

^
to
to
'

I
go!

^
Fast

P"

/
sun

the

F
is

^
set
_

set - ting,

ting,

|
go!

EC
the

JM
is

Please

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N
3E

END OF ACT

1.

ACT
N? 15. ENTR'ACTE.
Andante
r

II

10 7

PIANO
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N?16. OPENING CHORUS. ACT

II

"DAY
J J

BORN OF LOVE

SOPRANO.

fe
Day
born of
love,

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gladness

ALTO.

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Copyright 1896, by Hnpwood

Crew.

112
j
ti

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m a
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shines.

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&

Day

born of

love.

Of

glad.ness

and de

m
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born of
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73
Of

mm
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light

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glad.ness

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mm
.

^
1*

ous

lays

With blushes

all

r
.

r
ous

r
lays

i=g
all

praise

And

smg

their joy

With blushes

fete

ilii 'i

# t

f
blaze!

-o-

it-

&e h&r
_

3E
,

blaze!
'

r\

blaze!

AX

/O,

asfe
blaze!

a
:=.

fe*>

r *=*

I
?

mm m

r\

*h
r

in

120

JV*.Z7.

SONG (MOLLY.) "THE TOY

MONKEY.'

COMPOSED BY LIONEL NIONCKTON.

Allegro moderate

PIANO.

MOLLY.

^
maid
.

l.Poor

lit . tie

en,
that

who
this

2. No

bo . dy doubts

P
y

Pf

v I

r=5
H
d.
fc
is

S ^fe^
loves a
rid
bit

of
-

fun,
-

Learns her pro-pen

_ si. ty

^
to

rne!

hor

Ja

pan

ese

Wives

ri. en

tal-

ly has

got;

Pmm
'^'r
f
i

i
'h
&
Crew.

f_JL...f

Copyright 1896, by Hopwood

121
M.

#H
Just
look

fe

g
at

J
me!
three,

^
what
or

I
prtt
_ _

J*
ty

| I
thin
as
I've

J.
done!
please
-

One,

two

or

ma

ny

you

s
M.

P^f
$
s
a

mm
k
J
.

m S
/

fr

J.

J*
ded

J.

M
-

Here's

de _ light _ful

how -de
to

do!
lot!

A
He

pre

cious
I

pic
can't

kle
re
.

I'm
sist

in!
hiin:

won't

be

ad

the

thinks

m
1
\

^=

<*

^tV

J--

nJ

J:
lit

J
Mol
ly,

J, i B ^N=?
E
j

K>
r

I
A

'

hr

Fool-ish
Kull
.

.tie

ing

in

his rich . es,

Punish'd Fan-cies

for

your

fol

ly.

* wood
round

en

he

be-witch

_ es

Bat

my

fc=* s ttj

.njs,
'fi

.cm >;
re

i
g
I

te M

1
key
I'll

>=

-r

*E?

i^^M-l
i

s
mon
thumb
_

j:
climb
twist
-

J
n't

J:
on
he's

j
.<

J
like
or

I
you!
not.'

in'

stick

him

Whe.thei

-ware

SgJZJ
^f=

j- ,

j-

poio
I

ri>:

=*

^r^=

122

^
1

CHORUS.

n
i

T
click!
click!

K
I'm
He's

mm
a a

*=^=*
a
a

Click!
Click!

mon-key on mon-key on

stick! stick,

*^
-

i
can
have

ny one with me
to

Bound

let

me

my

;i ffi 3
E

/"

^=
S

= SE
=:

EC

J-^

r?rr

^=F^

P
finds a

S^
play,

^F J--N
an.
keep
tics
he'll
all

J'Jli^J.^
Till
Till

And
So

my
I'll

en -joy

he

nrw-er

toy .When he'll

I'll

way

him

a-

live

my

English friends arrive-When

*
123

mza

5S
M-*-

Sfe
*:

m m# I
^

^^
^

Jn:

^^
^=w
J

f
HE

1
gjj,k

fc

l*

yr

i
P

i y

^vt^Tf
if

m
.

=i?

E g r

J^fyf

2 HE Cf.f^^
i" r F r

Jn=

^^
5=s
-

TO
poco
rit.

BJ
i
E

y
.i.

pW ^^
H

S3 ^ a T ^rr
te*

^P Ms m r^r
gUl
^ f-pr
i

*=
<&.

j-j] r

sS prgqgnjg

ie

At=t

^^
i

S^FTT^r.* J^ fe^ ^*=*-=?

ist
i
I

^ i P r^-Vy /

124

N?18. DUET (JULIETTE

&WUN-HI.) "CHINC-A-RING-A-REE!"

Allegretto

PI

ANO.

^m

P^
JULI.

m
want want
ny
get
tie

^
thing dune,
I

When

WUN-HI.When

me

my

way,

Keep

^g

P
wh>'e . die

ij^ I
7 9

nn m

m 3=E
LJ
fd
_ '

#n
try

i
my
ee

J
.
.

|J
plan
eyes;

vour
. _

ite

and
-

co.ix,

much

pen

For

Chi

na

man

mild

And Him

Copyright 1896, by Hopwood

&

Crew.

j
125

g
the

P
folks

As
Tell

e
on
pl>n
.

i
French
girl
_

flat . ter

ly

can!
lies!

If

well

ee

sharp

child

ty

Mg

whop

per

JULl.To

~~&

pin
^^
^
Who
won't
juot be

^m

^^

t**-

=F

^
e

m
I

_ ver
-

chance

on
tu
-

one

coax'd

by
for

ge

ther

we'll

work

day

You're

the

man

m
me, me!
'

F
I

:
girl

rrt
I
-

p
few

g
on
lit

I
the
-

r
sly

peep and
ne

pry,
jibs

And
At

work

Cum.
Cum
.

ver

tie

fib

m iWJW r n
m
Lj
V.

H^? P^Pf
^
lire'
J!

Z3

i=*h

^=r

m
JULIETTE.

w ^T
WUN-HI.

WUN-HI

P
-

f
<?
ca?

'|i'TJ
Hee!

prrn

ez

vuus

ft',,-'

fren - r z - vuus

Wee!

*T
s=^
g
y

# W^
Cam Cum

^
pn

J
-

pren . e z
n _ ez

no
rows cu
rous
I

s
is:

'ret

cci?

Hen/

=?

gg

N-

~^~

126

P^s 43

BOTH.

^^
chi
-

J'
-

}
-

E
a
-

kee

hi

kee

ching

a - ring

^^
The

ree!

^^
smart

girl

te

is

#
Chi
.

A
mam'-

*
Mon
-

P
se'.le

French

and

the

cute

-nee!

sieur,

Suit

IFf

i~-^h^r

m
i E "g

m*
52
ve

fr

fc

JJ^ r
tt

fe

J
I
So
i

f
sing

fc=fe

Ht
Ching-a
-

E
ree!

ry

^n W

ve

ry well,

Ching-a-ring

ring-

a - ring - a -

as

P
The

^ee
smart

French

girl

and

th.i

^m

^p m

127

ft

J; j;

ijrn

gEgFC

^c

J/

ring

^
-

^=a
-

a - ring - a

reel

DANCE

(after second verso.)

^i
D.C.

tf^ s

i**
i ^p

^P
H=g

lff-ff ;

HH

JSi

^^-^

**

128

JV.79.

CONCERTED PIECE "GEISHA

ARE WE."

ust
PIANO.

fat

& P^P mk
Gei.sha
are we,

4 GEISHA.

mmk
to

P^Pf
ce
-

Bid-den

be

Present to-day

at

the

re.mo

nee

*A i

Hi Hj ^^

W
P

@^
J

^
P *

5y

wm
kj,

p^
nj
.1

i==ii p^p
i

P WP
Each
in

a*

i;-N

jjuiJj
ev
_

-Si-

her best,

Dain.ti.ly dress'd

Brings en-ter.tainment for

ry guest.

nj.j

JS..J

Copyright 1896, by Hopwood

&

Crew.

129

4C.

f?t}
Smart

j;,j
lit.tle

maid.

Versed

in her trade,

j Knows what
i

;jt

gf

gr

will please when ex.pressivt

_ly play'd,

ai
+

f
i

^=p

innl
n
j^
i

p*^
fe=fV
j

*=p^
Guess.es what dance

^pp
All will en-trance,

i
.a

Aid.ed by sau.cy and

mis.chie-vous glance.

ni
4C.

jhj jjn^o a

m wp ^
Gei-sha
are we,

j.i
be

j
at

Bidden

to

Present to-day

the

ce. re-mo

PPi
-

nee,

*i

MM
Each
in

w
p^
5ii
Dain.ti
- ly

ft

^
j

3E

a to r
i===i p^^
i
*=3=

as i
+

u.

& P^Pp
J
3e

^
dress'd
j

her best,

^ a M a

Brings entertainment for

in
l

ev.e.ry

guest.

flj

T
p i

Pi
r

UJ2
r

n i F^
i
*

ate

*f

_*

<2_

ft

g
130

OFFICERS.

OFF

*fe

pc gF

j-J-i

JJ-J jj-J-rJ
spirits

^
i

evl ry-thing you know. For our

ra.ther low your words

may

hap. pen ease.

Will

the

LLU

T
I ' I

^M
*E

m
OFF

^#
g
p i
g

ta
wedding be a

j'

^m

\ K \

treat? Are there

lots of things to eat?

Is the bride

extremely sweet and ve.ry

# 7
yii"

**

pf

S
I
*

f'f'

W>
f
4 GEISHA.

^
ee
Is

I
r

OFF

**=

Jap.an.ese?

taa=s

r t

JL /

^/iJM
Japan. ese?

the bride extremely sweet and very

fei
Oh you
i

I*

# fsf*f

*St

It

it

te

131

4C

V.

m
ask

K
us

=
and

/
de
.

'

V
tain

F
us

rall

fr
the

r
day,

mus_nt

I
For

ques.tiuns

^
you're

1C.

^F^
naugh
.

sit: j
ty

j
and

-^+J-i^ g g
*

-^
say!

^the

Eng

lish

sai - lors,

we

don't

p
J-C

j
^

a
f

know what

you'll

Yes,

3 r

=j

+ c.

iJ-

J
let

'

r
j

-r

i
ohl

1 1 ^

.CUNNINCHAM

J-

please to

us

go,

and

we

Hi

fi

-J

ta

n ^
won
.

g -$^H 1&*
J
dare!
If

der

how you

th<

^ i

ii

**

132

c.

p*
**=

;jj;
Mar
-

-^
.

flir

quis

should de

tect

This

m
j

^^
_

ta

tion

^
in
.

J
_

J,

au

cor

reel

His

I
j

>

n
I

Mi

11

>

*t 3E
_

V
.
ri

\
-

V
un
.

N
check'd

j*

^
ty

g
will

^^
as
_

N
with

\
you're

tho

He

sert

u
I
7

^
I
ive
,

*
us.
r-

But

jgjg

=F

=^ =!
P^P^P
f
twice,

#y

j
all

i
so

j
ry
nice

^
That
with
.

E^
in

out

re

fleet

ing

We

^#f
c.

