Professional Documents
Culture Documents
Ligne Roset Catalogue 2013
Ligne Roset Catalogue 2013
Lighting
186
Tableware
144
Armchairs
106
Home entertainment
58
Table of Contents
Accessories
198
Dining chairs
146
Occasional tables
116
Hallways
60
Reportage
02
204
Bedrooms
158
Dining rooms
130
Settees
68
Outdoor
12
212
Home Office
178
Sideboards
140
Bed-Settees
100
Storage
20
Reportage
Ligne Roset
Sustainable Design
Roset the story of a family business, founded more than 150 years ago. Antoine &Olivier Roset, the fifth generation of that family, joined the company a short time ago. This tradition of handing the business down through the family goes a long way towards explaining the passionate, demanding way in which current directors Michel & Pierre Roset do business. Respecting that which has been bequeathed to them, yet nurturing a hunger to go further still, to make their place in history. Text Constance Rubini Photos Vincent Leroux
From the very beginning the head office of Ligne Roset has been located in the countryside, in the Ain Department in the Bugey region, at the foot of the Jura mountains.
Reportage
1 Execution of double stitching on a Togo cover. The generously quilted cover contributes to the unusually generous comfort. 2 Rolls of fabric being stored in the workshop. 3 Preparation of Togos characteristic button detailing using long needles. The elasticity of the foam core is controlled by the tension of the threads which hold the buttons in place. 4 Togos upholstered buttons are all covered in the same fabric or leather as the settee. 5 Foam cores for Togo on pallets. Large photo left: Handwork remains irreplaceable: Togos characteristic folds are formed by precise hand movements.
In the beginning In 1860, Antoine Roset set up a small parasol handle factory at Oussiat, in the Ain region. The business grew until, in 1892, he purchased premises on the banks of the La Brivaz river, where he installed water wheels to help process his wood. At that point his workforce numbered around thirty. However although business was booming then, it was shortly to suffer from the vagaries of fashion when, at the turn of the century, ladies gradually stopped carrying parasols. Antoine Rosets reaction to this development was to convert his lathes to produce chair legs & rungs & so the furniture business was born, imbued with the distinct personality of his widow Marie-Victorine, who took over the
reins from her late husband in 1893 before handing them on to their son Emile Roset (18821946) some time after 1910. Thus, until the beginning of the 1930s, Etablissements Veuve A. Roset manufactured wooden chairs, cane seating & reproduction furniture. The companys very first upholstered seating, principally in leather, ws produced in 1936. Tragically, having survived the war, Emile died as a result of an accident in 1946, leaving his son Jean to inherit the company. In this period of postwar reconstruction, the business which now employed a workforce of around fifty quickly took an industrial turn, shifting its focus to contract furniture.
Reportage
3
1 Pieces of foam are stored in trolleys. 2 Preparation of various foam components. 3 Cutting pieces of quilted fabric. 4 Marking imperfections in leather these will be eliminated during the cutting process. 5 Cutting a quilted cover using electric scissors.
Reportage
1 Selecting sheets of veneer. 2 Wooden components being stored in the Saint Jean le Vieux factory. 3 Adjustment of the mechanical parts of a table during assembly. 4 Parts of furniture during production. 5 Assembly of a piece of furniture before quality control.
Design, manufacturing & distributing Jean Roset was a man of his time. In a constantly evolving world, he aspired to work more closely with designers - & so he began to update the lines of his seating, working in collaboration with architects. Then, in 1954, he was introduced to designer Michel Ducaroy at the foire de Lyon, a meeting which was to change his business forever. Roset quickly brought him on board on a freelance basis before deciding, in 1960, to take him on as a permanent member of staff. With his philosophy of integrating the various sectors of the business, Jean Roset effectively did everything possible to ensure the exclusivity of his work. An R&D department & prototyping shop were therefore set up to support
Ducaroy in his search for the best technical solutions with which to create his models. At a time when all seats had a hard structure, Michel Ducaroy was developing all-foam seating which represented a real improvement in ergonomic terms. The Briord factory was thus organized with a view to producing this type of seating, with machinery specifically developed for foam-cutting, foam-stretching & quilting. A contemporary of Pierre Paulin & Olivier Mourgue, Ducaroy an unassuming, honest designer was one of the driving forces of French innovation. In 1973, his new creation Togo, with its soft, comfortable style, won the Ren-Gabriel prize which was awarded each year for the most innovative seating. The simplicity of its lines clearly
Reportage
conveys a message of comfort, yet Togo is nonetheless born of highly sophisticated skills &expertise. Its structure, with its combination of three foams of differing densities, has a generously-quilted cover, whilst its upholstery is effected with a series of precise gestures which alone result in the formation of the characteristic Togo creases. Today this masterpiece, now celebrating its 40-year production anniversary, could well be the best-selling seating in the world. This was also the time when the visionary Jean Roset called on the services of Jacques Sgula & his Roux Sgula agency to showcase this talent. When a number of striking television adverts were broadcast, forcefully expressing the freedom afforded by this new modernity, these first all-foam creations became very popular. Jean Rosets great success was to have both the intuition & the intelligence to integrate design, production & distribution. The distribution network had its beginnings in 1973 with the opening of the initial two Ligne Roset stores; & then, with the creation of its logo, the Ligne Roset brand was born. These days there are 760 Roset outlets across the world, with export accounting for 70 % of production output. In this international landscape 71 countries there is also a licensed manufacturer, in Japan, the fruit of Jean Rosets talent for capitalizing on meetings & singular opportunities from 1981 onwards. The Bugey region, on the slopes of the Jura mountains The Roset company grew, & from the 1970s onwards took environmental issues very seriously indeed. Waste is graded & assessed. On its Saint Jean le Vieux site, for example, offcuts of wood are used to heat the 45,000 m2 factory. Offcuts of leather from the Briord factory are sold on for recycling & eventual use in the shoemaking industry. Foam is recycled into agglomerated foam. Even the products themselves are designed with a view to being dismantled for eventual recycling. Pierre Roset also sits on a steering committee looking into the recycling of furniture products. For him, sustainable development goes hand in hand with effective management & economic objectives. Investments, often significant, are thus made to acquire or develop software & machines which will enable energy costs to be rationalized, the cutting of materials to be optimized & above all, waste to be avoided. The effect of such decisions will only be felt in the long term, but in this family business, this prospect frightens no-one. It was in this spirit that, in 1973, when Roset was beginning to produce furniture to complement the seating in its new stores, the company took on a chemist to consider possible innovations in terms of surface treatments, the materials employed & their applications. Solvent-free varnishes & UV-cured lacquers were also introduced, saving not only time but also effort and energy. Such products are more expensive but are used in smaller quantities & are more resistant ; their most significant advantage, however, is the improvements they bring to working conditions. In 2011, with this in mind, the company invested in solvent-free water-based glues for the assembly of foam, which are sprayed from a gun. Improving working conditions is also another way of optimizing them. So projects are conducted in conjunction with ergonomics experts with a view to limiting handling, avoiding repetitive movements & offering workers adaptability, along with rules which create a degree of flexibility which chimes perfectly with production requirements. Since the manufacturing process requires items to be transported from one factory to another, the five production sites are located close together. In the case of bedroom, occasional & office furniture, for example, the machining takes place at Saint Jean le Vieux, with surface treatments carried out at Saint-Rambert-en-Bugey before the products are returned to Saint Jean le Vieux for assembly & dispatch. Seating is manufactured in Briord, in huge workshops where the majority of tasks are carried out by hand, meaning that the production of armchairs or settees demands a high level of expertise. Two upholsterers have the responsibility of training new arrivals, teaching them the precise gestures required, along with the necessary dexterity. A one year in-house training programme both hones skills & ensures product quality. Bourgoin-Jallieu & Saint-Georges de Reneins are the two other sites, where seamstresses complete the Briord teams. Here too, a skilled workforce perpetuates the knowledge & expertise which form the core competency of the company. With the exception of one or two sub-contracted items, the vast majority of Roset furniture is thus manufactured in the heart of the French countryside, at the foot of the Bugey mountains.
