Professional Documents
Culture Documents
Preservation Plan
Preservation Plan
Preservation Plan
April 3, 2009
Prepared by
Heather Davis
Consulting Archivist
Table of Contents
A. INTRODUCTION 3
B. DESCRIPTION OF COLLECTION 4
E. BIBLIOGRAPHY 10
F. APPENDIX 11
A. Introduction
My name is Heather Davis and I am the Archives Consultant to the Zine
Archive Publishing Project (ZAPP) at Richard Hugo House. I became
involved with ZAPP in May 2008 when I was contacted to assess the
collection and make recommendations for comprehensive preservation
of the archive.
There are currently over 20,000 zines and 2,000 mini comics organized
into approximately 30 categories in the ZAPP collection facility at
Richard Hugo House in Seattle, Washington. The collection is home to a
multitude of personal and grassroots histories that give voice and
expression to issues of race, ethnicity, women, and marginalized
2
H e a t h e r D a v i s
2337 12th Avenue East | Seattle, WA 98102-4015
(206) 755-4837
hcddavis@mac.com
Preservation Plan
Zine Archives and Publishing Project (ZAPP)
B. Description of Collection
Zine Archives and Publishing Project (ZAPP), a program of Richard
Hugo House (RHH), was founded in 1996 in the Capitol Hill
neighborhood of Seattle and is “devoted to collecting, preserving and
promoting self-published and independent zines, comics and other
hard-to-classify small press periodicals of all types…seek[ing] to
maintain, validate and make accessible publications outside the
literary mainstream”().
H e a t h e r D a v i s
2337 12th Avenue East | Seattle, WA 98102-4015
(206) 755-4837
hcddavis@mac.com
Preservation Plan
Zine Archives and Publishing Project (ZAPP)
for alternate location in the House. Nora Mukaihata, ZAPP and Library
Manager, made the decision to move ZAPP to the easternmost side of
the second floor of RHH, which provided a drier storage space and less
direct sunlight in the space. At this time the entire collection is housed
in this room on the second floor.
Preservation Priorities
For future preservation efforts it is imperative to keep a log of daily
preservation contributed to by all those affiliated and working with the
ZAPP collection. Identifying and keeping track of preservation work
creates a trail of work that has been done and points to additional work
that needs to be completed to safeguard these materials for the future.
There are two logs appended to this plan that should be kept in
conjunction with preservation work.5 Record daily work on “Log of
Collection Preservation Work” (see Appendix B). Preservation issues
(e.g., mold spores, water damage, newsprint) should be brought to the
1
E.g., letterpress, hand printing, wood block printing, lithography.
2
E.g., perfect, coil, Coptic, tape, stitched.
3
E.g., copy paper, newsprint.
4
E.g., audiocassette, poster, compact disc.
5
The forms may be amended in collaboration with Archives Consultant.
4
H e a t h e r D a v i s
2337 12th Avenue East | Seattle, WA 98102-4015
(206) 755-4837
hcddavis@mac.com
Preservation Plan
Zine Archives and Publishing Project (ZAPP)
Two windows are located at the rear of the ZAPP space. These two
windows can, at certain times throughout the day, bring in UV light in
addition to that of the overhead lighting. It is recommended that both
windows be masked off with ultraviolet filtering film to prevent the
collection from prolonged exposure to sunlight.
As zines are cataloged either of two follow-up steps can be taken: (a)
H e a t h e r D a v i s
2337 12th Avenue East | Seattle, WA 98102-4015
(206) 755-4837
hcddavis@mac.com
Preservation Plan
Zine Archives and Publishing Project (ZAPP)
write catalog information on an ID strip and use the tab to attach the
strip to the zine or (b) record the identifying number and information
on the zines in pencil. Since identifying marks are in pencil this is a
measure that can be reversed.
3. Re-housing the browsing copies
In order to prevent further damage to the browsing collection from
possible environmental conditions each zine should be placed in a
chemically inert polyethylene, polystyrene, or polyester (Mylar) bag.6
When zines are cataloged either of two follow-up steps can be taken:
(a) write catalog information on ID strip and use the tab to attach the
strip to the zine or (b) record the identifying number and information
on the zines in pencil. Since the marks are in pencil this is a measure
that can be reversed.
4. Re-housing the browsing collection
When other aspects of preservation of the zine collection have been
completed the next step will be to move the zines out of cardboard
boxes and into archival magazine file boxes.
H e a t h e r D a v i s
2337 12th Avenue East | Seattle, WA 98102-4015
(206) 755-4837
hcddavis@mac.com
Preservation Plan
Zine Archives and Publishing Project (ZAPP)
7
It is recommended a preservation professional be consulted before selecting the
moisture-borne polyurethane to ensure it meets current standards.
8
These vendors are suggested; ZAPP may use alternate vendors, provided
preservation guidelines for the project are followed as detailed in plan.
7
H e a t h e r D a v i s
2337 12th Avenue East | Seattle, WA 98102-4015
(206) 755-4837
hcddavis@mac.com
Preservation Plan
Zine Archives and Publishing Project (ZAPP)
H e a t h e r D a v i s
2337 12th Avenue East | Seattle, WA 98102-4015
(206) 755-4837
hcddavis@mac.com
Preservation Plan
Zine Archives and Publishing Project (ZAPP)
E. Bibliography
Balloffet, Nelly, Jenny Hille, and Reed A. Judith. Preservation and conservation for
libraries and archives. 4. Edited by Judith A. Reed. Chicago, Illinois: American Library
Association, 2005.
H e a t h e r D a v i s
2337 12th Avenue East | Seattle, WA 98102-4015
(206) 755-4837
hcddavis@mac.com
Preservation Plan
Zine Archives and Publishing Project (ZAPP)
F. Appendix
10
H e a t h e r D a v i s
2337 12th Avenue East | Seattle, WA 98102-4015
(206) 755-4837
hcddavis@mac.com