*
-

tend

^
to

J
break

J
the

f
ice.

J
And

g
flirt

d
with
us'.

^#
i
s

make you

*fe

^
i

mi

ENGLISH CIRLS-

133

*fc
j

J'

Now

yuu mustn't go and leave us

i;mJlJ ;[^J 1
for the geisha,
if

^
j

you please,Forwe

**=

j]jj,

3
r

a o
N

m
N

jlt

Kip
J'

ji

^4

^4=^
J-J IP

j
N

E P

N v
I

Nr-y

J'i

cannot have you flirt-ing with these pretty

* ^ ^
1
1

ff They Jap.an-ese!

gi 3 s
lit

P
it

are charming

-tie creature>.but

n
l

ji

^
v k
1

E.G.

j^^N^J- iynyJi^ .^-VJ^ii

l

4 GEISHA. a {1

real - ly

is - n't

fair,

So

you'll please to let

them go, and oh! we

won. der how you dare! Yes we

5J ^^
===^
JG.

-s feb*

J"l

P=P
Jit

lESS *tPgi

rif^

OFFICERS.

N^t
c
r

rarer
"
'

'

= J '

won.der how they dare! Yes we

wonder how we dare

PPP

*A

*s
4 K-BH-4

^^

f34

4&
**

CEISHA.

,r
.

e
sha

c
are

Gei

r we,

^
Bid-den

i
to

*j

bt

I'n .sent

^
i

to -

day

^^
at

the

** el

i
i

SJJ.

Hi

Bi

nF^
ce
.

re -

^^
mo
.

nee;

Each

^^ ^
,

P^P

a
dress'd

.B.

e= P
ly

in

her best

Dain-ti

feP^ pt $=* ^m & ^m P

i

mm
P
r
Brings

n
c

j
J

=1
N
Vfor

m
7'

Brings

en.ter-tain_nient

lor

^m
ev.e.ry

guest.

en.ter-tain- nient

pip

<r
i
ii

mfc =M

f=r

JL

m
I

#=F 3
ev
_

ry

guest.

dbS

s ^*
r

*
f

i ^
dim:

Bi

_*

/> Lf

F"

P^

186

N\ ,20. SONG (FAIRFAX.) "STAR OF MY SOUL.

PIANO.

Andante.

ulb'rr

nj3

;.

mm

sse

m
7

f
*

*
Friend
-

less

and

fair.

f my
the

J
help

-I

may sorely need?

falls;

1 How
Yet

g
can
is
I

rp d
wait,
dear,

ver

my

path

joy.ous sunlight

my

and whose

pJr~^PPi
=@E
=s=
3:

inWW
^

*#

*f?

^opyritrhtr

1896, by Hopwonr!

&

Crt-w


136

^
.

I
Count .Caged
_

leave her sad and lone

ly,

ing

^^ m
a
'

the hours that all

too

slow

ly

speed?
walls.

charms so fasthave bound

me,

like

bird with -in those gild _

ed

*
^r^r^F

FW
P
*-

J71
J
her:

TCr^ _
TT 7T

4-5-4-

IB

no charm, if mine she

i
cru-el

hs
Life

Earth has no grace Would I could break

that does not cling

a. bout-

has

^^ ^Nfe
ev _'ry chain that ketjis us

the

bonds that hold

her.

Snap

m
may
not
a
-

#
be;
P.art!

J
Star
Star

g
of

J.

J
I

J-JJUU
can_not live with_out
half
I

two

of

my soul! my soul!

her;

P"JL~

9
:ar
back
beat

the

have not told

her

i*ll 'w?#j
3

gin
~*

ffy
*
grant this
all

==
O
Of
day
love

may give
that
fills

her

^
to
.

me
heart

the

'im

f=

BW
f

my

ing

3=

^
r

137

J
Dream,

,u

5
my

Kf
till

J"
we

=f
once

r-

rJl^
of

dear - ebt,

meet

more.

Day-dreams

hap_pi_ness a -

1^
*=#

J^

r
j
gain

r
j
in -i

^^ 2^
r
r
j
i

f f

5^
j
may

J
Dreams

j
of

|
a

jy
that

j
hold,

ntore.

fu-ture

our

fates

-CT

>

5s*.

5ai>.

'

Passd

Off / j jj J=H=* m ^ *"** i

J'
in

1st

time

the

wonder-land of

love

un-told!

^^ ^
i

i
^=
'

.'/

f
DC.

iwT j

.n

-jj-

p
-Uj.

i^
O!

r
r^

2nd time

rQ^UM=^=
Pass'd
in

i
love
I

the

wou^der _ land

of

un.told!
n\

#PP^
r

*r^r
:
i

*-

OBMB m ^ i
r
*

n\

%a

=zz


138

N?21. SONG

(JULIETTE.) "iF THAT'S

NOT LOVE- WHAT

IS?"

Allegro moderate

u5 m
PIANO.

JEflfiEr

^
if

3S

*=4 m ^^
P
*
my
were

s mm
*~
heart

EE
Fint
IV

2EE

*i

aP
l.To
2. To

~mr
win

win

*s

m
his

the

man
heart-

who's

won
he

^
There's
Still

3==
no
fur
.

thing
ther

that
I'd

rich

==
IZgg

*
jWff

w
^*-

^
**I

b
I
be

con

^te
**

p
would.
-sent

i
n't

*
r
do!
I'd I'd

r-

i
frock

M
that

lt
was.
con
.
n't

J-

wear
catch

smart An
Would

un. -be.com
not

p^P
ing
vo
.

to

go!

his

eye

fcg
siss
j.

==^=1

^^
n\

m nn
y r g

by

duct which

.ted

TT

* (

m
*

if

^m
**
5
-

mm
cha-peau

f
too.
If

31
square-cut shoes
prove
to

P
should
in

-
his

~
taste,,

please

Then
That

J
no
girls

Jj J
more point
are
.

ed
so

cumme

il

faut.
r?\

I'd

him

tete . a - tete

not

**

fesT
**
r
g

J^-f^
^
J

S
!J^j
'

^#f
U
g

ait

^==f=F:
&
Crew.

Copyright 1896, by Hopwood

$A P fe^
toes
for

139

^
me,
chill,

And

thir . ty

mm
in _

ches

round

tho waist
. si .

?
*

life
I'd

cheer,
go

ful a

Iy..
lit .

con
.tie

prim and

And

then

if

he

should

he.

tate

I'd

3e
r

N P^
J.

3^

&*

lS w*3
to
l
\

iil^
;

|
T

Ha
sent

jJ
to

J~f
And And
if if

J' J
not

be.

that's
that's

love what

fur - ther still!

mi ^ ^^^y
#
'
'i
i

nj

not

love what

**

#.

ftf7i

/-

5"
1

J.

4d

^
is?
is?

TC-fg

=*
For
For
I I

^^
feel feel

S^-N:

^
6en sen
. -

my my

heart
heart

go
go

pop,

pop,

And my And my

ses
ses

whirl

and

whirl

and

m
agfe
*fe

Z*

* *

4 t *

n
=

3E

P-

*
1 y

t^

^E

3S

F^
*

P
i
know know

^^^

^
to to

SM

fizz

Till
Till

I I

don't
don't

where where

stop! stop!

fizz

140

yfc
Car

-P

0:

/
c'est

m
a
-

-#-i i

ym
fan aime en
tons

i
pays

oi'n . it,

m?s

mic>

Que

^m
^te
I 1
#A"~">.
Cur
I'a -

jt]

^
l-Jij
mour,
t'a-moar,
t'a

a!=

j^r^^-tr?
-

^
*

P
[if
*

mour,

t'a.mour,

L'u-mour ne rai-.ion.ne

P rTL Mi ^ta
fjj j||
A=F
pil.9
.'

EXT

Sfc

^
^-t^-^Cdi'
t\<

a
mour,
I'a

=3

^^
_ _

mour,

i^fe
5Bgj ff^g

t'a _

mour,

I'a -

muur,

L'a

in^
^
,.
.

J.

^ ^Mi ?
ai

H*^
Sfel
.

^
lit

uiiur ne ra/san -

pas'

mour

^
2'.'

/TS

ne

raison

-,P

as;

'

m LLf

LU

^^
7 i
i

*
r

/TV

O,

i,r-r

r;j -M^ 0\

5*
rt\

Lircr

D.C.toSyni.

+=
DC to Syro.

141

X?21. JAPANESE MARCH. (ENTRANCE

OF CHORUS.)

IANO.

>

sn

^m.

3=<=

he

Ko
_
i

wa

se_ni sumu,

Ton
_

ta
wa
g

JL^l^
if

K
no

ki_ni tomaru,Hi_to_wa

na_sa_ke _

3=F
3=^F

s.

f Ko
/
Ko

2=5
_
i

Ir

wa

se.ni sumu,

Ton

wa ki.m tomaru,Hi_ to.wa

??

3E^
i

wa

se.ni sumu,

Tori

wa

ki_ni tomaru.Hi_ to.wa

^fv4

^ ^3
na_sa_ke _ no

na_sa_ke _ no

Copyright 1896,

b\

Hnpwui.d

&

Crew.

142
'
_

t
Ka.ge.

=
Ko

k
_

'

2=Z
se.ni sumu,

"

r
Tor.i
.

NT
*
'

/ r

J j

wa
r

wa

ki.ni toinaru, Hi. to. .a

t.

*E5
Ka.ge.

/>

p
Ko
_
i

wa

se.ni sumu,

Tor_i _

wa

ki.ni tomaru, Hi .

ir

i^=
Ko
_
i

^'Fr ictfi^
_

Ka.ge.

wa

se_ni sumu,

Tor_i

wa

ki.ni tomaru,

m$ ^f
to.wa Hi
_

to_wa

p
Ka_ge.

if

'ir
Ko _
i

c:
i

r
se.ni sumu,

'e

j
wa

=M*
ki.ni tomaru, Hi

y-y
to.wa

mmm #
*&=*

wa

Tor.i _

&E2_3E_H.

i
PCJfe

^-

_S
na.sa.ke
.

sSe^

31
Ka.ge,

i
Ka.ge

~cr

I
m
.

na.sa.ke_ no

^
no
.

Ka.ge,

Ka.ge

^
Ka.ge,
Ka.ge,

1
Ka.ge
ni

Ka.ge

fe

^PP
no

3
Ka.ge,

na.sa.ke

r-

r-r_

na.sa.ke

no

w M
Ka.ge,

Ka.ge,

Ka.ge

w
Ka.ge,

m
Ka.ge
V s

Ka_ge

"CT~

Ka.ge,

fe*E
l

P
v y

tc2:

W ^&

IT

Mf
E

y^:
*Vi/


14 3

N? 23. ENTRANCE OF GEISHA-'WITH

Andant con moto.

SPLENDOUR AUSPICIOUS.'*

mm
PIANO.

'Uj

mm
rA
I

i^rn m
p
r+
i-

h
P

^
cious
,
.
.

as ^

1
"With

pi^p
splen
-

door

aus .