A commiment to design
Interview with Chantal Hamaide
Chantal Hamaide, is there a specifically French approach to furniture design? France is deeply attached to its furniture tradition, with more than 25 identified regional styles. In France, following on from Art Nouveau, the exposition des Arts Dcoratifs in 1925 opened up an entirely new approach to furniture. Emile Ruhlmann understood how to strike a balance between structural concerns & the use of precious woods. At the same time, Charlotte Perriand, Pierre Jeanneret & Le Corbusier were speaking up for the modern movement, bringing more industrialized & more democratic solutions to French furniture. It was in the Postwar period, at the salon des arts mnagers, that the designers Ren Caillette, Joseph Andr Motte, Pierre Garriche & Pierre Paulin emerged with Paulin being entrusted with the renovation of the private apartments of President Georges Pompidou at the Elyse Palace. What for you are the specifically French influences at Ligne Roset & how do they benefit its products? Ligne Roset perpetuates a French tradition of quality manufacturing in an extension of the culture of the Arts Dcoratifs (Art Deco), cabinetmakers & upholsterers. At Ligne Roset, particular attention is paid to materials & to the production capacities of the business. More than ever, the family-run model chimes with the expectations of the higher end of the market. Financial autonomy affords them independence which then benefits the creativity of their collections. A faithful collaboration with two generations of French designers positions them as a promoter of French design, bringing both product quality & international visibility. What about Ligne Rosets commitment to young designers? Constant monitoring of young designers with the assistance of the VIA (Valorisation de lInnovation dans lAmeublement), which is a real talent pool for French design, & an annual competition aimed at students & young professionals:both of these give Ligne Roset the perfect standpoint from which to spot emerging talent. The success of its collections by Pagnon & Pelhaitre, Eric Jourdan, Franois Bauchet & Didier Gomez brings the very French touch one would expect from Ligne Roset. Appealing to the next generation Ronan & Erwan Bouroullec, Inga Semp, Philippe Nigro is at the heart of house policy, which is completely design-focused. Thus designers have found an attentive ear in a business which each year invests 4 % of its turnover in design. We are convinced that in constantly developing exclusive creations with French designers, we are assuring the longevity of our business, emphasises Michel Roset. And what about collaborations with designers from other countries? Ligne Roset also collaborates closely with designers such as these, as evidenced by numerous models in the collection which were created by either established or young designers of diverse origins, many of whom are German-speaking.
Interview Thomas Edelmann
Chantal Hamaide
There is no theme more international than design for it thrives on exchange. This is why the bilingual magazine intramuros is justly considered to be a design magazine of international stature, being published in both French and English. Its cover portraits of designers are the magazines trademark. However it also offers a specifically French view on the world of design. After its inception in 1985 this magazine, which is still independent today, gained the journalist Chantal Hamaide as its Editor-in-Chief and Managing Director. If she sometimes approaches design from a commercial standpoint, she is nonetheless primarily interested in its diverse cultural aspects. Chantal Hamaide is the elected ambassadress of French design, she sits on numerous judging panels and has organized a range of exhibitions, conferences and events on current design themes. In 2000, she was accorded the honour, Cwhevalier de la Lgion dHonneur by Laurent Fabius, the Minister for Industry and Finance of the time.
Constance Rubini,
design historian
11
Outdoor
13
14
Passio Philippe Nigro Soixante 3 Thomas Rodriguez Rsille Philippe Nigro Fifty Dgg & Arnved Design Studio
Above left to below right.
Outdoor
Outdoor
Grillage Franois Azambourg
Circles Maria Jeglinska Grillage Franois Azambourg Serpentine Elonore Nalet Giardinetto Michael Koenig
Above left to below right.
17
Outdoor
19
Storage
21
22
Mixte Mauro Lipparini Mixte Mauro Lipparini
Storage
Storage
Mixte Mauro Lipparini
A supremely exible range of storage which enables the client to take ownership of his composition, offering the opportunity to superimpose, juxtapose &/or suspend elements, with a free choice of materials & colours. In this way the designer hopes that Mixte will be much more than just a piece of furniture: rather, a personalised composition which is almost a living work of art. Mixing of nishes is
positively encouraged, even within a single piece. All items are available in satin white, mastic, argile or elephant lacquer; certain elements are also available in black lacquer; most items are also available in lati veneer (choice of sable or cendre). Sliding doors between shelves are available in the four lacquer nishes, lati sable or lati cendre, or silk screen-printed glass; drop aps between shelves are
available in the four lacquer nishes. Also available: low chests with drawer or drop ap, chests with lacquered or wooden doors, plain or shelving panels, lacquered shelf dividers (also available in grey lacquer), sliding door for at-screen TV.
25
Storage
Book&Look Pagnon & Pelhatre
Storage
Book&Look Pagnon & Pelhatre
A collection of furniture based on two strong principles: simplicity & elegance. Since each element of the collection is complete in itself, nothing could be simpler than putting together a piece of Book&Look: all this entails is to superimpose & juxtapose the required number of elements, as if playing with building blocks. Book&Look fulls three
functions, namely storage, multimedia (TV element) & shelving; it is offered in six nishes gloss white lacquer; satin black, mastic, argile or elephant lacquer; or natural walnut veneer (certain elements only); modules are offered in units of 35 cm, in a choice of 3 depths: 45 (storage chest), 55 (TV platform) & 28 (shelving unit). The exibility with
which the various elements may be associated enables the creation of a wide variety of pieces of furniture, from broadwidth one-piece items to unstructured compositions in a combination of heights & depths, to sideboards, multimedia items & ultra-low minimalist compositions.
29
Storage
Cemia Peter Maly
Cemia signals a move away from modular programmes of furniture & a return to the understated, functional lines of the 1960s. The collection boasts two strands living room & bedroom. The former includes 2 sideboards, & 3 TV units; please see relevant section for details of TV units &
bedroom items. Structures nished in satin white lacquer or walnut veneer; doors & drawer fronts are nished in gloss white, satin argile or satin black lacquer. Sideboards have brilliant-chromed steel feet; chests of drawers have aluminium-lacquered aluminium feet.
3-drawer chest
H 69.5 W 110 D 50
Roller Boy
H 53.5 W 50 D 50
Further Cemia products can be found in the TV/hi- & beds & wardrobes sections.
31
32
Contours Didier Gomez Contours Didier Gomez
Storage
Storage
An elegant range of stand-alone pieces: go contemporary with gloss white lacquer or satin-nish lacquer (mastic, elephant or argile), or more art deco in ebony-stained oak, lati cendre or lati sable. Tubular frames in brilliant steel or
elephant with matt corner-pieces. Range includes shelving units in 2 widths, secretaire & secretaire-bar, 3-drawer chest, 2, 3 or 4-door sideboards, occasional unit, 7-drawer chest, console table (available in 2 widths) TV/video table & desk.
Optional cutlery trays may be added to occasional unit and sideboards. Matching desk, ling cabinet, occasional & dining tables also available please see relevant section for details.
Secretaire/ Secretaire-bar
H 190 W 90 D 140
Console H 85 W 110/150
D 35
Sideboard
H 74 W 250 D 45 with two interior drawers
Sideboard
H 75 W 189 D 45 with one interior drawer
Sideboard
H 75 W 128 D 45 without interior drawers
Further Contours products can be found in the Dining Rooms, TV/hi- & Home Office sections.
35
Storage
Taking as his starting-point a simple parallelepiped which he then distorted by precision-cutting a 20 notch out of each face, the designer created a double-sided parallelepiped with an irregular, canted shape: although its maximum depth is 40, the depth at each end is identical, making it perfect for the juxtaposition of multiple units. Its height,
meanwhile, is extremely appropriate to its function as a bookshelf. Even more interestingly the irregular shape of the shelving module can be multiplied by 4 simply by rotating it: by turning it over rst one way & then another, one obtains 4 chests, each notched in totally different ways. All that remains is to stack &/or juxtapose several such modules
to obtain the desired conguration. Modules are made from satin white, argile or elephant lacquered MDF; differently-nished modules may be mixed within a single conguration.
Each module
H 36 W 104 D 40
37
Storage
39
Storage
Travel is a mobile programme of storage furniture for people on the move. The range encompasses sideboard units with 2 doors or 2 doors & 4 drawers, a tall cupboard with hinged doors, a chest of 4 drawers & bedside table with 2 drawers, beds in a range of congurations, a wardrobe on castors, shelving unit & desk. Choice of nishes: white or
aluminium laminate. Tall cupboards have either 4 shelves, or a shelf & hanging rail. Further details of the beds &wardrobes can be found in the bedrooms section:details of the desk can be found in the home office section.
When designing Tours, Pascal Mourgues twin concerns were aesthetics & functionality. Available in a choice of 3 heights, with structures (that is, shelves, side & front uprights) in either gloss white or satin black lacquer. Choice of satin-nish colours (papyrus green, lavender blue, red) for back panels in certain locations. In the case of bookshelves
H 4 & H 5, niches are always distributed as follows: upper level has 2 sides & a back panel matched to the structure; the next two levels down have coloured back panels; the next level down is monocolour. In the case of the H 2 version both back panels are coloured. Tours is nished on all 4 sides.
Further Travel products can be found in the Dining Rooms, TV/hi- & Home Office sections.
Shelving unit H 5
H 189 W 55 D 45
Shelving unit H 4
H 152 W 55 D 45
Shelving unit H 2
H 79 W 55 D 45
41
Storage
Storage
45
Storage
A complete & uniform storage solution for the home. Chests nished in gloss white, pure white, black, mastic, argile or elephant lacquer or ebony-stained oak veneer; tops matched to chests, or in aluminium. Certain doors available in milk glass. Two choices of feet. Range includes low chests
with drawer(s) &/or ap door, wall cupboards with vertically-opening doors, suspended chests with doors, chests of 3, 4 or 6 drawers, sideboards with various combinations of drawers & doors, wardrobes, hall units & cupboards. New for 2013, open shelving unit in a choice of 2 widths, available
in either lacquer (choice of nishes as above) or ebonystained oak veneer; an alternative lacquer nish for the interior (i.e. back panel & shelves) may be selected if desired (choice of gloss white, satin black, mastic, argile or elephant).