- pi -

t
With
splen
-

\
dour
au.- .

s
-

m
,
. .

pi - ciou&

P
^
i

3=^
Jl

3=*=

m ^^
sun-beamsil - lu

tJ

f*
J

p
f
-

P
J-

t
-

P
-

g
mine

^ J
Ihe

J
|

day!
-

With

per

r
-

fnme

de -

f^
\
i

- li _cioiiB>

fa t

ih ih4N4 i ==
j

g
'

< s

s
I

s
li .

8
the

P
cious,

sun-beamsil - lu - mine

day!

With

per -

fume

de . .

i E ff

P
Ji J
J^

=t==y

f
i:
j

ifc

fe

I
>j
r

J^ f

^
1896, by Hopwood
8:

/i ^

J:

Cojjyriifht

Crew-

144

l*r^TT^ P
flowers

^ 5S +
way'
zc

l^pp
_
-

make

fragrant

the

phyrs,

go

car-ry.

Our

j-

J'^=?=?
the

i
ze
-

flowers make

fragrant

waj

phyrs,

go

car- ry

Our

fe

S
ti

5^ I
i j-M-J^
J.

if

if

a^
P
so.ag

^
J

>

.m
J
Who

j-

f^
^
-

t^Ufc

J
com
eth

8
to

I
the

P
Mas

t
ter

^
of

^
to

Might,

sjEpI
song

'

J
to

J
the

J
Mas

J-

J
of

^5
Might
,

ter

Who

com

eth

to

15fe^

#4^4 J^
mar
-

%
^
fl-l-

IS

jl

^
s
of

j_.r

i W
k

S J
fan - cy's

I
de -

J
-light!

^jfe
Sing

ry

The

Rose

his

JJ
mar
-

ry

#T
The
\

K K
of
his

^
fan
-

K zzc
cy's

Rose

de -

U"T
- light!.
.

^#$
Sing

pinn f
.^^2
(^

\j

j
P P

ij

r
'

^
IE

L
115

J-.r
sweet
- ly

J-

r
and

r
:

^^
twit-ter
-

p
birds

shril - ly

ing

of

S
T'

k Sr-

I
and
ehril

r
-ly

1=^1
twit
- ter - ing-

p
birds

^
the
the

sweet, ly

of

f^ m
p^p
i i
y
i>

U
t

=?===?

f=fe
;
i

j\ *
li -

n
or

r
-

J ^ j;j'
i

^
-

Than

lac

li

ly

The

bride

is

more dain-ti

ly

p^
b

ifefe^
Than
li _

j
i

j^
bride

j- j- jis

j i

lac

or

li

ly

The

more dain-ti - ly

PH
fair

)'n

m
=$m
and

md

V*-*

m
From
hill

from

val

ley

Th.

P
f.iir

pp^
and

From

hill

from

val - lev

Th.

^#4 y
*
-

Pj

y-

146

$
jt

t*
-choes
are

i J -M
greet- ing
the

r
' '

H
soft soft

J
fal

rn
t

! | | |

r.
And

day.

With

lal-Ial- ly,

j-

jare

I
e -

hm j._
the

jij.
With

|ii

t
.

|
.

choes

greet- ing

day

fal- lal-lal-ly,

And

K.

HHM
lal

Meno

mosso

Jiftt
And
ten -der
fal

t
lal

gMJ-_J
- lal lal

J
And

ten - der

fal

- lal - lal -

- lay

lay!

jjir

H ,J-iV
fal

J._
I

J
.

Ji^.Jjj^U
And
ten -der

ten -der

lal

lal

lal

- lay

...

fal-

lal

-lal-

lal

lay!

And

w m

m r^r
p
c
fal

lf

m
TTa

m r^^r
i

Rf

tempo

e
lal

p
lal

Jlal

.J.

J el
With

ten _

der

lay

Ah

*
ten

fe-

N
fal

K * ^==
lal

J
lay
I

.J.

J ift
With

der

lal

lal

Ah
a

i^

tempo

-=-

I*

@|

*fO

147

per-

fume

de-

- li - cious,

jj

j-^u..^
the

flow-ers

make fragrant

way

m
per-

Nn ^ i
de - li

fP3^
cious,
. .

fume

f low - ere

make fragrant

the

way

/
ze .

phyrs,

go s

car- ry

r'f
Our
oong

\
to

the

^
N

Mas-ter

^
of

J.
Alight,

J
Who

^
Ze
-

K
car
-

^ = fc=i
fe.

k
of

w
go ry

phyrs,

Our

song

to

the

Mas-ter

Might,

Who

#^i
S^P

w
I

IF

1*

IP i

148

* (

P
eth
to

e
mar
-

g
ry

d
The

I Ji-J^f
Rose
of
his

fancys de

light

The

eth

to

mar

ry

The

Rose

mm
of
his

fancy's

de

light.

&
ss

m
of his of
his

The

j=

Bfa
i
r
i

^
Rose
fancys

m ^'tt~
of
his

pfe
r

I
'

i^
Rose

j^j-j'j^fj,
de

j
....

ji^.j
The Rose

jj^
fancys
tt

light,

de-

light!

#P^

hg

m
de - -light,

^^
of

Zt=
fancy's

fancy's

The Rose

his

de - light


149

N?24<.

SONG (WUN-HI&

CHORUS.) "CHIN CHIN

CHINAMAN."

Moderato.

*
PIANO.

m
m% %
\

HTc^ [f l *
wmpi'ti state:

##^

is-*P

i*

W-H

j'
1.

H
mo

J
-

J
I

g
ney

e f
- lo
li

J J J
I

r
Ions,'!

^^
irn'

3 .When

Chi_na_man no me get. tee

ma.kee
cheatee

Al

fee

Washee

washee once

ta-kee
beat.^e

catchee

Play-ing pie.cee

card,

Chi _na. man they

al . lo

^
W-H.
fe
fe

f
P
c=c
-

P=
sl'sal.ee

*P

P
g

m
hard!

s s t=5^= N fc=fc
thinkee
ta _
ki.-e

P
-

Washee
Kickee

washee wron?!
wellee

When me When me

col.lars
pla . cee

P'licee

man

m
.

r
come;
tea,

ee

ni . cee

Ma-kee

plen.ty

&

n
P
&
Cn-w.

'

n^
Copyright 1896, by Hopwoud


150
W-H.

i*

\
Me

\
get

-p

fi _

nee
in

H
fi .

p V p \
vee
dis

p-

dol.lars

P
y

Plen.ty

Get.tee

me

more

.gra.cee

muchee Up they sell.ee

M
rt~

sum!
me!

t
^
W-H

P^FP
Chin
chin

>J
man man
Muchee Muchee

J*
sad! sad!

d
Me Me

^ d
Al Al
- lo

d
trade

Chi

. .

na

muchee

a . fraid
a _ fraid

Chin

chin

Chi

na

muchee

- lo trade

U
m
Well

UJ

prr-m
**
Ma Ma
-

P=

H yj,J'J
. ee
.

M
_ ee _ ee

well
well

bad!
bad!

Well

ee

No.ee joke Bro.kee broke No.ee joke Bro.kee broke

Ph

kee shut _ tee

W ^
shop! 6hop!
'

m wm m
W-H.

W m#
g
'

kee shut - tee

CHORUS.

lit

151

SOPKAXO.

I
Chin
2nt

g
Chi
.

E
na
.

I J
man
Much
5
- ee

J*
.

chin

much

ee

ad!

SOPRANO.*

m
chin chin

i
Chi
-

na
-

I
man

fe

5
_

Chin

Much

ee

much

ee

sad!

TKKOR.

Chin

g
_

f
_ ee

f
much
-

g
ee

r
sad!

Ch

na

man

Much

mm

BASS.

I
Chi
.

i
-

i
much
-

i
ee

r
sad!

na

man

uch

ee

^
He
a _

*
Al
lo

J*
trade

J"
.

J*
well
-

|
ee

Jbad!

_ fraid

Well

ee

m
He
He

~9
Al

<
~m
lo

r~
trade

1w
Well
-

i i
ee

J
-

fraid

well

ee

bad

fraid

Al

_ lo

trade

Well

ee

well

ee

bad!

J
He

J*
a _ . fraid

Al

- lo

trade

Well

ee

well

ee

bad!

wm

158

No

ee

joke

Bro

kee

broke-

Ma

kee

shut

tee

shop!

y*

;No
.

g
ee

f
joke

g
.

g e
kee

%
Ma
_

%
kee

g
shut
_

tee

Bro

broke-

shop!

DANCE.

*
PIANCK

S
P

mm

m
^

153

#-

-"

"

3S
:

m
JrJgfC
>J*

wrf1

^^
J-'

s
J*
=3

s^

tfflLJ'ul p* ^p iig

mi

=* coa i

U=BJ#

**Tf

S*

M-k

&
Piu

14

SLJ
"U

mm mmmjj^jj m
E
Jf

a
I

U
,ffn

m
ni /mi
i

-0-

"^

B
Lj
3*
it

J^

j-n

igi

jTi
i

m r^^
^

^tagi WW
f igl

^
/

i
I

*~^?

f m=*M^Mz4
5

^ Si
i

#j

^p

J'ffffif ff
y*

fff

LJ

fa

Hi

is:

N? 25.
VOICE.

SONG. -(FAIRFAX & CHORUS.) LOVE!

% Andante.

LOVEl

pm
i
to &E

Oh,

PIANO.

^^
laugh-ing

i~iu 2

^-^f37:

When
IT\

is FF^=
to

(5

T
w
Tn In

WW
r*

*
of Love,

JE

^^ S
lit

\ ?=?=}N
god
ac-cents soft,

- tie

lov- ers

woo

in

te

i:

You

kind laugh

^a m
ly at

s=
,
i

*
Though And

mood you

r seem
prom -

hopes that

to ise

be,
fair,

s tKLli
r

'
*

ii
3
:=
s

ff
\

ji^

t
seastill

r
ted

r
on
sit

r ^^
your

I
ijI

g
mis
-

you

and

perch a-bove laugh a -loft

You

m
EM.

m
&s m

*%
j man
:

m ^r

When

smile love

at
is

lov -ers'

er -

^
y!
pair!

/Oi

For

hate_and

hope

des

As

wm

deign
heart's
to hear;

ya

toy,

s*=

you is to clay with - in your

but

hands are

we,

And And

yet you some- times yet you've eas'd my...

S^
*

a-larms,

To For

fcj
Copyright 1896. by

o
Hopwood & Crew.

w ^

*3

III:

;>

156

day

you she who's

fill

my
the

heart

with
to

joy*

To
Will

all

world

me

day you soon be

give

me
-

back
in

safe with

my my

dearl arms!

Tempo

di

Valse.

fe
te
i

pin

It'll

to

I
Ah!

T~

Love!

^^g w
love! soft- ly

J5
f

^J
P

you

J.
?
/a/a

^Pf
&

i
poco piu mnssn

i
call;

p
Love!
love!

laughing

at

all!

Mis - chiev-ous Cu -pid with

h\
SfflS

-J Jg

z:

JfJ
*

it
I

JspJ

jj

1
3:

^^
HMJrutt.

HE
g^F^
am
-

==*

!*

^**P
or - ous

dart,

Mans

at

your

mer-cy

for

you

rule

his

heart!

^=^
gg

5
Tiir
ft

3
*0I

r^

^-

p^

j
5

5C

J-Ldt^L 3D

& g=PE
u

tempo di valse-

1 ^=3
love!
soft -ly

^^ s=
Love!
love!

157

#-h^n
at
all!

m=f S^
iM<

Love!

you

call;

laughing

1
love!

e r j
soft-ly

j
call;

r
Love!

Jlove!

iuJ

f^gg
at
all!

Love!

you

laughing

Love!

love!

^^f
soft-ly

Love!
love!

d.
all!

you

call;

*t ^F^
Love!
love!

-*

^^
you
call;

soft-ly

Love!
ISQ

^^
love!

laughing

ai

p -?*
=fc:
at

laughing

al

^
iS mi

^W

r
Love!

~Tf
love!

soft-ly

^^
you
call;

^=

'

+
at

q:

Love!

love!

laughing

all!

.*

H=& i f^

i
=

JM I

^S a

frVHj-HI Iil
i

H
'J-

^
ssy A

j.
Mis
-

t,J"

r r

r r r

r~
dart

gg

chiev-ous Cu-pul with am-or-ous

Man's at your mer-cy for you rule his heart!

pi m rn rr p *=* m *33 =: p& ^

'

^a
dart,.

Mis- chiev-ous Cu-pid with am-or-ous

mm as
l

Mis-chiev-ous Cu-pid with am-or-ous

dart,.

J J

J.J
dart,.

;J

Mis-chiev-ous Cu-pid with am-or-ous

j.

irrr fea =*==

dart,.

*f-n

s &
==*:

^^ ^ ^ si
=p=*
i i

Mis- chiev-ous Cu-pid with am-or-ous

as

gE
r

f==

f^
1

^s


168

m
i)K

dim.

i J
mer
-

-PK
=g=
rule,

rr\

J
for

cy

you

fe S|

g
1

jJ

g
at

*=
your

Man's

mer

^
-

for

you

rule

his

cy

for

you

rule

his

p
^te

m
J

J
at

g
your

'

J
mer
-

J
cy

Man's
|

P
for
for

you

rule

his

J I
at

J
your

ss ^

m
P-

Man's

mer

M
Man's
at

*
your

mer

^
cy
cy

you

rule

his

is.

for

you

rule

his

mm

P*^n

r-

H9

:e

~az

l.VJ

X" 26. SONG "HEY-DIDDLE

DIDDLE:

WHEN MAN

IS

IN

LOVE.

VOICE.

PIANO.

# *#PP ^ m ^
p

i^m
*=

gg^
CUNNINCHAIV.
He's

^ ^f
r
lit
.

*=*=

N#-

^ fe

^yy-j- j
long-tag
to

g
a
is
1

^L^^j-L^^^u
dear
lav
. .

mar.ry

tie bride.
ly

So

beau

ti

l\jl,

hannjngto

and

So

come where the ban.quet

lsli

laid

Our

wel-Come

is

sure

be

mm
i;un.

m
E; That
We'll

j^=^
"

iLUl
*

J
-

-'..-1

sup

.pie

peu

pie

will say,
lips

^
as

d
at
lit

^
her
- tie

he

walks
quaint

side,

By
The

hear _ ty;

learn from the

of

some

maid

ni
rn
j

f j

n
J'

~w~

p
J

J-f

J
&
Crew.

Copyright 1896, by Hnuwnort

160

CUN.
j

j j
Jove! what
joys

ja

j^V
<rouil

c
i'ou
_

~f

I
But

look,

insr

of

Ja - pan

_ ese,

par-

^ T^T
pie!
ty!.

\*m p^m
wont
he
be

&
wild when
sai -

he
there's

For

dash

_ ing

young

lors

"

m
CUN.
i

$
J
Js

^^g
I
at

^ f
_ or
-

J
To
In

J:
laugh

I
hi

=
am
ous
ful
_

knows that we dure al - ways charm a

ly,

Be
I

flirt - ing

with short or

with

tall

ones;

H^

mf
;un.

%
Ijp--

f
I*

^
J
j.

f
He And
does
_

* P^Pp
.

jto

f
take
a

i>

i
n't

cause

we
I

^P
get mur_ried
to
they're

in.tend

jol

ly

good care
each arm,

know

can

do

with

girl

on

two

on

my knees

if

m\"
am
JUN.

mm
w^

&
r ^=3
i
i
II

f
Mol
small
.

m f

P
ty!

ones!

^f

161

CUN.

For For

P
-

%
-

1\

I
is is

>
in in

r
love love

hey hey

did did

_ .

die

die

did did

die! die!

when when

man man

He He

F
=>=*
K
rV-

F
I
Jf

^
CUIM.-V

%
thinks thinks

P
all

that he's

l|l

^m
JUN.

rn M
that he's
|

luck.y luck.y

^ m^^ uj m
all

^ ^^
a a
. -

^f
.

o o

_ .

thers thers

bove bove

To To

wed such wed an

squeeze a

ble, ble,

em. brace, a

i-

Piip
Sit
-

i=
-

j
Dear Dear
lit
_

j^
tie

I
du du
_

3
ti

Pat

on on

your the

knees
face

ble,

.
.

ful

.a

ble,

lit

tie

ti

ful

I*

m
CUN.

m
i'
dove, dove,

J'
h such
su<

^
j
lit
.

^ P^
duck duck
of
of
a a

J'
a
a

j.
dear dear

i
tie

F=N
duck duck
of

lit - tie

of

a a

dove! dove!

162

CHORUS

Jj

=*
that that
he's he's

Jluck luck

|
a

J
bove bove

thinks thinks

all
all

thers thers

m
To To

m
thinks thinks
that
that
he's

m
all all

3s
bove bove

he 's

luck luck

thinks thinks
that that
he's
he's

i^
y y
all all

thers thers

To To

luck luck

^P

thers thers

P^P
buve bove

To
To

J'
thinks thinks
luck luck
all

J
bove bove

J"
To

i
zm

T1

all

thers thers

To

^
j

163

f wed
wed
wed wed

F
such an

I''

I-

P^P
-

^E=i P
Sit

em

squecz brace

ble, ble'

on
on

your
the

Pat

> |
such
an

J
-

:fc

^^
your
the
face

knees
face
.

ble, ble,

wed wed

such an

^
a

em

squeez brace

ble, ble,

Sit
I

'at

on on

knees
_

a
a

ble, ble,

c
squjez
bra( e

c
ble, ble,

:
Sit

f
on on
your the

f-

F
.

P
ble, ble,

knees
face
_

a
a

3
wed wed
such an
a

^m
m

Pat

$
-

em

squeez brace

_ .

ble, ble,

Sit

Pat

on on

your
the

knees
face
_

ble, ble,

m
j

^
I I
du

m
ni P

j
ti ti

dove, such dove, such

a a

du

ful ful

duck duck

of
of

m
P

J x
dove, such dove, such
dove, dove,
such

J
a a

du

ti ti

du

ful ful

duck duck

of

of

r
du

P^P
ti

ti

ful ful

duck duck

of
of

such

m
du
ti

ful

du

ti

ful

dove, dove,

such such

ff

r =r

p 3

ap

OAIMCE,

rum m^
r

^^^

^fe

rff fff

^m
7

^s^fe

^^ ^^
i

D^

>

-y

=?=F

-6

165
JV\

27.

SONG.- (MOLLY &

CHORUS.) "THE INTERFERING PARROT.

Moderato.

$*.:P-Rl>
PIANO.

3_^

".yyr:j
#
MO LLY.

^M
;

*
A
He
Ca Of
.

f
left

^=
J_ _

J.
the
ry's

J.
once
poor
yel
is

par. rot na
.

re _ si

ded

in

pret-ty
spi.rits
.

gild

ed cage,

ca.na

ry -with

her

ra _ ther low,

Sar But

course there

low coun _ten_ance with jea.lous courseit's of mo ral, and

y
at

wasgreen. the end

And
Those

S
WT
cas
.

=fefe^fe
tic

was

his

tern . per,

and

un
her
a
a

cer
nice

tain

was
gan
for

his
to
tic

age,
go.

He
In
Till-

when when
fool
_

she got he met

ish

young

hus _ band home they had his wife ca _ na _ ries had

her

tongue

be

do_mes
_

scene
friend,

mon

key

And

sm

knew that two canaries had

mm^mrn
a
-

F^

^^
Who'd on
sil
_
.

3^
ly
ly

m ^=i
re.cent.ly been
bird
51T

partments overhead

ve_ry
lit.tle

The she withpockethandkerchiefand ht with sul-lenscowl, They as to all the troubleeach in turn was givingvent. They
vain hetried cares_ses,and at.temptedto

deny

be.gan to
Jus.tice the

hurried off (o
put the cunning

monkey on

3E

^m
Copyright
I8')fi.

I
t
by Hopwood & Crew.
.

1
I

A,

166

CHORUS1^! *.^'.><J

SOPRANOS.

MOLLY.
J
i

infe
wed!

=*

J.

J:

J
on

]-.

=53=3
they were
a _
.

cry!

They'd recent, ly been The bird be.gan to

wed!
cry!

He
She

Jus.tice To Mf They put him on the scent! TKX.

Owl!

Owl!
scent!

He He

kept an eye told him that grant _ ed a called up. on

all that

sheknewhelov'd
ju_ di . cial se the par.rot in

parthe

pJ-^-JU
wed!
cry!

They'd re.cent.ly been Thebird be.gan to

^^

Jus.tice To Mf They put him on the

Owl!
scent!

BASS.

They'd re.cent.ly been wed! cry! Thebird be.gan to

Jus.tice To MT They put him on the

*-*i

%
Owl!
scent!

CHORUS

MOLLY.

do
no
_

.
.

ing

m M:UnVJlli
An
in
,

I
!

ter-Ter-ing parrot

in

a
.

ther tion

A
And No
'

morn

ing

shocking ac . cu . sajtion for a all because of Polly's un.sub . stan. ti . at .ed words! doubt the par.rot wonder'dwhaton earth he had to say!

nas.ty frameof mind lit -tie bird tomake!

And And And And

"

An

i
J

A
And No

in . ter.fer. ing parrot in a nas.ty state shocking ac. cu.sa.tion for a lit.tle bird all because of Polly's un.sub. stan.ti . at . doubtthe par.rot wonder'dwhaton earth he had

E K

N'X

fr

S
of mind!

tomake!
ed words!
to sav!

g|

||

l:* J. J

An

A
And
No

in . ter.fer- ing parrot in nas ty state of mind! a shuckingac . cu,. sa.tion for a tomake! lit.tle, bird because of Polly's un.sub- stan-ti . at . ed words! all doubt the par. rot wonder'dwhaton earth he had to say!

i
r
r


167 CHORUS.

J.
vow'il said

J
stop their bill go she mean) to in they live with -out for'' hiiii
he'd
i

if
.

ing an( '

now
'went

their her i so cy _ the slight- est

and

coo

see

mo
-

_ .

la

ing. ther. tion.

ing.