1-door cupboard
H 189/122.8 W 50 D 44
Shelving unit
W 122.8 W 600/900 D 44
4-door chest
H 128.4 W 120 D 38
2-door chest
H 122.8 W 90 D 44
Secretaire
H 122.8 W 90 D 44
4-shelf bookcase
H 189 W 60 D 44
Shelving unit
H 122.8 W 90/60 D 44
4-drawer chest
H 122.8 W 90 D 44
6-drawer chest
H 94.2 W 138.4 D 44
3-drawer chest
H 94.2 W 90 D 44
47
Storage
Hyannis Port Eric Jourdan
Hyannis-Port offers a high-quality range of stand-alone pieces: choose from contemporary gloss white lacquer or chic ebony-stained oak, with rounded rear corners & brilliant-chromed frames & handles. The range includes chests
of drawers, a bedside table & sideboard (both with wood tops), a desk with milk glass top, ling cabinet, secretaire, secretaire/minibar & low table.
Further Hyannis Port products can be found in the Dining Rooms & Home Office sections.
49
Storage
Dino Eric Jourdan
Storage
Dino is a highly original range of storage which takes as its theme the asymmetry of colours & forms. Each piece comprises chests with are enrobed, both to the rear & to the right-hand side, with a walnut veneered frame. The righthand section of the unit may be nished all in white, mastic,
argile or elephant lacquer, whilst the left-hand section may be nished to match for a monochrome interpretation, or else in a different colour; there is also the option of lavender blue lacquer for this section. Gloss aluminium-nished feet.
Chest of 3 drawers
H 85 W 115 D55
Desk
H 81 W 151 D 71
Secretaire
H 150 W 90 D 56
53
Storage
Tricolore is a range of modular shelving nished in satin lacquered MDF. Each module may be positioned with its opening facing either upwards or to the rear. Each pack is supplied with 4 plastic shutters (matched to the colour of the structure) for the uppermost shelf, 4 metal uprights for linking & 4 grey felt gliders for levelling the shelf which is to
be placed on the ground. The simplicity of the concept belies the complicated nature of the production process, with its mitre joints & bevelled edges. Available in 3 sizes small, medium or large. The small module is in satin white lacquer; the medium module is in satin elephant lacquer; the large module is in satin argile lacquer.
Small module
H17.5 W 70 D 30
Medium module
H35 W70 D 30
Large module
H 52.5 W 70 D30
55
Storage
Oka Kazuko Okamoto
A modular one-piece shelving unit, available in single or double bay version. Multiple units may be juxtaposed to create larger compositions in which varying colours, materials &/or widths may be mixed to bring a touch of originality to what is essentially a highly structured, functional piece.
The staggered shelves not only enable modules to perfectly interlock but also bring a highly original asymmetrical note to the extremities of the nished composition. Choice of nishes: walnut veneer, or white, mastic, argile, elephant or lavender blue lacquer. Must be xed to a wall.
57
Home entertainment
TVunit H 43 W 200 D 55
59
Hallways
Passe-Passe Philippe Nigro Mirrko N. Nasrallah & C. Horner Clara Evangelos Vasileiou Shadow Cabinet Jessica Hansson
Above left to below right.
61
Hallways
Dimensions H 155 W 50 D 41
Dimensions H 75 W 75 D 35.3
Dimensions H 130 W 43 D 20
Dimensions H 140 W 45 D 34
Dimensions H 165 25
63
Hallways
Dimensions H 32 W 100 D 25
Dimensions H 80 W 110 D 40
5 drawers (bottom drawer xed) H 97.5 W 38.6 D 38.6 8 drawers (bottom drawer xed) H 154.5 W 38.6 D 38.6 Internal dimensions per drawer H 14.2 W 27.2 D 33.3
65
Hallways
Wall panel with mirror & clothes stand H 140 W 44 D 25 Clothes stand H 140 W 20 D 6.5
Wall panel with mirror & clothes stand H 140 W 44 D 25 Clothes stand H 140 W 20 D 6.5
Black
Left & right-hand mirrors to create a trompe loeil effect. The frame in satin-nish black lacquered MDF (thickness 25 mm) is slanted to give the effect of perspective.
Colour combinations for Divina: Small H 180 W 59 Large H 180 W 109 Small Mirror H 64.5 W 50 D 5.5 Small Mirror H 165 W 44 D 7 Large Mirror H 165 W 94 D 7 Mirror (horizontal) H 107 W 150 Small H 85 W 41 D 3 Large H 119 W 55.5 D 4
GREGE/PAIN BRULE, TURQUOISE/ CANARD, CASSIS/AUBERGINE, CRAIE/NOIR.
67
Settees
69
Settees
Settees
72
Ploum Ronan & Erwan Bouroullec Ploum Ronan & Erwan Bouroullec
Settees
Facett Ronan & Erwan Bouroullec
75
Settees
77
Settees
79
Settees
80
Confluences Philippe Nigro Confluences Philippe Nigro
Settees
82
Ottoman No Duchaufour-Lawrance Ottoman No Duchaufour-Lawrance
Settees
Hybride No Duchaufour-Lawrance
Settees
87
Settees
Settees
91
Settees
Elyse Pierre Paulin
The Elyse collection of settee, armchair & footstool was reconstructed by Ligne Roset using plans in the archives of Pierre Paulin. If the aesthetics & the volumes of the original have been scrupulously respected, the comfort of the seats has been signicantly improved through the use of the new materials now available & the highly specialised expertise of Ligne Roset in the eld of multi-density foams. The compactness, graphic purity & visual lightness of the Elyse seating enables them to t perfectly into small spaces such as city apartments. A monocolour model which may be upholstered in fabric or leather: coloured wools will also bring a touch of brightness & gaiety.
Small settee
H 70 W 170 D 80; seat 35
Armchair
H 70 W 90 D 77; seat 35
Footstool
W 90 D 65; seat 33
Large settee
H 84 W 190 D 81; seat 36
Medium settee
H 84 W 145 D 81; seat 36
Armchair
H 84 W 87 D 81; seat 36
Large footstool
W 124 D 71; seat 32
Small footstool
W 65 D 71; seat 32
Large settee
H 82 W 200 D 85; seat 45
Medium settee
H 82 W 170 D 85; seat 45
Footstool W 77 D 62;
seat 42.5
93
Settees
Togo Michel Ducaroy
Designed for an easy, carefree way of life, Togo has been a best-seller ever since its launch in the early Seventies. The rst all-foam settee, Togo combines ve different densities of foam for maximum comfort. Covers are generously quilted with polyester material, & may be removed by an upholsterer for dry cleaning. The wide choice of covering materials helps Togo remain just as contemporary today as it always has been. Please see armchairs chapter for details of Mini Togo.
Ottoman No Duchaufour-Lawrance
We were captivated by the oriental charm of this piece, lled with zenitude, comfort & wellbeing. Covers may be removed by a professional, & are held in place by lacings at the junction of seat & back, & gripper strips on the underside. Available in a monocolour or bicolour interpretation, with different fabrics on the interior (seat) & exterior sections. Stitching is in toning thread (NB in the case of a bicolour interpretation, the thread colour will be matched to the colour of each section).
Large settee
H 70 W 174 D 102; seat 38
Small settee
H 70 W 131 D 102; seat 38
Corner seat
H 70 W 102 D 102; seat 38
Fireside chair
H 70 W 87 D 102; seat 38
Footstool
W 87 D 87; seat 34
Large settee
H 68 W 200 D 93; seat 37
Small settee
H 68 W 165 D 93; seat 37
Armchair
H 68 W 100 D 93; seat 37
Footstool
W 89 D 80; seat 37
Large settee
H 70 W 250 D 83; seat 37
Small settee
H 70 W 178 D 83; seat 37
High-backed armchair
H 83 W 105 D 83; seat 37
Armchair
H 70 W 105 D 83; seat 37
Footstool
W 74 D 82; seat 37
Medium settee
H 78 W 172 D 105; seat 38
Footstool
W 74 D 60; seat 38
3-branch table
H 43 W 64 D 51
Rectangular table
H 46 W 62 D 38
4-seats ettee
H 85 W 315 D 158; seat 34
3-seats ettee/right
H 85 W 240 D 152; seat 34
3-seat settee/left
H 85 W 250 D 158; seat 34
3-seat settee
H 95 W 235 D 109; seat 34
2-seat settee
H 85 W 175 D 104; seat 34
Toi et Moi
H 83 W 145 D 148; seat 34
Fireside chair
H 78 W 95 D 102; seat 34
Footstool
W 85 D 35; seat 34
Large settee
H 97 W 215 D 98; seat 41
Small settee
H 97 W 165 D 98; seat 41
Armchair
H 97 W 115 D 98; seat 41
Low-backed armchair
H 81 W 105 D 89; seat 41
Large footstool
W 110 D 46; seat 37
Small footstool
W 60 D 46; seat 37
Indoor/Outdoor settee
H 84 W 158 D 90; seat 41.5
Indoor/Outdoor armchair
H 84 W 93 D 80; seat 41.5
Footstool
W 93 D 37; seat 40
95
Settees
Smala Pascal Mourgue
Impressive looks, generous proportions, clean lines & well-dened ground clearance are the hallmarks of this unique model: small wonder that it is now numbered amongst our classics. Range includes settee, 1-arm settee with left or right arm & footstool. Back & armrests may be positioned at any one of three levels (NB dont sit on the arms when in raised position!). The settee may be used as a day or guest bed & a tted sheet may be ordered for this purpose.