Which A

Two
The

warn

*
Se

Which A

Two

m
yj

The

Which A

Two

,p

vJy M
-

m
.

The
K-^-

it

T
5
real
- ly was ex-Ceed . ing . ly un ve . ry sil . ly step for her to real.ly ve _ ry wretched lit _ tie par_rot had a ve - ry hap.py

W
kind! take! birds!

mm.
day!

Ex.ceed_ing.ly

m
sil
_

~n~
un_kind!
to
_

A
A

ly step
lit

take!
birds!

Two wretched
ve
-

tie

ry

hap.py day!

i.J.
real

J
. ly

J.
was
sil
.

fc=k
un
_

m
kind! take! birds! day!

"nc
un_kind!
'to

e___.ceed_ ing-ly

Ex.ceed-ing

_ly

ve
real

ry
.

ly

ve

par

rot

U
was
sil
.

had

to ly step for her ry wretched lit . tie a ve _ ry hap.py

A Two
A

sil

ly step
lit

take!
birds!

wretched
ve
-

real _ ly ve . ry real - ly par _ rot

exxeed

trt
_

J.

J
un
kind!

12=1=3
Ex-ceed-in
/:_

MM
- tie

ry hap

py

day!

~TI~

~0~

ve

had

ly step to ry wretched lit _ tie a ve _ ry hap_ py

ing.ly for her

ly

un.kind!
take! birds!

take!
birds!

day!
J

A sil . ly step to - tie Two wretched A ve . ry hap.py

lit

day!

!-

w
as

^^

A.

^^
r
T

"

168

MOLLY.

Pol_ly
Pol Pol
_

ly

winked winked
winked piped

his his
his

_ ly _ . ly

Pol Po l

his

eye, eye, eye, eye,

~m
and
and and and

9^Pol.ly Pol.ly Pol.ly Pol.ly

gave
gave gave gave
sigh,
sigh,

sigh, sigh,

And And And And

a^
fflS

i
v \ v
s.

'

tatai

PL

1/

WJ

W c

n
1

j
.

a)

J
a

Pol Pol
Pol Pol

Iv

. ly

. ly . ly

took took bought

used

his his a a

best
best

hat hat
_ _

down; down;
Sun. word.

Spe
naugh

cial

ty

He He He The

m
Jf

i>
i

J I
m i

r =P=
ft

J
.

I-

g f

j 41:
1

\J

1,

1t

a
*
~1
:

J
1

J.
.

IT!

-*
on Mrs
there'd be
_

^
took jump
.

^
tea, bus,

called

C.
a re
fuss,
_

and
so of of

knew
read

a cup ing on

of a
in

When
He And Had

mon

the key-

full

port

what
fea
.

oc.curr'd

Court,

when

he'd done-

thers hard . ly

one

3^
Mr
calU-il

_!L

i
C.

m
Then wise . Then wise _ Then go . He scratch'd
ly ly

wagg'd wagg'd
off
ing
his

his

had gone
C.

to
in
.

town;
town; done;
bird,

on
_

Mr.
at
.

^
left

chuc

kled

the
the

mis

up

on

bad

chief old

his to

ach

ing

=T=

(Spoken.)

169

i *=*
^=
ggi

m
And
se
. ri

head,
bed, head,

. _ _

head

And
Con And

se . .tent _

n
ej
ful

ous ous
ly
ly

^ m
'y

m
said:
said: said: said:

"Well,

hus
pret

_
.

"A

he

rue

he

'Thank good _ "Oh, Sa . rah,

bands are a ty wife you've ness that's >all

ain't
it

m
lot!

m
pret
_

m
youve
it

A
I

m
tales bless thing
I ne _ ver your heart, it's I can - not

ty

one

got!

Such

got!

see
get
h;ul

^
du

rii;ht!

I'll
I

prime?

ve

you've had some sleep a beast

hot,
-

to
_

ly

nighttime!

And A
Poor

Pol

ly's feel

ing

T
i
heard!
true

m
So
She's
dis
_

just
lo
.

When
Oh,

so. lute as bad vers bill

a

p
a

^
bird you! coo. had!
I

fr

ne
.

.
.

as

Di
I'm

and
I've

They

bad

what

day

rect won't sor

ver met you ly

be
are
a

an.noy
.

ry

on

the

=f

SE
gSfc
-

fore!

What
Oh,

go
don't

ings on!

gone
soul!

she car
_ -

Oh, ry
a
a

^^

lor!"

on!"
poll!" poll!"

whole

Poor Poor

Pol

ly! scratch
ly! scratch

Pol

4 EZ

53i


170

CHORUS.

i^
winked winked winked
piped
his
his his his

Pol.ly Pol_ly Pol.ly Pol.ly

Xz

eye,
eye, eye, eye,

f
and and and and

^
Pol
-

*m
gave gave gave gave
a

ly ly

Pol Pol

ly ly

a a

Pol.

sigh, sigh sigh, sigh,

,

'
winked winked winked piped
his
his

j
and
and and and

Pol.ly Pol.ly Pol.ly Pol.ly

eye,
eye,

his his

eye,
eye,

Pol Pol Pol

Pol

I i
. ly
.
.

ly

ly

ly

gave gave gave gave

i
a a a
a

sigh,
sigh,
sigh, sigh,

And And And And

And And And

And

as
Pol.
Pol
.

fc
his his
his

^2=
Pol Pol Pol Pol
.
.

ly

ly

Pol. ly Pol. ly

winked winked winked

piped

eye,

eye, eye, eye,

his

and and and and

ly
ly

. .

ly
ly

gave gave gave gave

sigh,
sigh
sigh,
sigh,

a
a a

And And And And

P ^
./

P=f

i
V
a

P
t
7
'

I!

rf^fl

jf ^ (fo
2

^J

L \p b "
I

\
[>

l x

-L

.
. .

-f
r

-.

R _P

IS

Pol Pol Pol Pol

ffh w)

i-s <

Ij '

1}

took took bought used

his

best

hat hat
cial

#i down;
down; Sun. word.

He He He The
He He He
Tr e
*

his
a a

best

Spe naugh

ty *
'
, i

y i?_

r>

b
i

r U P
Pol Pol Pol
Pol
.

r k
1} ' .

r k
'

L"

y
a
a

m r

*
'

r r

h
iy

- i> -

took took bought

use J

his
his

best
best

hat
hat
cial

down; down;
Sun.

Spe naugh

ty
i

wo rd.
<2-=

*):

1>

JPol Pol Pol Pol

.
.
.

s,

i
i

i> '>

took took bought

us>_*d

his
his a a

bt 'St

best

h hat
cial
t f

at

down; down;
Sun.

i*

Spe naugh

He He He
The

word.

a ,], HK=F==k=z ^ UD
r^

-!-

I^
P u w
1

1
f f
.

*
s

*J

r
i

4
.

4V I"
'

1
j

^
i

* b V

I,

M
4

1f

^fc

p
called

on

m
Mrs
a re
_

j,
C.
fuss,

jjj
a
_

.i.

m
When
Me

and
so

knew
read

there'd be

mon

a the full re _ key when he'd

took jump

ing

cup on

of
a

tea
bus,

port

of

what

done

of

oc - curr'd in fea_ thers hard . ly

Court, one

And Had

K
called on Mrs knew there'dbe read the full
C.
fuss,

fc-

*=
snd
so of of

m
cup
in

took jump

a
_

of
a

tea
'bus,

When
He And Had

ing

port

what
fea
.

mon

key when he'd

done

oc _ curr'd in thers hard.ly

Court,

one

mg
\

J-. called

$
the
.

J
full

J'.

m
C.

on Mrs
a re _ he'd

and
so

knew there'd be
read

fuss,

took jump

a
_

cup

of
a
in

tea
'bus,

When
He And Had

port

mon

key when

done

of of

what
fea
_

ing in oc _ curr'd

Court,

thers

hard-

ly

one

s
Mr. C. had gone to called on Mr C. in chuckled at the mis - chief left up. on the bad old

I
T
f

^r
8
Last.
bird.

m^

l".

27

3'.

zl:

-0 towntown. done,

$i
*m
v

].}].}]
Mr. called on

at

to C. had gone Mr C. chuckled at the mis - chief old left up.on the bad

town. town. done,

3=f=

i.ti.*'*
Mr. C. called on Mr.

IV

N.

*
to
in
_

had gone
C. the mis the bad

chuckled at
left

up.on

chief old

town. town. done.

biru.

bird.


172

N?28. FINALE

"BEFORE OUR EYES-

SOPRANO.

$M
m

#
r
i

r
m

ALTO-

^
4-

Be

fore

our

eyes The

pros.pect hes

r
Of

m
-

i
our eyes The

m
lies

TENOR.

B
ae

Be

fore

^=g
Be
_

fore

our eyes The

m
i

pros, pent

Of

N .
pros_pt;ct
lies

.
Of

BASS-

j.
Be
_

j-

^
lies

fore

our eyes The

pros.pect

Of

m&
PIANO

m
j
rich

m
Jfare,

^^
i^

r=r

^
iiJ
of

i
i
rare

u^J
and

J.

J
su
_

Ji
/Ire'

#^M
To
toast the hap . py

fes.tive

With cups

EsS g
'

fare,

With cups
of
,?u .

rich

and fes.tive

kr

rare

To

toast the hap _ py

rg
rich

u"
fare,

P-t^r
With cups
of

r
sa
.

and fes.tive

ke

ii

rr
rich

M"
fare.

j
With

ir
c/up^

p
of

a
sa
.

p a

rare

r^F
To

p-

toast the hap _

py

#E5fe
r
rare

and fes.tive

ke

To

toast the hap

py

+$++
1=1

ite
9
9~-

fe f-ffg

-g-

n pf

#f#
&
Crew.

jip

=M

Copyright 1896, by Hopwood'

173

1
No No
IZ

it:

^
I

pair.

won. der then That maids and men

nite

in

Hy.men's praise,

And

till

zzz

won.der then That

maids and men
*

pair.

^J

^HNo won.
der then

r
That

nite

in

Hy. men's

praise

And

#-=

pair.

maids and men

nite

in

Hy.menV. praise,

And

ai
pair.

fr-^j
No

Ji

Wu-;r
U
.

i
r
AnJ

won. d*r then That

maids and men

nite

in

Hy.men's praise,

9^

1=4

r g
r

9-=-

a s^
m
ff tf

A-

r=F=*
Tempo

f
di Va.lse-

jTiiii

*~.

m
lays,

f
their

#
lays!.

sing

their joy _ ous

joy. ous

^m
sing their
'

m
joy. ous

iHnn=^
lays, their. joy.-_ous

lays!

sing

their joy

lays, their, joy - ous

lays!.

m
sing their joy

m
ous
lays, their joy _

ous

lays!

Tempo

di

Valse.

174

fe
Hap
-

-jS-ri

- ' i

r
of

py

Ja

pan,

Gar- den

glit- ter!

Flow,

er

and

fan

m
of
glit - ter

^
Hap

Hap

py

Ja -

pan,

Gar . den

Flow

_ er

and

fan

P
.