Settee
H 87/92 W 230 D 115/130; seat 40
1-arm settee/right
H 87/92 W 215 D 115/130; seat 40
1-arm settee/left
H 87/92 W 215 D 115/130; seat 40
Footstool
W 100 D 100; seat 40
Large settee
H 74 W 230 D 96; seat 36/40
Day bed
H 74 W 230 D 80; seat 36/40
Medium settee
H 74 W 192 D 96; seat 36/40
2-seat footstool
W 114 D 76; seat 36/40
Settee
H 74 W 75 D 136; seat 44
Armchair
H 74 W 75 D 67; seat 44
Footstool
W 67 D 50; seat 42
Large settee
H 80 W 210 D 97; seat 42
Small settee
H 80 W 160 D 97; seat 42
Armchair
H 80 W 82 D 94; seat 42
Hybride No Duchaufour-Lawrance
Hybride combines attractive & timeless low-backed lines with the much-requested function of adjustable backrests (choice of 2 positions). In most cases the adjustable cushion creates an unsightly thickness to the rear of the settee; however, Hybride retains all its elegance thanks to its slim cushioning which, whether in high or low position, in no way detracts from the proportions of the overall piece. Its structure is composed of 3 separate elements which are linked attractively & with the utmost nesse, whatever the angle from which they are viewed. Hybride will bring a note of tasteful elegance & comfort to any interior - elements which, individually, are often difficult to combine.
Large settee
H 63/87 W 235 D 98; seat 38.5/42.5
Medium settee
H 63/87 W 186 D 98; seat 38.5/42.5
Footstool
W 87 D 87; seat 38.5/42.5
97
Settees
Exclusif Didier Gomez
In the words of its creator, Exclusif is, a classic design, elegant & comfortable, international & timeless. With only a handful of elements, it is possible to create a wealth of different settees & corner compositions, with a choice of two possible types of armrest a low, wide version & a narrower, higher version. The base elements are as follows: 2-seater without armrests (asymmetrical seat cushion & large back cushion), 3-seater without armrests (asymmetrical seat cushion & asymmetrical back cushions), lounge settee without armrests, footstool, high trapezoid armrest type A (W 27.5 cm), low rectangular armrest type B (W 30 cm). Armrests of type A may be used either at the end of a settee or run, or in a corner of a corner composition.
Lounge settee
H 72 W 122.5 D 205; seat 39
Footstool
W 100 D 100; seat 39
High-backed armchair H 86 W 82
D 87; seat 39
Armchair H 69 W 82
D 85; seat 39
Footstool
W 51 D 51; seat 34
Settee
H 64/69.5 W 225 D 100; seat 35/40.5
Small settee
H 64/69.5 W 135 D 100; seat 35/40.5
Footstool
W 100 D 100; seat 35/40.5
Large settee
H 82 W 222 D 87; seat 45
Medium settee
H 82 W 187 D 87; seat 45
Small settee
H 82 W 165 D 87; seat 45
Armchair
H 76 W 74 D 87; seat 45
Large settee
H 76 W 200 D 84; seat 39
Medium settee
H 76 W 170 D 84; seat 39
Armchair
H 76 W 77 D 84; seat 39
Fireside chair
H 76 W 66 D 84; seat 39
Larges ettee
H 82 W 232 D 98; seat 42
Medium settee
H 82 W 192 D 98; seat 42
Corner seat
H 82 W 98 D 98; seat 42
Footstool
W 98 D 98; seat 42
Settee
H 74 W114 D 66; seat 44
Armchair
H 75 W 64 D 66; seat 44
Footstool
W 50 D 53; seat 42
99
Bed-Settees
101
102
Multy Claude Brisson Multy Claude Brisson
Bed-Settees
Bed-Settees
Dimensions H 95/50 W 204 D 115/240; seat 39 (sleep area 140 x 200) Cushion 60 x 60
Bed-settee H 95 W 203 D 110; seat 42 Sleep area 140 x 200 Lumbar cushion 70 x 45
Bed-settee H 79 W 186 D 101, seat 39; H 79 W 206 D213, seat 39 Sleep area 140 x 196; 160 x 196
Bed-settee 155 H 82/85 W 166 D 103; seat 44 (Sleep area 155 x 195) Bed-settee 120 H 82/85 W 131 D 103; seat 44 (Sleep area 120 x 195)
If using with two arms, add 22 cm to the width.
105
Armchairs
Drive 2 Pierre Paulin
107
Armchairs
108
Okumi Studio Catoir Okumi Studio Catoir
Armchairs
111
Armchairs
Armchair
H 112.5 W 73.5 D 88; seat 34
Footstool
W 60 D 67; seat 34
Armchair
H 112.5 W 73.5 D 88; seat 34
Footstool
W 60 D 67; seat 34
Indoor/outdoor armchair
H 84 W 93 D 80; seat 41.5
Indoor/outdoor armchair
H 79 W 64.5 D 67.5; seat 42
Rocking armchair
H 95 W 57 D 100; seat 45
Armchair
H 70 W 90 D 77; seat 35
Footstool
W 90 D 65; seat 33
Swivelling armchair H 87 W 87
D 81; seat 39
Small footstool
W 65 D 71; seat 32
Fireside chair
H 70 W 60 D 71; seat 35
Footstool
W 60 D 42; seat 35
Armchair
H 72.5 W 86 D 83; seat 43
Armchair H 74 W 61
D 71; seat 42
High-backed armchair H 99 W 99
D 85; seat 40
Low-backed armchair H 79 W 87
D 77; seat 40
Indoor/outdoor armchair H 72 W 99
D 69; seat 25
Sofa
B 155 T 70 H 72 SH 31
Indoor/outdoor armchair H 72 W 99
D 69; seat 25
Sofa
B 155 T 70 H 72 SH 31
Armchair
H 68.5 W 68 D 64; seat 39
Fireside chair H 74 W 60
D 69; seat 35
Bench
H 35 W 120 D 49
Footstool
W 60 D 49; seat 35
113
Armchairs
Bridge chair H 75 W 64
D 66; seat 44
Footstool
W 50 D 53; seat 44
Fireside chair H 76 W 59
D 57; seat 39
Footstool
W 59 D 53; seat 39
Armchair H 74 W 67
D 75; seat 44
Footstool
H 50 W 67 seat 42
Small footstool
W 60 D 54; seat 37
Armchair H 70 W 105
D 83; seat 37
Footstool
74; seat 37
Footstool
W 93 D 37; seat 40
Fireside chair H 70 W 87
D 102; seat 38
Footstool
W 87 D 87; seat 34
Mini Togo H 46 W 61
D 68; seat 24
Rocking armchair H 84 W 73
D 88; seat 41
Footstool
W 84 D 40; seat 41
Reclining armchair H 93 W 72
D 95/152; seat 44
Armchair H 69 W 76.5
D 80; seat 38
Footstool
W 62 D51; seat 36
Ottoman No Duchaufour-Lawrance
The designer knew exactly how to bring the creative added value which has rooted the model in modernity. Cover may be removed by a professional. Available in a monocolour or bicolour interpretation, as shown, with toning stitching.
Armchair H 96 W 88
D 91; seat 42
Firesidec hair H 96 W 64
D 91; seat 42
Footstool
W 63 D 36; seat 41
Armchair H 68 W 100
D 93; seat 37
Footstool
W 89 D 80; seat 37
High-backed armchair H 86 W 82
D 87; seat 39
Armchair H 69 W 82
D 85; seat 39
Footstool
W 51 D 51; seat 34
Armchair H 73 W 61
D 61; seat 37
115
Occasional tables
Picnic GamFratesi
117
118
Nolly Evangelos Vasileiou Parigi Studio Catoir
Occasional tables
Occasional tables
Hues Outofstock
Set of 2 low tables, one low & one high. Structure in matt nish black lacquered steel; top in toughened silk-screen printed glass (pink/grey for low version; beige/pink for high version).