P
of

1*

r
py
Ja
-

r
er

pan

mP
Hap
.

Gar- don

glit - ter!

Flow,

and

fan

r
py
Ja
.

ji
of

i
'

r
glit- ter!

r
Flow.er
and
fan

pan

Gar-den

an ^

-i-J.

M
^a
J
flit

i
.l^
j-j.

^j-

^
Land
of

^
bam
_

p
(Ju
-

u. p f
whacker!)

J
Flut
.

J
ter

p
and

J
-ter;

^^^ P
boo,

ve.nile

P
and
flit . ter j

a
Land

m
of

1
bam
.

Flut _ ter

boo,

(Ju . ve - nile

whacker!

m
bam
-

r
Flut

r
_ ter

r
and

r
Land
of

^
boo,
(Ju
-

p
ve . nile

flit, ter;

whacker!)

r
Flut
.

^
'

r
flit

ter

and

-ter;

Land

of

bam
"

J
(Jn
.

J
ve

llj f
_ nile

boo,

whacker!)

a.-

Ee
h i-i

t- <gL

J-4.

#
I

J=4

-i-J.

J-J-

i"

Por - ce

&=m fe nr fr^r
Por
-

m
'

j
too,

j
lac . quer!

Ja
.

175

_ lain

Tea-tray and

Hap_py

pan,

lac - quer!

J
Hap
_

J
py

J
Ja
-

ce _ lain

too,

Tea-tray and

pan,

J
i

-i

Por

ce . lain

too,

Tea-tray and

lac _ quer!

Hap.py

P^P
Ja
_

pan,

Si

Pbr

ce - lain

P
too

#^r^
Tea-tray and
lac _ qner!

Jg

H.ip_py

Ja

pan,

176

K?

29-

QUARTETTE

"WHAT WILL THE MARQUIS

DO?'

(MIMOSA, FAIRFAX, CUNNINGHAM & WUN-HI.)

PIANO.

J*
(FAIRFAX. )When
he

J"
finds

t ? I
that
that
his his

P=P^f
lit

dear
dear

tie

love - bird's

gone,
fled,

Oh,
Oh,

(MIMOSA. (When

he

finds

lit

. tie

bride

has

P=*=^

^
J^
i

f^P
Jfly
is

PP
J
u-/iur

I J
will

J J J' l
in _
n't

s
Or
He'll

uhitt

will

^
fill

Pf ^^
the
-

the

Mar Mar

quis

do?

Will
If

he
he

to

ratfe,
-

quis

do?-

tuo

up

set

*E

p^p
fjj-jjthe

lj-

t-j
!

i*J
-

JJ
lit . tie

f-

v
two?
two!

emp.ty cage With an

Ju_li_ette. And

o . ther

bird- or

......"...

(CUN.) He'll

mar.ry

a . dore

her

fur

month

or

(WUNHi.)M''

;#

^
T

^ #SP3

^E

s mm

f^F

177

>

vow

f^W
that

j ^
ce
.

\
-

i
go
Hi's

the

re .

think

that

he'll

break.ee

mo _ ny break.ee

must

i t on With
head

sump
b.id

lit . tie

girl

or

Wun

Some

luck.ee

day

or

X^3
fc

r~r

r
*

^
g
.
.

he'll

*
ad
-

it
mit
stick,

*
That
he

And
If

fan
heat

cy
ee

no

me

with

Then

he

m
*
does
giv
-

~w

- n't

^
ee

^==
a

a
one
one
of
of

j'
them
them

j
is is

j'
ve
_

j
_
.

^m
like
like

mind

bit

For
But

ry
ee

an

me

kick

well

an

9
-B^
"

>

^
them
them
is

4*

#H^
ther!
ther!

Fur
But

i i i I $
one
one
of

$
like
like

ve

_ _

ry
ee

^
an
an
o o -

ther!
ther!
Jfc

of

is

well

fc

N
178

MIMOSA.

I=P
WUN-HI.

Oh, what will he

m
do,

m
and

JJ^r
g

r
In

J
a

what

will

he

say? Will

his

lan.guage be' im_proper

fc
ft

'

i
P
he he

/
and

PPP
|EEg

Oh, what FAIRFAX.

will

do,

what

will he

say? Will his

lan.cuage he

iH^mrl w^
im. proper
In
a
l*

|
Oh,
ii-Aiif

AJ> |
will
do,

|
and

, P
what

say? Will his

J'r r

r
a

will he

lan-guage be

im.proper In

CUNNINGHAM. m m

P
Oh,

[f

BEE
do,

zm

\
and
u.-Aut will

%
he

f
his

r
a

it'/iut

will he

say? Will

lan-guage be

im.proper In

fees

S
Ja -pan

jPh P i

f Jgp

^
f
He may
_ e -

i=

^
i

# Mf>
I

do

E s=*

b j
may
say

g
what

J
he
thinks;

HH
Ja
_

sey way?

what he

likes; he

5=? y

k
do
1

pan

- e

.sey way?

He may

what he

m M
likes; he

f
say

may

^
what
he

^
But
we'll

i
thinks;

But we'll

dlJJtt*
Ja-pan.e
-

I g 1
way?

f
do

j* j>
what
he

J
likes;

J J
he may

J
say

J J
what
he

n-rthinks;

sey

He may

But we'll

!f* f

f
.

sey

M^
I

p
do

j
what

^
he
likes; he

/
say

=-&=
what
he
thinks;

f=? V V
But we'll

Ja.pan.e

m
at

way? He may

may

d E

179

MM
pop
a
lit

j*J
g* f

^
On

j*
i

j*
jol_

j* j* j*
ly,

.tie stop-per

his

jol-ly jinks!

Oh

<5=? i
pop
a

fr

e g
On

g
his

g P

fz

JJ

=3
do

irrri
likes;

lit . tie

stop.per

jol-ly, jol-ly jinks!

\ g
pop
a

ar

g
On

|
his

'

'

'

lit . tie

stop-per

jol-ly, jol-ly jinks!

^
He may He may
He may
V.

what he

he

may

P
do

E
likes;

P g
he may

what he

M-Hg gg
pop
a
lit - tie

m
On

hwj
hi6

I
jinks!

jjijdo

g'K
what he likes;

g
he

htop.per

jol-ly, jol-ly

may

^
fct
what
will

S^
i

^
will he

P^
he

do,

and

what

f=

,;/
what
he

j.jU'J'g
pop

f g

^^ VfiJ'J'
i

say

thinks; But we'll

a lit.tle stop.per

On

his

jol.ly, jcl-ly jinks!

j
say

J'* I
he

J j

J'
pop

Jg
a

J'J^
On
his

' l |

f g

,J^

what

thinks; But we'll

lit-tle stop.per

jol.ly, jol-ly jinks!

^
ff

He may

He may

g
i

p
say

^ J j p
he
thinks; But we'll

what

^b

m a np
1
i

J'J^tr *^
On
his

pop

a lit-tle stop-per

jol-ly, jol-ly jinks!

He may

a
mi

^3

180

say

he
L

may say what

he

think.-.:

But

we'll

pop a

lit.tle

stopper

On

his

jol.ly,

joLly jinks!

fe3 *
f

Oi

E
he

HE EEEfEE
may say what he thinks; But

??? ??

?
On
his

fffffff
jol.Iy,

do what he likes;

m
.

do what

wm
-

he likes;

he

m^mmmmmmm
we'll pup a lit-tle stopper

joLly jinks!

may

say what he thinks; But we'll pop a

lit-tle

stopper On his

joLly, joUly jinks!

m
f

'ffif
he

}*&}}\ttt&&*
fc

*fr

do what he likes;

may

say what hethinks;Bnt we'll pop

lit-tle

stopper

On

hi-

at*
to

m
/=i

m? ^5
S

joLlv, jol-ly jinks!

gS

DC.

DANCE.

181

JV.

30.

QUARTTETTEvivo.

"JOLLY YOUNG JACKS ARE WE.

Allium

PIANO.

3t=z

^m
P?

p
;

n*
*
boys.

mm
the
all

FAIRFAX.

$ m

m
Half
We've
-

round
seen

world
*orto

we

ve

On
Some

and

loo

m
plea
ra
-

S r w^
g^p ^
anil

i
-

sure
ther

on
-

du

tv

At

ev' _

_ ry

port

we've
of

qaair.t

ly

dre.--t>'d

i w

Jl^

^m
m
known
the
.

m
t
be

ones;

But

give

me

eyes

wm
joys

Eng

lish

blue-

Of Be

^
ft

S:

^
same
lieve

CUNNINCHAM.

j
_

i
-

witch
they're

icg
the

beau
best

ty!

The
That

me,

ones!

ft

182

$
Chi .

m
.

I
6un
could
.

I
France,
stand

1
Who
With

j
blush'd

i
and
of

pie

maid
girl

from
I

ny
n't

seem'd
small
'

to

nese

feet

di

^E

t=t
i
.
i

^m
f
j.
Span
.

H
we
the

fe
fal .
_

i
. ish .

ter-

The
Or

girl

met

^
by
.

chance
-

men

sions,

Gret .

S:
ral _
.

chen

from

Fa

.ther-

land,

When Who

m^

IE

stroll

^
through
our

&
CUDDY.
_ tar.

ing
us

Gib
in

Give
Well,

me
a
_

a
-

girl

from
don't

ask/d

ten-

-tions.

t
CE

M=W
i

ny

you

l@ P^

j-s=S

j^f

ALL.

m
are

j
we,

N M
J
of

rfr

time!
out!

^P Ill PS Ml! ?
?? y
* ** ^
yy
i

Jol-lv young Jacks

Mer_ ry

heart

and

gay!

li

|gj
I

-y-y-

=F=^

3C^C

yy

S3

V p^PP
roll _ iag

?
Homage
to

^
pay.

P
What
if

=
her eyes
are

Sons of the

sea

r=f
y y

M-r-

o # r=r CfEf to t=2=^-=rj 5^ *

*
*|

m
i

Beau.ty

V * *
; 7

yy :sr

^^

JF^ i 3
dark?-

What

PSl P*^
r

if

her eyes

are

blue?-

^ SiS3 ^
j
j

nJ
Ev'_
-

Beau-ty

is

fuir

ry- where

If

=7=?=

a
#

s
*

^y==y=y

=?=?

4 EO I?
^3
*'

i
E
girl

*
lOi

f^ff
you!
^

/"

iH PP
Bcau.ty's
the

^
for

3^r^
you!
IV

girl

Beau.ty's

^
2V
the

fur

>

fe

EE

$
DC.

7 1

y '

ljL

;^ =Fg=

_^

=7^

184

m
Jol
.

m
ly

j
we,

J
of

M
# *
# ^* *^*

young Jacks are

Mer.ry

heart and gay!-

u ^^pf
Sons of the roll-ing

9-

9-5-

-T

//

^^1
t=*

zMdkjJ cJtf

rt>

^
9--

>j ?
Homage
to

j
_

j
pay.

N=
if

^
eyes
are

Beau

ty

What

=m

^m #=4 m t3
*
What
if

*
J
are

^
her

dark?