121
Occasional tables
Translation
Low table with four top panels in ebony-stained oak, which slide apart to reveal four lower surfaces in gloss white lacquer. Also available entirely in gloss white or elephant lacquer; or with top panels in mastic or argile lacquer & lower surfaces in elephant lacquer.
Meda No Duchaufour-Lawrance
An attractive reinterpretation of Moroccan tables. Tea table with structure in Epoxy black or white lacquer with top in matching 5 mm thick toughened black or white glass.
Salam No Duchaufour-Lawrance
Low table with structure in Epoxy black or white lacquered steel and top in 5 mm thick toughened black or milk glass.
Low table when closed H 35 W 80 D 80 Low table when fully open H 35 W 122 D 122
Low table when closed H 35 W 80 D 80 Low table when fully open H 35 W 122 D 122
Occasional table H 39 W 72 D 50
Tea table H 43 60
Brunch
Height-adjustable table which easily converts to a dining table by means of a top that pivots through 90 & opens out to double its size. Top in satin white lacquered MDF; base in Epoxy white lacquered steel.
Low table H 30 W 90 D 90
Dimensions when closed H 3873 W 110 D 70 Dimensions when open H 3873 W 110 D 140
Dimensions when closed H 2680 W 110 D 70 Dimensions when open H 2680 W 110 D 140
Interstice No Duchaufour-Lawrance
A low table with a boat frame outline, ideal for displaying a key object or slipping in some books, comprising 4 surfaces linked to each other by brilliant-chromed steel connectors. Choice of nishes: solid walnut or gloss white lacquered MDF.
Concave low table H 20 W 100 D 110 Convex low table H 26 W 100 D 110
123
Occasional tables
Picnic GamFratesi
Evocative of the traditional workbox, Picnic transcends ordinary references to take on another dimension altogether, providing occasional storage. Its familiar, domestic character is underlined by the softly curved storage chest & its support feet/handle which enables it to be moved about with ease. Made entirely from black-stained ash (ash-veneered multi-ply for chest/storage & solid ash for base).
Occasional storage H 71 W 59.5 D 37
Pont
A useful collection of low tables in 12 mm thick clear or anthracite-coloured formed glass. Also available as a console table.
Pedestal table H 65 53
Pedestal table H 50 40
Magazine rack H 54 40
Occasional table H 68 40
Pedestal table H 54 50
125
Occasional tables
Occasional table H 42 50
Pedestal table H 55 W 40 D 40
Pedestal table H 55 28
2-tier pedestal table H 44.8 50; 3-tier pedestal table H 46.3 50 4-tier pedestal table H 67.8 50; 5-tier pedestal table H 89.3 50
2-tier pedestal table H 44.8 50; 3-tier pedestal table H 46.3 50 4-tier pedestal table H 67.8 50; 5-tier pedestal table H 89.3 50
Chanterelle
Structure in brilliant-chromed steel; top made from a log of solid walnut with visible knots & ssures. The diameter of the top varies between 25 cm & 35 cm. Each pedestal table is unique.
Occasional table H 35 60
Pedestal table H 57 34
Pedestal table H 57 34
Pedestal table H 50 55
Pedestal table H 54 47
Pedestal table H 55 45
Low table/white lacquered glass top H 45/72 80 Occasional table/white lacquered glass top H 73/108 80 Occasional table/walnut top H 76/110 80 Height-adjustable table/glass top H 73/98 80/100
127
Occasional tables
Occasional table H 50 48
Large table H 53 42
Occasional table H 38 W 35 D 37
Occasional table H 50 W 40 D 48
Pedestal table H 50 44
Pedestal table H 65 50
Occasional table H 45 W 30 D 36
Occasional table H 38 54
Occasional table H 45 W 42 D 42
Occasional table H 45 W 42 D 42
129
130
Dining rooms
Contours Didier Gomez
Dining rooms
Eaton
133
Dining rooms
Dining rooms
Eaton
A contemporary solid wood table, treated with oil & nished with matt varnish. Available in solid European or American walnut, oak or cherry, in a range of widths & depths; also an extending version with removable 50 cm extension leaf, to be positioned at one end once the feet have been pulled out. New for 2012: xed dining table D 100 now available in a range of widths between 270 & 430 cm inclusive (increments of 10 cm).
Fixed dining table H 76 W 160240* D 90/100; H 76 W 270430* D 100 Extending dining table H 76 W 110190 D 90/100 with 50 cm extension Bench (not shown) H 44 W 120230 D 36
(*increments of 10 cm)
Citadine
Dining table which folds like a console & can thus be placed against a wall (depth when folded: 60 cm). 22 mm thick top with straight edges; steel base 40 x 10. Accommodates 4 persons. Available in satin white lacquer, or with base in elephant lacquer & top in lati cendre.
Round table/Carrara marble top H 74 130 Square table/Carrara marble top H 74 W 130 D 130 Round table/laminated top H 75 128 Square table/laminated top H 75 W 128 D 128
137
Dining rooms
Extensia
Available in three lengths, three wood nishes (solid beech nished in ebony-stained oak, lati cendre or lati sable veneer) & four glass nishes (mastic, elephant, anthracite or white). Extensia is as adaptable now as it ever was!
8 12 Idelfonso Colombo
Top & extensions nished in natural-stained American walnut veneer, or toughened milk or anthracite glass; two extensions in gloss white or gloss anthracite lacquer may be added to create a tabletop of dimensions 290 x 95 cm, which will comfortably accommodate 12 persons. The inverted U feet are in gloss white or gloss black lacquered aluminium.
Dimensions H 74 W 180/235/290 D 95
Low table/white lacquered glass top H 45/72 80 Occasional table/white lacquered glass top H 73/98 80 Occasional table/walnut top H 76/110 80 Height-adjustable table/glass top H 73/98 80/100
Dimensions H 75.5100.7 W 68 L 90
Dimensions H 75 61
Dimensions H 75 W 80 L 140
Dimensions H 73 W 70 D 70
139
140
Sideboards
Mixte Mauro Lipparini
Sideboards
4-door square sideboard H 133.6 W 120.0 D 46.0 4-door sideboard H 71.3 W 210.0 D 46.0 Sideboard with 2 doors & 2 drawers H 71.3 W 210.0 D 46.0
Sideboard with drawers & doors H 79.7 W 160 D 52 Further Hyannis Port products can be found in the Storage & Home Office sections.
Sideboard H 83.7 W 220 D 50 Further Cineline products can be found in the Storage, Beds & Wardrobes & Home Office sections.
143
Tableware
144
Chairs
147
148
Alster Emmanuel Dietrich Saint-James Jean Nouvel Folk Benjamin Graindorge
Dining chairs
Dining chairs
Chair
H 84.5 W 44.5 D 55; seat 48.5
Triomphe Usin-e
The success of Triomphes appearance owes everything to the perfect mastery of the techniques & materials employed to produce it. Structure & legs in satin varnished solid American walnut. One-piece seat/back shell in matt black melamine on moulded, curved multi-ply.
Chair H 88 W 49.3
D 56.5; seat 45.5
Chair H 82.5 W 50
D 55.5; seat 48
Original, comfortable & functional, this re-issue of a chair originally designed for the restaurant of the Saint-James Hotel Bouliac combines simple, elegantly-curving & very light lines, with the sensual fullness of the seat, back or arm cushions. Frame in varnished Epoxy aluminium lacquered drawn steel. Exclusively available in Sirocco or Uniform fabric; removable covers.
Carver chair
H 80 W 81 D 66; seat 52
Chair
H 80 W 52 D 66; seat 52
Footstool
W 52 D 52; seat 52
Chair H 88 W 50
D 55; seat 46
Chair H 83 W 42
D 54.3; seat 45.5
151
Dining chairs
Cantilevered bridge H 73 W 60
D 55; seat 47
High armchair H 73 W 60
D 55; seat 47
Bridge chair H 82 W 53
D 54; seat 49
Chair H 81.5 W 50
D 55; seat 48
Carver chair H 73 D 60
D 55; seat 47
Footstool
W 37 D 38; seat 45
Chair H 86.5 W 51
D 60; seat 46.5
Chair
H 86 W 51 D 58; seat 48
TV Pierre Paulin
A reproduction of an original Pierre Paulin design from the 1950s. The visual uidity & sculptural freedom of line are as potent today as they were in 1954. Base in satin-nish black lacquer or brilliant chrome; Pullmaex suspension on seat; fabric covers are held in place by gripper strips, & are removable.