3=E

^m
Bg!

ta - ^
Beauty

3
^Jis
I

P
blue?

her eyes

^
i

JJJ

0If

fair

Ev'_ ry -where

Beauty's the girl

w
V '

for

iit
f

BE

II?

ii

>i

=y=y

fc

EE to T=^

185

N?3I. SONG

"THE JEWEL OF ASIA.

COMPOSED BY JAMES PHILP.

WRITTEN BY HARRY CREENBANK.

Andante
e

ben marcato.

E
PIANO.

^
small

Ml
j

Once
(A
-

fai
at

1.

N^P^
Jap_an_ese
he came back

*Ee
sat
las!

P
hei 3r

ease
lack!)

In

.But when

=5^

S Wl
sha sha

"!/

-ti
way
Said,
cold,

and

a _

To

that

gar _ den gar _ den

cool
cool

and and

i
zz:

iI

mm
dy,

S m
When
The
a
fo

v
m

i= =
gay
bold

fo_ reign _er

_ reign _ er

Who was
Was

ij ^ in ^pp r p * i^ ^p &y=^
j
/=
'

j]

m
So

de

fc*1
Vv-

r*

1
dy?"
dy. sh"

pass_ing

that

"May

_ci_ded_ly

m
.

And

talk'd

of

come in, an Eng _

young

la

lish

la

With his

$
8c

m W

m
By

fit

m
C? Ltd.

&

* mf

s arranifeineiit with Mess r Willcncks Copyright 1896, bv Hopwood 8c Crew.

186

M
o
..

J J
pen'd
in

r
gate,

r
And
For

r
I

Hr^'r
blush
lit_tle
to

c
That He

|J
r

i B
=

her
a

heart

whirl

the

re_late white girl,,

he taught de _ clared

Ja_pans how much'

fair

he

iisn-A
]

,W
:
i
And
,

m
j
and
if

^^
j

M r

vj <

is

^ i

W
jtj
missd
j
j
i

inni
rf
to

4k

,j
flirt

i.

j;u
Like the
His

r.r
r
lit

o^-^
white

dauj;h _ ter
her,

To

kiss

tie

Miss

Who
For
he

for _ got,

you please,

poor

Japan., esc-

p
3jj35
;//.

&jL i
o'er

bLTXi
?

i
-W

s
tpd;

n Hill
a-

iEES?
lives

ne _ _

_ ver.

the
.

^
_ ter! her!

^
Dt'licatu. a tempo.

IHI

#
wa .
kiss'd

m
her

west _ _ ern
e

He
But

call'd

_ven

she

was

the the

jew_el jew_el

of
of

r>
rail:

m
*

m
#
s
sia,
sia,

Q-A* life!
A
A.
.

inm inpi
^ i
But The
sia,

of of

sia,

of
of

sia,

A_ ijwf

_ sia,

jrtfH*

^^

'

187

*=3E
9
r

^^
Gei_sha,
Gei
_ sha,

i=n
Gei _ sha, Gei _ sha,
the the

^
Gei _ Gei _
'

was she the beau_ti _ _ ful

Queen Qu.en

r=r=r

m
gp 1
laugh'd,

W
of
of

the

the
the

_ sha;

So she

the

_ sha,

And she

w ^
-!

^^
Mw
J
flirt

4ZSm

i
It

J
is

f
just

jg F$
to

i=^i
6ir,

J^J jJ'^K
when
I

jj
To
-

'Though you're rea-dy

as

they

day,
say,

To
You

flut-ter

my

fan

laugh'd

|e4

H
r
g
on
or

sir-

love

for as long as you

can

flf=p=

ifc
If

=*=

Pi
Je

^frg
f

c~zqK

fcilll
J J
mor _ month,
row
or
you'll
a

ad lib:

-#
go

J J
get
_

r
the
a

J J f
girl
girl

your
a

way,

sir,

For_ _

ting
for

week

1
jji
J
IJJ
rT|

day,

6ir,

^
//
-4

Will

do

fag

colla voce.

m
of of

Ja Ja

^
*

WW
*Sa.

_pan!' _pan!

i* *
ft

fc

l^i
ft

i
Dc.

 g
188

N? 32.

SONG-"l CAN'T REFRAIN FROM LAUGHING."

MUSIC BY

NAPOLEON LAMPELET.

Allegro ginsto.

*=*
2fc

PIANO.

moito riten:

a tempo-

m
C-J

^
oi

mm
jp
Moderato
-M

^
[J
J J

r
, l

mi
ib

?=4=r=
Fine.

MM WP
4
if
'

i f
(laughing.)
3

JU.

#
I

m m m j f f J^J-IJ '/
v
Ila!

d *

fc

can't

re_frain from laugh _ ing for I'm tickled by their plan

is

Ha! Ha! Ha! Ha!

Now

marriage

mat _ ter far too se_ri_ousfor

chaff

Ha! Ha! Ha! Ha! Ha!

i3 r

dbc

p f

3=r

pf^

*
Ha! Ha!

Ha! Ha!

Ha! Ha!

^^
Ha! Ha!
Ha! Ha!

IW9

m
Ha! Ha!

Ha! Ha!

A
And

Gei _ sha's
yet
it's

much
so

too
a
_

**

S
#
fe

J=

fc

fc :S

fc

cle _ ver mus _ ing

for

a
it

rr
no _ ble on _ ly

g
of

f
_

Ja _

pan
laugh

And
I'm

g
they

'-

g
sue

if

are
to

that

makes me

long _ ing

be

s
r.

ip
g

~0tL-

*
i
be
the
;

rail:

j
in

J
a

j
ble

J
_

5
to al

cess_ful, they'll

then
ent

\
boast

mar_ried

mode

if.

a tempo.

m
*
m
With
Yet

ble

when

par _ don _ a _ I stand

glee
_

be _

side

P^
^

e*
|

fa

fa
i

j|

190

Wher

S
_

fc

fe

V-

^
they
shall

*.

vr

(hey
lit

may
_

My

charm _ing

tie

be bride

How
Of

neat _ ly course I

have be

~9
got
this

9
haugh
but

9
_ ty
I

9
gen _

9
tie _
I

* man
shall

9~
on ex _
toast!

hap _ py,

know

plode

Ha! Ha!

Ha! Ha!

Ha! Ha!

Ha! Ha!

Ha! Ha!

%Me
Ha! Ha!

Ha! Ha!

Ha! Ha!

S
Ha! Ha!

$P

Ha! Ha!

Ha! Ha!

Ha! Ha!

Ha! Ha!

Ha! Ha!

REFRAIN.

V
Ha!

feg

^^^
tickled by

= fr

*
tri

^Ni
_ fie
it

I'm

is

>4

mH M

'

191

m
J'j
do,

^=^
I

^
see
a

^=^joke
that o
_

can _ not

thers

J
do,

J
do,

3^E
And
of
-

ten

laugh

i=^==^ ^=^
at

i=i
I

some _ thing

should

PP^
m

J
riten:

te-

t
Ha!
Ha!

y
Ha!

i
Ha!

^^.
Ha!
H.,!

^
Ha!

m E^

not

Ha!

Ha!

.J

a tempo.

192

*=*=
Ha!

Ha!

Ha!

And,

of _

ten

laugh

at

some, thing

I.

should

3^E

P^f

n
does _

} i i _r
n't

r^r
Ha!

%
Ha!

Ha!

Ha!

i |
Ha!

Ha!

Ha!

mat _ ter

what?

Jl

il

*&f=

zt

*
Ha!

V
Ha!
Ha!

Ha!

Ha!

^
Ha!

=
Ha! Ha!

1
Ha!

M
j

i_m m
rati:

E
a tempo.

D.C.

N?33. SONG "THE

WORDS
BY

193

WEDDING.
MUSIC BY SIDNEY JONES.

ADRIAN ROSS.
Allegretto.

VO

ICE.

dfc
\

I
l.Then

*=
PIANO.

Hig:

^ ^ ^Pm
3. For

2.Per_

r r r

sB

J^r^l gi P* 3
j
r
come
_

m
mmis_n't a _ ner

P^
E= c
tar _ ry.
.

j
ti

i_ ful a

K~
_

r
and
you should

g
feast
girl

t=?
It

haps

join the beau _ Bri _ tish think

a

time
phil _

to

me

brute, In your

man

an_thro_ pic
kiss

why
I s.
1

daiu_ty

Eng.lish

sil_ly young Bri _ tish tar

*

dk

SOPRANO-

m
!

TV
In your

2n d
.

SOPRANO.
j

r
u

In your

TEXORS.

A
j

#i
BASSES-

i3

In your

ai
=*=*=

g^E i
u
In your

S JU
4-

A
V
j

$ T~r
P

^=^=

< i

*
2

^=H=

91
Copyright 18T)7, by Hopwood

Crew.


194

P
For At

When

aIS

jl
_

*
a
_

n't

time
phil Bri
.

to

tar

ry.
pic.

man

m
sil IS

iy

ner young

an _
tish

thro
tar

kiss

m
_

n't
_

time
phil

to

tar

ry

man

ner

an _
.

thro
tar

pic.

q
is

sil

iy

young

Bri

tish

kiss

I
_

b"

n't

time
phil

P
to

tar
-

man
sil

ner

an
tish

thro
tar

iy

young

Bri

pic. kiss

m
IS
_

m
n't

time
_

to

tar
.

ry
pic
.

man
sil

ner

phil

an
tish

thro
tar

iy

young

Bri

kiss

gp

j
all

JrV
the
I

'

rL/
West

J
of
_

best

of
_

and
_

East
Earl

^^
Is

spread on

the
ni

day
pro _
fi _

pre_sent
she

must de can mar_ry a

cline..
belt _

dis _ pute

On

the

mar
most

_ riage
_

blem
cent

ed

Or a

meg-

mm
WM

^ m

19&

gin
mar.
Jnurry..

^=
So
kiss-

1
I

to _ pic.

^
Is

spread

The

A
i I I

mar most

m
for

She

P
the
riage
_
ni

^^
mar_ry....
to - pic
'

day
pro
_
fi

blem
cent

mag

Mar-kiss'.'.

it.. m
Is

m
day
pro
_
fi
I

spread

for

the
ni

mar.
to -

ry.

.,

$
;>
i

^
m
y
y

The

mar most

riage
_

blem
cent

pic.
'.'

mag

"Mar-k

ties.

m W
Is

:
for

i
the riage ni

J
day
pro
_
fi

i
I

spread

mar

f^=
_

ry

The

mar most

blem
cent

to _ pic..

mag

"Mar-kits'!.

1 \if
Is

I
for

J
the
riage
_
ni

spread

day
pro
fi

mar_

ry.