Chair
H 83 W 48 D 57; seat 48
Chair H 83 W 42
D 51.5; seat 46
Chair H 83 W 42
D 51.5; seat 46
153
Dining chairs
Chair H 86 W 45
D 48.5; seat 47
Chair H 86 W 45
D 48.5; seat 47
Chair
H 82 W 61 D 59; seat 47
Chair on castors
H 83/92 W 70 D 70; seat 48.5/57.5
Chair
H 82 W 38 D 48; seat 46
Chair
H 84.5 W 52 D 57; seat 46
Chair
H 84.5 W 52 D 57; seat 46
Chair
H 83 W 49 D 55; seat 48
Chair
H 83 W 49 D 55; seat 48
Rotating chair H 83 W 49
D 55; seat 48
Carver chair H 83 W 58
D 47; seat 48
Chair H 81 W 46
D 57; seat 49
Chair
H 82 W 47 D 58.5; seat 46
Chair
H 86 W 42 D 48; seat 45
Chair
H 84.5 W 46.5 D 55.5; seat 48
Chair
H 84.5 W 52 D 55.5; seat 48
Carver chair
H 81.5 W 57 D 55; seat 50
Chair
H 78 W 45 D 54; seat 45
155
Dining chairs
Bar stool
H 103 W 38 D 38; seat 77
Chair
H 75 W 38 D 43; seat 45
Chair
H 81.5 W 45 D 52.5; seat 46
Carver chair
H 80 W 56.6 D 52; seat 46
Chair
H 81.5 W 45 D 52.5; seat 46
High-backed chair
H 96 W 45 D 45; seat 47
Low-backed chair
H 83 W 45 D 45; seat 47
Folding chair H 67 W 56
D 35.5; seat 43
Office Chair
H 95 W 55 D 55; seat 53.5
Bar stool
H 64/89 W 41.5 D 43; seat 5479
H 6589.5 W 40 W 40.5 /43 D 43/44; D 43; seat 5478.5 seat 5177 /5278
Carver chair
H 84 W 58 D 57; seat 49
Low-backed chair
H 84 W 57 D 54; seat 48
High-backed chair
H100 W 47 D57; seat 48
Chair
H 81 W 49 D 55; seat 51
Footstool
W 50 D 44; seat 41
Tania
A classic upholstered dining chair with feet in ebony-stained solid oak. Covers are removable (NB except leather).
Chair
H 88 W 38 D 51; seat 46
Chair
H 97 W 46 D 55; seat 47
Stool
H 53 W 50.5 D 41; seat 50
157
Bedrooms
159
Bedrooms
161
Bedrooms
Ruch Inga Semp
Bedrooms
165
Nador
Bedrooms
Lumeo Peter Maly
Bedrooms
Lumeo Peter Maly
Bedrooms
170
Linae Pagnon & Pelhatre Linae Pagnon & Pelhatre
Bedrooms
173
Bedrooms
Dimensions W 140 L 220; sleep area 140 x 200 Dimensions W 160 L 220; sleep area 160 x 200 Dimensions W 180 L 220; sleep area 180 x 200
Headboard H 133.4 W 194 D 7.8 Bed frame H 31 W 154/174/194 L 214; sleep area 140/160/180 x 200
Alongside our collection of beds we offer a range of accessories developed in partnership with the foremost European manufacturers to enable you to tailor your sleep experience to your individual requirements. Sleep well!
Nador
An innovative, comfortable bed with a high headboard, elevated sleep platform (achieved by combining an upholstered base, thick mattress & mattress topper) & upholstered bed frame. The elegant button detailing on the headboard emphasises the welcoming feel by highlighting its proportions & generous 10 cm depth. Headboard is exclusively
Nador
available in microbres (Alcantara), leather (Diva, Indiana, Nubu); Toscane, Divina, Extra, Felix, Hector, Pecan & Alpaca; & Cosmos, Hexagone, Hot, Oda, Tonga or Scuba fabrics. Shown above left with high headboard; low headboard shown above.
Upholstered headboard H 90 W 200/220 or H 130 W 216/286 Bed frame H 30 W 175 L 211.3 (sleep area 160 x 200) or
H 30 W 195 L 211.3 (sleep area 180 x 200)
Comfort Mattresses with 5-way Bonnell-type springs & polyether foam padding; cover in 80% cotton/20% polyester, with 150 g/m2 sheeps wool & 350 g/m2 polyester Hollofyl quilting. Thickness 21 cm.
Available for the following sleep areas: 160 x 200, 180 x 200 (1 part)
Headboard in panels of particleboard clad in Bultex foam; cover has quilted buttoned detailing on front. Must be xed to a wall using the steel rail provided. Headboard may be sold separately, or else complemented with an upholstered bed frame:this may be covered in any fabric from the Ligne Roset collection (NB except technical impossibilities) &can be used in conjunction with any type of slatted base or mattress.
Bed with low headboard H 85 W 178/198 L 235; seat 27 Bed with high headboard H 110 W 178/198 L 235; seat 42
Single bed H 49 W 97 L 212; sleep area 90 x 200 Nesting bed H 49 W 212 D 127; sleep area 120 x 200 Pull-out bed sleep area 90 x 200
175
Bedrooms
Please refer to your Ligne Roset stockist for full details of this range.
Please refer to your Ligne Roset stockist for full details of this range.
Please refer to your Ligne Roset stockist for full details of this range.
1-door chest H 191 W 62 D 47 2-door chest H 191 W 112 D 62 Shelving unit H 191 W 62 D 35.2
177
Home Office
179
180
Ursuline Pierre Paulin Work&Look Pagnon & Pelhatre Rewrite GamFratesi
Home Office
Home Office
Rewrite GamFratesi
A little jewel of modernity & softness, with a private workspace concealed within a soundproofed bubble. Bubble/screen in breglass clad in polyether foam & any colour of Divina fabric; desk with solid walnut legs & walnut veneered MDF top, with slit cable port to rear in solid walnut. A white lacquered steel chest, located beneath the top, takes transformers & cables.
Overall dimensions H 148 W 101.2 D 75
Dimensions H 150 W 80 D 50
Further Hyannis Port products can be found in the Dining Rooms & Storage sections.
Dimensions H 74 W 130 D 60
Dimensions H 85 W 110/150 D 35
183
Home Office
Dimensions H 122.8 W 90 D 44
Dimensions H 217 W 63 D 43
Secretaire/secretaire-bar H 189.5 W 90 D 45
185
Lighting
Trpied Normal Studio
187
Lighting
188
Stripes Philippe Nigro Bloom Hiroshi Kawano Solveig Avril de Pastre
Lighting
Max dimensions when open H 202 W 268 D 65.5 Dimensions when closed H 198 W 133
Bul
Adjustable light offering two positions depending on the angle of the stem: a reading light H 145, or a oor lamp H 185. Structure in matt black or white-painted metal, with matching neoprene shade.
Sam
Luminous totem in anodised aluminium with grey lacquered base. Other nishes also available: black lacquered aluminium with black lacquered base; white lacquered
Sam
aluminium with white lacquered base. Equipped with uorescent tube & halogen light, & optional full-height mirror on front.
Table lamp H 40 11
191
Lighting
Dimensions T. Desombre
A large oor lamp with pivoting stem in square-section curved metal nished in satin-nish black or white lacquer, with brilliant-chromed pull-out section. Black lacquered lamps: black cotton shade with white interior. White lacquered lamps: white cotton shade with white interior.
Floor lamp, arm fully extended H 219 W 240 Floor lamp, arm folded H 200 W 126
Dimensions (with arm at 90 to base) H 150 W 112.5 Dimensions (with arm fully extended) H 205 W 68
Floor standard lamp H 185 55, overall width W 168 Ceiling light H 150 55; H 255 80 (new size)
193
Lighting
Suspended ceiling light/1 shade H 135 45 Suspended ceiling light/2 shades H 135 W 40 D 30
Wall light H 16 W 10 D 18
63 Thomas Rodriguez
Ceiling light with Epoxy black lacquered aluminium shade & ceiling tting (sky blue interior of shade becomes white once illuminated). Also available as a table lamp (see right).
63 Thomas Rodriguez
Table lamp with Epoxy black lacquered aluminium shade (white interior) & transparent methacrylate ring. Transparent cable & switch. Also available as a ceiling light (see left).
Table lamp H 51 40
Wall light H 37 W 58
Wall light H 48 W 58
195
Lighting
Mtamorphosis G. Bardet
Apologies, this item is not available in the UK & Ireland.
Chio
Small white lights on a tangle of aluminium wire, encased in a smoked Plexiglass box.
Chio
Small white lights on a tangle of aluminium wire, encased in a clear Plexiglass box.
Illuminated table H 50 W 50 D 50
Small H 60 W 23 D 15 Large H 90 W 23 D 15
Small H 60 W 23 D 15
Wall/ceiling light L 89 W 11 D 4
Table lamp H 35 35
Small H 42 W 35 D 35 Large H 74 W 35 D 35
Table lamp H 12 W 8 D 13
Mini table lamp H 31.5 17 Small table lamp H 51 22 Large table lamp H 72.5 30 Free-standing light H 32 16
197
Accessories
Asira Aurelie Tu
199
Asira Aurelie Tu
Decorative vase in wool felt, cut & woven by hand in a sheltered workshop. Choice of pavot/anthracite, anthracite/pavot, perle/turquoise, turquoise/perle.
H 29 26
Jo Eric Jourdan
Vases in moulded ceramic nished in gloss red or blue enamel on the interior & front, & sanded matt white enamel on the rear (rounded).