The

mar most

blem
cent

to _ pic.

mag

"Mar kits'.

mP
t
fol _

tm
m
in

^
M
smile
'

low me

grant ex _ pe _ ri may be skit_tish

and ence and

lift

the
a

latch,

And
That But

may make

have shown,

drink tak
I

good health to the ing one wife and

shall
in a

f m
i

S
r

Zl

m
r

scene,

'

196

pre _

_ sent a
_

match,
lone

And
Is

clear

the
_
_

board
well

with
in

hap
rest

one
style

se _ rene,

And

ve _ she

ry

the the

tern _

will

S'l

^
is

be

as

des_patch, py pe _ rate zone, have been,

That But

As

^ r

$
I

ji

/
nt
har _
a
tri _

^
_
i

P
kar_i
. . .

g
9~
That But
_ n't
is

is.

am

fie

willing

as

a _

ny

tro_pic Barkis

Then From
For

har
tri

_ kar_

i .

he

a
as

fie

tro_pic

As

willing

ny

Barkis.

W~
That But
is

K~
_ n't a

har
tri
.

_ kar_i

As
it

he is willing

a
as

fie

tro_pic

. .

ny

Barkis.

That But

is

n't
is

a
a

har
tri
-

_ kar_i.
tro_pic

he

fie

^
m m

As

willing

ny

That But

tttt
is

n't

a a

har _
tri

he

is

_
_

fie

As

willing

as

_ kar. i tro_pic ny Barkis.

i
,

m^
Barkis.
.

m0m,1
1 g
j

,1l] 53

fc

i97

*
a glass uf champagne, ri _ ly pour hav_ing one more why should I re_frain, when I a _ dore- it is not in vain,

=
I've tried I've
I've
it

m
be_fore,
I'll

mer_

try

it it

a _ gain

I'll

Smiig

s
m

done it be_fore, I'll been there be_fore, I'm

do

a_gain,I'll
a _ gain, I'm

go_ing

iM

ii

m
as

i
it,

di _et,

go thro'

so knowing,

3=9=
He'll try He'll do
it
it

p^pp
be_ fore, And hell try it again and hell go thro' it he's done it be_ fore, And he'll do it again and he'll so knowing he's been there be_fore, And he's go_ing again and he's
as
di _ et
he's tried
it

He's

go_ing
f

=9=9=

tz=F
He'll try Hi'll do
it

Y
V
as

N
V
V
he's tried
it

fcs

it

go thro'

He's go_ing

it be_ fore, And done it be_ fore, And so knowing he's been there be_ fore, And

di _ et

he's

again and he'll again and he'll he's go_ing again and he's
he'll

try

it

he'll

do

it

=9=?=

3=9=
V

V V
it

V
as

V
it

He'll try He'll do

he's
he's

J J J J J

h
-h

iUUi
he'll

di _ et

he's tried

it

go thro'
so

He's go_ing

vf 1 1
He'll try
it

knowing

it be_ fore, And he'll try it again and done it be_fore, And he'll do it again and been there be_fore, And he's go.ing again and

he'll

I
it

as
so

di _ et

he's tried
he's

J'

he's

J'

JJ JJ

J J

He'll do

it

go thro'

He's go_ing

knowing

he's

it be_fore, And he'll try it again and he'll done it be_ fore, And he'll do it again and he'll been there be_ fore, And he's go_ing again and he's

..

198
/^1**~&

S^
I'll
I'll

9
it

9
try

m
it

2". d

3E
9~
a _
a a

try

I'll
I'll

gain.
gain
.

do

it

do

it

_
_

2. Per.

I'm

go _ ing

I'm

go _ ing

gain.

3. For

s^fe
try
it

P
a a a

He'll try
He'll

it
it

_ _
_

gam.
gain, gain.

do

it

do

go, ing

He's

go _ ing

=H
try
it it

i i. -J'

He'll try He'll do,

it
it

a a

gain
ga i n
.

do

go_ing

He's

go._ing

a _

gain.

m
try
it

p
He'll try
He'll
it

_ _

gain
gain

do

it

do

it

go _ ing

He's

go _ ing

a _

gain

ggj

P^
it
it

p$m
He'll try He'll
it it

p
a
a a

try
do go
_

_
.

gain,
gain,
gain
l s.
.

do

w
ing

He's

go_

in;,

^M m
l J

& 2

'.'

3E *

w
f

*j-

wf
p^p

#?

3 rd

199
tim.-.

DANCE.

^
<
i

mm
cj J
*

==:

*=f

lJ
a

[SSu\ujyi IlJu

^
m

'

IM
:e

jt

%*

si

:e

t^.

<*

Si Ei=p3

*
* A

i fy

i
dim.

i-i- <
g

rr?

a-

J^

ff

t^

IIYIARI

J
200

N?34. SONG "MOLLY

W'OKDS BY

MINE.

ADRIAN ROSS.
Andante.

Music by SIDNEY JONES

PIANO

HvviHere You

>

Jthe

1
me

J-

r
Mol
Mol

^
.
_

a.mong

flow.ers,
girl,

ly

mine,

dis- trust, ed

fefe

ly

mine,

Kb

ppi
he=

^
-#-^
.

I
^
shade
Fair
or shine;
fine:

^=^=

* s^ Mm

utes go like
a

^^
hours.
ted
-

Turned

mim.ic

girl,

and

^^

i
f
'
'

^=^

Copyright 1897, by Hopwood

& Crew

201

By Now,
the golden too late the

gra

ting

Where
You

you
di

pine,
vine,

dan

ger

m
I _
_

rail.

SE
die
I

i
am
a

i
Mol Mol
.
.

1
mine mine
.

wait
stran

. _

ing

ly ly

Cap

tured by

ger

m
ta

tempo

Mol Mol

f
.

=F=^
Mol Mol
_

J.
I

| j 1
have strayed in with like a

n
fol
.
_

i
ly,
ly.

ly,
ly,

ly

ly

playcl

dol

t>&*

^-^-e

.i.

J
\
i

#=p=

m
ifefc

^
Far
Just

i^ ^ 3-t

1 '

g
from you a toy

my
to

a
and
of

^^
left

3
here;
fear-.

dar-ling true be the joy

one

you wnit-iug you hate and

202

feppP
Ah
That
for. get

^
and
be
par
_ .

V
don,
er,

j-rs.
Make my heart
Mine you
are

hrm
the
for

you

shall

nev

gar ev

.
_

den,
er
,

fe

jm
Where
True
there blows

and tried
-

my my
i

Eng.lish Eng.lish

rose,

bride,

my my

J5

m
Molly

Molly

dear.

IP
a

m
$

tempo

wm m
fc S

OT3 n. in
Mol.ly
Mol
0\
.

ly

dear.
ygtf.

^* Sp

fW
id

f
T"
Ft-./.

o
*

j
F:/w.

!^rt

J'h
*

203

N?35- SONG (IMARI

& CHORUS.) "IT'S

COMING OFF TO-DAY.

Allegro moderato.

VOICE

PIANO.

%
;

I
Oh,

i
Im
the

|
to

When
I

am

long - ing te - re _ go _ ing

be
-

^^
mar-

ried,

For

mo
to

ny's

the

end _ ed, mar-riage

The
In

at

*=*^

*E^EiEE^EE$=5E
Ive tar-ried Ra_ther be splen-did For the ly- paint -ed car-riage, And the long- the folks who

^=^
band
of
!a - dies rare to course 'will

ba_che-lor

Irat-tions will

say; stay;

Ve
Quite

- ry

new-

P'ayj

The

re. de

Copyright 1897, by Hnpwond

&

Crew.

204

of_ of- ten they've re _gret_ted That I w5s_n't wias_n't to be net-ted- But at net- ted -gardless of the prices, There'llbe straw-ber_ries and - ces From the -mandso ve - ry large is That they're put-ting up the charges For the
i

got their shop a _ cross the win-do%vs on the

last they've

P^i

$r

' \
Yet I if But Ive some
\

way! way! way.

shan't

ac-tion a-ny-bo-dy present tenants in pos- session

re-gret

Q\\\ tnwiuiit
my
If

the

Ut-ters

On

the

bride gives sa-tis_ faction, And if a - ny-thing un_ pleasant Of the route of the pro-cession But a

i pg
not she bride and

5 p^
need-nt
stay;

PiUii
But
I

i
and
well
all

I
li

}
him

i-

i
the

she's

dain - ty
just spile
as of

de their

-cious,

week-ly

bridegroom rent they

gay, pay;

may
in

re-mind

So That

he
I

So

shin -dies,

As

leaves his

wedding seems aus-pi _cious, And head behind him For want to let their windies, They

* }

m
its
it's

m ^^
\
coming coming coming
off off

E
to

J'

-J
To To

to

are

out

to

day day day

To To

- day! - day!

To

- day!

To

205

mo

ni

a'l

en-deavour Will be
At

laiiyh

at

me he chooses, Then his head

ob- ser _ vatiim

bet-ter late than ne_ver, And at once he lo-ses, For

jol - ly

it's

it's

place

of

my

ju - bi _ la-tion,Which

is

com com com

ing ing ing

off off off

to

to
to

day!

-day!
/

sop. i&a.

To To To

day! day! day

to
to
to

day! day! day!

In

spite

of long

rie

- lay,

Ma-tri
If

The
111

pe - nal-ty he'll pay, make the peo-ple pay

to

For

3E

m
To To To
To To To

TENOR

^s
\-

BASS,

day! day! day!

?^f P^f
dayj day! day!
to
to to

3sk
day! day day!
In

ES
If F"or

Ma-tri
to
.

spite

The
111

i
day! day! day!

of long de - lay, pe - nal-ty he'll pay, make the peo-ple pa,v

m
In
spite

^
-

i=
Ma-trj
If
.

to

to

The
Ill

to

of long de pe - nal-ty he'll make the peo_ple

lay,

PP^
to
to

-m

pay, pay

to

'For

^m
lay,

To To

To

day! day! day!

to

day! day! day!

In

The
1 1J

spite pe -

of long de

Ma-tri
If to

make

nal-ty he'll the peo_ple

r a y> pay

For

A.

206
fe
s.

(S

K _

k,

K\

'1st fc 2iid. I# 1st & 2ndJ

'

-mo-ni-al

endeavour Will be bet-ter late than never, And it's laugh at him hechooses,Thenhishead at once he loses, For it's place of ob_servation At my jol-ly ju -bi _ lation Which is

coming coming coming

off off

to- day! to- day!

to -

off

day!

T*

endeavour Will be bet-ter late than never, And its laugh at him he chooses,Thenhis head at once he loses, For it's place of ob_ servation At his jol - ly ju - bi _ lation Which is
_ ni
-

mo

/
coming coming coming
off off off
to - day! to - day!
to - day!

al

_mo-ni-al

endeavour Will be bet-ter late than never, And its laugh at him he chooses,Tlien his head at once he loses, For it's place of ob_servation At his jol_ly jn_bi_ lation Which is

PPPP
-P

^ P=pp
coming coming coming
off off

to- day!
to to -

P-

i i _mo-ni_al
'

?=? e=

off

day! day!

endeavour Will be bet-ter late than never, And laugh at him he chooses,Thenhishead at once he loses, For place of ob_servation At his jol-ly ju _ bi _ lation Which

it's

m
coming coming coming
Jt

m
off off off
to - day! to - day! to - day!

it's

is

3rd time.

DA>i'CE.

(after last verse

>e

c**
fcjr
i

%*
c-J

mm

D.C.