Short neck H 39 W 16 D 13; long neck H 39 W 12 D 10
Roseau No Duchaufour-Lawrance
White ceramic vases in the shape of the rst shoots of a plant, which may be dressed with twigs or owers.
Solo B. Kuehne-Thompson
Apologies, this item is no longer available in the UK & Ireland.
Contemplation Frst
Vase in 6 mm thick clear toughened lacquered (grey/ turquoise blue) glass. Supplied with a clear plastic water sachet. Also available in mirrored glass.
Tubes M. Lubkowska-Jonas
Vases in amber-coloured moulded mouth-blown glass. Also available in black or white.
H 45 9.5 H 50 18
Cascade Design By O
Set of vases in moulded gloss white enamelled ceramic.
Small H 30 W 16 L 20 Medium H 35 W 24 L 30 Large H 40 W 36 L 41
H 53 W 54 D 10
Ligne Roset
Ash tray in polished aluminium alloy.
H8 W9 D9
Liquorice
Vases in double-layer mouth-blown glass with grey-blue exteriors & grape-coloured interiors. Hand-cut nish. Each piece is unique.
Small H 25.5 13 Medium H 33.5 13; Large H 40 13
Rectangular pot holder in galvanized sheet steel. Finished in anthracite polyester lacquer. Large H 55 W 76 D 43
201
Along
Low or high baskets in black woven rattan.
H 35 56 & H 45 35
Jo Eric Jourdan
203
205
Rouge
Courchevel
Rug in 100% cowhide. Patchwork consists of 11 cm squares, sewn together. The colour brown is always in the centre, with white on the periphery.
Link
Hand woven rug in 60% polyester/40% cotton. Choice of gold, silver, red or black. Available in standard size, or with dimensions to choice.
gold
black
red
brown-beige
207
Marguerite
Rug made from black, white & brown natural cowhide, or in ebony, caramel, chocolate, grey or black. Please bear in mind that since each hide is unique, the markings on each rug will vary.
Approx. dimensions 5 m2
red
grey
ebony
chocolate
black/brown
Dimensions 220
Multi Lines
A fabulous hand tufted rug in felt & pure Woolmark wool, bearing the mark, wools of New Zealand. Choice of 6 colour combinations: gris/noir, brun/beige, rouge/orange, gris/brun, bordeaux/prune & brun/prune. Shown here in gris/brun.
Multi Lines
A fabulous hand tufted rug in felt & pure Woolmark wool, bearing the mark, wools of New Zealand. Choice of 6 colour combinations: gris/noir, brun/beige, rouge/orange, gris/brun, bordeaux/prune & brun/prune. Shown here in bordeaux/prune.
Viscosa
Hand-tufted rug in 90% bamboo viscose/10% cotton, in chenille (15 mm loops) or thin tuft (9 mm loops) versions; or in 75% viscose/22.5% bamboo viscose/2.5% cotton, with thin tufts & chenille stripes or thin tufts & contrast stripes (7/9 mm loops). Stripes run across the width; contrasting colour of stripes not modiable. Choice of caf au lait, caf noir, glacier or ivoire.
Fisheye
Hand-tufted rug in 80% wool / 20% cotton. Choice of black or white.
Dimensions to choice
Dimensions to choice
Dimensions to choice
brun/beige
gris/noir
rouge/orange
brun/prune
caf au lait
glacier
ivoire
black
Silk Plush
Machine-tufted rug in 100% silk with shimmereffect. Choice of gold, silver or bronze.
Dimensions to choice.
black/slate
gold
bronze
209
Solo
Hand tufted rug in 100% pure New Zealand wool. Dimensions & colours to choice (choice of 48 colours).
Dimensions to choice.
bronze
silver
Dimensions to choice.
Saisons
Hand-woven rug in 60% cotton/40% polyester. Available in round or rectangular version; choice of printemps, t, automne, hiver, silver, white, grey, black & white or burnished red.
Saisons
Hand-woven rug in 60% cotton/40% polyester. Available in round or rectangular version; choice of printemps, t, automne, hiver, silver, white, grey, black & white or burnished red.
burnished red
white
automne
hiver
Soft et Doux
Machine-tufted rug in 82% polyester/18% pure New Zealand wool. Choice of black, grey, cream, white or blue.
Sarment
Machine-tufted rug in 100% linen. The motif is obtained by mixing straight (cut) and looped tufts. Available in white, pink, beige, blue, brown or anthracite.
Dimensions to choice.
light blue
white
beige
grey
cream
white
anthracite
brown
blue
Caviale
Hand tufted rug in 100% Woolmark wool, bearing the mark, wools of New Zealand. Hypoallergenic. Choice of 10 colours.
Caviale
Hand tufted rug in 100% Woolmark wool, bearing the mark, wools of New Zealand. Hypoallergenic. Choice of 10 colours.
Dimensions to choice.
Dimensions to choice.
beige
brown
cru
granit
grape
orange
rose
210
Cantata
Cushion cover in 45% linen / 40% cotton / 15% polyethersulfone. Available in black or baileys/argent.
Dimensions 50 x 50
Esaura
Cushion cover in 23% viscose / 77% polyester. Available in blanc/argent or noir/dor.
Dimensions 50 x 50
Gama
Cushion cover in 100% cotton. Choice of noir/olive or ivoire/violet.
Dimensions 50 x 50
Vertical
Cushion cover in 70% viscose / 30% polyester mix. Brown.
Dimensions 50 x 50
Zellige
Throw in 100% machine-woven cotton.
W 130 L 220
Electro
Throw in 100% machine-woven cotton.
W 130 L 170
Dchir
Cushion cover in 87% cotton / 13% polyamide. Choice of white or black.
Dimensions 50 x 50
Eddy
Throw in 85% wool / 15% polyester. Choice of cru/gris chin, cru/noir chin or noir/rouge chin.
W 130 L 140
Sville
Cushion cover with lacy oral motif in 54% cotton / 45% polyamide / 1% polyurethane. Choice of black or white.
Dimensions 50 x 50
Asia
Cushion cover in 62% polyamide / 20% polyester / 18% viscose mix. Choice of gold or black.
Dimensions 50 x 50
Husky
A cosy eecy plaid in a choice of cru, grape or pink.
Dimensions 180 x 220
Tonalits
Bedlinen in 100% cotton satin (115 g/m2) with Venice openwork (NB not at sheet). The 60 x 60 & 80 x 80 pillowcase has 4 ounces, whilst the 70 x 45 pillowcase.
Tonalits
has 2. Colours may be selected from a swatch of 98 colours please ask your Ligne Roset stockist for further details.
Boston
Bedding in prewashed white BOSTON material (100% mercerised cotton jacquard), with a lining of 100% mercerised satin cotton. Flat sheets & tted sheets in 100% mercerised cotton. Pillowcases in 100% cotton. Available in a range of sizes.
Constellation V. Barkowski
Collection of bedlinen in white 100%cotton percale with black traditionally block-printed square motifs.
Max
Zef
Curtain fabric in 92% linen / 8% polyamide. Colour: natural.
212
213
Textiles, Service Live your style. Let Ligne Roset help you live your life the way you want to!
Our aim: your total satisfaction a convincing offer, with the service to match.
Innovation
At Ligne Roset, innovation is our tradition. As a pioneer & critical observer of societal change, Ligne Roset is continually forging new paths, collaborating with both prominent designers & new young talent from all over the world. Whether ground-breakingly innovative or just plain elegant, each & every one of our designers creations will last for decades & their appeal will be timeless.
Competent advice
Your sales advisor will help you nd the best possible solution for your living space, to perfectly suit both your taste & your requirements selecting them from our broad collections of upholstery, tables, chairs, sideboards, beds, storage furniture, lighting & accessories.
215
Awards
Grillage, Design Franois Azambourg, pages 17, 18: WALLPAPER award: best use of material 2012 Cuts, Design Philippe Nigro, pages 3637: interior innovation award cologne 2012: Best of the Best Ploum, Design Ronan & Erwan Bouroullec, pages 7273, 93: red dot award: product design 2011, red dot: best of the best iF product design award 2012 interior innovation award cologne 2012:Best of the Best Good Design 2011 ELLE DECORATION International Design Award 2012 LObserveur du Design 2012 VIA Label 2011 nomination: Design Week Awards 2012 nominated for the German Design Award 2013 Serpentine, Design Elonore Nalet, pages 1718, 151: VIA Label 2012 The following products have also been awarded a VIALabel: Rsille side table (2012), Giro foostool, Stripes & Arnaud lights (2011) Lou, Design Patrick Jouin, page 115: interior innovation award cologne 2011: winner Lantern, Design Mathias Hahn, page 194: iF product design award 2011 interior innovation award cologne 2011: winner nominated for the Designpreis der Bundesrepublik Deutschland 2012 Ruch, Design Inga Semp, pages 7879, 93: Good Design 2010 ELLE DECORATION International Design Award 2011 nominated for the Designpreis der Bundesrepublik Deutschland 2011 red dot award: product design 2010, red dot: winner interior innovation award cologne 2010: Best Detail Ted, Design Peter Maly: nominated for the Designpreis der Bundesrepublik Deutschland 2011 interior innovation award cologne 2010: Classic Innovation Split, Design Meike Beyer, page 185: red dot award: product design 2009, honourable mention interior innovation award cologne 2009: Best Detail Grand Designs Awards: Best Furniture Design: Finalist 2009 Con uences, Design Philippe Nigro, pages 8081, 94: iF product design award 2010 nominated for the Designpreis der Bundesrepublik Deutschland 2010 Good Design 2009 red dot award: product design 2009, red dot: best of the best interior innovation award cologne 2009: Best Item interior innovation award cologne 2009: Best System VIA Label 2009 (valorisation de linnovation dans lameublement) YOUNG & DESIGN 2009 Pumpkin, Design Pierre Paulin, pages 7071, 94, 114: nominated for the Designpreis der Bundesrepublik Deutschland 2009 red dot award: product design 2008, red dot: winner interior innovation award cologne 2008: Classic Innovation Lines, Design Peter Maly, pages 3839: nominated for the Designpreis der Bundesrepublik Deutschland 2010 Good Design 2008 Mol, Design Inga Semp, pages 95, 115: red dot award: product design 2007, red dot: best of the best nominated for the Designpreis der Bundesrepublik Deutschland 2008 Grand Designs Awards 2007: best furniture design Facett, Design Ronan & Erwan Bouroullec, pages 7475, 93, 113: red dot award: product design 2005, red dot: best of the best interior innovation award cologne 2005: Best Item iF product design award 2006 nominated for the Designpreis der Bundesrepublik Deutschland 2006 VIA Label 2005 (valorisation de linnovation dans lameublement) Wallpaper* Design Award 2005 ICFF Editors Awards 2005 Smala, Design Pascal Mourgue, pages 92, 96: red dot award: product design 2000, red dot: winner iF product design award 2001 VIA Label 2000 (valorisation de linnovation dans lameublement) LObserveur du Design 2001
Index
A
Abracadabra 144 Adam&Eve 124 Air Cup 144 French Line Giardinetto Goodie
209
Gama
212 127
dEdo 201 Rewrite 181, 183 Rive Droite 99, 115 Rive Gauche 91, 98 Rocher accessories 203 Rocher chair 154 Rocher table 129 Roman home cinema 59 Roman hallways
Airvase 200 Alambra 212 Allusions 207 Along 203 Alpaca 213 Alster low table 121 Alster dining table 137 Alster chair 148, 155 Altiplano 213 Aluchair 155 Amis de Jean
204205, 206
184 Roseau
201
193 Anda
161, 174175
table 124 Grande Lunatique dining table 138 Grany 62 Grillage armchair 152 112 Grillage chair 153 Grillage table 139 Guggen armchair 115 Guggen chair 150,
Rotor 122 Ruch settee 7879, 93 Ruch bedroom 162163, 174175, 177 Rythme 121 126 Sacha
Anneau 113 Antigone low table 121 Antigone dining table 136 Antonia 144 Anytime 122 Aphrodite 64 Arcata 208 Archi 114 Arnaud 197 Aroun 196 Asia 212 Asira 198199, 200 Audrey 193 Ava 137 Awabi 195 Azra
Saari 203
190 Saisons
148, 151
Sakhaline
197 Sala
123 Salma
144
114 Hide&Seek
65 Hues
121
Sam 191 Sans Fin 206 Sarment 210 Seram low table 122 Seram dining table 139 Serpentine 195 Sville
207
Backwide
190 Barbara
192
Husky 213 Hyannis Port storage 4849 Hyannis Port dining table 138 Hyannis Port sideboard 143 Hyannis Port home offi ffice 182 Hybride 8485, 96 12 Iole
Baskettino/Basketto/Baskettone 125 Belem 8889, 97 Belize 65 Bianco 134135, 136 Bidum 203 Biscuit 67 Black 66 Blackbird 125 Black Forest 127 Block News
212 Shadow Cabinet 64 Silk Plush 209 Silk Ribbon 210 Silicate 144 Simple Bridge
Incline
145 Inox
129 Intersections
123
armchair 113 Simplissimo chair 151 Slats 203 Smala 92, 96 Smoke & Doux
203
104, 105
201 So
201
Book&Look low table 122 Book&Look storage 2629 Book&Look home cinema 59 Book&Look sideboard 143 Boston 212 Bourgogne & Bordeaux 200 Brooklyn
Kasumi 195
210 Soft CD
208 Solo
accessories
201 Solo
Plic 195 La Plie 156 Lamp06 193 Lancaster 2 156 Lantern 194 La Secrte 178179, 182 Lau 144 Les 100 Pas 207 Les Deux 201 Les Oiseaux 200 Ligne Roset
Somerset 196 Sosie 62 Splash 208 Split 185 Spool 129 Spoutnik 197 145 Stack 201 Strates
122 Stricto
209 Cascade
201 Caviale
210 Cemia
201 Linae
3839 Lines
5859 Cemia
sideboard 143 Link 206 Linosa 121 Liquorice 200 Loa 195 Long Pot 201 Lou settee 97 Lou armchair 115 Louis 5D 195 Louise 151 Love me 127 Lovey 126 Luca Soft armchair 113 Luca Soft chair 152 Lucile 195 Lumeo bedroom
129 Tania
156 Tanis
bedroom 177 Chantal 196 Chanterelle 127 Chio 197 Chiwawa sideboard 197 Chroma Lux
114 Teri 66 Thot 126 Togo 7677, 94, 115 Tonalits 41 Tout Seul 62 Translation
195 Cible
home cinema
storage Trinitas
40 Travel bedroom
174175 Cineline
55
home offi ffice 184 Circles 128 Circus 194 Citadine 136 Citta 90, 99 Clara 63 Clouds 67 Clover Pot 200 Colour Lamp 195 Compas 124 Conuences 8081, 94 Conico 128 Constellation 212 Contemplation 200 Contours storage
offi ffice 183 Lunatique 124 Lupo 123 Lux 197 Marble Wood 123 Meli Melo Mirlino
195 Triomphe
157 Trois
Mag Frame 203 Malang 125 Malhoun 98 Mama 191 124 Marcella
Planches 144 Trolley 129 Trompe lil 67 Tubes 201 TV 153 Twist 207
154 Marcello
154 115
Vakka
59
124 Menhir
Rose chair 155 Villa Rose desk 182 Viscosa 209 Wall Figure 184
Contours dining table 130131, 137 Contours sideboard 143 Contours home office ffi 192 Crochetowers
157 Mirrko
65 Mixte storage
125 Work&Look
180,
143 201
home cinema
59 Mixte sideboard
Mobidec 152 Mol settee 95 Mol armchair 110, 115 Mon Beau Miroir 164165, 175 Neo Nomade 118, 121
212 Cut
145 Cutting
63 Mostra
105 190
Danse 191
20 Hangers 62
Nador
Deca 126 Dchir 212 Drive 2 106107 112 Desa 196 Diamant 126 Dimensions 192 Dino accessories 203 Dino low table
126 Night
97 Nomade Express
5053 Dino
sideboard 143 Dino home office ffi 182 Divines Couleurs 209 Doc
Oka 5657 Okumi 108109, 112 Ondes 65 Origami 200 Orikata-One 194 Ottoman settee
126 Dolmen
196 Dorset
191 Dots
212
8283, 95
66 Eddy
armchair 113 Elsa chair 154 Elyse settee 6869, 93 112, Elyse table 127 Elytre 122 Endless 64 Entailles 95 Entrelacs
127 Paola
128
Papillon 155 Paraffin ffi 144, 203 Paranod 2 193 Parigi 119, 125 Pascal Mourgue 191 Passe-Passe 62 Patch 126 Passio settee 144 Pebble
208 Eplaff ff
145 Esaura
212 Espace
Temps 203 Etagre De Coin 62 Everywhere storage 4247 Everywhere home cinema 59 Everywhere sideboard 142, 143 Everywhere bedroom 176 Everywhere home offi ffice Extensia armchair armchair
94 Passio armchair
113 Paysages
123 Peignes
123
Peninsule 129 Person 65 Petite Sieste 115 Petra 153 Petrus 157 Peye 190 Pharo 197 Piazza 139 Picnic 116117, 125 Piet Pockman
144 Exclusif
8687, 98
138
Facett settee
206 Plate
196 Ploum
7273, 93
154 Fantmes
201 Polygon
200 Poms
185 Pont
124
Ponton 123 Pression 201 Pulap 144 Pumpkin settee 7071, 94 Pumpkin armchair 114
112 Fil 155 Finn 156 Fisheye 209 Flax 111, 115 Flora 207 Folk 149, 151 Frames 66 French Dots 212
Rsille armchair
139 Rve
www.ligne-roset.co.uk